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The British Museum, one of the oldest museums on Earth. | 0:00:02 | 0:00:04 | |
By day visitors come to see the treasures, | 0:00:04 | 0:00:07 | |
but by night it's a different story. | 0:00:07 | 0:00:09 | |
Ha ha ha ha! | 0:00:15 | 0:00:16 | |
-Run! -Argh! | 0:00:16 | 0:00:18 | |
I sense three children approaching. | 0:00:31 | 0:00:35 | |
They're here. | 0:00:37 | 0:00:39 | |
Welcome to the British Museum. | 0:00:42 | 0:00:45 | |
You are about to embark on a wondrous adventure, | 0:00:45 | 0:00:47 | |
one you shall never forget. | 0:00:47 | 0:00:50 | |
I'm Agatha, your tour guide. | 0:00:50 | 0:00:52 | |
I'm here to help and assist you every step of the way. | 0:00:52 | 0:00:55 | |
Now, I'm looking for three more guardians for the museum. | 0:00:55 | 0:00:58 | |
-Are you feeling brave? -Definitely. -Yeah. | 0:00:58 | 0:01:02 | |
Jolly good. Who do we have here? What are your names? | 0:01:02 | 0:01:05 | |
-Mark. -Wallis. -Rachelle. | 0:01:05 | 0:01:08 | |
Where have you come from? | 0:01:08 | 0:01:09 | |
ALL: Birmingham! | 0:01:09 | 0:01:12 | |
You must be wondering why you're here in the middle of the night. | 0:01:12 | 0:01:15 | |
Listen carefully. | 0:01:15 | 0:01:17 | |
You have just one night to discover the secrets and mysteries of a relic | 0:01:17 | 0:01:21 | |
held deep within these walls. | 0:01:21 | 0:01:23 | |
You will face three challenges. | 0:01:23 | 0:01:25 | |
Each challenge will unlock a vision about your relic. | 0:01:25 | 0:01:29 | |
Pass the challenge and you will all see the vision, | 0:01:29 | 0:01:32 | |
fail and the vision will be revealed to just one of you | 0:01:32 | 0:01:36 | |
and you will have only their memory to rely on. | 0:01:36 | 0:01:39 | |
Your knowledge of the visions will be tested in the final battle | 0:01:39 | 0:01:42 | |
when you come face to face with the Dark Lord. | 0:01:42 | 0:01:45 | |
Succeed and you will become guardians of the museum | 0:01:45 | 0:01:48 | |
and receive the Golden Scarab. | 0:01:48 | 0:01:51 | |
Fail and you will become relics yourselves | 0:01:51 | 0:01:54 | |
and part of the museum for ever. | 0:01:54 | 0:01:57 | |
Agatha! | 0:01:57 | 0:01:58 | |
Oh, no! That's the Dark Lord. | 0:01:58 | 0:02:00 | |
He knows you're here and he'll send his dark forces to seek you out. | 0:02:00 | 0:02:04 | |
We're not safe here any longer. It's time for your first challenge. | 0:02:04 | 0:02:08 | |
Follow me. | 0:02:08 | 0:02:09 | |
Yes, beware of my dark forces. | 0:02:10 | 0:02:14 | |
It's going to be a long, dark night. | 0:02:14 | 0:02:18 | |
Ha ha ha ha! | 0:02:18 | 0:02:20 | |
-Right, are we all all right? -Yeah. | 0:02:24 | 0:02:26 | |
We must keep our wits about us. | 0:02:26 | 0:02:28 | |
To learn about your relic you must unlock a vision | 0:02:28 | 0:02:30 | |
and to do that you must complete a challenge. | 0:02:30 | 0:02:33 | |
So, gather round, stick together. Hold on tight. Off we go! | 0:02:33 | 0:02:37 | |
Oh! | 0:02:41 | 0:02:42 | |
Goodness me! | 0:02:42 | 0:02:44 | |
Have any of you ever time-travelled before? | 0:02:44 | 0:02:46 | |
-No. -No. -No? It's jolly exhilarating, isn't it? | 0:02:46 | 0:02:50 | |
Unless I'm wrong, this pyramid belongs to Tlaloc. | 0:02:50 | 0:02:53 | |
He was the Aztec god of rain. | 0:02:53 | 0:02:55 | |
The Aztecs worshipped him because he sent rain for the harvest, | 0:02:55 | 0:02:59 | |
but he can be very temperamental | 0:02:59 | 0:03:01 | |
and sometimes he would send floods and storms as well. | 0:03:01 | 0:03:04 | |
-He's very moody, so we mustn't wake him. -Yeah. -Yeah. | 0:03:04 | 0:03:07 | |
Your challenge, team, is to complete this pyramid puzzle. | 0:03:07 | 0:03:10 | |
The colours on the side will light up if you connect them correctly, | 0:03:10 | 0:03:14 | |
but beware, if you hear a thunderclap | 0:03:14 | 0:03:16 | |
that means you've woken Tlaloc | 0:03:16 | 0:03:18 | |
and you must run over to these plinths, lie down and freeze. | 0:03:18 | 0:03:21 | |
The clock will stop. | 0:03:21 | 0:03:23 | |
He might come in and cause all sorts of havoc. | 0:03:23 | 0:03:26 | |
