Browse content similar to Bars & Melody. Check below for episodes and series from the same categories and more!
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'Why is this man sweating? | 0:00:02 | 0:00:05 | |
'Why is this woman shaking? | 0:00:05 | 0:00:07 | |
'And what on earth is going on between these two? | 0:00:09 | 0:00:13 | |
'Welcome to the show where no-one is safe. | 0:00:13 | 0:00:16 | |
'It's Sam & Mark's Big Friday Wind-Up!' | 0:00:16 | 0:00:20 | |
APPLAUSE AND CHEERING | 0:00:20 | 0:00:22 | |
'Here they are. It's Sam and Mark!' | 0:00:37 | 0:00:40 | |
APPLAUSE AND CHEERING | 0:00:40 | 0:00:44 | |
-BOTH: -Oh! Welcome to the weekend! | 0:01:01 | 0:01:04 | |
Woo! Oh, yeah! | 0:01:04 | 0:01:05 | |
Boy, do we have a great show for you. | 0:01:05 | 0:01:08 | |
In a moment, we will be giving someone here the chance to fly. | 0:01:08 | 0:01:13 | |
AUDIENCE: Ooh! | 0:01:13 | 0:01:14 | |
We'll also be punishing the UK's most embarrassing parents | 0:01:14 | 0:01:18 | |
and playing a game of karesoakie, which is exactly like it sounds. | 0:01:18 | 0:01:22 | |
AUDIENCE: Ooh! | 0:01:22 | 0:01:24 | |
And find out what happened when we took our hidden cameras to Newcastle | 0:01:24 | 0:01:27 | |
for a game of In Yer House with a difference. | 0:01:27 | 0:01:30 | |
Sit on it, sit on it. | 0:01:30 | 0:01:32 | |
Sit on it. | 0:01:33 | 0:01:35 | |
Come on. You can do it. Really fast, really fast | 0:01:35 | 0:01:37 | |
so it makes a really loud noise. | 0:01:37 | 0:01:40 | |
LOUD PARP | 0:01:40 | 0:01:41 | |
-I'm not looking forward to watching that one. -It's so good. | 0:01:43 | 0:01:46 | |
And on top of all that, we have music from Bars and Melody. | 0:01:46 | 0:01:48 | |
APPLAUSE | 0:01:48 | 0:01:49 | |
-Friends of the show. -Indeed. -Friends of the show. | 0:01:49 | 0:01:51 | |
But right now, remember, on this show, no-one is safe. | 0:01:51 | 0:01:54 | |
That's right. We know everything about every single one of you. | 0:01:54 | 0:01:57 | |
For example... | 0:01:57 | 0:01:59 | |
Ruby, you are an expert body popper. Go on, then, show us. | 0:01:59 | 0:02:03 | |
-Ooh, yeah! -That's really good! -Really good. | 0:02:03 | 0:02:06 | |
Theo, we know that you can do a Mexican wave with your belly. | 0:02:06 | 0:02:10 | |
Come on, Theo, give us a Mexican wave. | 0:02:10 | 0:02:12 | |
That's awesome! | 0:02:14 | 0:02:16 | |
And, Summer, you love gymnastics and your idol is Beth Tweddle. | 0:02:16 | 0:02:20 | |
Well, look behind you. | 0:02:20 | 0:02:22 | |
Look behind you. It's only Beth Tweddle and... | 0:02:22 | 0:02:25 | |
Team GB gymnast Nile Wilson! | 0:02:25 | 0:02:28 | |
-Lovely to have you here. -What do you think about that, Summer? | 0:02:32 | 0:02:35 | |
Hi. | 0:02:35 | 0:02:37 | |
-Aww! -Oh, and, Summer, if you thought that was good, | 0:02:37 | 0:02:39 | |
wait until you hear what they have got in store for you. | 0:02:39 | 0:02:41 | |
Tell her, Beth. | 0:02:41 | 0:02:42 | |
Me and Nile are going to do a masterclass with you upstairs | 0:02:42 | 0:02:45 | |
and then you're going to come back later and perform for everyone. | 0:02:45 | 0:02:49 | |
-Ooh! -You're going to do a gymnastic routine | 0:02:49 | 0:02:51 | |
right on this studio floor. How do you feel about that? | 0:02:51 | 0:02:54 | |
-Good. -Are you excited? -Yeah. -Beautiful. | 0:02:54 | 0:02:56 | |
All right, well, you've got the rest of the show to prepare, | 0:02:56 | 0:02:58 | |
so it's time to get ready. | 0:02:58 | 0:03:00 | |
Let's hear it once again for Summer, Beth Tweddle and Nile Wilson. | 0:03:00 | 0:03:03 | |
-Off you go. -See you later, guys! CHEERING | 0:03:03 | 0:03:05 | |
-Go and get ready. -Aww, that's nice. | 0:03:06 | 0:03:08 | |
Do your stretches, you've got to stretch. | 0:03:08 | 0:03:10 | |
Yeah, you've got to stretch, mate. Do your stretch. | 0:03:10 | 0:03:12 | |
Right, now to find our next target. | 0:03:12 | 0:03:15 | |
Will everyone here please stand up? | 0:03:15 | 0:03:18 | |
Right, OK, everyone has stood up. Thank you. | 0:03:20 | 0:03:23 | |
Now, sit down if you're not obsessed with Beyonce. | 0:03:23 | 0:03:27 | |
That's quite a lot. | 0:03:29 | 0:03:30 | |
I'd have thought everybody would have stayed stood up, to be honest! | 0:03:30 | 0:03:33 | |
OK, sit down if you're not obsessed with Beyonce | 0:03:33 | 0:03:36 | |
and you're not obsessed with planes. | 0:03:36 | 0:03:39 | |
-OK. -OK, OK. -We've got two people left. -We've got two people left. | 0:03:41 | 0:03:44 | |
-This is interesting. -Well, sit down if you're not obsessed with Beyonce, | 0:03:44 | 0:03:48 | |
not obsessed with planes and you can't play the trumpet. | 0:03:48 | 0:03:52 | |
Would you believe it? | 0:03:53 | 0:03:54 | |
We've got two people who can play the trumpet. | 0:03:54 | 0:03:57 | |
-It's impressive stuff, OK. -OK, we need to narrow it down again. | 0:03:57 | 0:04:00 | |
Please sit down if you're not obsessed with Beyonce, | 0:04:00 | 0:04:02 | |
not obsessed with planes, | 0:04:02 | 0:04:04 | |
can't play the trumpet | 0:04:04 | 0:04:05 | |
and your name isn't Bradley. | 0:04:05 | 0:04:08 | |
-Sit yourself down, love. -OK, Bradley, stay right where you are, | 0:04:08 | 0:04:11 | |
we're coming to you! | 0:04:11 | 0:04:12 | |
APPLAUSE AND CHEERING | 0:04:12 | 0:04:15 | |
Hiya, Bradley, you can sit down now. You can sit down! | 0:04:16 | 0:04:20 | |
That would've been so awkward if your name was Bradley. | 0:04:20 | 0:04:23 | |
What a coincidence. How are you doing, Bradley? | 0:04:23 | 0:04:26 | |
-Good. -Excellent. -Fantastic. Now, why do you like Beyonce so much? | 0:04:26 | 0:04:29 | |
Bit of a stupid question, but I'm going to ask you anyway. | 0:04:29 | 0:04:31 | |
-Cos I like her songs. -Yeah, they are awesome, aren't they? | 0:04:31 | 0:04:34 | |
She's a class act, isn't she, Beyonce? | 0:04:34 | 0:04:35 | |
And what's your obsession with planes, then, what's all that about? | 0:04:35 | 0:04:38 | |
-I want to be a pilot when I'm older. -Oh, nice! OK. -Oh, cool. | 0:04:38 | 0:04:41 | |
OK, well, while you're here we might as well hear you play the trumpet. | 0:04:41 | 0:04:44 | |
-Yeah, that's true. -Cos you love playing the trumpet, don't you? | 0:04:44 | 0:04:46 | |
So, we need a trumpet. Shall we give...? | 0:04:46 | 0:04:48 | |
-Oh, look at that, as if by magic. -Wow, I can't believe that happened! | 0:04:48 | 0:04:51 | |
Could you give us a little note on the trumpet? | 0:04:51 | 0:04:53 | |
Here we go, Bradley, go on, lad. | 0:04:53 | 0:04:56 | |
SHORT, WEAK NOTE | 0:04:56 | 0:04:58 | |
I want to hear that again, do it again, do it again. | 0:04:59 | 0:05:02 | |
Oh, beautiful. | 0:05:02 | 0:05:03 | |
-I mean, you are so good, Bradley, so good. -So good. | 0:05:03 | 0:05:05 | |
Well done, Bradley. Listen, I reckon you deserve to win some prizes, | 0:05:05 | 0:05:08 | |
so let's play a game that combines your love of Beyonce | 0:05:08 | 0:05:12 | |
-with your love of planes. -It can't be done. | 0:05:12 | 0:05:14 | |
At last, we can do it. Come with us as we play... | 0:05:14 | 0:05:16 | |
-BOTH: -Above and Beyonce. Come on. | 0:05:16 | 0:05:19 | |
APPLAUSE AND CHEERING | 0:05:19 | 0:05:22 | |
Welcome to Diva International Airport. | 0:05:24 | 0:05:27 | |
Now, Bradley, you are its latest pilot flying for Air Beyonce. | 0:05:27 | 0:05:32 | |
The trouble is, Beyonce has a lot of airline competitors | 0:05:32 | 0:05:36 | |
-and she ain't happy about it. -No, she's not. | 0:05:36 | 0:05:38 | |
There is Jamie flying for Nicole Scherzinger Air. | 0:05:38 | 0:05:43 | |
Rubin flying for Madonna Tours. | 0:05:43 | 0:05:45 | |
Holly is flying for Lady Gaga International. | 0:05:45 | 0:05:49 | |
Harry flying for Mariah Carey Continental. | 0:05:49 | 0:05:51 | |
And Emily is flying for Sia Travel. | 0:05:51 | 0:05:54 | |
Now, Beyonce wants you, Bradley, to destroy those rival airlines | 0:05:54 | 0:05:59 | |
by popping the balloons on the back of each plane in just 45 seconds. | 0:05:59 | 0:06:05 | |
Now, for every one that you pop, | 0:06:05 | 0:06:07 | |
you'll win a prize from the Wind-Up prize stash. | 0:06:07 | 0:06:09 | |
AUDIENCE: Ooh! | 0:06:09 | 0:06:12 | |
So, Bradley... | 0:06:12 | 0:06:13 | |
# What do you think about that? # | 0:06:13 | 0:06:15 | |
-Great. -Great! Nice, awesome. | 0:06:15 | 0:06:17 | |
Hey, but, Bradley... But, Bradley, don't expect an easy flight though, | 0:06:17 | 0:06:22 | |
because if any of these divas get through that 45 seconds | 0:06:22 | 0:06:27 | |
without having their balloon popped, | 0:06:27 | 0:06:29 | |
-they will win the prize for themselves. -What a twist. | 0:06:29 | 0:06:32 | |
So, Bradley... | 0:06:32 | 0:06:34 | |
# What do you think about that? # | 0:06:34 | 0:06:36 | |
It's terrible if they get prizes. | 0:06:36 | 0:06:38 | |
