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Today on Roar... | 0:00:02 | 0:00:03 | |
Big changes are coming to the giraffe herd, | 0:00:03 | 0:00:05 | |
with a new one arriving and another due to leave. | 0:00:05 | 0:00:09 | |
But transporting five-metre-tall giraffes is a risky business, | 0:00:09 | 0:00:14 | |
and anything could happen on moving day. | 0:00:14 | 0:00:17 | |
Hello and welcome to Roar. I'm Johny. | 0:00:42 | 0:00:45 | |
And I'm Rani. And this little fellow, with the beady eyes, | 0:00:45 | 0:00:49 | |
is Bill the Siberian lynx. | 0:00:49 | 0:00:51 | |
Did you know that the Siberian lynx is the largest of the lynx family, | 0:00:51 | 0:00:54 | |
and an adult male can weigh up to 22 kilos? | 0:00:54 | 0:00:57 | |
That's the equivalent of four domestic cats. | 0:00:57 | 0:00:59 | |
Johny, enough of this "weight-ing" | 0:00:59 | 0:01:01 | |
around, I think we should get on with today's show. | 0:01:01 | 0:01:05 | |
Coming up - Eight-legged freak or furry friend? | 0:01:05 | 0:01:08 | |
What will the fearless foursome make of the giant tarantula? | 0:01:08 | 0:01:13 | |
Do the dusky langurs know they're eating rose petals? | 0:01:13 | 0:01:17 | |
Or do they just need new spectacles? | 0:01:17 | 0:01:21 | |
And I find out how long you'd last if you tried to play hide and seek | 0:01:21 | 0:01:24 | |
with the lions. | 0:01:24 | 0:01:27 | |
All I can say is, I'm glad that we're out here and they're in there. | 0:01:27 | 0:01:30 | |
But now, there are big changes on the way in the giraffe herd. | 0:01:41 | 0:01:45 | |
In a few days, a new male is due to be brought here. | 0:01:45 | 0:01:48 | |
And that the same time, the female named Amber | 0:01:48 | 0:01:52 | |
is moving to another animal park. | 0:01:52 | 0:01:54 | |
If you've been watching Roar for a while, you might | 0:01:55 | 0:01:59 | |
remember when Amber had a baby. We managed to film the whole thing. | 0:01:59 | 0:02:03 | |
It was a boy. They named him Karamojo, and he was the very first | 0:02:07 | 0:02:10 | |
giraffe to be born here in the park. | 0:02:10 | 0:02:14 | |
But now it's time for Amber to move on, and join a new breeding | 0:02:14 | 0:02:18 | |
programme at another park. | 0:02:18 | 0:02:20 | |
Keeper Nick will be sorry to say goodbye. | 0:02:20 | 0:02:24 | |
Amber is, sadly, leaving us. She's going off to another park. | 0:02:26 | 0:02:29 | |
She was the first female, and she had the baby, so it will be a shame, but | 0:02:29 | 0:02:33 | |
in a way out of all of them she's best suited to leave us because at | 0:02:33 | 0:02:37 | |
least she's going to be part of another breeding group. | 0:02:37 | 0:02:41 | |
So she'll be able to have more babies up there. | 0:02:41 | 0:02:43 | |
Definitely a happy future for her. | 0:02:43 | 0:02:46 | |
But right now the keepers need to start getting things ready | 0:02:47 | 0:02:50 | |
for moving day, and the first job is to persuade Amber to walk | 0:02:50 | 0:02:53 | |
from the large enclosure into the giraffe house and its small yard. | 0:02:53 | 0:03:00 | |
From there, they'll be able to get her onto the transporter lorry | 0:03:00 | 0:03:03 | |
when it comes on moving day. | 0:03:03 | 0:03:06 | |
To keep Amber company while she's waiting in the yard, | 0:03:06 | 0:03:08 | |
head of section Paul Beer is planning to bring | 0:03:08 | 0:03:11 | |
another giraffe, Setanta, in with her. | 0:03:11 | 0:03:13 | |
We've lined up the gateways to bring the giraffe in. | 0:03:13 | 0:03:16 | |
Claire and Keira are going to open the gate. | 0:03:16 | 0:03:19 | |
Hopefully Amber and Setanta will walk up here, I'll follow them | 0:03:19 | 0:03:22 | |
through, try to get the gate shut at the end and just keep | 0:03:22 | 0:03:25 | |
them contained in the yard. Do you want to go for it? | 0:03:25 | 0:03:28 | |
Setanta, come on! | 0:03:31 | 0:03:33 | |
Come on! Come on! | 0:03:33 | 0:03:34 | |
But, after a promising start, both giraffes stop in their tracks, | 0:03:36 | 0:03:40 | |
and refuse to go any further. | 0:03:40 | 0:03:44 | |
Keeper Keira has got a carrot to see if they can be tempted along. | 0:03:44 | 0:03:48 | |
But at the moment, they don't seem very interested in food. | 0:03:51 | 0:03:56 | |
And you just can't rush a giraffe. | 0:03:56 | 0:03:57 | |
If you start pushing them too much, they're just going to get | 0:03:57 | 0:04:01 | |
threatened, scared, and it's going to be a disaster. | 0:04:01 | 0:04:04 | |
So you want to take it slowly-slowly and see how it goes. | 0:04:04 | 0:04:07 | |
The keepers must be very careful. | 0:04:08 | 0:04:10 | |
