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# Wind me up, put me down Start me up and watch me go | 0:00:03 | 0:00:07 | |
# It's easy once you know how it's done | 0:00:07 | 0:00:10 | |
# You can't stop now it's already begun... # | 0:00:10 | 0:00:14 | |
CHEERING AND APPLAUSE | 0:00:14 | 0:00:17 | |
'Ladies and gentlemen, Big Friday Wind-Up is back, | 0:00:17 | 0:00:21 | |
'and here they are, the amazing, the talented, the unforgettable, | 0:00:21 | 0:00:25 | |
'what are their names again? Oh, yes, Sam and Mark!' | 0:00:25 | 0:00:30 | |
# Since you been gone since you been gone | 0:00:30 | 0:00:34 | |
# I'm out of my head, can't take it | 0:00:34 | 0:00:37 | |
# Could I be wrong? But since you been gone | 0:00:38 | 0:00:42 | |
# You cast a spell, so break it... # | 0:00:42 | 0:00:46 | |
-Yes! Nice twirl. -Thanks, mate. -Welcome to the weekend! | 0:00:46 | 0:00:52 | |
-It's Sam... -It's Mark. -It's Big... -It's Friday... | 0:00:52 | 0:00:54 | |
And we're winding people up. | 0:00:54 | 0:00:56 | |
Put it all together and what have you got? | 0:00:56 | 0:00:58 | |
-A big Sam Wind-Up Friday Mark? -Not quite. | 0:00:58 | 0:01:01 | |
It's Sam and Mark's Big Friday Wind-Up! | 0:01:01 | 0:01:03 | |
CHEERING | 0:01:03 | 0:01:05 | |
There'll be more surprises than you can shake several sticks at. | 0:01:10 | 0:01:13 | |
Coming up, we've got prizes, challenges | 0:01:13 | 0:01:15 | |
and more than a few shocks in store for members of our studio audience. | 0:01:15 | 0:01:20 | |
It could be any one of you guys! Any one of you! | 0:01:20 | 0:01:22 | |
-AUDIENCE: -Ooh! | 0:01:22 | 0:01:23 | |
And later on, some of you could be competing for prizes with the help | 0:01:23 | 0:01:27 | |
of tonight's special guests. It's Lawson! | 0:01:27 | 0:01:30 | |
CHEERING | 0:01:30 | 0:01:32 | |
BOTH: Hello, lads! | 0:01:34 | 0:01:36 | |
THEY EXCHANGE GREETINGS | 0:01:36 | 0:01:40 | |
Lads, can we just say from the off, we're so happy | 0:01:43 | 0:01:46 | |
that you are on our little show. | 0:01:46 | 0:01:49 | |
-We're honoured, honoured to be here. -Thank you. You enjoying yourselves? | 0:01:49 | 0:01:53 | |
-Yeah, loving it. -Brilliant. We've got a few questions for you. | 0:01:53 | 0:01:56 | |
Do you have to be, like, chiselled, to be in your band, because you guys, | 0:01:56 | 0:02:00 | |
you look like you've been carved out of stone! It's not fair. | 0:02:00 | 0:02:04 | |
That's why we're not actually sitting next to them! | 0:02:04 | 0:02:07 | |
-Look at you boys, look at you! -How underdressed we are! -Get off. | 0:02:07 | 0:02:11 | |
I am in a yellow T-shirt. | 0:02:11 | 0:02:13 | |
You can definitely pull it off though, Ryan, I must admit. | 0:02:13 | 0:02:16 | |
As you know, we played a little prank on you guys earlier, | 0:02:16 | 0:02:21 | |
when you arrived at your dressing room. Take a look at what happened. | 0:02:21 | 0:02:24 | |
-Let's take a look. -Here we go. | 0:02:24 | 0:02:26 | |
'Cheers, lovely, thank you very much.' | 0:02:26 | 0:02:29 | |
HE SCREAMS | 0:02:29 | 0:02:31 | |
THEY TALK OVER EACH OTHER | 0:02:33 | 0:02:37 | |
This stops, now! | 0:02:37 | 0:02:38 | |
CHEERING | 0:02:38 | 0:02:40 | |
Lads, what were you thinking when a large gorilla jumped out at you? | 0:02:40 | 0:02:44 | |
It was Adam who took the fall, | 0:02:44 | 0:02:46 | |
because he was the first man to go in the door. | 0:02:46 | 0:02:48 | |
It was quite a slow shock, because it was a sliding door. | 0:02:48 | 0:02:51 | |
So it kind of slid back and it was quite dark in there, as well. | 0:02:51 | 0:02:54 | |
First of all, they said this was our dressing room, | 0:02:54 | 0:02:56 | |
and I opened the door, and the first thing I saw was a toilet. | 0:02:56 | 0:02:59 | |
I thought this is more of a toilet than a dressing room, | 0:02:59 | 0:03:01 | |
-but go with it! -That's how we treat our guests on the show! | 0:03:01 | 0:03:04 | |
We've had worse! | 0:03:04 | 0:03:05 | |
If you don't mind, we're going to get our lovely audience to | 0:03:05 | 0:03:09 | |
-ask you a few questions. -They're champing at the bit. Sam, off you go. | 0:03:09 | 0:03:12 | |
OK, who's got a question for Lawson? | 0:03:12 | 0:03:14 | |
Let's go right over here, this top corner. | 0:03:14 | 0:03:17 | |
-Stand up, stand up. Here we go, what's your name? -Ewan. | 0:03:17 | 0:03:20 | |