And beware, one of you could be picked out at random | 0:03:26 | 0:03:30 | |
at any time and taken out of the game. | 0:03:30 | 0:03:32 | |
Once he's gone, the clock will continue. | 0:03:32 | 0:03:34 | |
Now, you must have a completed pyramid at the end of 90 seconds | 0:03:34 | 0:03:39 | |
in order to pass. | 0:03:39 | 0:03:40 | |
Now, if you pass, all three of you will get to see the vision. | 0:03:40 | 0:03:44 | |
If you fail, only one of you will see the vision. | 0:03:44 | 0:03:47 | |
You have just 90 seconds and you can go in three, two, one. Go! | 0:03:47 | 0:03:52 | |
You've got to work together as a team on this one. | 0:03:52 | 0:03:55 | |
Jolly good. | 0:03:55 | 0:03:57 | |
Make sure the sides all match. | 0:03:57 | 0:03:59 | |
Jolly good. | 0:03:59 | 0:04:00 | |
We've got blue here, green there. | 0:04:00 | 0:04:02 | |
Blue, green, jolly good. You're doing very well. | 0:04:02 | 0:04:06 | |
-Work together. -THUNDER | 0:04:06 | 0:04:07 | |
Oh, you must have woken him! Hide, hide, hide! | 0:04:07 | 0:04:10 | |
He's going for Rachelle! | 0:04:15 | 0:04:17 | |
-Go, go, go! -Come on! | 0:04:17 | 0:04:20 | |
We've lost Rachelle. | 0:04:20 | 0:04:21 | |
Wallis and Mark are still in the game. | 0:04:21 | 0:04:23 | |
-Come along! -Yes, Wallis. Yes, Mark. Yes! -So, blue... | 0:04:23 | 0:04:28 | |
Blue, jolly good. We've got | 0:04:28 | 0:04:29 | |
blue and green all matching up. | 0:04:29 | 0:04:31 | |
Quick, hide! Tlaloc's coming! | 0:04:32 | 0:04:34 | |
Ah! | 0:04:38 | 0:04:39 | |
Oh, no, he's taken Wallis! Go! Go team! | 0:04:39 | 0:04:41 | |
Rachelle's back in the game. Wallis has been spirited away. | 0:04:41 | 0:04:45 | |
-Wallis. -Come on, you can do it. | 0:04:45 | 0:04:46 | |
Give them some encouragement. Only 60 seconds. | 0:04:46 | 0:04:49 | |
I can see green... I can see yellow and green. | 0:04:49 | 0:04:52 | |
That's more like that, Mark, very well done. | 0:04:52 | 0:04:55 | |
-Where is the last one? -Blue. | 0:04:55 | 0:04:57 | |
-Is there a last one? -Are you sure all the colours are right? | 0:04:57 | 0:05:00 | |
You can search for that last piece. You need to search for it. | 0:05:00 | 0:05:04 | |
-Where is it? -Where is it? | 0:05:04 | 0:05:05 | |
-THUNDER -Quick, hide! | 0:05:05 | 0:05:06 | |
Oh, so close! Here comes Tlaloc. | 0:05:08 | 0:05:11 | |
-Ahhh! -He's taken Mark! Come along, ladies. | 0:05:15 | 0:05:17 | |
Now Mark was very good with the colours, | 0:05:17 | 0:05:19 | |
so make sure the colours match. | 0:05:19 | 0:05:21 | |
-Come along. There's blue. -Yes. | 0:05:21 | 0:05:23 | |
-Blue, green... -THUNDER | 0:05:23 | 0:05:26 | |
Oh, dear! Quick, quick, quick, hide! | 0:05:26 | 0:05:28 | |
He's coming, he's coming! | 0:05:28 | 0:05:30 | |
Oh, no, he's destroyed it. | 0:05:35 | 0:05:38 | |
And he's gone for Wallis. Come along, team. | 0:05:38 | 0:05:41 | |
-Flippity, flippity. -Come along. | 0:05:42 | 0:05:44 | |
-Come on, Rachelle! -Blue on this side. | 0:05:44 | 0:05:46 | |
Jolly good, team. Jolly good work. | 0:05:46 | 0:05:48 | |
Always checking the colours. | 0:05:48 | 0:05:50 | |
I can see yellow and green. | 0:05:50 | 0:05:51 | |
THUNDER Flip it. | 0:05:52 | 0:05:53 | |
Oh, team! Quick, hide! | 0:05:53 | 0:05:55 | |
He's taken Rachelle. Time's running out. | 0:05:57 | 0:06:00 | |
Yeah, the thinnest one is the wrong way round. | 0:06:02 | 0:06:05 | |
-Yes, we're nearly there! -Ten seconds. | 0:06:05 | 0:06:08 | |
Come along! | 0:06:08 | 0:06:09 | |
Is that right? No, it's not right, it's not right. | 0:06:09 | 0:06:12 | |
That's right. | 0:06:12 | 0:06:13 | |
Is that it? | 0:06:15 | 0:06:16 | |
Well done. Yes! | 0:06:16 | 0:06:18 | |
Well done, team! | 0:06:18 | 0:06:20 | |
Oh, jolly good. | 0:06:20 | 0:06:22 | |
And now I can come, too! | 0:06:22 | 0:06:23 | |
-Where's that voice coming from? -Hello! | 0:06:23 | 0:06:26 | |
Oh, goodness me. What are you doing over there? Come along. | 0:06:26 | 0:06:29 | |
-Let's get you out. -Thank you. -Are you OK? | 0:06:29 | 0:06:32 | |
-Yeah. -Come along. | 0:06:32 | 0:06:34 | |