-Yes. -It's terrible. -He sounds like you. | 0:06:38 | 0:06:40 | |
He does, he sounds just like me, it's great. OK. | 0:06:40 | 0:06:43 | |
Today's flight time is 45 seconds. | 0:06:43 | 0:06:46 | |
-Three, two, one - take off. -Go on! | 0:06:46 | 0:06:49 | |
Oh, here we go, here we go. | 0:06:49 | 0:06:51 | |
Oh, he's on the tail of Lady Gaga International. | 0:06:51 | 0:06:54 | |
Wait, he's changed his mind, he's changed his mind. | 0:06:55 | 0:06:58 | |
He's now on Nicole Scherzinger Air! | 0:06:58 | 0:07:02 | |
It's difficult. They're fast, these planes! | 0:07:02 | 0:07:05 | |
SAM LAUGHS | 0:07:05 | 0:07:06 | |
POP | 0:07:08 | 0:07:11 | |
Madonna, you're out. Keep going, keep going. | 0:07:11 | 0:07:14 | |
That's two. | 0:07:14 | 0:07:16 | |
Mariah Carey Continental, you're going to get it. | 0:07:16 | 0:07:18 | |
Oh, come on! | 0:07:18 | 0:07:19 | |
Sia, Sia Travel? SEE YA later travel. | 0:07:19 | 0:07:22 | |
Oh, here we go. Come on. | 0:07:22 | 0:07:24 | |
-What's happening? -There's not long left. | 0:07:24 | 0:07:27 | |
-Two more, two more! -Hold on. | 0:07:27 | 0:07:30 | |
You've got five seconds left. | 0:07:30 | 0:07:31 | |
Three... | 0:07:31 | 0:07:33 | |
Oh! | 0:07:33 | 0:07:35 | |
BUZZER Safe! | 0:07:35 | 0:07:37 | |
-Come over here. -Come on, Bradley. | 0:07:37 | 0:07:39 | |
Mariah Carey, that was close. | 0:07:39 | 0:07:41 | |
-Wowsers. -Hey, very good though, very good. | 0:07:42 | 0:07:45 | |
And you managed to pop three of the balloons, | 0:07:45 | 0:07:47 | |
which means you get three prices from the Wind-Up prize stash. | 0:07:47 | 0:07:50 | |
-Well done. -APPLAUSE AND CHEERING | 0:07:50 | 0:07:53 | |
And well done to Harry and Emily | 0:07:53 | 0:07:54 | |
because your balloons weren't popped. | 0:07:54 | 0:07:56 | |
You win a prize from the Wind-Up prize stash too. | 0:07:56 | 0:07:58 | |
-APPLAUSE AND CHEERING -Well done, guys. | 0:07:58 | 0:08:01 | |
But, Bradley, we are now giving you the chance to win something else. | 0:08:01 | 0:08:05 | |
Tonight's star prize - | 0:08:05 | 0:08:07 | |
-a flight simulator experience. -Ooh. -Oh, yeah. | 0:08:07 | 0:08:10 | |
-How much do you want that? -A lot. -A lot. | 0:08:10 | 0:08:13 | |
-Well, come fly with us. -Come on, let's go. | 0:08:13 | 0:08:15 | |
APPLAUSE | 0:08:15 | 0:08:18 | |
Right, Bradley, here is the situation. | 0:08:18 | 0:08:20 | |
Beyonce's main rival, Adele, | 0:08:20 | 0:08:22 | |
isn't happy with the success of Air Beyonce. | 0:08:22 | 0:08:25 | |
Beyonce wants your help to fight back against Adele. | 0:08:25 | 0:08:28 | |
To destroy her you must get three balls to stick to any targets | 0:08:28 | 0:08:31 | |
-on her plane. -You'll have just 30 seconds to do it in, | 0:08:31 | 0:08:34 | |
but you won't be in the plane on your own | 0:08:34 | 0:08:36 | |
because you can choose either me or Mark to be your co-pilot | 0:08:36 | 0:08:40 | |
and help you out. | 0:08:40 | 0:08:41 | |
-So who's it going to be, me or Mark? -Mark, please. | 0:08:41 | 0:08:44 | |
-OK. -Yeah, boy! -Mark, you get yourself in there. | 0:08:44 | 0:08:46 | |
OK. I need my goggles and my hat first. | 0:08:46 | 0:08:48 | |
Of course you do, mate, safety first and all that. | 0:08:48 | 0:08:51 | |
OK. Let's have a look. Have a look. | 0:08:51 | 0:08:53 | |
-All right, let's do this. -Looking good, mate, looking good. | 0:08:53 | 0:08:56 | |
Get in the plane, get in the plane. | 0:08:56 | 0:08:57 | |
-Mind Beyonce. Right, OK, get in position, guys. -Come on. | 0:08:59 | 0:09:02 | |
MARK MIMICS PLANE ENGINE | 0:09:05 | 0:09:07 | |
Sounds a bit more like a car, that, but all right. | 0:09:07 | 0:09:11 | |
-Right, lads, are you ready? -We're ready! -Yeah. | 0:09:11 | 0:09:13 | |
Excellent. Remember, you've only got to get three balls on target. | 0:09:13 | 0:09:16 | |
The best of luck. In three, two, one - pelt Adele! | 0:09:16 | 0:09:19 | |
That's one! | 0:09:20 | 0:09:22 | |
Oh, that's two! | 0:09:22 | 0:09:23 | |
MUSIC: The Dam Busters March | 0:09:23 | 0:09:25 | |
Oh, nearly, nearly! Keep going. | 0:09:25 | 0:09:29 | |
-Terrible. -Come on! | 0:09:29 | 0:09:30 | |
It's stuck to her arm, | 0:09:30 | 0:09:31 | |
it's going to go on the target. | 0:09:31 | 0:09:34 | |
Come a bit closer if you need to. | 0:09:34 | 0:09:35 | |
-Get close. -Oh, nearly! Get the middle one! | 0:09:35 | 0:09:39 | |
Nearly, come on! | 0:09:41 | 0:09:43 | |
Oh, be better! | 0:09:43 | 0:09:45 | |
Aim for the closer one! | 0:09:45 | 0:09:47 | |
Yeah! | 0:09:52 | 0:09:54 | |
Fly back home! Fly back home! | 0:09:56 | 0:09:59 | |
Yay! | 0:09:59 | 0:10:01 | |
Nice work. | 0:10:04 | 0:10:05 | |
And, Bradley, that means that you have won that flight experience. | 0:10:05 | 0:10:08 | |
-Yeah! -APPLAUSE AND CHEERING | 0:10:08 | 0:10:10 | |
So, Bradley... | 0:10:12 | 0:10:13 | |
# What do you think about that? # | 0:10:13 | 0:10:15 | |
-Amazing. -Amazing! | 0:10:15 | 0:10:16 | |
APPLAUSE AND CHEERING | 0:10:16 | 0:10:18 | |
Let's hear it once again for Bradley and all our flying divas. | 0:10:19 | 0:10:22 | |
-APPLAUSE -Well done, mate, excellent work. | 0:10:22 | 0:10:26 | |
I'm Leona Vaughan off Wolfblood | 0:10:26 | 0:10:28 | |
and Big Friday Wind-Up always makes me howl. | 0:10:28 | 0:10:30 | |
But not with laughter. Never laughter. | 0:10:30 | 0:10:32 | |
'Ladies and gentlemen, tonight on the Wind-Up Wheel, | 0:10:35 | 0:10:39 | |
'Nile Wilson!' | 0:10:39 | 0:10:42 | |
APPLAUSE AND CHEERING | 0:10:42 | 0:10:44 | |
-Nile, lovely to have you, how are you doing, buddy? -I'm very well. | 0:10:45 | 0:10:48 | |
-How are you? -Excellent. Yeah, very well, thanks for asking. | 0:10:48 | 0:10:50 | |
Now, before we go any further, have you got your Olympic medal on you? | 0:10:50 | 0:10:53 | |
-I've got it in my pocket, yeah. -Can we have a look? -Ooh! | 0:10:53 | 0:10:55 | |
-Course you can. -Look at that. Can I touch it? -Yeah. | 0:10:55 | 0:10:59 | |
APPLAUSE | 0:10:59 | 0:11:01 | |
-SAM AND MARK: -Ahhh. | 0:11:01 | 0:11:03 | |
-Look at that, that's amazing, isn't it? -Awesome. Awesome! | 0:11:03 | 0:11:05 | |
-Can I wear it? -Course you can, yeah. -Yes! Baggy wearing it. | 0:11:05 | 0:11:08 | |
# Ahhhh! # | 0:11:11 | 0:11:13 | |
Look at that. Hey, it's got some weight about it, hasn't it? | 0:11:13 | 0:11:16 | |
-Yeah. -Nice weight. You wouldn't know, you're not wearing it. | 0:11:16 | 0:11:19 | |
Now, like we said on this show, no-one is safe, | 0:11:19 | 0:11:22 | |
even our Olympic medallists. | 0:11:22 | 0:11:24 | |
Which is why Nile is risking his health on this rickety old wheel. | 0:11:25 | 0:11:30 | |
Isn't that right, Nile? | 0:11:30 | 0:11:31 | |
I'm excited but I feel like I'm in the dentist's chair, actually. | 0:11:31 | 0:11:34 | |
-It looks a bit like that. -To be fair, though, as a gymnast, | 0:11:34 | 0:11:36 | |
-you're used to spinning around all the time. -Yeah, you'll be fine. | 0:11:36 | 0:11:39 | |
-You'll be all right, mate. -Here's how it works. | 0:11:39 | 0:11:41 | |
We will be spinning Nile around until he's dizzy, sick | 0:11:41 | 0:11:43 | |
or possibly much worse. | 0:11:43 | 0:11:45 | |
He could land on any of these categories, | 0:11:45 | 0:11:46 | |
but he has no idea what's in store for him. | 0:11:46 | 0:11:48 | |
-Yes. So, Nile, are you ready? -Let's do it. -All right. | 0:11:48 | 0:11:52 | |
Because it's time to... | 0:11:52 | 0:11:53 | |
-ALL: -Wind up that wheel! | 0:11:53 | 0:11:55 | |
Stop that wheel. | 0:12:01 | 0:12:02 | |
-Ooh, it's landed on forfeit. -Oh, no. | 0:12:05 | 0:12:07 | |
Oh, do you know what? | 0:12:07 | 0:12:08 | |
This forfeit should be pretty easy for you, Nile. | 0:12:08 | 0:12:10 | |
-We want you to walk on your hands. -Ah. | 0:12:10 | 0:12:13 | |
-Come on, stand here, mate. -I don't know if I can do that. | 0:12:13 | 0:12:16 | |
Be careful. Yeah, don't hurt yourself. That would be terrible. | 0:12:16 | 0:12:19 | |
Do you want me to walk down the stairs on my hands? | 0:12:19 | 0:12:22 | |
Don't do that! | 0:12:22 | 0:12:23 | |
Health and safety have gone mad over there. | 0:12:23 | 0:12:26 | |
Yeah, you do your thing. You do your thing. | 0:12:26 | 0:12:28 | |
APPLAUSE | 0:12:30 | 0:12:34 | |
That's plenty! | 0:12:34 | 0:12:36 | |
Oh, come on! | 0:12:37 | 0:12:39 | |
-What a ledge! What a ledge! Take a seat. -Brilliant. | 0:12:41 | 0:12:44 | |
Oh, I was dizzy just watching that, to be fair. | 0:12:44 | 0:12:47 | |
-Hey, Nile, have you been working out? -I think so. | 0:12:47 | 0:12:50 | |
-How much do you bench? -All right, calm down. | 0:12:50 | 0:12:53 | |
-More than you. -Yeah, more than me, mate. | 0:12:53 | 0:12:56 | |
All right, it's time to... | 0:12:56 | 0:12:58 | |
-ALL: -Wind up that wheel! | 0:12:58 | 0:13:00 | |