-Ewan, what's your question? -Have you got a favourite band? | 0:03:20 | 0:03:24 | |
-Have you got a favourite band? -Great question that, Ewan. | 0:03:24 | 0:03:27 | |
I think our favourite bands are like The Script, you like The Script? | 0:03:27 | 0:03:32 | |
-Maroon 5. Any others, boys? -Kings Of Leon. | 0:03:32 | 0:03:37 | |
A favourite band of ours. Yeah, what about you, Ewan? | 0:03:37 | 0:03:42 | |
-Em, I quite like... -Lawson? -Definitely, definitely! | 0:03:42 | 0:03:48 | |
Definitely, definitely, Ewan says! Who else has got a question? | 0:03:48 | 0:03:51 | |
-OK, let's go over here. -Cheers, Ewan. | 0:03:51 | 0:03:55 | |
-What's your name? -My name is Tony. -What's your question for Lawson? | 0:03:55 | 0:04:00 | |
-Well actually, this is for Andy. -Of course, yeah! Is he your favourite? | 0:04:00 | 0:04:04 | |
-I love Andy. -What's your question for Andy? | 0:04:04 | 0:04:06 | |
-I want to know if he gets his good looks off his dad? -Interesting. | 0:04:06 | 0:04:10 | |
Andy, Andy, do you get your good looks off your dad? | 0:04:12 | 0:04:15 | |
I definitely don't! | 0:04:15 | 0:04:17 | |
-And who might you be, Tony? -I'm his dad! | 0:04:17 | 0:04:20 | |
CHEERING | 0:04:20 | 0:04:23 | |
OK, who else has got a question? Let's go over here, let's go here. | 0:04:27 | 0:04:31 | |
Let's go to the next block. Come on, then, stand up. | 0:04:31 | 0:04:35 | |
-What's your name? -Maisie. -Maisie. What's your question for Lawson? | 0:04:35 | 0:04:39 | |
Do you ever feel threatened by The Wanted or One Direction | 0:04:39 | 0:04:41 | |
when you write your music? | 0:04:41 | 0:04:43 | |
-ALL: -Ohhh! -Leave the best till last, shall we? | 0:04:43 | 0:04:46 | |
Do we feel threatened by The Wanted or One Direction? | 0:04:46 | 0:04:49 | |
I think...we love those guys. We're really good friends with both | 0:04:49 | 0:04:52 | |
One Direction and The Wanted, but I think we're so different to them. | 0:04:52 | 0:04:55 | |
We're like, we're more of a band. | 0:04:55 | 0:04:57 | |
You know what I mean? We compare ourselves more to Maroon 5 | 0:04:57 | 0:05:00 | |
or The Script. But you know, what those guys are doing in America | 0:05:00 | 0:05:04 | |
and all over the world, it's like amazing, isn't it? | 0:05:04 | 0:05:07 | |
And we're great friends with the guys, so we wish them | 0:05:07 | 0:05:10 | |
-all the luck in the world. -I think there's enough room for everyone! | 0:05:10 | 0:05:13 | |
-Who's your favourite? -Lawson! -Lawson, yeah! | 0:05:13 | 0:05:17 | |
CHEERING | 0:05:17 | 0:05:21 | |
Well, guys, thank you very much for your questions. | 0:05:21 | 0:05:23 | |
They were all right, weren't they? Great questions. | 0:05:23 | 0:05:26 | |
Round of applause for the audience. | 0:05:26 | 0:05:28 | |
-He's back! -Hello, I'm back. | 0:05:30 | 0:05:33 | |
-Hey, you're getting quicker. -I'm back. -Lads, stick around, | 0:05:33 | 0:05:36 | |
because you'll be performing and playing a game with some members | 0:05:36 | 0:05:39 | |
-of our lovely audience. How does that sound, good? -Brilliant. | 0:05:39 | 0:05:42 | |
Right, please, give it up one more time for the brilliant Lawson! | 0:05:42 | 0:05:46 | |
CHEERING | 0:05:46 | 0:05:49 | |
Now, it's time to say hello to some very special friends of ours. | 0:05:50 | 0:05:54 | |
Give it up for Chantelle and her mum, Selina. | 0:05:54 | 0:05:57 | |
CHEERING | 0:05:57 | 0:05:59 | |
THEY EXCHANGE GREETINGS | 0:05:59 | 0:06:03 | |
-Are you enjoying the show? -Yes. -Excellent. | 0:06:03 | 0:06:07 | |
Chantelle, you are here because, not so long ago, we got you good | 0:06:07 | 0:06:11 | |
and proper with our hidden cameras, didn't we? | 0:06:11 | 0:06:14 | |
-Yes. -Yes, we did! -You're a big fan of a certain author, aren't you? | 0:06:14 | 0:06:18 | |
-Could you tell everybody what author it is? -Jacqueline Wilson. | 0:06:18 | 0:06:21 | |
Very good, very good. | 0:06:21 | 0:06:22 | |
She's is the lovely lady who writes the Tracy Beaker books. | 0:06:22 | 0:06:25 | |
That's correct, isn't it? | 0:06:25 | 0:06:26 | |
And you love her so much that you own pretty much everything | 0:06:26 | 0:06:29 | |
that she's written, yeah? | 0:06:29 | 0:06:30 | |
-Yes. Two more books and I've got them all! -Wow! -Two more books! | 0:06:30 | 0:06:33 | |
Two more books. | 0:06:33 | 0:06:34 | |
Well, when we heard that, we thought we'd play a prank on you, | 0:06:34 | 0:06:37 | |
