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Sport Relief Does Glee Club is back. | 0:00:02 | 0:00:03 | |
With shinier sets and brighter lights, | 0:00:03 | 0:00:05 | |
this series promises to be bigger and better than ever before. | 0:00:05 | 0:00:08 | |
Hundreds of top young performers from all over the UK will | 0:00:08 | 0:00:11 | |
give their all in the hope of being crowned the winners. | 0:00:11 | 0:00:13 | |
Last year, Resonate took home the trophy, | 0:00:13 | 0:00:15 | |
but now it's time to find a new winner. | 0:00:15 | 0:00:18 | |
This is Sport Relief Does Glee Club 2014. | 0:00:18 | 0:00:21 | |
Hello and welcome to Sport Relief Does Glee Club 2014. | 0:00:40 | 0:00:45 | |
We are back with bigger sets, brighter lights and, | 0:00:45 | 0:00:47 | |
most importantly, a new batch of the best British young glee clubs. | 0:00:47 | 0:00:52 | |
As ever, our aim, with a little help from you, | 0:00:52 | 0:00:55 | |
is to crown a new winner for 2014, | 0:00:55 | 0:00:58 | |
and it's all in the name of Sport Relief. | 0:00:58 | 0:01:01 | |
Last autumn, the glee club team travelled all over the UK to try and | 0:01:01 | 0:01:05 | |
find the most talented young singing and dancing groups in the country. | 0:01:05 | 0:01:10 | |
The top 24 acts were then asked back to perform | 0:01:10 | 0:01:12 | |
at the judges' auditions in Glasgow. | 0:01:12 | 0:01:15 | |
There were only 15 places up for grabs in the studio heats, | 0:01:15 | 0:01:19 | |
so the pressure was on. | 0:01:19 | 0:01:21 | |
But before all that, | 0:01:21 | 0:01:22 | |
let's take a look at where the glee club journey took us. | 0:01:22 | 0:01:26 | |
John and the team travelled the lengths and breadths of the country | 0:01:33 | 0:01:37 | |
to find the best singing and dancing talent the UK has to offer. | 0:01:37 | 0:01:40 | |
First stop - the Northeast of England, Newcastle. | 0:01:40 | 0:01:44 | |
Hello. | 0:01:44 | 0:01:45 | |
# Don't stop me now... # | 0:01:48 | 0:01:51 | |
Next stop was Glasgow, | 0:01:52 | 0:01:53 | |
where John was checking out the talent north of the border. | 0:01:53 | 0:01:57 | |
# Money, money, money... # | 0:01:57 | 0:02:00 | |
Then it was straight back down to Manchester with more groups | 0:02:00 | 0:02:03 | |
giving it their all. | 0:02:03 | 0:02:04 | |
HE MOUTHS | 0:02:07 | 0:02:08 | |
John and the team then headed off to London to see what the glee clubs | 0:02:08 | 0:02:11 | |
in the capital city could come up with. | 0:02:11 | 0:02:13 | |
Let's go listen to some music. | 0:02:15 | 0:02:17 | |
Next they were off to Bristol | 0:02:23 | 0:02:24 | |
to check out the best of the West Country's glee clubs, | 0:02:24 | 0:02:26 | |
before heading to Cardiff to see what was on offer there. | 0:02:26 | 0:02:29 | |
Bye-bye, Cardiff. Who's next? | 0:02:33 | 0:02:36 | |
Then it was a quick trip across to Belfast to see what | 0:02:36 | 0:02:38 | |
the Northern Irish glee clubs could come up with, | 0:02:38 | 0:02:40 | |
before heading down to Brighton | 0:02:40 | 0:02:42 | |
to complete the talent search of the UK. | 0:02:42 | 0:02:44 | |
The standard was high, | 0:02:47 | 0:02:48 | |
but it was then up to John to select the 24 successful glee clubs | 0:02:48 | 0:02:51 | |
who were invited to perform again at the judges' auditions. | 0:02:51 | 0:02:54 | |
Now, you may be wondering, "Where are Sam and Mark?" | 0:03:02 | 0:03:05 | |
Don't worry, they will be back for the heats and the live shows. | 0:03:05 | 0:03:09 | |
However, I was joined by our very lovely resident expert panel. | 0:03:09 | 0:03:13 | |
As usual, they'll be keeping a close eye on the proceedings | 0:03:13 | 0:03:16 | |
and making those all-important decisions. | 0:03:16 | 0:03:19 | |
So let's meet the people who will decide the fate of our groups. | 0:03:19 | 0:03:22 | |
It's our judges. | 0:03:22 | 0:03:23 | |
Carrie and David are two of the UK's best known celebrity vocal coaches. | 0:03:25 | 0:03:29 | |
-That was fantastic. -That was a world-class performance. | 0:03:29 | 0:03:33 | |
They've worked with pop artists including | 0:03:35 | 0:03:37 | |
Take That, The Saturdays, Marvin Humes | 0:03:37 | 0:03:39 | |
and even Gwyneth Paltrow. | 0:03:39 | 0:03:40 | |
Celebrity vocal and performance coach John has worked with | 0:03:41 | 0:03:44 | |
a variety of stars, including JLS, Leona Lewis, Olly Murs | 0:03:44 | 0:03:47 | |
and Frankie Sandford. | 0:03:47 | 0:03:50 | |
He's also worked behind the scenes on top shows | 0:03:50 | 0:03:52 | |
like The Voice and The X Factor. | 0:03:52 | 0:03:54 | |
Helping Carrie, David and John decide who should go through | 0:03:55 | 0:03:58 | |
to the heats were some very special expert guests. | 0:03:58 | 0:04:01 | |
Let's meet them. | 0:04:01 | 0:04:02 | |
Soul singer and presenter Dionne Bromfield | 0:04:04 | 0:04:06 | |
has been nominated for a MOBO award, has recorded two albums | 0:04:06 | 0:04:09 | |
and also finds time to present CBBC's Friday Download. | 0:04:09 | 0:04:12 | |
Is that another one you play on the breakfast show? | 0:04:14 | 0:04:16 | |
I do play that on the radio as well. So in sync! | 0:04:16 | 0:04:18 | |
West End star Kerry Ellis has had lead | 0:04:19 | 0:04:20 | |
roles in Wicked, Les Miserables, We Will Rock You and Oliver, | 0:04:20 | 0:04:24 | |
and is also a successful recording artist. | 0:04:24 | 0:04:27 | |
Finally, Strictly Come Dancing professional Erin Boag has | 0:04:27 | 0:04:30 | |
put many celebrities through their paces, wowed audiences with | 0:04:30 | 0:04:33 | |
her dance moves, and stars regularly in spectacular sell-out shows. | 0:04:33 | 0:04:37 | |
Right, now for the rules. | 0:04:44 | 0:04:45 | |
Listen carefully, cos I will say this only once. | 0:04:45 | 0:04:48 | |
Actually, I'll say this in the second and the third shows, | 0:04:48 | 0:04:51 | |
so I'll say it three times. But listen carefully anyway. | 0:04:51 | 0:04:53 | |
In these first three shows, our judges will be deciding which | 0:04:53 | 0:04:57 | |
acts they want to see again in the studio heats. | 0:04:57 | 0:05:00 | |
Those top 15 acts will then perform again | 0:05:00 | 0:05:02 | |
right here on this very stage in front of a live audience. | 0:05:02 | 0:05:07 | |
The five groups with the highest scores across those heats | 0:05:07 | 0:05:10 | |
will then compete in the live finals, | 0:05:10 | 0:05:12 | |
where you at home will decide who is crowned | 0:05:12 | 0:05:15 | |
Sport Relief Does Glee Club Winners 2014. | 0:05:15 | 0:05:19 | |
It's as simple as that. | 0:05:19 | 0:05:20 | |
Right, we have eight glee clubs to see in this show, | 0:05:20 | 0:05:23 | |
so let's meet the first group. | 0:05:23 | 0:05:25 | |
Right, first group is VoxBox. | 0:05:36 | 0:05:38 | |