Giraffes have a kick strong enough to kill a lion, and they can swing | 0:04:10 | 0:04:14 | |
their necks with great force. | 0:04:14 | 0:04:16 | |
Luckily, Amber is a gentle character, | 0:04:16 | 0:04:18 | |
and she's just being a little shy. | 0:04:18 | 0:04:21 | |
Keeper Claire reckons this could take a while. | 0:04:21 | 0:04:26 | |
She has just not got any interest in Keira and Paul at all at the moment, | 0:04:26 | 0:04:30 | |
she's just standing back. | 0:04:30 | 0:04:31 | |
We just have to wait and see if she relaxes a bit, | 0:04:31 | 0:04:34 | |
and then pays attention to us again. | 0:04:34 | 0:04:37 | |
Usually when they're acting like this, it can take hours. | 0:04:37 | 0:04:40 | |
Hopefully it'll not take days. | 0:04:40 | 0:04:42 | |
There is a possibility that it's our camera crew who are | 0:04:42 | 0:04:45 | |
putting the giraffes off, | 0:04:45 | 0:04:46 | |
so we're going to leave them to it and come back later to see if | 0:04:46 | 0:04:50 | |
that helps the keepers get them in, ready for moving day. | 0:04:50 | 0:04:54 | |
It's dinner time with a difference here at the lion enclosure, and with | 0:05:08 | 0:05:13 | |
me is keeper Chris Hales, who's got an idea. What's the big idea, Chris? | 0:05:13 | 0:05:17 | |
OK. The idea is that we don't make it too easy for them. | 0:05:17 | 0:05:20 | |
Normally they get a couple of big pieces each, or one large piece each. | 0:05:20 | 0:05:25 | |
Today, that's not exactly big, is it? | 0:05:25 | 0:05:29 | |
Well, it looks kind of big to me. | 0:05:29 | 0:05:31 | |
It might be big for us, but for a lion, that would last | 0:05:31 | 0:05:34 | |
all of ten seconds. What we've done, we've taken | 0:05:34 | 0:05:36 | |
their entire meal, and cut it up into loads and loads of pieces. | 0:05:36 | 0:05:40 | |
-And we're just going to hide it everywhere. -Brilliant. | 0:05:40 | 0:05:43 | |
It's quite gruesome, I have to say. | 0:05:43 | 0:05:45 | |
So where shall we put the first bit of meat? | 0:05:45 | 0:05:47 | |
There's all different places we can put it. | 0:05:47 | 0:05:50 | |
There's tyres in the enclosure, so we can hide it in there. | 0:05:50 | 0:05:52 | |
We can hide it under log piles. | 0:05:52 | 0:05:54 | |
As you can see behind me, there's a ladder. | 0:05:54 | 0:05:56 | |
There's your first job. | 0:05:56 | 0:05:58 | |
Let's go up here, then. | 0:05:58 | 0:06:01 | |
I'm going to put this quite high up. | 0:06:01 | 0:06:04 | |
I never really think of lions as being good climbers, | 0:06:04 | 0:06:07 | |
are you sure they'll get it if I put it up here? | 0:06:07 | 0:06:09 | |
I guarantee they will get that. The height you're at at the moment, | 0:06:09 | 0:06:13 | |
with one of the lions standing on their back feet, | 0:06:13 | 0:06:16 | |
they're already taller than that. | 0:06:16 | 0:06:17 | |
Speaking of the lions, you've got me a bit scared. Where are they? | 0:06:17 | 0:06:21 | |
There's actually two of them behind us over there. So we've got | 0:06:21 | 0:06:24 | |
Milo and Moonlight, and I can assure you they are safely shut away. | 0:06:24 | 0:06:28 | |
Brilliant. That's good to know. | 0:06:28 | 0:06:30 | |
OK. So I'm going to put that there. | 0:06:30 | 0:06:33 | |
-Yes, good stuff. -You sure they'll get it from up there? | 0:06:33 | 0:06:36 | |
Obviously, the beauty of being a cat is that they've got | 0:06:36 | 0:06:39 | |
lots of different things on their side to help them find food. | 0:06:39 | 0:06:42 | |
So, obviously, they've got great vision. | 0:06:42 | 0:06:44 | |
That's how they find most of their prey. | 0:06:44 | 0:06:48 | |
But they've also got a really, really good sense of smell. So, in theory, | 0:06:48 | 0:06:52 | |
if they can't see the food, they should be able to pick up the smell. | 0:06:52 | 0:06:55 | |
Have you had a sniff of it yet? | 0:06:55 | 0:06:57 | |
It's quite fragrant, but it's not an overly strong smell. | 0:06:57 | 0:07:01 | |
It's not too bad. This is actually quite fresh. | 0:07:01 | 0:07:04 | |
Only the best for our cats. | 0:07:04 | 0:07:06 | |
Where else shall we put it that's quite out of the way? | 0:07:06 | 0:07:08 | |
This is kind of down to your imagination. | 0:07:08 | 0:07:11 | |
Literally, anywhere that you can find. | 0:07:11 | 0:07:13 | |
Obviously we've got tyres, we've got log piles, | 0:07:13 | 0:07:16 | |
we've got long grass, you can hide it absolutely anywhere you want. | 0:07:16 | 0:07:19 | |
Underneath here, is that cool? | 0:07:19 | 0:07:22 | |
And you know what, I might pop one in this tyre as well. | 0:07:22 | 0:07:25 | |
