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Last time on Glee Club, | 0:00:03 | 0:00:05 | |
VoxBox, Encore, Miss Chief, | 0:00:05 | 0:00:07 | |
MT13 and The Peppermints | 0:00:07 | 0:00:09 | |
all made it through to the studio heats. | 0:00:09 | 0:00:11 | |
You guys are like a musical energy drink. | 0:00:11 | 0:00:14 | |
Today, eight more acts will sing | 0:00:14 | 0:00:15 | |
and dance their hearts out for a place in the next round. | 0:00:15 | 0:00:18 | |
This is Sport Relief Does Glee Club 2014. | 0:00:18 | 0:00:21 | |
Hello and welcome back to | 0:00:40 | 0:00:42 | |
Sport Relief Does Glee Club 2014 - | 0:00:42 | 0:00:46 | |
CBBC's search for Britain's best young singing and dancing group. | 0:00:46 | 0:00:50 | |
This is the second of our judges' audition shows, | 0:00:50 | 0:00:53 | |
so the pressure is on. | 0:00:53 | 0:00:55 | |
Today, eight acts will give it their all for the chance to perform again | 0:00:55 | 0:00:59 | |
in front of a live studio audience. | 0:00:59 | 0:01:02 | |
But, before all that, let's take a look back at some of the many acts | 0:01:02 | 0:01:05 | |
who performed for us during the Glee Club tour of the UK. | 0:01:05 | 0:01:09 | |
John and the team travelled the length and breadth of the country | 0:01:17 | 0:01:19 | |
to find the best singing and dancing talent that the UK has to offer. | 0:01:19 | 0:01:24 | |
First stop, the North East of England and Newcastle. | 0:01:24 | 0:01:27 | |
Hello! | 0:01:27 | 0:01:28 | |
# Don't stop me now... # | 0:01:31 | 0:01:34 | |
Next stop was Glasgow, | 0:01:35 | 0:01:37 | |
where John was checking out the talent north of the border. | 0:01:37 | 0:01:41 | |
# It's not about the money, money, money... # | 0:01:41 | 0:01:43 | |
Then it was straight back down to Manchester, | 0:01:43 | 0:01:46 | |
with more groups giving it their all. | 0:01:46 | 0:01:48 | |
THEY SING | 0:01:48 | 0:01:50 | |
HE MOUTHS | 0:01:50 | 0:01:51 | |
John and the team then headed off to London | 0:01:51 | 0:01:53 | |
to see what the Glee Clubs in the capital city could come up with. | 0:01:53 | 0:01:56 | |
Let's go and listen to some music! | 0:01:58 | 0:02:01 | |
# La, la, la, hey! # | 0:02:01 | 0:02:04 | |
Next, they were off to Bristol, | 0:02:05 | 0:02:08 | |
to check out the best of the West Country's glee clubs, | 0:02:08 | 0:02:10 | |
before heading to Cardiff to see what was on offer there. | 0:02:10 | 0:02:13 | |
# Yes, I do now... # | 0:02:13 | 0:02:16 | |
Bye-bye, Cardiff. | 0:02:16 | 0:02:17 | |
Who's next? | 0:02:17 | 0:02:19 | |
Then it was a quick trip across to Belfast, to see what | 0:02:19 | 0:02:21 | |
the Northern Irish glee clubs could come up with, before heading | 0:02:21 | 0:02:25 | |
down to Brighton, to complete the talent search of the UK. | 0:02:25 | 0:02:28 | |
# I keep coming back... # | 0:02:28 | 0:02:30 | |
The standard was high, | 0:02:30 | 0:02:31 | |
but it was then up to John to select the 24 successful glee clubs | 0:02:31 | 0:02:35 | |
who were invited to perform again at the judges' auditions. | 0:02:35 | 0:02:38 | |