Lots of energy. They perform with a lot of attitude. | 0:05:40 | 0:05:43 | |
I think that they are actually quite enjoyable. | 0:05:43 | 0:05:47 | |
I'd be surprised if they didn't go away | 0:05:47 | 0:05:49 | |
and you had a smile on your face. | 0:05:49 | 0:05:50 | |
I think you're quite keen to see one of the judges, aren't you? | 0:05:50 | 0:05:53 | |
Dionne Bromfield! | 0:05:53 | 0:05:55 | |
Dionne. | 0:05:55 | 0:05:56 | |
-What do you love about Dionne? -Everything. | 0:05:56 | 0:05:58 | |
-Hello. -Hiya. | 0:05:58 | 0:06:00 | |
PERFORMER: Oh, Dionne, Dionne. | 0:06:01 | 0:06:03 | |
Hold it together. Hold it together. | 0:06:05 | 0:06:07 | |
Do you need to get it out of your system? | 0:06:07 | 0:06:10 | |
-THEY GIGGLE -Tell you what, | 0:06:10 | 0:06:12 | |
if I count to three, after three, just scream | 0:06:12 | 0:06:14 | |
and it'll be out of your system, all right? | 0:06:14 | 0:06:16 | |
One, two, three. | 0:06:16 | 0:06:18 | |
THEY SCREAM | 0:06:18 | 0:06:19 | |
# Melt the clouds | 0:06:21 | 0:06:24 | |
# Of sin and sadness | 0:06:24 | 0:06:26 | |
# Drive the dark of doubt away... # | 0:06:26 | 0:06:34 | |
He's cute, isn't he? | 0:06:35 | 0:06:36 | |
# ..of immortal gladness | 0:06:36 | 0:06:41 | |
# Fill us with a light | 0:06:43 | 0:06:48 | |
# Fill us with the light, oh, fill us | 0:06:49 | 0:06:54 | |
# With the light | 0:06:54 | 0:06:57 | |
# Of day | 0:06:58 | 0:07:01 | |
ALL: # Joyful, joyful, Lord, we adore thee | 0:07:12 | 0:07:16 | |
# God of glory | 0:07:16 | 0:07:18 | |
# Lord of love | 0:07:18 | 0:07:21 | |
# Hearts unfold like flowers before Thee | 0:07:21 | 0:07:24 | |
# Hail Thee as the sun above | 0:07:24 | 0:07:29 | |
# Melt the clouds of sin | 0:07:29 | 0:07:31 | |
# Sin and sadness | 0:07:31 | 0:07:33 | |
# Drive the dark of doubt away | 0:07:33 | 0:07:36 | |
# Drive it away | 0:07:36 | 0:07:38 | |
# Giver of immortal gladness | 0:07:38 | 0:07:42 | |
# Fill us | 0:07:42 | 0:07:44 | |
# Fill us with the light of day | 0:07:44 | 0:07:47 | |
# Light of day. # | 0:07:47 | 0:07:51 | |
What do you think? | 0:07:56 | 0:07:58 | |
I think it went well. | 0:07:58 | 0:07:59 | |
So, I thought that was really good. | 0:07:59 | 0:08:01 | |
From the second you started singing it was all smiles, | 0:08:01 | 0:08:03 | |
which was really good. | 0:08:03 | 0:08:04 | |
One of my favourite songs, so I'm glad you guys done it. Is it Tevan? | 0:08:04 | 0:08:09 | |
The tone of your voice is lovely. | 0:08:09 | 0:08:11 | |
I do think that you're a bit young | 0:08:11 | 0:08:12 | |
so you can't control it properly yet, | 0:08:12 | 0:08:14 | |
but I say give you three, four or even five years | 0:08:14 | 0:08:18 | |
and you're going to have all these girls running after you. | 0:08:18 | 0:08:20 | |
He already has. Absolutely already has. | 0:08:20 | 0:08:22 | |
Beautiful. I think, just when you get older or the more you train, | 0:08:22 | 0:08:25 | |
just learn how to control it a bit. | 0:08:25 | 0:08:27 | |
But, yeah, it was brilliant. I really liked it, guys, so well done. | 0:08:28 | 0:08:31 | |
Thank you. | 0:08:31 | 0:08:33 | |
The key to a good gospel sound is what we call sloppy tight, | 0:08:33 | 0:08:38 | |
which means it has to be really accurate and really tight. | 0:08:38 | 0:08:42 | |
Then when you add the joyful part, which is | 0:08:42 | 0:08:44 | |
the centre of gospel music, it makes it just that little bit like, | 0:08:44 | 0:08:48 | |
"We've all just come together and started singing." | 0:08:48 | 0:08:50 | |
There should be that feel about it. You definitely have that. | 0:08:50 | 0:08:53 | |
What you need to work out though, is keep that kind of sloppiness, | 0:08:53 | 0:08:57 | |
but you also need to keep the accuracy going | 0:08:57 | 0:08:59 | |
when you're giving it the energy. | 0:08:59 | 0:09:02 | |
If you can get those two things married together - | 0:09:02 | 0:09:04 | |
and there is all the potential there to have it - | 0:09:04 | 0:09:06 | |
you'll really have nailed that. | 0:09:06 | 0:09:08 | |
Well done. | 0:09:08 | 0:09:09 | |
KIDS: Thank you. | 0:09:09 | 0:09:10 | |
Great potential, VoxBox. Great potential. | 0:09:10 | 0:09:13 | |
-How did it feel when you were up there? -Amazing! I want to cry. | 0:09:13 | 0:09:17 | |
-Who wanted to cry? -Yeah, cos I saw Dionne. | 0:09:20 | 0:09:24 | |
It made you want to cry just seeing her when you walked in? | 0:09:24 | 0:09:26 | |
SHE LAUGHS | 0:09:26 | 0:09:28 | |
"It's Dionne!" | 0:09:28 | 0:09:29 | |
-"It's Dionne!" -"Oh, in the flesh." | 0:09:29 | 0:09:31 | |
This is how I feel for you, David. | 0:09:33 | 0:09:34 | |
LAUGHTER | 0:09:34 | 0:09:36 | |
Tevan, did you get some nice comments, or what? | 0:09:37 | 0:09:40 | |
What would you like to say about that? | 0:09:40 | 0:09:42 | |
I'm grateful for them. | 0:09:42 | 0:09:43 | |
GIRLS: Aw! | 0:09:43 | 0:09:44 | |
-Kevin's a little star, and he's got that tone. -What's his name? -Tevan. | 0:09:46 | 0:09:51 | |
CARRIE LAUGHS | 0:09:51 | 0:09:52 | |
No, I said Tevan. I said Tevan. | 0:09:52 | 0:09:54 | |
-You said Kevin. -I never said Kevin. -Three people said you said Kevin. | 0:09:54 | 0:09:59 | |
All right, Leon, and Don? | 0:09:59 | 0:10:00 | |
And Barry? It's Tevan. | 0:10:00 | 0:10:03 | |
# Light of day. # | 0:10:03 | 0:10:07 | |
ALL: We're Encore. | 0:10:14 | 0:10:16 | |
Next up we have Encore. | 0:10:16 | 0:10:18 | |
You will no doubt remember them as the dance-strong group that | 0:10:18 | 0:10:23 | |
made it to the heats last year. | 0:10:23 | 0:10:25 | |
They happened to be very good dancers who happened to be | 0:10:25 | 0:10:28 | |
able to sing as well. | 0:10:28 | 0:10:29 | |
# Yeah, you bring sadness... # | 0:10:31 | 0:10:34 | |
Have you kept the dancing in? | 0:10:34 | 0:10:35 | |
Yeah, well, we've tried to tone it down a bit, | 0:10:35 | 0:10:37 | |
cos we've taken on the criticism that we got last time. | 0:10:37 | 0:10:41 | |
But we've still got it in cos it does make us unique | 0:10:41 | 0:10:43 | |
and different to everyone else. | 0:10:43 | 0:10:45 | |
ALL: Encore! | 0:10:45 | 0:10:46 | |