involving the lovely woman herself. | 0:06:37 | 0:06:39 | |
You thought that you were just going down to London | 0:06:39 | 0:06:41 | |
-for a lovely day out, didn't you? -Yeah. -Yeah, you did. Interesting. | 0:06:41 | 0:06:45 | |
But things started to get a little strange, | 0:06:45 | 0:06:48 | |
-and the best thing about it, your mum, Selina, hello... -Hi. | 0:06:48 | 0:06:51 | |
-You were in on the whole thing, weren't ya? -Yes. -She knew! Sneaky! | 0:06:51 | 0:06:56 | |
Do we want to see | 0:06:56 | 0:06:57 | |
-what happened, guys? -ALL: Yes. | 0:06:57 | 0:06:59 | |
In that case, Chantelle, look down camera three and do the honours. | 0:06:59 | 0:07:02 | |
Run VT! | 0:07:02 | 0:07:03 | |
So there's our Wind-Up actor, Barry. | 0:07:05 | 0:07:07 | |
He's pretending he works for top author Jacqueline Wilson. | 0:07:07 | 0:07:10 | |
Listen, there's a family coming now. | 0:07:10 | 0:07:13 | |
And there's Chantelle, our massive Jacqueline Wilson fan, with her | 0:07:13 | 0:07:16 | |
mum and dad, who are both in on the wind-up. | 0:07:16 | 0:07:19 | |
Excuse me, listen, I'm a publicist for an author. | 0:07:19 | 0:07:22 | |
She's probably our country's leading author, Dame Jacqueline Wilson. | 0:07:22 | 0:07:25 | |
We're doing a host today, for Tracy Beaker. | 0:07:25 | 0:07:28 | |
-Have you heard of Jacqueline Wilson? -I've got all the books! | 0:07:28 | 0:07:30 | |
-You got what, sorry? -All the books. -That's great, thank you! | 0:07:30 | 0:07:34 | |
Thank you, thank you! You know Tracy Beaker is very big | 0:07:34 | 0:07:37 | |
in the UK, but she isn't very big in the United States. | 0:07:37 | 0:07:41 | |
So, Dame Jacqueline is trying to push it today. | 0:07:41 | 0:07:44 | |
We're launching it. It's my job to bring the actress... | 0:07:44 | 0:07:47 | |
-Dani Harmer. -You know, here you do my job! | 0:07:47 | 0:07:51 | |
And...you know more than I do. | 0:07:51 | 0:07:53 | |
I'm supposed to arrange for Dani Harmer to come | 0:07:53 | 0:07:55 | |
and do a photoshoot today. She's just got off the plane. | 0:07:55 | 0:07:58 | |
Unfortunately, we're going to miss the American deadlines. | 0:07:58 | 0:08:00 | |
It's pointless her coming down, | 0:08:00 | 0:08:03 | |
so would you mind standing in for Dani Harmer, just to do a little | 0:08:03 | 0:08:06 | |
photoshoot and answer a couple of questions? | 0:08:06 | 0:08:08 | |
Listen, I tell you what, I'll give you a VIP tour guide! | 0:08:08 | 0:08:11 | |
SHE SCREAMS | 0:08:11 | 0:08:13 | |
Don't get carried away, you've got to do some work. | 0:08:13 | 0:08:15 | |
-Is that all right? -SELINA: That's fine. | 0:08:15 | 0:08:18 | |
Listen, thank you, I could give you a really big kiss. | 0:08:18 | 0:08:20 | |
I'm not going to give you a big kiss. | 0:08:20 | 0:08:22 | |
-Chantelle, thank you. -Thank you. | 0:08:22 | 0:08:24 | |
Chantelle has agreed to help out, | 0:08:24 | 0:08:26 | |
so Barry puts her in a special visitor jacket, which contains | 0:08:26 | 0:08:30 | |
a hidden microphone so we can hear everything she says. | 0:08:30 | 0:08:34 | |
Who needs Dani Harmer when we've got Chantelle? Welcome to the BBC. | 0:08:34 | 0:08:40 | |
So Chantelle thinks she is stepping into Dani Harmer's shoes | 0:08:40 | 0:08:43 | |
for the day. And after a quick tour around the BBC, it's time for her | 0:08:43 | 0:08:47 | |
to hit the photo studio, fake photo studio, that is. | 0:08:47 | 0:08:51 | |
Now, let me explain what we're doing. | 0:08:51 | 0:08:53 | |
We're launching Tracy Beaker in the United States. | 0:08:53 | 0:08:56 | |
Obviously, Dani Harmer can't be with us today, | 0:08:56 | 0:08:58 | |
so thank you, once again, seriously, for standing in. | 0:08:58 | 0:09:01 | |
No, honestly, because we couldn't do it without you. | 0:09:01 | 0:09:03 | |
I am going to take some photographs of you, because in America, | 0:09:03 | 0:09:06 | |
they don't know what Tracy Beaker looks like. | 0:09:06 | 0:09:08 | |
So, let's just send in pictures of Chantelle instead! | 0:09:08 | 0:09:12 | |
Need you to relax. Just shake your arms, that's it. Just relax. | 0:09:12 | 0:09:15 | |
Put your arms up in the air, | 0:09:15 | 0:09:16 | |
like you've arrived off the plane in America. | 0:09:16 | 0:09:20 | |
-Hello America! -Hello, America! -Excellent. | 0:09:20 | 0:09:24 | |