All of you get to see the vision, jolly good, all three of you. | 0:06:34 | 0:06:38 | |
Yes! | 0:06:38 | 0:06:39 | |
Now I will say a rhyme. You simply place your hands on the torch | 0:06:39 | 0:06:43 | |
-and do as I say. Does that make sense? -Yes. -Jolly good. | 0:06:43 | 0:06:45 | |
Secrets and mysteries we are ready to receive. | 0:06:45 | 0:06:49 | |
Deep breath in, hold on tight, close your eyes and see! | 0:06:49 | 0:06:53 | |
The vision begins. Where are we? | 0:06:54 | 0:06:57 | |
Portugal. | 0:06:57 | 0:06:59 | |
Look, a king. | 0:06:59 | 0:07:02 | |
This must be King Manuel. | 0:07:02 | 0:07:04 | |
He's received a gift from India. | 0:07:04 | 0:07:06 | |
What can it be? | 0:07:06 | 0:07:08 | |
A rhinoceros. | 0:07:08 | 0:07:10 | |
Never before has he set his eyes on such a magnificent beast. | 0:07:10 | 0:07:14 | |
I sense excitement. | 0:07:14 | 0:07:17 | |
The king wants to see it fight an elephant. The crowd is cheering. | 0:07:17 | 0:07:22 | |
Look, the elephant, it's backing off! It's refusing to fight. | 0:07:22 | 0:07:27 | |
It flees. King Manuel is furious. | 0:07:27 | 0:07:29 | |
He screams and shouts. The image is fading. | 0:07:29 | 0:07:32 | |
We're coming back to the museum. | 0:07:32 | 0:07:34 | |
Back to the museum. Back to the museum. | 0:07:34 | 0:07:37 | |
So, we all saw the first vision, so what do you remember? | 0:07:39 | 0:07:44 | |
-King Manuel. -Yeah. -And he was in Portugal. | 0:07:44 | 0:07:47 | |
And he wants... He likes the rhino. | 0:07:49 | 0:07:51 | |
-It was a present. -He'd never seen it before | 0:07:51 | 0:07:53 | |
and he wanted it to fight with the elephant, but it wouldn't. | 0:07:53 | 0:07:56 | |
The elephant wouldn't fight and it fled. | 0:07:56 | 0:07:59 | |
What do you think the relic might be, the relic that you are seeking? | 0:07:59 | 0:08:03 | |
Maybe something to do with the king or the animals that were fighting. | 0:08:03 | 0:08:07 | |
Well, maybe all will be revealed in the next two visions. | 0:08:07 | 0:08:10 | |
In the meantime, remember everything that we've seen. | 0:08:10 | 0:08:13 | |
It will come in very handy when you meet the Dark Lord. | 0:08:13 | 0:08:16 | |
Now, I can sense some dark forces approaching. We must be on our way. | 0:08:16 | 0:08:20 | |
-Are you ready, chaps? -ALL: Yes. -Follow me. | 0:08:20 | 0:08:22 | |
Come along, this way. | 0:08:22 | 0:08:24 | |
All three of you have seen the vision, | 0:08:24 | 0:08:26 | |
but now it's time to split you up. | 0:08:26 | 0:08:28 | |
-SCREAMING -Ha ha ha ha ha! | 0:08:30 | 0:08:32 | |
Get off me! | 0:08:33 | 0:08:35 | |
Help me! | 0:08:35 | 0:08:36 | |
Wallis! | 0:08:36 | 0:08:38 | |
Yes, bring the girl to me. | 0:08:38 | 0:08:40 | |
Don't! | 0:08:40 | 0:08:42 | |
Quick, Wallis, run! | 0:08:42 | 0:08:44 | |
Get the children! | 0:08:44 | 0:08:46 | |
Keep running, chaps! | 0:08:46 | 0:08:47 | |
That was terrifying. Are you all right? | 0:08:53 | 0:08:55 | |
-Yes, I'm OK. It was so scary. -Even I feel jittery. | 0:08:55 | 0:08:58 | |
Now, you were very good in your first challenge. | 0:08:58 | 0:09:01 | |
Are you ready for your next? ALL: Yeah. That's the spirit. | 0:09:01 | 0:09:04 | |
Grab a hold, nice and tight, quickly, quickly. Are you ready? | 0:09:04 | 0:09:07 | |
-Yeah. -Jolly good, off we go! | 0:09:07 | 0:09:09 | |
-Now, where are we? -Wow! -It looks like we're in ancient China. | 0:09:15 | 0:09:19 | |
-Isn't it beautiful? -It's awesome! | 0:09:19 | 0:09:21 | |
I should get some of this for my house, except I live in the museum. | 0:09:21 | 0:09:25 | |
Right, come along, chaps. That looks look a nice place to sit. | 0:09:25 | 0:09:28 | |
Why don't you take a seat there? | 0:09:28 | 0:09:30 | |
Jolly good. | 0:09:30 | 0:09:32 | |
Now, your challenge. | 0:09:32 | 0:09:34 | |
Now the spirits of four dragons | 0:09:34 | 0:09:36 | |
have been trapped in four of these blocks of wood. | 0:09:36 | 0:09:39 | |
It is your challenge, team, to free them. | 0:09:39 | 0:09:41 | |
Now you do that by taking one of the blocks of wood | 0:09:41 | 0:09:44 | |
and placing it on this plinth | 0:09:44 | 0:09:46 | |