# I give a little | 0:10:56 | 0:10:57 | |
# Into the moment | 0:10:59 | 0:11:00 | |
# Like I'm standing at the edge I know | 0:11:00 | 0:11:03 | |
# No-one's gonna turn me around | 0:11:04 | 0:11:08 | |
# Cos I'm a slave to the sound | 0:11:08 | 0:11:13 | |
# And they're calling | 0:11:13 | 0:11:14 | |
# Don't stop No, I'll never give up | 0:11:14 | 0:11:15 | |
# And I'll never look back Just hold your head up | 0:11:15 | 0:11:17 | |
# And if it gets rough It's time to get rough | 0:11:17 | 0:11:20 | |
# They keep saying | 0:11:21 | 0:11:22 | |
# Don't stop No, it's never enough | 0:11:22 | 0:11:24 | |
# I'll never look back Never give up | 0:11:24 | 0:11:26 | |
# And if it gets rough It's time to get rough | 0:11:26 | 0:11:29 | |
# And now I'm falling Falling, falling | 0:11:29 | 0:11:32 | |
# Falling, falling, falling, falling | 0:11:32 | 0:11:35 | |
# Falling, falling, falling, falling Oh | 0:11:35 | 0:11:39 | |
# Into the fire feeling higher than the truth | 0:11:39 | 0:11:42 | |
# Falling | 0:11:42 | 0:11:44 | |
# I can feel the heat but I'm not burning | 0:11:44 | 0:11:46 | |
# But now I'm falling | 0:11:46 | 0:11:48 | |
# Feeling desire Feel the tired | 0:11:48 | 0:11:51 | |
# I'm falling | 0:11:51 | 0:11:52 | |
# Feels like we're falling | 0:11:52 | 0:11:54 | |
# I can hear them calling Now I'm falling | 0:11:54 | 0:11:57 | |
# Falling, falling, falling, falling | 0:11:57 | 0:11:59 | |
# Falling, falling, falling, falling | 0:11:59 | 0:12:02 | |
# Falling, falling, oh And now I'm falling. # | 0:12:02 | 0:12:05 | |
Perfect. | 0:12:06 | 0:12:07 | |
I really, really like the song | 0:12:12 | 0:12:14 | |
and I thought you guys done it really well. | 0:12:14 | 0:12:16 | |
I think the dancing kind of... | 0:12:16 | 0:12:18 | |
When you were dancing you kind of forgot a bit about your vocals, | 0:12:18 | 0:12:21 | |
so I think less dancing and remember the vocals are the main thing. | 0:12:21 | 0:12:26 | |
You gave so much energy and everything. | 0:12:26 | 0:12:28 | |
I thought it was amazing. You definitely gave it 100%. | 0:12:28 | 0:12:31 | |
-GIRLS: Thank you. -So well done. | 0:12:31 | 0:12:32 | |
Just make sure that when you have that much dancing, | 0:12:32 | 0:12:35 | |
make sure you're supporting every note, | 0:12:35 | 0:12:37 | |
because towards the end or halfway through, I could kind of hear | 0:12:37 | 0:12:41 | |
-the breathiness and the vocals were suffering just a little. -OK. | 0:12:41 | 0:12:45 | |
What you're not using enough is your ears | 0:12:45 | 0:12:48 | |
to listen to the sound that you're making. | 0:12:48 | 0:12:51 | |
So when you're rehearsing, if you do get through, | 0:12:51 | 0:12:54 | |
I want you to think about... | 0:12:54 | 0:12:55 | |
Yes, we're dancing, it's all showbiz, it's great. | 0:12:55 | 0:12:57 | |
But actually vocally does it sound beautiful? | 0:12:57 | 0:13:01 | |
Cos it should sound beautiful. | 0:13:01 | 0:13:03 | |
All of the equipment is there to sound beautiful, | 0:13:03 | 0:13:07 | |
but you really have got to engage your ears a lot more, yeah? | 0:13:07 | 0:13:11 | |
It's a compliment. GIRLS: Thank you. | 0:13:11 | 0:13:13 | |
Well done, girls. | 0:13:14 | 0:13:16 | |
What did you think about what Dionne said to you? | 0:13:16 | 0:13:19 | |
It was constructive and it's something that we can work on now. | 0:13:19 | 0:13:22 | |
It's coming from such a strong singer like herself. | 0:13:22 | 0:13:25 | |
It's nice to get positive feedback from someone that's already | 0:13:25 | 0:13:28 | |
established in that industry. | 0:13:28 | 0:13:30 | |
I thought they were really good. | 0:13:30 | 0:13:31 | |
Vocally, I thought they were really good. | 0:13:31 | 0:13:33 | |
But I think too much dancing for me. | 0:13:33 | 0:13:34 | |
I know they are dancers first and then singers after, | 0:13:34 | 0:13:37 | |
but still, I thought there was a bit too much dancing. | 0:13:37 | 0:13:39 | |
If we did put them through, would they take | 0:13:39 | 0:13:43 | |
the critique on board or would they do exactly what they've done again? | 0:13:43 | 0:13:47 | |
# And now I'm falling. # | 0:13:47 | 0:13:48 | |
Positive comments for both VoxBox and Encore. | 0:13:56 | 0:13:58 | |
But will they take the judges' advice | 0:13:58 | 0:14:00 | |
if they make it to the studio heats? | 0:14:00 | 0:14:02 | |
Next up, another two groups get their chance to impress the judges. | 0:14:02 | 0:14:06 | |
-What you've got is like a musical energy drink. -I loved it. | 0:14:07 | 0:14:10 | |
I totally loved it. | 0:14:10 | 0:14:12 | |
You have a beautiful honesty and openness when you perform. | 0:14:12 | 0:14:16 | |
ALL: We are Miss Chief! | 0:14:22 | 0:14:23 | |
Right, next up we have Miss Chief. | 0:14:23 | 0:14:25 | |
I saw them in London. | 0:14:25 | 0:14:27 | |
The main reason they're back is | 0:14:27 | 0:14:29 | |
because they had an infectious energy. | 0:14:29 | 0:14:31 | |
There was a rawness about them. | 0:14:31 | 0:14:33 | |
Cool T-shirts, girls. This is your glee club name, is it? | 0:14:33 | 0:14:37 | |
ALL: Yeah. | 0:14:37 | 0:14:38 | |
Miss Chief, is that cos you get up to lots? | 0:14:38 | 0:14:41 | |
-Yeah. -Do you? | 0:14:41 | 0:14:42 | |
What are you going to be singing today? | 0:14:42 | 0:14:43 | |
Revolting Children. | 0:14:43 | 0:14:45 | |
Because you are revolting children? | 0:14:46 | 0:14:48 | |
We're revolting! | 0:14:48 | 0:14:49 | |
No, not really. - Yes. | 0:14:49 | 0:14:51 | |
-You said yes. -I didn't mean that. | 0:14:51 | 0:14:54 | |
We're revolting. | 0:14:54 | 0:14:55 | |
# Just because I find myself in this story | 0:15:00 | 0:15:03 | |
# It doesn't mean that everything is written for me | 0:15:03 | 0:15:07 | |
# If I think the ending is fixed already | 0:15:07 | 0:15:11 | |
# I might as well be saying I think that it's OK | 0:15:11 | 0:15:15 | |
ALL: # And that's not right | 0:15:16 | 0:15:18 | |
# We are revolting children | 0:15:18 | 0:15:20 | |
# Living in revolting times | 0:15:20 | 0:15:22 | |
# We sing revolting songs | 0:15:22 | 0:15:24 | |
# Using revolting rhymes | 0:15:24 | 0:15:26 | |
# We'll be revolting children | 0:15:26 | 0:15:29 | |
# Till our revolting's done | 0:15:29 | 0:15:30 | |
# And we'll have the Trunchbull bolting | 0:15:30 | 0:15:33 | |
# We're revolting! | 0:15:33 | 0:15:34 | |
# We'll become a screaming horde | 0:15:34 | 0:15:36 | |
# Take out your hockey stick | 0:15:36 | 0:15:38 | |
# And use it as a sword | 0:15:38 | 0:15:41 | |
# Never again will we be ignored | 0:15:41 | 0:15:43 | |
# We'll find out where the chalk is stored | 0:15:43 | 0:15:45 | |
# And draw rude pictures on the board | 0:15:45 | 0:15:47 | |
# It's not insulting We're revolting! | 0:15:47 | 0:15:51 | |
ALL: # R-E-V-O-L-T-I-N' | 0:15:51 | 0:15:53 | |
# We're S-I-N-G | 0:15:54 | 0:15:56 | |
# U-S-I-N-G | 0:15:56 | 0:15:58 | |
# We'll be R-E-V-O-L-T-I-N-G | 0:15:58 | 0:16:02 | |
# It is 2-L-8-4-U | 0:16:02 | 0:16:04 | |
# We are revolting | 0:16:04 | 0:16:06 | |
# We are revolting children | 0:16:06 | 0:16:08 | |
# Living in revolting times | 0:16:08 | 0:16:10 | |
# We sing revolting songs | 0:16:10 | 0:16:12 | |
# Using revolting rhymes | 0:16:12 | 0:16:14 | |
# We'll be revolting children | 0:16:14 | 0:16:17 | |
# Till our revolting's done | 0:16:17 | 0:16:18 | |
# And we'll have the Trunchbull bolting | 0:16:18 | 0:16:20 | |
# We're revolting! # | 0:16:20 | 0:16:22 | |
APPLAUSE | 0:16:23 | 0:16:24 | |
Do you think they'll be happy with that? | 0:16:28 | 0:16:29 | |