Put this arm straight up. | 0:09:26 | 0:09:28 | |
Now, that is a good one. | 0:09:28 | 0:09:29 | |
Actually, you look like a young Tracy Beaker, suddenly. | 0:09:29 | 0:09:33 | |
So, let's make Chantelle look even more like Tracy Beaker, | 0:09:33 | 0:09:36 | |
with a Tracy Beaker outfit. | 0:09:36 | 0:09:37 | |
And a Tracy Beaker wig. | 0:09:37 | 0:09:40 | |
I'm Tracy Beaker! | 0:09:40 | 0:09:43 | |
Chuck in some stars and stripes and pom-poms, | 0:09:43 | 0:09:46 | |
and you've got Tracy Beaker, American-style. | 0:09:46 | 0:09:49 | |
I am Tracy Beaker in America! | 0:09:52 | 0:09:54 | |
Now, let's crank things up a notch. Over to you, Sam. | 0:09:54 | 0:09:58 | |
I am about to call Barry, | 0:09:58 | 0:09:59 | |
posing as an American journalist, hoping to interview Dani Harmer. | 0:09:59 | 0:10:03 | |
PHONE RINGS | 0:10:03 | 0:10:06 | |
-It's ringing. -Hello? | 0:10:06 | 0:10:09 | |
Hi, it's Jeff, calling from America to interview Dani. | 0:10:09 | 0:10:12 | |
-Just going to put you on hold for a second. -Yeah, sure, yeah. | 0:10:12 | 0:10:15 | |
This is a big journalist in America. | 0:10:15 | 0:10:18 | |
Barry has to convince Chantelle to pretend to be Dani. | 0:10:18 | 0:10:21 | |
Let's hope my American accent holds up. | 0:10:21 | 0:10:24 | |
If there's anything you don't know, just make up the answer or ask me. | 0:10:24 | 0:10:28 | |
-In fact, I'll put him on speakerphone. -OK. -Hello? -'Hi, Dani.' | 0:10:28 | 0:10:31 | |
-How are you doing? -I'm fine, thank you. You? -'Very good, thank you.' | 0:10:31 | 0:10:35 | |
Listen, we are SO excited about Tracy Beaker coming to the States. | 0:10:35 | 0:10:39 | |
'So, listen, I just got a few questions | 0:10:39 | 0:10:40 | |
-'I'd like to ask you, if that's OK?' -Yeah, of course. | 0:10:40 | 0:10:44 | |
Question one is, what age were you when you started acting | 0:10:44 | 0:10:47 | |
and how did you get into it? | 0:10:47 | 0:10:48 | |
I was ten years old, and this was my first show. | 0:10:48 | 0:10:52 | |
OK, question two is, | 0:10:52 | 0:10:54 | |
how has playing the role of Tracy Beaker changed your life? | 0:10:54 | 0:10:58 | |
It's changed my life for good. It... | 0:10:58 | 0:11:01 | |
SHE PAUSES | 0:11:01 | 0:11:03 | |
..in many ways. | 0:11:03 | 0:11:05 | |
It's made me rich. | 0:11:05 | 0:11:07 | |
Dani, I got to say, once you come over to the States, | 0:11:07 | 0:11:09 | |
you're about to get a lot richer! | 0:11:09 | 0:11:11 | |
Question three, why do you think the Americans will love | 0:11:13 | 0:11:16 | |
Tracy Beaker as much as the Brits do? | 0:11:16 | 0:11:19 | |
Well, she's got a lot of attitude and she makes people happy. | 0:11:19 | 0:11:22 | |
Dani, thank you so much. Listen, we look forward | 0:11:22 | 0:11:25 | |
to seeing you when you come over to the States. | 0:11:25 | 0:11:27 | |
-Thank you, bye. -Bye. | 0:11:27 | 0:11:29 | |
-It was easy, wasn't it? -Hard. | 0:11:29 | 0:11:31 | |
-Why was it hard? -Because he sounded a bit French. | 0:11:31 | 0:11:33 | |
French? That was me best American accent! | 0:11:33 | 0:11:36 | |
-Come here, I want to tell you something. -OK. | 0:11:36 | 0:11:40 | |
My little gift to you for helping me today, is that, | 0:11:40 | 0:11:46 | |
Chantelle, you are going to meet Dame Jacqueline Wilson. | 0:11:46 | 0:11:51 | |
-SELINA: Oh, my gosh, Chan! -As a thank you from me to you. | 0:11:51 | 0:11:55 | |
She's in the garden and she's been doing interviews all day | 0:11:55 | 0:11:58 | |
because she is launching her book, Emerald Star. | 0:11:58 | 0:12:01 | |
-You excited? You going to be able to speak when you get there? -Yes! | 0:12:01 | 0:12:05 | |
-You're not going to let me down? -No! -Good afternoon, young lady. | 0:12:05 | 0:12:09 | |
Good afternoon, Dame. | 0:12:09 | 0:12:10 | |
So, Chantelle's about to meet her idol, and because Jacqueline Wilson | 0:12:10 | 0:12:14 | |
is a Dame, Barry is pretending she's got to curtsy when she meets her. | 0:12:14 | 0:12:19 | |
MARK: And remember, Jacqueline is also in on the wind-up. | 0:12:19 | 0:12:22 | |
-Hello! -Remember what we said, nice and loudly | 0:12:22 | 0:12:25 | |
-and curtsy. -Good morning, Dame. -Afternoon! -Good afternoon, Dame. | 0:12:25 | 0:12:29 | |
Nice and low! A lot lower. That's it. Afternoon, Dame Jacqueline. | 0:12:29 | 0:12:33 | |
-Sorry. -How very sweet of you, darling! Come and sit down. | 0:12:33 | 0:12:36 | |