Now, you may have noticed, Sam and Mark aren't here, but don't worry, | 0:02:46 | 0:02:49 | |
they will be joining us very soon for the heats and live shows. | 0:02:49 | 0:02:52 | |
But, in the meantime, keeping a close eye on proceedings | 0:02:52 | 0:02:56 | |
and making those all-important decisions were our resident experts. | 0:02:56 | 0:03:00 | |
So let's take a moment to meet the people | 0:03:00 | 0:03:02 | |
who will decide the fate of our groups. | 0:03:02 | 0:03:04 | |
It's our judges. | 0:03:04 | 0:03:05 | |
Carrie and David are two of the UK's best-known celebrity vocal coaches. | 0:03:07 | 0:03:11 | |
That was fantastic. | 0:03:11 | 0:03:13 | |
That was a world-class performance. | 0:03:13 | 0:03:16 | |
They've worked with pop artists including Take That, | 0:03:16 | 0:03:19 | |
The Saturdays, Marvin Humes and even Gwyneth Paltrow. | 0:03:19 | 0:03:22 | |
Celebrity vocal and performance coach John has worked with | 0:03:22 | 0:03:26 | |
a variety of stars, including JLS, Leona Lewis, Olly Murs | 0:03:26 | 0:03:29 | |
and Frankie Sandford. | 0:03:29 | 0:03:31 | |
He's also worked behind-the-scenes on top shows | 0:03:31 | 0:03:33 | |
like The Voice and The X Factor. | 0:03:33 | 0:03:36 | |
Helping Carrie, David and John decide who should go through | 0:03:36 | 0:03:39 | |
to the heats were some very special expert guests. | 0:03:39 | 0:03:43 | |
Let's meet them. | 0:03:43 | 0:03:45 | |
Soul singer and presenter Dionne Bromfield has been nominated | 0:03:45 | 0:03:48 | |
for a MOBO Award, has recorded two albums | 0:03:48 | 0:03:50 | |
and also finds time to present CBBC's Friday Download. | 0:03:50 | 0:03:55 | |
Is that another one you play on the breakfast show? | 0:03:55 | 0:03:57 | |
I do play that on the radio, as well, Dionne. We're so in sync! | 0:03:57 | 0:04:01 | |
West End star Kerry Ellis has had lead roles in Wicked, | 0:04:01 | 0:04:03 | |
Les Miserables, We Will Rock You and Oliver! | 0:04:03 | 0:04:06 | |
and is also a successful recording artist. | 0:04:06 | 0:04:08 | |
And finally, Strictly Come Dancing professional Erin Boag | 0:04:08 | 0:04:12 | |
has put many celebrities through their paces, | 0:04:12 | 0:04:14 | |
wowed audiences with her dance moves | 0:04:14 | 0:04:16 | |
and stars regularly in spectacular sell-out shows. | 0:04:16 | 0:04:19 | |
Now for the serious bit, so pay attention. | 0:04:25 | 0:04:29 | |
Of the many groups who applied for Sport Relief Does Glee Club, | 0:04:29 | 0:04:32 | |
only the top 24 made it through to the judges' auditions. | 0:04:32 | 0:04:36 | |
Today, eight of those hopefuls will perform for our judges, | 0:04:36 | 0:04:39 | |
but only five will go through to the studio heats. | 0:04:39 | 0:04:43 | |
So let's meet the first act to perform for our judges. | 0:04:43 | 0:04:47 | |
We're Hi' JinX! | 0:04:52 | 0:04:54 | |
# Yeah | 0:04:54 | 0:04:56 | |
# Down on earth. # | 0:04:56 | 0:04:57 | |
I think you're going to recognise a certain feel about them | 0:04:57 | 0:05:02 | |
-from another group last year, but they're different. -OK. | 0:05:02 | 0:05:07 | |
Now, tell me about the stripy socks. They are pretty cool. | 0:05:07 | 0:05:10 | |
