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-I'm Sam. -I'm Mark. | 0:00:18 | 0:00:20 | |
And we are one of the most enduring double acts in television history. | 0:00:20 | 0:00:24 | |
For 13 years, we've done everything as a pair. | 0:00:24 | 0:00:26 | |
-Yeah, we've made the nation laugh. -We've made the nation cry. | 0:00:26 | 0:00:28 | |
We've brought families and friends together. | 0:00:28 | 0:00:30 | |
We've made people's dreams come true. | 0:00:30 | 0:00:33 | |
And throughout it all, we've had each other. | 0:00:33 | 0:00:35 | |
And that's why you won't find a more professional, mature | 0:00:35 | 0:00:38 | |
or dignified pair on TV. | 0:00:38 | 0:00:40 | |
So why are you in relationship counselling? | 0:00:40 | 0:00:42 | |
-Because he's a massive poo-poo head. -Yeah, well, you're a silly... | 0:00:42 | 0:00:45 | |
You're just silly! | 0:00:45 | 0:00:47 | |
This could be the most interesting case I've ever seen. | 0:00:47 | 0:00:51 | |
I mean, it'll really stand out on the luggage carousel in Tenerife. | 0:00:52 | 0:00:55 | |
-What about us? -I'm not taking you two to Tenerife. | 0:00:55 | 0:00:58 | |
No, what are you going to do to sort out our relationship problems? | 0:00:58 | 0:01:02 | |
Well, this isn't going to be easy! | 0:01:02 | 0:01:05 | |
I mean, I've seen the way you two behave on TV. | 0:01:05 | 0:01:08 | |
I mean, just look at what you've put your poor, poor fans through. | 0:01:08 | 0:01:12 | |
Right, Denise, there are lots of eggs in your arms there. | 0:01:13 | 0:01:16 | |
Try and keep hold of them all. | 0:01:16 | 0:01:17 | |
If you get the full ten when you come back, | 0:01:17 | 0:01:20 | |
you will get that star prize to the Wolfblood set. | 0:01:20 | 0:01:22 | |
-Are you ready to go on the run? -Yep. | 0:01:22 | 0:01:24 | |
But be careful, because you've woken Maggie up! | 0:01:24 | 0:01:27 | |
Go! Go! Go! | 0:01:27 | 0:01:30 | |
-Go and get her. -Oh, no! | 0:01:30 | 0:01:32 | |
-Oh, be careful! -Keep hold of those eggs. | 0:01:33 | 0:01:36 | |
Maggie's going to get you. | 0:01:36 | 0:01:38 | |
She's coming after you! | 0:01:38 | 0:01:39 | |
That's not scary at all! | 0:01:41 | 0:01:43 | |
Aggh! | 0:01:46 | 0:01:47 | |
Oh, is that one of the eggs? Is that one of the eggs? | 0:01:47 | 0:01:50 | |
Maggie's coming! | 0:01:50 | 0:01:52 | |
-Good catch! -Good catch! | 0:01:54 | 0:01:56 | |
Come on! Come back! He's going to get you! | 0:01:56 | 0:01:59 | |
Maggie's going to get you. | 0:01:59 | 0:02:02 | |
Oh, no! She's dropped one! | 0:02:02 | 0:02:03 | |
Oh, come on! Come on, Denise, you can do it! | 0:02:03 | 0:02:06 | |
Come on! Come on, Denise. | 0:02:06 | 0:02:09 | |
-Come on, Denise! -You're nearly there. You're nearly there. | 0:02:09 | 0:02:11 | |
Give her a round of applause. | 0:02:11 | 0:02:13 | |
CHEERING AND APPLAUSE | 0:02:13 | 0:02:15 | |
-Come on, darling. -Over there! -Keep holding. | 0:02:15 | 0:02:18 | |
OK! | 0:02:18 | 0:02:19 | |
Come here, chicken. | 0:02:20 | 0:02:23 | |
Oh, well done. You did drop a few. | 0:02:24 | 0:02:26 | |
-There was an amazing catch in the air, though. -Hey! | 0:02:26 | 0:02:29 | |
OK, so, let's count them up. | 0:02:29 | 0:02:31 | |
Remember, you needed ten to get the star prize. | 0:02:31 | 0:02:35 | |
-Here we go. Best of luck. -Oh, man! -You've got... Two. | 0:02:35 | 0:02:37 | |
Four. | 0:02:39 | 0:02:40 | |
Agggh! It cracked. | 0:02:40 | 0:02:43 | |
Six, eight... | 0:02:43 | 0:02:44 | |
..ten! | 0:02:45 | 0:02:47 | |
CHEERING AND APPLAUSE | 0:02:47 | 0:02:49 | |
Yes! | 0:02:49 | 0:02:51 | |
-Well done! -Well done, Denise. | 0:02:51 | 0:02:52 | |
You brought 11 eggs back, which means you win five prizes | 0:02:52 | 0:02:56 | |
from the prize stack as well. | 0:02:56 | 0:02:57 | |
And you do get your hands on tonight's star prize - | 0:02:57 | 0:03:00 | |
that trip to the Wolfblood set. | 0:03:00 | 0:03:01 | |
You are going to meet all your favourite actors. | 0:03:01 | 0:03:04 | |
-How does that sound? -Good. | 0:03:04 | 0:03:06 | |
Nice work. | 0:03:06 | 0:03:07 | |
Now, whilst we're here, I think it's only fair that you apologise | 0:03:07 | 0:03:10 | |
to Maggie for stealing her eggs. Come over here. | 0:03:10 | 0:03:12 | |
Yeah, come over here, Maggie. Come over here. | 0:03:12 | 0:03:14 | |
-What have you got to say, Denise? -Sorry. -All right. | 0:03:14 | 0:03:17 | |
It's OK! | 0:03:17 | 0:03:19 | |
It's Leona Vaughan who plays Jana in Wolfblood! | 0:03:19 | 0:03:23 | |
-BOTH: -Awww! | 0:03:23 | 0:03:26 | |
Now, Beyonce, wants you, Bradley, to destroy those rival airlines | 0:03:26 | 0:03:30 | |
by popping the balloons on the back of each plane in just... | 0:03:30 | 0:03:35 | |
45 seconds. | 0:03:35 | 0:03:36 | |
Now, for every one that you pop, you'll win a prize | 0:03:36 | 0:03:39 | |
from the Wind-Up prize stash. | 0:03:39 | 0:03:41 | |
-AUDIENCE: -Whooo! | 0:03:41 | 0:03:43 | |
So, Bradley... | 0:03:43 | 0:03:44 | |
# What you think about that...? # | 0:03:44 | 0:03:46 | |
-Great. -Great. Nice. Awesome | 0:03:46 | 0:03:48 | |
Bradley... Bradley, don't expect an easy flight, though, | 0:03:48 | 0:03:53 | |
because if any of these divas get through that 45 seconds | 0:03:53 | 0:03:57 | |
without having their balloon popped, | 0:03:57 | 0:04:00 | |
-they will win the prize for themselves. -What a twist. | 0:04:00 | 0:04:03 | |
So, Bradley... | 0:04:03 | 0:04:04 | |
# What you think about that...? # | 0:04:04 | 0:04:06 | |
It's terrible if they get prizes. | 0:04:06 | 0:04:09 | |
-Yeah, it's terrible. -He sounds like you! -He does. | 0:04:09 | 0:04:11 | |
He sounds just like me, it's great. | 0:04:11 | 0:04:13 | |
OK, today's flight time is 45 seconds. | 0:04:13 | 0:04:16 | |
-Three, two, one, takeoff! -Go on! | 0:04:16 | 0:04:20 | |
Oh, here we go, here we go. | 0:04:20 | 0:04:22 | |
Oh, he's on the tail of Lady Gaga International. | 0:04:22 | 0:04:25 | |
Oh, no, he's changed his mind! | 0:04:26 | 0:04:28 | |
He's changed his mind. | 0:04:28 | 0:04:30 | |
He's now on Nicole Scherzinger Air. | 0:04:30 | 0:04:32 | |
It's difficult. They're fast, these planes! | 0:04:32 | 0:04:36 | |
LAUGHTER | 0:04:36 | 0:04:39 | |
POPPING AND CHEERING | 0:04:39 | 0:04:42 | |
Keep going! Keep going! Yeah! | 0:04:42 | 0:04:45 | |
That's two. Mariah Carey Continental, you're going to get it. | 0:04:45 | 0:04:49 | |
Oh, come on! | 0:04:49 | 0:04:50 | |
-CeeLo Travel? See You Later Travel! -Oh, here we go! | 0:04:50 | 0:04:53 | |
-Come on! -What's happening? | 0:04:53 | 0:04:56 | |
There's not long left! | 0:04:56 | 0:04:58 | |
Two more! Two more! | 0:04:58 | 0:05:00 | |
-You got five seconds left. -Four, three... | 0:05:01 | 0:05:05 | |
KLAXON | 0:05:05 | 0:05:08 | |
Come over here, Bradley. | 0:05:08 | 0:05:09 | |
Mariah Carey, that was close! | 0:05:09 | 0:05:12 | |
-Wowzers! -Hey, very good though, very good. -Well done. | 0:05:12 | 0:05:15 | |
And you managed to pop three of the balloons, | 0:05:15 | 0:05:17 | |
which means you get three prizes from the Wind-Up prize stack! | 0:05:17 | 0:05:20 | |
Well done! And... | 0:05:20 | 0:05:22 | |
Well done to Harry and Emily, because your balloons | 0:05:22 | 0:05:25 | |
weren't popped, you win a prize from the Wind-Up prize stash, too. | 0:05:25 | 0:05:28 | |
Well done, guys. | 0:05:28 | 0:05:30 | |
As super fans of The Dumping Ground, your mission | 0:05:32 | 0:05:34 | |
is to rifle through this rubbish to find a variety of hidden treasures. | 0:05:34 | 0:05:38 | |
As soon as you've found an item, | 0:05:38 | 0:05:40 | |
we will then ask you a question about The Dumping Ground. | 0:05:40 | 0:05:43 | |
-Are you up for the challenge? -BOTH: -Yes! | 0:05:43 | 0:05:45 | |
-Absolutely great. -Awesome. | 0:05:45 | 0:05:46 | |
OK, then it's time to rifle through the rubbish. | 0:05:46 | 0:05:49 | |
The first item you guys need to find is... | 0:05:49 | 0:05:52 | |
-..a giant apple core! -Go! -Start the clock! | 0:05:54 | 0:05:57 | |
Look around, girls. Look around. | 0:05:57 | 0:05:59 | |
Maybe split up, maybe split up. | 0:05:59 | 0:06:01 | |
It might be warmer over where I'm standing. | 0:06:03 | 0:06:05 | |
-Maybe it is. -I don't know, it could be. | 0:06:05 | 0:06:08 | |
-Take a look! Take a look! Keep looking. -Yeah! | 0:06:08 | 0:06:11 | |
What is the name of Harry's beloved giraffe? | 0:06:13 | 0:06:15 | |
-BOTH: -Jeff! -That's correct. -OK, next item... | 0:06:15 | 0:06:18 | |
-Fish skeleton. -Fish skeleton. Come on! | 0:06:18 | 0:06:21 | |
Look everywhere, look everywhere. | 0:06:21 | 0:06:24 | |
-Yes! Quick, quick. -Come on! | 0:06:24 | 0:06:26 | |
OK, second question, which character replaced Gina | 0:06:26 | 0:06:29 | |
as the main care worker in series two? | 0:06:29 | 0:06:31 | |
-May-Li. -Correct! | 0:06:31 | 0:06:32 | |
Next item, chicken drumsticks. | 0:06:32 | 0:06:34 | |
