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Two of the biggest pop stars in the universe | 0:00:02 | 0:00:04 | |
are about to go into battle. Queen of Pop Cheryl Cole | 0:00:04 | 0:00:06 | |
against Kings of Rock the Arctic Monkeys. | 0:00:06 | 0:00:08 | |
There can only be one winner, | 0:00:08 | 0:00:11 | |
so stay right here. I'm Amberley Lobo and this is Pop Slam. | 0:00:11 | 0:00:16 | |
Going head-to-head, we've got... | 0:00:31 | 0:00:34 | |
# How d'you think I feel when you call my name? | 0:00:34 | 0:00:38 | |
-# You got me confused... # -..Cheryl Cole. | 0:00:38 | 0:00:40 | |
# How do you think I feel when you call my name... # | 0:00:41 | 0:00:45 | |
She's the Geordie singing sensation who's spent more than a decade | 0:00:45 | 0:00:49 | |
recording hit after hit. | 0:00:49 | 0:00:50 | |
And along the way, she's become a serious style icon. | 0:00:50 | 0:00:55 | |
But how will she fare against... | 0:00:55 | 0:00:57 | |
..The Arctic Monkeys? | 0:01:02 | 0:01:05 | |
They're a bunch of talented Yorkshire lads | 0:01:05 | 0:01:08 | |
who've grown into a global mega rock band, | 0:01:08 | 0:01:11 | |
winning awards and filling stadiums across the world. | 0:01:11 | 0:01:14 | |
This Pop Slam is going to be huge. | 0:01:15 | 0:01:18 | |
Whose team are you on? Team Cheryl or Team Arctics? | 0:01:18 | 0:01:22 | |
I'm going to be delving into the lives of these megastars | 0:01:25 | 0:01:27 | |
to see who has what it takes to win the ultimate prize | 0:01:27 | 0:01:30 | |
in pop music - the Ambo! | 0:01:30 | 0:01:33 | |
There's only one way to win the Ambo, and that's by gaining as many | 0:01:33 | 0:01:37 | |
of my Ambo points as possible. | 0:01:37 | 0:01:41 | |
I'll be dishing them out over three slamming rounds of poposity... | 0:01:41 | 0:01:44 | |
..where I meet the people who knew the stars back in the day... | 0:01:46 | 0:01:49 | |
..then I check out how hard they've been working | 0:01:51 | 0:01:54 | |
and finally, I scrutinise their style. | 0:01:54 | 0:01:57 | |
All before the big moment. | 0:01:57 | 0:01:59 | |
And the winner of the Ambo is... | 0:02:01 | 0:02:03 | |
Now, you might not agree with the outcome, | 0:02:04 | 0:02:06 | |
and if not, get to the CBBC website and have your say. | 0:02:06 | 0:02:09 | |
But seriously, who do you think's going to win? | 0:02:10 | 0:02:12 | |
It's anyone's game at this point. | 0:02:12 | 0:02:14 | |
Cheryl, Arctic Monkeys... Cheryl, Arctic Monkeys... | 0:02:14 | 0:02:18 | |
Who knows? It's time for Pop Slam. | 0:02:18 | 0:02:20 | |
Round One - Pop Potential. | 0:02:26 | 0:02:28 | |
This is all about how our stars made it. | 0:02:28 | 0:02:32 | |
# I'm sure you'll tell me anything under the sun... # | 0:02:32 | 0:02:37 | |
Cheryl, she's such a big superstar, she doesn't even need a last name. | 0:02:37 | 0:02:42 | |
But back when she was known as Cheryl Tweedy, | 0:02:42 | 0:02:44 | |
she was right here, in Newcastle. | 0:02:44 | 0:02:46 | |
Meanwhile, the Arctic Monkeys | 0:02:49 | 0:02:51 | |
are currently playing to massive crowds across the world. | 0:02:51 | 0:02:55 | |
But before all the arenas, the Arctic Monkeys | 0:02:55 | 0:02:57 | |
were learning to rock right here, in Sheffield. | 0:02:57 | 0:03:01 | |
So how did the Arctic Monkeys and Cheryl hit the big time? | 0:03:01 | 0:03:04 | |
Let's begin with Chezzer. | 0:03:05 | 0:03:08 | |
# We've gotta fight, fight, fight, fight, fight for this love | 0:03:08 | 0:03:11 | |
# We've gotta fight, fight, fight, fight, fight for this love... # | 0:03:11 | 0:03:15 | |
This is the neighbourhood Cheryl grew up in. | 0:03:15 | 0:03:18 | |
In a few short years, she went from here to being top of the charts | 0:03:18 | 0:03:21 | |
and one of the most famous women in Britain. | 0:03:21 | 0:03:23 | |
# Now every day ain't gonna be no picnic | 0:03:24 | 0:03:27 | |
# Love ain't no walk in the park... # | 0:03:27 | 0:03:31 | |
Cheryl's always been a star. She was just in nappies | 0:03:31 | 0:03:34 | |
when she won Newcastle's Bonniest Baby competition | 0:03:34 | 0:03:37 | |
and then, she hit the big time. | 0:03:37 | 0:03:40 | |
# One, two, three, yo Gimme 5... # | 0:03:40 | 0:03:42 | |
Well, sort of. | 0:03:42 | 0:03:44 | |
In 1993, Cheryl appeared on a Saturday morning show | 0:03:44 | 0:03:47 | |
called Gimme 5. | 0:03:47 | 0:03:49 | |
But she wasn't there to sing, no. | 0:03:49 | 0:03:51 | |
She was there to show off her awesome ballet skills. | 0:03:51 | 0:03:55 | |
It just so happens we have a potential superstar of the ballet | 0:03:55 | 0:03:58 | |
world, who's... Well, you started off in our Gimme 5 titles. | 0:03:58 | 0:04:01 | |
-And her name's Cheryl Tweedy. Hello, Cheryl. -Hello. | 0:04:01 | 0:04:04 | |