and then giving it your best martial arts chop. | 0:09:46 | 0:09:49 | |
Now, if a dragon is in there, it will look rather like this | 0:09:49 | 0:09:52 | |
and one of the lanterns will light. | 0:09:52 | 0:09:55 | |
Now, you must free all four dragons in 60 seconds in order to pass. | 0:09:55 | 0:10:00 | |
Now, I hardly need remind you that if you pass, | 0:10:00 | 0:10:03 | |
all three of you will get to see the vision. | 0:10:03 | 0:10:05 | |
If you fail, I'm afraid only one of you will get to see the vision. | 0:10:05 | 0:10:09 | |
So let's make this one a pass, chaps. | 0:10:09 | 0:10:11 | |
-Does all that make sense? -Yes. -Who's going to go first? -Mark. | 0:10:11 | 0:10:14 | |
You're going to go first, Mark? OK, standing up. | 0:10:14 | 0:10:17 | |
In that case, you can go in three, two, one. Go! | 0:10:17 | 0:10:21 | |
Come on, Mark! | 0:10:21 | 0:10:23 | |
-Give him some encouragement, ladies. -You can do it. -Come on. | 0:10:23 | 0:10:26 | |
Oh, no, that's bad luck. Good try, that was excellent chopping. | 0:10:26 | 0:10:30 | |
Come on, Wallis! | 0:10:30 | 0:10:32 | |
You've got a lot of blocks to get through. Come on. | 0:10:32 | 0:10:35 | |
Oh, no. Oh, Rachelle, go, go, go. | 0:10:35 | 0:10:38 | |
-Woo! -Good encouragement. Very good. -Do it! Yes! | 0:10:38 | 0:10:43 | |
Very well done, team! | 0:10:43 | 0:10:45 | |
-Mark! -Three more to find. Oh, dear, come along. | 0:10:45 | 0:10:50 | |
-Come along, now. Is this going to be a lucky one? -Yes! | 0:10:52 | 0:10:56 | |
-Very well done! -Yes, Wallis! | 0:10:56 | 0:10:58 | |
-That's two you've got. Just two more to find. -Come on, Rachelle. | 0:10:58 | 0:11:02 | |
Oh, no! Come along. | 0:11:02 | 0:11:03 | |
-So, you've found two, we need two more. -Come on! We're nearly there! | 0:11:05 | 0:11:09 | |
-Come along. -Yes! | 0:11:09 | 0:11:10 | |
Very well done! OK, just one more. We just need one more. | 0:11:10 | 0:11:14 | |
Nine seconds. Eight... | 0:11:14 | 0:11:16 | |
Oh, dear. | 0:11:16 | 0:11:19 | |
Oh! | 0:11:19 | 0:11:23 | |
Oh, that was very, very close indeed. Oh, team! | 0:11:23 | 0:11:27 | |
You only freed three dragons. | 0:11:27 | 0:11:31 | |
-You know what that means, don't you? -Yeah. | 0:11:31 | 0:11:33 | |
Only one can see the vision. | 0:11:33 | 0:11:35 | |
But it's not the end of the world. | 0:11:35 | 0:11:37 | |
You just have to choose someone with a very good memory, OK? | 0:11:37 | 0:11:40 | |
You have to decide as a team who that will be. | 0:11:40 | 0:11:42 | |
-Who do you think? -I don't mind, I'll do it if... -OK, Wallis. | 0:11:42 | 0:11:46 | |
-Wallis is going to do it? -I'll do it, yeah. -OK. | 0:11:46 | 0:11:49 | |
In which case, Mark and Rachelle, come here. | 0:11:49 | 0:11:51 | |
I won't bite, I promise. Not much, anyway! | 0:11:51 | 0:11:54 | |
OK, I'm going to send you back to the museum, OK? | 0:11:54 | 0:11:56 | |
Hold on to the torch? That's it. | 0:11:56 | 0:11:58 | |
And watch out for those dark forces, OK? | 0:11:58 | 0:12:01 | |
Where are we? | 0:12:06 | 0:12:08 | |
MARK SHIVERS | 0:12:08 | 0:12:09 | |
Did you just f-feel that? | 0:12:09 | 0:12:11 | |
So, Wallis, your whole team is relying on you, | 0:12:14 | 0:12:18 | |
you have to remember everything you see in this vision. | 0:12:18 | 0:12:21 | |
Now, I will simply say a rhyme, you do as I say | 0:12:21 | 0:12:24 | |
-and put your hand on the torch. OK? -Yeah. -Jolly good. | 0:12:24 | 0:12:27 | |
Secrets and mysteries we are ready to receive. | 0:12:27 | 0:12:30 | |
Deep breath in, hold on tight, close your eyes and see! | 0:12:30 | 0:12:35 | |
The vision begins. | 0:12:36 | 0:12:38 | |
Time has passed and a decision has been made. | 0:12:38 | 0:12:41 | |
King Manuel wants to send the rhino to Rome, but why? | 0:12:41 | 0:12:47 | |
Ah! He wishes to gain favour with the Pope. | 0:12:47 | 0:12:51 | |
The rhino's long journey to Italy begins. | 0:12:51 | 0:12:54 | |
A ship sets sail. | 0:12:54 | 0:12:56 | |
Danger! I sense a storm approaching. | 0:12:57 | 0:12:59 | |
Abandon ship! Abandon ship! | 0:12:59 | 0:13:03 | |
I fear a great tragedy. | 0:13:06 | 0:13:08 | |