-Hopefully. -Are you happy? -Yes. | 0:16:29 | 0:16:31 | |
You could have just come out here and exploded | 0:16:31 | 0:16:33 | |
and done the whole thing in fifth gear, but you gave it gear changes. | 0:16:33 | 0:16:36 | |
You gave us light and shade. You gave us checked textures. | 0:16:36 | 0:16:40 | |
Really beautiful. Really loved it. | 0:16:40 | 0:16:42 | |
And you, who started singing, what's your name? | 0:16:42 | 0:16:44 | |
Asmara. | 0:16:44 | 0:16:45 | |
Asmara, you have a beautiful honesty and openness when you perform. | 0:16:45 | 0:16:49 | |
You are fantastic. | 0:16:49 | 0:16:51 | |
Please keep singing because you have something very special. | 0:16:51 | 0:16:54 | |
Thank you. | 0:16:54 | 0:16:55 | |
Watch the ends of your words. | 0:16:55 | 0:16:56 | |
I think that's probably because you've got a lot of things to do and | 0:16:56 | 0:16:59 | |
you've got a lot of movement, which was great, you committed to it. | 0:16:59 | 0:17:02 | |
I loved it. But just make sure you finish off the ends of those words. | 0:17:02 | 0:17:07 | |
-It was great. I loved it. Really well done. -Thank you. | 0:17:07 | 0:17:10 | |
What's your name, young lady? | 0:17:10 | 0:17:12 | |
-Charday. -Charday, you were like an explosion on that stage. Honestly. | 0:17:12 | 0:17:17 | |
All of you matched her. Your energy was great. | 0:17:17 | 0:17:20 | |
Yes, there were a few little technical things, | 0:17:20 | 0:17:22 | |
there were odd words that were out of sync, | 0:17:22 | 0:17:24 | |
there were some of the ends of lines that pronunciation wasn't right, | 0:17:24 | 0:17:28 | |
but overall, I have to say what a great performance! | 0:17:28 | 0:17:31 | |
Thank you very much. | 0:17:31 | 0:17:32 | |
And now you can relax because you've done it. | 0:17:35 | 0:17:37 | |
Asmara, lovely comments to you. What do you feel about that? | 0:17:37 | 0:17:41 | |
Mm... | 0:17:41 | 0:17:43 | |
She's so quiet! | 0:17:43 | 0:17:45 | |
You're so quiet, such a beautiful voice. They loved it. | 0:17:45 | 0:17:47 | |
-Has that made you happy? -Yeah. | 0:17:47 | 0:17:49 | |
The good thing about these songs is they know what these | 0:17:49 | 0:17:52 | |
lyrics are, so they can really understand it. That comes across. | 0:17:52 | 0:17:55 | |
About using your hockey stick as a sword and finding the chalk | 0:17:55 | 0:17:57 | |
in the cupboard and writing all over the blackboard... | 0:17:57 | 0:17:59 | |
-Yeah, they get it. -Kids actually get it. | 0:17:59 | 0:18:01 | |
And that becomes natural and then it becomes a good performance. | 0:18:01 | 0:18:04 | |
# We're revolting! # | 0:18:04 | 0:18:05 | |
Right, next up we have Triple Threat. | 0:18:15 | 0:18:17 | |
You'll remember them from last series. | 0:18:17 | 0:18:19 | |
They are pretty much the same group, maybe with about three extra. | 0:18:19 | 0:18:23 | |
Brought them back because I think they deserved a second chance. | 0:18:23 | 0:18:26 | |
-You're a kind-hearted soul. -Very kind. | 0:18:26 | 0:18:29 | |
# I don't want to lose you now... # | 0:18:29 | 0:18:31 | |
-NAOMI: -What's going to happen in your performance today? | 0:18:31 | 0:18:34 | |
Have we got any exciting bits to look out for? | 0:18:34 | 0:18:36 | |
Daniel, me and Nicole are doing our little solos. | 0:18:36 | 0:18:39 | |
-NAOMI GASPS -Are you? | 0:18:39 | 0:18:41 | |
So how are you feeling about that? | 0:18:41 | 0:18:42 | |
-DANIEL: Nervous. -Are you? How have you prepared for your solo? | 0:18:42 | 0:18:46 | |
Em... You know High School Musical when they all do the... | 0:18:46 | 0:18:49 | |
HE SINGS A HIGH NOTE | 0:18:49 | 0:18:50 | |
That's me. | 0:18:50 | 0:18:51 | |
# I don't want to lose you now | 0:18:54 | 0:18:56 | |
# I'm looking right at the other half of me | 0:18:56 | 0:19:00 | |
# The vacancy that sat in my heart | 0:19:00 | 0:19:03 | |
# Is a space that now you hold | 0:19:03 | 0:19:06 | |
# Show me how to fight for now | 0:19:06 | 0:19:09 | |
# And I'll tell you, baby It was easy | 0:19:09 | 0:19:12 | |
# Coming back to you once I figured it out | 0:19:12 | 0:19:15 | |
# You were right here all along | 0:19:15 | 0:19:18 | |
# It's like you're my mirror | 0:19:19 | 0:19:22 | |
# My mirror staring back at me | 0:19:22 | 0:19:25 | |
# I couldn't get any bigger | 0:19:25 | 0:19:27 | |
# With anyone else beside of me | 0:19:29 | 0:19:31 | |
DANIEL: # And now it's clear as this promise | 0:19:31 | 0:19:34 | |
# That we're making two reflections into one | 0:19:34 | 0:19:38 | |
# Cos it's like you're my mirror | 0:19:38 | 0:19:41 | |
# My mirror staring back at me | 0:19:41 | 0:19:44 | |
ALL: # It's like you're my mirror | 0:19:44 | 0:19:47 | |
# My mirror staring back at me | 0:19:47 | 0:19:49 | |
# Staring back at me | 0:19:49 | 0:19:51 | |
# I'm starting with the man in the mirror | 0:19:55 | 0:19:58 | |
# I'm asking him to change his ways | 0:19:59 | 0:20:04 | |
# And no message could be any clearer | 0:20:04 | 0:20:08 | |
# If you want to make the world a better place | 0:20:08 | 0:20:11 | |
# Take a look at yourself and make a change | 0:20:11 | 0:20:14 | |
# Na-na-na, na-na-na | 0:20:16 | 0:20:18 | |
# Na-na, na-a. # | 0:20:18 | 0:20:22 | |
Aw, they looked like they really enjoyed that. | 0:20:23 | 0:20:26 | |
CARRIE: Well done, guys. If you want to come forward a little bit... | 0:20:26 | 0:20:29 | |
-Are you happy? -Yeah, they did great...really good. | 0:20:29 | 0:20:32 | |
What I would like to see is a slight change in the balance. | 0:20:32 | 0:20:35 | |
I'd like to see a little less dancing | 0:20:35 | 0:20:38 | |
and a little bit more focus on the vocals, particularly the ensemble. | 0:20:38 | 0:20:42 | |
But I do want to pick out your soloist - | 0:20:42 | 0:20:44 | |
what a beautiful voice you have, young man. | 0:20:44 | 0:20:46 | |
-Thank you. -Lovely, well done. | 0:20:46 | 0:20:48 | |
See, I loved it. I totally loved it and I loved the big performance | 0:20:48 | 0:20:53 | |
and I agree, I don't think the vocals were the best. | 0:20:53 | 0:20:56 | |
In the second song, the spacing didn't seem right. | 0:20:56 | 0:21:00 | |
You had one person standing behind the other | 0:21:00 | 0:21:02 | |
and I wanted to see you all but I couldn't see the back three. | 0:21:02 | 0:21:07 | |
-But it was great. -Thank you. | 0:21:07 | 0:21:09 | |
When you perform, there's a feel-good factor about you, | 0:21:09 | 0:21:12 | |
it's very real to me. | 0:21:12 | 0:21:14 | |
So it's organic, so this is the thing, | 0:21:14 | 0:21:17 | |
you just have to go away and keep rehearsing. | 0:21:17 | 0:21:20 | |
If you come back, you're going to surprise us even more, right? | 0:21:20 | 0:21:23 | |
Thank you. | 0:21:23 | 0:21:26 | |
You must be chuffed, Daniel? | 0:21:26 | 0:21:28 | |