-Go, go, go, go, go! -Chicken drumstick. | 0:06:34 | 0:06:36 | |
Oh, wow! Nice work! We didn't hide that well. | 0:06:36 | 0:06:38 | |
What is the name of the dog Bailey adopted in series three? | 0:06:38 | 0:06:41 | |
-BOTH: -Mischief. -Correct! -You're good. | 0:06:41 | 0:06:43 | |
Deflated football. Find a deflated football! | 0:06:43 | 0:06:45 | |
There it is! | 0:06:45 | 0:06:48 | |
-What hobby did Tyler develop during series three? -Magic. | 0:06:48 | 0:06:51 | |
-Correct. -You need to find a tin of beans. | 0:06:51 | 0:06:54 | |
A tin of beans. You've got 30 seconds left. | 0:06:54 | 0:06:57 | |
You are smashing it, guys. | 0:06:57 | 0:06:58 | |
A tin of beans we're looking for, guys. Tin of beans. Look everywhere. | 0:06:58 | 0:07:02 | |
That's it. Don't worry... | 0:07:02 | 0:07:04 | |
-Yeah! -Look up at the back, look up at the back. | 0:07:04 | 0:07:07 | |
-Is it at the back? -It might be. It might be. | 0:07:07 | 0:07:10 | |
-OK, look everywhere. -We've got 10 seconds left, come on. | 0:07:10 | 0:07:12 | |
You can get this. | 0:07:12 | 0:07:14 | |
Tin of beans... | 0:07:14 | 0:07:16 | |
OK, come on. Keep looking, guys. Keep looking. | 0:07:22 | 0:07:24 | |
-Keep looking. -OK, time is up! | 0:07:24 | 0:07:26 | |
KLAXON | 0:07:26 | 0:07:27 | |
-Oh! -Well done, guys. | 0:07:27 | 0:07:29 | |
Now, there are 10 books on each of these blocks. | 0:07:31 | 0:07:33 | |
You have 15 seconds to karate chop all 10 in half. | 0:07:33 | 0:07:37 | |
Get 'em! | 0:07:37 | 0:07:39 | |
-Are you ready? -Yeah. -Best of luck. | 0:07:39 | 0:07:41 | |
Your time starts now. Go! | 0:07:41 | 0:07:44 | |
CHEERING | 0:07:44 | 0:07:47 | |
Quick! | 0:07:47 | 0:07:48 | |
-You've got 10 seconds left. -Hah! Hah! Hah! | 0:07:48 | 0:07:53 | |
CHEERING AND APPLAUSE | 0:07:53 | 0:07:55 | |
Hiyya! | 0:07:58 | 0:08:00 | |
Match the names with the people. Best of luck. | 0:08:03 | 0:08:05 | |
Your time starts now! | 0:08:05 | 0:08:07 | |
Go, go, go! | 0:08:07 | 0:08:09 | |
-Go, go! -Be quick, be quick! | 0:08:09 | 0:08:11 | |
OK, pass it to them, pass it to them. | 0:08:11 | 0:08:13 | |
-Pass it to them, yeah. -That's it. | 0:08:13 | 0:08:14 | |
Hold it in front of you, guys. That's it. Be quicker. | 0:08:14 | 0:08:17 | |
-Be better. -Interesting. | 0:08:17 | 0:08:19 | |
LAUGHTER | 0:08:19 | 0:08:22 | |
-This is very interesting. -Think about it! | 0:08:22 | 0:08:23 | |
-Come on, think about it! -Think about it! | 0:08:23 | 0:08:26 | |
-Erm, wait, no... Think... -This is... | 0:08:26 | 0:08:28 | |
KLAXON | 0:08:28 | 0:08:30 | |
Wow! | 0:08:30 | 0:08:32 | |
Let's see how you did...! | 0:08:32 | 0:08:33 | |
I can tell you how they did... | 0:08:33 | 0:08:36 | |
-Let's not spoil it, though... -..badly. | 0:08:36 | 0:08:38 | |
..for the viewers at home. | 0:08:38 | 0:08:39 | |
OK, what do you call a man in a paper suit? | 0:08:39 | 0:08:43 | |
Russell. | 0:08:43 | 0:08:44 | |
That's correct! | 0:08:44 | 0:08:46 | |
Russells! Why's it Russells? | 0:08:46 | 0:08:49 | |
-Because it rustles. It is a sound-based joke. -Exactly. | 0:08:49 | 0:08:52 | |
What do you call a man with a seagull on his head? | 0:08:54 | 0:08:56 | |
Cliff. | 0:08:56 | 0:08:57 | |
That is the right answer! | 0:08:57 | 0:09:00 | |
-See, we are cooking here. -It's the cliff... -Clever. | 0:09:00 | 0:09:03 | |
What do you call a woman with a radiator on her head? | 0:09:03 | 0:09:06 | |
-Kate... -No, you don't. -I don't get it. | 0:09:06 | 0:09:09 | |
-I don't get it. -That's because it's wrong. | 0:09:09 | 0:09:11 | |
-It's Anita. -Anita, isn't it?! | 0:09:11 | 0:09:13 | |
Anita. | 0:09:13 | 0:09:15 | |
What do you call a woman with two toilets on her head? | 0:09:15 | 0:09:18 | |
Anita. | 0:09:18 | 0:09:20 | |
Why? | 0:09:20 | 0:09:21 | |
-Why? -You could do. -No, you don't, it's stupid. | 0:09:21 | 0:09:24 | |
-It's Lulu! -And, finally... | 0:09:24 | 0:09:26 | |
Finally, what do you call two men in a window? | 0:09:26 | 0:09:29 | |
-Kurt... -And Rod. | 0:09:29 | 0:09:33 | |
-BOTH: -Curtain rod. | 0:09:33 | 0:09:36 | |
# I came in like a wrecking ball... # | 0:09:36 | 0:09:38 | |
APPLAUSE | 0:09:38 | 0:09:40 | |
-OK. -Here we go. -Come on, lad. | 0:09:40 | 0:09:44 | |
Oh, nearly! | 0:09:44 | 0:09:46 | |
Make it a bit longer, a bit longer! | 0:09:46 | 0:09:48 | |
Here we go, here we go. Come on, lad. | 0:09:48 | 0:09:50 | |
-BOTH: -Yes! | 0:09:50 | 0:09:51 | |
We'll give you that, we'll give you that. | 0:09:51 | 0:09:53 | |
-Get this one down. -Get this one down. | 0:09:53 | 0:09:56 | |
Yes! Get this one! | 0:09:56 | 0:09:58 | |
-One more, one more! -Finish this! Get ready! | 0:09:58 | 0:10:00 | |
-Make it longer. -Go, go! Get it! | 0:10:00 | 0:10:04 | |
CHEERING AND APPLAUSE | 0:10:04 | 0:10:07 | |
Aggggh! | 0:10:09 | 0:10:11 | |
Agggh! | 0:10:13 | 0:10:14 | |
I'm sorry, I fell. | 0:10:14 | 0:10:16 | |
I fell! I fell over! | 0:10:16 | 0:10:18 | |
-I fell over! -Health and safety issues here, everywhere. | 0:10:18 | 0:10:21 | |
Oh, sorry! | 0:10:21 | 0:10:22 | |
Well, we seem to be making some sort of progress, | 0:10:26 | 0:10:29 | |
but I feel there's more we can do. | 0:10:29 | 0:10:31 | |
Why don't you try saying something nice about each other? | 0:10:31 | 0:10:34 | |
OK. Sam, I admire how brave you are. | 0:10:34 | 0:10:37 | |
Oh, thanks very much. | 0:10:37 | 0:10:39 | |
Yeah, not many people have the guts to go out in an outfit like that. | 0:10:39 | 0:10:43 | |
-Well, I admire your determination. -Oh, bless you. | 0:10:44 | 0:10:47 | |
Yeah, I mean, if I was born with a face like yours, | 0:10:47 | 0:10:49 | |
I'd have given up years ago, mate. | 0:10:49 | 0:10:50 | |
But not you. You carry on, don't you? | 0:10:50 | 0:10:52 | |
No matter how many children or elderly pets that you scare. | 0:10:52 | 0:10:55 | |
Right, that does it! I've had enough of this! | 0:10:55 | 0:10:56 | |
Yeah, can you believe what he just said about my face? | 0:10:56 | 0:10:58 | |
-I was talking about your face. Put the bag back on. -But I... -Put... | 0:10:58 | 0:11:01 | |
the bag back on. | 0:11:01 | 0:11:03 | |
That's better. | 0:11:09 | 0:11:11 | |
I don't know how you two don't frighten your celebrity guests away. | 0:11:11 | 0:11:14 | |
-Oh, he tends to keep the bag on in rehearsals. -Ah, very wise. -Yeah. | 0:11:14 | 0:11:17 | |
Very wise. | 0:11:17 | 0:11:19 | |
'Ladies and gentlemen, tonight on the Wind-Up Wheel, | 0:11:19 | 0:11:22 | |
'it's Tom Fletcher from McFly!' | 0:11:22 | 0:11:25 | |
-It is time to... -AUDIENCE: -Wind-up that wheel! | 0:11:28 | 0:11:32 | |
Agggh! Very dizzy, very dizzy! | 0:11:32 | 0:11:35 | |
-All right, stop that wheel. -Stop that wheel! | 0:11:35 | 0:11:39 | |
-BOTH: -Oooh! -Audience question. | 0:11:40 | 0:11:42 | |
Right, a member of our audience is going to be chosen at random | 0:11:42 | 0:11:45 | |
and they can ask you any question in the world and you must answer. | 0:11:45 | 0:11:49 | |
So, audience, start thinking of questions and let's find our | 0:11:49 | 0:11:53 | |
random audience member. | 0:11:53 | 0:11:54 | |
Hiya! | 0:11:57 | 0:11:59 | |
-That's amazing! -Hi, Tom! -Hi. | 0:12:03 | 0:12:05 | |
So, Emily, what's your question for Tom? | 0:12:05 | 0:12:07 | |
You can ask him anything in the world, ever. | 0:12:07 | 0:12:08 | |
-He's been around for a long time, so... -Not that long! | 0:12:08 | 0:12:12 | |
Would you rather be able to live in any country in the world | 0:12:12 | 0:12:17 | |
for ever, and live in your dream house, | 0:12:17 | 0:12:20 | |
or have any celebrity of your choice as your girlfriend? | 0:12:20 | 0:12:24 | |
Oh! That's a good question! | 0:12:24 | 0:12:27 | |
Imagine you weren't married, Tom. | 0:12:27 | 0:12:29 | |
Well, yeah... I'm not sure what my wife would say about this! | 0:12:29 | 0:12:33 | |
-I think the... I will go for my dream house. -You go for that... | 0:12:33 | 0:12:36 | |
-So that is the wrong answer. -Tom, that's the wrong answer. | 0:12:36 | 0:12:39 | |
-Yeah, yeah. -Why's that the wrong answer?! -It just is. | 0:12:39 | 0:12:42 | |
It just is, mate. | 0:12:42 | 0:12:44 | |
But good try! Good try. | 0:12:44 | 0:12:46 | |
-It's time to... -AUDIENCE: -Wind-up that wheel! | 0:12:46 | 0:12:50 | |
Hands up! | 0:12:51 | 0:12:52 | |
Stop it somewhere nice! | 0:12:55 | 0:12:57 | |
Stop that wheel! | 0:12:57 | 0:13:00 | |
-BOTH: -Ooh! -Dance like you like this, Simeon. | 0:13:00 | 0:13:03 | |
-All right. -OK, so, Simeon, we want you to dance like | 0:13:03 | 0:13:06 | |
a penguin who really needs the toilet doing a slow bossa nova. | 0:13:06 | 0:13:10 | |
-So come and stand here. -Come on. | 0:13:10 | 0:13:12 | |
You should be great at this. | 0:13:12 | 0:13:14 | |
-We have some music for you. Cue the music. -Thank you. | 0:13:14 | 0:13:16 | |
BOSSA NOVA MUSIC PLAYS | 0:13:16 | 0:13:17 | |
So you're a penguin that needs the toilet. | 0:13:17 | 0:13:20 | |