The rhino's gone. | 0:13:08 | 0:13:10 | |
The ship is no more | 0:13:10 | 0:13:11 | |
and the rhino is lost to the sea for ever. | 0:13:11 | 0:13:15 | |
The image is fading. | 0:13:15 | 0:13:16 | |
We're going back to the museum. | 0:13:16 | 0:13:18 | |
Back to the museum. Back to the museum. | 0:13:18 | 0:13:21 | |
OK. So, Wallis, you and you alone have seen the second vision. | 0:13:23 | 0:13:29 | |
Oh, and here are your teammates. | 0:13:29 | 0:13:30 | |
Wallis has seen the second vision. Tell them everything you remember. | 0:13:30 | 0:13:34 | |
Well, from where we left off | 0:13:34 | 0:13:36 | |
the King, Manuel, has sent the rhinoceros to Rome, | 0:13:36 | 0:13:39 | |
because he wants to gain favour with the Pope, | 0:13:39 | 0:13:42 | |
but he sent them on the ship and the rhino was in a cage, | 0:13:42 | 0:13:46 | |
but a storm came while they were at sea. | 0:13:46 | 0:13:49 | |
And they were going to abandon ship, but they couldn't get the rhino out, | 0:13:50 | 0:13:53 | |
so the ship got sunk into the sea and the rhino kind of died. | 0:13:53 | 0:13:58 | |
Do we know what the relic is yet? | 0:13:59 | 0:14:01 | |
Maybe something to do with the boat. | 0:14:01 | 0:14:04 | |
Yes, it's not clear yet, is it? | 0:14:04 | 0:14:06 | |
Well, maybe it will become clear in the third and final vision. | 0:14:06 | 0:14:09 | |
Until then, remember everything that Wallis told you, | 0:14:09 | 0:14:12 | |
that will come in handy | 0:14:12 | 0:14:13 | |
when you meet the Dark Lord in the final battle. | 0:14:13 | 0:14:16 | |
And, remember, you must answer three of his questions correctly | 0:14:16 | 0:14:19 | |
to receive the Golden Scarab and become guardians of the museum. | 0:14:19 | 0:14:23 | |
Fail and you will belong to the Dark Lord for ever. | 0:14:23 | 0:14:27 | |
We don't want that, do we? No. | 0:14:27 | 0:14:29 | |
On to your next challenge, chaps. This way, follow me. | 0:14:29 | 0:14:32 | |
Can you remember all that Wallis told you? | 0:14:33 | 0:14:36 | |
It's getting late and you must be getting tired. | 0:14:36 | 0:14:41 | |
Ha ha ha ha! | 0:14:41 | 0:14:43 | |
Right, it's time for your final challenge | 0:14:45 | 0:14:48 | |
so hold on nice and tight, chaps. | 0:14:48 | 0:14:49 | |
Native America here we come. | 0:14:49 | 0:14:51 | |
Off we go! | 0:14:51 | 0:14:53 | |
Oh, goodness me! | 0:14:57 | 0:14:59 | |
Goodness, that plays havoc with a lady's hair, let me tell you. | 0:14:59 | 0:15:02 | |
Oh, well, welcome to North America! | 0:15:02 | 0:15:05 | |
And this rather splendid looking tepee. | 0:15:05 | 0:15:07 | |
Now I'm going to call on the ancient ancestors | 0:15:07 | 0:15:12 | |
of the Native American people to send us three objects. | 0:15:12 | 0:15:15 | |
Now, you must decide what they used those objects for. | 0:15:15 | 0:15:18 | |
For each of the objects I will give you three definitions, | 0:15:18 | 0:15:21 | |
you have to decide which one is correct. | 0:15:21 | 0:15:24 | |
Now you must get at least two right in order to pass. | 0:15:24 | 0:15:28 | |
Remember, if you pass, all three of you can see the vision. | 0:15:28 | 0:15:31 | |
-If you fail, I'm afraid only one of you can see the vision, yes? -Yeah. | 0:15:31 | 0:15:35 | |
Jolly good. In that case it's time for the first object. | 0:15:35 | 0:15:39 | |
Ancient ancestors, please send us the first object. | 0:15:39 | 0:15:43 | |
Now, what do you think that might be? | 0:15:46 | 0:15:50 | |
There you go. Have a good look. | 0:15:50 | 0:15:52 | |
I can give you some definitions. Here we go. | 0:15:52 | 0:15:55 | |
Is it a backpack used for carrying heavy loads? | 0:15:55 | 0:15:59 | |
-Could be. -Could be. -Is it a baby carrier or cradle board? | 0:15:59 | 0:16:03 | |
-which I think one of you said, isn't it? -Yeah. | 0:16:03 | 0:16:06 | |
Or is it a sledge they would use to speed down piles of sand? | 0:16:06 | 0:16:12 | |
It looks like it would go more over your front than under your back. | 0:16:12 | 0:16:15 | |
-A baby won't be comfortable. -Its back... | 0:16:15 | 0:16:17 | |
-I think backpack. -Yeah, backpack. -Backpack. | 0:16:17 | 0:16:20 | |