THEY LAUGH | 0:05:10 | 0:05:12 | |
Somebody told me there was a bit of sock drama. What's happened? | 0:05:12 | 0:05:15 | |
-I lost the sock. -You lost the sock? | 0:05:15 | 0:05:17 | |
-What, on your way here? -No, in my house. | 0:05:17 | 0:05:20 | |
Oh, dear. So what have you done? Have you borrowed someone else's? | 0:05:20 | 0:05:23 | |
-No, I had two pairs. -OK. Phew! | 0:05:23 | 0:05:25 | |
You have lots of crazy socks in your collection? Good. | 0:05:25 | 0:05:29 | |
# I got this feeling on | 0:05:38 | 0:05:39 | |
# A summer day when you were gone | 0:05:39 | 0:05:41 | |
# I crashed my car into the bridge | 0:05:41 | 0:05:43 | |
# I watched, I let it burn | 0:05:43 | 0:05:45 | |
# I threw your stuff into a bag | 0:05:45 | 0:05:47 | |
# And pushed it down the stairs | 0:05:47 | 0:05:49 | |
# I crashed my car into the bridge | 0:05:49 | 0:05:51 | |
# I don't care | 0:05:51 | 0:05:53 | |
# I love it... # | 0:05:53 | 0:05:55 | |
-Go on, girls. -# I don't care | 0:05:55 | 0:05:57 | |
# I love it, I love it | 0:05:57 | 0:05:59 | |
# I don't care | 0:05:59 | 0:06:01 | |
# I love it | 0:06:01 | 0:06:03 | |
# I don't care | 0:06:03 | 0:06:05 | |
# I love it | 0:06:05 | 0:06:07 | |
# You're on a different road | 0:06:07 | 0:06:09 | |
# I'm in the Milky Way | 0:06:09 | 0:06:11 | |
# You want me down on Earth | 0:06:11 | 0:06:13 | |
# But I am up in space | 0:06:13 | 0:06:14 | |
# You're so, so hard to please | 0:06:14 | 0:06:16 | |
# We gotta kill this switch | 0:06:16 | 0:06:19 | |
# You're from the '70s | 0:06:19 | 0:06:21 | |
# But I'm a '90s chick | 0:06:21 | 0:06:23 | |
# I got this feeling on | 0:06:23 | 0:06:24 | |
# A summer day when you were gone | 0:06:24 | 0:06:27 | |
# I crashed my car into the bridge | 0:06:27 | 0:06:29 | |
# I watched, I let it burn | 0:06:29 | 0:06:31 | |
# I threw your stuff into a bag | 0:06:31 | 0:06:33 | |
# And pushed it down the stairs | 0:06:33 | 0:06:34 | |
# I crashed my car into the bridge | 0:06:34 | 0:06:37 | |
# I don't care | 0:06:37 | 0:06:39 | |
# I love it | 0:06:39 | 0:06:41 | |
# I don't care | 0:06:41 | 0:06:43 | |
# I love it, I love it | 0:06:43 | 0:06:45 | |
# I don't care. # | 0:06:45 | 0:06:47 | |
-Excellent. Happy with that? -Very happy. | 0:06:48 | 0:06:51 | |
I like the overall package. I like your costumes. | 0:06:51 | 0:06:53 | |
But also, I like the way that you lit up | 0:06:53 | 0:06:55 | |
when you started singing, especially the second girl in here. | 0:06:55 | 0:06:59 | |
With the... I suppose they've all got pink tops on. | 0:06:59 | 0:07:02 | |
But it engaged me. | 0:07:02 | 0:07:04 | |
And it was really good, well done. | 0:07:04 | 0:07:06 | |
You know, there was a group who came runner-up last year | 0:07:06 | 0:07:09 | |
called Raveheart. | 0:07:09 | 0:07:11 | |
You guys remind me of a junior version of them. | 0:07:11 | 0:07:14 | |
You need... The only thing I would say to add, is just add | 0:07:14 | 0:07:17 | |
a bit more ferocity, because I think you've got it in you. | 0:07:17 | 0:07:20 | |
Guys, that was fabulous. | 0:07:20 | 0:07:22 | |