It's really good. | 0:21:28 | 0:21:29 | |
Those comments about your voice! What do you think? | 0:21:29 | 0:21:31 | |
Oh, I'm really chuffed! | 0:21:31 | 0:21:33 | |
Sounded great from out here. | 0:21:33 | 0:21:35 | |
That two minutes, if they put in 10 or 12 hours of hard work, | 0:21:35 | 0:21:39 | |
that could be transformed! | 0:21:39 | 0:21:41 | |
I just feel like they're undercooked, they're underprepared. | 0:21:41 | 0:21:45 | |
If we bring them back, will they have enough time to be prepared? | 0:21:45 | 0:21:49 | |
I liked what I saw and it makes me hungry to grab them and say, | 0:21:49 | 0:21:55 | |
"Look, this could be so much more!" | 0:21:55 | 0:21:57 | |
# Na-na, na-na. # | 0:21:57 | 0:21:59 | |
Four acts have now performed for our judges and with four groups still to | 0:22:06 | 0:22:10 | |
see, let's take a moment to remind ourselves why we're all here. | 0:22:10 | 0:22:15 | |
Sport Relief raises money to help change people's | 0:22:15 | 0:22:18 | |
lives in some of the world's poorest communities, | 0:22:18 | 0:22:21 | |
as well as right here in the UK. | 0:22:21 | 0:22:23 | |
In fact, there are over 2,000 UK projects benefiting from money | 0:22:24 | 0:22:28 | |
raised by the charity. | 0:22:28 | 0:22:30 | |
So, wherever you're watching from, | 0:22:30 | 0:22:31 | |
you're probably not very far away | 0:22:31 | 0:22:34 | |
from a project supported by Sport Relief. | 0:22:34 | 0:22:36 | |
Your donations really can make a difference to the | 0:22:36 | 0:22:39 | |
lives of vulnerable people at home and abroad. | 0:22:39 | 0:22:42 | |
If you'd like to get involved in this year's | 0:22:42 | 0:22:45 | |
Sport Relief Games from the 21st to the 23rd of March, | 0:22:45 | 0:22:48 | |
grab a grown-up and visit the CBBC website at... | 0:22:48 | 0:22:51 | |
..to find out how. | 0:22:56 | 0:22:58 | |
Thank you. | 0:22:58 | 0:23:00 | |
Right, We have MT13. | 0:23:08 | 0:23:11 | |
I saw these girls in Cardiff and do you know what? | 0:23:11 | 0:23:16 | |
They've never, actually, left my mind, in terms of their performance. | 0:23:16 | 0:23:19 | |
That's incredible! | 0:23:19 | 0:23:21 | |
And I thought, you know what, they have to come back. | 0:23:21 | 0:23:24 | |
I can tell you really liked them. Your own energy has just stepped up. | 0:23:24 | 0:23:30 | |
Yeah, I did, I did like them. | 0:23:30 | 0:23:32 | |
THEY LAUGH | 0:23:33 | 0:23:35 | |
# My feet | 0:23:37 | 0:23:38 | |
# My feet can't touch the ground | 0:23:38 | 0:23:41 | |
# And I can't hear a sound | 0:23:41 | 0:23:43 | |
# But you just keep on running up your mouth, yeah | 0:23:43 | 0:23:47 | |
# Walk, walk on over there | 0:23:47 | 0:23:49 | |
# Cos I'm too fly to care | 0:23:49 | 0:23:52 | |
# Oh, yeah | 0:23:52 | 0:23:54 | |
# Your words don't mean a thing | 0:23:54 | 0:23:57 | |
# I'm not listening | 0:23:57 | 0:24:00 | |
# Keep talking, all I know is... | 0:24:00 | 0:24:03 | |
# Mama told me not to waste my life | 0:24:03 | 0:24:06 | |
# She said, spread your wings my little butterfly | 0:24:06 | 0:24:11 | |
# Don't let what they say keep you up at night | 0:24:11 | 0:24:15 | |
# And they can't detain you | 0:24:15 | 0:24:17 | |
# Cos wings are made to fly | 0:24:17 | 0:24:21 | |
# And we don't let nobody bring us down | 0:24:21 | 0:24:25 | |
# No matter what you say | 0:24:25 | 0:24:27 | |
# It won't hurt me | 0:24:27 | 0:24:30 | |
# No matter if I fall from the sky | 0:24:30 | 0:24:34 | |
# These wings are made to fly | 0:24:34 | 0:24:36 | |
# I don't need no-one saying Hey, hey, hey, hey | 0:24:36 | 0:24:40 | |
# I don't hear no-one saying Hey, hey, hey, hey | 0:24:40 | 0:24:44 | |
# Words don't mean a thing | 0:24:44 | 0:24:47 | |
# I'm not listening | 0:24:47 | 0:24:49 | |
# It's just like water off my wings | 0:24:49 | 0:24:53 | |
# Wings, oooh | 0:24:53 | 0:24:56 | |
# She said, spread your wings my little butterfly | 0:24:56 | 0:25:00 | |
# My little butterfly | 0:25:00 | 0:25:01 | |
# Don't let what they say keep you up at night | 0:25:01 | 0:25:04 | |
# And they can't detain you | 0:25:04 | 0:25:07 | |
# These wings are made to fly. # | 0:25:07 | 0:25:11 | |
APPLAUSE | 0:25:11 | 0:25:13 | |
-Yeah? -Yeah, cool. | 0:25:13 | 0:25:15 | |
-Happy with that? -Yeah, yeah, good, good. | 0:25:15 | 0:25:17 | |
You look like a glee club - | 0:25:17 | 0:25:19 | |
there's something there for everybody cos you all look so different. | 0:25:19 | 0:25:22 | |
You feel like a girl band as well. | 0:25:22 | 0:25:24 | |
You feel like you're one and I love that, that feel of it! | 0:25:24 | 0:25:27 | |
I would have liked to have heard some harmonies. | 0:25:27 | 0:25:29 | |
I think, if you're going to be taken through, | 0:25:29 | 0:25:31 | |
we need to get a little bit more from the vocal side, | 0:25:31 | 0:25:34 | |
in terms of really spreading it out. | 0:25:34 | 0:25:36 | |
Cos at the moment, I don't know | 0:25:36 | 0:25:38 | |
if you can sing in harmonies at all, just from that performance. | 0:25:38 | 0:25:40 | |
-Even though it was good. -Can they? -Yeah, they can. | 0:25:40 | 0:25:43 | |
-And I do want to point out... What's your name? -Tegan. | 0:25:43 | 0:25:46 | |
Tegan, you are a little star! | 0:25:46 | 0:25:49 | |
Well, you're all amazing but you are particularly a little star. | 0:25:49 | 0:25:52 | |
Well done, fantastic, great! | 0:25:52 | 0:25:54 | |
You've got swagger! | 0:25:54 | 0:25:55 | |
THEY LAUGH | 0:25:55 | 0:25:57 | |
You know, you just come on stage and it's like, | 0:25:57 | 0:25:59 | |
"The stage belongs to us. Everybody, get out of the way!" | 0:25:59 | 0:26:02 | |
I loved that! | 0:26:02 | 0:26:03 | |
Thank you. | 0:26:03 | 0:26:05 | |
Well done, guys! That was absolutely amazing! | 0:26:05 | 0:26:08 | |
You have such charisma and I love that you're all individuals | 0:26:08 | 0:26:11 | |
and you bring your own thing to the piece. | 0:26:11 | 0:26:14 | |
The soloists were fabulous, erm, as a team you're really strong | 0:26:14 | 0:26:19 | |
and I just loved it. | 0:26:19 | 0:26:20 | |
I can't say any more. Well done. | 0:26:20 | 0:26:22 | |
Thank you. | 0:26:22 | 0:26:25 | |
They pointed you out and said you were a little star! | 0:26:25 | 0:26:27 | |
What do you make of that? | 0:26:27 | 0:26:29 | |
-Amazing! -That's made you very happy. Your smile's so big. | 0:26:29 | 0:26:33 | |
You couldn't take your eyes off her. Just drawn to her. | 0:26:33 | 0:26:36 | |
I was having to make a decision, make an effort to watch the others. | 0:26:36 | 0:26:39 | |
I just wanted to watch her! | 0:26:39 | 0:26:41 | |
-She's got so much. -Yeah, the whole thing. | 0:26:41 | 0:26:44 | |
They all, kind of, buzzed off her, which was nice. | 0:26:44 | 0:26:46 | |
You could tell that they know she's the little firecracker. | 0:26:46 | 0:26:49 | |