Yeah. | 0:13:03 | 0:13:05 | |
Stop that wheel! | 0:13:05 | 0:13:07 | |
-Oh, what's it landed on? -Audience question. | 0:13:07 | 0:13:10 | |
Oh, audience question, OK. | 0:13:10 | 0:13:11 | |
So, Nile, an audience member is going to be chosen at random | 0:13:11 | 0:13:15 | |
and they can ask you any question they want and you must answer. | 0:13:15 | 0:13:19 | |
So, it's time to find our random audience member. | 0:13:19 | 0:13:22 | |
-Oh, it's you, love. -It's you, love. | 0:13:23 | 0:13:27 | |
Oh, it's you. What's your name, love? | 0:13:27 | 0:13:29 | |
-Steph. -Hi, Steph, what's your question for Nile? | 0:13:29 | 0:13:31 | |
Any question in the world? Ever. He's an Olympian. | 0:13:31 | 0:13:36 | |
So, your question is... | 0:13:36 | 0:13:38 | |
-What's your favourite food? -Brilliant. -Brilliant. | 0:13:38 | 0:13:41 | |
Brilliant, brilliant, brilliant. | 0:13:41 | 0:13:43 | |
My favourite food is steak and chips. | 0:13:43 | 0:13:46 | |
OOH. It's not, it's quiche. | 0:13:46 | 0:13:48 | |
-Oh. -It is quiche. -It's always quiche. | 0:13:48 | 0:13:51 | |
Oh, yeah, you're right, you're right. | 0:13:51 | 0:13:53 | |
OK, it's time to... | 0:13:53 | 0:13:54 | |
-ALL: -Wind up that wheel! | 0:13:54 | 0:13:56 | |
OK, stop that wheel. | 0:14:01 | 0:14:03 | |
-Ooh, "dance like". OK. -Oh, no. | 0:14:05 | 0:14:09 | |
Nile, we would like you to dance like a tortoise doing the conga, | 0:14:09 | 0:14:15 | |
but halfway through you realise you haven't locked the front porch. | 0:14:15 | 0:14:18 | |
-We've all been there. -Come back down here, Nile. | 0:14:18 | 0:14:21 | |
Say that again? | 0:14:21 | 0:14:23 | |
-A tortoise? -What, you didn't get it the first time? | 0:14:23 | 0:14:26 | |
A tortoise doing the conga but halfway through you realise | 0:14:26 | 0:14:29 | |
you haven't locked the front porch. | 0:14:29 | 0:14:31 | |
Music, please. | 0:14:31 | 0:14:33 | |
CONGA MUSIC PLAYS | 0:14:33 | 0:14:35 | |
-I think we're all thinking that, mate. -We're all thinking that. | 0:14:47 | 0:14:50 | |
-Go sit down. -Go sit down. | 0:14:50 | 0:14:51 | |
-He gave it a good go, though. -He gave it a good go, though. | 0:14:51 | 0:14:54 | |
How are you feeling after all that spinning, mate? | 0:14:54 | 0:14:56 | |
-A little dizzy, yeah. -Oh, you've been brilliant. | 0:14:56 | 0:14:58 | |
You have been great. Thank you so much. | 0:14:58 | 0:15:00 | |
Ladies and gentlemen, please give it up for Nile Wilson. | 0:15:00 | 0:15:02 | |
APPLAUSE AND CHEERING | 0:15:02 | 0:15:04 | |
Take your medal with you, buddy. Thank you so much. | 0:15:04 | 0:15:06 | |
-Aw! -He looks a bit unsteady. -CRASHING | 0:15:08 | 0:15:10 | |
-Ooh! -CRASHING | 0:15:10 | 0:15:11 | |
-Ooh! -There was no crash mat there, was there? -No. | 0:15:11 | 0:15:14 | |
-I'm sure he's fine now. -I'm sure he's fine. -I'm sure he's fine. | 0:15:14 | 0:15:17 | |
Anyway, right now it's time to meet some more of our friends. | 0:15:17 | 0:15:20 | |
It's Oisin and Finn. | 0:15:20 | 0:15:21 | |
APPLAUSE | 0:15:21 | 0:15:24 | |
Hey, nice to see you again, lads. | 0:15:24 | 0:15:26 | |
All right, lads? Are you enjoying the show? | 0:15:26 | 0:15:28 | |
-Yeah. -Fantastic. Lovely to have you here. | 0:15:28 | 0:15:30 | |
It is indeed. Now, not so long ago | 0:15:30 | 0:15:32 | |
we took our hidden cameras to these guys' house | 0:15:32 | 0:15:35 | |
for a game of In Yer House. | 0:15:35 | 0:15:36 | |
Only this time things were a bit different from usual, weren't they? | 0:15:36 | 0:15:39 | |
-They were, weren't they? -Don't look at me like that! | 0:15:39 | 0:15:42 | |
We're not going to give anything away just now | 0:15:42 | 0:15:44 | |
-but all will become clear very soon. Won't it, Sam? -Yes, it will. | 0:15:44 | 0:15:48 | |
All right, Oisin and Finn, do the honours. | 0:15:48 | 0:15:51 | |
Look down camera three for us. | 0:15:51 | 0:15:53 | |
-BOTH: -Run VT. | 0:15:53 | 0:15:55 | |
'You are entering the world of In Yer House Extreme, | 0:15:56 | 0:15:59 | |
'an elite undercover task force charged with winding up the nation. | 0:15:59 | 0:16:02 | |
'The objective is to complete a series of challenges | 0:16:02 | 0:16:05 | |
'in viewers' homes. | 0:16:05 | 0:16:06 | |
'The routes are more dangerous with more rooms | 0:16:06 | 0:16:08 | |
'and each task is now decided on the toss of a coin. | 0:16:08 | 0:16:11 | |
'Agent Rhodes, you will be manning mission control. | 0:16:11 | 0:16:14 | |
'Agent Nixon, your accomplice is waiting for you at today's location. | 0:16:14 | 0:16:18 | |
'You must both proceed there immediately. | 0:16:18 | 0:16:21 | |
'And remember, don't get caught.' | 0:16:21 | 0:16:23 | |
What are you having for your tea tonight, Oisin? | 0:16:27 | 0:16:29 | |
-I think I'm having pasta. -Ooh. I love a bit of pasta. | 0:16:29 | 0:16:32 | |
Agents, attention, please. | 0:16:32 | 0:16:34 | |
Agent Oisin, will you be Agent Nixon's accomplice | 0:16:34 | 0:16:36 | |
in this In Yer House Extreme mission today? | 0:16:36 | 0:16:38 | |
-I was born ready for this. -Excellent attitude. | 0:16:38 | 0:16:41 | |
This is today's target, Finn. | 0:16:41 | 0:16:43 | |
And am I right in making that this is your brother? | 0:16:43 | 0:16:46 | |
Spot on, Agent Rhodes. | 0:16:46 | 0:16:47 | |
Agent Nixon, this is the target's house. | 0:16:47 | 0:16:50 | |
I would like you to enter the house | 0:16:50 | 0:16:52 | |
and hide behind the door of the music room at the top of the stairs. | 0:16:52 | 0:16:56 | |
-Do you understand? -I understand. | 0:16:56 | 0:16:58 | |
This is the coin of destiny. | 0:16:58 | 0:17:00 | |
Before each task, I want you to flip this coin. | 0:17:00 | 0:17:03 | |
If it lands on your face, your task will be a simple one. | 0:17:03 | 0:17:05 | |
If it lands on my face, your task will become more difficult. | 0:17:05 | 0:17:08 | |
-Understand? -I think I've got that. | 0:17:08 | 0:17:10 | |
I'll just put it in my pocket. | 0:17:12 | 0:17:14 | |
This is your survival kit. | 0:17:14 | 0:17:15 | |
Please do not open this kit until I give you instructions to do so. | 0:17:15 | 0:17:18 | |
-Understood. -Agent Oisin, will you help distract the target | 0:17:18 | 0:17:21 | |
and help Agent Nixon get in and out of the house | 0:17:21 | 0:17:23 | |
without being discovered? | 0:17:23 | 0:17:25 | |
-Of course I will. -One final question. | 0:17:25 | 0:17:27 | |
Agent Nixon, are you ready for this challenge? | 0:17:27 | 0:17:29 | |
Do penguins have feathers? | 0:17:29 | 0:17:32 | |
I don't know. Do penguins have feathers? | 0:17:32 | 0:17:34 | |
I don't know, actually, do they? Anyway, yes, I am ready. | 0:17:34 | 0:17:37 | |
-Good. Because target's approaching. -Let's do this. | 0:17:37 | 0:17:39 | |
But before I go, seriously, do penguins have feathers? | 0:17:39 | 0:17:42 | |
LAUGHTER | 0:17:42 | 0:17:44 | |
Agent Nixon. Good luck. Get in there, do the challenges, | 0:17:44 | 0:17:47 | |
-get back out. -I will. | 0:17:47 | 0:17:49 | |
Are you going to...? Get out! | 0:17:49 | 0:17:52 | |
Ow! | 0:17:55 | 0:17:56 | |
(Creaky stairs.) | 0:18:06 | 0:18:09 | |
OK, Agent Nixon, | 0:18:09 | 0:18:11 | |
your first task is to inflate a whoopee cushion | 0:18:11 | 0:18:14 | |
that is inside your survival kit. | 0:18:14 | 0:18:17 | |
I want you to flip the coin of destiny. | 0:18:17 | 0:18:19 | |
If it lands on your face, | 0:18:19 | 0:18:21 | |
then you will inflate a normal-sized whoopee cushion and then sit on it. | 0:18:21 | 0:18:26 | |
If it lands on my face, | 0:18:26 | 0:18:28 | |
you will inflate a giant whoopee cushion and deflate that one. | 0:18:28 | 0:18:32 | |
Mark. | 0:18:34 | 0:18:36 | |
-Is it my face? -It's your face. | 0:18:36 | 0:18:38 | |
Brilliant. OK, you're right above the kitchen | 0:18:38 | 0:18:41 | |
so be extra careful, because they might hear you. | 0:18:41 | 0:18:44 | |
I'm guessing it's that one. | 0:18:46 | 0:18:48 | |
Oh, my goodness. | 0:18:48 | 0:18:49 | |
MARK LAUGHS | 0:18:49 | 0:18:51 | |
-OK, come on. Keep moving. -It's massive! | 0:19:01 | 0:19:03 | |
Come on, come on. Sit on it. Sit on it. | 0:19:03 | 0:19:06 | |
Sit on it. Come on. | 0:19:06 | 0:19:08 | |
You can do it. Really fast, really fast. | 0:19:08 | 0:19:10 | |
So it makes a really loud noise. | 0:19:10 | 0:19:12 | |
LOUD PARP | 0:19:12 | 0:19:14 | |
Has he heard you? | 0:19:16 | 0:19:18 | |
OK. | 0:19:24 | 0:19:25 | |
I've ripped it. | 0:19:27 | 0:19:29 | |
That's OK. It's OK that you've ripped it. | 0:19:29 | 0:19:31 | |
You've done the challenge. Well done. | 0:19:31 | 0:19:33 | |
You must now move across the hall into Oisin's bedroom. | 0:19:33 | 0:19:37 | |
Once you're there, shut the door | 0:19:37 | 0:19:39 | |
and hide under Finn's bed on the left-hand side. Do you understand? | 0:19:39 | 0:19:43 | |