LAUGHTER | 0:13:20 | 0:13:24 | |
APPLAUSE | 0:13:25 | 0:13:30 | |
-OK, it's time to... -AUDIENCE: -Wind-up that wheel! | 0:13:32 | 0:13:36 | |
Stop that wheel. | 0:13:38 | 0:13:40 | |
-BOTH: -Ooh! -Get The Impression. | 0:13:40 | 0:13:42 | |
Bradley, this is Thomas. Hi, Thomas! | 0:13:42 | 0:13:46 | |
Hello. | 0:13:46 | 0:13:47 | |
Now, Thomas is about to do an impression of a celebrity | 0:13:47 | 0:13:50 | |
or a character. You have to tell us who that celebrity or character is. | 0:13:50 | 0:13:54 | |
-Right. -Thomas, over to you, buddy. | 0:13:54 | 0:13:56 | |
D'oh! | 0:13:56 | 0:13:58 | |
-It's a quick one. Do it again. -Can I have another one? -D'oh! | 0:13:59 | 0:14:02 | |
-It's brilliant. -I'm going to guess my dad... | 0:14:02 | 0:14:05 | |
Homer Simpson. | 0:14:05 | 0:14:07 | |
-Is that right, Thomas? -Yes. | 0:14:07 | 0:14:09 | |
CHEERING AND APPLAUSE | 0:14:09 | 0:14:11 | |
-Well done to the pair of you. That was... -D'oh! -BOTH: -D'oh! | 0:14:11 | 0:14:14 | |
-All right, it is time to... -AUDIENCE: -Wind up that wheel! | 0:14:14 | 0:14:18 | |
Come on! | 0:14:20 | 0:14:22 | |
Oh, yeah! | 0:14:22 | 0:14:24 | |
Stop that wheel! | 0:14:24 | 0:14:26 | |
-Oh, forfeit. -Oh, deary me! -Oh, no! | 0:14:26 | 0:14:30 | |
Ah... I'm not going to lie, Tilly, this is pretty bad. | 0:14:30 | 0:14:33 | |
The forfeit is to find Sam's car keys | 0:14:33 | 0:14:37 | |
in this bucket of beanie custard. | 0:14:37 | 0:14:40 | |
I can't believe I've gone and lost them again | 0:14:40 | 0:14:42 | |
-in this bucket of beanie custard! -You're always doing that! | 0:14:42 | 0:14:45 | |
You're always doing that. | 0:14:45 | 0:14:46 | |
-You might want to roll your sleeve up, I'm not going to lie. -OK. | 0:14:46 | 0:14:48 | |
Come over here, Tilly. Come over here. Get your hand in there. | 0:14:48 | 0:14:51 | |
Find me car keys. | 0:14:51 | 0:14:53 | |
Ewwww! | 0:14:53 | 0:14:56 | |
Have a good rummage around. | 0:14:56 | 0:14:58 | |
Are they in there? I hope... We did put them in there, didn't we? | 0:14:58 | 0:15:00 | |
I think so. Ewww! | 0:15:00 | 0:15:02 | |
CHEERING AND APPLAUSE | 0:15:02 | 0:15:04 | |
-Nice work. -There's a towel for you. -Thank you. | 0:15:05 | 0:15:08 | |
Stop the wheel! | 0:15:09 | 0:15:11 | |
-BOTH: -Ooh! | 0:15:13 | 0:15:15 | |
Question prize. OK, lads, a member of our studio audience | 0:15:15 | 0:15:18 | |
is about to ask you... | 0:15:18 | 0:15:20 | |
LAUGHTER | 0:15:20 | 0:15:22 | |
-This lad. This is Jaden. -Jaden! | 0:15:22 | 0:15:24 | |
He's going to ask you the prize question. | 0:15:24 | 0:15:27 | |
If you get it right, he will win a very special prize, | 0:15:27 | 0:15:29 | |
so no pressure. Go on, Sam, off you go. | 0:15:29 | 0:15:31 | |
So I'm going to go to Jaden. Right, Jaden, stand up, mate. | 0:15:31 | 0:15:34 | |
-Stand up. Say hello to Josh and Casey. -Hello! -Nice voice. | 0:15:34 | 0:15:38 | |
-Is that your natural voice? -No. -Ah. | 0:15:38 | 0:15:41 | |
Right, OK, so, here is the question that you have to read out to | 0:15:41 | 0:15:45 | |
Josh and Casey. If they get it right, you win a prize. | 0:15:45 | 0:15:48 | |
There's the question. Read it out. | 0:15:48 | 0:15:51 | |
-"How many zeroes are there in 100,000?" -Think about it, guys. | 0:15:51 | 0:15:56 | |
(Six...) | 0:15:57 | 0:15:58 | |
-(Six.) -Yeah? Are you sure? -Yeah. | 0:15:59 | 0:16:01 | |
Go on, then, you say it. This is on your head. | 0:16:01 | 0:16:03 | |
-Do you want to double-check? -I would like to double-check, | 0:16:03 | 0:16:06 | |
-because it's for Jaden. -You've got time. -So one, zero, zero... | 0:16:06 | 0:16:08 | |
Six! No! | 0:16:08 | 0:16:11 | |
-Hang on, you said six. -Five! -It's five! -You said six. | 0:16:11 | 0:16:13 | |
Casey, you just went like this, "Six." | 0:16:13 | 0:16:17 | |
Literally... | 0:16:17 | 0:16:19 | |
Which one do you want me to take - your hand signal | 0:16:19 | 0:16:21 | |
-or what came out of your mouth? -Five. -Five. | 0:16:21 | 0:16:23 | |
-Hand signal. -Five. | 0:16:23 | 0:16:25 | |
-Is five your final answer? -Yes, sir. Amen. -Yeah, go on - five. | 0:16:25 | 0:16:28 | |
It's the right answer! | 0:16:28 | 0:16:30 | |
APPLAUSE | 0:16:30 | 0:16:32 | |
You, my friend, have just won a digital camera! | 0:16:32 | 0:16:35 | |
Stop that wheel! | 0:16:39 | 0:16:41 | |
-Oh, it's landed on forfeit. -Oh, no. | 0:16:41 | 0:16:44 | |
Oh, do you know what? This forfeit should be pretty easy for you, Nile. | 0:16:44 | 0:16:47 | |
-We want you to walk on your hands! -Oh! | 0:16:47 | 0:16:49 | |
Come on, stand here, mate. | 0:16:49 | 0:16:52 | |
I don't know if I can do that. | 0:16:52 | 0:16:54 | |
Be careful. Yes, don't hurt yourself. That would be terrible. | 0:16:54 | 0:16:56 | |
-Do you want me to walk down the stairs? -No! Don't do that. | 0:16:56 | 0:17:00 | |
Health and safety have gone mad over there. | 0:17:00 | 0:17:02 | |
OK, you do your thing, you do your thing. | 0:17:02 | 0:17:05 | |
APPLAUSE | 0:17:07 | 0:17:11 | |
-Oh, cool! -Yeah! | 0:17:13 | 0:17:15 | |
What a ledge! What a ledge! | 0:17:17 | 0:17:19 | |
-OK, time for our next exercise. -Can I take the bag off now, please? | 0:17:20 | 0:17:25 | |
I suppose so. | 0:17:25 | 0:17:26 | |
-Remember what we agreed - five-minute bursts only. -OK. | 0:17:26 | 0:17:30 | |
Agh! | 0:17:30 | 0:17:32 | |
-Now, how long did you say you've been together? -13 years. | 0:17:32 | 0:17:35 | |
-Oh, unlucky for some. -Yeah, me. -You mean me. | 0:17:35 | 0:17:38 | |
Actually, I think it's the general public who're the real losers. | 0:17:38 | 0:17:41 | |
But there must have been some fond memories | 0:17:41 | 0:17:43 | |
you've shared over the years? | 0:17:43 | 0:17:45 | |
Anything? | 0:17:50 | 0:17:51 | |
Oh! There was that time you went on holiday for two weeks. | 0:17:51 | 0:17:54 | |
Oh, yeah, and when you had that hideous cold | 0:17:54 | 0:17:56 | |
and you couldn't come to work. | 0:17:56 | 0:17:58 | |
Do you know what? That was one of the happiest days of my life. | 0:17:58 | 0:18:00 | |
But surely you've shared some good times together? | 0:18:00 | 0:18:04 | |
Yeah, when we play games where we put each other through agony. | 0:18:04 | 0:18:07 | |
-Like In Yer House! -Yeah! | 0:18:07 | 0:18:09 | |
-Bag. -Right. | 0:18:09 | 0:18:11 | |
Agent Rhodes, this is the target's house. | 0:18:15 | 0:18:18 | |
You must enter the house, head upstairs and go to the bathroom. | 0:18:18 | 0:18:21 | |
-Understood? -Into the house, go upstairs and go to the bathroom. | 0:18:21 | 0:18:25 | |
I mean... Well, not go to the bathroom, I'll hide... | 0:18:25 | 0:18:27 | |
-Enough! -Yep, cool. -This is a drawing of a cat that I did. | 0:18:27 | 0:18:31 | |
Notice the subtle realism, whilst retaining an abstract charm. | 0:18:31 | 0:18:35 | |
Hey, hey, it's purrrfect! | 0:18:35 | 0:18:38 | |
Stop that! | 0:18:38 | 0:18:39 | |
-I need you to now go back downstairs... -Oh! | 0:18:41 | 0:18:43 | |
..and head into the living room, | 0:18:43 | 0:18:44 | |
bearing in mind the target, Amelia, is in the room next door. | 0:18:44 | 0:18:48 | |
-She's just in the kitchen. -Yeah. | 0:18:48 | 0:18:50 | |
So you're going to have to be very, very quiet, | 0:18:50 | 0:18:52 | |
-and the door to the kitchen is open. -Oh, you're joking! -So be careful. | 0:18:52 | 0:18:54 | |
OK. | 0:18:54 | 0:18:55 | |
Why are you smirking? | 0:18:57 | 0:18:58 | |
-(I don't know.) -Why are you smirking? | 0:18:58 | 0:19:01 | |
She's still in the kitchen. | 0:19:01 | 0:19:03 | |
Don't forget you're going into the living room. | 0:19:03 | 0:19:05 | |
I can see you coming down the stairs! | 0:19:05 | 0:19:07 | |
Mark doesn't know that Amelia's dad is in the living room. | 0:19:07 | 0:19:10 | |
He's going to get a right fright when he goes in! | 0:19:10 | 0:19:12 | |
Into the living room. Quick, quick, quick, quick! | 0:19:17 | 0:19:20 | |
There, yeah! | 0:19:20 | 0:19:22 | |
Say, "Hello, Daddy!" | 0:19:25 | 0:19:27 | |
Hello, Daddy! | 0:19:27 | 0:19:29 | |
OK, so here's what's going to happen - | 0:19:30 | 0:19:32 | |
-you're going to flip a coin. -Yeah. -If it lands on your face, | 0:19:32 | 0:19:35 | |
-you and dad will rock out to heavy metal music. -Great. | 0:19:35 | 0:19:38 | |
-But if it lands on my face... -Yeah? | 0:19:38 | 0:19:41 | |
There's a rose in your survival kit. You need to get it out, | 0:19:41 | 0:19:44 | |
put it in your mouth and do a mean tango with the dad. | 0:19:44 | 0:19:47 | |
-Right. -Flip away. | 0:19:47 | 0:19:49 | |
'Sam.' | 0:19:51 | 0:19:52 | |
-Sam. -OK, mate, so you're about to do a mean tango. | 0:19:52 | 0:19:55 | |
Mate, this could be your Strictly audition, this. | 0:19:55 | 0:19:58 | |
Daddy, would you like to dance? | 0:19:58 | 0:19:59 | |
Yeah. Tango with me. | 0:19:59 | 0:20:01 | |
Get him, hold him close. | 0:20:04 | 0:20:05 | |
I want good posture. | 0:20:05 | 0:20:07 | |