She's the focal point. | 0:26:49 | 0:26:51 | |
She definitely is, yeah. | 0:26:51 | 0:26:52 | |
# These wings are made to fly. # | 0:26:52 | 0:26:55 | |
TOGETHER: We are Rococo! | 0:27:02 | 0:27:04 | |
I saw these guys in Manchester. They are a great Glee Club image. | 0:27:04 | 0:27:11 | |
They just came across me as, that's Glee Club! | 0:27:11 | 0:27:14 | |
I'm loving the image of you guys already. This is great! | 0:27:14 | 0:27:18 | |
Loved the ensemble, fantastic. They've got quite big voices. | 0:27:18 | 0:27:21 | |
I think you will like them. | 0:27:21 | 0:27:23 | |
# Some nights I stay in cashing up my bad luck | 0:27:29 | 0:27:33 | |
# Some nights I call it a draw | 0:27:33 | 0:27:37 | |
# Some nights I wish that my lips could build a castle | 0:27:37 | 0:27:42 | |
# Some nights I wish they'd just fall off | 0:27:42 | 0:27:46 | |
# But I still wake up I still see your ghost | 0:27:46 | 0:27:50 | |
# Oh, Lord, I'm still not sure what I stand for, oh | 0:27:50 | 0:27:55 | |
# What do I stand for? | 0:27:55 | 0:27:58 | |
# What do I stand for? | 0:27:58 | 0:28:00 | |
# Most nights, I don't know | 0:28:00 | 0:28:03 | |
# Anymore | 0:28:03 | 0:28:06 | |
# Oh-oh-oh | 0:28:06 | 0:28:08 | |
# Oh-oh-oh | 0:28:08 | 0:28:10 | |
# Oh-oh | 0:28:10 | 0:28:13 | |
# Oh-oh, oh-oh-oh | 0:28:13 | 0:28:17 | |
# Oh-oh-oh, oh-oh | 0:28:17 | 0:28:21 | |
# This is it, boys, this is war | 0:28:21 | 0:28:24 | |
# What are we waiting for? | 0:28:24 | 0:28:26 | |
# Why don't we break the rules already | 0:28:26 | 0:28:30 | |
# I was never one to believe the hype | 0:28:30 | 0:28:33 | |
# Save that for the black and white | 0:28:33 | 0:28:35 | |
# I try twice as hard and I'm half as liked | 0:28:35 | 0:28:38 | |
# But here they come again to jack my style | 0:28:38 | 0:28:41 | |
# Some nights I stay up cashing up my bad luck | 0:28:41 | 0:28:46 | |
# Some nights I call it a draw. # | 0:28:46 | 0:28:51 | |
Happy with that? | 0:28:56 | 0:28:58 | |
The thing that I liked was | 0:28:58 | 0:29:00 | |
the attack that you had on the lead vocal. | 0:29:00 | 0:29:03 | |
Very, very good. | 0:29:03 | 0:29:05 | |
I thought the ooohs and aaahs, the harmonies were not consistent. | 0:29:05 | 0:29:07 | |
They were flowing in and out a little bit, | 0:29:07 | 0:29:10 | |
which I think is hard on a song like this | 0:29:10 | 0:29:11 | |
because they're not standard harmonies in thirds, | 0:29:11 | 0:29:14 | |
so you really have had to listen, and again, | 0:29:14 | 0:29:17 | |
you're in a new environment listening through speakers. | 0:29:17 | 0:29:19 | |
So I don't know whether it's the environment that caused them | 0:29:19 | 0:29:22 | |
to go, because everything else seemed really rehearsed. | 0:29:22 | 0:29:25 | |
Thank you. | 0:29:25 | 0:29:27 | |
Can I please just point out Mitchell? | 0:29:27 | 0:29:29 | |
I really hope that you want to go into our industry. | 0:29:29 | 0:29:31 | |
-I really do - you have something very special. -Thank you. | 0:29:31 | 0:29:34 | |
Well done, guys, as a group, well done. | 0:29:34 | 0:29:37 | |
Thank you very much. | 0:29:37 | 0:29:38 | |
He does, doesn't he? He does have something. | 0:29:41 | 0:29:45 | |
Yeah, he does...like magic. | 0:29:45 | 0:29:47 | |
Group hug! | 0:29:49 | 0:29:51 | |
I really do feel they were better on the audition. | 0:29:53 | 0:29:55 | |
I don't know what it is, the environment, I don't know. | 0:29:55 | 0:29:58 | |
It just seemed, even the ensemble, even the blend was better. | 0:29:58 | 0:30:02 | |
But they do have a tendency to over-sing. | 0:30:02 | 0:30:04 | |
We're going to have to draw some conclusions and decide | 0:30:04 | 0:30:07 | |
whether that was unrepresentative of their talent or | 0:30:07 | 0:30:11 | |
whether that was as good as it gets. | 0:30:11 | 0:30:13 | |
# Some nights I call it a draw. # | 0:30:13 | 0:30:17 | |
Some stand-out individual performances there from MT13 | 0:30:22 | 0:30:25 | |
and Rococo. | 0:30:25 | 0:30:27 | |
Let's see how the final two glee clubs, Swing and Jazz | 0:30:27 | 0:30:29 | |
and The Peppermints, get on in front of the judges. | 0:30:29 | 0:30:32 | |
A year older and a year better. | 0:30:32 | 0:30:35 | |
More than 50% of your performance was dance. | 0:30:35 | 0:30:38 | |
I brought you back | 0:30:38 | 0:30:39 | |
because it would have been a crying shame not to have. | 0:30:39 | 0:30:43 | |
# Got that swing... # | 0:30:49 | 0:30:51 | |
Right, next up, we have Swing and Jazz. I saw them in Bristol. | 0:30:51 | 0:30:55 | |
They are exactly that, they've brought that element to the show. | 0:30:55 | 0:30:58 | |
Are there any bits of your performance that | 0:30:58 | 0:31:00 | |
you are worrying about? | 0:31:00 | 0:31:01 | |
We've got a lift. | 0:31:01 | 0:31:04 | |
You've got a lift? | 0:31:04 | 0:31:06 | |
-Yeah! -Who's doing the lift? | 0:31:06 | 0:31:07 | |
-I'm being lifted. -You're the brave one. Who's lifting? -Those two. | 0:31:07 | 0:31:12 | |
The lads, no pressure! Have you ever dropped her? | 0:31:12 | 0:31:15 | |
-No. -Never? -Never. -So, that's a good sign. -Yeah. -Don't drop her today. | 0:31:15 | 0:31:19 | |
We won't. | 0:31:19 | 0:31:21 | |
# It don't mean a thing | 0:31:48 | 0:31:50 | |
# If it ain't got that swing | 0:31:50 | 0:31:52 | |
# Doo-ah, doo-ah Doo-ah, doo-ah, doo-ah | 0:31:52 | 0:31:54 | |
# Doo-ha, doo-ha, doo-ah | 0:31:54 | 0:31:57 | |
# It don't mean a thing All you've got to do is sing | 0:31:57 | 0:32:00 | |
# Doo-ah, doo-ah Doo-ah, doo-ah, doo-ah | 0:32:01 | 0:32:04 | |
# Doo-ha, doo-ha, doo-ah | 0:32:04 | 0:32:06 | |
# It makes no difference If it's sweet or hot | 0:32:06 | 0:32:09 | |
# Give the rhythm everything you've got | 0:32:10 | 0:32:13 | |
# No, no, it don't mean a thing | 0:32:14 | 0:32:17 | |
# If it ain't got that swing | 0:32:17 | 0:32:19 | |
# Doo-ah, doo-ah Doo-ah, doo-ah, doo-ah | 0:32:19 | 0:32:22 | |
# Doo-ha, doo-ha, doo-ah... # | 0:32:22 | 0:32:24 | |
Didn't drop her, good. | 0:32:29 | 0:32:30 | |
# It don't mean a thing if it ain't got the swing | 0:32:47 | 0:32:51 | |
# Doo-ah, doo-ah Doo-ah, doo-ah, doo-ah | 0:32:51 | 0:32:54 | |
# Doo-ha, doo-ha, doo-ah! # | 0:32:54 | 0:32:56 | |
What did you think? | 0:32:58 | 0:33:00 | |
I thought they did a good job. | 0:33:00 | 0:33:01 | |
They looked confident and they were smiling | 0:33:01 | 0:33:03 | |
and nobody got dropped. | 0:33:03 | 0:33:05 | |
Nobody got dropped! | 0:33:05 | 0:33:06 | |
At the moment, more than 50% of your performance was dance. | 0:33:06 | 0:33:11 | |
And I think, for a glee club, | 0:33:11 | 0:33:13 | |
it probably needs to be about 75% signing and 25% dance. | 0:33:13 | 0:33:17 | |
So if you do get through, I think we'd need to hear a lot more singing. | 0:33:17 | 0:33:22 | |
Yeah. | 0:33:22 | 0:33:23 | |