-Yes. -OK, brilliant. | 0:19:43 | 0:19:45 | |
When you go out the door, it's the second on the right. | 0:19:45 | 0:19:48 | |
(It was the third on the right, just so you know.) | 0:19:59 | 0:20:02 | |
OK, I do apologise giving you duff information there. | 0:20:02 | 0:20:06 | |
-That's not helped. -It's really not. | 0:20:06 | 0:20:08 | |
Hide under Finn's bed. | 0:20:08 | 0:20:09 | |
Right, your next task. | 0:20:10 | 0:20:13 | |
In your survival kit you'll find a phone. | 0:20:13 | 0:20:16 | |
What I want you to do is phone your lovely brother Paul. | 0:20:16 | 0:20:20 | |
SAM LAUGHS | 0:20:20 | 0:20:22 | |
You will flip the coin of destiny. | 0:20:22 | 0:20:24 | |
If it lands on your face, | 0:20:24 | 0:20:26 | |
I want you to ask your brother what annoys him about you. | 0:20:26 | 0:20:29 | |
If it lands on my face, what five things annoy him about you. | 0:20:29 | 0:20:34 | |
-OK. -Flip the coin first. | 0:20:34 | 0:20:36 | |
-'Mark.' -Your face. | 0:20:38 | 0:20:40 | |
-Give him a ring. -OK. -Come on, get it done! | 0:20:40 | 0:20:44 | |
It's ringing. It's ringing. | 0:20:44 | 0:20:46 | |
-'Hello?' -Hiya, Paul. | 0:20:46 | 0:20:49 | |
Me and Mark playing In Yer House. | 0:20:49 | 0:20:51 | |
Oh, less of the pleasantries, just get on with the challenge. | 0:20:51 | 0:20:53 | |
I need to ask you five things that annoy you about me. | 0:20:53 | 0:20:57 | |
'Ringing me on a school day.' | 0:20:57 | 0:20:59 | |
Ringing you on a school day. That's one. | 0:20:59 | 0:21:02 | |
'Some of us have got proper jobs.' | 0:21:02 | 0:21:03 | |
Some of us have got proper jobs, yeah. Good one. What else? | 0:21:03 | 0:21:05 | |
I need four more. | 0:21:05 | 0:21:07 | |
INAUDIBLE | 0:21:07 | 0:21:08 | |
Cooking my rubbish food, OK. | 0:21:08 | 0:21:10 | |
'Drinking pop and swilling the pop in your mouth.' | 0:21:10 | 0:21:13 | |
Drinking pop and swilling pop in me mouth. OK, yeah. | 0:21:13 | 0:21:16 | |
Good one, good one. Two more. You need to be really quick. | 0:21:16 | 0:21:19 | |
It annoys you that I make me Christmas cake. | 0:21:19 | 0:21:21 | |
-One more, one more. Come on, hurry up! -I need one more. | 0:21:21 | 0:21:24 | |
Sam, you need to... | 0:21:24 | 0:21:26 | |
LOUD SINGING FROM PHONE | 0:21:26 | 0:21:27 | |
I put him on speaker! | 0:21:27 | 0:21:29 | |
He put him on loudspeaker! Oh, no! | 0:21:29 | 0:21:30 | |
He gave me one more. | 0:21:30 | 0:21:32 | |
He said that he didn't like that we had a number one single. | 0:21:32 | 0:21:34 | |
OK, well, a lot of people think that. OK, well done. Well done. | 0:21:34 | 0:21:38 | |
STATIC | 0:21:39 | 0:21:42 | |
Sam, just sit tight. Sam, sit tight. | 0:21:42 | 0:21:44 | |
We're just having a couple of issues with cameras. | 0:21:44 | 0:21:46 | |
(OK.) | 0:21:46 | 0:21:47 | |
You're going to read this to camera, not to Sam. | 0:21:47 | 0:21:50 | |
Agent Rhodes, today's In Yer House is about to take a dramatic twist. | 0:21:50 | 0:21:55 | |
Agent Nixon is currently hiding in Oisin and Finn's house, | 0:21:55 | 0:22:00 | |
but what he isn't aware of is that the whole family know he's there. | 0:22:00 | 0:22:04 | |
They are all in on it. | 0:22:04 | 0:22:06 | |
In Yer House just got more extreme as we turn the tables on Sam. | 0:22:06 | 0:22:11 | |
How long will he stay in the house for without knowing what's going on? | 0:22:11 | 0:22:15 | |
We're about to find out. | 0:22:15 | 0:22:17 | |
STATIC Aggh! Oh, no! | 0:22:17 | 0:22:19 | |
(Which channel were we on?) | 0:22:21 | 0:22:24 | |
OK, I'm guessing you can't hear me, so I'm going to go to channel two. | 0:22:24 | 0:22:27 | |
Are you on channel three? | 0:22:30 | 0:22:33 | |
This is amazing! This is amazing - all of the family are leaving. | 0:22:33 | 0:22:36 | |
All the family are going to get out. | 0:22:36 | 0:22:39 | |
Oh, poor Sam. | 0:22:39 | 0:22:40 | |
SCREECHING FROM RADIO | 0:22:43 | 0:22:44 | |
SCREECHING FROM RADIO | 0:22:47 | 0:22:50 | |
(What's happening?) | 0:22:50 | 0:22:52 | |
Come in. Come in. | 0:22:52 | 0:22:53 | |
Let's see how long Sam stays in there for. | 0:22:55 | 0:22:57 | |
Hello, what's happening? | 0:22:58 | 0:23:00 | |
Sam, it looks like we've got a couple of the cameras back. | 0:23:00 | 0:23:03 | |
-Can you hear me, mate? -Yes, I can hear you. Can you hear me? | 0:23:03 | 0:23:05 | |
Your next challenge is... | 0:23:05 | 0:23:07 | |
-You hear me? -No. -It was... | 0:23:11 | 0:23:13 | |
Not...wha... | 0:23:13 | 0:23:15 | |
What? | 0:23:17 | 0:23:19 | |
If you can get... | 0:23:19 | 0:23:20 | |
INTERFERENCE | 0:23:20 | 0:23:22 | |
Look at his face! | 0:23:22 | 0:23:24 | |
Finn's upstairs but... | 0:23:24 | 0:23:26 | |
He's coming...! | 0:23:26 | 0:23:27 | |
He's doing a great job of hiding. | 0:23:34 | 0:23:35 | |
He is doing a great job at hiding, isn't he? | 0:23:35 | 0:23:37 | |
I can see you. I can see you. | 0:23:39 | 0:23:40 | |
-OK. -OK, mate, we've got all cameras now. | 0:23:40 | 0:23:43 | |
-Your next challenge, you need to flip the coin. -Yeah. | 0:23:43 | 0:23:46 | |
If it lands on your face, you need to do ten push-ups. | 0:23:46 | 0:23:50 | |
-OK. -If it lands on my face, | 0:23:50 | 0:23:52 | |
you need to do press ups until we tell you to stop. | 0:23:52 | 0:23:55 | |
Oh, my goodness me. | 0:23:55 | 0:23:57 | |
Ow! | 0:23:57 | 0:23:58 | |
OK, flip the coin. | 0:24:01 | 0:24:02 | |
-'Sam.' -My face! | 0:24:05 | 0:24:08 | |
Oh! | 0:24:08 | 0:24:09 | |
-OK. -That means ten push-ups. | 0:24:09 | 0:24:11 | |
Hold on, mate. Hold on, mate. We've lost cameras again. | 0:24:16 | 0:24:18 | |
No, wait there. OK, we've got you. Just ten. | 0:24:18 | 0:24:21 | |
We've lost cameras again, mate. Stop, stop, stop, stop! I'm sorry. | 0:24:25 | 0:24:29 | |
You're winding me up here. | 0:24:29 | 0:24:30 | |
What are you on about? | 0:24:30 | 0:24:32 | |
You're not that good an actor. | 0:24:32 | 0:24:34 | |
Do it now. We've got all cameras now. We're all right. | 0:24:34 | 0:24:37 | |
-Don't talk to him. -Don't talk to him. | 0:24:44 | 0:24:46 | |
What am I doing now? | 0:24:58 | 0:25:00 | |
Look at him. Look at his little face! | 0:25:02 | 0:25:04 | |
-Look at his little face! -Hello? | 0:25:04 | 0:25:06 | |
Hello! He's saying hello. | 0:25:07 | 0:25:10 | |
-Oh, where's he going? -Let's see... Let's see what he does. | 0:25:11 | 0:25:13 | |
-Let's see what he does, yeah. -Don't talk to him. | 0:25:13 | 0:25:15 | |
-See what he does. -He's looking outside. | 0:25:15 | 0:25:17 | |
MARK LAUGHS | 0:25:17 | 0:25:20 | |
(Can you hear me?) | 0:25:28 | 0:25:30 | |
MARK STIFLES HIGH-PITCHED LAUGH | 0:25:30 | 0:25:31 | |
Yes, we can. Yes, we can, but we're just ignoring you. | 0:25:31 | 0:25:35 | |
MARK LAUGHS What's happening? | 0:25:41 | 0:25:43 | |
Should I leave? | 0:25:44 | 0:25:46 | |
It's probably for the best, mate, to be honest. | 0:25:46 | 0:25:49 | |
Oh, he's going, he's going. He's going! He's leaving. | 0:25:51 | 0:25:55 | |
Hello? | 0:25:55 | 0:25:56 | |
Hello? | 0:26:05 | 0:26:07 | |
-Can you see me? -We can see him, can't we, lads? | 0:26:07 | 0:26:10 | |
-Yeah. -We're just ignoring him. | 0:26:10 | 0:26:12 | |
He's coming downstairs. He's coming downstairs. | 0:26:12 | 0:26:15 | |
He's coming, he's coming downstairs. | 0:26:15 | 0:26:19 | |
They're not in there. | 0:26:19 | 0:26:20 | |
Yes, you're right, they're not in there. | 0:26:20 | 0:26:23 | |
OK. | 0:26:23 | 0:26:24 | |
He's going back to the van. OK, shh, shh! | 0:26:27 | 0:26:29 | |
Got you! | 0:26:46 | 0:26:47 | |
-Come on in. -What?! | 0:26:51 | 0:26:52 | |
In Yer House... | 0:26:52 | 0:26:54 | |
more like In Yer Van! | 0:26:54 | 0:26:55 | |
What?! | 0:26:55 | 0:26:57 | |
Oh, man! Look at you! | 0:26:57 | 0:27:00 | |
I was petrified in there! | 0:27:00 | 0:27:02 | |
I was like, "Should I just stay here forever?" | 0:27:02 | 0:27:05 | |
-Oh, were you both in on this? -Yeah! -Everybody knew. | 0:27:06 | 0:27:10 | |
Oh, man! | 0:27:10 | 0:27:12 | |
He's usually really good at finding things out, | 0:27:12 | 0:27:14 | |
but he didn't find out today, did you? | 0:27:14 | 0:27:16 | |
APPLAUSE | 0:27:16 | 0:27:18 | |
Look at his little face! He hates it. He hates it! | 0:27:18 | 0:27:22 | |
You're all scamps! | 0:27:22 | 0:27:24 | |
You were so good at that. So good at that. | 0:27:24 | 0:27:26 | |
Oh, what I loved is when you were tapping the bed. | 0:27:26 | 0:27:29 | |
It was like... You said to me after... | 0:27:29 | 0:27:30 | |
You said, "I thought somebody was in there." | 0:27:30 | 0:27:32 | |
Yeah, it was really terrifying because, at that point, like, | 0:27:32 | 0:27:35 | |
it went completely deadly silent. | 0:27:35 | 0:27:37 | |
You weren't speaking to me, I could tell that you guys weren't around, | 0:27:37 | 0:27:40 | |