It's a real summer song and you were like a ray of sunshine on that stage. | 0:07:22 | 0:07:26 | |
Really uniform. I love the unison vocals. | 0:07:26 | 0:07:29 | |
It was like one big, fat voice, which sounds brilliant. That's brilliant. | 0:07:29 | 0:07:34 | |
If you get through, I want a little bit more harmony singing from you, | 0:07:34 | 0:07:38 | |
but the stuff that was in unison was brilliant. | 0:07:38 | 0:07:42 | |
-GIRLS: -Thank you. -Well done. | 0:07:42 | 0:07:44 | |
-How was it? -ALL: Good! | 0:07:44 | 0:07:46 | |
Relieved it's over, or did you really enjoy it? | 0:07:46 | 0:07:49 | |
-Really enjoyed it. -Enjoyed it, good. I thought you did. | 0:07:49 | 0:07:51 | |
And you got a special mention. | 0:07:51 | 0:07:53 | |
-How did that feel, to get a special mention? -Really good. | 0:07:53 | 0:07:56 | |
What would you like to say back to the judges | 0:07:56 | 0:07:59 | |
for saying something nice to you? | 0:07:59 | 0:08:01 | |
-Thank you! -Aww, short and sweet. | 0:08:01 | 0:08:04 | |
The only thing I would have liked, is because the unison was | 0:08:04 | 0:08:08 | |
-so belty and then the harmony was a bit... -It was a bit sweet, yeah. | 0:08:08 | 0:08:12 | |
The harmony was a bit... Maybe it's the age of their voices. | 0:08:12 | 0:08:15 | |
That's the only reason why... | 0:08:15 | 0:08:17 | |
It might have been better to pick a lower harmony, | 0:08:17 | 0:08:19 | |
so that they could have kicked a bit more guts into that. | 0:08:19 | 0:08:22 | |
But, you know, to be honest, | 0:08:22 | 0:08:24 | |
to get that good unison singing is hard. | 0:08:24 | 0:08:27 | |
# I don't care. # | 0:08:27 | 0:08:29 | |
# Stop, cos we're so... # | 0:08:36 | 0:08:38 | |
Next up, we have Figure 8 from Manchester. | 0:08:38 | 0:08:41 | |
THEY CHEER | 0:08:41 | 0:08:43 | |
That wall of sound you always talk about, | 0:08:43 | 0:08:45 | |
I think this is why I brought them back. | 0:08:45 | 0:08:47 | |
Any bits you are particularly looking forward to, | 0:08:47 | 0:08:50 | |
or a bit nervous about with this performance? | 0:08:50 | 0:08:52 | |
-A bit nervous about the dancing. -The dancing? Why's that? | 0:08:52 | 0:08:55 | |
Um, none of us are really dancers. | 0:08:55 | 0:08:57 | |
Have you made the choreography very complicated? | 0:08:57 | 0:09:00 | |
Not really complicated but we still... Yeah. | 0:09:00 | 0:09:03 | |
Just have to think about it all the time. OK. | 0:09:03 | 0:09:06 | |
# Let's go to the beach-each # Let's go get away | 0:09:13 | 0:09:16 | |
-# They say -# What they gonna say? | 0:09:16 | 0:09:18 | |
# Have a drink, clink, found the light | 0:09:18 | 0:09:20 | |
# Bad chicks like me, it's hard to come by | 0:09:20 | 0:09:22 | |
# Get it on, on, let's go get it on | 0:09:22 | 0:09:24 | |
# The zone-one, yes, I'm in the zone | 0:09:24 | 0:09:26 | |
# Is it two, three, leave a good tip | 0:09:26 | 0:09:28 | |
# I'm-a blow all my money I don't care about it | 0:09:28 | 0:09:30 | |
# The floor, floor | 0:09:30 | 0:09:32 | |
# I love to dance | 0:09:32 | 0:09:33 | |
# So give me more, more | 0:09:33 | 0:09:35 | |
# Till I can't stand | 