And the reason why we want to hear more of your singing is because | 0:33:23 | 0:33:26 | |
the singing, particularly the ensemble stuff you did, was so good. | 0:33:26 | 0:33:30 | |
It was really tight, it was really together. | 0:33:30 | 0:33:33 | |
You all came off at the same time, | 0:33:33 | 0:33:35 | |
you were shaping the vowels the same way, nobody was over-singing | 0:33:35 | 0:33:39 | |
and you were trying to blend and really listening to one another. | 0:33:39 | 0:33:42 | |
So your singing is good. | 0:33:42 | 0:33:45 | |
I mean, your dancing's really good too but don't overdo one | 0:33:45 | 0:33:48 | |
and compromise the other. | 0:33:48 | 0:33:50 | |
Get that combination and that balance right and I think | 0:33:50 | 0:33:53 | |
Carrie's right, I think that 75/25 is about the right balance. | 0:33:53 | 0:33:57 | |
Right, so more singing, please. | 0:33:57 | 0:33:59 | |
Yeah, OK. | 0:33:59 | 0:34:00 | |
I totally agree with the guys, erm, but you had such a nice energy. | 0:34:00 | 0:34:03 | |
You were really fluid, which was nice. | 0:34:03 | 0:34:06 | |
You were very relaxed, which made us relaxed. | 0:34:06 | 0:34:08 | |
Erm, the same, there was a lot of dancing at the beginning. | 0:34:08 | 0:34:11 | |
We just wanted to hear you sing | 0:34:11 | 0:34:13 | |
and my favourite bit was that a cappella bit you did at the end. | 0:34:13 | 0:34:16 | |
You were all so in-tune | 0:34:16 | 0:34:17 | |
and listening to each other, which was beautifully blended. | 0:34:17 | 0:34:20 | |
I really enjoyed it, so yeah, more singing. | 0:34:20 | 0:34:23 | |
Thank you. | 0:34:23 | 0:34:24 | |
Nobody got dropped! | 0:34:24 | 0:34:26 | |
LAUGHTER | 0:34:26 | 0:34:28 | |
So, they made the comment about having a lot of dance, | 0:34:28 | 0:34:30 | |
too much dance, needed more singing. | 0:34:30 | 0:34:32 | |
What do you think about that? | 0:34:32 | 0:34:33 | |
-I think we agree with them. -Yeah. | 0:34:33 | 0:34:35 | |
The thing is as well, I'm not sure, | 0:34:35 | 0:34:37 | |
we wanted to give a performance and not just a song. | 0:34:37 | 0:34:41 | |
We have so many other things we can show. | 0:34:41 | 0:34:43 | |
Cos some of us do things outside of this, | 0:34:43 | 0:34:46 | |
like dancing and other stuff, so we wanted to show them what we can do. | 0:34:46 | 0:34:49 | |
-Showcase everything. -Yeah. | 0:34:49 | 0:34:52 | |
They performed it nicely, they were really nice and relaxed. | 0:34:52 | 0:34:55 | |
I liked that they didn't come in... | 0:34:55 | 0:34:57 | |
You know, some people, they get worried about the dance | 0:34:57 | 0:35:00 | |
or worried about the vocal - they had the balance right | 0:35:00 | 0:35:03 | |
with doing the movements with the singing, | 0:35:03 | 0:35:04 | |
but it was just too much dance. | 0:35:04 | 0:35:07 | |
# Doo-ah, doo-ah, doo-ah, doo-ah Doo-ah, doo-ah doo-ah. # | 0:35:08 | 0:35:12 | |
Hi! | 0:35:17 | 0:35:19 | |
Right, next up we have The Peppermints. | 0:35:19 | 0:35:21 | |
Hi! | 0:35:21 | 0:35:22 | |
And this is the only returning group with all the original members. | 0:35:22 | 0:35:27 | |
# Swagger Jagger | 0:35:27 | 0:35:29 | |
# Swagger Jagger... # | 0:35:29 | 0:35:30 | |
So, I'm sure you'll remember them when you see them. | 0:35:30 | 0:35:33 | |
Look at Izzie! | 0:35:33 | 0:35:34 | |
-Hello...! -Hi! | 0:35:36 | 0:35:39 | |
Hello! Ooh, I get a hug! That's nice. | 0:35:39 | 0:35:42 | |
It's the glee club with the freshest breath in show business. | 0:35:42 | 0:35:45 | |
The Peppermints. | 0:35:45 | 0:35:46 | |
-You came back, then - we didn't put you off. -No! | 0:35:46 | 0:35:49 | |
We definitely come back, it was amazing last year. | 0:35:49 | 0:35:51 | |
-You had a good time? -Yeah! -Excited to be here again this time? | 0:35:51 | 0:35:54 | |
Yeah. | 0:35:54 | 0:35:55 | |
# You shout it out | 0:35:56 | 0:35:59 | |
# But I can't hear a word you say | 0:35:59 | 0:36:04 | |
# I'm talking loud Not saying much... # | 0:36:04 | 0:36:08 | |
It sounds beautiful, doesn't it? | 0:36:08 | 0:36:12 | |
# I'm bulletproof, nothing to lose | 0:36:12 | 0:36:16 | |
# Fire away, fire away | 0:36:16 | 0:36:20 | |
# You shoot me down but I won't fall | 0:36:20 | 0:36:24 | |
# I am titanium | 0:36:24 | 0:36:28 | |
# You shoot me down but I won't fall | 0:36:28 | 0:36:32 | |
# I am titanium | 0:36:32 | 0:36:36 | |
# Yo, I'll tell you what I want What I really, really want | 0:36:40 | 0:36:42 | |
# So tell me what you want What you really, really want | 0:36:42 | 0:36:45 | |
# I wanna-ha, I wanna-ha I wanna-ha, I wanna-ha | 0:36:45 | 0:36:47 | |
# I wanna really, really, really Wanna zigazig ah | 0:36:47 | 0:36:49 | |
# So here's the story from A to Zee | 0:36:49 | 0:36:51 | |
# If you wanna get with me You gotta listen carefully | 0:36:51 | 0:36:54 | |
# We got Em in the place Who likes it in your face | 0:36:54 | 0:36:56 | |
# We got G like MC who likes it on an... | 0:36:56 | 0:36:57 | |
# Easy V doesn't come for free She's a real lady | 0:36:57 | 0:37:01 | |
# And as for me - ah, you'll see | 0:37:01 | 0:37:02 | |
# Slam your body down and wind it all around | 0:37:02 | 0:37:04 | |
# Slam your body down and wind it all around | 0:37:04 | 0:37:07 | |
# If you wanna be my lover You gotta get with my friends | 0:37:07 | 0:37:10 | |
# Gotta get with my friends | 0:37:10 | 0:37:11 | |
# Make it last forever Friendship never ends | 0:37:11 | 0:37:16 | |
# Ba ba-da ba-da | 0:37:20 | 0:37:22 | |
# Ba-da ba-ba | 0:37:22 | 0:37:24 | |
# If you wanna be my lover. # | 0:37:24 | 0:37:26 | |
Like a bundle of energy, aren't they? | 0:37:30 | 0:37:32 | |
-Ahh, they're so cute! -How do you think they did? | 0:37:32 | 0:37:36 | |
-I'm so proud of them. -Ahh. | 0:37:36 | 0:37:38 | |
What I love about you guys is that there is not one weak link. | 0:37:38 | 0:37:43 | |
Everywhere I look on the stage, there is 100% performance going on. | 0:37:43 | 0:37:48 | |
Brilliant. | 0:37:48 | 0:37:49 | |
ALL: Thank you! | 0:37:49 | 0:37:51 | |
Yep, I brought you back because it would be a crying shame not to have. | 0:37:51 | 0:37:55 | |
You're very, very good and I have a massive smile on my face, | 0:37:55 | 0:37:59 | |
-I enjoyed it so, so much. -Thank you! | 0:37:59 | 0:38:02 | |
That was really good, I really enjoyed it. | 0:38:02 | 0:38:04 | |
You've got me singing and tapping - | 0:38:04 | 0:38:05 | |
I think we were all kind of bopping along to it! | 0:38:05 | 0:38:07 | |
And I'm going to be honest - as soon as you guys smiled, | 0:38:07 | 0:38:10 | |
it just made me smile and it made me | 0:38:10 | 0:38:12 | |
enjoy the performance like ten times as much as I originally did. | 0:38:12 | 0:38:15 | |
Thank you. | 0:38:15 | 0:38:17 | |
OK, you are done. | 0:38:17 | 0:38:18 | |
Thank you! | 0:38:18 | 0:38:20 | |