So she's curtsied, and now it's time for the interview, | 0:12:36 | 0:12:39 | |
and you guessed it, we've made up all the questions. | 0:12:39 | 0:12:42 | |
I heard you used to want to be a lollipop lady when you were younger? | 0:12:42 | 0:12:46 | |
When did you change your mind and want become a writer? | 0:12:46 | 0:12:49 | |
Is it true that one you've started writing a book, you refuse | 0:12:49 | 0:12:52 | |
to cut your fingernails until it's finished? | 0:12:52 | 0:12:55 | |
Is it true that you won't have the colour pink in your house | 0:12:55 | 0:12:58 | |
because you're scared of it? | 0:12:58 | 0:13:00 | |
No, sorry, I am just reading these off the cards! | 0:13:00 | 0:13:03 | |
-These are strange questions! -Yes. | 0:13:03 | 0:13:05 | |
Now it's Jacqueline's turn to crank things up, | 0:13:05 | 0:13:07 | |
by pretending she's become an illustrator. | 0:13:07 | 0:13:10 | |
For my next book, I'm going to have to do the drawings myself. | 0:13:10 | 0:13:15 | |
I've actually, while I've been sat out here, I have done some. | 0:13:15 | 0:13:18 | |
-Do you want to see? -Yes. -OK. -Amazing. -I've tried my hardest. | 0:13:18 | 0:13:23 | |
See that one? I thought this might be a new Tracy Beaker story. | 0:13:23 | 0:13:28 | |
See I've got all her curls there? | 0:13:28 | 0:13:30 | |
MARK: Of course, Jacqueline isn't being serious, | 0:13:30 | 0:13:32 | |
but Chantelle doesn't know that and, even better, | 0:13:32 | 0:13:34 | |
she seems to be buying it. | 0:13:34 | 0:13:36 | |
-What do you think? -They're good! -Do you think so? -Yes. | 0:13:36 | 0:13:39 | |
-That's very kind. -Brilliant. | 0:13:39 | 0:13:41 | |
Chantelle did extremely well there to keep a straight face. | 0:13:41 | 0:13:44 | |
MARK: Of course, Jacqueline is sticking to writing, | 0:13:44 | 0:13:47 | |
and all her manuscripts are kept on her laptop. | 0:13:47 | 0:13:51 | |
I have to be very, very careful, because I write them | 0:13:51 | 0:13:55 | |
all on my laptop and I never take any copies, because I had | 0:13:55 | 0:14:00 | |
a bit of trouble with somebody showing a copy around, so I keep | 0:14:00 | 0:14:05 | |
just the one copy on the laptop, so I have to guard it very carefully. | 0:14:05 | 0:14:10 | |
I am so sorry to interrupt. | 0:14:10 | 0:14:11 | |
You have the appointment, just to sign the book. | 0:14:11 | 0:14:14 | |
Oh, yes. If I nip out... I'll just leave the laptop there. | 0:14:14 | 0:14:19 | |
What! Leave the laptop there? | 0:14:19 | 0:14:21 | |
You mean, the laptop that Chantelle thinks contains | 0:14:21 | 0:14:24 | |
the only copy of your brand-new book? | 0:14:24 | 0:14:26 | |
Is that really a good idea? | 0:14:26 | 0:14:28 | |
-So, what did you think of Dame Jacqueline Wilson? -Wow! | 0:14:28 | 0:14:31 | |
We're going to tidy up. Just hold that for me. | 0:14:31 | 0:14:34 | |
-What did you think of her drawings? -He-he-he! -Be honest. -They were... | 0:14:34 | 0:14:38 | |
-OK. -Yeah. That's one way of putting it(!) Can you take... | 0:14:38 | 0:14:42 | |
MARK: I'd be careful with that, Barry. | 0:14:42 | 0:14:45 | |
Oh, no! You've just spilled tea all over Jacqueline Wilson's laptop! | 0:14:45 | 0:14:50 | |
And that buzzing doesn't sound good, Barry. | 0:14:50 | 0:14:52 | |
CHANTELLE SHRIEKS | 0:14:54 | 0:14:56 | |
-It's blown up. -'You think?! | 0:15:00 | 0:15:02 | |
'You've destroyed Jacqueline Wilson's only copy of her new book.' | 0:15:02 | 0:15:05 | |
-All her stories are on that. -What are we going to say? -I don't know. | 0:15:05 | 0:15:10 | |
Sit down, just pretend everything is normal. | 0:15:10 | 0:15:12 | |
But things are far from normal, and here comes Jacqueline, now. | 0:15:12 | 0:15:15 | |
What's going on? | 0:15:16 | 0:15:18 | |
It's just that we had a slight accident actually | 0:15:18 | 0:15:21 | |
-and we just dropped... -Not with the laptop? | 0:15:21 | 0:15:24 | |
BARRY HESITATES | 0:15:24 | 0:15:26 | |
What happened, Chantelle? | 0:15:26 | 0:15:28 | |
-We spilled drink on the computer by accident. -Oh, my goodness! | 0:15:28 | 0:15:32 | |
But that's...that's my only copy! | 0:15:32 | 0:15:36 | |
Of my new book! | 0:15:36 | 0:15:37 | |
-My goodness, what am I going to do? -I don't know. | 0:15:37 | 0:15:41 | |
Right, I think this has gone far enough. It's time to reveal all. | 0:15:41 | 0:15:45 | |