0:09:35 | 0:09:37 | |
# Get on the floor, floor | 0:09:37 | 0:09:39 | |
# Like it's your last chance | 0:09:39 | 0:09:41 | |
# If you want more, more | 0:09:41 | 0:09:43 | |
# Then here I am | 0:09:43 | 0:09:45 | |
# Starships were meant to fly | 0:09:45 | 0:09:49 | |
# Hands up and touch the sky | 0:09:49 | 0:09:53 | |
# Can't stop cos we're so high | 0:09:53 | 0:09:57 | |
# Let's do this one more time | 0:09:57 | 0:10:01 | |
# Starships were meant to fly | 0:10:01 | 0:10:04 | |
# Hands up and touch the sky | 0:10:04 | 0:10:08 | |
# Can't stop cos we're so high | 0:10:08 | 0:10:12 | |
# Let's do this one more time | 0:10:12 | 0:10:16 | |
# Let's do this one more time. # | 0:10:16 | 0:10:20 | |
Oh, a lovely ending. | 0:10:20 | 0:10:22 | |
-Lovely. -Wow. | 0:10:22 | 0:10:24 | |
I'm going to count to three and I want you all to go, "Pow!" Like that. | 0:10:24 | 0:10:27 | |
One, two, three. | 0:10:27 | 0:10:29 | |
ALL: Pow! | 0:10:29 | 0:10:30 | |
Right, that's what you call snap. | 0:10:30 | 0:10:33 | |
Snap is when you go... | 0:10:33 | 0:10:35 | |
FORCEFULLY: # Starships... # | 0:10:35 | 0:10:36 | |
At the moment it's like... WEAKLY: # Starships are meant to... # | 0:10:36 | 0:10:39 | |
it's a little bit droopy, choreographically. | 0:10:39 | 0:10:43 | |
The choreography is fine, | 0:10:43 | 0:10:44 | |
it's how you're executing the choreography. | 0:10:44 | 0:10:46 | |
Similarly, with the vocals, the vocals are beautiful, | 0:10:46 | 0:10:50 | |
but it's very legato and joined up. It needs snap. | 0:10:50 | 0:10:54 | |
So if you get through, I want you to think about, | 0:10:54 | 0:10:58 | |
"How do I put pow into the vocals and into the action?" | 0:10:58 | 0:11:02 | |
I go with Carrie. You need snap, you need attitude, you need swagger. | 0:11:02 | 0:11:06 | |
Don't hold anything back. | 0:11:06 | 0:11:07 | |
Don't save anything for when it's over, | 0:11:07 | 0:11:09 | |
cos when it's over its too late. Leave everything on the stage. | 0:11:09 | 0:11:13 | |
Leave everything in that performance. Don't hold back. | 0:11:13 | 0:11:16 | |
You've all got beautiful voices. | 0:11:17 | 0:11:19 | |
When you sing together it sounds really, really nice. | 0:11:19 | 0:11:21 | |
I think you girls should just smile more. | 0:11:21 | 0:11:23 | |
You've all got very pretty faces, so we want to see your teeth. | 0:11:23 | 0:11:27 | |
You there, are you the girl who started singing? | 0:11:27 | 0:11:30 | |
Um, I think with you, your voice was really, really nice. | 0:11:30 | 0:11:34 | |
But you're the first one that's going to sing on their own, | 0:11:34 | 0:11:36 | |
so people are going to look at you. | 0:11:36 | 0:11:38 | |
I just wanted you to be a bit more like, | 0:11:38 | 0:11:40 | |
"Yeah, I'm the first one singing and I'm going to own this." | 0:11:40 | 0:11:42 | |
But, girls, don't think just because the soloists are singing | 0:11:42 | 0:11:46 | |
that you're not going to be seen as well. | 0:11:46 | 0:11:47 | |
So just make sure everyone knows that. | 0:11:47 | 0:11:50 | |
So if we see you again, I need to see POW, yeah? | 0:11:50 | 0:11:53 | |