Bye! | 0:38:20 | 0:38:21 | |
Bye! | 0:38:21 | 0:38:23 | |
I'm ready. | 0:38:23 | 0:38:25 | |
-Well done! -Woo! | 0:38:25 | 0:38:28 | |
Tell me how it went. | 0:38:31 | 0:38:32 | |
-Amazing! -You enjoyed it? -Yeah! -Good! | 0:38:32 | 0:38:36 | |
-They had lovely things to say about you all. -I know! | 0:38:36 | 0:38:38 | |
So, do you feel that you're a year better? | 0:38:38 | 0:38:40 | |
Do you think that you've made - what improvements do you think...? | 0:38:40 | 0:38:43 | |
I think that we've definitely, definitely improved, | 0:38:43 | 0:38:45 | |
because we've been working so much harder this year. | 0:38:45 | 0:38:48 | |
That was proper entertainment, wasn't it? | 0:38:48 | 0:38:50 | |
They actually spent two minutes entertaining us. | 0:38:50 | 0:38:53 | |
You want a group that can blend well together - | 0:38:53 | 0:38:55 | |
they showed us that in the beginning. | 0:38:55 | 0:38:57 | |
You want a group that's got loads of energy, | 0:38:57 | 0:38:59 | |
you want a group that can do some up-tempo choreography. | 0:38:59 | 0:39:02 | |
And they were really... | 0:39:02 | 0:39:03 | |
They were ticking lots of boxes. | 0:39:03 | 0:39:05 | |
They were the glee club that ticked all the boxes. | 0:39:05 | 0:39:08 | |
# If you wanna be my lover. # | 0:39:08 | 0:39:09 | |
So, here's a quick reminder of the glee clubs | 0:39:14 | 0:39:16 | |
that performed on today's show. | 0:39:16 | 0:39:18 | |
VoxBox from Manchester... | 0:39:20 | 0:39:22 | |
# Joyful, joyful | 0:39:22 | 0:39:23 | |
# Lord we adore Thee | 0:39:23 | 0:39:26 | |
# God of Glory, Lord of Love... # | 0:39:26 | 0:39:30 | |
Encore from Harrogate... | 0:39:30 | 0:39:33 | |
# Don't stop, no-one's ever enough | 0:39:33 | 0:39:35 | |
# I'll never look back, never give up | 0:39:35 | 0:39:37 | |
# And if it gets rough it's time to get rough... # | 0:39:37 | 0:39:39 | |
Miss Chief, from southwest London. | 0:39:39 | 0:39:42 | |
# We are revolting children | 0:39:42 | 0:39:45 | |
# Living in revolting times | 0:39:45 | 0:39:47 | |
# We sing revolting songs | 0:39:47 | 0:39:49 | |
# Using revolting rhymes. # | 0:39:49 | 0:39:51 | |
Triple Threat from Falkirk... | 0:39:51 | 0:39:53 | |
# It's like you're my mirror | 0:39:53 | 0:39:56 | |
# My mirror staring back at me... # | 0:39:56 | 0:39:59 | |
MT13 from Port Talbot... | 0:39:59 | 0:40:02 | |
-# Wings, ooh -Mama told me not to waste my life | 0:40:02 | 0:40:07 | |
# She said, spread your wings My little butterfly... # | 0:40:07 | 0:40:10 | |
Rococo from Bolton... | 0:40:10 | 0:40:12 | |
# Any more | 0:40:12 | 0:40:14 | |
# Oh, oh | 0:40:14 | 0:40:16 | |
# Oh, oh | 0:40:16 | 0:40:19 | |
# Oh... # | 0:40:19 | 0:40:22 | |
Swing and Jazz from Wiltshire... | 0:40:22 | 0:40:25 | |
# It don't mean a thing | 0:40:25 | 0:40:27 | |
# If it ain't got that swing | 0:40:27 | 0:40:29 | |
# Doo-ah, doo-ah, doo-ah Doo-ah, doo-ah, doo-ah... # | 0:40:29 | 0:40:33 | |
And The Peppermints from Hartlepool. | 0:40:33 | 0:40:36 | |
# Ba ba-da ba-da | 0:40:36 | 0:40:38 | |
# Ba-da ba-ba | 0:40:38 | 0:40:40 | |
# If you wanna be my lover. # | 0:40:40 | 0:40:43 | |
So, all today's groups have now performed. | 0:40:49 | 0:40:51 | |
But remember, not everyone can make it through to the next round. | 0:40:51 | 0:40:55 | |
Let's join our judges chatting - arguing - | 0:40:55 | 0:40:58 | |
about who from this first judges' audition show | 0:40:58 | 0:41:00 | |
should make it to the studio heats. | 0:41:00 | 0:41:03 | |
Will they agree in the end? Let's find out. | 0:41:03 | 0:41:06 | |
I felt they'd come on so much, you know, | 0:41:06 | 0:41:09 | |
having seen some of these people before. | 0:41:09 | 0:41:12 | |
So, shall we put them over here as a definite, then? | 0:41:12 | 0:41:15 | |
I loved their performance. | 0:41:15 | 0:41:16 | |
I'm glad you said that, because I really felt they improved as well. | 0:41:16 | 0:41:19 | |
Cutie, cutie, cutie! | 0:41:19 | 0:41:21 | |
-You take them away and I will walk off. -We have to have them! | 0:41:21 | 0:41:26 | |
Promise? | 0:41:26 | 0:41:27 | |
-Definite, for me. -These would be a definite for me. | 0:41:31 | 0:41:33 | |
It hurts me to say this, I completely agree with Mrs Grant. | 0:41:33 | 0:41:37 | |
I think these ones should go through. | 0:41:37 | 0:41:38 | |
Well, if it hurts you to say it, then I won't argue. | 0:41:38 | 0:41:41 | |
-A lovely cross-section of people. -Agreed. | 0:41:41 | 0:41:44 | |
Good variety, consistent quality. | 0:41:44 | 0:41:46 | |
Job well done, guys. | 0:41:46 | 0:41:48 | |
So the judges have made their decision. | 0:41:54 | 0:41:56 | |
All of our glee clubs have performed their hearts out, | 0:41:56 | 0:41:59 | |
but remember, only five of the eight groups from today's show can | 0:41:59 | 0:42:03 | |
go through to the studio heats. | 0:42:03 | 0:42:05 | |
So let's rejoin the judges | 0:42:05 | 0:42:06 | |
to find out who secured an all-important place | 0:42:06 | 0:42:09 | |
in the next round. | 0:42:09 | 0:42:10 | |
The first group going through to the studio heats is... | 0:42:12 | 0:42:16 | |
Encore. | 0:42:18 | 0:42:19 | |
The second group going through to the studio heats is... | 0:42:23 | 0:42:28 | |
MT13. | 0:42:28 | 0:42:30 | |
The third group going through to the studio heats is... | 0:42:35 | 0:42:39 | |
Peppermints. | 0:42:39 | 0:42:40 | |
Swing and Jazz, I'm afraid you're not going through, | 0:42:46 | 0:42:48 | |
but thank you very much, well done and thank you for performing for us. | 0:42:48 | 0:42:52 | |
The fourth group going through to the studio heat... | 0:42:55 | 0:42:58 | |
..is... | 0:42:59 | 0:43:01 | |
..Miss Chief. | 0:43:03 | 0:43:04 | |
And finally, the fifth group... | 0:43:07 | 0:43:11 | |
going through to the studio heats is... | 0:43:11 | 0:43:14 | |
..VoxBox. | 0:43:17 | 0:43:18 | |
Triple Threat and Rococo, well done. You have been fantastic. | 0:43:24 | 0:43:28 | |
-NAOMI: -So, there you have it. | 0:43:30 | 0:43:32 | |
The first five groups have made it through to the studio heats | 0:43:32 | 0:43:35 | |
and are one step closer to the live shows. | 0:43:35 | 0:43:38 | |
Thanks to Carrie, David, John and all our celebrity guests. | 0:43:38 | 0:43:42 | |
See you next time for more from the judges' auditions. | 0:43:42 | 0:43:45 | |
Until then - bye! | 0:43:45 | 0:43:47 | |
To see all of today's performances again, go to the CBBC website | 0:43:47 | 0:43:50 | |
and click on the links for today's acts. | 0:43:50 | 0:43:54 | |
Next time on Glee Club, | 0:43:54 | 0:43:55 | |
it's the second of the judges' audition shows, | 0:43:55 | 0:43:57 | |
where another eight groups will battle it out | 0:43:57 | 0:44:00 | |
for a place in the studio heats. | 0:44:00 | 0:44:01 | |
Don't miss it! | 0:44:01 | 0:44:03 |