it was so quiet. And I looked over at your bed... | 0:27:40 | 0:27:42 | |
One of your beds, and it looked like somebody was in the bed. | 0:27:42 | 0:27:45 | |
And I was like, "Oh, my goodness!" So I had to tap the bed. | 0:27:45 | 0:27:48 | |
-It was really, really terrifying. -Oh, man. -But the thing is, | 0:27:48 | 0:27:51 | |
you boys knew about this before even Mark knew about it, didn't you? | 0:27:51 | 0:27:54 | |
-Yeah. -Did you...? How much have you enjoyed that? | 0:27:54 | 0:27:56 | |
So much! So much. | 0:27:56 | 0:27:58 | |
Do you know what? Not many people can get me. | 0:27:58 | 0:28:00 | |
I'm very hard at being got, aren't I? | 0:28:00 | 0:28:02 | |
Yes, I'm the gullible one. | 0:28:02 | 0:28:03 | |
He's usually, like, you know, a detective and knows everything. | 0:28:03 | 0:28:06 | |
So to get him, you really need to be good. | 0:28:06 | 0:28:08 | |
You could have your own agency, guys. You really could. | 0:28:08 | 0:28:11 | |
How does that make you feel that you got me good? | 0:28:11 | 0:28:13 | |
It makes me feel like one of the best pranksters ever. | 0:28:13 | 0:28:18 | |
Nice work. And, Mum and Dad, well done again. | 0:28:18 | 0:28:20 | |
-Well done. I can't believe it. -Fantastic. | 0:28:20 | 0:28:22 | |
-Well, you've been fantastic sports... -Yeah. | 0:28:22 | 0:28:24 | |
..and you're not going to go home empty-handed, of course not. | 0:28:24 | 0:28:26 | |
So we're going to be giving you these In Yer House spy pens. | 0:28:26 | 0:28:29 | |
Ohhh! Very nice. | 0:28:29 | 0:28:31 | |
And because you did such a good job of winding Sam up here... | 0:28:31 | 0:28:34 | |
Look at his face again. I just love it. | 0:28:34 | 0:28:36 | |
We're giving you some spy watches as well. | 0:28:36 | 0:28:39 | |
-Excellent stuff. -OK, give it up for Oisin and Finn, everyone. | 0:28:39 | 0:28:42 | |
APPLAUSE AND CHEERING | 0:28:42 | 0:28:44 | |
Right now, though, here's what else is coming up on tonight's | 0:28:44 | 0:28:46 | |
Big Friday Wind-Up. | 0:28:46 | 0:28:48 | |
Oh, the shame. The shame! | 0:28:48 | 0:28:50 | |
It's the School of Shame. | 0:28:50 | 0:28:52 | |
Summer gives her Olympian performance just before Ball Fall. | 0:28:52 | 0:28:56 | |
Plus, we've got music from Bars and Melody. | 0:28:56 | 0:28:58 | |
Now it's time to play the game that combines our two favourite things, | 0:29:01 | 0:29:04 | |
music and a bit of mess. | 0:29:04 | 0:29:06 | |
All will be explained very soon. | 0:29:06 | 0:29:07 | |
But, first, let's find out who's playing tonight. | 0:29:07 | 0:29:10 | |
Will it be this person? | 0:29:10 | 0:29:11 | |
# Whoa, we're halfway there! | 0:29:11 | 0:29:15 | |
# Wo-oh, livin' on a prayer! # | 0:29:15 | 0:29:18 | |
Yes! Wonderful, wonderful, wonderful. | 0:29:18 | 0:29:20 | |
Will it be these two? | 0:29:20 | 0:29:22 | |
# So I guess that's why they call it the blues | 0:29:22 | 0:29:26 | |
# Time on my hands could be time spent with you... # | 0:29:26 | 0:29:31 | |
Nice! | 0:29:31 | 0:29:32 | |
Don't worry, it won't be any of you. | 0:29:34 | 0:29:35 | |
Here's who's playing tonight. | 0:29:35 | 0:29:36 | |
It is Ella's family from Cambridgeshire! | 0:29:38 | 0:29:43 | |
But who will they face? | 0:29:43 | 0:29:46 | |
It's Connor's family from Ipswich! | 0:29:46 | 0:29:49 | |
Teams, come on down as we play... | 0:29:51 | 0:29:53 | |
Karasoake! | 0:29:53 | 0:29:55 | |
Welcome to the game. It's basically karaoke that with added H2O. | 0:29:58 | 0:30:02 | |
One member of each team will attempt to sing | 0:30:02 | 0:30:04 | |
while the other team soaks them through. | 0:30:04 | 0:30:06 | |
Whoever gets the most lyrics out correctly is the winner. | 0:30:06 | 0:30:09 | |
OK, Ella, who's on your team? | 0:30:09 | 0:30:12 | |
My friend Libby and my friend Freya and my mum Laura. | 0:30:12 | 0:30:15 | |
And your nominated singer is? | 0:30:15 | 0:30:17 | |
My mum. | 0:30:17 | 0:30:19 | |
Laura, why do you think you've been chosen as our Karasoake singer? | 0:30:19 | 0:30:23 | |
Because I'm definitely an embarrassing singer. | 0:30:23 | 0:30:25 | |
Give us a note, then. Give us a note. | 0:30:25 | 0:30:27 | |
Let's see how embarrassing you can be. | 0:30:27 | 0:30:29 | |
# A-a-ah! # | 0:30:29 | 0:30:31 | |
There is nothing embarrassing about that. | 0:30:31 | 0:30:32 | |
That was beautiful. | 0:30:32 | 0:30:34 | |
-Really nice. -The tone was just crisp. | 0:30:34 | 0:30:36 | |
OK, Connor, who's on your team? | 0:30:36 | 0:30:38 | |
My friend Logan, my brother Miles and my dad Priya. | 0:30:38 | 0:30:41 | |
Excellent. And who's your nominated singer? | 0:30:41 | 0:30:42 | |
-My dad. -Priya. | 0:30:42 | 0:30:44 | |
OK, why have you chosen Priya? | 0:30:44 | 0:30:46 | |
Because he's a very embarrassing singer, especially in the car. | 0:30:46 | 0:30:49 | |
Oh, really? He's a car singer. We've got a car singer on our hands. | 0:30:49 | 0:30:52 | |
-Oh, no! -All right, let's hear a note, Priya. | 0:30:52 | 0:30:54 | |
La-a-a-a! | 0:30:54 | 0:30:56 | |
Ooh! | 0:30:56 | 0:30:58 | |
I like that! Both very operatic. | 0:30:58 | 0:31:00 | |
I like it. Here we go. | 0:31:00 | 0:31:01 | |
Laura, please make your way onto the Karasoake stage and, Connor's team, | 0:31:01 | 0:31:06 | |
go and select your soakers. | 0:31:06 | 0:31:08 | |
Now, while they do that, Laura, | 0:31:08 | 0:31:10 | |
we've got two songs for you to choose from. | 0:31:10 | 0:31:12 | |
We've got either Counting Stars by OneRepublic... | 0:31:12 | 0:31:15 | |
A great tune. Or Reet Petite by Jackie Wilson. | 0:31:15 | 0:31:18 | |
I'm going to take Reet Petite. | 0:31:20 | 0:31:22 | |
-I've never heard of the first song. -LAUGHTER | 0:31:22 | 0:31:24 | |
That's fair enough, then. | 0:31:24 | 0:31:26 | |
OK, there are 100 words in the section of this song. | 0:31:26 | 0:31:28 | |
You need to clearly sing as many as you can while you're getting soaked, | 0:31:28 | 0:31:31 | |
even if the words are repeated. | 0:31:31 | 0:31:33 | |
We need every single one. | 0:31:33 | 0:31:35 | |
-Are you ready? -I'm ready. | 0:31:35 | 0:31:37 | |
-Brilliant. -Soakers, are you ready? | 0:31:37 | 0:31:39 | |
SOAKERS: Yes! Miles is well ready, isn't he? | 0:31:39 | 0:31:41 | |
-He's looking forward to this. -Yeah. | 0:31:41 | 0:31:43 | |
In that case, let Karasoake commence. | 0:31:43 | 0:31:45 | |
MUSIC: Reet Petite by Jackie Wilson | 0:31:45 | 0:31:48 | |
I can't see! | 0:32:32 | 0:32:33 | |
KLAXON | 0:32:49 | 0:32:51 | |
Hold your fire! Hold your fire! | 0:32:51 | 0:32:54 | |
Wow. | 0:32:55 | 0:32:57 | |
Laura, well done. | 0:32:57 | 0:32:58 | |
-That was a hard. -You could have won that. | 0:32:58 | 0:33:00 | |
OK, I can tell you - you sang... | 0:33:00 | 0:33:02 | |
50 words correctly. | 0:33:06 | 0:33:07 | |
-Nice! -Respectable. Very respectable. | 0:33:07 | 0:33:10 | |
What have you got to say to your soakers? | 0:33:10 | 0:33:12 | |
They're going to get your dad worse! | 0:33:12 | 0:33:15 | |
-Fighting talk! -I like it! | 0:33:16 | 0:33:17 | |
Well, it's time to find out. | 0:33:17 | 0:33:19 | |
Priya, if you'd like to come onto the stage. | 0:33:19 | 0:33:21 | |
Laura, if you'd like to step down. | 0:33:21 | 0:33:22 | |
-There you go. LAURA: -You go for it, girls. | 0:33:22 | 0:33:25 | |
-Good luck, buddy. -Good luck, buddy. | 0:33:25 | 0:33:27 | |
And, Ella's team, please select your soakers. | 0:33:27 | 0:33:29 | |
Right, Priya, it's time to find out what song you'll be singing. | 0:33:32 | 0:33:35 | |
We've got two songs for you. Would you like Budapest by George Ezra, | 0:33:35 | 0:33:38 | |
or Show Me The Way To Amarillo by Tony Christie? | 0:33:38 | 0:33:42 | |
Show Me The Way To Amarillo! | 0:33:42 | 0:33:43 | |
Yeah, boy! Nice work. | 0:33:43 | 0:33:45 | |
Once again, there are 100 words in this section of the song. | 0:33:45 | 0:33:49 | |
You need to clearly sing more than 50 to beat Laura's score and win | 0:33:49 | 0:33:55 | |
tonight's prize. Are you ready? | 0:33:55 | 0:33:57 | |
-I'm ready. -Excellent stuff. | 0:33:57 | 0:33:59 | |
Soakers, are you ready? | 0:33:59 | 0:34:01 | |
-GIRLS: Yes! -You look ready! | 0:34:01 | 0:34:02 | |
I think you'll find they're ready. | 0:34:02 | 0:34:04 | |
OK, the best of luck. Let Karasoake commence! | 0:34:04 | 0:34:07 | |
MUSIC: Show Me The Way To Amarillo | 0:34:07 | 0:34:09 | |
KLAXON | 0:35:11 | 0:35:13 | |
Well done, Priya. Nice work! | 0:35:14 | 0:35:17 | |
That was impressive. So, Priya, | 0:35:17 | 0:35:20 | |
you needed to sing 51 words to beat Laura and win the prize. | 0:35:20 | 0:35:27 | |
And I can reveal that you sang... | 0:35:27 | 0:35:29 | |
87 words correctly! | 0:35:31 | 0:35:34 | |
Which means, Nile's team, you are | 0:35:34 | 0:35:36 | |
the winners! | 0:35:36 | 0:35:38 | |
Which means, Ella's team, you haven't won. | 0:35:40 | 0:35:42 | |