I don't think they'll find it there. | 0:07:25 | 0:07:28 | |
So who have we got in the enclosure? | 0:07:28 | 0:07:30 | |
I can see two lions. | 0:07:30 | 0:07:32 | |
Indeed. We've got Milo and Moonlight, and they're actually twins. | 0:07:32 | 0:07:36 | |
They're brothers. So we've got Milo, who's completely food obsessed. | 0:07:36 | 0:07:41 | |
That's why he's doing nothing but running up and down. | 0:07:41 | 0:07:43 | |
He can smell this already. | 0:07:43 | 0:07:45 | |
You say they're food obsessed? | 0:07:45 | 0:07:47 | |
-Yeah. -If they were to get out, I guess, would we be food? | 0:07:47 | 0:07:51 | |
Are they quite vicious towards humans? | 0:07:51 | 0:07:54 | |
I don't like to imagine that kind of scenario. | 0:07:54 | 0:07:56 | |
It worries you a little bit! | 0:07:56 | 0:07:58 | |
Let's not imagine that scenario, let's hurry and get this meat out. | 0:07:58 | 0:08:02 | |
Join us later on in the show for a bit of lion hide and seek. Come on. | 0:08:02 | 0:08:06 | |
It's time now for Ask The Keeper, where Rob Gordon is going | 0:08:20 | 0:08:24 | |
to be having questions fired at him by this group of boffins, all about | 0:08:24 | 0:08:28 | |
the very chilling Chile Rose spider. | 0:08:28 | 0:08:32 | |
Rob, I hope you don't get caught out in their sticky web. | 0:08:32 | 0:08:34 | |
OK, who's going to ask the first question? | 0:08:34 | 0:08:37 | |
-Go on then. -Where do they come from? | 0:08:37 | 0:08:41 | |
The Chile Rose tarantula comes from Chile, in South America. | 0:08:41 | 0:08:45 | |
There are a few different types that come from South America. | 0:08:45 | 0:08:48 | |
This kind comes from the north of Chile, which is quite tropical. | 0:08:48 | 0:08:52 | |
And very, very humid. | 0:08:52 | 0:08:54 | |
I know that the Chile Rose tarantula lives from 15-20 years. | 0:08:54 | 0:08:58 | |
How does that compare to other tarantulas? | 0:08:58 | 0:09:00 | |
Most female tarantulas can live to | 0:09:00 | 0:09:02 | |
that sort of age, and they're very reliant on environmental things. | 0:09:02 | 0:09:06 | |
They need a bit of heat. They need a bit of humidity. | 0:09:06 | 0:09:09 | |
Given the right things, they can live to that age. | 0:09:09 | 0:09:11 | |
Male tarantulas, though, tend not to live that long. | 0:09:11 | 0:09:14 | |
Maybe only a quarter to a third of that time. | 0:09:14 | 0:09:17 | |
You've got a really wriggly spider there. | 0:09:17 | 0:09:19 | |
Would it be fair to say that | 0:09:19 | 0:09:21 | |
it might have done a little dropping on your hand there? | 0:09:21 | 0:09:24 | |
I think she has, yes! | 0:09:24 | 0:09:25 | |
I can just see a little bit on my finger there. | 0:09:25 | 0:09:27 | |
It doesn't happen very often, but she has | 0:09:27 | 0:09:29 | |
left a little deposit behind. | 0:09:29 | 0:09:31 | |
-Tarantula poo, does it smell? -No, I can't smell it out here. | 0:09:31 | 0:09:35 | |
It's very, very liquidy, so it's not too bad. I'm sure | 0:09:35 | 0:09:38 | |
-it'll wash off easily. -It doesn't look too nice. | 0:09:38 | 0:09:40 | |
Occupational hazard, I think they call that. | 0:09:40 | 0:09:43 | |
Is the Chile Rose tarantula a well-known pet? | 0:09:43 | 0:09:45 | |
The Chile Rose tarantula is one of the more common species in captivity, | 0:09:45 | 0:09:49 | |
partly because they're easy to keep. | 0:09:49 | 0:09:51 | |
They don't mind being handled. | 0:09:51 | 0:09:53 | |
Not every tarantula can cope with being handled. | 0:09:53 | 0:09:55 | |
Some are quite nervous. | 0:09:55 | 0:09:58 | |
-So this one's quite good for that sort of thing. -What do they eat? | 0:09:58 | 0:10:02 | |
Mostly other insects, which they tend to catch live. | 0:10:02 | 0:10:05 | |
Anything really that they see, there are a lot of different | 0:10:05 | 0:10:08 | |
insects in that part of the world. | 0:10:08 | 0:10:10 | |
They may also scavenge small dead things. | 0:10:10 | 0:10:13 | |
-Sometimes bits of meat and things like that. -Why are tarantulas red? | 0:10:13 | 0:10:18 | |
Not all tarantulas are red. | 0:10:18 | 0:10:19 | |
This one obviously is, and it's in the name, because it's called a rose. | 0:10:19 | 0:10:23 | |
It's probably to blend in with their background, so they probably come | 0:10:23 | 0:10:26 | |
from areas where there's a lot of red soil or red rocks. | 0:10:26 | 0:10:29 | |
But others come in various different colours. | 0:10:29 | 0:10:32 | |
Mostly for the same reason. Sometimes they're quite bright colours, | 0:10:32 | 0:10:36 | |
so that they can display to each other. | 0:10:36 | 0:10:38 | |