Keep your back straight. | 0:20:07 | 0:20:10 | |
TANGO MUSIC | 0:20:10 | 0:20:13 | |
Flip him back like it's the end of a dance. | 0:20:16 | 0:20:18 | |
Don't wreck his back. | 0:20:18 | 0:20:20 | |
Oh, yeah, let him do it to you. Oh, lovely. | 0:20:20 | 0:20:24 | |
SAM LAUGHS | 0:20:24 | 0:20:26 | |
Good job, mate. | 0:20:26 | 0:20:27 | |
Challenge 3 complete. | 0:20:27 | 0:20:29 | |
Nice work. | 0:20:29 | 0:20:31 | |
This is a Sunday roast that I knocked up last weekend. | 0:20:31 | 0:20:34 | |
I mean, look at those Yorkie puddings. | 0:20:34 | 0:20:36 | |
Oh, wow, that is good. | 0:20:36 | 0:20:38 | |
It was great, Aidan. Thank you. | 0:20:38 | 0:20:41 | |
Agent Rhodes, this is your In Yer House Coin of Destiny. | 0:20:41 | 0:20:45 | |
You will need to flip that coin when I tell you so | 0:20:45 | 0:20:47 | |
in every hiding position. | 0:20:47 | 0:20:49 | |
If it lands on your face, you will get an easier task. | 0:20:49 | 0:20:51 | |
-If it lands on my face, you'll get a tougher task. -Got it. | 0:20:51 | 0:20:55 | |
When I flip the coin, I don't want to see your face. Standard. | 0:20:55 | 0:20:57 | |
Sssh! | 0:20:57 | 0:20:59 | |
You're going to flip the coin. | 0:20:59 | 0:21:01 | |
If it lands on your face you have to pull the tablecloth off the table. | 0:21:01 | 0:21:06 | |
If it lands on my face, you have to put it over your head like a ghost | 0:21:06 | 0:21:10 | |
and pretend to be a ghost whilst moving to the next location | 0:21:10 | 0:21:14 | |
which is the cupboard in Kieran's bedroom. | 0:21:14 | 0:21:16 | |
Flip that coin, brother. | 0:21:16 | 0:21:19 | |
Sam. | 0:21:21 | 0:21:23 | |
Time to get your best ghost impression on, mate. | 0:21:26 | 0:21:29 | |
Be quiet. They're only in the kitchen next to you. | 0:21:31 | 0:21:34 | |
Ooh! | 0:21:34 | 0:21:35 | |
SAM LAUGHS | 0:21:35 | 0:21:37 | |
Ooh! | 0:21:37 | 0:21:39 | |
Get yourself into Kieran's bedroom. | 0:21:39 | 0:21:40 | |
Don't lose it at the last hurdle, mate. | 0:21:40 | 0:21:43 | |
Ooh! | 0:21:43 | 0:21:44 | |
OK, get into the wardrobe. | 0:21:46 | 0:21:49 | |
Hurry up and get in there, mate. Hurry up and get in there. | 0:21:49 | 0:21:53 | |
SAM LAUGHS | 0:21:53 | 0:21:55 | |
This is the target's house. | 0:21:55 | 0:21:57 | |
I would like you to enter the house and then go into the bathroom | 0:21:57 | 0:22:00 | |
and hide in the bath. Do you copy? | 0:22:00 | 0:22:03 | |
It's a bit weird, but, yeah, copy that. | 0:22:03 | 0:22:05 | |
And this is where I'm thinking about going on my holidays. | 0:22:05 | 0:22:07 | |
I don't know if it's going to be a beach holiday or a city break. | 0:22:07 | 0:22:10 | |
-What do you think? -Obviously the beach. -Yeah, beach. | 0:22:10 | 0:22:13 | |
-It's much cooler, calmer. -Yeah, true, very nice. | 0:22:13 | 0:22:16 | |
-Looks lovely. Get it booked. -One final question, Agent Nixon. | 0:22:16 | 0:22:20 | |
-Are you ready? -Does this face look like it's ready? | 0:22:20 | 0:22:23 | |
-Er, no. -It is ready. -Go! | 0:22:23 | 0:22:25 | |
Let's go! Let's go! Let's go! | 0:22:25 | 0:22:28 | |
OK, Sam is in the house. Niamh hasn't got a clue. | 0:22:35 | 0:22:39 | |
I'm going to get him into the bathroom first up. | 0:22:39 | 0:22:42 | |
First challenge. Let's do this. | 0:22:42 | 0:22:44 | |
What is that? | 0:22:46 | 0:22:48 | |
Sam, Sam, get... | 0:22:50 | 0:22:52 | |
(Mark, can you hear me?) | 0:22:57 | 0:22:58 | |
I think she clocked you. | 0:22:58 | 0:23:00 | |
I think she's clocked you already. | 0:23:00 | 0:23:02 | |
Mum, somebody's just walked into the house and gone into the bathroom. | 0:23:02 | 0:23:05 | |
Oh, no, she's clocked you! | 0:23:05 | 0:23:08 | |
There's a camera in the flowerpot?! | 0:23:12 | 0:23:15 | |
She's got you straight away. It's going to be the shortest one ever! | 0:23:15 | 0:23:18 | |
And a man's just walked into the bathroom. | 0:23:18 | 0:23:20 | |
A man's just walked into the bathroom. | 0:23:20 | 0:23:21 | |
-I think she's lying. -Sam, Sam, get into the bath. | 0:23:21 | 0:23:25 | |
-That's a bit odd, isn't it? -Go and have a look in the bathroom then. | 0:23:25 | 0:23:28 | |
Hide in the bath, hide in the bath now. She's coming. | 0:23:28 | 0:23:31 | |
There's no-one in there. | 0:23:41 | 0:23:43 | |
I'm going to check behind the curtain. | 0:23:43 | 0:23:47 | |
You don't need to check behind the curtain. There's no-one here. | 0:23:47 | 0:23:50 | |
There's a red flashing light! | 0:23:50 | 0:23:53 | |
-No, there isn't. -What is it? | 0:23:53 | 0:23:55 | |
I think you're seeing things. | 0:23:55 | 0:23:57 | |
Have you had some sort of funny argument at school today? | 0:24:01 | 0:24:04 | |
No, I swear. | 0:24:04 | 0:24:07 | |
There was somebody's hand behind that curtain. | 0:24:07 | 0:24:10 | |
It's a bit ridiculous. | 0:24:10 | 0:24:12 | |
Mum's trying to cover it up. | 0:24:12 | 0:24:13 | |
-The window's open. -Hello! | 0:24:13 | 0:24:16 | |
What is that? | 0:24:16 | 0:24:19 | |
She's clocked us straight away. | 0:24:19 | 0:24:20 | |
It's a plant pot from school today. | 0:24:20 | 0:24:23 | |
Why has it got a camera in it then? | 0:24:23 | 0:24:24 | |
-It hasn't. -Mum? | 0:24:24 | 0:24:28 | |
This round thing, it's got a little lens, right? | 0:24:28 | 0:24:31 | |
And there's somebody in the bathroom. | 0:24:34 | 0:24:36 | |
I think it's safe to say we have been rumbled! | 0:24:36 | 0:24:40 | |
There's a camera there, a camera there. | 0:24:40 | 0:24:42 | |
I'm going to see if there's one in my bedroom. | 0:24:42 | 0:24:45 | |
Is there a camera up in the loft? | 0:24:45 | 0:24:47 | |
No, I'm about to go up there and put the Guides stuff away. | 0:24:47 | 0:24:50 | |
-What is going on? -Nothing. | 0:24:50 | 0:24:53 | |
-I think you're going on. -This has got to be some kind of world record. | 0:24:53 | 0:24:56 | |
Can you come here a moment, please? | 0:24:56 | 0:24:59 | |
No, I'm going to look in the bathroom. | 0:24:59 | 0:25:01 | |
You've just looked in there. | 0:25:01 | 0:25:03 | |
Sam, get out of the bathroom now. | 0:25:03 | 0:25:05 | |
-There's something strange going on here. -There isn't. -There is. | 0:25:05 | 0:25:08 | |
-Where am I going? -Go into Mum and Dad's bedroom quickly now. | 0:25:08 | 0:25:11 | |
Go, go! | 0:25:11 | 0:25:13 | |
You've got a really bad lying face on. | 0:25:15 | 0:25:18 | |
FLOORBOARD CREAKS | 0:25:22 | 0:25:24 | |
-What is that? -That's the wind. | 0:25:24 | 0:25:26 | |
She's coming! She's coming! She's coming! | 0:25:26 | 0:25:29 | |
-People don't make a habit of walking in the door, do they? -Told you! | 0:25:29 | 0:25:33 | |
Oh, no! | 0:25:33 | 0:25:35 | |
I told you there's someone there! | 0:25:35 | 0:25:37 | |
Oh, no! | 0:25:37 | 0:25:39 | |
Shortest In Yer House ever. | 0:25:41 | 0:25:44 | |
I know it's you! | 0:25:47 | 0:25:49 | |
Well, you two certainly seem to be getting on now. | 0:25:51 | 0:25:53 | |
Yeah, thanks, Doctor. I think we're really working through our issues. | 0:25:53 | 0:25:57 | |
No, no, certainly getting on, | 0:25:57 | 0:25:58 | |
as in time hasn't exactly been kind to you, has it? | 0:25:58 | 0:26:01 | |
Please don't frown. | 0:26:01 | 0:26:02 | |
It just accentuates the lines in your horrendously wizened faces. | 0:26:02 | 0:26:07 | |
Well, thanks, Doctor, for all your help. | 0:26:07 | 0:26:09 | |
I think we're 100% cured now so, come on, Sam. Off we go, darling. | 0:26:09 | 0:26:13 | |
-Thanks, Doctor. -Oh, well, if you're absolutely sure? | 0:26:13 | 0:26:16 | |
Why wouldn't we be sure? | 0:26:16 | 0:26:18 | |
Oh, no, just something he said when you were in the toilet for | 0:26:18 | 0:26:20 | |
that strangely long period of time. | 0:26:20 | 0:26:22 | |
Why, what did he say? | 0:26:22 | 0:26:24 | |
He mentioned words like "buffoon", "talentless" and, what was it? | 0:26:24 | 0:26:27 | |
Oh, yes, "Smells like a badger's undercrackers." | 0:26:27 | 0:26:31 | |
-Everything all right? -I can't believe you. You beast! | 0:26:31 | 0:26:34 | |
-What you on about? -He's told me. -What? | 0:26:34 | 0:26:37 | |
Everything you've been saying about me. | 0:26:37 | 0:26:38 | |
I haven't been saying anything about you. | 0:26:38 | 0:26:40 | |
-He's just told me! -Oh, man... -Dance, puppets. | 0:26:40 | 0:26:43 | |
You know EXACTLY what I'm talking about, Mark Thomas! | 0:26:43 | 0:26:45 | |
-Dance for Daddy. -You're so defensive all the time. | 0:26:45 | 0:26:47 | |
-I'm defensive, am I? -You know what annoys me about you? -Oh, go on. | 0:26:47 | 0:26:50 | |
You speak in a high-pitched voice to get your point across. | 0:26:50 | 0:26:53 | |
HIGH-PITCHED: I don't know what you're talking about! | 0:26:53 | 0:26:55 | |
-Only dogs could hear that. -Do you know what annoys me about you? -What? | 0:26:55 | 0:26:58 | |
That tooth. That tooth is a stupid tooth. | 0:26:58 | 0:27:00 | |
It's about time someone paid them back for humiliating | 0:27:00 | 0:27:03 | |