Awww, have three Ambo points for being on telly at such a young age. | 0:04:07 | 0:04:12 | |
# I don't need a parachute, baby if I've got you... # | 0:04:13 | 0:04:17 | |
I wanted to find out how Cheryl learned her killer moves, like this. | 0:04:17 | 0:04:21 | |
So I've come to her old dance school for all the goss. | 0:04:21 | 0:04:25 | |
Change feet... One, two, three... | 0:04:28 | 0:04:31 | |
These fancy feet belong to Michael, | 0:04:31 | 0:04:33 | |
who used to actually teach Cheryl when she was 11. | 0:04:33 | 0:04:36 | |
# I don't need a parachute, baby if I've got you... # | 0:04:36 | 0:04:40 | |
She's been putting the skills she learned here to good use | 0:04:40 | 0:04:42 | |
in her pop videos. | 0:04:42 | 0:04:44 | |
# You're going to catch me, you're going to catch me... # | 0:04:44 | 0:04:47 | |
Ooh, nice moves, Chezzer! | 0:04:47 | 0:04:49 | |
What was your initial reaction when you first met Cheryl? | 0:04:49 | 0:04:52 | |
Very keen to learn. | 0:04:52 | 0:04:53 | |
And it was obvious from the beginning that she had talent. | 0:04:53 | 0:04:56 | |
It always takes a lot of hard work. | 0:04:56 | 0:04:57 | |
It's a thing you can't teach, talent. | 0:04:57 | 0:04:59 | |
It's either there or it's not. You can't put it there. | 0:04:59 | 0:05:02 | |
You just have to try and bring it out. | 0:05:02 | 0:05:03 | |
# You're going to catch if I fall... # | 0:05:03 | 0:05:06 | |
Cheryl makes it look so easy. | 0:05:06 | 0:05:09 | |
-Time for my go. -It's good. | 0:05:09 | 0:05:11 | |
Cheryl obviously sings and does these dance moves. | 0:05:11 | 0:05:14 | |
Is that quite hard? | 0:05:14 | 0:05:16 | |
Yes, because you have to concentrate on two things at once. | 0:05:16 | 0:05:19 | |
I know, I'm struggling to ask you questions and do these dance moves! | 0:05:19 | 0:05:22 | |
I don't know how she sings and does them. | 0:05:22 | 0:05:24 | |
She must be amazing. | 0:05:24 | 0:05:26 | |
'Michael, what a mover!' | 0:05:26 | 0:05:28 | |
Cheryl, you had an awesome teacher. | 0:05:31 | 0:05:34 | |
Take two Ambo points for learning those elegant moves. | 0:05:34 | 0:05:37 | |
So, Cheryl Tweedy could dance, wasn't afraid of the limelight | 0:05:37 | 0:05:40 | |
and turns out she could bust a tune, too. | 0:05:40 | 0:05:42 | |
Sounds a little bit familiar. So, when one of her teachers | 0:05:42 | 0:05:45 | |
heard her singing and told her she had talent, | 0:05:45 | 0:05:48 | |
Cheryl made up her mind that pop music was her way to fame. | 0:05:48 | 0:05:51 | |
So, at age 19, she entered a new TV talent show | 0:05:51 | 0:05:54 | |
called Popstars: The Rivals. Nice move, Cheryl. | 0:05:54 | 0:05:57 | |
# Bap bap doo-wah! # | 0:05:57 | 0:05:59 | |
Back in 2002, Popstars: The Rivals was a TV singing show | 0:05:59 | 0:06:04 | |
which set out to create one girl band and one boy band. | 0:06:04 | 0:06:08 | |
And the usual mixed bag of talent turned up for auditions. | 0:06:08 | 0:06:12 | |
Next! | 0:06:12 | 0:06:13 | |
Amongst the wannabes was a nervous Cheryl Tweedy. | 0:06:13 | 0:06:16 | |
-Shall I stand here? -786, you're Cheryl? -Yeah. | 0:06:16 | 0:06:20 | |
-Tweedy. Where are you from? -Newcastle. | 0:06:20 | 0:06:23 | |
SHE SINGS: # Tell me, have you ever loved and lost somebody? | 0:06:23 | 0:06:28 | |
# Wished there was a chance to say I'm sorry | 0:06:28 | 0:06:32 | |
# I should know... # | 0:06:32 | 0:06:34 | |
We have to put her through. We have to! | 0:06:34 | 0:06:37 | |
-We'll see you back in London. -OK. | 0:06:37 | 0:06:39 | |
-OK? -Thanks very much. -Thank you. -GERI: -Gorgeous! | 0:06:39 | 0:06:42 | |
Cheryl made it through to the live shows. | 0:06:43 | 0:06:45 | |
# Baby, now that I found you I can't let you go... # | 0:06:45 | 0:06:50 | |
Her singing was great. | 0:06:50 | 0:06:53 | |
# I need you so... # | 0:06:53 | 0:06:55 | |
Her dancing? Yeah, it was good. | 0:06:55 | 0:06:57 | |
# You don't need me You don't need me... # | 0:06:57 | 0:07:01 | |
And Britain fell in love with her. | 0:07:01 | 0:07:03 | |
And, in an incredibly tense finale, she won a place in the group. | 0:07:06 | 0:07:10 | |
The first member of the band is... | 0:07:11 | 0:07:14 | |
..Cheryl! | 0:07:16 | 0:07:17 | |
Come on! SHE SCREAMS | 0:07:18 | 0:07:21 | |
# The sound of the underground | 0:07:22 | 0:07:25 | |
# The beat of the drum goes round and round... # | 0:07:25 | 0:07:27 | |
Cheryl and the band became Girls Aloud. | 0:07:27 | 0:07:30 | |
They released Sound Of The Underground, | 0:07:30 | 0:07:32 | |
which went on to outsell the rival boys' song | 0:07:32 | 0:07:35 | |
and storm to number one. | 0:07:35 | 0:07:36 | |
And that earned Cheryl three chart-topping Ambo points. | 0:07:39 | 0:07:43 | |