So they said you needed POW. | 0:11:55 | 0:11:57 | |
-Do you think you've got it in you? -ALL: Yeah. -It's there, is it? | 0:11:57 | 0:12:01 | |
How are you going to bring out that KA-POW. | 0:12:01 | 0:12:03 | |
A bit more energy, I think. Like, pow. | 0:12:04 | 0:12:07 | |
LAUGHTER | 0:12:07 | 0:12:08 | |
Fingers crossed you have done enough. | 0:12:08 | 0:12:10 | |
If you get through, what are we going to see more of? | 0:12:10 | 0:12:12 | |
ALL: POW! | 0:12:12 | 0:12:13 | |
They're all doing it out there now, but that POW thing, | 0:12:13 | 0:12:16 | |
they all went like that. | 0:12:16 | 0:12:17 | |
-Yeah. -Yeah. -Where's that aggression when they're going...? | 0:12:17 | 0:12:19 | |
WEAKLY: # Starships are meant to... # What's that? | 0:12:19 | 0:12:22 | |
Do you know what? All it takes is... | 0:12:22 | 0:12:24 | |
It only takes one of them for the rest of them to actually go, | 0:12:24 | 0:12:26 | |
-"Oh, I'm going to do it now." -Yes, you're right. | 0:12:26 | 0:12:29 | |
But until that one person does it, they're all just going to... | 0:12:29 | 0:12:31 | |
They've all levelled out to... # Hands up... # | 0:12:31 | 0:12:34 | |
-Yeah. -The question is going to be | 0:12:34 | 0:12:36 | |
are you willing to take a risk with these guys? | 0:12:36 | 0:12:38 | |
# Let's do this one more time. # | 0:12:38 | 0:12:42 | |
Good comments for both Hi' JinX and Figure 8 there, | 0:12:49 | 0:12:52 | |
but still lots to improve on if they make it to the studio heats. | 0:12:52 | 0:12:55 | |
Next up, another two groups get their chance to impress the judges. | 0:12:55 | 0:12:59 | |
None of us could stop smiling, and that tells me something. | 0:12:59 | 0:13:03 | |
Great harmonies, and you've got some wonderful voices. | 0:13:03 | 0:13:06 | |
You're a proper urban glee club. | 0:13:06 | 0:13:09 | |
We are #Boom! | 0:13:13 | 0:13:16 | |
I wasn't sure about them. | 0:13:18 | 0:13:19 | |
I wanted to bring them back especially for a second, | 0:13:19 | 0:13:22 | |
third and fourth opinion. | 0:13:22 | 0:13:24 | |
-Are you ready? -Yes. | 0:13:24 | 0:13:26 | |
Let's do it. Off you go. | 0:13:26 | 0:13:29 | |
# Mama told me not to waste my life | 0:13:32 | 0:13:35 | |
# She said, "Spread your wings, my little butterfly | 0:13:35 | 0:13:40 | |
# "Don't let what they say keep you up at night | 0:13:40 | 0:13:44 | |
# "And if they give you... Sh! | 0:13:44 | 0:13:46 | |
# "Then they can walk on by" | 0:13:46 | 0:13:49 | |
# My feet, feet can't touch the ground | 0:13:49 | 0:13:52 | |
# I can't hear a sound | 0:13:52 | 0:13:54 | |
# But you just keep on running off your mouth, yeah | 0:13:54 | 0:13:57 | |
# Walk, walk on over there | 0:13:57 | 0:14:00 | |
# Cos I'm too fly to care | 0:14:00 | 0:14:03 | |
# Oh, yeah | 0:14:03 | 0:14:05 | |
# Your words don't mean a thing | 0:14:05 | 0:14:08 | |
# I'm not listening | 0:14:08 | 0:14:10 | |
# Keep talking | 0:14:10 | 0:14:12 | |
# All I know is | 0:14:12 | 0:14:13 | |
# Mama told me not to waste my life | 0:14:13 | 0:14:17 | |
# She said, "Spread your wings, my little butterfly | 0:14:17 | 0:14:21 | |
# "Don't let