But don't worry, we are giving you some Big Friday Wind-Up goody bags. | 0:35:42 | 0:35:45 | |
-Is that all right? -Yeah! | 0:35:45 | 0:35:46 | |
And, Nile, you and your team get go home with a karaoke machine, | 0:35:46 | 0:35:50 | |
which comes with 100 classic backing tracks! | 0:35:50 | 0:35:52 | |
Yes! | 0:35:52 | 0:35:54 | |
What do you think about that, lads? | 0:35:54 | 0:35:56 | |
-Brilliant. -Brilliant! Let's hear it again for our Karasoake superstars. | 0:35:56 | 0:35:59 | |
Yay! | 0:35:59 | 0:36:00 | |
I'm illusionist Fergus Flanagan and I think Sam and Mark are magic. | 0:36:03 | 0:36:07 | |
I wish they'd disappear. | 0:36:07 | 0:36:09 | |
'Settle down, settle down, settle down. | 0:36:11 | 0:36:14 | |
'Settle down. Mr Broccoli Hair Nixon and Mr Muddy Knees Rhodes have | 0:36:14 | 0:36:18 | |
'collected five more embarrassing embarrassments. | 0:36:18 | 0:36:21 | |
'Teagan's dad dresses up as a lion and goes to the supermarket. | 0:36:21 | 0:36:25 | |
'Phoebe's dad joins in the playground football games | 0:36:25 | 0:36:29 | |
'completely uninvited. | 0:36:29 | 0:36:30 | |
'Ramae's mum picks him up from school | 0:36:30 | 0:36:32 | |
'wearing a leopard-skin onesie. | 0:36:32 | 0:36:34 | |
'Ella's dad does smelly trumps and blames them on the poor old puppy. | 0:36:34 | 0:36:39 | |
'While William's dad wears a Muppet hat which makes him look like, | 0:36:39 | 0:36:41 | |
'well, a Muppet.' | 0:36:41 | 0:36:43 | |
'Welcome to the School of Shame.' | 0:36:43 | 0:36:45 | |
Right, Teagan, Phoebe, Ramae, Ella and William, | 0:36:45 | 0:36:49 | |
we're giving you the chance to teach these naughty, | 0:36:49 | 0:36:51 | |
naughty parents a lesson. | 0:36:51 | 0:36:53 | |
And, in the process, | 0:36:53 | 0:36:54 | |
one of you will be going home with a fantastic prize - a tablet! | 0:36:54 | 0:36:57 | |
We're about to play a game of musical chairs with a difference. | 0:37:00 | 0:37:03 | |
The difference being that your parents | 0:37:03 | 0:37:05 | |
could be getting covered in slop! | 0:37:05 | 0:37:07 | |
HE CACKLES | 0:37:07 | 0:37:09 | |
Juniors, are you ready? | 0:37:12 | 0:37:14 | |
Yes! | 0:37:14 | 0:37:15 | |
Right! Seniors, are you ready? | 0:37:15 | 0:37:17 | |
Yay! | 0:37:17 | 0:37:19 | |
In that case, Mrs Stevenson, take it away! | 0:37:19 | 0:37:21 | |
MUSIC: Lambeth Walk | 0:37:23 | 0:37:26 | |
AUDIENCE CLAP ALONG | 0:37:26 | 0:37:28 | |
BELL OK, stay facing forward, juniors. | 0:37:34 | 0:37:37 | |
Our seniors are all sat down. | 0:37:37 | 0:37:39 | |
Teagan, I'm coming to you first. | 0:37:39 | 0:37:41 | |
I would like you to write down the number chair you think your parent | 0:37:41 | 0:37:45 | |
isn't sitting on. | 0:37:45 | 0:37:47 | |
A number between one and five. | 0:37:47 | 0:37:49 | |
To remind everyone at home, | 0:37:49 | 0:37:51 | |
can Teagan's parent please raise their hand? Thank you. | 0:37:51 | 0:37:53 | |
OK, beautifully written, Teagan. | 0:37:56 | 0:37:58 | |
Could you please reveal to us all which number chair | 0:37:58 | 0:38:01 | |
you think your parent isn't sitting on? | 0:38:01 | 0:38:02 | |
Number four. | 0:38:02 | 0:38:03 | |
Well, it is time to find out if you're right. | 0:38:04 | 0:38:06 | |
Juniors... Sorry, mate. Turn round. | 0:38:06 | 0:38:08 | |
Oh! That's not your parent! | 0:38:12 | 0:38:14 | |
It was Ella's dad. | 0:38:14 | 0:38:15 | |
Which means, unfortunately, | 0:38:15 | 0:38:17 | |
we have to say goodbye to Ella and Ella's dad. | 0:38:17 | 0:38:19 | |
Off you go, guys! | 0:38:19 | 0:38:21 | |
Byesie-bye! Right, four seniors left, four juniors left. | 0:38:24 | 0:38:27 | |
Mrs Stevenson, take it away, will you? | 0:38:27 | 0:38:31 | |
BELL | 0:38:38 | 0:38:40 | |
OK, stay facing forward, juniors. | 0:38:40 | 0:38:42 | |
Phoebe, I'm coming to you. | 0:38:42 | 0:38:44 | |
Number four has gone. | 0:38:44 | 0:38:45 | |
So we have one, two, three, and five remaining. | 0:38:45 | 0:38:48 | |
Write down the number chair you think your parent isn't sitting on. | 0:38:48 | 0:38:51 | |
And to remind everyone at home, | 0:38:51 | 0:38:52 | |
could Phoebe's parent please raise their hand? | 0:38:52 | 0:38:54 | |
Thank you very much. Phoebe, | 0:38:54 | 0:38:56 | |
which number chair do you think your parent isn't sat on? | 0:38:56 | 0:38:59 | |
-Number five. -Oh, it's a big one, this one. | 0:38:59 | 0:39:02 | |
Right, time to see if you're right, Phoebe. | 0:39:04 | 0:39:07 | |
Juniors, turn around. | 0:39:07 | 0:39:09 | |
You were right! | 0:39:09 | 0:39:11 | |
It's Teagan's dad. | 0:39:12 | 0:39:14 | |
Which means, unfortunately, | 0:39:14 | 0:39:16 | |
we have to say goodbye to Teagan and Teagan's dad. | 0:39:16 | 0:39:18 | |
See you later, guys. | 0:39:18 | 0:39:19 | |
-See you later! -Bye! | 0:39:19 | 0:39:21 | |
Right, just three seniors left now. | 0:39:22 | 0:39:25 | |
Mrs Stevenson, take it away, you. | 0:39:25 | 0:39:28 | |
BELL | 0:39:35 | 0:39:37 | |
OK, stay facing forward, guys. | 0:39:37 | 0:39:39 | |
Ramae, I'm now coming to you. | 0:39:39 | 0:39:42 | |
We have three chairs remaining - chair one, two and three. | 0:39:42 | 0:39:47 | |
I want you to write down the number chair you think your parent isn't | 0:39:47 | 0:39:50 | |
sitting on. One, two or three? | 0:39:50 | 0:39:53 | |
To remind everyone at home, could Ramae's parent | 0:39:53 | 0:39:55 | |
please raise their hand? | 0:39:55 | 0:39:57 | |
-Thank you very much. -Oh! | 0:39:58 | 0:40:01 | |
OK, Ramae, | 0:40:01 | 0:40:02 | |
please reveal the number chair you think your parent isn't sitting on. | 0:40:02 | 0:40:06 | |
Chair one. | 0:40:06 | 0:40:07 | |
Let's see if you're right. Juniors, turn around. | 0:40:09 | 0:40:12 | |
You're right! | 0:40:12 | 0:40:13 | |
That's not your parent! That's Phoebe's dad. | 0:40:13 | 0:40:17 | |
So, sadly, we have to stay goodbye to Phoebe's dad and Phoebe. | 0:40:17 | 0:40:20 | |
Off you go, guys. | 0:40:20 | 0:40:21 | |
Bye! | 0:40:21 | 0:40:23 | |
This is the final one. Best of luck, seniors. | 0:40:24 | 0:40:27 | |
Best of luck, juniors. Mrs Stevenson, take it away. | 0:40:27 | 0:40:30 | |
BELL | 0:40:37 | 0:40:38 | |
Right, sit down. Sit yourselves down, seniors. | 0:40:38 | 0:40:42 | |
William, I'm coming to you for the final time. | 0:40:42 | 0:40:45 | |
I want you to write down the number chair | 0:40:45 | 0:40:48 | |
you think your parent isn't sitting on. | 0:40:48 | 0:40:50 | |
We have two chairs remaining - number two and number three. | 0:40:50 | 0:40:55 | |
To remind everyone at home, | 0:40:55 | 0:40:57 | |
could William's parent please raise their hand? | 0:40:57 | 0:41:00 | |
Thank you very much. | 0:41:00 | 0:41:01 | |
OK, which chair do you think your parent isn't sitting in? | 0:41:02 | 0:41:08 | |
-You're going to get it! -You're saying chair number three. | 0:41:08 | 0:41:12 | |
If you're right and that isn't your parent, | 0:41:12 | 0:41:14 | |
that means it's Ramae's parent and you win the prize, William. | 0:41:14 | 0:41:18 | |
Juniors, turn round. | 0:41:18 | 0:41:20 | |
Oh, that was lovely, Ramae. | 0:41:24 | 0:41:27 | |
Nice work. So, sadly, Ramae, Ramae's mum, you didn't win. | 0:41:27 | 0:41:32 | |
Sorry about that, guys. | 0:41:32 | 0:41:33 | |
Go on, get yourselves off. See you later. Get yourselves dried up. | 0:41:33 | 0:41:38 | |
But, William, that means that you are tonight's | 0:41:38 | 0:41:40 | |
winner and you win that tablet! | 0:41:40 | 0:41:42 | |
CHEERING | 0:41:42 | 0:41:44 | |
-What do you think about that, William? -Great. -Nice work. | 0:41:44 | 0:41:47 | |
Don't worry, all the runners-up, you get a Big Friday Wind-Up goody bag. | 0:41:47 | 0:41:50 | |
Yes, you do, indeed. | 0:41:50 | 0:41:51 | |
And I've got to say, William's dad, you got away scot-free, didn't you? | 0:41:51 | 0:41:54 | |
Look at you - clean as anything. | 0:41:54 | 0:41:55 | |
You did really well there, mate. Really well! | 0:41:55 | 0:41:57 | |
-Really well. -Mr Rhodes! | 0:41:59 | 0:42:00 | |
-Oh, sorry, was I not supposed to do that? -No! He won. -I'm so sorry. | 0:42:02 | 0:42:06 | |
I wish I could take it back. | 0:42:06 | 0:42:07 | |
Everybody, give it up for all of today's | 0:42:09 | 0:42:12 | |
pupils in the School of Shame! | 0:42:12 | 0:42:14 | |
Hello, we're Ward Thomas and just like Sam and Mark, we love to sing. | 0:42:15 | 0:42:19 | |
The only difference is, we do it in tune. | 0:42:19 | 0:42:23 | |
We're just a few moments away from our final game, Ball Fall, | 0:42:23 | 0:42:26 | |
followed by a performance from Bars and Melody. | 0:42:26 | 0:42:28 | |
Indeed. But, before all that, remember Summer, | 0:42:28 | 0:42:30 | |
who met her gymnastic heroes Beth Tweddle and Nile Wilson | 0:42:30 | 0:42:33 | |