You have been Smarked for Sam and Mark's Big Friday Wind-Up! | 0:15:45 | 0:15:51 | |
CHEERING | 0:15:51 | 0:15:54 | |
I don't know what to do! | 0:15:56 | 0:15:58 | |
You know you said you liked my Hetty Feather books | 0:15:58 | 0:16:01 | |
and you wanted Emerald Star? | 0:16:01 | 0:16:03 | |
I have brought with me the very first real copy. | 0:16:03 | 0:16:07 | |
It wasn't in the computer at all. | 0:16:07 | 0:16:10 | |
And you will be the very, very first girl to read it! | 0:16:10 | 0:16:13 | |
-So, there we go, for you. -Oh, gosh! | 0:16:13 | 0:16:17 | |
CHEERING AND APPLAUSE | 0:16:18 | 0:16:22 | |
Fantastic. So... | 0:16:23 | 0:16:26 | |
Come on, Chantelle, what were you thinking when the computer exploded? | 0:16:26 | 0:16:31 | |
I saw the look on Jacqueline's face and I didn't know | 0:16:31 | 0:16:34 | |
whether it was fake or not. | 0:16:34 | 0:16:35 | |
Because the fire, it kind of... It looked... Oh! | 0:16:35 | 0:16:41 | |
Are you saying she's a bad actress, is that what you are saying? | 0:16:41 | 0:16:45 | |
-Oh, man! I can't believe it! -What did you think of her drawings? | 0:16:45 | 0:16:48 | |
You can be honest, she's not here, or is she? She's not, honest. | 0:16:48 | 0:16:53 | |
-What did you think of her drawings? -Terrible! -They were pretty bad. | 0:16:53 | 0:16:58 | |
Well you did all right in the end, | 0:16:58 | 0:16:59 | |
because you did manage to get a signed copy of Jacqueline's book. | 0:16:59 | 0:17:03 | |
-Did you enjoy that? -Yeah, it was great. Cried a little. | 0:17:03 | 0:17:07 | |
AUDIENCE: Aww! | 0:17:07 | 0:17:08 | |
-But did you enjoy yourself? -Yes. It was great. -Excellent. | 0:17:08 | 0:17:11 | |
You've been a fantastic sport. Everybody, give it up for Chantelle | 0:17:11 | 0:17:15 | |
and her mum, Selina, of course. | 0:17:15 | 0:17:17 | |
CHEERING | 0:17:17 | 0:17:18 | |
And a big thank you to Dame Jacqueline Wilson, thanks so much. | 0:17:18 | 0:17:21 | |
Legend. Stay where you are, because there's still loads to come. | 0:17:21 | 0:17:25 | |
Yes, take one fake photo booth | 0:17:25 | 0:17:27 | |
and one rubber spider, | 0:17:27 | 0:17:29 | |
-and this is what you get. -SHE SCREAMS | 0:17:29 | 0:17:33 | |
SHE SCREAMS | 0:17:33 | 0:17:35 | |
SHE SCREAMS | 0:17:35 | 0:17:37 | |
THEY SCREAM AND LAUGH | 0:17:40 | 0:17:42 | |
THEY SCREAM | 0:17:43 | 0:17:46 | |
CHEERING AND APPLAUSE | 0:17:46 | 0:17:49 | |
Ladies and gentlemen, I give you the Finger Of Fun! | 0:17:49 | 0:17:52 | |
All right! | 0:17:54 | 0:17:55 | |
Oh, look at the bling! Nice bling, finger. | 0:17:55 | 0:17:58 | |
-You going somewhere nice, are ya? -He can't answer, he's a finger. | 0:17:58 | 0:18:03 | |
Oh, he did answer! Stop answering. You have a very important job to do. | 0:18:03 | 0:18:06 | |
You need to go and find us someone. Off you go. | 0:18:06 | 0:18:09 | |
CHEERING | 0:18:09 | 0:18:13 | |
BOTH: Who's it going to be? | 0:18:15 | 0:18:17 | |
It could be you. It's not you. It's not you. | 0:18:17 | 0:18:19 | |
CHEERING | 0:18:19 | 0:18:22 | |
It could be-e-e... | 0:18:22 | 0:18:25 | |
It's not you, not you. | 0:18:25 | 0:18:27 | |
It might be, no, it's not you. | 0:18:27 | 0:18:30 | |
Who's it was going to be? | 0:18:30 | 0:18:32 | |
-There we go. -O-o-o-o-h! | 0:18:32 | 0:18:36 | |
I think the finger has found us a pair of sisters. What are your names? | 0:18:38 | 0:18:44 | |
-Tracey. -I'm Janine. | 0:18:44 | 0:18:45 | |
Excellent. Well, you two had better get yourselves down here, | 0:18:45 | 0:18:49 | |
because it's time to play the Prize Surprise. Come on down, girls. | 0:18:49 | 0:18:52 | |
So, girls, were either of you | 0:19:00 | 0:19:03 | |
-expecting that? -BOTH: No. | 0:19:03 | 0:19:05 | |
-I didn't think so. -I think it's safe to say you were surprised? | 0:19:05 | 0:19:08 | |
BOTH: Yes. | 0:19:08 | 0:19:10 | |
Now, we understand that you are fans of a certain group, who may | 0:19:10 | 0:19:14 | |
or may not be, in the studio tonight, is that right? | 0:19:14 | 0:19:16 | |
-BOTH: Yes! Do you like Lawson? -Yes. | 0:19:18 | 0:19:21 | |
It's time to play, Lead Us To Lawson. | 0:19:21 | 0:19:24 | |
CHEERING | 0:19:24 | 0:19:27 | |
-Yeah. -Sam, we've been very careless. -Very careless. | 0:19:27 | 0:19:32 | |
-Somehow we managed to lose Lawson. -It happens all the time. Seriously. | 0:19:32 | 0:19:36 | |