what they say | 0:14:21 | 0:14:23 | |
# "Keep you up at night | 0:14:23 | 0:14:26 | |
# "And they can't detain you | 0:14:26 | 0:14:28 | |
# "Cos wings are made to fly" | 0:14:28 | 0:14:32 | |
# And we don't let nobody bring us down | 0:14:32 | 0:14:36 | |
# No matter what they say | 0:14:36 | 0:14:38 | |
# It won't hurt me | 0:14:38 | 0:14:39 | |
# Hurt me | 0:14:39 | 0:14:41 | |
# No matter if I fall from the sky | 0:14:41 | 0:14:45 | |
# These wings are made to fly. # | 0:14:45 | 0:14:50 | |
I think he's born to be on the stage. Wow. | 0:14:51 | 0:14:54 | |
There is something about you that really makes us smile. | 0:14:55 | 0:15:00 | |
I actually looked down the line and everyone was full-on teeth | 0:15:00 | 0:15:04 | |
and everything smiling. | 0:15:04 | 0:15:06 | |
-It's cos we're on camera. -LAUGHTER | 0:15:06 | 0:15:08 | |
Actually, quite often, it's the reverse that happens. | 0:15:08 | 0:15:10 | |
Judges will sit there with their poker faces, | 0:15:10 | 0:15:13 | |
but none of us could stop smiling. | 0:15:13 | 0:15:15 | |
That tells me something. | 0:15:15 | 0:15:17 | |
So well done. | 0:15:17 | 0:15:18 | |
Let me tell you what I love. | 0:15:18 | 0:15:20 | |
I mean, you've got the gospel, R&B riffing, | 0:15:20 | 0:15:24 | |
you've got the hip-hop swagger, you've got the pop cool. | 0:15:24 | 0:15:30 | |
You're a proper urban glee club. | 0:15:30 | 0:15:33 | |
If you get through, you have to do so much work | 0:15:33 | 0:15:37 | |
between now and then to tighten everything up. | 0:15:37 | 0:15:41 | |
You guys are sensational. | 0:15:41 | 0:15:43 | |
Thank you. | 0:15:43 | 0:15:44 | |
I loved each and everyone of you. | 0:15:44 | 0:15:46 | |
I loved your song, I loved the attitude, | 0:15:46 | 0:15:48 | |
I loved the way that you used the entire floor. | 0:15:48 | 0:15:51 | |
You're marvellous, all of you were marvellous. | 0:15:51 | 0:15:54 | |
But, Shem, it's like you ruled the floor. It was fantastic. Fantastic. | 0:15:54 | 0:15:58 | |
-Thank you. -#Boom! | 0:15:58 | 0:16:00 | |
-It's more like the # and then the Boom. -All right, do it for us. | 0:16:00 | 0:16:03 | |
Get it right! | 0:16:03 | 0:16:04 | |
# Boom! | 0:16:04 | 0:16:06 | |
# Boom! | 0:16:06 | 0:16:08 | |
John, it doesn't sound right with a Canadian accent. | 0:16:08 | 0:16:11 | |
-It doesn't. -See you later, guys. | 0:16:11 | 0:16:13 | |
What would you have to do if you were put through to the next level. | 0:16:13 | 0:16:17 | |
Work harder, I guess. | 0:16:17 | 0:16:19 | |
What are you going to do? | 0:16:19 | 0:16:20 | |
-Put more effort into it. -A bit more energy, maybe. | 0:16:20 | 0:16:23 | |
-Do you think you could rehearse more? -Definitely. | 0:16:23 | 0:16:26 | |
-DAVID: -I think they're either going to be magical | 0:16:27 | 0:16:30 | |
or they're going to be terrible. | 0:16:30 | 0:16:32 | |
But, I have to say, there's a part of me that would rather that | 0:16:33 | 0:16:38 | |
than to have a glee club that just sits in the middle. | 0:16:38 | 0:16:41 | |
Yeah, you don't want one that's just average, do you? | 0:16:41 | 0:16:44 | |