those poor, poor parents. | 0:27:03 | 0:27:04 | |
Why don't YOU pipe down? | 0:27:04 | 0:27:07 | |
JOLLY PIANO MUSIC | 0:27:07 | 0:27:11 | |
Right on your face! | 0:27:24 | 0:27:27 | |
Oh! Ha-ha-ha! | 0:27:49 | 0:27:52 | |
Yes, none of these exercises seem to be working | 0:27:52 | 0:27:55 | |
so I suggest we return to your roots. | 0:27:55 | 0:27:57 | |
No, the world can not find out I'm not a natural mousy brown. | 0:27:57 | 0:28:02 | |
Not your hair roots. I mean, your roots as pop singers. | 0:28:02 | 0:28:04 | |
Why don't you try expressing your feelings to each other using | 0:28:04 | 0:28:07 | |
-the medium of song? -I don't know. | 0:28:07 | 0:28:09 | |
I don't think we're prepared for something like that. | 0:28:09 | 0:28:12 | |
# Mark, I love your face | 0:28:12 | 0:28:16 | |
# And, Mark | 0:28:18 | 0:28:20 | |
# I really love your face | 0:28:20 | 0:28:23 | |
# Sam, your hair glistens like a beacon of grease | 0:28:23 | 0:28:28 | |
# No, but, Mark, I just said I really LOVE your face | 0:28:29 | 0:28:34 | |
# You've got a big moon face | 0:28:34 | 0:28:36 | |
# No, Mark, we're loving each other's faces at the minute | 0:28:36 | 0:28:40 | |
# I've got a better face than you. # | 0:28:40 | 0:28:42 | |
-No, MY face is better than your face! -My face is better! | 0:28:42 | 0:28:44 | |
-My face is better! -My face is better! | 0:28:44 | 0:28:46 | |
-# My face is better than yours. # -No! | 0:28:46 | 0:28:48 | |
-# My face is better than yours. # -No! It's my face! | 0:28:48 | 0:28:50 | |
# It's my face. | 0:28:50 | 0:28:52 | |
# My-my-my-my-my-my-my-my-my-my -my-my-my face | 0:28:52 | 0:28:54 | |
# My face, my face is better | 0:28:54 | 0:28:55 | |
# My face, my face. # | 0:28:55 | 0:28:57 | |
Go on, carry on. | 0:28:59 | 0:29:00 | |
How are we supposed to carry on singing with water in us face? | 0:29:00 | 0:29:03 | |
You tell me. | 0:29:03 | 0:29:05 | |
MUSIC: Uptown Girl by Billy Joel | 0:29:06 | 0:29:09 | |
MUSIC: (Is This The Way To) Amarillo by Tony Christie | 0:29:27 | 0:29:30 | |
MUSIC: Call Me Maybe by Carly Rae Jepson | 0:29:40 | 0:29:44 | |
MUSIC: Dancing Queen by ABBA | 0:29:52 | 0:29:56 | |
MUSIC: Dancing In The Street by Martha and the Vandellas | 0:30:00 | 0:30:04 | |
MUSIC: Don't Stop Me Now by Queen | 0:30:15 | 0:30:18 | |
MUSIC: Roar by Katy Perry | 0:30:23 | 0:30:26 | |
MUSIC: Wake Me Up Before You Go-Go by Wham! | 0:31:16 | 0:31:20 | |
MUSIC: Angels by Robbie Williams | 0:31:32 | 0:31:36 | |
MUSIC: Candy by Robbie Williams | 0:31:59 | 0:32:02 | |
MUSIC: Reet Petite by Jackie Wilson | 0:32:07 | 0:32:11 | |
MUSIC: 9 to 5 by Dolly Parton | 0:32:23 | 0:32:27 | |
MUSIC: Reach by S Club 7 | 0:32:41 | 0:32:44 | |
CHEERING AND APPLAUSE | 0:33:11 | 0:33:13 | |
Hold your fire, hold your fire. | 0:33:13 | 0:33:15 | |
Well, now we've cooled down a little, I suggest we sit in silence | 0:33:18 | 0:33:22 | |
and enjoy each other's company. | 0:33:22 | 0:33:25 | |
-Will you just stop that? -What? | 0:33:36 | 0:33:37 | |
The thing you keep doing with your eyelids. | 0:33:37 | 0:33:39 | |
-What, blinking? -Yes, blinking. | 0:33:39 | 0:33:41 | |
-What's wrong with the way I blink? -The noise! | 0:33:41 | 0:33:44 | |
Does it have to be so loud? | 0:33:44 | 0:33:45 | |
Blink-blink-blink-blink-blink -blink-blink-blink! | 0:33:45 | 0:33:48 | |
That's all I hear every single minute of the blinking day! | 0:33:48 | 0:33:51 | |
Well, you're a fine one to talk, aren't you? | 0:33:51 | 0:33:53 | |
-That thing you do with your lungs. -What, breathing? -Yeah. | 0:33:53 | 0:33:57 | |
-Well, it's keeping me alive. -Exactly. | 0:33:57 | 0:33:59 | |
How do you two even work together? | 0:33:59 | 0:34:01 | |
You look so in tune | 0:34:01 | 0:34:02 | |
when you're facing off against other celebrities. | 0:34:02 | 0:34:05 | |
That's different. That's because I'm really competitive. | 0:34:05 | 0:34:07 | |
You're not as competitive as me. | 0:34:07 | 0:34:08 | |
Huh, I think you'll find I'm more competitive. | 0:34:08 | 0:34:11 | |
-I'm more competitive. -I'm 1,000 times more competitive than you. | 0:34:11 | 0:34:15 | |
Well, I'm infinity more times competitive than you. | 0:34:15 | 0:34:18 | |
Well, I'm infinity more times competitive than you plus one. Hah! | 0:34:18 | 0:34:21 | |
-Have you heard this? -Sorry, I didn't hear a thing due to your... | 0:34:21 | 0:34:23 | |
-SHOUTS: -..incessant blinking! | 0:34:23 | 0:34:26 | |
Somewhere on the streets of the UK, TV's dynamic duo, | 0:34:31 | 0:34:36 | |
Sam and Mark, are about to go head-to-head with | 0:34:36 | 0:34:38 | |
a pair of fearless celebs on a mystery mission. | 0:34:38 | 0:34:42 | |
Let's go, let's go! | 0:34:42 | 0:34:44 | |
Enlisting the help of the local community, | 0:34:44 | 0:34:46 | |
they must do all they can to complete their surprise challenge, | 0:34:46 | 0:34:49 | |
but only one daring double act will be victorious. | 0:34:49 | 0:34:54 | |
This is Sam and Mark's Big Friday Face-Off! | 0:34:54 | 0:34:58 | |
Hi, there. We're Sam and Mark. | 0:35:00 | 0:35:01 | |
And they are top TV funnymen Johnny and Inel. | 0:35:01 | 0:35:04 | |
-Hi, I'm Johnny. -And I'm Inel. | 0:35:04 | 0:35:06 | |
-And we're funny. -Yes. -And we are on the beautiful beachfront of... | 0:35:06 | 0:35:10 | |
ALL: Prestatyn! | 0:35:10 | 0:35:12 | |
-But why, oh, why are we here?! -I don't know. You asked us. | 0:35:12 | 0:35:16 | |
Well, apparently our challenge for today is contained in these | 0:35:16 | 0:35:19 | |
-two golden envelopes. -Well, what are we waiting for? | 0:35:19 | 0:35:22 | |
"Greetings, Sam, Mark, Johnny and Inel. | 0:35:22 | 0:35:26 | |
"Welcome to the Big Face-off Song Challenge. | 0:35:26 | 0:35:29 | |
"You must write and perform a song about all things Prestatyn. | 0:35:29 | 0:35:34 | |
"The song must include the line, 'Press that in.'" | 0:35:34 | 0:35:37 | |
Press that in! | 0:35:37 | 0:35:40 | |
"Have at least one person playing an instrument." That's not me. | 0:35:41 | 0:35:46 | |
-"Include lyrics provided by the lovely local folk." -Brilliant! -OK. | 0:35:46 | 0:35:50 | |
"And have one additional person to join you in your performance. | 0:35:50 | 0:35:55 | |
"You will have only a mobile phone | 0:35:55 | 0:35:57 | |
-"and £50 to help you on your musical journey." -50 quid as well? | 0:35:57 | 0:36:01 | |
-We only spend a tenner of that and 40 quid profit. -Lovely! -Yeah! | 0:36:01 | 0:36:05 | |
'Glad you're in tune with the challenge, boys. | 0:36:05 | 0:36:08 | |
-'Now, to your starting positions.' -All right. See you later, lads. | 0:36:08 | 0:36:11 | |
Our duetting duos have to write a song before performing it at | 0:36:11 | 0:36:15 | |
a holiday park at 8pm tonight, | 0:36:15 | 0:36:17 | |
but who will judge the top tunes from the bum notes? | 0:36:17 | 0:36:20 | |
Meet guest judges Joe and Jake. | 0:36:20 | 0:36:23 | |
After meeting on The Voice UK, Joe and Jake went on to release | 0:36:23 | 0:36:26 | |
their debut single and represent the UK | 0:36:26 | 0:36:29 | |
at the 2016 Eurovision Song contest. | 0:36:29 | 0:36:32 | |
Music is definitely their forte, | 0:36:32 | 0:36:34 | |
but will our duo's tracks be a hit or a miss? | 0:36:34 | 0:36:37 | |
Let the challenge commence. | 0:36:40 | 0:36:42 | |
-Gametime, brother. -OK. | 0:36:46 | 0:36:47 | |
OK, calm down. We need to get instruments first, I think. | 0:36:47 | 0:36:51 | |
-OK, yeah. -Because at least we know then the vibe of the song that we | 0:36:51 | 0:36:54 | |
need to go with. We could go to the place where I actually saw a guitar. | 0:36:54 | 0:36:58 | |
-Oh, you've seen one already? -I've seen one. Let's go. Let's go. | 0:36:58 | 0:37:02 | |
Where shall we start? | 0:37:02 | 0:37:03 | |
Well, we're at the top of the hill, so let's go downhill. It's easier. | 0:37:03 | 0:37:06 | |
-I reckon this is not going to be £50. -No, hopefully not. | 0:37:06 | 0:37:10 | |
We've got to make a song up about the town, | 0:37:10 | 0:37:13 | |
so if there's any lyrics that might spring to mind. | 0:37:13 | 0:37:17 | |
Well, for starters, I don't live here. | 0:37:17 | 0:37:19 | |
-I've only been to the jeweller's. -The jeweller's. -Jeweller's. | 0:37:19 | 0:37:23 | |
'It's a start.' | 0:37:23 | 0:37:24 | |
-Don't touch it! It says, "Please do not twang." -£22.50. | 0:37:24 | 0:37:29 | |
-Can you haggle? -20 quid, see if you can get it for 20 quid. -Well, that's | 0:37:29 | 0:37:33 | |
-what I was thinking. -Then a £2 cup of tea. -Yeah. | 0:37:33 | 0:37:35 | |
We're in Prestatyn and we've got to write a song about Prestatyn, | 0:37:35 | 0:37:38 | |
so anything you might know about Prestatyn that might inspire | 0:37:38 | 0:37:41 | |
-some lyrics? -I'm from Liverpool. | 0:37:41 | 0:37:44 | |
We have got a bit of a challenge to do. | 0:37:44 | 0:37:45 | |