-You turn your head for five minutes, and they're off! -See you later. | 0:19:36 | 0:19:39 | |
All we know is, that they're lurking in some rooms just outside | 0:19:39 | 0:19:43 | |
-the studio. -We're going to give you 60 seconds | 0:19:43 | 0:19:46 | |
to find all four members. | 0:19:46 | 0:19:48 | |
For every member that you find, you win a prize. How does that sound? | 0:19:48 | 0:19:53 | |
-Great! -Yeah, nice! | 0:19:53 | 0:19:55 | |
-60 seconds, it's not a lot of time, is it? -No. | 0:19:55 | 0:19:58 | |
So, we'll give you the chance to add another 60 seconds, | 0:19:58 | 0:20:03 | |
that's a whole two minutes gang! | 0:20:03 | 0:20:05 | |
All you have to do is answer three questions, | 0:20:05 | 0:20:08 | |
and for every one you get right, we'll add an extra 20 seconds. | 0:20:08 | 0:20:11 | |
-Understood? -Yes. -Excellent. -Right, here we go. | 0:20:11 | 0:20:14 | |
Can we have some tension lighting and music, please? | 0:20:14 | 0:20:18 | |
-That's pretty tense. -That is tense. -OK, best of luck. | 0:20:20 | 0:20:23 | |
Here's your first question. | 0:20:23 | 0:20:25 | |
There are four members in Lawson, but can you name them? | 0:20:25 | 0:20:29 | |
We don't want just the first name, we want surnames as well. Off you go. | 0:20:29 | 0:20:35 | |
-Ryan Fletcher. -Correct. -Andy Brown. -Correct. -Joel Peat. -Correct. | 0:20:35 | 0:20:40 | |
-And the last one... -Adam... | 0:20:40 | 0:20:42 | |
Come on, come on! | 0:20:44 | 0:20:45 | |
SAM WHISPERS A CLUE | 0:20:45 | 0:20:48 | |
THEY FALTER | 0:20:48 | 0:20:50 | |
He's not called Adam Armpit! | 0:20:50 | 0:20:53 | |
Close, though. | 0:20:53 | 0:20:56 | |
-What about the end bit of that? -Pitt. -Yeah! | 0:20:56 | 0:20:59 | |
-We'll give you that. -It's Pitts. | 0:20:59 | 0:21:02 | |
Adam Armpit, he'll love that. Sorry, mate. | 0:21:02 | 0:21:06 | |
You've now got 80 seconds on the clock, that's not bad, girls. | 0:21:06 | 0:21:11 | |
OK, here's your next question. | 0:21:11 | 0:21:13 | |
We've already heard you singing a Lawson song, but now | 0:21:13 | 0:21:17 | |
we're going to play you a line from the song you sang, | 0:21:17 | 0:21:19 | |
Taking Over Me and what we want you to do is sing is the next line. | 0:21:19 | 0:21:24 | |
-Understood? -Yes. -OK, let's play it. | 0:21:24 | 0:21:26 | |
# Fix your broken heart I'll make it beat again | 0:21:26 | 0:21:31 | |
# I'll never let you down On me you can depend. # | 0:21:31 | 0:21:35 | |
See if you're right. | 0:21:35 | 0:21:37 | |
# I'll never let you down On me you can depend. # | 0:21:37 | 0:21:40 | |
CHEERING | 0:21:40 | 0:21:44 | |
-I love that. -Right in the eyes! | 0:21:44 | 0:21:48 | |
Well done, girls. You've got 100 seconds to find all four members. | 0:21:48 | 0:21:51 | |
-Good. -But there's still another 20 to play for. Your final question. | 0:21:51 | 0:21:55 | |
-Are you ready? -Yes. -That wasn't the question. | 0:21:55 | 0:21:59 | |
What's the combined age of all four members of Lawson? | 0:21:59 | 0:22:04 | |
Is it, A - 88, | 0:22:04 | 0:22:06 | |
B - 90, or C - 92? Think about it. | 0:22:06 | 0:22:11 | |
THEY CONFER | 0:22:11 | 0:22:13 | |
-What are you going for? 88, 90, 92, -88. | 0:22:15 | 0:22:19 | |
-You're going for... -88. -All right. | 0:22:19 | 0:22:22 | |
I can reveal that it's, B - 90! | 0:22:22 | 0:22:26 | |
Ohh! You were only a letter away! | 0:22:26 | 0:22:30 | |
So close. But, you've done really well. You got yourself 100 seconds. | 0:22:30 | 0:22:35 | |
-That's not bad at all, is it? -Very good. | 0:22:35 | 0:22:38 | |
OK, girls, are you ready for this? Awesome. | 0:22:38 | 0:22:42 | |
OK, well, let's have 100 seconds on the clock in three, two, one... | 0:22:42 | 0:22:48 | |
Lead Us To Lawson. | 0:22:48 | 0:22:52 | |
BOYS SHOUT ENCOURAGEMENT | 0:22:52 | 0:22:54 | |
You've only got 100 seconds, girls. | 0:22:54 | 0:22:57 | |
You're doing well! | 0:23:01 | 0:23:03 | |
Not that way, not that way! | 0:23:03 | 0:23:05 | |
The chicken's told you to go back! | 0:23:06 | 0:23:09 | |
THEY SHOUT ENCOURAGEMENT | 0:23:09 | 0:23:13 | |
Here we go, what we got here? | 0:23:14 | 0:23:16 | |
Yes! | 0:23:16 | 0:23:19 | |
AUDIENCE CHEERING | 0:23:19 | 0:23:22 | |
That's one prize, one prize! | 0:23:22 | 0:23:25 | |
Come on, girls! | 0:23:25 | 0:23:27 | |
CHEERING | 0:23:27 | 0:23:31 | |
-That's two prizes! -Keep going! | 0:23:31 | 0:23:34 | |
