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These kids have more toys and clothes than they could wish for, | 0:00:02 | 0:00:06 | |
but do they know where their stuff comes from or how it's made | 0:00:06 | 0:00:09 | |
and what life is like for the workers who produce it? | 0:00:09 | 0:00:12 | |
We've brought five kids to the other side of the world to find out. | 0:00:12 | 0:00:18 | |
Can they swap places with the workers of Asia? | 0:00:18 | 0:00:20 | |
I can't touch bugs. | 0:00:20 | 0:00:22 | |
-Sleep in their homes? -I think it's kind of disgusting. | 0:00:22 | 0:00:26 | |
A little hole in the ground and they don't even have any toilet roll. | 0:00:26 | 0:00:29 | |
Report to real bosses? | 0:00:29 | 0:00:31 | |
-I don't want you to ask questions when working. -Sorry. | 0:00:31 | 0:00:34 | |
This is not a game. It's real work. | 0:00:34 | 0:00:38 | |
And when they see first hand what genuine hardship is... | 0:00:38 | 0:00:41 | |
They're humans and they have to eat this. | 0:00:41 | 0:00:43 | |
..will they think again about how easy they have it at home? | 0:00:43 | 0:00:46 | |
Maybe when she comes back she'll be just a little bit more grateful | 0:00:46 | 0:00:50 | |
for all of the things she has got. | 0:00:50 | 0:00:52 | |
They are fashion mad Milly. | 0:00:52 | 0:00:54 | |
I can't wear the same outfit more than a few times. | 0:00:54 | 0:00:57 | |
People will say, "She hasn't got any clothes." | 0:00:57 | 0:00:59 | |
Super-confident Jonas. | 0:00:59 | 0:01:02 | |
I see no reason why you shouldn't express your opinion. | 0:01:02 | 0:01:05 | |
Gadget-girl Nia. | 0:01:05 | 0:01:07 | |
I go on my Blackberry every day on the hour, except when I'm at school. | 0:01:07 | 0:01:10 | |
-Principled Nathaniel. -If you wear it once, there's no point. | 0:01:10 | 0:01:14 | |
And have-it-all Emma. | 0:01:14 | 0:01:16 | |
Our house is decked out with pretty much every gadget you really need. | 0:01:16 | 0:01:20 | |
That sounds really spoilt. | 0:01:20 | 0:01:22 | |
My name is Stacey Dooley and I've seen poverty around the world, | 0:01:22 | 0:01:26 | |
but now I'm taking these five kids for a reality check | 0:01:26 | 0:01:29 | |
in the scorching heat of Asia. | 0:01:29 | 0:01:31 | |
It just makes me think what you've got is so good and you just waste it. | 0:01:37 | 0:01:41 | |
7:00am in West Java, Indonesia. | 0:01:51 | 0:01:54 | |
7,000 miles from the UK | 0:01:54 | 0:01:57 | |
and the streets teem with workers heading for factories, | 0:01:57 | 0:02:00 | |
which make the clothes, gadgets and toys | 0:02:00 | 0:02:03 | |
that kids in the UK hanker after. | 0:02:03 | 0:02:05 | |
This morning they have five new recruits. | 0:02:05 | 0:02:07 | |
Five pampered kids from the UK are about to find out | 0:02:07 | 0:02:11 | |
what it's like to work for a living in the factories of Asia. | 0:02:11 | 0:02:16 | |
There's just no health and safety whatsoever. | 0:02:16 | 0:02:19 | |
Oh, there's birds. Oh! | 0:02:19 | 0:02:21 | |
Oh! | 0:02:21 | 0:02:24 | |
I'm famous! | 0:02:24 | 0:02:25 | |
Why is Nia sleeping? | 0:02:25 | 0:02:27 | |
It says NIA. Gross. | 0:02:27 | 0:02:29 | |
Today is the very first day of our five kids' incredible journey | 0:02:29 | 0:02:34 | |
and right now we're on our way to a factory. | 0:02:34 | 0:02:37 | |
The factory we're visiting today | 0:02:37 | 0:02:38 | |
makes something that nearly every child owns. | 0:02:38 | 0:02:41 | |
Toys. | 0:02:41 | 0:02:42 | |
And where we're going they make millions of them. | 0:02:42 | 0:02:45 | |
'The kids are off to one of Asia's | 0:02:45 | 0:02:46 | |
'most successful factory, Royal Puspita. | 0:02:46 | 0:02:50 | |
'22,000 soft toys spill out of here every day, | 0:02:50 | 0:02:53 | |
'including famous brands such as Shaun the Sheep, toys for IKEA | 0:02:53 | 0:02:56 | |
'and Hello Kitty.' | 0:02:56 | 0:02:58 | |
Oh, my God! Look! | 0:03:01 | 0:03:02 | |
-Look at that. -Oh my! Is it poisonous? -Definitely poisonous. | 0:03:02 | 0:03:05 | |
The most disgusting thing I've seen in my life. | 0:03:05 | 0:03:08 | |
-Oh! Get away! -I don't like it. I really don't like it. | 0:03:08 | 0:03:13 | |
So I'm going to bring you to meet somebody | 0:03:13 | 0:03:16 | |
that's going to help you over the next couple of days. | 0:03:16 | 0:03:19 | |
This is the lady who's like the boss figure. | 0:03:19 | 0:03:21 | |
So, Hartati, hello. I'm Stacey. | 0:03:21 | 0:03:24 | |
-Hello, nice to meet you. -These are my friends, our five travellers. | 0:03:24 | 0:03:28 | |