-You're going for backpack? -Yeah. -Pass it to me. | 0:16:20 | 0:16:24 | |
OK. You think this is a backpack. On to the second item. | 0:16:24 | 0:16:30 | |
Ancient ancestors, please send us the second object. | 0:16:30 | 0:16:36 | |
Whoa! | 0:16:37 | 0:16:38 | |
Here we go. | 0:16:38 | 0:16:39 | |
-Whoa. -It's a bit like a pipe. | 0:16:40 | 0:16:43 | |
So, is it a rain stick used to call for rain during periods of drought? | 0:16:43 | 0:16:48 | |
Or is it an instrument used to help someone breathe underwater? | 0:16:48 | 0:16:53 | |
Or is it a device doctors use to try to capture a sick person's soul? | 0:16:53 | 0:16:59 | |
Doctor one sounds a bit strange. | 0:16:59 | 0:17:02 | |
-Rain stick? -Rain stick. | 0:17:02 | 0:17:04 | |
-You're going with rain stick? -Yeah. -Rain stick. | 0:17:04 | 0:17:06 | |
OK. There's your second object. A rain stick. Last object. | 0:17:06 | 0:17:11 | |
Ancient ancestors, please send us the third object. | 0:17:11 | 0:17:16 | |
Here we go. | 0:17:19 | 0:17:21 | |
-Whoa! -OK. -It's like a brush. | 0:17:21 | 0:17:23 | |
-There you go. -Yeah, it looks like a brush. | 0:17:23 | 0:17:26 | |
-It does a bit it, doesn't it? -Yeah. | 0:17:26 | 0:17:27 | |
Do you think it is | 0:17:27 | 0:17:30 | |
a broom for sweeping away sand from outside homes? | 0:17:30 | 0:17:34 | |
Or is it a hairbrush made from porcupine's quills? | 0:17:34 | 0:17:39 | |
Or is it a spiky tool used to herd buffalo? | 0:17:39 | 0:17:44 | |
I don't think it would be a hairbrush. | 0:17:44 | 0:17:46 | |
It's a bit big for a hairbrush. | 0:17:46 | 0:17:48 | |
Plus, if it's porcupine, it's really sharp. | 0:17:48 | 0:17:52 | |
-I definitely think it's a broom. -I think it's a broom. | 0:17:53 | 0:17:56 | |
-Probably a broom. -Have you made your decision? -Yes. | 0:17:56 | 0:17:59 | |
-Cos that... -A broom. -You're going with? -ALL: Broom. | 0:17:59 | 0:18:01 | |
You think it is a broom for sweeping away sand | 0:18:01 | 0:18:05 | |
from outside homes. We'll place that there. | 0:18:05 | 0:18:08 | |
So, that's all three decisions made. | 0:18:08 | 0:18:11 | |
So, starting with the first one, | 0:18:11 | 0:18:14 | |
you thought it was a backpack used for carrying heavy loads. | 0:18:14 | 0:18:18 | |
It's actually a baby carrier or cradle board. | 0:18:18 | 0:18:23 | |
Oh, that's disappointing, team. | 0:18:23 | 0:18:25 | |
-Last one as well. -Oh, dear. Never mind. | 0:18:25 | 0:18:27 | |
Now, the next one you said was a rain stick | 0:18:27 | 0:18:30 | |
used to call for rain during periods of drought. | 0:18:30 | 0:18:34 | |
It was a device doctors use to try to capture a sick person's soul. | 0:18:34 | 0:18:40 | |
-It was a soul catcher. -Oh, dear. -We're not blaming anyone. | 0:18:40 | 0:18:44 | |
That's two wrong, which means you've failed, | 0:18:44 | 0:18:47 | |
but let's just check the third one. | 0:18:47 | 0:18:48 | |
So, you thought it was a broom for sweeping away sand outside homes. | 0:18:48 | 0:18:54 | |
Let's see what it actually was. | 0:18:54 | 0:18:56 | |
It was a hairbrush made from porcupine's quills. | 0:18:56 | 0:19:02 | |
Oh, dear! | 0:19:02 | 0:19:03 | |
Only one of you can see the vision. | 0:19:03 | 0:19:05 | |
All you need to do is choose someone with a good memory. Who will it be? | 0:19:05 | 0:19:09 | |
-I think Rachelle because she'll probably remember. -Yeah. | 0:19:09 | 0:19:13 | |
Jolly good. Rachelle. | 0:19:13 | 0:19:14 | |
So I need to send Wallis and Mark back to the museum. | 0:19:14 | 0:19:17 | |
Excuse me. There we go. | 0:19:17 | 0:19:19 | |
OK. Now, hold on to the torch. I'll send you back to the museum. | 0:19:19 | 0:19:23 | |
I'll be back shortly, though. | 0:19:23 | 0:19:25 | |
Watch out for the dark forces. | 0:19:25 | 0:19:26 | |
Where are we? | 0:19:31 | 0:19:32 | |
We're back at the museum. I wonder how Rachelle's getting on. | 0:19:33 | 0:19:36 | |
It's us I'm worried about! | 0:19:36 | 0:19:39 | |
DOOR OPENS | 0:19:39 | 0:19:40 | |
So, Rachelle, the entire team is relying on you. | 0:19:42 | 0:19:46 | |
-It is all down to you. -Yeah. | 0:19:46 | 0:19:49 | |