But that was just the start. | 0:07:43 | 0:07:46 | |
Meanwhile, down the road in Sheffield... | 0:07:46 | 0:07:48 | |
..four Yorkshire lads who called themselves the Arctic Monkeys | 0:07:52 | 0:07:56 | |
were starting to make a big name for themselves. | 0:07:56 | 0:07:58 | |
This is High Green, a quiet corner of Sheffield, | 0:08:01 | 0:08:05 | |
but back in 2001 it was about to get a whole lot louder | 0:08:05 | 0:08:09 | |
when four poor teenagers decided to form a band. | 0:08:09 | 0:08:12 | |
Little did they know it would go on to become | 0:08:12 | 0:08:14 | |
one of the greatest British rock bands of all time. | 0:08:14 | 0:08:17 | |
This is how it all happened. | 0:08:17 | 0:08:19 | |
# I bet that you look good on the dance floor | 0:08:20 | 0:08:22 | |
# I don't know if you're looking for romance or... | 0:08:22 | 0:08:25 | |
# I don't know it you're looking for | 0:08:25 | 0:08:27 | |
# I said I bet... # | 0:08:28 | 0:08:29 | |
Like many bands, the Arctic Monkeys started out as a group of mates. | 0:08:29 | 0:08:33 | |
Alex, Jamie, Andy and Matt who fancied being rock stars. | 0:08:33 | 0:08:39 | |
Alex and Jamie got guitars for Christmas, | 0:08:39 | 0:08:41 | |
Andy had a bass guitar | 0:08:41 | 0:08:42 | |
and Matt's mum bought him a £200 drum kit. | 0:08:42 | 0:08:46 | |
They had a band, they had a name - Arctic Monkeys, | 0:08:46 | 0:08:49 | |
but they had one problem, | 0:08:49 | 0:08:50 | |
none of them could actually play their instruments | 0:08:50 | 0:08:53 | |
and no-one wanted to be the lead singer. | 0:08:53 | 0:08:55 | |
# Fake tales of San Francisco echo... # | 0:09:00 | 0:09:03 | |
After a bit of persuading, Alex took to the mic | 0:09:03 | 0:09:05 | |
and the lads locked themselves away | 0:09:05 | 0:09:07 | |
for a couple of years of serious practising. | 0:09:07 | 0:09:09 | |
By 2003, they had written some songs and decided | 0:09:12 | 0:09:15 | |
it was time for the world to see the Arctic monkeys play live. | 0:09:15 | 0:09:18 | |
Their first gig, which took place at a pub in Sheffield, | 0:09:19 | 0:09:22 | |
earned them the princely sum of £27. | 0:09:22 | 0:09:26 | |
You're hardly millionaires, lads, | 0:09:26 | 0:09:28 | |
but take two Ambo points | 0:09:28 | 0:09:30 | |
for earning your first dough. | 0:09:30 | 0:09:32 | |
# Kick me out, kick me out. # | 0:09:32 | 0:09:34 | |
The Arctics had arrived | 0:09:34 | 0:09:35 | |
but they were hardly taking the world by storm. | 0:09:35 | 0:09:38 | |
What the boys desperately needed | 0:09:38 | 0:09:40 | |
was a way of getting their music out to a much wider audience. | 0:09:40 | 0:09:44 | |
The band saved up until they could afford some studio time. | 0:09:44 | 0:09:46 | |
And it was right here that the first Arctic Monkeys record was made, | 0:09:46 | 0:09:50 | |
and I'm about to meet the man who made it all happen. | 0:09:50 | 0:09:52 | |
So keen. | 0:09:52 | 0:09:54 | |
Alan was the first producer the Arctic Monkeys ever worked with. | 0:10:01 | 0:10:05 | |
Legend. | 0:10:05 | 0:10:06 | |
Take us back to 2003 when they were just emerging in Sheffield. | 0:10:06 | 0:10:10 | |
What was the buzz about them around town? | 0:10:10 | 0:10:12 | |
At that point, nothing. | 0:10:12 | 0:10:14 | |
No-one knew. | 0:10:14 | 0:10:15 | |
I went to see their second gig in The Boardwalk in Sheffield | 0:10:15 | 0:10:19 | |
and there was only 15 people there. | 0:10:19 | 0:10:21 | |
-15 people? -Yeah. | 0:10:21 | 0:10:22 | |
And what was your first impression when you saw them performing? | 0:10:22 | 0:10:25 | |
-They were a shambles. -Really? | 0:10:25 | 0:10:27 | |
Utter shambles but a really beautiful shambles to watch. | 0:10:27 | 0:10:31 | |
The lads came to Alan's studio to record what's known as a demo, | 0:10:33 | 0:10:37 | |
a collection of songs bands show to record labels | 0:10:37 | 0:10:39 | |
in the hope they'll get signed. | 0:10:39 | 0:10:41 | |
They were only 17. | 0:10:41 | 0:10:43 | |
They were giddy about being in the studio and they were excited. | 0:10:43 | 0:10:46 | |
So, the moment he started singing | 0:10:46 | 0:10:48 | |
I was completely hooked into it. | 0:10:48 | 0:10:50 | |
And then I heard the words. Cos the words were incredible. | 0:10:50 | 0:10:52 | |
So, after they recorded their demos, what happened then? | 0:10:52 | 0:10:55 | |
All their mates were saying "No, it's really good. | 0:10:55 | 0:10:58 | |
"Let's just give it away to people." | 0:10:58 | 0:11:01 | |
-Just hand it out? -Yeah. | 0:11:01 | 0:11:02 | |
But then someone else who knew... | 0:11:02 | 0:11:04 | |
It was a mate, he said, "I'm going to stick it on the internet." | 0:11:04 | 0:11:08 | |