-Hello. -This is Hartati. | 0:03:28 | 0:03:29 | |
This is Jonas, Emma, Nia, Nathaniel and our Milly. | 0:03:29 | 0:03:35 | |
-Hi, do you know what factory we are? -Toy factory. -Toy factory. | 0:03:35 | 0:03:38 | |
-Have you ever been in one? -No. -No, OK. Are you all excited? -Yes. | 0:03:38 | 0:03:43 | |
-OK, I'll give you a little tour. -Thanks, Hartati. Bye, guys. | 0:03:43 | 0:03:46 | |
'Hartati Hartono is the managing director and owner of Royal Puspita. | 0:03:46 | 0:03:50 | |
'She has spent 20 years building up this global toy business.' | 0:03:50 | 0:03:54 | |
You can have a full view for the whole production. | 0:03:54 | 0:04:00 | |
'Her 1.600 workers make toys at the fastest of speeds | 0:04:00 | 0:04:04 | |
'and to the very highest standards | 0:04:04 | 0:04:06 | |
'in temperatures which can reach 30 degrees. | 0:04:06 | 0:04:09 | |
'A starting wage here is £3 a day | 0:04:09 | 0:04:12 | |
'and rises as a worker moves to more skilled jobs. | 0:04:12 | 0:04:16 | |
'Hartati runs a tight ship. | 0:04:16 | 0:04:18 | |
'Her working conditions meet all international standards | 0:04:18 | 0:04:21 | |
'and workers only talk when necessary. | 0:04:21 | 0:04:25 | |
'Plus, there's a strict dress code.' | 0:04:25 | 0:04:28 | |
It looks better like this. | 0:04:28 | 0:04:29 | |
You all right, gang? How's things? | 0:04:29 | 0:04:32 | |
Yeah, it's all right. | 0:04:32 | 0:04:33 | |
How are you finding the heat cos it is very, very hot? | 0:04:33 | 0:04:36 | |
It's really hot, but we're getting through it. Still alive. | 0:04:36 | 0:04:39 | |
-How did you get on Milly? -I think it was OK. | 0:04:39 | 0:04:41 | |
But I was quite shocked how many workers there were. | 0:04:41 | 0:04:44 | |
-Is there 1,600? Is that right? -Yeah. | 0:04:44 | 0:04:46 | |
-Yeah, that's lots and lots of them. Mostly ladies? -Yeah. | 0:04:46 | 0:04:49 | |
Did you get a chance to have a nose at how the other workers work | 0:04:49 | 0:04:53 | |
and what do you think about their work ethics? | 0:04:53 | 0:04:55 | |
Well, it looks pretty tough, to be honest. | 0:04:55 | 0:04:58 | |
They're all just sitting there like doing their hands really quickly | 0:04:58 | 0:05:02 | |
and doing sewing and whatever. | 0:05:02 | 0:05:04 | |
At the risk of sounding completely heartless, | 0:05:04 | 0:05:07 | |
-I think the factory's what I expected it to be like. -Right. | 0:05:07 | 0:05:10 | |
Just a lot hotter. | 0:05:10 | 0:05:11 | |
Emma. | 0:05:11 | 0:05:12 | |
'It's time to clock on and work without air conditioning.' | 0:05:12 | 0:05:15 | |
-OK, this is your card. Do you mind to...? -Yeah. | 0:05:15 | 0:05:18 | |
I know it's not very stylish. | 0:05:18 | 0:05:22 | |
Most of the people are Muslim, | 0:05:22 | 0:05:23 | |
so you don't want to show any of your body part. | 0:05:23 | 0:05:27 | |
-Do you mind to take off all your accessories? -OK. | 0:05:27 | 0:05:29 | |
Here we don't allow any accessories, because they sometimes get tangled. | 0:05:29 | 0:05:34 | |
OK, thank you. | 0:05:34 | 0:05:35 | |
'Next off the blocks is Jonas.' | 0:05:35 | 0:05:38 | |
And Jonas. | 0:05:38 | 0:05:40 | |
Yes, Mrs Hartati. Present. | 0:05:40 | 0:05:43 | |
'From Finchley, north London, this confident 14 year old | 0:05:44 | 0:05:48 | |
'comes from a privileged background where he wants for nothing.' | 0:05:48 | 0:05:52 | |
I definitely appreciate material things more than I should sometimes. | 0:05:52 | 0:05:56 | |
Over here I have my absolutely beloved laptop. | 0:05:56 | 0:05:59 | |
My Blackberry is my absolute life. | 0:05:59 | 0:06:02 | |
My camera, my iPod Touch. | 0:06:02 | 0:06:04 | |
But I don't think I'm abnormally materialistic. | 0:06:04 | 0:06:08 | |
West Ham training kit. | 0:06:08 | 0:06:09 | |
'Despite his head start in life, | 0:06:09 | 0:06:12 | |
'not everything's going perfectly for wealthy Jonas.' | 0:06:12 | 0:06:15 | |
We've just been warned we've got an atrocious school report on its way | 0:06:15 | 0:06:19 | |
and although he's very well liked, | 0:06:19 | 0:06:21 | |
they are very concerned about this attitude towards education. | 0:06:21 | 0:06:25 | |
'Always ready with an excuse, Jonas certainly isn't afraid | 0:06:28 | 0:06:32 | |
'of telling others what he thinks, no matter who they are.' | 0:06:32 | 0:06:36 | |
Penalty scored! | 0:06:36 | 0:06:38 | |
The fact I'm prepared to argue with people older than me | 0:06:38 | 0:06:41 | |