We've got £50 and we need to find an instrument. | 0:37:45 | 0:37:48 | |
-I've got a cracking lute up there. -SAM AND MARK: A lute?! -Yeah. | 0:37:48 | 0:37:51 | |
-Now you're talking. -I don't know if I can play a lute. -'What's a lute?' | 0:37:51 | 0:37:54 | |
-Played in the medieval days. -Was it really?! | 0:37:54 | 0:37:56 | |
-Do you mind just showing us it? -I think I could play that. | 0:37:56 | 0:37:58 | |
-I've never tried to play a lute. -I think I could play that. | 0:37:58 | 0:38:01 | |
Hey, sir. | 0:38:01 | 0:38:02 | |
-Are you from Prestatyn at all? -Well, I live here. | 0:38:02 | 0:38:05 | |
We've got to write a song about Prestatyn and we're looking | 0:38:05 | 0:38:08 | |
for any inspiration, maybe, for lyrics that we can come up with. | 0:38:08 | 0:38:11 | |
Is there anything you know that might help us? | 0:38:11 | 0:38:14 | |
No. | 0:38:14 | 0:38:16 | |
Yeah, that sounds terrible. I think we should stick with the guitar. | 0:38:18 | 0:38:20 | |
I like it. | 0:38:20 | 0:38:21 | |
But is there any, like, kind of local facts or anything that | 0:38:21 | 0:38:25 | |
-might inspire some lyrics? -No. | 0:38:25 | 0:38:27 | |
-We live by the sea. -Live by the sea. -Boom. That's big. | 0:38:27 | 0:38:30 | |
-You're a lot more talented than what you let on. -Hey! There we are. | 0:38:30 | 0:38:33 | |
What do you love about Prestatyn, | 0:38:33 | 0:38:35 | |
other than this lovely shop, obviously? | 0:38:35 | 0:38:37 | |
Various clientele comes in, you know. | 0:38:37 | 0:38:39 | |
I mean, most of them are nice people. | 0:38:39 | 0:38:41 | |
-You get the odd idiot, but most of them are nice. -That's a great lyric. | 0:38:41 | 0:38:44 | |
-"Most of them are nice people, you get the odd idiot." -Yeah, yeah. | 0:38:44 | 0:38:47 | |
Charming(!) | 0:38:47 | 0:38:49 | |
Armed with an instrument, | 0:38:49 | 0:38:50 | |
Sam and Mark are finding inspiration everywhere. | 0:38:50 | 0:38:52 | |
# Bunny at the crossroads Waiting for the green man | 0:38:52 | 0:38:55 | |
# Yeah, Yeah, yeah, yeah. # You've still got it. | 0:38:55 | 0:38:58 | |
We've got to make a song up about Prestatyn and we've already got | 0:38:58 | 0:39:01 | |
-good jewels... -Good jewels. -..from George. -Yes. | 0:39:01 | 0:39:04 | |
-Live by the sea... -Living in it. -..from Stephen. -Mm-hm. | 0:39:04 | 0:39:07 | |
-I mean, the song basically writes itself. -I tell you what, | 0:39:07 | 0:39:10 | |
-we have to just do two more minutes of this and we're done. -Yeah. | 0:39:10 | 0:39:13 | |
Two more minutes, max. | 0:39:13 | 0:39:14 | |
'Apparently this challenge is too easy.' | 0:39:14 | 0:39:16 | |
Want a cup of tea or something? | 0:39:16 | 0:39:17 | |
Well, we should do. I mean, we've got 50 quid. | 0:39:17 | 0:39:20 | |
The biggest thing for Prestatyn, we are the end of the Offa's Dyke. | 0:39:20 | 0:39:23 | |
Offa's? Offa? | 0:39:23 | 0:39:25 | |
-Like the Pennine Trail, like that? -That kind of thing, yeah. -OK. | 0:39:25 | 0:39:28 | |
Similar to the Pennine Trail. | 0:39:28 | 0:39:31 | |
-Which is better - the Pennine Trail or Offa's Dyke? -Offa's definitely. | 0:39:31 | 0:39:34 | |
-Does it OFFER much more? -'Good one.' | 0:39:34 | 0:39:38 | |
James, let's set the scene, yeah? | 0:39:38 | 0:39:40 | |
-Right. -It's Friday. What are you going to be doing with your friends? | 0:39:40 | 0:39:43 | |
-Beach. -Beach? -Yeah, beach. -Yeah! -Beach is a good one. | 0:39:43 | 0:39:47 | |
-We ain't even got that. -What do you do at the beach? | 0:39:47 | 0:39:49 | |
-Build sandcastles. -Yes! | 0:39:50 | 0:39:53 | |
-Are you actually on telly? -Yeah. | 0:39:53 | 0:39:55 | |
-Keep talking. -And this time of day, this is called the golden hour. | 0:39:55 | 0:40:00 | |
-# Golden hour. -The golden hour. # -The golden hour. | 0:40:00 | 0:40:02 | |
The beautiful hills and vales of Prestatyn. | 0:40:02 | 0:40:05 | |
-# The beautiful hills... # -We have a retail park. | 0:40:05 | 0:40:08 | |
So, James, let's finish this off, right? What are the houses like? | 0:40:08 | 0:40:12 | |
Nice. Quite big, some of them. | 0:40:12 | 0:40:14 | |
-Big houses, some of them. -Quite big houses. | 0:40:14 | 0:40:17 | |
-Some of them. -Some of them are colourful. -Oi, colourful. | 0:40:17 | 0:40:20 | |
-Quite colourful big houses. -Put that in. | 0:40:20 | 0:40:22 | |
We haven't got a lot of lyrics. It's only going to be a minute long. | 0:40:22 | 0:40:25 | |
Yeah. I reckon we've got more than enough. | 0:40:25 | 0:40:27 | |
Johnny and Inel are running scared. | 0:40:27 | 0:40:28 | |
I think we've got enough material for an entire album. | 0:40:28 | 0:40:30 | |
I do. | 0:40:30 | 0:40:32 | |
The stage is set. Both teams have put in some last-minute rehearsals, | 0:40:32 | 0:40:35 | |
but whose song will win over our judges Joe and Jake? | 0:40:35 | 0:40:40 | |
We are both going to be looking for | 0:40:40 | 0:40:41 | |
a really confident and fun performance. | 0:40:41 | 0:40:43 | |
-We really want the guys to stand out and just enjoy themselves. -Simple. | 0:40:43 | 0:40:47 | |
Or is it? Time to find out. | 0:40:47 | 0:40:49 | |
Introducing onto the stage, it's Johnny and Inel! | 0:40:49 | 0:40:53 | |
Sing your heart out, lads. | 0:40:53 | 0:40:55 | |
I'm actually quite nervous now. | 0:40:55 | 0:40:57 | |
HE BEATBOXES | 0:41:00 | 0:41:02 | |
# Prestatyn | 0:41:04 | 0:41:06 | |
# Prestatyn, Prestatyn | 0:41:06 | 0:41:09 | |
# Press that in | 0:41:09 | 0:41:10 | |
# Press that in... # | 0:41:10 | 0:41:12 | |
# Prestatyn | 0:41:29 | 0:41:31 | |
# Prestatyn | 0:41:31 | 0:41:32 | |
# Prestatyn | 0:41:32 | 0:41:34 | |
# Press that in... # | 0:41:34 | 0:41:36 | |
# Prestatyn | 0:41:45 | 0:41:47 | |
-# Prestatyn, Prestatyn... # -It's really good. | 0:41:47 | 0:41:50 | |
-It's really good. -# Press that in... # | 0:41:50 | 0:41:52 | |
It's annoyingly good. | 0:41:52 | 0:41:54 | |
# Prestatyn Prestatyn | 0:41:54 | 0:41:58 | |
# Prestatyn | 0:41:58 | 0:42:01 | |
# Prestatyn... # | 0:42:01 | 0:42:04 | |
Sounds good, sounds good to me! | 0:42:04 | 0:42:07 | |
CHEERING AND APPLAUSE | 0:42:08 | 0:42:11 | |
Wow. Just wow! | 0:42:11 | 0:42:13 | |
Those boys really know how to handle a tiny saxophone. | 0:42:13 | 0:42:16 | |
-Please welcome to the stage Sam and Mark! -But will it be enough? | 0:42:16 | 0:42:21 | |
Got it. # Ooh-ohh | 0:42:23 | 0:42:26 | |
-# Wicked, wha-wha-wha-wha -Ooh-ooh | 0:42:26 | 0:42:29 | |
# Yeah | 0:42:29 | 0:42:31 | |
# Break it down | 0:42:31 | 0:42:32 | |
# Prestatyn Prestatyn | 0:42:45 | 0:42:47 | |
# Sounds like press that in Press that in | 0:42:47 | 0:42:50 | |
# Prestatyn Prestatyn | 0:43:01 | 0:43:03 | |
# Sounds like press that in Press that in | 0:43:03 | 0:43:07 | |
# Prestatyn Prestatyn | 0:43:07 | 0:43:09 | |
# Sounds like press that in | 0:43:09 | 0:43:12 | |
-# Oohhhh... -Press it in, press it in | 0:43:12 | 0:43:15 | |
# Press it in Press the button | 0:43:15 | 0:43:18 | |
# Press it in, press it in Press it in, press it in | 0:43:18 | 0:43:21 | |
# Press it, press it, press it in, Yeah, yeah, yeah, yeah | 0:43:21 | 0:43:23 | |
# Prestatyn, Prestatyn | 0:43:23 | 0:43:26 | |
# Press that in Press that in | 0:43:26 | 0:43:29 | |
# Prestatyn, Prestatyn | 0:43:29 | 0:43:31 | |
# Prestatyn, Prestatyn Press that in. # | 0:43:31 | 0:43:35 | |
-Thank you! -Thanks everybody. | 0:43:35 | 0:43:36 | |
I want to press that into my CD player and put it on repeat. | 0:43:36 | 0:43:41 | |
Anyway, it's judgment time. | 0:43:41 | 0:43:44 | |
So, Jake, what did you like about Johnny and Inel's Song? | 0:43:44 | 0:43:48 | |
I loved how unique it was. | 0:43:48 | 0:43:49 | |
It was just so current and catchy | 0:43:49 | 0:43:51 | |
and I think you got everyone involved. | 0:43:51 | 0:43:53 | |
-And of course the use of instrument. -Fantastic use of the instrument. | 0:43:53 | 0:43:56 | |
-Go on, give us a whirl. -Give us a blast. | 0:43:56 | 0:43:59 | |
Beautiful, right? Isn't that beautiful? | 0:43:59 | 0:44:02 | |
And of course, Sam and Mark, what d'you love about their performance? | 0:44:02 | 0:44:05 | |
-The chorus! -# Press that in Prestatyn... # | 0:44:05 | 0:44:08 | |
Guys, guys, guys, guys, guys! | 0:44:08 | 0:44:10 | |
Sing the chorus to Johnny and Inel's song! | 0:44:10 | 0:44:12 | |
-OK, we've got some trash talk. -We're ready, aren't we, Jake? | 0:44:14 | 0:44:17 | |
-After three? -After three. | 0:44:17 | 0:44:20 | |
You guys going to count three? In three... | 0:44:20 | 0:44:22 | |
AUDIENCE: ..two, one. | 0:44:22 | 0:44:24 | |
JOE AND JAKE: Sam and Mark! | 0:44:24 | 0:44:27 | |
-Congratulations. -# Prestatyn, Prestatyn | 0:44:28 | 0:44:31 | |
# Press that in Press that in. # | 0:44:31 | 0:44:35 | |
-Cheers, guys. -Oh, wow! We get a trophy and everything! | 0:44:35 | 0:44:39 | |
CHEERING | 0:44:39 | 0:44:41 | |
Thanks to Johnny and Inel. Thank you very much. Well played, well played. | 0:44:41 | 0:44:45 | |