Lads, take two Ambo points | 0:11:09 | 0:11:10 | |
for recording your first record. | 0:11:10 | 0:11:13 | |
Back in 2003, sharing music online was a very new idea | 0:11:16 | 0:11:21 | |
but the Arctic Monkeys fans were ahead of the game. | 0:11:21 | 0:11:24 | |
Word spread about how awesome they were and the band went viral. | 0:11:24 | 0:11:28 | |
# The said it changes when the sun goes down | 0:11:28 | 0:11:30 | |
# Around here... # | 0:11:30 | 0:11:32 | |
I remember like getting the first single | 0:11:32 | 0:11:34 | |
and going to my friend's, burning it off... | 0:11:34 | 0:11:36 | |
Probably not allowed to do that. | 0:11:36 | 0:11:37 | |
..and giving it to everybody I could and just going, | 0:11:37 | 0:11:39 | |
"Listen to this, this is the band | 0:11:39 | 0:11:41 | |
"that's going to define our generation." | 0:11:41 | 0:11:43 | |
# They said it changes when the sun goes down... # | 0:11:43 | 0:11:45 | |
Boys, have three Ambo points | 0:11:45 | 0:11:47 | |
for gaining a massive fan base. | 0:11:47 | 0:11:49 | |
In under a year, | 0:11:51 | 0:11:53 | |
hard work and talent had seen the Arctics move | 0:11:53 | 0:11:55 | |
from gigging in front of mates in a pub | 0:11:55 | 0:11:58 | |
to performing to packed-out crowds across the UK. | 0:11:58 | 0:12:02 | |
And not only that, they hadn't even released a proper album yet. | 0:12:02 | 0:12:05 | |
The Arctics set that straight in January, 2006, | 0:12:05 | 0:12:09 | |
when Whatever You Say I Am, That's What I'm Not came out. | 0:12:09 | 0:12:12 | |
And it became the fastest selling debut album in British history. | 0:12:12 | 0:12:16 | |
# Tonight there'll be some love. # | 0:12:16 | 0:12:18 | |
Take three Ambo points | 0:12:19 | 0:12:21 | |
for an awesome debut. | 0:12:21 | 0:12:22 | |
The Arctics had arrived. | 0:12:22 | 0:12:24 | |
Let's take a look at the scores at the end of Round One. | 0:12:24 | 0:12:27 | |
The Arctic Monkeys lead by ten | 0:12:29 | 0:12:31 | |
Ambo points to Cheryl's eight, | 0:12:31 | 0:12:33 | |
but don't write her off yet. | 0:12:33 | 0:12:35 | |
Now that we know how our stars made it, | 0:12:37 | 0:12:39 | |
let's check out how hard they've been working since then. | 0:12:39 | 0:12:42 | |
It's time for Round Two. | 0:12:42 | 0:12:45 | |
Round Two is all about what our stars have been up to | 0:12:50 | 0:12:53 | |
to make sure they stay at the top of The Charts. | 0:12:53 | 0:12:56 | |
First up, it's Cheryl. | 0:12:56 | 0:12:58 | |
Cheryl and her girls were the biggest girl group | 0:12:59 | 0:13:02 | |
of the noughties and racked up an incredible 21 top ten hits. | 0:13:02 | 0:13:07 | |
SHE MOUTHS | 0:13:07 | 0:13:08 | |
# Give it up and then they take it away | 0:13:08 | 0:13:11 | |
# A girls got to zip it up. # | 0:13:13 | 0:13:14 | |
Girls aloud owned The Charts. | 0:13:14 | 0:13:16 | |
They became one of the most successful bands | 0:13:16 | 0:13:18 | |
in British history with a monster run of hits, five massive albums, | 0:13:18 | 0:13:22 | |
sell out tours, basically we're talking mega successful. | 0:13:22 | 0:13:26 | |
# You can't mistake my biology | 0:13:26 | 0:13:28 | |
# The way that we talk | 0:13:28 | 0:13:29 | |
# The way that we walk | 0:13:29 | 0:13:31 | |
# It's there in our thoughts | 0:13:31 | 0:13:32 | |
# The magic number's in front of me... # | 0:13:32 | 0:13:34 | |
To give you an idea of how big they were, | 0:13:35 | 0:13:37 | |
they were like One Direction but with long hair and lip gloss. | 0:13:37 | 0:13:41 | |
You could get Girls Aloud dolls, a Cheryl mask | 0:13:41 | 0:13:43 | |
a Nicola eyelash set. | 0:13:43 | 0:13:45 | |
I'm not even kidding about that last one. | 0:13:45 | 0:13:47 | |
For being part of one of the biggest UK girl bands ever, | 0:13:51 | 0:13:55 | |
take four Ambo points, Chez. | 0:13:55 | 0:13:57 | |
# She's a silver lining | 0:14:02 | 0:14:04 | |
# Loan ranger riding through an open space. # | 0:14:04 | 0:14:07 | |
Meanwhile, the Arctic Monkeys have also been cleaning up | 0:14:07 | 0:14:11 | |
at the top of The Charts. | 0:14:11 | 0:14:12 | |
The lads have become masters of song writing | 0:14:13 | 0:14:16 | |
and it's earned them an incredible five, | 0:14:16 | 0:14:19 | |
yes - five, number one albums. | 0:14:19 | 0:14:21 | |
That earns them four Ambo points. | 0:14:21 | 0:14:24 | |
# Hear her say is, "Are you mine?" # | 0:14:25 | 0:14:27 | |
And it's not just Ambo points the boys have been collecting. | 0:14:28 | 0:14:32 | |
There's one thing that sets the Arctic Monkeys aside | 0:14:32 | 0:14:34 | |
from other bands - awards. | 0:14:34 | 0:14:36 | |
And these guys have won lots of them. | 0:14:36 | 0:14:38 | |
They're brilliant and I'm delighted to say they are here. | 0:14:39 | 0:14:42 | |