would mean that I am more willing to talk to those bosses | 0:06:41 | 0:06:44 | |
and to have a real conversation with them without them thinking, | 0:06:44 | 0:06:49 | |
kind of, "You immature little child." | 0:06:49 | 0:06:52 | |
'And now Jonas and the other kids | 0:06:52 | 0:06:54 | |
'are about to be set their first test by their new boss.' | 0:06:54 | 0:06:57 | |
Now we're going to start to have real work. | 0:06:57 | 0:07:02 | |
Now, we will teach you how to do the stuffing. | 0:07:02 | 0:07:04 | |
'Hartati wants to see what the British kids are made of, | 0:07:04 | 0:07:08 | |
'so she's given them a routine task, stuffing a toy pig. | 0:07:08 | 0:07:12 | |
'If they can do it, they will move up to a better job | 0:07:12 | 0:07:15 | |
'and if they can't, they'll go down to a worse one.' | 0:07:15 | 0:07:17 | |
You have to get all the fibre to the head and also the feet, | 0:07:17 | 0:07:22 | |
because later on you will have to do the paws | 0:07:22 | 0:07:25 | |
and while you're working please keep quiet because this is a factory, | 0:07:25 | 0:07:30 | |
We don't want anybody disturbed. | 0:07:30 | 0:07:32 | |
'Employees here work in silence | 0:07:32 | 0:07:35 | |
'and can complete 120 perfect pigs in an hour.' | 0:07:35 | 0:07:38 | |
'Can the kids live up to these high standards?' | 0:07:46 | 0:07:48 | |
I'd hate this to be my full-time job. | 0:07:48 | 0:07:51 | |
I've been here for 30 seconds | 0:07:51 | 0:07:53 | |
and already I feel like I could just curl up and sleep on this. | 0:07:53 | 0:07:56 | |
I thought you could put loads in at once, but it's a tiny hole. | 0:07:56 | 0:07:59 | |
There's so much more to stuffing a pig than you thought. | 0:07:59 | 0:08:02 | |
You thought you just get this and put it in. | 0:08:02 | 0:08:05 | |
'Then work turns to playtime in the training room. | 0:08:05 | 0:08:08 | |
-I'm floating on a lot of clouds. -It's snowing. | 0:08:08 | 0:08:12 | |
'And the no-talking rule has gone out of the window.' | 0:08:12 | 0:08:15 | |
It's dry ice. | 0:08:15 | 0:08:17 | |
# And we're all out here in the deep blue sea... # | 0:08:17 | 0:08:23 | |
OK, right. Giving in to temptation. | 0:08:23 | 0:08:26 | |
-Let's go for it. -Let's bury him! | 0:08:26 | 0:08:29 | |
Not going as swimmingly as one would have hoped. | 0:08:29 | 0:08:33 | |
You know, there's just the huge contrast | 0:08:33 | 0:08:36 | |
and that's becoming really apparent very quickly. | 0:08:36 | 0:08:39 | |
The girls in the factory here are very focused and totally switched on | 0:08:39 | 0:08:44 | |
and I think our five are struggling just a little bit. | 0:08:44 | 0:08:47 | |
You know, Jonas was rolling round the table | 0:08:47 | 0:08:49 | |
and they were singing five minutes after Hartati had left the room | 0:08:49 | 0:08:54 | |
and, you know, loud, loud, loud noises so. | 0:08:54 | 0:08:56 | |
They're hardcore pigs. | 0:08:56 | 0:08:58 | |
I'm made up they're giving it a go and it's great they're even here, | 0:08:58 | 0:09:01 | |
but I hope for their sake they're able to knuckle down | 0:09:01 | 0:09:04 | |
and try and work how the Indonesian workers work here. | 0:09:04 | 0:09:09 | |
We're stuffing pigs. | 0:09:09 | 0:09:11 | |
One, two, three, four, five. | 0:09:11 | 0:09:13 | |
I've lost my faith in you lot. | 0:09:13 | 0:09:16 | |
I'm usually really happy about things like this, but no. | 0:09:16 | 0:09:20 | |
-Why do you think you're struggling? -It's just so boring. | 0:09:20 | 0:09:23 | |
I appreciate the fact that they do this every day, | 0:09:23 | 0:09:27 | |
-but it's just so hot and so repetitive. -So boring. | 0:09:27 | 0:09:30 | |
And it's really straining on your fingers. | 0:09:30 | 0:09:34 | |
That's why it's boring because it's not challenging | 0:09:34 | 0:09:37 | |
and then you get bored and then you slack off. | 0:09:37 | 0:09:40 | |
Do you think it's worth giving it a try | 0:09:40 | 0:09:42 | |
just for respect for the other workers? | 0:09:42 | 0:09:44 | |
'But the local bosses are not happy at all.' | 0:09:44 | 0:09:48 | |
-I'm sure people can cope without toys for a couple of days. -Very noisy. | 0:09:48 | 0:09:52 | |
So maybe we should go in and talk to them. | 0:09:52 | 0:09:55 | |
Being too noisy, compared to the other workers who are almost silent. | 0:09:55 | 0:09:59 | |
I feel like our English crowd aren't doing us proud. Oh no! | 0:09:59 | 0:10:03 | |
It's OK. It's all right. | 0:10:03 | 0:10:06 | |
And the general manager, Mr Ha, has heard the commotion too. | 0:10:08 | 0:10:12 | |