Secrets and mysteries we are ready to receive. | 0:19:49 | 0:19:52 | |
Deep breath in, hold on tight, close your eyes and see! | 0:19:52 | 0:19:57 | |
Where are we? | 0:19:58 | 0:20:00 | |
Germany, the 16th century. | 0:20:00 | 0:20:02 | |
And, ah! An artist at work. | 0:20:02 | 0:20:06 | |
It's Albrecht Durer, but what's he drawing? | 0:20:06 | 0:20:10 | |
It's a... | 0:20:10 | 0:20:11 | |
It's the rhino! | 0:20:11 | 0:20:13 | |
He must have heard a description of it. | 0:20:13 | 0:20:16 | |
I sense a print is being made. | 0:20:16 | 0:20:20 | |
Yes, Durer's drawing of the Rhino is being carved into fruitwood. | 0:20:20 | 0:20:23 | |
Now thousands of copies of his design can be produced. | 0:20:23 | 0:20:27 | |
Immortalised in print, | 0:20:27 | 0:20:29 | |
the rhino's incredible story will live on for ever. | 0:20:29 | 0:20:32 | |
The image is fading. We're going back to the museum. | 0:20:32 | 0:20:35 | |
Back to the museum. Back to the museum. | 0:20:35 | 0:20:38 | |
OK, so that was the third and final vision | 0:20:38 | 0:20:44 | |
and you and you alone, Rachelle, saw it. | 0:20:44 | 0:20:47 | |
Do you think you can remember everything? | 0:20:47 | 0:20:50 | |
-I think so. -Jolly good. Team! Quickly, in, in. | 0:20:50 | 0:20:52 | |
Rachelle, tell them everything that you remember. | 0:20:52 | 0:20:55 | |
Well, everything was in Germany | 0:20:55 | 0:20:57 | |
and the man he's called Albrecht Durer. | 0:20:57 | 0:21:00 | |
And he was carving the rhino in the fruitwood, | 0:21:01 | 0:21:06 | |
so everyone can remember the value of the rhino in the story. | 0:21:06 | 0:21:09 | |
So, maybe Durer's rhinoceros is the relic that we are seeking. | 0:21:11 | 0:21:16 | |
You must remember everything she's told you. | 0:21:16 | 0:21:19 | |
Let's just hope that your knowledge of Durer's rhinoceros is enough | 0:21:19 | 0:21:23 | |
to defeat the Dark Lord. It's time for your final battle, chaps. | 0:21:23 | 0:21:27 | |
Follow me, this way! | 0:21:27 | 0:21:28 | |
Come on. | 0:21:30 | 0:21:31 | |
Ha ha ha! | 0:21:36 | 0:21:38 | |
It's time. | 0:21:38 | 0:21:39 | |
OK, this is it! This is your final battle. | 0:21:48 | 0:21:53 | |
I do hope you defeat the Dark Lord, chaps. I just need to summon him. | 0:21:53 | 0:21:57 | |
The moon shines bright and darkness reigns, | 0:22:04 | 0:22:08 | |
I bring three children here again. | 0:22:08 | 0:22:10 | |
Their minds are sharp, the visions seen, | 0:22:10 | 0:22:13 | |
Dark Lord awake, | 0:22:13 | 0:22:15 | |
we challenge thee! | 0:22:15 | 0:22:18 | |
Ahhh! Agatha! | 0:22:22 | 0:22:23 | |
These three children from Birmingham, they're no match for me. | 0:22:23 | 0:22:28 | |
Look at them. Ha ha ha! | 0:22:28 | 0:22:30 | |
They have done very well tonight, actually. | 0:22:30 | 0:22:32 | |
Silence! Do you really think they have the knowledge to defeat me? | 0:22:32 | 0:22:37 | |
ALL: Yeah. | 0:22:37 | 0:22:38 | |
-Yes, easy. -As you wish. | 0:22:38 | 0:22:41 | |
Let the battle commence. | 0:22:41 | 0:22:43 | |
Three visions you have seen about a relic held within these walls. | 0:22:43 | 0:22:48 | |
I shall ask you questions about what you have seen. | 0:22:48 | 0:22:51 | |
Three correct answers will earn your freedom | 0:22:51 | 0:22:54 | |
and you will become guardians of the museum. | 0:22:54 | 0:22:57 | |
Three incorrect answers and you shall never leave. | 0:22:57 | 0:23:01 | |
You will become relics yourselves and remain here for all time. | 0:23:01 | 0:23:06 | |
It's time for the first question. | 0:23:06 | 0:23:09 | |
Mark, step forward. | 0:23:09 | 0:23:12 | |
Good luck. | 0:23:12 | 0:23:13 | |
Go on, Mark. | 0:23:13 | 0:23:15 | |
What was the name of the Portuguese king? | 0:23:20 | 0:23:24 | |
King Manuel. | 0:23:27 | 0:23:29 | |
Let us see. | 0:23:29 | 0:23:31 | |
Look, a king. | 0:23:34 | 0:23:36 | |
This must be King Manuel. | 0:23:36 | 0:23:38 | |
-Yes! -Yes! -Yes! -You still need two more, child. | 0:23:39 | 0:23:43 | |
One question right. Just two more of those and you've defeated him. | 0:23:43 | 0:23:47 | |
Let's see who's next. | 0:23:47 | 0:23:49 | |