Does it feel tickly on your hand? | 0:10:38 | 0:10:39 | |
No. They're really light. You can just feel their toes really. | 0:10:39 | 0:10:42 | |
Would anyone like to have a hold? | 0:10:42 | 0:10:44 | |
-I will. -OK. There you go. | 0:10:44 | 0:10:46 | |
-She's going to walk on. -Careful. | 0:10:46 | 0:10:48 | |
Support her body. | 0:10:48 | 0:10:50 | |
What's it like, Sean? | 0:10:50 | 0:10:52 | |
She feels a bit ticklish. | 0:10:52 | 0:10:54 | |
A bit tickly? And she seems very wriggly, cos it's | 0:10:54 | 0:10:57 | |
quite windy here, isn't it, Rob? | 0:10:57 | 0:10:59 | |
Yes. She can feel the air. | 0:10:59 | 0:11:01 | |
You should take this little lady back, | 0:11:01 | 0:11:03 | |
because we're going to come up with a Killer Question. | 0:11:03 | 0:11:05 | |
Alright then, guys. Come on in, come on in. | 0:11:07 | 0:11:09 | |
OK, now we'll talk about the Killer Question. | 0:11:09 | 0:11:12 | |
Rob, they're being mean now! | 0:11:15 | 0:11:17 | |
Right then, Rob. We have a Killer Question for you. | 0:11:18 | 0:11:21 | |
What we'd like to know - | 0:11:21 | 0:11:23 | |
how many spiders' legs do you actually have on your section here? | 0:11:23 | 0:11:28 | |
So you've got to do the maths, and you've got to do it fast. | 0:11:28 | 0:11:31 | |
You have to explain your workings out as well! | 0:11:31 | 0:11:33 | |
Well, we've got about 12 here. | 0:11:33 | 0:11:36 | |
Are you sure you only have 12 spiders here? | 0:11:36 | 0:11:39 | |
As far as I can remember. We have a few. | 0:11:39 | 0:11:43 | |
I'm going to have to jog your memory, because | 0:11:43 | 0:11:45 | |
we've been doing a bit of research, and you actually have 13 spiders. | 0:11:45 | 0:11:49 | |
Unlucky for some. Which would make it into 104 legs. | 0:11:49 | 0:11:53 | |
So I'm sorry, Rob. | 0:11:53 | 0:11:55 | |
What do you think? Apart from the Killer Question, | 0:11:55 | 0:11:58 | |
the rest of Rob's answers, thumbs-up or thumbs-down for him? | 0:11:58 | 0:12:01 | |
Oooh! We're just missing one thumb, so you can have one from me as well, | 0:12:04 | 0:12:08 | |
-Rob. Thank you very much. -Thank you. | 0:12:08 | 0:12:11 | |
What do you get when you cross a skunk and a bear? | 0:12:16 | 0:12:19 | |
-I don't know. -Winnie the Pooh! | 0:12:19 | 0:12:21 | |
-Miaow! Miaow! -Why did the centipede get | 0:12:21 | 0:12:25 | |
dropped from the insect football team? | 0:12:25 | 0:12:28 | |
Don't know. | 0:12:28 | 0:12:30 | |
He took too long to put his boots on! | 0:12:30 | 0:12:32 | |
Ooh, ooh, ooh, ooh! | 0:12:34 | 0:12:37 | |
What do you get when a budgie flies into a pastry dish? | 0:12:37 | 0:12:40 | |
-I don't know. -Tweetie Pie! | 0:12:40 | 0:12:41 | |
We're back at the lion enclosure | 0:12:53 | 0:12:56 | |
with keeper Chris Hales, to see if lions Milo and Moonlight can find | 0:12:56 | 0:12:59 | |
the tasty, meaty treats we've hidden around the enclosure. | 0:12:59 | 0:13:03 | |
Shall we let them through? | 0:13:03 | 0:13:04 | |
-Yes. Are you ready for this? -On your call. | 0:13:04 | 0:13:06 | |
Let's do it. OK, you ready? | 0:13:06 | 0:13:08 | |
-Yes. -Here they come. | 0:13:10 | 0:13:11 | |
-So, who do you think's going to be out first? -This is Milo. | 0:13:11 | 0:13:15 | |
So this is the food obsessed one. | 0:13:15 | 0:13:16 | |
OK. So no surprises there. | 0:13:16 | 0:13:18 | |
Indeed. But, he's closely followed by his brother, Moonlight. | 0:13:18 | 0:13:22 | |
So they're having a good old sniff around. | 0:13:22 | 0:13:25 | |
-I'm assuming you put one in this tyre here? -Yes, I did. | 0:13:25 | 0:13:28 | |
He's trying his hardest to get that one out. | 0:13:28 | 0:13:30 | |
Moonlight is having a sniff around. | 0:13:30 | 0:13:32 | |
You've got to remember that they're used to big pieces, | 0:13:32 | 0:13:35 | |
which are a lot easier to find. So this is quite different for them. | 0:13:35 | 0:13:39 | |
I think he has got that one out of the tyre there. | 0:13:39 | 0:13:41 | |
-Yes. -Pretty easily. | 0:13:41 | 0:13:43 | |
Did we hide one over there? | 0:13:43 | 0:13:45 | |
We put one underneath the log there. Moonlight is having a good old sniff. | 0:13:45 | 0:13:48 | |
There's one in amongst those logs as well. | 0:13:48 | 0:13:51 | |
I did hide a piece of meat underneath that bridge there. | 0:13:51 | 0:13:54 | |
-He's found it, look. He's found it. -There we go. | 0:13:54 | 0:13:57 | |
Did you see what he did there? | 0:13:57 | 0:13:59 | |
His nose was picking up the scent of it, but as soon as he got | 0:13:59 | 0:14:03 | |
it in sight, his vision took over instead. | 0:14:03 | 0:14:06 | |