Reject. No. | 0:10:12 | 0:10:13 | |
You guys are not doing a good job. | 0:10:15 | 0:10:17 | |
I checked all of my feet. | 0:10:17 | 0:10:19 | |
Look, feel this one. | 0:10:19 | 0:10:21 | |
No good. No good. | 0:10:21 | 0:10:23 | |
Not good enough. | 0:10:23 | 0:10:25 | |
That's a bit disappointing. | 0:10:25 | 0:10:27 | |
Mine are brilliant. | 0:10:27 | 0:10:29 | |
OK. | 0:10:29 | 0:10:30 | |
Hartati, is there only one pig on this entire table | 0:10:32 | 0:10:35 | |
that the gentleman is happy with? | 0:10:35 | 0:10:37 | |
-Yeah, the one that Nia was making. -That's the only one? | 0:10:37 | 0:10:39 | |
Well, so far... | 0:10:39 | 0:10:41 | |
Despite working for three hours, they've done one pig between them. | 0:10:41 | 0:10:45 | |
The bosses decide to put them on final notice. | 0:10:45 | 0:10:48 | |
Mess up and you're out. | 0:10:48 | 0:10:50 | |
The kids are given half an hour to prove themselves. | 0:10:50 | 0:10:52 | |
They must stuff four pigs properly, | 0:10:52 | 0:10:54 | |
with the stuffing evenly spread, in silence. | 0:10:54 | 0:10:58 | |
This is not a game. This is real work. | 0:10:58 | 0:11:00 | |
It's the end of the shift for the rest of the factory... | 0:11:02 | 0:11:06 | |
but the kids work on. | 0:11:06 | 0:11:08 | |
I'm shocked at the difference. It's huge. | 0:11:19 | 0:11:23 | |
They were all like that initially, really going for it. | 0:11:23 | 0:11:26 | |
Now they're very calm and they're very serious | 0:11:26 | 0:11:29 | |
and they're very focused. | 0:11:29 | 0:11:31 | |
I'm very proud of them. It's been a complete turnaround. | 0:11:31 | 0:11:34 | |
Eventually, Mr Ha and Hartati return to see who has made the grade | 0:11:36 | 0:11:40 | |
and who will move on to a better job in the factory. | 0:11:40 | 0:11:43 | |
Nathaniel is under the wire with one pig. | 0:11:44 | 0:11:46 | |
Nathaniel, well done. | 0:11:46 | 0:11:48 | |
Emma notches up two. | 0:11:48 | 0:11:49 | |
Amazing. | 0:11:49 | 0:11:50 | |
Next up is Nia. | 0:11:50 | 0:11:52 | |
All perfect. | 0:11:52 | 0:11:54 | |
Oh, Nia! Well done, good girl. | 0:11:55 | 0:11:57 | |
But Milly and Jonas only manage rejects. | 0:11:57 | 0:11:59 | |
At least you don't jump around any more. | 0:11:59 | 0:12:01 | |
OK, Nathaniel got one piece good and Emma got two pieces good. | 0:12:01 | 0:12:06 | |
Nia got all three good. | 0:12:07 | 0:12:10 | |
So the three of them will definitely move on to the next. | 0:12:11 | 0:12:15 | |
Well done, well done. | 0:12:15 | 0:12:16 | |
Fail. | 0:12:16 | 0:12:18 | |
So Hartati, our Jonas and Milly they are going to be demoted, | 0:12:18 | 0:12:23 | |
so they'll be doing something not as good. | 0:12:23 | 0:12:26 | |
It will take more discipline. | 0:12:26 | 0:12:28 | |
It's quite annoying because like all the others were like singing | 0:12:28 | 0:12:32 | |
and stuff and I was really getting my head down to work and then | 0:12:32 | 0:12:35 | |
like they got through and then they said that mine weren't good enough. | 0:12:35 | 0:12:39 | |
Well, it's hot and sweaty and stuffy and boring. | 0:12:39 | 0:12:42 | |
It's just so easy to stray off task and not really care that much. | 0:12:42 | 0:12:46 | |
So day one ends with two fails and three passes. | 0:12:47 | 0:12:50 | |
All have tomorrow to rise to the new challenges set | 0:12:50 | 0:12:53 | |
by the factory bosses. | 0:12:53 | 0:12:54 | |
But before that, I've actually arranged for the girls and boys | 0:12:54 | 0:12:58 | |
to go and stay the night with two Indonesian families | 0:12:58 | 0:13:00 | |
so they get a real feel for Indonesian life at home. | 0:13:00 | 0:13:04 | |
I got promoted. | 0:13:04 | 0:13:05 | |
So did I. High five. | 0:13:05 | 0:13:07 | |
I'm very proud. | 0:13:07 | 0:13:08 | |
Yeah, yeah, whatever. | 0:13:08 | 0:13:09 | |
Get in there. | 0:13:09 | 0:13:10 | |
The girls are staying with head of production Adi Rahmat. | 0:13:10 | 0:13:13 | |
Thank you. | 0:13:13 | 0:13:15 | |
Across town, Nathaniel and Jonas | 0:13:15 | 0:13:17 | |
are spending the night in a typical worker's home. | 0:13:17 | 0:13:20 | |
Welcome to my house. I am happy you are here. | 0:13:26 | 0:13:29 | |
Adi Rahmat is in charge of all 1,600 workers at the factory. | 0:13:29 | 0:13:33 | |
He lives here with his wife, Seliati, | 0:13:33 | 0:13:36 | |
his eight-year-old son Royhan | 0:13:36 | 0:13:38 | |
and 12-year-old daughter, Thea. | 0:13:38 | 0:13:40 | |