Please welcome to collect their award | 0:14:42 | 0:14:44 | |
the wonderful Arctic Monkeys. | 0:14:44 | 0:14:45 | |
I'm talking Mercury Music Prizes, Ivor Novello Awards, | 0:14:49 | 0:14:53 | |
NME Awards. | 0:14:53 | 0:14:55 | |
So you think they'd be fairly good at acceptance speeches, right? | 0:14:55 | 0:14:58 | |
Uh-uh. | 0:14:59 | 0:15:01 | |
# Find a well-known hardman... # | 0:15:01 | 0:15:05 | |
In 2007, the Arctics couldn't make the Brit Awards, | 0:15:05 | 0:15:09 | |
so they appeared on the big screen to accept the award | 0:15:09 | 0:15:12 | |
for Best British Group... | 0:15:12 | 0:15:13 | |
The Arctic Monkeys! | 0:15:13 | 0:15:14 | |
..dressed as characters from the Wizard Of Oz. | 0:15:15 | 0:15:18 | |
Thank you for presenting us with this most prestigious award. | 0:15:18 | 0:15:21 | |
It means a great deal considering the competition. | 0:15:21 | 0:15:24 | |
O-K. | 0:15:24 | 0:15:25 | |
A year later they landed Best British Group again. | 0:15:25 | 0:15:29 | |
Arctic Monkeys. | 0:15:29 | 0:15:30 | |
And this time turned up wearing country gent clothing. | 0:15:33 | 0:15:36 | |
Ooh, look, there's Cheryl. | 0:15:36 | 0:15:38 | |
I'm awarding them two Ambo points | 0:15:38 | 0:15:40 | |
for not taking themselves too seriously. | 0:15:40 | 0:15:42 | |
# Something kind of ooh | 0:15:44 | 0:15:45 | |
# Makes my heart go boom, boom | 0:15:45 | 0:15:47 | |
# Something 'side of me | 0:15:47 | 0:15:49 | |
# Wanting what you do oo-ooh. # | 0:15:49 | 0:15:51 | |
Back in Cheryl's world, | 0:15:51 | 0:15:52 | |
life at Girls Aloud was also red carpet-tastic, | 0:15:52 | 0:15:56 | |
but Cheryl was ready for a change. | 0:15:56 | 0:15:58 | |
She wanted to branch out on her own. | 0:15:58 | 0:16:00 | |
In 2009, when the band were on a break, the opportunity came | 0:16:00 | 0:16:04 | |
when Cheryl had the chance to sing with one of her idols - | 0:16:04 | 0:16:07 | |
Will.i.am. | 0:16:07 | 0:16:08 | |
# I'm a heartbreaker | 0:16:08 | 0:16:10 | |
# You're a heartbreaker | 0:16:10 | 0:16:12 | |
-# I'm a heartbreaker -You're a heartbreaker. # | 0:16:12 | 0:16:15 | |
Will invited Cheryl to sing on the song Heartbreaker | 0:16:15 | 0:16:17 | |
and the duet went to number four in The Charts. | 0:16:17 | 0:16:21 | |
All eyes were on her. | 0:16:21 | 0:16:22 | |
People were wondering if she could succeed after Girls Aloud, | 0:16:22 | 0:16:25 | |
and to get Will.i.am on her side | 0:16:25 | 0:16:27 | |
meant she was off to a really good start. | 0:16:27 | 0:16:30 | |
# We got to fight, fight, fight, fight | 0:16:30 | 0:16:32 | |
# Fight for this love | 0:16:32 | 0:16:33 | |
# We got to fight, fight, fight, fight | 0:16:33 | 0:16:36 | |
# Fight for this love... # | 0:16:36 | 0:16:37 | |
Cheryl released her debut solo album Three Words in 2009 | 0:16:38 | 0:16:42 | |
and it soared to number one. | 0:16:42 | 0:16:45 | |
I'm giving Cheryl four solo | 0:16:45 | 0:16:47 | |
sensational Ambo points. | 0:16:47 | 0:16:49 | |
# Fight, fight, fight, Fight for this love. # | 0:16:50 | 0:16:53 | |
And if all this musical superstardom wasn't enough, | 0:16:53 | 0:16:56 | |
Cheryl's gone from talent show star to queen of the talent show judges, | 0:16:56 | 0:17:01 | |
taking a seat on The X Factor. | 0:17:01 | 0:17:03 | |
Cheryl, take two Ambo points for | 0:17:03 | 0:17:05 | |
keeping Simon in his place. | 0:17:05 | 0:17:07 | |
# Brian | 0:17:07 | 0:17:09 | |
# Top marks for not trying | 0:17:09 | 0:17:12 | |
# So kind of you... # | 0:17:12 | 0:17:13 | |
So, how has all this hard work affected the Arctic Monkeys | 0:17:13 | 0:17:16 | |
and Cheryl's record sales? | 0:17:16 | 0:17:18 | |
# Bringing on the flood of love. # | 0:17:19 | 0:17:24 | |
Cheryl sold a staggering eight million records | 0:17:24 | 0:17:27 | |
as part of Girls Aloud, | 0:17:27 | 0:17:28 | |
but sorry, Chezza, we're only counting solo numbers | 0:17:28 | 0:17:31 | |
for this Pop Slam. | 0:17:31 | 0:17:33 | |
On her own she sold a not-to-be-sniffed-at | 0:17:33 | 0:17:36 | |
4.2 million records. | 0:17:36 | 0:17:38 | |
# I thought I saw you in the parrot's beak | 0:17:38 | 0:17:41 | |
# Messing with the smoke alarm. # | 0:17:41 | 0:17:44 | |
The Arctics have racked up a massive | 0:17:44 | 0:17:46 | |
6.9 million UK record sales. | 0:17:46 | 0:17:50 | |
Smooth going, boys. | 0:17:50 | 0:17:52 | |
So, that's three Ambo points to | 0:17:52 | 0:17:54 | |
the Arctics and two to Cheryl. | 0:17:54 | 0:17:56 | |
Let's check out what this means | 0:17:56 | 0:17:57 | |
for the scores. | 0:17:57 | 0:17:58 | |
The Arctic Monkeys | 0:18:00 | 0:18:01 | |
now have 19 Ambo points | 0:18:01 | 0:18:03 | |
with Cheryl just | 0:18:03 | 0:18:04 | |