-Excellent competitors. -Sam and Mark, still number one. | 0:44:45 | 0:44:50 | |
It's race time. | 0:44:50 | 0:44:51 | |
Ready! | 0:44:51 | 0:44:54 | |
Set! | 0:44:54 | 0:44:55 | |
Sam and Mark and Catherine and Kelly have had just a couple of hours | 0:44:57 | 0:45:00 | |
to find three people willing to join them in a 400m relay race. | 0:45:00 | 0:45:03 | |
That's a good head start for us. | 0:45:03 | 0:45:05 | |
Team Sam and Mark have taken an early lead. | 0:45:05 | 0:45:08 | |
Is anyone else worried about Paddy? | 0:45:08 | 0:45:10 | |
-Come on, Dave. -We need this now. | 0:45:10 | 0:45:12 | |
Start running, Dave. GO! | 0:45:12 | 0:45:15 | |
Wow, Team Sam and Mark really going for it. | 0:45:15 | 0:45:18 | |
Oh, no, here comes the pram, here comes the wheels. | 0:45:18 | 0:45:21 | |
Go! Go! Go! Whoo! | 0:45:21 | 0:45:23 | |
-Well done, Dave. -Well done, Dave. | 0:45:25 | 0:45:28 | |
Sam and Mark have set away. | 0:45:28 | 0:45:30 | |
They are a person light, so they're having to do 200 metres | 0:45:30 | 0:45:33 | |
as opposed to just one and they're already struggling. | 0:45:33 | 0:45:36 | |
Well done, Sam! | 0:45:36 | 0:45:38 | |
Go! | 0:45:38 | 0:45:40 | |
Come on! | 0:45:40 | 0:45:43 | |
-They're about to be overtaken. -'He's like a gazelle.' | 0:45:43 | 0:45:46 | |
That's the bit, that's the losing moment. | 0:45:46 | 0:45:49 | |
They're in big trouble here. | 0:45:49 | 0:45:51 | |
They're only halfway round the bend at the top of track and the | 0:45:51 | 0:45:53 | |
Blue team are about to receive the baton for their final leg. | 0:45:53 | 0:45:56 | |
One, two, three... | 0:45:56 | 0:45:57 | |
Kelly and Catherine are away on the final leg. | 0:45:57 | 0:45:59 | |
Eyes on the prize. Eyes on the prize. | 0:45:59 | 0:46:02 | |
I'm really tired! | 0:46:02 | 0:46:03 | |
Sam and Mark absolutely nowhere. | 0:46:03 | 0:46:06 | |
-Come on! -Who was that guy who hurt his leg that time and his dad...? | 0:46:06 | 0:46:10 | |
THEY LAUGH | 0:46:10 | 0:46:12 | |
-They might as well give up now. -Come on! | 0:46:12 | 0:46:15 | |
And here we go. Ten metres left. | 0:46:15 | 0:46:17 | |
-Winners! -Victorious, the Blue team. Catherine and Kelly. | 0:46:21 | 0:46:25 | |
-Argh! -Oh, come on! -Finish the race! | 0:46:25 | 0:46:29 | |
Kind of knew they were going to win if I'm completely honest. | 0:46:29 | 0:46:32 | |
Heads together, come on, lads. You've got this. | 0:46:32 | 0:46:35 | |
Come on, boys! | 0:46:35 | 0:46:38 | |
'And the losers. Too many trips to the biscuit tin.' | 0:46:38 | 0:46:41 | |
Let's try a different tack. | 0:46:42 | 0:46:44 | |
What would you two say if I said you would never see each other | 0:46:44 | 0:46:47 | |
-ever again? -I'd say good riddance. -Oh, would you? | 0:46:47 | 0:46:50 | |
Well, I'd say...good. | 0:46:50 | 0:46:52 | |
Well, at least I wouldn't have to spend the next 13 years | 0:46:52 | 0:46:55 | |
looking at your ridiculous facial expressions. | 0:46:55 | 0:46:58 | |
Well, at least I wouldn't have to see that stupid dance of yours. | 0:46:58 | 0:47:01 | |
Yes, thank you, if you could sit down, please. Thank you. | 0:47:03 | 0:47:06 | |
Well, at least I'd have to learn twice as many lines. Oh. | 0:47:06 | 0:47:10 | |
Oh, yeah. Come to think of it, | 0:47:10 | 0:47:12 | |
-I'd have to start cleaning my own dressing room. -Yeah. | 0:47:12 | 0:47:15 | |
And I'll have to clean the toilet with my own toothbrush. | 0:47:15 | 0:47:19 | |
-Do you know what, mate? I couldn't live without you. -Nor I you. | 0:47:19 | 0:47:24 | |
BOTH SOB | 0:47:24 | 0:47:27 | |
HE RETCHES | 0:47:27 | 0:47:29 | |
Oh, I've never seen this sickening side to you two before. | 0:47:29 | 0:47:32 | |
-Hey, there's a lot you've not seen, Doctor. -Like this unseen footage | 0:47:32 | 0:47:35 | |
from across the series, starting with | 0:47:35 | 0:47:37 | |
a special performance from Union J. | 0:47:37 | 0:47:39 | |
Who are you talking to? | 0:47:39 | 0:47:41 | |
No-one. | 0:47:41 | 0:47:42 | |
CHEERING AND APPLAUSE | 0:47:47 | 0:47:49 | |
# I thought that I'd been hurt before | 0:47:54 | 0:47:58 | |
# But no-one's ever left me quite this sore | 0:48:00 | 0:48:04 | |
# Cos your words cut deeper than a knife | 0:48:06 | 0:48:11 | |
# Now I need someone to breathe me back to life | 0:48:12 | 0:48:19 | |
# I got a feeling that I'm going under | 0:48:20 | 0:48:23 | |
# But I know that we'll make it out alive | 0:48:23 | 0:48:26 | |
# If I quit calling you my lover | 0:48:26 | 0:48:29 | |
# Move on | 0:48:29 | 0:48:30 | |
# You watch me | 0:48:30 | 0:48:32 | |
# Bleed until I can't breathe | 0:48:32 | 0:48:34 | |
# Shaking, falling onto my knees | 0:48:34 | 0:48:37 | |
# And now that I'm without your kisses | 0:48:37 | 0:48:41 | |
# I'll be needing stitches | 0:48:41 | 0:48:45 | |
# Tripping over myself | 0:48:45 | 0:48:47 | |
# I'm aching, begging you to come help | 0:48:47 | 0:48:50 | |
# And now that I'm without your kisses | 0:48:50 | 0:48:54 | |
# I'll be needing stitches | 0:48:54 | 0:48:58 | |
# Just like a moth drawn to the flame | 0:48:58 | 0:49:02 | |
# Yeah, you pulled me in, I couldn't take the pain | 0:49:03 | 0:49:09 | |
# Your bitter heart, cold to the touch | 0:49:11 | 0:49:14 | |
# Now I'm gonna reap what I sow | 0:49:16 | 0:49:19 | |
# I'm left seeing red on my own, my own | 0:49:19 | 0:49:24 | |
# Got a feeling that I'm going under | 0:49:24 | 0:49:27 | |
# But I know that I'll make it out alive | 0:49:27 | 0:49:30 | |
# If I quit calling you my lover | 0:49:30 | 0:49:33 | |
# Move on | 0:49:33 | 0:49:35 | |
# You watch me | 0:49:35 | 0:49:36 | |
# Bleed until I can't breathe | 0:49:36 | 0:49:38 | |
# I'm shaking, falling onto my knees | 0:49:38 | 0:49:41 | |
# And now that I'm without your kisses | 0:49:41 | 0:49:46 | |
# I'll be needing stitches | 0:49:46 | 0:49:49 | |
# Tripping over myself | 0:49:49 | 0:49:51 | |
# I'm aching, begging you to come help | 0:49:51 | 0:49:54 | |
# And now that I'm without your kisses | 0:49:54 | 0:49:58 | |
# I'll be needing stitches | 0:49:58 | 0:50:02 | |
# Needle and the thread, gotta get you out of my head | 0:50:08 | 0:50:11 | |
# Needle and the thread, gonna wind up dead | 0:50:11 | 0:50:14 | |
# Needle and the thread, gotta get you out of my head | 0:50:14 | 0:50:18 | |
# Needle and the thread, gonna wind up dead | 0:50:18 | 0:50:21 | |
# Needle and the thread, gotta get you out of my head | 0:50:21 | 0:50:24 | |
# Needle and the thread, gonna wind up dead | 0:50:24 | 0:50:28 | |
# Needle and the thread, gonna get you out of my head | 0:50:28 | 0:50:30 | |
# Get you out of my head | 0:50:30 | 0:50:32 | |
# You watch me bleed until I can't breathe | 0:50:32 | 0:50:36 | |
# I'm shaking, falling onto my knees | 0:50:36 | 0:50:39 | |
# And now that I'm without your kisses | 0:50:39 | 0:50:43 | |
-# I'll be needing stitches -I'll be needing stitches | 0:50:43 | 0:50:46 | |
# Tripping over myself | 0:50:46 | 0:50:48 | |
# I'm aching, begging you to come help | 0:50:48 | 0:50:52 | |
# And now that I'm without your kisses | 0:50:52 | 0:50:56 | |
# I'll be needing stitches | 0:50:56 | 0:50:58 | |
# And now that I'm without your kisses | 0:50:58 | 0:51:03 | |
# I'll be needing stitches | 0:51:03 | 0:51:05 | |
-# (And I'll be) -I'm without your kisses | 0:51:05 | 0:51:09 | |
# I'll be needing sti-i-itches, yeah. # | 0:51:09 | 0:51:14 | |
CHEERING AND APPLAUSE Thank you. | 0:51:14 | 0:51:17 | |
BELL RINGS | 0:51:17 | 0:51:18 | |
Will all children congregate in the Wind-Up assembly hall, | 0:51:18 | 0:51:22 | |
for School Of Shame?! | 0:51:22 | 0:51:24 | |
Here's your geography supply teacher, | 0:51:24 | 0:51:27 | |
Mr "Naughty Step" Nixon. | 0:51:27 | 0:51:30 | |
Hello, class. | 0:51:33 | 0:51:35 | |
-ALL: -Hello, Mr Nixon! | 0:51:35 | 0:51:36 | |
Hello, everybody! | 0:51:36 | 0:51:39 | |
And here's your PE teacher, | 0:51:40 | 0:51:42 | |
Mr "Can't Control The Class" Rhodes. | 0:51:42 | 0:51:45 | |
Hello, class! | 0:51:45 | 0:51:47 | |
SILENCE | 0:51:47 | 0:51:49 | |
Right, that's what I'm talking about. Respect! | 0:51:50 | 0:51:54 | |
Now, boys and girls, | 0:51:54 | 0:51:55 | |
it has come to my attention that | 0:51:55 | 0:51:58 | |
a lot of you here have been very, very naughty. | 0:51:58 | 0:52:02 | |
Just like you, Anne! DRAMATIC DRUMBEAT | 0:52:02 | 0:52:05 | |
-Is this Jessica? -Yeah. | 0:52:05 | 0:52:07 | |
-Jessica, is this your mum Anne? -Yeah. | 0:52:07 | 0:52:09 | |
Now, I've heard that your mum | 0:52:09 | 0:52:11 | |
-is a bad dancer. Is this right? -Yeah. -No. | 0:52:11 | 0:52:13 | |
No? Well, we're about to find out. Anne, stand up... | 0:52:13 | 0:52:16 | |
Let's have some music, give us a bit of a dance. | 0:52:16 | 0:52:19 | |
MUSIC: Candyman by Christina Aguilera | 0:52:19 | 0:52:21 | |
Wooo! | 0:52:21 | 0:52:23 | |
I quite like it actually. Yeah! | 0:52:23 | 0:52:25 | |