Thea has given up her room for the girls. | 0:13:40 | 0:13:43 | |
Will it live up to their expectations? | 0:13:43 | 0:13:46 | |
There's no bed. Where's the bed? | 0:13:46 | 0:13:49 | |
I don't think we're going to have a good night's sleep | 0:13:49 | 0:13:52 | |
if we're all sharing a mattress on the floor. | 0:13:52 | 0:13:55 | |
-I've noticed something else. There's no duvet on the bed. -Oh, my God. | 0:13:55 | 0:13:59 | |
But I think it'll be all right, | 0:13:59 | 0:14:00 | |
but I don't think sleeping in that bed, all three of us, | 0:14:00 | 0:14:03 | |
it doesn't look comfortable. | 0:14:03 | 0:14:05 | |
One of us is going to have to sleep on the floor and it's not me. | 0:14:05 | 0:14:08 | |
Not me! I've already got a really bad back. | 0:14:08 | 0:14:10 | |
We're going to have to share the mattress, | 0:14:10 | 0:14:13 | |
otherwise I'm going to get like a cricked neck. | 0:14:13 | 0:14:15 | |
Over at the workers' house, | 0:14:15 | 0:14:17 | |
the boys get the first glimpse of their accommodation. | 0:14:17 | 0:14:20 | |
So here we are, lads. | 0:14:20 | 0:14:21 | |
Pure luxury. | 0:14:21 | 0:14:23 | |
It's quite nice actually. I really like it. | 0:14:23 | 0:14:25 | |
There's a gecko. | 0:14:25 | 0:14:27 | |
Don't worry. | 0:14:27 | 0:14:28 | |
I expected it to be a lot more kind of dingy but it's nice. | 0:14:28 | 0:14:33 | |
She's got it lovely. | 0:14:33 | 0:14:35 | |
Except for the ceiling which looks like it's about to cave in | 0:14:35 | 0:14:38 | |
but it's still good. | 0:14:38 | 0:14:40 | |
I expected it like really dirty. | 0:14:40 | 0:14:42 | |
And here we have a kitchen/dining area. | 0:14:42 | 0:14:45 | |
It's quite nice. | 0:14:45 | 0:14:47 | |
Isn't it? | 0:14:47 | 0:14:48 | |
But the toilet turns out to be the final frontier. | 0:14:48 | 0:14:51 | |
Squat hole. Great. | 0:14:51 | 0:14:52 | |
Oh, lord. | 0:14:52 | 0:14:53 | |
I don't think I'm going to be using the toilet tonight. | 0:14:53 | 0:14:56 | |
There's no flushing toilet. It's wet on the floor as well. | 0:14:56 | 0:15:00 | |
At the head of production's house, Milly heads to the loo too. | 0:15:00 | 0:15:05 | |
(God.) | 0:15:06 | 0:15:07 | |
That's disgusting. | 0:15:09 | 0:15:11 | |
In the toilet, it's got a square for a bath, | 0:15:11 | 0:15:14 | |
and in the toilet, it's a hole in the ground. | 0:15:14 | 0:15:17 | |
And they don't even have any toilet roll. | 0:15:17 | 0:15:20 | |
I'm prepared to give it a go. | 0:15:20 | 0:15:22 | |
I'm not just going to say, "Take me to my hotel", | 0:15:22 | 0:15:26 | |
cos that would be a bit princess. | 0:15:26 | 0:15:28 | |
Adi's facilities are a world away | 0:15:28 | 0:15:31 | |
from the life she leads back in Britain. | 0:15:31 | 0:15:34 | |
From Bromley in south London, 12-year-old Milly shares her home | 0:15:34 | 0:15:38 | |
with sisters Rosie, Tilly, mum Zoe and a lot of stuff. | 0:15:38 | 0:15:42 | |
I wouldn't say ALL my money goes on clothes. | 0:15:44 | 0:15:47 | |
Probably about 99.9% of it and 1% on sweets. | 0:15:47 | 0:15:50 | |
So, how CAN Milly afford | 0:15:55 | 0:15:57 | |
to buy thousands of pounds' worth of clothes? | 0:15:57 | 0:16:00 | |
In theory, from me Milly only gets £5 a week | 0:16:00 | 0:16:03 | |
and from her dad she gets £10 a week. | 0:16:03 | 0:16:06 | |
In practice, it's more than that. | 0:16:06 | 0:16:08 | |
I just say, "Can you give me a tenner?" | 0:16:08 | 0:16:11 | |
"Can I have a fiver?" | 0:16:11 | 0:16:13 | |
I probably estimate about 50, 60, 70 a month. | 0:16:13 | 0:16:18 | |
She doesn't have to do anything. She just pesters me. | 0:16:18 | 0:16:23 | |
-It sounds like someone needs a wake-up call. -Oi, Milly. | 0:16:23 | 0:16:28 | |
Which is what Zoe hopes Milly will get from the experience. | 0:16:28 | 0:16:32 | |
Some of the things she's going to see when she goes to Asia | 0:16:32 | 0:16:36 | |
she might find shocking and maybe when she comes back, | 0:16:36 | 0:16:39 | |
she'll be a bit more grateful for all of the things she has got. | 0:16:39 | 0:16:44 | |
And as Milly is about to find out, she's considerably better off | 0:16:46 | 0:16:50 | |
than many adults in Indonesia. | 0:16:50 | 0:16:53 | |
How much money do you get, if you add it up? | 0:16:53 | 0:16:56 | |
-TRANSLATION: -My daily allowance is 11,000 a day | 0:16:56 | 0:17:01 | |
which is... | 0:17:01 | 0:17:03 | |
MILLY AND EMMA: 80p. | 0:17:03 | 0:17:04 | |
If it was a really good month, I could get something like 60. | 0:17:04 | 0:17:09 | |