sneaking ahead on 20. | 0:18:04 | 0:18:06 | |
So close. | 0:18:06 | 0:18:07 | |
Don't agree with me? You know what to do. | 0:18:07 | 0:18:09 | |
Get online and have your say. | 0:18:09 | 0:18:11 | |
We've seen our stars' pop potential and how hard they've worked at it | 0:18:15 | 0:18:19 | |
but now that they've reached the dizzy heights of superstardom, | 0:18:19 | 0:18:22 | |
let's see how glamorously outrageous they have become. | 0:18:22 | 0:18:24 | |
Round Three, what you got? | 0:18:24 | 0:18:26 | |
Round Three - Pop Style, | 0:18:31 | 0:18:33 | |
is all about our celebrities' lives. | 0:18:33 | 0:18:35 | |
Clothes, cars, pets or whatever else they choose to splash their cash on. | 0:18:35 | 0:18:40 | |
Both Cheryl and the Arctics come from pretty humble backgrounds, | 0:18:41 | 0:18:44 | |
but now that they're at the top of the musical tree | 0:18:44 | 0:18:46 | |
how has fame changed our stars? | 0:18:46 | 0:18:49 | |
I'm guessing for the better. | 0:18:49 | 0:18:51 | |
# Brooklyn move my soul like this | 0:18:51 | 0:18:54 | |
# Kissing my stilettos... # | 0:18:54 | 0:18:55 | |
The Cheryl we met in 2002 on Popstars | 0:18:55 | 0:18:58 | |
is hardly the glamorous Cheryl we know today. | 0:18:58 | 0:19:01 | |
Hair done, nails done, even teeth done. | 0:19:02 | 0:19:05 | |
We're talking major transformation. | 0:19:05 | 0:19:08 | |
I'm about to meet the guy who makes sure Chezza | 0:19:08 | 0:19:10 | |
really stands out on the red carpet. | 0:19:10 | 0:19:12 | |
Cheryl's always been, um, really into streetwear. | 0:19:19 | 0:19:22 | |
So she used to wear the kind of sportswear and things | 0:19:22 | 0:19:25 | |
that she'd wear like around the house. | 0:19:25 | 0:19:27 | |
I know, it would literally look like she'd just done a work out. | 0:19:27 | 0:19:30 | |
Exactly, but she slowly like brought that then | 0:19:30 | 0:19:32 | |
into what she can wear sort of day-to-day now | 0:19:32 | 0:19:36 | |
with being papped in an airport and look sensational. | 0:19:36 | 0:19:39 | |
She's quite different, isn't she, from the music videos to then | 0:19:39 | 0:19:41 | |
when she's on the red carpet and to I imagine | 0:19:41 | 0:19:43 | |
when she's in her personal life, she's probably really chilled? | 0:19:43 | 0:19:46 | |
-Yeah, absolutely. -She is really distinct. | 0:19:46 | 0:19:48 | |
But I think it's really important | 0:19:48 | 0:19:49 | |
because each of those things you mentioned, | 0:19:49 | 0:19:51 | |
you would dress differently for. Like, you'd never wear | 0:19:51 | 0:19:54 | |
one of those gowns if you were lying on the sofa watching telly or... | 0:19:54 | 0:19:57 | |
If I had access to one of those gowns maybe I would. | 0:19:57 | 0:20:00 | |
So, that's Cheryl sort of day-to-day | 0:20:00 | 0:20:02 | |
but what about her super-glam music videos? Can you help me out? | 0:20:02 | 0:20:05 | |
Well, I looked after Cheryl for The Promise video | 0:20:05 | 0:20:07 | |
with the rest of Girls Aloud. | 0:20:07 | 0:20:09 | |
# You're going to make me, make me love you | 0:20:09 | 0:20:12 | |
# Nothing at all, nothing that I do | 0:20:12 | 0:20:14 | |
# Promise I made, promise I made | 0:20:14 | 0:20:17 | |
# Starting to fade, starting to fade, babe. # | 0:20:17 | 0:20:19 | |
Frank was given the majorly-exciting job | 0:20:19 | 0:20:22 | |
of styling Cheryl in the 2008 Girls Aloud video The Promise. | 0:20:22 | 0:20:26 | |
And he's got a real treat for me. So keen. | 0:20:26 | 0:20:30 | |
-We've got the dress here from the video. -Oh, no way. | 0:20:30 | 0:20:33 | |
-Is this the actual dress? -The actual dress. Super sparkly. | 0:20:33 | 0:20:36 | |
She touched it. | 0:20:36 | 0:20:37 | |
-Can I actually put it on? -Yeah, course. | 0:20:37 | 0:20:40 | |
So keen. | 0:20:40 | 0:20:41 | |
# I can't play this like I'm meant to now | 0:20:41 | 0:20:43 | |
# My Aladdin's lamp is down... # | 0:20:43 | 0:20:46 | |
Cheryl looks amazing in the dress. | 0:20:46 | 0:20:49 | |
I can't believe I'm going to get to wear it. | 0:20:49 | 0:20:52 | |
Whoo, come on, shuffle along. | 0:20:52 | 0:20:54 | |
Who am I? Who am I? Wait for it. Wait for it. | 0:20:54 | 0:20:57 | |
# Promise I made, promise I made | 0:20:57 | 0:20:59 | |
# Starting to fade, starting to fade. # | 0:20:59 | 0:21:01 | |
You're looking fantastic | 0:21:01 | 0:21:02 | |
but I don't think Cheryl would have worn those socks with it. | 0:21:02 | 0:21:04 | |
Nothing of it. Bring it in here. | 0:21:08 | 0:21:09 | |
# Cos you're going to make... # | 0:21:12 | 0:21:14 | |
Cheryl takes three Ambo points | 0:21:14 | 0:21:15 | |
for rocking a Hollywood style, | 0:21:15 | 0:21:17 | |
but hold up, what about the Arctic Monkeys' look? | 0:21:17 | 0:21:20 | |