Wallis, step forward. | 0:23:49 | 0:23:52 | |
Good luck. | 0:23:52 | 0:23:53 | |
The rhinoceros was originally from which country? | 0:23:59 | 0:24:04 | |
Rome? | 0:24:06 | 0:24:09 | |
Let us see. | 0:24:09 | 0:24:10 | |
He's received a gift from India, a rhinoceros. | 0:24:13 | 0:24:17 | |
The correct answer was India. | 0:24:19 | 0:24:22 | |
Now your teammate belongs to me. Ha ha ha! | 0:24:22 | 0:24:27 | |
Oh, no! The Dark Lord has Wallis. | 0:24:27 | 0:24:29 | |
So that's one question right and one question wrong. | 0:24:29 | 0:24:33 | |
Two more incorrect answers and the Dark Lord wins. | 0:24:33 | 0:24:37 | |
Rachelle, step forward. | 0:24:37 | 0:24:39 | |
-Good luck, Rachelle. -Go, Rachelle. | 0:24:39 | 0:24:41 | |
King Manuel sent the rhinoceros to which city? | 0:24:45 | 0:24:50 | |
Was it Portugal? | 0:24:53 | 0:24:54 | |
Let us see. | 0:24:54 | 0:24:58 | |
King Manuel wants to send the Rhino to Rome. | 0:24:59 | 0:25:02 | |
The correct answer was Rome. | 0:25:03 | 0:25:07 | |
Now you join Wallis, that's two to me! | 0:25:07 | 0:25:10 | |
You've lost both your teammates. | 0:25:10 | 0:25:13 | |
Just one more question wrong and I'm afraid it's curtains. | 0:25:13 | 0:25:17 | |
You need two more questions right to defeat him. | 0:25:17 | 0:25:20 | |
It's all down to you. | 0:25:20 | 0:25:21 | |
Good luck. | 0:25:21 | 0:25:23 | |
Mark, step forward. | 0:25:24 | 0:25:26 | |
What type of wood was the drawing of the rhino carved into? | 0:25:35 | 0:25:39 | |
Fruitwood. | 0:25:41 | 0:25:42 | |
Let us see. | 0:25:43 | 0:25:45 | |
The drawing is carved into fruitwood. | 0:25:48 | 0:25:51 | |
Yes! | 0:25:51 | 0:25:53 | |
Yes! | 0:25:53 | 0:25:54 | |
Your final question, get it right and you win and free your team. | 0:25:54 | 0:25:59 | |
Get it wrong, you fail and belong to me. | 0:25:59 | 0:26:04 | |
What was the full name of the artist | 0:26:05 | 0:26:08 | |
who drew the rhinoceros from description alone? | 0:26:08 | 0:26:12 | |
Albrecht Durer. | 0:26:12 | 0:26:14 | |
Let us see. | 0:26:16 | 0:26:18 | |
An artist at work. | 0:26:19 | 0:26:21 | |
It's Albrecht Durer. | 0:26:21 | 0:26:22 | |
Yes! | 0:26:24 | 0:26:25 | |
No! | 0:26:25 | 0:26:27 | |
No! Beaten by one child! | 0:26:27 | 0:26:30 | |
Well done! | 0:26:30 | 0:26:32 | |
Your knowledge of Durer's rhinoceros has defeated the Dark Lord! Look! | 0:26:32 | 0:26:37 | |
No! | 0:26:37 | 0:26:39 | |
And see, your teammates are returned to you. | 0:26:41 | 0:26:44 | |
Go on, Mark! | 0:26:44 | 0:26:46 | |
Very well done, team! | 0:26:46 | 0:26:48 | |
You are now guardians of the museum | 0:26:48 | 0:26:52 | |
and as such, you are rewarded with this. | 0:26:52 | 0:26:56 | |
The Golden Scarab. | 0:27:01 | 0:27:04 | |
These amulets are awarded to only those few | 0:27:04 | 0:27:06 | |
who prove themselves worthy on a night such as this. | 0:27:06 | 0:27:09 | |
Take good care of them, | 0:27:09 | 0:27:11 | |
for you never know when you shall be called on again. | 0:27:11 | 0:27:14 | |
Oh, and now I'm afraid it looks like it's dawn | 0:27:14 | 0:27:18 | |
and it's time for you to leave. | 0:27:18 | 0:27:21 | |
So, Wallis. | 0:27:21 | 0:27:22 | |
Thank you. | 0:27:22 | 0:27:24 | |
-Mark. -Thanks very much. | 0:27:24 | 0:27:25 | |
-And Rochelle. -Thank you. | 0:27:25 | 0:27:27 | |
Guardians of the museum, farewell. | 0:27:27 | 0:27:30 | |
Yes! Come on! | 0:27:32 | 0:27:34 | |
To defeat the Dark Lord, it's just really amazing, | 0:27:35 | 0:27:37 | |
I'm over the moon. It's just the best feeling ever. | 0:27:37 | 0:27:39 | |
Mark, you rock and you saved the day! | 0:27:39 | 0:27:42 | |
It feels like I'm king of the world. | 0:27:42 | 0:27:45 | |
Oh, what a triumph! | 0:27:47 | 0:27:49 | |
Three much deserved guardians of the museum and a defeated Dark Lord. | 0:27:49 | 0:27:55 | |
Well, my work here is done! | 0:27:55 | 0:27:57 | |
But if those dark forces should return, I might need your help. | 0:27:57 | 0:28:02 | |
Until then, dear friends, following on. | 0:28:02 | 0:28:05 | |
Subtitles by Red Bee Media Ltd | 0:28:05 | 0:28:09 | |
E-mail [email protected] | 0:28:09 | 0:28:12 |