They've got better vision than they have sense of smell. | 0:14:06 | 0:14:09 | |
-Really? -Yes. -Have they got good night-time vision? | 0:14:09 | 0:14:12 | |
They've got fantastic night-time vision. | 0:14:12 | 0:14:14 | |
That's when they do most of their hunting. | 0:14:14 | 0:14:16 | |
Because their sight is actually a lot better than the prey species'. | 0:14:16 | 0:14:20 | |
-So they've got the edge. -Would they usually hunt together, | 0:14:20 | 0:14:24 | |
or would they hunt alone in the wild? | 0:14:24 | 0:14:26 | |
This kind of situation, actually, they're brothers obviously. | 0:14:26 | 0:14:30 | |
They stay together. People might think that's unusual, | 0:14:30 | 0:14:33 | |
but this is exactly what would happen. | 0:14:33 | 0:14:36 | |
They've come away from their pride, left their mum, dad and sisters, | 0:14:36 | 0:14:39 | |
and they've gone off on their own together. This is what would happen. | 0:14:39 | 0:14:43 | |
They go off hunting together, | 0:14:43 | 0:14:44 | |
-and eventually they'll take over another pride together. -Wow. | 0:14:44 | 0:14:48 | |
Ah, look at that. That was so easy, wasn't it, for him? | 0:14:48 | 0:14:52 | |
He pulled it straight out the log. | 0:14:52 | 0:14:54 | |
Well, they're certainly enjoying the meat, Chris. | 0:14:54 | 0:14:57 | |
Milo's finished his bit, so... Oh, look at this. | 0:14:57 | 0:14:59 | |
Here we go. He's spotted that. | 0:14:59 | 0:15:01 | |
He's seen it. Wow! Wow. That is impressive. | 0:15:01 | 0:15:04 | |
That was a really half-hearted jump, wasn't it? | 0:15:04 | 0:15:07 | |
But it's amazing. You wouldn't think it, but he was | 0:15:07 | 0:15:09 | |
actually pretty much as tall as that stump. | 0:15:09 | 0:15:12 | |
Yeah, he did like a little kind of jump there but he didn't | 0:15:12 | 0:15:16 | |
even have to do that. He could have reached that, no worries. | 0:15:16 | 0:15:19 | |
It's been so impressive to see these guys in action, | 0:15:19 | 0:15:22 | |
and all I can say is, I'm glad that we're out here | 0:15:22 | 0:15:25 | |
and they're in there, locked away. | 0:15:25 | 0:15:27 | |
-Thank you, Chris. It's been amazing. -No worries. | 0:15:27 | 0:15:30 | |
Back up at the giraffes, the keepers have finally | 0:15:40 | 0:15:43 | |
managed to get Amber and her companion into the yard. | 0:15:43 | 0:15:47 | |
It took quite a while to persuade them in here. | 0:15:47 | 0:15:51 | |
Though, the job did get easier after the keeper in charge, Paul Beer, | 0:15:51 | 0:15:55 | |
sent our film crew away. | 0:15:55 | 0:15:58 | |
They're a bit unsure when there's a strange object around, | 0:15:58 | 0:16:01 | |
and having the cameras there put them off a little bit, | 0:16:01 | 0:16:04 | |
but they settled down. We left them a few hours, had another go | 0:16:04 | 0:16:08 | |
and they walked straight in. She's coping well. | 0:16:08 | 0:16:10 | |
If she'd been on her own, she'd be more stressed than she is, | 0:16:10 | 0:16:13 | |
but as you can see, these two are fine. | 0:16:13 | 0:16:16 | |
Amber had to be brought in here because it's almost moving day. | 0:16:16 | 0:16:20 | |
A new male is due to arrive on a transporter lorry. | 0:16:20 | 0:16:23 | |
After he's unloaded, the plan is to get Amber on board. | 0:16:23 | 0:16:27 | |
To help with that, the team of keepers | 0:16:27 | 0:16:29 | |
are busy building special safety barriers out of wooden boards. | 0:16:29 | 0:16:32 | |
We'll have a board on this bar when it's finished, | 0:16:36 | 0:16:38 | |
and gradually walk it behind her and push her forward slowly, so she goes | 0:16:38 | 0:16:42 | |
to the door, then push her up and coax her up the back of the lorry. | 0:16:42 | 0:16:46 | |
The keepers are doing all this preparation | 0:16:46 | 0:16:48 | |
because they know how difficult giraffes can be. | 0:16:48 | 0:16:51 | |
They're one of the worst animals to transport, | 0:16:51 | 0:16:54 | |
so you want to keep everything nice and straightforward. | 0:16:54 | 0:16:58 | |
The more basic it is, and if it works, the better. | 0:16:58 | 0:17:00 | |
And keep her stress levels down. | 0:17:00 | 0:17:02 | |
Moving day is not going to be easy for anyone. The keepers don't | 0:17:02 | 0:17:05 | |
know what the new male giraffe's going to be like when he gets here. | 0:17:05 | 0:17:09 | |
And then, how on earth are they going to persuade shy, timid Amber | 0:17:09 | 0:17:13 | |
to go on the transporter? | 0:17:13 | 0:17:15 | |
It's certainly going to be a tricky operation, | 0:17:15 | 0:17:18 | |
and we'll be back to see what happens. | 0:17:18 | 0:17:21 | |