# From the bottom of your heart. # | 0:21:24 | 0:21:28 | |
When we first met the lads they were awkward indie kids, | 0:21:28 | 0:21:31 | |
but over the years we've watched them | 0:21:31 | 0:21:33 | |
morph into rock'n'roll royalty. | 0:21:33 | 0:21:36 | |
When the boys started out and they were in Sheffield, | 0:21:36 | 0:21:38 | |
they very much had their own image | 0:21:38 | 0:21:41 | |
and now they've had a bit of an image overhaul | 0:21:41 | 0:21:44 | |
but it's all been very cool. | 0:21:44 | 0:21:47 | |
# Blackout blind. # | 0:21:47 | 0:21:50 | |
Alex Turner's hair, I mean, that should have its own website. | 0:21:50 | 0:21:53 | |
I'm sure it probably does. It's just amazing. | 0:21:53 | 0:21:55 | |
For going all rock'n'roll retro cool | 0:21:55 | 0:21:58 | |
on us, that's two Ambo points. | 0:21:58 | 0:21:59 | |
And the Arctics have taken their new look to a whole new continent. | 0:22:01 | 0:22:05 | |
# One for the road. # | 0:22:06 | 0:22:09 | |
So you're the biggest rock'n'roll band in Britain, | 0:22:12 | 0:22:15 | |
you're headlining festivals, you've got number one albums | 0:22:15 | 0:22:17 | |
performing in front of millions of people, | 0:22:17 | 0:22:19 | |
what's the next step? | 0:22:19 | 0:22:21 | |
Ah, you move to LA, buy a big house | 0:22:21 | 0:22:23 | |
and hang out with all the beautiful people, of course. | 0:22:23 | 0:22:25 | |
And in 2011, that's exactly what the Arctic Monkeys did. | 0:22:25 | 0:22:29 | |
It's a pretty long way from Sheffield. | 0:22:29 | 0:22:31 | |
# Brick by brick. # | 0:22:31 | 0:22:34 | |
After spending some time touring in the US, | 0:22:34 | 0:22:37 | |
the lads decided LA was the place to record their fourth album, | 0:22:37 | 0:22:41 | |
so, naturally, they set up camp in the Hollywood Hills. | 0:22:41 | 0:22:44 | |
To keep themselves out of trouble, | 0:22:48 | 0:22:50 | |
the boys rented themselves a modest - not in my words - | 0:22:50 | 0:22:53 | |
£3 million mansion. | 0:22:53 | 0:22:55 | |
Let me drop some stats at you. | 0:22:55 | 0:22:57 | |
It had six bedrooms, eight bathrooms, a pool, a sauna, | 0:22:57 | 0:23:00 | |
an outdoor kitchen, ooh, and don't forget the library. | 0:23:00 | 0:23:03 | |
And isn't it right here? | 0:23:03 | 0:23:04 | |
A-list celebrity LA pad, | 0:23:05 | 0:23:07 | |
two Ambo points. | 0:23:07 | 0:23:08 | |
Estate agent Tony has agreed to give me the lowdown | 0:23:13 | 0:23:16 | |
on this celebrity zip code. | 0:23:16 | 0:23:18 | |
OK, Tony, we have a situation. | 0:23:18 | 0:23:20 | |
I am a rock star, I just sold my place in Sheffield | 0:23:20 | 0:23:22 | |
and I'm looking to move into the area. | 0:23:22 | 0:23:24 | |
I have got a cool 400,000. What can I start with? | 0:23:24 | 0:23:29 | |
Unfortunately, Amberley, | 0:23:29 | 0:23:30 | |
400,000 ain't going to cut it in this neighbourhood. | 0:23:30 | 0:23:33 | |
Oh, OK. I can maybe stretch it up to about a million. | 0:23:33 | 0:23:36 | |
You're going to have two stretch it up to at least two million. | 0:23:37 | 0:23:40 | |
Can you do that? | 0:23:40 | 0:23:41 | |
I will call my mum and maybe the rest of my entire family | 0:23:41 | 0:23:44 | |
and my friends and we will network and I'll make it happen. | 0:23:44 | 0:23:48 | |
But, sell it to me, why do I want to move into this area? | 0:23:48 | 0:23:51 | |
What kind of people live in here? | 0:23:51 | 0:23:53 | |
Well, look, you're in Hollywood, California. | 0:23:53 | 0:23:55 | |
People come from all over the world to make it big. | 0:23:55 | 0:23:58 | |
What does LA have that Sheffield doesn't? | 0:23:58 | 0:24:00 | |
Well, we've got everything else you might want if you're a rock star. | 0:24:00 | 0:24:03 | |
Let me hear it. Let me hear it. | 0:24:03 | 0:24:04 | |
OK. So we've got all the recording studios you could ever want | 0:24:04 | 0:24:07 | |
to make your music. | 0:24:07 | 0:24:08 | |
Then you've got all the nightlife in Hollywood. | 0:24:08 | 0:24:10 | |
We've got it all, baby. | 0:24:10 | 0:24:12 | |
Tony, I'm moving to... | 0:24:12 | 0:24:13 | |
-Where are we? -THEY LAUGH | 0:24:13 | 0:24:15 | |
The Bird Streets in Hollywood Hills, baby. | 0:24:15 | 0:24:17 | |
The Bird Streets in Hollywood, baby. | 0:24:17 | 0:24:18 | |
-Let's go and find me a place. This way? -All right, let's do it. | 0:24:18 | 0:24:21 | |
# Crawling back to you. # | 0:24:21 | 0:24:23 | |
Moving stateside has paid off brilliantly for the Arctics | 0:24:23 | 0:24:26 | |
because their album AM, | 0:24:26 | 0:24:28 | |
which they recorded in Los Angeles, made it into the American top ten. | 0:24:28 | 0:24:32 | |
And how do the Arctic Monkeys get to their cool LA recording studios? | 0:24:34 | 0:24:38 | |