Why is your mum embarrassing? | 0:52:25 | 0:52:27 | |
Like, when me and my mates are chilling out, and... | 0:52:27 | 0:52:30 | |
When we play FIFA, we always, like, like to dab when we score, | 0:52:30 | 0:52:32 | |
and then a couple of times | 0:52:32 | 0:52:34 | |
Mum comes in the room and starts to dab. | 0:52:34 | 0:52:37 | |
-Dab? -Around my mates. | 0:52:37 | 0:52:39 | |
What's... What's "dab"? | 0:52:39 | 0:52:41 | |
What is a dab? | 0:52:41 | 0:52:42 | |
Can you do a dab for me? | 0:52:42 | 0:52:43 | |
What is it?! Go on, do a dab. | 0:52:45 | 0:52:47 | |
I don't know what that is! | 0:52:47 | 0:52:49 | |
-How embarrassing is he? What does he do that's embarrassing? -Erm... | 0:52:49 | 0:52:52 | |
his dancing's really embarrassing. | 0:52:52 | 0:52:54 | |
Oh, no! | 0:52:54 | 0:52:55 | |
I hear that you've banned him from dancing | 0:52:55 | 0:52:57 | |
-in your house. -Yes. -Is it because he dances to Madchester music? -Yes. | 0:52:57 | 0:53:01 | |
-Is this right, Ian? -You know what it's like, the mood just takes me. | 0:53:01 | 0:53:04 | |
-Does it really? -A record comes on the radio... | 0:53:04 | 0:53:07 | |
-A record(!) -Yeah. -..and I've got to get dancing. | 0:53:07 | 0:53:09 | |
Well, do you know what, you might be banned in your house, | 0:53:09 | 0:53:11 | |
but you're not banned in the Wind-Up studio - | 0:53:11 | 0:53:13 | |
stand up, let's get some music! | 0:53:13 | 0:53:14 | |
MUSIC: Step On by Happy Mondays | 0:53:14 | 0:53:17 | |
Mad for it! Mad for it. | 0:53:21 | 0:53:23 | |
Now, Cara, this is your stepdad, isn't it? | 0:53:23 | 0:53:25 | |
-Yeah. -And he's very embarrassing, isn't he? -Yeah. | 0:53:25 | 0:53:27 | |
He was very embarrassing earlier on today. | 0:53:27 | 0:53:30 | |
That's right, isn't it, Richard? | 0:53:30 | 0:53:31 | |
-Because you went into the wrong lavatories. -I did. | 0:53:31 | 0:53:35 | |
-Which ones did you go into? -The ladies'. -The ladies'?! | 0:53:35 | 0:53:37 | |
I think you need your eyes testing, mate. | 0:53:37 | 0:53:39 | |
-What's your job? -Optician. | 0:53:39 | 0:53:40 | |
-Brilliant. -LAUGHTER | 0:53:40 | 0:53:42 | |
Now, you did something very embarrassing once, | 0:53:42 | 0:53:45 | |
because I believe you were sat in your car, | 0:53:45 | 0:53:46 | |
and a van came and parked | 0:53:46 | 0:53:48 | |
-right by the side of your car, didn't it? -Yeah. | 0:53:48 | 0:53:50 | |
So you got out of your car, and you gave the people whose van it was | 0:53:50 | 0:53:53 | |
-a piece of your mind, didn't you? -Yes. | 0:53:53 | 0:53:55 | |
Now, this is your dad, isn't it? | 0:53:55 | 0:53:57 | |
Now, it was embarrassing for you, wasn't it? Because whose van was it? | 0:53:57 | 0:54:01 | |
-Ant and Dec's. -Ant and Dec's van?! | 0:54:01 | 0:54:03 | |
LAUGHTER | 0:54:03 | 0:54:05 | |
-You gave Ant and Dec a piece of your mind? -Oh, yes, I did. | 0:54:05 | 0:54:09 | |
Rhydian... | 0:54:09 | 0:54:10 | |
-That's your mum, innit? -Yeah. | 0:54:10 | 0:54:12 | |
-She's embarrassing, isn't she? -Yeah. | 0:54:12 | 0:54:14 | |
-Why is that? -She does a terrible '70s dancing. | 0:54:14 | 0:54:18 | |
Well, we gotta see this, haven't we? | 0:54:18 | 0:54:20 | |
Go on, love - up you get, Come on, love. | 0:54:20 | 0:54:22 | |
FUNKY '70s-STYLE MUSIC | 0:54:22 | 0:54:24 | |
Leave me hanging for ages! | 0:54:29 | 0:54:31 | |
What do you do in front of Kayleigh's friends all the time, | 0:54:31 | 0:54:34 | |
which is disgusting, quite frankly, Peter? | 0:54:34 | 0:54:36 | |
I blow air through my eye. | 0:54:36 | 0:54:38 | |
-You blow air through your eye?! -I do. | 0:54:38 | 0:54:40 | |
I've never heard of this mystical magicness. What is it? | 0:54:40 | 0:54:43 | |
-Shall I do it? -Yeah, please. Do I need to mic your eye(?) | 0:54:43 | 0:54:46 | |
-Just there, yeah. -OK... | 0:54:46 | 0:54:47 | |
SQUEAKY NOISE | 0:54:47 | 0:54:48 | |
GROANING AND LAUGHTER Awww! | 0:54:48 | 0:54:51 | |
That's not embarrassing, it's awesome! | 0:54:51 | 0:54:53 | |
I mean, it's embarrassing! | 0:54:53 | 0:54:55 | |
Why is your mum embarrassing? | 0:54:55 | 0:54:56 | |
Well, every time Uptown Funk comes on in the shops | 0:54:56 | 0:54:59 | |
she decides to sing and dance. | 0:54:59 | 0:55:01 | |
I want to see this. Stand up. Come on. | 0:55:01 | 0:55:03 | |
MUSIC: Uptown Funk by Mark Ronson feat. Bruno Mars | 0:55:03 | 0:55:06 | |
Look at her face, she loves it, she loves it! | 0:55:09 | 0:55:11 | |
I hear that your dad's embarrassing | 0:55:11 | 0:55:12 | |
because he plays guitar a lot and sings silly songs. Is that right? | 0:55:12 | 0:55:15 | |
-He does. -Does he? Oh, well, you'll never guess what, Martin - | 0:55:15 | 0:55:19 | |
we've got a guitar right here. | 0:55:19 | 0:55:21 | |
-Oh, great. -Here we go! Sing a little song, will you? Here we go... | 0:55:21 | 0:55:24 | |
-Oh, dear... -Here we go. | 0:55:24 | 0:55:25 | |
DISCORDANT STRUMMING Oh, that's lovely in tune, carry on. | 0:55:25 | 0:55:28 | |
# She'll be coming round the mountain when she comes... # | 0:55:28 | 0:55:32 | |
Yee-ha! | 0:55:32 | 0:55:33 | |
# She'll be coming round the mountain when she comes... # | 0:55:33 | 0:55:35 | |
Yee-ha! Look at him. | 0:55:35 | 0:55:36 | |
# She'll be coming round the mountain, coming round the mountain | 0:55:36 | 0:55:40 | |
# Coming round the mountain when she comes. # | 0:55:40 | 0:55:43 | |
Aw, that was awful... | 0:55:43 | 0:55:45 | |
..I like you more. | 0:55:45 | 0:55:48 | |
-Oh, I like YOU more. -YOU more! | 0:55:48 | 0:55:49 | |
-Stop it, you... -Right, that's it! You two make me sick. | 0:55:49 | 0:55:52 | |
Have you forgotten what he said about you being unable to talk | 0:55:52 | 0:55:55 | |
without using an autocue?! | 0:55:55 | 0:55:56 | |
That isn't... | 0:55:56 | 0:55:58 | |
Yeah. True. | 0:55:58 | 0:55:59 | |
False? Correct? | 0:55:59 | 0:56:01 | |
And what about him, saying that your greatest achievement | 0:56:01 | 0:56:03 | |
was losing a cooking competition? | 0:56:03 | 0:56:05 | |
-How's his Scotch eggs, eh? Still "inadequate"? -Doctor... | 0:56:05 | 0:56:08 | |
We've both grown as humans since then. | 0:56:08 | 0:56:10 | |
-I hear you. -I forgive you. | 0:56:10 | 0:56:13 | |
BOTH: I still like you. | 0:56:13 | 0:56:16 | |
No, this isn't how it's meant to be. I get paid by the hour. | 0:56:16 | 0:56:18 | |
I was supposed to get another four years out of you two. | 0:56:18 | 0:56:21 | |
I'm sensing some anger issues. You ever considered counselling? | 0:56:21 | 0:56:24 | |
It's not me that needs the counselling. | 0:56:24 | 0:56:25 | |
You two are a pair of useless... | 0:56:25 | 0:56:28 | |
Excuse me, Doctor. | 0:56:28 | 0:56:30 | |
If you wouldn't mind using your "indoor voice", please - | 0:56:30 | 0:56:33 | |
-I don't want you upsetting my Marky again. -Oh, thanks, Sam. | 0:56:33 | 0:56:35 | |
He was beginning to hurt my delicate auditory system. | 0:56:35 | 0:56:38 | |
-Don't worry, Mark. That's what friends are for. -Aww. | 0:56:38 | 0:56:41 | |
Right, that's it. I'm off. I'm off - to Tenerife! | 0:56:41 | 0:56:43 | |
And I'm never - I repeat, NEVER, coming back! | 0:56:43 | 0:56:47 | |
-Taxi... -Moody. Something we said? | 0:56:47 | 0:56:51 | |
Hey, Mark - | 0:56:51 | 0:56:52 | |
let's vow never to argue again. | 0:56:52 | 0:56:54 | |
Yeah, we've been through so many good times during this series. | 0:56:54 | 0:56:57 | |
-I love you, man. -I love you too. | 0:56:57 | 0:56:59 | |
-Come here. -Come here! | 0:56:59 | 0:57:02 | |
Oh, there is one more thing I need to say to you. | 0:57:02 | 0:57:04 | |
-What's that? -Bag. | 0:57:04 | 0:57:06 | |
Ah...! | 0:57:06 | 0:57:08 | |
(Ah, that's better.) | 0:57:11 | 0:57:12 | |
# ..Having a good time, having a good time | 0:57:12 | 0:57:15 | |
# I'm a shooting star leaping through the sky, like a tiger | 0:57:15 | 0:57:18 | |
-Yeah, yeah, yeah... -# Defying the laws of gravity... # | 0:57:18 | 0:57:21 | |
-Who are they after?! -I've got no idea! | 0:57:21 | 0:57:22 | |
# I'm a racing car passing by, like Lady Godiva | 0:57:22 | 0:57:28 | |
# I'm gonna go, go, go, there's no stopping me | 0:57:28 | 0:57:32 | |
# I'm burning through the sky, yeah | 0:57:32 | 0:57:35 | |
# 200 degrees, that's why they call me Mr Fahrenheit | 0:57:35 | 0:57:40 | |
# I'm travelling at the speed of light | 0:57:40 | 0:57:43 | |
# I want to make a supersonic man out of you | 0:57:43 | 0:57:46 | |
# Don't stop me now | 0:57:46 | 0:57:48 | |
# I'm having such a good time, I'm having a ball | 0:57:48 | 0:57:52 | |
# Don't stop me now | 0:57:52 | 0:57:53 | |
# If you wanna have a good time, just give me a call | 0:57:53 | 0:57:58 | |
# Don't stop me cos I'm having a good time | 0:57:58 | 0:58:00 | |
# Don't stop me now, yes, I'm having a good time | 0:58:00 | 0:58:04 | |
# I don't wanna stop at all! # | 0:58:04 | 0:58:09 | |
CHEERING AND APPLAUSE | 0:58:09 | 0:58:10 |