If you would like to have your own virtual animal park, | 0:17:28 | 0:17:31 | |
check out the Roar game on the CBBC website. | 0:17:31 | 0:17:34 | |
And don't miss the brand new enclosure that's just been added. | 0:17:34 | 0:17:38 | |
Right now, though, make a note of this. | 0:17:38 | 0:17:42 | |
That's today's cheat code. You'll see how to use it | 0:17:42 | 0:17:45 | |
when you start playing the game. Go on! Give it a go! | 0:17:45 | 0:17:49 | |
When it comes to impressing me, forget chocolate, forget perfume. | 0:17:59 | 0:18:04 | |
What I like is a good old-fashioned bunch of roses, and it looks like | 0:18:04 | 0:18:09 | |
keeper Jamie has done his research. | 0:18:09 | 0:18:12 | |
Jamie! They're a bit limp, aren't they? | 0:18:12 | 0:18:16 | |
They can obviously not be for me! | 0:18:16 | 0:18:18 | |
Well, actually, yeah - they're for the dusky langurs, here. | 0:18:18 | 0:18:21 | |
Why have you got rose petals for the dusky langurs? | 0:18:21 | 0:18:23 | |
It's a little treat, something new for them to have for their lunch. | 0:18:23 | 0:18:29 | |
It looks like this little fellow is waiting for a treat, | 0:18:29 | 0:18:32 | |
-so can we pass them in to him? -Yeah, we can give him a few here. | 0:18:32 | 0:18:35 | |
Is it safe for me to do it? | 0:18:35 | 0:18:37 | |
Yeah, if you just let him have some. He should take it off you. | 0:18:37 | 0:18:40 | |
OK. They've got quite long fingers. | 0:18:40 | 0:18:43 | |
Oh! He's a bit greedy, this one. | 0:18:43 | 0:18:45 | |
Yeah, he's the dominant male, so he will take control of the food. | 0:18:45 | 0:18:48 | |
There's a nice scattering there of petals | 0:18:48 | 0:18:51 | |
for all the dusky langurs, but what attracts them | 0:18:51 | 0:18:53 | |
to rose petals? Is it their gorgeous smell or the vibrant colours? | 0:18:53 | 0:18:57 | |
It's probably a combination of a few things. The smell attracts them. | 0:18:57 | 0:19:01 | |
It's something new, so it will be more interesting than | 0:19:01 | 0:19:04 | |
the regular food they get, which perks their interest | 0:19:04 | 0:19:07 | |
more than the normal cabbage and things they get. | 0:19:07 | 0:19:10 | |
They definitely smell better than cabbage. But in the wild, | 0:19:10 | 0:19:13 | |
are rose petals, or any sort of petals, things they would eat? | 0:19:13 | 0:19:17 | |
Not necessarily rose petals, | 0:19:17 | 0:19:19 | |
but they will eat a lot of leaves as part of their diet, so while they're | 0:19:19 | 0:19:24 | |
browsing for that, they will take in flower petals, | 0:19:24 | 0:19:27 | |
so that is something they would take in with their diet. | 0:19:27 | 0:19:29 | |
Who else have we got in here, is that a little one up there? | 0:19:29 | 0:19:33 | |
Yeah, up there you've got Meersa. She's just over a year old now. | 0:19:33 | 0:19:37 | |
She is Orion's daughter. | 0:19:37 | 0:19:38 | |
-This is a family group. -Right. | 0:19:38 | 0:19:40 | |
There's Mum and Dad and then the two daughters here. | 0:19:40 | 0:19:43 | |
So what would happen, Jamie, | 0:19:43 | 0:19:45 | |
if the others did come down now for their food? | 0:19:45 | 0:19:47 | |
If they hopped down to take some and he wasn't particularly happy | 0:19:47 | 0:19:51 | |
about it, he would chase them off, he would swipe at them. | 0:19:51 | 0:19:54 | |
-Really? -Maybe vocalise. | 0:19:54 | 0:19:56 | |
And make sure that they knew that he's claiming this and this is his. | 0:19:56 | 0:20:00 | |
Now, I'm having a look up there. | 0:20:00 | 0:20:01 | |
We've got a little one, little baby, | 0:20:01 | 0:20:04 | |
Meersa, and I think she's trying to find | 0:20:04 | 0:20:07 | |
a different route down, trying to outfox Dad, to get the rose petals. | 0:20:07 | 0:20:11 | |
Yeah, it looks like she's trying to find a vantage point she can get in, | 0:20:11 | 0:20:15 | |
where he'll not see what she's up to, | 0:20:15 | 0:20:16 | |
but it doesn't look like she's going to have any luck. | 0:20:16 | 0:20:20 | |
I think next time, Jamie, you should distract Dad | 0:20:20 | 0:20:22 | |
and I will give rose petals to the rest of the family. | 0:20:22 | 0:20:26 | |
No problem. | 0:20:26 | 0:20:27 | |
It's the big day at the giraffe house. | 0:20:33 | 0:20:35 | |
A transporter lorry is just arriving with the new male on board, | 0:20:35 | 0:20:40 | |
while Amber is waiting to go to another animal park. | 0:20:40 | 0:20:43 | |
Moving giraffes is a difficult and hazardous operation, | 0:20:43 | 0:20:47 | |
so head of section Paul Beer has drafted in all the help he can get. | 0:20:47 | 0:20:50 | |