On one of these bad boys of course. Vroom-vroom! | 0:24:38 | 0:24:41 | |
That's right, the boys collect motorbikes. | 0:24:41 | 0:24:44 | |
And I thought my stamp collection was cool. | 0:24:44 | 0:24:46 | |
Transatlantic domination | 0:24:49 | 0:24:50 | |
gets the lads two Ambo points. | 0:24:50 | 0:24:53 | |
When it comes to style stakes, the Arctic Monkeys are definitely | 0:24:56 | 0:24:59 | |
holding their own | 0:24:59 | 0:25:00 | |
but there's one accessory they can't compete with our Cheryl on, | 0:25:00 | 0:25:03 | |
and that's her pet Chihuahuas. | 0:25:03 | 0:25:04 | |
Buster and Coco both have their own Twitter accounts | 0:25:04 | 0:25:07 | |
with over 6,000 followers. | 0:25:07 | 0:25:09 | |
Little bit weird. But wait, there's more. | 0:25:09 | 0:25:11 | |
Cheryl has admitted to actually calling up her dogs | 0:25:11 | 0:25:14 | |
when she's on tour. | 0:25:14 | 0:25:16 | |
Now, there's no footage of this actually happening | 0:25:16 | 0:25:18 | |
but I can imagine how this would go down. | 0:25:18 | 0:25:20 | |
"Do-do-do-do-do. | 0:25:20 | 0:25:21 | |
-IN A GEORDIE ACCENT: -"Oh, I'm a bit lonely. | 0:25:21 | 0:25:23 | |
"I might call Buster up and see what he's up to. | 0:25:23 | 0:25:26 | |
"Do-do-do-do-do-do-do." | 0:25:26 | 0:25:27 | |
-GRUFF VOICE: -"Hello." | 0:25:29 | 0:25:31 | |
"Ooh, Buster. | 0:25:31 | 0:25:33 | |
"It's me, Mummy. | 0:25:33 | 0:25:35 | |
"Ah, just wanting to see what you're up to." | 0:25:35 | 0:25:37 | |
"Nothing much." | 0:25:37 | 0:25:39 | |
"Have you pooed today?" | 0:25:39 | 0:25:41 | |
"No." | 0:25:41 | 0:25:42 | |
"Oh, me neither." | 0:25:42 | 0:25:43 | |
"I'd better get going." | 0:25:43 | 0:25:45 | |
"Oh, you've got to get going? Oh, um, OK. | 0:25:45 | 0:25:48 | |
"Well, you hang up first." "No, you first." | 0:25:48 | 0:25:50 | |
"No, you hang up first." | 0:25:50 | 0:25:52 | |
"No, you hang up first." "No, you hang up first." | 0:25:52 | 0:25:55 | |
Beep-beep-beep. | 0:25:55 | 0:25:56 | |
"Oh, he hung up on me. | 0:25:56 | 0:25:58 | |
"Ooh." | 0:25:58 | 0:25:59 | |
-# So rain on me -# What's the price of thunder? # | 0:25:59 | 0:26:04 | |
And this slightly odd behaviour wins Cheryl | 0:26:04 | 0:26:06 | |
two pet-loving Ambo points. | 0:26:06 | 0:26:08 | |
And that brings us to the end of Round Three. | 0:26:08 | 0:26:11 | |
We're at the end of Pop Slam and it's been heaps of fun | 0:26:14 | 0:26:17 | |
but I've still got this bad boy to give away. | 0:26:17 | 0:26:20 | |
Who has won the Ambo? | 0:26:20 | 0:26:21 | |
Will it be Cheryl Cole or the Arctic Monkeys? | 0:26:21 | 0:26:24 | |
SHE HOLDS BREATH | 0:26:24 | 0:26:26 | |
Let's look back at what we've learnt. | 0:26:26 | 0:26:27 | |
Cheryl's catchy pop has come up against the all-conquering | 0:26:29 | 0:26:32 | |
rock of the Arctic Monkeys. | 0:26:32 | 0:26:34 | |
They've both become epic successes by taking risks | 0:26:34 | 0:26:37 | |
and keeping their styles cutting edge. | 0:26:37 | 0:26:40 | |
This Pop Slam couldn't be closer. | 0:26:40 | 0:26:42 | |
Ladies and gentlemen, it's the moment we've all been waiting for. | 0:26:44 | 0:26:49 | |
The points have been counted and independently verified by me. | 0:26:49 | 0:26:52 | |
And the winner of the Ambo is... | 0:26:53 | 0:26:56 | |
No way, it's a tie! | 0:27:02 | 0:27:04 | |
Ah, this has never happened before! | 0:27:04 | 0:27:05 | |
You ought to read about it. Everyone's a winner. | 0:27:05 | 0:27:08 | |
Oh, well, bring it in, this is great. | 0:27:08 | 0:27:10 | |
Let's take a look at both of you guys in action. | 0:27:10 | 0:27:13 | |
# Brooklyn move my soul like this | 0:27:13 | 0:27:16 | |
# Kissing my stilettos Move your mouth up to my lips. # | 0:27:16 | 0:27:19 | |
It's a Pop Slam first. | 0:27:19 | 0:27:21 | |
Cheryl has held her own against the boys from Sheffield to share | 0:27:21 | 0:27:25 | |
the honours. | 0:27:25 | 0:27:27 | |
Only problem is... | 0:27:27 | 0:27:28 | |
..how do I hand over the Ambo? | 0:27:29 | 0:27:30 | |
Hello, is this the BBC help desk? | 0:27:34 | 0:27:36 | |
Oh, cool, all right. | 0:27:36 | 0:27:37 | |
I have a situation. | 0:27:37 | 0:27:38 | |
Basically, I want to set up a conference call | 0:27:38 | 0:27:40 | |
between a group of guys in LA, | 0:27:40 | 0:27:42 | |
a girl in Newcastle and me. | 0:27:42 | 0:27:43 | |
Yes, this is a high priority. | 0:27:45 | 0:27:47 | |
Oh, you're just sorting it? Cool. | 0:27:48 | 0:27:50 | |
Oh, just out of interest, how much | 0:27:50 | 0:27:51 | |
does something like this cost? | 0:27:51 | 0:27:53 | |
Actually, you know what? Don't worry about it. | 0:27:54 | 0:27:56 | |
It's fine. OK, bye. | 0:27:56 | 0:27:57 | |
# You can't be sure. # | 0:27:58 | 0:28:03 |