Your pocket money is similar to the monthly salary | 0:17:09 | 0:17:13 | |
of some factory workers. | 0:17:13 | 0:17:17 | |
A toy worker earns as little as £60 a month. This covers everything. | 0:17:17 | 0:17:21 | |
They have to feed their family | 0:17:21 | 0:17:24 | |
and we spend it on going to the cinema and buying clothes. | 0:17:24 | 0:17:28 | |
And they have to pay rent and food | 0:17:28 | 0:17:30 | |
and really like support their families, so it's pretty big really. | 0:17:30 | 0:17:35 | |
They're shocked by the comparison, | 0:17:35 | 0:17:38 | |
but I've brought them to Indonesia to understand these big differences. | 0:17:38 | 0:17:43 | |
I am just taken back by how you played up the first time. | 0:17:43 | 0:17:48 | |
-We were so bored... -Do you think it was boredom? | 0:17:48 | 0:17:52 | |
The first time was a shock cos we went in with the mentality | 0:17:52 | 0:17:55 | |
of we want to experience the worker's life, | 0:17:55 | 0:17:58 | |
not fully realising that it is tough and boring. | 0:17:58 | 0:18:02 | |
-I passed, you failed! -You DID pass. -I don't think of it as a fail. | 0:18:02 | 0:18:06 | |
It's me being given the privilege of getting an easier task. | 0:18:06 | 0:18:10 | |
It's the morning of Day Two. | 0:18:16 | 0:18:18 | |
The boys are settling in well. | 0:18:18 | 0:18:20 | |
It'll be interesting to see how our girls got on. | 0:18:20 | 0:18:23 | |
I've not spoken to them just yet. | 0:18:23 | 0:18:26 | |
Hopefully it'll be a positive, productive morning. | 0:18:26 | 0:18:29 | |
'Milly and Jonas are about to begin | 0:18:29 | 0:18:32 | |
'a more unskilled task in another part of the factory.' | 0:18:32 | 0:18:36 | |
OK, today the two of you are demoted. | 0:18:36 | 0:18:39 | |
I'm sure you know the reason why you are demoted, right? | 0:18:39 | 0:18:42 | |
First, bad behaviour, | 0:18:42 | 0:18:44 | |
and when people start talking, they lose concentration. | 0:18:44 | 0:18:48 | |
This is what happens. | 0:18:48 | 0:18:50 | |
OK? | 0:18:50 | 0:18:51 | |
-OK. -But maybe you can try to see what is your point here? | 0:18:51 | 0:18:55 | |
-OK. -You are here to learn how it feels to work. | 0:18:55 | 0:19:00 | |
I am very sorry for my behaviour yesterday. | 0:19:00 | 0:19:03 | |
We thought it'd be more motivational to sing. | 0:19:03 | 0:19:06 | |
We distracted everyone. Sorry. | 0:19:06 | 0:19:08 | |
Thank you, but I hope it's not only sorry. | 0:19:08 | 0:19:12 | |
I want to see improvement. | 0:19:12 | 0:19:14 | |
Hartati has lined up one of the toughest jobs in the factory | 0:19:15 | 0:19:20 | |
for Milly and Jonas, in the foam room. | 0:19:20 | 0:19:22 | |
This room feeds the fibre to the production lines. | 0:19:22 | 0:19:26 | |
If there's a problem, the line goes down. | 0:19:26 | 0:19:29 | |
The factory rules are rigorously enforced. | 0:19:29 | 0:19:32 | |
They've been told to stay on their feet, | 0:19:32 | 0:19:35 | |
not to use their hands to feed the foam into the funnels | 0:19:35 | 0:19:41 | |
and not to talk. | 0:19:41 | 0:19:43 | |
Are there glasses? | 0:19:43 | 0:19:45 | |
-Glasses? -Yeah. | 0:19:45 | 0:19:47 | |
-OK, I will fetch some. -Thank you. | 0:19:47 | 0:19:50 | |
But as soon as Hartati's back is turned, | 0:19:50 | 0:19:53 | |
they return to their old tricks. | 0:19:53 | 0:19:55 | |
-Don't joke around. -You came at the one bad moment. | 0:20:01 | 0:20:05 | |
OK. If it's bad for your eyes, you use this. | 0:20:05 | 0:20:09 | |
OK? | 0:20:09 | 0:20:10 | |
It seems they have learnt nothing. | 0:20:14 | 0:20:17 | |
We are going to do a real job. | 0:20:22 | 0:20:24 | |
Emma, Nathaniel and Nia are about to enjoy their promotion. | 0:20:24 | 0:20:28 | |
They're joining a production line. | 0:20:28 | 0:20:30 | |
Hartati is letting them work as part of the team | 0:20:30 | 0:20:34 | |
turning rabbits inside out ready for stuffing. | 0:20:34 | 0:20:37 | |
Yesterday I was just messing around, but now it's the real deal. | 0:20:37 | 0:20:41 | |
-We're like out here with the workers. -I'm really trying. | 0:20:41 | 0:20:45 | |
I just can't do it and I wish I actually could, | 0:20:45 | 0:20:48 | |
because it's quite fun to do | 0:20:48 | 0:20:51 | |
because it goes from being right ugly to being right cool. | 0:20:51 | 0:20:56 | |
It is more under pressure here. | 0:20:56 | 0:20:59 | |
If you get a bit wrong, | 0:20:59 | 0:21:00 | |
it's like messed up all the work that's gone into it so far. | 0:21:00 | 0:21:04 | |