It's really dangerous, moving giraffes. | 0:20:50 | 0:20:54 | |
They could get stressed, damage themselves and break their legs, | 0:20:54 | 0:20:57 | |
they could die in the box with stress. And we could get kicked. | 0:20:57 | 0:21:00 | |
Amber is inside the giraffe house and we've rigged up this CCTV camera | 0:21:00 | 0:21:05 | |
so we can see what happens. But first, | 0:21:05 | 0:21:08 | |
the team need to unload the new male from the transporter lorry. | 0:21:08 | 0:21:12 | |
A young boy called Harris is arriving. | 0:21:12 | 0:21:15 | |
He's been hand-reared. He's only two-and-a-half years old. | 0:21:15 | 0:21:19 | |
He's quite a small lad. Should be interesting. | 0:21:19 | 0:21:22 | |
Harris was hand-reared, so he's not as shy or nervous as most giraffes, | 0:21:24 | 0:21:28 | |
and as soon as the gate is open, | 0:21:28 | 0:21:30 | |
-he walks straight off. -He went in quite well. | 0:21:30 | 0:21:32 | |
He's standing in there now, just ignoring everybody. | 0:21:32 | 0:21:36 | |
He's looking around, seeing | 0:21:36 | 0:21:38 | |
what's happening, he came off really well. So far, so good. | 0:21:38 | 0:21:41 | |
Now to get Amber on to the transporter. | 0:21:41 | 0:21:44 | |
This could be much more dangerous. | 0:21:44 | 0:21:47 | |
The biggest concern is that she could injure herself | 0:21:47 | 0:21:49 | |
going up the ramp, or if we have to give her any sort of sedatives, | 0:21:49 | 0:21:54 | |
that works against us. She might panic and regurgitate. | 0:21:54 | 0:21:58 | |
In case of emergencies, park vet Jane Hopper is standing by. | 0:21:58 | 0:22:02 | |
Hopefully everything will go well, but as usual with animals, you can | 0:22:02 | 0:22:05 | |
never be sure, so we are a bit worried. | 0:22:05 | 0:22:07 | |
Two keepers walk behind Amber with a wooden board. | 0:22:07 | 0:22:10 | |
It's the safest way to encourage her forward. | 0:22:10 | 0:22:13 | |
The worst thing now would be if she panicked. | 0:22:13 | 0:22:15 | |
Amber inches forward towards the transporter, | 0:22:19 | 0:22:23 | |
but as she gets near the open door, she suddenly changes her mind. | 0:22:23 | 0:22:27 | |
She kicks out, but the keepers are safe behind the barrier. | 0:22:32 | 0:22:35 | |
They can kill you with one kick, so it's quite dangerous. | 0:22:35 | 0:22:39 | |
If Amber gets worked up, the vet may have to give her a sedative drug | 0:22:39 | 0:22:43 | |
to calm her down, but that has its own risks. | 0:22:43 | 0:22:46 | |
They're animals that don't really respond very well to it. | 0:22:46 | 0:22:50 | |
They can panic under it, and sort of overtake the system | 0:22:50 | 0:22:53 | |
and then they can sort of collapse. | 0:22:53 | 0:22:55 | |
So using a sedative would be a last resort. | 0:22:55 | 0:22:59 | |
Before that, they're going to try again. | 0:22:59 | 0:23:02 | |
She's inching forward. | 0:23:02 | 0:23:05 | |
And very slowly, Amber goes up the ramp and into the transporter. | 0:23:05 | 0:23:11 | |
We've got her on. All the guys have done really well. | 0:23:11 | 0:23:14 | |
She went straight up and in, we couldn't have asked for much better. | 0:23:14 | 0:23:18 | |
Now she's in, Amber will be safe on her journey. | 0:23:18 | 0:23:22 | |
The transporter is specially made for moving giraffes, | 0:23:22 | 0:23:25 | |
and even has an adjustable roof. | 0:23:25 | 0:23:27 | |
But now it's time to say goodbye. | 0:23:29 | 0:23:30 | |
I think we are all quite sad to see Amber go, because she's quite | 0:23:30 | 0:23:34 | |
a gentle giraffe and we all remember her having little Karamojo, the baby, | 0:23:34 | 0:23:38 | |
and she was a great mum, so we're all very fond of her. | 0:23:38 | 0:23:42 | |
But I'm sure she'll go and have more giraffe calves | 0:23:42 | 0:23:44 | |
and continue to do very well. | 0:23:44 | 0:23:46 | |
While Amber heads off to a new home, young Harris is settling in. | 0:23:46 | 0:23:50 | |
The future holds a lot in store for him, | 0:23:50 | 0:23:52 | |
and we'll be following his story later in the series. | 0:23:52 | 0:23:55 | |
We've heard that, apparently, there's a 15ft gorilla in that shed, | 0:24:12 | 0:24:17 | |
so we thought, "Why don't we creep along and have a look?" | 0:24:17 | 0:24:20 | |
-Rani, what's that noise? -I don't know what that noise is. | 0:24:20 | 0:24:24 | |
It's probably the 15ft gorilla, | 0:24:24 | 0:24:26 | |
angrily tapping away at the walls, ready for his next Rani-sized meal. | 0:24:26 | 0:24:29 | |
-Stop it! -It's no laughing matter. | 0:24:29 | 0:24:31 | |
Johny, what's that noise? | 0:24:31 | 0:24:32 | |