earlier on in the show? | 0:42:33 | 0:42:34 | |
Well, they've been teaching her a routine all through the show and | 0:42:34 | 0:42:36 | |
she's just about to perform it. Guys, how's it been going? | 0:42:36 | 0:42:39 | |
She's done really well. It's always difficult to learn a new routine in | 0:42:39 | 0:42:42 | |
a short space of time, but she's concentrated | 0:42:42 | 0:42:44 | |
-and given it her all. -Yeah, she's looking fantastic. | 0:42:44 | 0:42:46 | |
It looks like she's enjoying it and she's going to smash it. | 0:42:46 | 0:42:49 | |
-Oh, right! -Brilliant! OK, well, the time has finally come. | 0:42:49 | 0:42:51 | |
Ladies and gentlemen, please give it up for Summer! | 0:42:51 | 0:42:55 | |
CHEERING | 0:42:55 | 0:42:57 | |
MUSIC: Roar by Katy Perry | 0:42:57 | 0:43:00 | |
APPLAUSE | 0:43:17 | 0:43:19 | |
APPLAUSE AND CHEERING | 0:43:22 | 0:43:25 | |
CHEERING | 0:43:32 | 0:43:34 | |
CHEERING | 0:43:57 | 0:43:59 | |
-Whoo! -Yes! Yeah! | 0:44:00 | 0:44:03 | |
Well done, Summer. | 0:44:03 | 0:44:05 | |
That was wicked! How was that for you? | 0:44:05 | 0:44:07 | |
-Did you enjoy it? -Yeah, I enjoyed it so much. | 0:44:07 | 0:44:09 | |
-Brilliant. -Nice work. And, Beth, what do you reckon to your student? | 0:44:09 | 0:44:12 | |
Do you know what? I'm so proud of her. She was a little bit nervous | 0:44:12 | 0:44:15 | |
about doing it, especially in front of all these people, | 0:44:15 | 0:44:17 | |
but, yeah, she's done amazing. | 0:44:17 | 0:44:19 | |
And, Nile, were you impressed that she learned that routine so quickly? | 0:44:19 | 0:44:22 | |
Oh, so impressed. So impressed. | 0:44:22 | 0:44:23 | |
It's fantastic, you know, to see how amazing gymnastics is as a sport and | 0:44:23 | 0:44:27 | |
it's accessible for everyone. | 0:44:27 | 0:44:28 | |
But, yeah, she was awesome. | 0:44:28 | 0:44:29 | |
-Next generation? -Definitely. | 0:44:29 | 0:44:31 | |
-Defo. Nice work. -Brilliant. | 0:44:31 | 0:44:33 | |
-And, Summer, what has this meant to you? -It's meant everything. | 0:44:33 | 0:44:36 | |
Like, seeing these heroes here | 0:44:36 | 0:44:38 | |
and just getting to at least talk to them, | 0:44:38 | 0:44:42 | |
let alone being taught by them. | 0:44:42 | 0:44:44 | |
Well done, a truly amazing performance. | 0:44:44 | 0:44:46 | |
Let's hear it again for Beth, Nile and the fantastic Summer. Well done. | 0:44:46 | 0:44:50 | |
That's lovely. | 0:44:50 | 0:44:53 | |
But right now it's time to play Ball Fall. | 0:44:53 | 0:44:57 | |
We've come to the final game of the show. | 0:45:03 | 0:45:05 | |
A battle of wits, strategy and balls. | 0:45:05 | 0:45:08 | |
Please welcome back Bradley's team! | 0:45:08 | 0:45:10 | |
And Connor's team! | 0:45:14 | 0:45:15 | |
Bradley, please introduce your team. | 0:45:19 | 0:45:21 | |
Sure. This is my mum Leanne, | 0:45:21 | 0:45:24 | |
this is my friend Kai and at the end is my grandad Mark. | 0:45:24 | 0:45:28 | |
Lovely to have you here, guys. | 0:45:28 | 0:45:29 | |
Brilliant. And, Connor, who have we got here? | 0:45:29 | 0:45:31 | |
This is my dad Priya, that's my brother Miles | 0:45:31 | 0:45:34 | |
and that's my mum Joanne. | 0:45:34 | 0:45:36 | |
Fantastic. Right, let's explain how it works. | 0:45:36 | 0:45:38 | |
Our teams are below a tank of balls just waiting to drop on them. | 0:45:38 | 0:45:42 | |
We'll be asking you questions each worth 1,500 balls. | 0:45:42 | 0:45:46 | |
Get your question right and those balls will fall on a member of the | 0:45:46 | 0:45:49 | |
opposing team. | 0:45:49 | 0:45:50 | |
But get it wrong and the balls will fall on you! | 0:45:50 | 0:45:53 | |
THEY CACKLE Naughty! | 0:45:53 | 0:45:56 | |
Each player's cubicle can hold up to 3,000 balls, | 0:45:57 | 0:46:01 | |
so it's two strikes and you're buried. | 0:46:01 | 0:46:04 | |
The first team to be totally covered, loses. | 0:46:04 | 0:46:06 | |
And the winning team will go home with tonight's star prize, | 0:46:06 | 0:46:08 | |
a games console! | 0:46:08 | 0:46:11 | |
-Is everyone ready? -Yeah. -Oh, they're ready. -Excellent. | 0:46:11 | 0:46:14 | |
Remember, if at any point you want to get out of the tank... | 0:46:14 | 0:46:17 | |
ALL: Push the door behind you! | 0:46:17 | 0:46:20 | |
-It's such a good catchphrase. -It's great, it's catching on, mate. | 0:46:20 | 0:46:23 | |
Right, here we go. We're starting with Bradley's team and, Mark, | 0:46:23 | 0:46:26 | |
you get the first question. | 0:46:26 | 0:46:27 | |
Which star sign has the symbol of a lion? | 0:46:29 | 0:46:32 | |
Leo. | 0:46:32 | 0:46:34 | |
That's the right answer. | 0:46:34 | 0:46:35 | |
Which means, Mark, you now get to nominate a member of the opposing | 0:46:37 | 0:46:41 | |
team to have the balls fall on them. | 0:46:41 | 0:46:42 | |
Who's it going to be - number five, six, seven or eight? | 0:46:42 | 0:46:44 | |
-Number six. -Number six. The balls are falling on you, Priya! | 0:46:44 | 0:46:48 | |
OK, Connor, this is a question for you. | 0:46:54 | 0:46:59 | |
Incisors, molars and canines are types of teeth. | 0:46:59 | 0:47:03 | |
True or false? | 0:47:03 | 0:47:05 | |
True. | 0:47:05 | 0:47:07 | |
It is true. Well done. | 0:47:07 | 0:47:09 | |
Which means you can pick either one, | 0:47:09 | 0:47:11 | |
two, three or four for the balls to fall on. | 0:47:11 | 0:47:15 | |
-Number three. -Number three! | 0:47:15 | 0:47:17 | |
OK, Kai, it's time for your question. | 0:47:25 | 0:47:28 | |
Riley, Emily and Jordan are characters in which CBBC programme? | 0:47:29 | 0:47:34 | |
The Next Step. | 0:47:35 | 0:47:37 | |
That's the right answer, Kai! | 0:47:37 | 0:47:39 | |
So you can nominate a member of the opposing team. | 0:47:39 | 0:47:42 | |
Who's it going to be - five, six, seven or eight? | 0:47:42 | 0:47:44 | |
-Six. -Number six! | 0:47:44 | 0:47:46 | |
Oh, Priya, that means you're out of the game! | 0:47:46 | 0:47:48 | |
He's had a shocker today! | 0:47:48 | 0:47:50 | |
Bye, Priya! | 0:47:50 | 0:47:52 | |
Bye! | 0:47:52 | 0:47:55 | |
Priya, are you still there? Give us a wave, will you, mate? | 0:47:56 | 0:47:59 | |
He's there! | 0:47:59 | 0:48:00 | |
The next question is for you, Miles. | 0:48:02 | 0:48:04 | |
What is the most expensive property | 0:48:05 | 0:48:07 | |
on a standard British Monopoly board? | 0:48:07 | 0:48:10 | |
Mayfair. | 0:48:13 | 0:48:15 | |
You are right! It is Mayfair. | 0:48:15 | 0:48:17 | |
Well done, Miles. | 0:48:17 | 0:48:19 | |
Which means you can pick one, two, three or four. | 0:48:19 | 0:48:22 | |
-What are you going for? -Three. | 0:48:22 | 0:48:24 | |
I thought you might. Bye, Leanne. See you later! | 0:48:24 | 0:48:26 | |
Give us a wave, Leanne. | 0:48:33 | 0:48:35 | |
Right, team captain Bradley, it's your question. | 0:48:38 | 0:48:41 | |
True or false - the British Prime Minister | 0:48:41 | 0:48:45 | |
lives at 15 Downing Street? | 0:48:45 | 0:48:47 | |
False. | 0:48:47 | 0:48:49 | |
That's the right answer! | 0:48:49 | 0:48:50 | |
Which means you get to nominate a member of the opposing team. | 0:48:53 | 0:48:56 | |
We have five, seven or eight left. | 0:48:56 | 0:48:58 | |
-Eight, please. -Oh, you went for number eight. | 0:48:58 | 0:49:00 | |
Nice. | 0:49:09 | 0:49:10 | |
OK, Joanne... | 0:49:10 | 0:49:11 | |
All right, which king received an arrow in his eye | 0:49:11 | 0:49:15 | |
at the Battle of Hastings? | 0:49:15 | 0:49:17 | |
Harold. | 0:49:17 | 0:49:18 | |
It was Harold II. We're going to give you that. Well done. | 0:49:18 | 0:49:20 | |
Nice. Which means... | 0:49:20 | 0:49:22 | |
you can pick either one, two or four. | 0:49:24 | 0:49:26 | |
-Which one would you like? -Number one, please. | 0:49:26 | 0:49:29 | |
Number one. Oh, Mark! | 0:49:29 | 0:49:30 | |
Right, Mark, it's now time for your question. | 0:49:37 | 0:49:40 | |
H2O is the chemical symbol for what? | 0:49:41 | 0:49:45 | |
Water. | 0:49:45 | 0:49:46 | |
That's the right answer. | 0:49:46 | 0:49:48 | |
So, who are you going to nominate? | 0:49:48 | 0:49:50 | |
-Number five, six or eight? -Hm, I wonder. | 0:49:50 | 0:49:52 | |
Number eight. | 0:49:52 | 0:49:54 | |
Oh, bye, Joanne! | 0:49:54 | 0:49:56 | |
Joanne, where are you? | 0:50:02 | 0:50:03 | |
There you are. | 0:50:03 | 0:50:05 | |
-There you are. -"Where are you?" Of course I know where she is. | 0:50:05 | 0:50:07 | |
-She's in the cubicle, mate. -She's in the cubicle! | 0:50:07 | 0:50:10 | |
OK, next question... | 0:50:10 | 0:50:12 | |
is to you, Connor. | 0:50:12 | 0:50:14 | |
Who was Henry VIII's first wife? | 0:50:15 | 0:50:18 | |
Catherine. | 0:50:20 | 0:50:22 | |
We need...we need a bit more. | 0:50:22 | 0:50:24 | |
There was more than one Catherine, | 0:50:26 | 0:50:27 | |
which is why we need to be more specific on this. | 0:50:27 | 0:50:30 | |
Have a guess. | 0:50:30 | 0:50:31 | |