Did you think it would be so complicated? | 0:21:04 | 0:21:07 | |
I thought there was a machine that turned it inside out. | 0:21:07 | 0:21:11 | |
I didn't think there was people doing this. | 0:21:11 | 0:21:14 | |
How is it being away from the group? | 0:21:14 | 0:21:16 | |
-Good, cos I'm concentrating. -Yeah. | 0:21:16 | 0:21:19 | |
-You find it easier to concentrate without them? -Yeah. | 0:21:19 | 0:21:23 | |
And over in the foam room, Jonas is finally finding his focus. | 0:21:23 | 0:21:28 | |
-The same can't be said for Milly. -Without a doubt, so far, | 0:21:28 | 0:21:32 | |
it's better than stuffing pigs. | 0:21:32 | 0:21:34 | |
-But it is nice to be...whew! -Milly, you know she's watching you? | 0:21:34 | 0:21:39 | |
With Jonas, I feel like he has improved from yesterday, | 0:21:39 | 0:21:43 | |
so day two HAS been better. | 0:21:43 | 0:21:46 | |
Milly hasn't really improved from yesterday. | 0:21:46 | 0:21:49 | |
She was demoted and she said to me, you know, | 0:21:49 | 0:21:52 | |
"I'm going to try and do better today," | 0:21:52 | 0:21:55 | |
There doesn't seem to be any indication that she has. | 0:21:55 | 0:21:59 | |
-I think you have to be a bit more serious. -OK. | 0:21:59 | 0:22:02 | |
Try not to slide down and play. | 0:22:02 | 0:22:05 | |
Hartati doesn't seem pleased. | 0:22:05 | 0:22:07 | |
She said Milly's easily distracted and, you know, | 0:22:07 | 0:22:11 | |
to have Jonas and Milly together on a task is probably... | 0:22:11 | 0:22:15 | |
not a great mix. | 0:22:15 | 0:22:16 | |
And Hartati has had enough too. | 0:22:24 | 0:22:26 | |
Kids. | 0:22:26 | 0:22:27 | |
You are done for now and we are going up | 0:22:29 | 0:22:32 | |
Me and Mr Ha will have a talk with you. | 0:22:32 | 0:22:35 | |
-OK. -OK? Follow me to the office. | 0:22:35 | 0:22:37 | |
They've been summoned to the boardroom | 0:22:37 | 0:22:40 | |
for a showdown with Hartati and Mr Ha. | 0:22:40 | 0:22:42 | |
-Please take a seat. -Thank you. | 0:22:45 | 0:22:48 | |
Mr Ha is obviously in charge of everything | 0:22:48 | 0:22:51 | |
and he's very strict with all the workers here, | 0:22:51 | 0:22:54 | |
because here we are not playing. | 0:22:54 | 0:22:57 | |
We have to have a certain goal. | 0:22:57 | 0:22:59 | |
That means we have to achieve the best target that we can do. | 0:22:59 | 0:23:04 | |
-That needs discipline. -Did we not reach that level? | 0:23:04 | 0:23:07 | |
According to Mr Ha, the two of you are not serious. | 0:23:07 | 0:23:12 | |
Not taking things seriously. | 0:23:12 | 0:23:15 | |
With all due respect, we couldn't disagree more. | 0:23:15 | 0:23:19 | |
HE SPEAKS HIS MOTHER TONGUE | 0:23:19 | 0:23:21 | |
Compared to the other three, the two of you play too much. | 0:23:21 | 0:23:25 | |
You don't take this chance to learn. | 0:23:25 | 0:23:28 | |
Is that based on the last activity or on this? | 0:23:28 | 0:23:31 | |
-This morning's session. -OK. | 0:23:31 | 0:23:33 | |
Milly will do your last demotion activity with Mr Ha. | 0:23:33 | 0:23:38 | |
OK. | 0:23:38 | 0:23:40 | |
-But please be serious this time. -Yeah. | 0:23:40 | 0:23:43 | |
-He doesn't like anybody to play around in the factory. -Thank you. | 0:23:43 | 0:23:48 | |
I think you have shown a little bit of improvement in the attitude, | 0:23:48 | 0:23:53 | |
although sometimes you still get distracted. | 0:23:53 | 0:23:58 | |
But you are given a chance to follow the rest of the group. | 0:23:58 | 0:24:02 | |
-OK. -But if you make distraction, you will be taken out right away. | 0:24:02 | 0:24:07 | |
And fired or demoted? | 0:24:07 | 0:24:10 | |
-Fired. -OK. | 0:24:10 | 0:24:12 | |
Wait outside and we will see what you're going to do. | 0:24:12 | 0:24:15 | |
Thank you. | 0:24:15 | 0:24:16 | |
So, Jonas has scraped through. | 0:24:16 | 0:24:19 | |
-(Sorry.) -But Milly has been demoted again. | 0:24:19 | 0:24:22 | |
You were the one doing it all. | 0:24:22 | 0:24:25 | |
Milly is doing one of the lowliest jobs - | 0:24:25 | 0:24:28 | |
moving the toys from the stuffing room | 0:24:28 | 0:24:31 | |
and separating them out to supply the finishing lines. | 0:24:31 | 0:24:34 | |
She's going to be watched every second by Mr Ha. | 0:24:34 | 0:24:38 | |
-Are you ready? -We're ready. | 0:24:38 | 0:24:40 | |
'They only have this afternoon | 0:24:40 | 0:24:43 | |
'to convince the bosses that they CAN meet professional standards. | 0:24:43 | 0:24:47 | |
'They've been asked to stitch the trotters onto yesterday's pigs. | 0:24:47 | 0:24:53 | |