-You wait there and I'll go and have a look. -Johny, don't, don't, don't! | 0:24:32 | 0:24:37 | |
-Rani... -What is it? -..you do not want to see what's in there! | 0:24:37 | 0:24:40 | |
I do, I do! What is it? What is it? | 0:24:40 | 0:24:42 | |
Ah! He's having a laugh! | 0:24:42 | 0:24:44 | |
-Got to admit, I got you! -I didn't believe you. | 0:24:44 | 0:24:46 | |
You were right scared. | 0:24:46 | 0:24:48 | |
Obviously it's not a real 15ft gorilla, but a wooden 15ft gorilla, | 0:24:48 | 0:24:52 | |
made by tree surgeon Scott Lawrence. | 0:24:52 | 0:24:54 | |
-Hiya, Scott. -You all right? | 0:24:54 | 0:24:55 | |
Now, Scott, Johny just said you're a tree surgeon. | 0:24:55 | 0:24:58 | |
Shall we call you Dr Scott, firstly? | 0:24:58 | 0:25:02 | |
I didn't actually think tree surgeons carved | 0:25:02 | 0:25:04 | |
big animals out of pieces of wood. | 0:25:04 | 0:25:06 | |
-Yeah. -What's happened here? -Yeah, | 0:25:06 | 0:25:08 | |
it's a good use of a tree that's got to come down, if it's dying. | 0:25:08 | 0:25:11 | |
It's a good use to recycle it for | 0:25:11 | 0:25:13 | |
something, so I thought I'd carve a gorilla for the zoo. | 0:25:13 | 0:25:17 | |
You say a tree that's come down. Is this from one piece of wood? | 0:25:17 | 0:25:20 | |
-Yeah, this is part of a tree. -Ooh! | 0:25:20 | 0:25:23 | |
It's huge. Where do you start making a thing like this? | 0:25:23 | 0:25:26 | |
Well, you just sort of draw it on there | 0:25:26 | 0:25:28 | |
and start cutting lumps out of it, and... | 0:25:28 | 0:25:32 | |
He makes it sound so easy, doesn't he? | 0:25:32 | 0:25:34 | |
"One day I thought, see that tree, I'll just draw..." | 0:25:34 | 0:25:37 | |
I recognise this fella, he's one of my favourites. Is this Ambam? | 0:25:37 | 0:25:41 | |
It is, yeah. | 0:25:41 | 0:25:42 | |
That's what I've modelled it on, because it's standing upright | 0:25:42 | 0:25:46 | |
and usually they don't stand straight upright. | 0:25:46 | 0:25:48 | |
They usually can't stand up as straight as that, so I've done | 0:25:48 | 0:25:51 | |
that one just on Ambam because he's quite famous for standing upright. | 0:25:51 | 0:25:56 | |
It looks fantastic and it's a big old thing, | 0:25:56 | 0:25:58 | |
isn't it, just like himself? | 0:25:58 | 0:26:00 | |
It must have taken you ages to do. | 0:26:00 | 0:26:02 | |
Yeah, it's taken a couple of weeks on and off, really. | 0:26:02 | 0:26:05 | |
-A couple of weeks?! -He's so cool, isn't he? | 0:26:05 | 0:26:08 | |
I was expecting a year or something like that! | 0:26:08 | 0:26:10 | |
We've got to point out the detail because, | 0:26:10 | 0:26:12 | |
if you look around the top, it looks like Ambam's covered in hair. | 0:26:12 | 0:26:16 | |
Is that what you're doing? You can see that all over. | 0:26:16 | 0:26:19 | |
You get that effect with the chainsaw. | 0:26:19 | 0:26:21 | |
And you're going to do that all over? | 0:26:21 | 0:26:23 | |
Well, all over and I'll leave the chest smooth and the face smooth. | 0:26:23 | 0:26:27 | |
Now, I'm hoping that the public get to see this, as well. | 0:26:27 | 0:26:30 | |
-Where's it going to be? -It's going to be | 0:26:30 | 0:26:32 | |
on show down outside one of the gorilla enclosures. | 0:26:32 | 0:26:35 | |
-Not inside the gorilla enclosure? -No, no. | 0:26:35 | 0:26:37 | |
You don't think the gorillas...? | 0:26:37 | 0:26:39 | |
It looks lifelike. You don't think any of them will | 0:26:39 | 0:26:42 | |
-mistake him for a real gorilla, like Rani did?! -Hopefully not. | 0:26:42 | 0:26:45 | |
Hopefully they won't be offended by him. | 0:26:45 | 0:26:47 | |
I've got to say, it's brilliant and we | 0:26:47 | 0:26:50 | |
-can't wait to see when it's finished. Well done. -Wicked. | 0:26:50 | 0:26:53 | |
-Thanks a lot. -While Scott chips away at the rest of this | 0:26:53 | 0:26:56 | |
gorilla, why don't you check out what's coming up on the next Roar? | 0:26:56 | 0:27:00 | |
Our Roar Rangers have come to help feed the coatis, | 0:27:00 | 0:27:04 | |
but what happens when the coatis start helping themselves? | 0:27:04 | 0:27:09 | |
You've got to find it first! | 0:27:09 | 0:27:12 | |
One of the gorillas has a brand new baby. | 0:27:12 | 0:27:14 | |
We'll be getting our first good look. | 0:27:14 | 0:27:17 | |
And since she got pregnant, Rafigi | 0:27:17 | 0:27:19 | |
-the rhino is supposed to have mellowed out. -Woah! | 0:27:19 | 0:27:24 | |
Apart from trying to attack me! | 0:27:24 | 0:27:26 | |
Subtitles by Red Bee Media Ltd | 0:27:42 | 0:27:45 | |
E-mail [email protected] | 0:27:45 | 0:27:48 |