The first. | 0:50:32 | 0:50:33 | |
SAM AND MARK LAUGH | 0:50:33 | 0:50:35 | |
He's not wrong technically. | 0:50:35 | 0:50:37 | |
I like...I like his style, but we can't take Catherine I. | 0:50:37 | 0:50:41 | |
It's Catherine of Aragon, unfortunately. | 0:50:41 | 0:50:44 | |
Which means the balls are falling on you, number five. | 0:50:44 | 0:50:46 | |
Sorry about that, mate. | 0:50:46 | 0:50:48 | |
Taking it like a champ. | 0:50:54 | 0:50:55 | |
Nice. Well done, mate. OK, Kai, it's time for your question. | 0:50:55 | 0:51:01 | |
How many lines does a standard limerick have? | 0:51:01 | 0:51:05 | |
Ten. | 0:51:07 | 0:51:09 | |
It's five. Which means, number two, Kai, the balls are falling on you! | 0:51:09 | 0:51:13 | |
OK, Miles, the next question is for you. | 0:51:24 | 0:51:27 | |
Who led a gang of outlaws in Sherwood Forest? | 0:51:28 | 0:51:31 | |
Robin Hood. | 0:51:31 | 0:51:33 | |
He did, indeed. Which means you get to pick one, two or four. | 0:51:33 | 0:51:38 | |
-Which one are you going for? -One. | 0:51:38 | 0:51:39 | |
Oh, one! | 0:51:39 | 0:51:41 | |
-See you, Mark. -Bye, Mark! | 0:51:41 | 0:51:43 | |
We can still see the top of your head! | 0:51:52 | 0:51:54 | |
It's a ball! | 0:51:54 | 0:51:55 | |
"It's a ball," he said. | 0:51:58 | 0:52:00 | |
There he is giving us a little wave. | 0:52:01 | 0:52:03 | |
OK, Bradley. What is the name of the Earth's most southern landmass? | 0:52:03 | 0:52:09 | |
South Pole. | 0:52:11 | 0:52:12 | |
Do you know what? We're going to accept that. | 0:52:13 | 0:52:15 | |
It was Antarctica I've got on my card, | 0:52:15 | 0:52:16 | |
but we're going to accept that. | 0:52:16 | 0:52:18 | |
Which means you get to nominate someone on the opposing team. | 0:52:18 | 0:52:21 | |
We have left number five or seven. Who's it going to be? | 0:52:21 | 0:52:24 | |
-Five, please. -Number five. | 0:52:24 | 0:52:26 | |
Oh, Connor, we have to say goodbye. | 0:52:26 | 0:52:28 | |
-Are you in there? -Hello! | 0:52:34 | 0:52:36 | |
Of course he is. | 0:52:36 | 0:52:38 | |
Next question is for you, Miles. | 0:52:38 | 0:52:41 | |
What was the name of the fleet of Spanish ships that tried to invade | 0:52:41 | 0:52:45 | |
Britain during the reign of Elizabeth I? | 0:52:45 | 0:52:48 | |
The Spanish Armada. | 0:52:48 | 0:52:50 | |
Miles, you are on fire, mate. | 0:52:50 | 0:52:52 | |
Brilliant. That is the correct answer. | 0:52:52 | 0:52:55 | |
Which means you can either go for two or four. | 0:52:55 | 0:52:58 | |
What are you going for? | 0:52:58 | 0:52:59 | |
-Two. -Of course. | 0:52:59 | 0:53:01 | |
See you, Kai. | 0:53:01 | 0:53:03 | |
Kai, give us the thumbs up, buddy. | 0:53:09 | 0:53:11 | |
Bradley, here comes your question. | 0:53:13 | 0:53:17 | |
Who picked a peck of pickled pepper? | 0:53:17 | 0:53:21 | |
Peter Piper. | 0:53:21 | 0:53:22 | |
That's the right answer, Bradley. | 0:53:22 | 0:53:24 | |
Which means you get to nominate. | 0:53:25 | 0:53:27 | |
I'm guessing you're going for number seven? | 0:53:27 | 0:53:30 | |
-Yeah. -Number seven. | 0:53:30 | 0:53:31 | |
The balls are falling on you, Miles. | 0:53:31 | 0:53:33 | |
OK, Miles, this is your question. | 0:53:41 | 0:53:44 | |
If you get it wrong, then Bradley's team are the winners. | 0:53:44 | 0:53:48 | |
Best of luck. | 0:53:48 | 0:53:49 | |
Cruella de Vil was obsessed with which type of dog? | 0:53:50 | 0:53:55 | |
Dalmatians. | 0:53:55 | 0:53:56 | |
Well done, Miles. That is correct. | 0:53:56 | 0:54:00 | |
Which means the balls are falling on Bradley, number four. | 0:54:00 | 0:54:03 | |
OK, well, | 0:54:11 | 0:54:12 | |
this is a very exciting Ball Fall situation because now it's like a | 0:54:12 | 0:54:16 | |
penalty shoot-out, isn't it? | 0:54:16 | 0:54:17 | |
-Hey! -So we're going to keep going between Bradley and Miles | 0:54:17 | 0:54:21 | |
until one of you get the question wrong. | 0:54:21 | 0:54:23 | |
OK? Here we go, Bradley, with your question. | 0:54:23 | 0:54:26 | |
Which BBC show has this theme tune? | 0:54:26 | 0:54:30 | |
MUSIC: Theme To Strictly Come Dancing | 0:54:30 | 0:54:32 | |
Strictly Come Dancing. | 0:54:34 | 0:54:36 | |
That's the right answer! | 0:54:36 | 0:54:37 | |
Miles, | 0:54:41 | 0:54:43 | |
acorns come from which tree? | 0:54:43 | 0:54:47 | |
An acorn tree. An oak tree. | 0:54:47 | 0:54:50 | |
Oh, I've got to take your first answer, I'm afraid, buddy. | 0:54:50 | 0:54:54 | |
It is oak tree but you said acorn first, | 0:54:54 | 0:54:56 | |
which means the balls are falling on you, number seven! | 0:54:56 | 0:55:02 | |
Smiling all the way through it as well, look at this. | 0:55:04 | 0:55:07 | |
There he is! | 0:55:10 | 0:55:11 | |
Unlucky, Connor's team. Sadly, that means that you don't get | 0:55:13 | 0:55:16 | |
the star prize, but you're not going to go home empty-handed. | 0:55:16 | 0:55:19 | |
We're going to give you some Big Friday Wind-Up goody bags. | 0:55:19 | 0:55:21 | |
-Look how happy they are about that. -Really happy. | 0:55:21 | 0:55:24 | |
-Shall we release the balls? -Let's do that. | 0:55:24 | 0:55:26 | |
-Let's release the balls. -Let's release those balls. | 0:55:26 | 0:55:28 | |
-Push your balls out, guys. -Come on, push the balls. | 0:55:28 | 0:55:30 | |
Push the balls out. | 0:55:30 | 0:55:32 | |
Push the balls out. | 0:55:32 | 0:55:34 | |
Which means, Bradley, you are the winning team, | 0:55:34 | 0:55:36 | |
so you go home with tonight's star prize, the games console! | 0:55:36 | 0:55:38 | |
CHEERING | 0:55:38 | 0:55:41 | |
That is almost it from us, but before we go, | 0:55:41 | 0:55:43 | |
there's still time for us to say a big thank you | 0:55:43 | 0:55:45 | |
to everyone we've wound up tonight. | 0:55:45 | 0:55:47 | |
Yes, and also a massive thank you to Beth Tweddle and Nile Wilson. | 0:55:47 | 0:55:50 | |
-A round of applause for those guys! -Yeah! | 0:55:50 | 0:55:53 | |
And, of course, our wonderful Wind-Up audience. | 0:55:53 | 0:55:56 | |
Yay! | 0:55:56 | 0:55:57 | |
But to play us out, it's Bars and Melody! | 0:55:57 | 0:56:00 | |
# Yeah, yeah | 0:56:02 | 0:56:05 | |
# Whoa, whoa | 0:56:07 | 0:56:09 | |
# You don't know what I've been through | 0:56:10 | 0:56:13 | |
# I can teach you something that I never knew | 0:56:13 | 0:56:15 | |
# Take a seat and take some time | 0:56:15 | 0:56:17 | |
# Let me tell you what I've been through | 0:56:17 | 0:56:20 | |
# They didn't know we'd come this far | 0:56:20 | 0:56:23 | |
# Now they're looking at our battle scars | 0:56:23 | 0:56:25 | |
# Half the lies you heard ain't true | 0:56:25 | 0:56:28 | |
# So let me tell you what I've been through | 0:56:28 | 0:56:30 | |
# I have a dream to be the one I want to see upon the screen | 0:56:30 | 0:56:32 | |
# And when my son sees me I want to be the one he wants to be | 0:56:32 | 0:56:34 | |
# And honestly I'm scared, my life is like a pier | 0:56:34 | 0:56:36 | |
# People walk all over me The waves are closing in, you see | 0:56:36 | 0:56:39 | |
# Relying on fate but what if I wait? Maybe a day, what if I'm late? | 0:56:39 | 0:56:42 | |
# I miss my ride to take me where I'm meant to go or take me home | 0:56:42 | 0:56:44 | |
# Why do I have these emotions? | 0:56:44 | 0:56:45 | |
# I don't want them please take them | 0:56:45 | 0:56:46 | |
# I'm stuck inside a hole with nowhere to go and I really hate them | 0:56:46 | 0:56:49 | |
# Damn! Do I have that much of an impact? | 0:56:49 | 0:56:51 | |
# My rhymes did that? Sometimes I wanna quit and hit back | 0:56:51 | 0:56:53 | |
# But what is there to fear? Why am I even here? | 0:56:53 | 0:56:56 | |
# Is there someone out there? Cos there's no-one I can hear | 0:56:56 | 0:56:58 | |
# You don't know what I've been through | 0:56:58 | 0:57:01 | |
# I can teach you something that I never knew | 0:57:01 | 0:57:03 | |
# Take a seat and take some time | 0:57:03 | 0:57:06 | |
# Let me tell you what I've been through | 0:57:06 | 0:57:08 | |
# They didn't know we'd come this far | 0:57:08 | 0:57:10 | |
# Now they're looking at our battle scars | 0:57:10 | 0:57:13 | |
# Half the lies you heard ain't true | 0:57:13 | 0:57:16 | |
# So let me tell you what I've been through | 0:57:16 | 0:57:18 | |
# You don't know what I've been through | 0:57:18 | 0:57:20 | |
# I can teach you something that I never knew | 0:57:20 | 0:57:22 | |
# Take a seat and take some time | 0:57:22 | 0:57:24 | |
# Let me tell you what I've been through | 0:57:24 | 0:57:27 | |
# They didn't know we'd come this far | 0:57:27 | 0:57:29 | |
# Now they're looking at our battle scars | 0:57:29 | 0:57:32 | |
# Half the lies you heard ain't true | 0:57:32 | 0:57:35 | |
# So let me tell you what I've been through. # | 0:57:35 | 0:57:38 | |
CHEERING AND APPLAUSE | 0:57:38 | 0:57:40 |