Come on, you can do this. | 0:23:34 | 0:23:36 | |
Who are these people with the arrows? | 0:23:36 | 0:23:39 | |
CHEERING | 0:23:39 | 0:23:42 | |
-You've got enough time. -Go! | 0:23:42 | 0:23:44 | |
Come on, come on! | 0:23:44 | 0:23:46 | |
You've got one more member to find. Other way, other way. Down there! | 0:23:46 | 0:23:51 | |
SAM AND MARK SHOUT ENCOURAGEMENT | 0:23:51 | 0:23:54 | |
-Keep running. -Who's that guy? | 0:23:54 | 0:23:58 | |
Come on, you can do it. | 0:23:58 | 0:24:01 | |
CHEERING | 0:24:01 | 0:24:04 | |
Concert tickets! | 0:24:07 | 0:24:11 | |
How amazing is that? Well done, girls. | 0:24:11 | 0:24:14 | |
You managed to find all four members of Lawson. | 0:24:14 | 0:24:17 | |
You've got yourself some prizes, even some concert tickets there. | 0:24:17 | 0:24:21 | |
-How are you feeling girls? -Really excited. -Nice one. | 0:24:21 | 0:24:26 | |
-And what's it like meeting your idols, Lawson? -So happy! | 0:24:26 | 0:24:30 | |
Tracey, give him a hug, give him a hug! | 0:24:30 | 0:24:33 | |
APPLAUSE | 0:24:33 | 0:24:35 | |
We will see you next time, but before we go, playing us out, | 0:24:35 | 0:24:38 | |
-it's the fantastic Lawson. Take it away, lads. -Whoo! | 0:24:38 | 0:24:40 | |
CHEERING AND APPLAUSE | 0:24:40 | 0:24:44 | |
MUSIC: "Standing In The Dark" by Lawson | 0:24:44 | 0:24:48 | |
CROWD CLAP ALONG | 0:24:48 | 0:24:50 | |
# Sitting here wide awake | 0:25:02 | 0:25:04 | |
# Thinking about when I last saw you | 0:25:04 | 0:25:07 | |
# I know you're not far away | 0:25:07 | 0:25:09 | |
# Close my eyes and I can see you | 0:25:09 | 0:25:12 | |
# Lying here next to me | 0:25:12 | 0:25:14 | |
# I see nothing but a smile | 0:25:14 | 0:25:18 | |
# Oh, yeah | 0:25:18 | 0:25:20 | |
# Got to leave right away | 0:25:22 | 0:25:25 | |
# Counting cracks along the pavement | 0:25:25 | 0:25:27 | |
# To see you face to face | 0:25:27 | 0:25:29 | |
# Thinking about the conversation | 0:25:29 | 0:25:32 | |
# I know I'm not one to change | 0:25:32 | 0:25:36 | |
# Never wanted nothing more | 0:25:36 | 0:25:39 | |
# But as I walk up to your door | 0:25:41 | 0:25:44 | |
# Yeah! | 0:25:44 | 0:25:45 | |
# I'm standing in the dark | 0:25:48 | 0:25:50 | |
# She's dancing on the table | 0:25:50 | 0:25:53 | |
# I'm looking through the glass | 0:25:53 | 0:25:55 | |
# She's someone else's angel | 0:25:55 | 0:25:57 | |
# It may sound stupid that I'm wanting you back | 0:25:57 | 0:26:02 | |
# But I'm wanting you back, girl | 0:26:02 | 0:26:06 | |
# And now I'm standing in the dark, dark | 0:26:06 | 0:26:10 | |
# Oh, dark, dark | 0:26:10 | 0:26:12 | |
# All I want to do is hide | 0:26:13 | 0:26:15 | |
# But I can't stop myself from staring | 0:26:15 | 0:26:18 | |
# Wishing his hands were mine | 0:26:18 | 0:26:21 | |
# I can't stop myself from caring | 0:26:21 | 0:26:23 | |
# And as he turns down the lights | 0:26:23 | 0:26:25 | |
# I'm feeling paralysed | 0:26:27 | 0:26:30 | |
CROWD CHEERS | 0:26:30 | 0:26:32 | |
# And as he looks into her eyes | 0:26:32 | 0:26:35 | |
# Oh-oh, yeah, all right | 0:26:35 | 0:26:38 | |
# I'm standing in the dark | 0:26:38 | 0:26:41 | |
# She's dancing on the table | 0:26:41 | 0:26:44 | |
# I'm looking through the glass | 0:26:44 | 0:26:46 | |
# She's someone else's angel | 0:26:46 | 0:26:49 | |
# It may sound stupid that I'm wanting you back | 0:26:49 | 0:26:53 | |
# But I'm wanting you back, girl | 0:26:53 | 0:26:57 | |
# And now I'm standing in the dark, dark | 0:26:57 | 0:27:01 | |
# Oh, dark, dark | 0:27:01 | 0:27:04 | |
# Oh, dark, dark | 0:27:04 | 0:27:06 | |
# Oh, dark, dark, yeah! | 0:27:06 | 0:27:09 | |
# I'm standing in the dark | 0:27:18 | 0:27:23 | |
# I'm standing in the dark | 0:27:23 | 0:27:27 | |
# I'm standing in the dark | 0:27:29 | 0:27:32 | |
# She's dancing on the table | 0:27:32 | 0:27:34 | |
# I'm looking through the glass | 0:27:34 | 0:27:37 | |
# She's someone else's angel | 0:27:37 | 0:27:40 | |
# It may sound stupid that I'm wanting you back | 0:27:40 | 0:27:44 | |
# But I'm wanting you back, girl | 0:27:44 | 0:27:48 | |
# And now I'm standing in the dark, dark | 0:27:48 | 0:27:52 | |
# Oh, dark, dark | 0:27:52 | 0:27:54 | |
# Oh, dark, dark | 0:27:54 | 0:27:58 | |
# She's someone else's angel | 0:27:58 | 0:28:02 | |
# She's someone else's angel. # | 0:28:03 | 0:28:06 | |
Subtitles by Red Bee Media Ltd | 0:28:06 | 0:28:09 |