'Even Jonas is finally taking work seriously.' | 0:24:53 | 0:24:56 | |
-Is this more interesting? -Yeah. | 0:24:56 | 0:24:58 | |
-It's easier and it's not so repetitive. -Yeah. | 0:24:58 | 0:25:01 | |
-Ow! -Oh. -Yeah. | 0:25:01 | 0:25:03 | |
It's better, but it's only learning stage yet. | 0:25:03 | 0:25:07 | |
It can still get boring. | 0:25:07 | 0:25:09 | |
-Are you keen to win this task as well? -Yes. | 0:25:09 | 0:25:13 | |
of course I'd like that. | 0:25:13 | 0:25:15 | |
-Who do you think's your main competitor? -Nobody. | 0:25:15 | 0:25:18 | |
Fighting talk! | 0:25:18 | 0:25:21 | |
Without Jonas at her side, | 0:25:22 | 0:25:24 | |
Milly has thrown herself into her second demotion. | 0:25:24 | 0:25:28 | |
It's dawning on her how hard people have to work to earn a living. | 0:25:28 | 0:25:32 | |
I've only been doing it for half an hour, | 0:25:32 | 0:25:35 | |
and I'm sweating like a pig, | 0:25:35 | 0:25:36 | |
so if I did it like every day, five times a week or whatever, | 0:25:36 | 0:25:40 | |
I think I'd just be so worn out, | 0:25:40 | 0:25:44 | |
I'd go to sleep at four o'clock in the afternoon. | 0:25:44 | 0:25:48 | |
I AM sorry for like sitting down and not putting my all in | 0:25:48 | 0:25:52 | |
and I'm trying to just prove myself doing this job instead. | 0:25:52 | 0:25:56 | |
That's all I can do now. | 0:25:56 | 0:25:58 | |
And at last, her mentor, Mr Ha, | 0:25:59 | 0:26:01 | |
gives his blessing to the reformed Milly | 0:26:01 | 0:26:04 | |
before he gives his verdict on the rest of the group. | 0:26:04 | 0:26:09 | |
-Hi, how are you all? -Fabulous! | 0:26:09 | 0:26:12 | |
-So, he said that you are handsome but your pig is not handsome. -Ah. | 0:26:12 | 0:26:17 | |
-I know the pig is ugly! -Have you learned anything? | 0:26:17 | 0:26:21 | |
We've only worked for two days | 0:26:21 | 0:26:23 | |
and already, we've seen how hard it is | 0:26:23 | 0:26:26 | |
for local people to do the job they do | 0:26:26 | 0:26:30 | |
and earn the money they get. | 0:26:30 | 0:26:31 | |
I thought everything came from machines, but now I've learnt | 0:26:31 | 0:26:36 | |
that people sit down and work hours to create a good toy. | 0:26:36 | 0:26:39 | |
I've got a better understanding | 0:26:39 | 0:26:42 | |
of how everything's made and all the work that goes into it. | 0:26:42 | 0:26:46 | |
Before, I didn't think about it. | 0:26:46 | 0:26:48 | |
It's not important for you to learn how to make toys, | 0:26:48 | 0:26:52 | |
but to understand the attitude that you have to have. | 0:26:52 | 0:26:56 | |
If you don't enjoy doing something that you are doing, | 0:26:56 | 0:27:00 | |
you will not be able to perform well. | 0:27:00 | 0:27:02 | |
Is there any members of the group that have really shone, | 0:27:02 | 0:27:06 | |
have really taken to the work? | 0:27:06 | 0:27:08 | |
Among the four of you here, | 0:27:08 | 0:27:11 | |
we have already considered who got the good attitude, | 0:27:11 | 0:27:17 | |
good disciplines, good dedication, | 0:27:17 | 0:27:20 | |
which is very important in whatever you do in the future. | 0:27:20 | 0:27:24 | |
But I think among four of you, Nia is the best one. | 0:27:24 | 0:27:29 | |
Well done, Nia. | 0:27:29 | 0:27:30 | |
-Thank you! -So, Hartati, would you offer her a job? | 0:27:30 | 0:27:34 | |
-Of course. -Yeah? | 0:27:34 | 0:27:36 | |
Would you offer me a job? | 0:27:36 | 0:27:38 | |
THEY LAUGH | 0:27:38 | 0:27:40 | |
I would offer you a job, | 0:27:40 | 0:27:42 | |
but I have to think where to put you so you don't play around! | 0:27:42 | 0:27:46 | |
Someone IS getting paid. | 0:27:46 | 0:27:48 | |
-And it's Nia! -Thank you! | 0:27:48 | 0:27:50 | |
-There's your wages. -Thank you! Oh, that's really sweet! | 0:27:50 | 0:27:54 | |
-So, that's £6. -Thank you. -For two days' hard graft. | 0:27:56 | 0:28:01 | |
-Well done, Nia. How are you feeling? -Really happy and proud. | 0:28:01 | 0:28:06 | |
Hero! Hero! | 0:28:06 | 0:28:09 | |
Next time, they go on shift in a massive Indonesian clothes factory. | 0:28:09 | 0:28:14 | |
They think the bosses are being unfair. | 0:28:14 | 0:28:17 | |
I'm not liking the criticism. It's just insults. | 0:28:17 | 0:28:21 | |
-They find the poverty hard to stomach. -Disgusting. | 0:28:21 | 0:28:24 | |
I don't want to touch anything. | 0:28:24 | 0:28:27 | |
Without sounding too snobby, this is really not good. | 0:28:27 | 0:28:30 | |
# It's not about the money, money, money... # | 0:28:30 | 0:28:34 |