They're never going to fall apart, | 0:16:44 | 0:16:46 | |
but they're never going to give you a moment | 0:16:46 | 0:16:48 | |
where you just spontaneously smile. | 0:16:48 | 0:16:50 | |
# These wings are made to fly. # | 0:16:50 | 0:16:55 | |
# Harmonee | 0:17:02 | 0:17:03 | |
# Harmonee | 0:17:03 | 0:17:04 | |
# Harmonee | 0:17:04 | 0:17:05 | |
# Harmonee. # | 0:17:05 | 0:17:07 | |
Someone's off. | 0:17:07 | 0:17:08 | |
What's the name of your group? | 0:17:08 | 0:17:10 | |
-Harmonee. -Harmonee. | 0:17:10 | 0:17:12 | |
Saw these guys in Manchester. | 0:17:12 | 0:17:14 | |
They've got good use of props, their ensemble sound, I found, | 0:17:14 | 0:17:18 | |
was very well blended. | 0:17:18 | 0:17:19 | |
They had a lot of animation, so I said, | 0:17:19 | 0:17:21 | |
-"Well, you're going to come back." -But what do you know? | 0:17:21 | 0:17:24 | |
Yeah. | 0:17:24 | 0:17:26 | |
THEY LAUGH | 0:17:26 | 0:17:29 | |
# Super Trouper | 0:17:32 | 0:17:34 | |
# Beams are gonna blind me | 0:17:34 | 0:17:36 | |
# But I won't feel blue | 0:17:36 | 0:17:40 | |
# Like I always do | 0:17:40 | 0:17:44 | |
# Cos somewhere in the crowd | 0:17:44 | 0:17:46 | |
# There's you | 0:17:46 | 0:17:48 | |
# I was sick and tired of everything | 0:18:03 | 0:18:06 | |
# When I called you last night from Glasgow | 0:18:06 | 0:18:11 | |
# All I do is eat and sleep and sing | 0:18:11 | 0:18:14 | |
# Wishing every show was the last show | 0:18:14 | 0:18:19 | |
# So imagine I was glad to hear you're coming | 0:18:19 | 0:18:22 | |
# Glad to hear you're coming | 0:18:22 | 0:18:23 | |
# Suddenly I feel all right | 0:18:23 | 0:18:26 | |
# And suddenly it's gonna be | 0:18:26 | 0:18:28 | |
# And it's gonna be so different | 0:18:28 | 0:18:30 | |
# When I'm on the stage tonight | 0:18:30 | 0:18:34 | |
# Super trouper | 0:18:35 | 0:18:37 | |
# Beams are gonna blind me | 0:18:37 | 0:18:39 | |
# But I won't feel blue | 0:18:39 | 0:18:43 | |
# Like I always do | 0:18:43 | 0:18:47 | |
# Cos somewhere in the crowd | 0:18:47 | 0:18:49 | |
# There's you | 0:18:49 | 0:18:50 | |
# Super trouper | 0:18:50 | 0:18:51 | |
# Beams are gonna blind me | 0:18:51 | 0:18:53 | |
# But I won't feel blue | 0:18:53 | 0:18:57 | |
# Like I always do | 0:18:57 | 0:19:01 | |
# Cos somewhere in the crowd... # MUSIC STOPS | 0:19:01 | 0:19:04 | |
# There's you. # | 0:19:04 | 0:19:11 | |
Don't look scared. It's finished. | 0:19:12 | 0:19:17 | |
-Yay! -Oh, I'm really proud. | 0:19:17 | 0:19:18 | |
-Yeah? -Yeah. | 0:19:18 | 0:19:20 | |
What I admire about it is the fact that people don't know | 0:19:20 | 0:19:23 | |
until they start taking apart ABBA harmonies just how complex they are. | 0:19:23 | 0:19:27 | |
They always seem really easy to sing till... | 0:19:27 | 0:19:29 | |
till you try and sing them and then they're not. | 0:19:29 | 0:19:32 | |
And you actually had them. | 0:19:32 | 0:19:34 | |
You actually got them all and you got them all in. You did them well. | 0:19:34 | 0:19:40 | |
Thank you. | 0:19:40 | 0:19:41 | |
The brilliant part about it was the a cappella. | 0:19:41 | 0:19:43 | |
The way you finished at the end showed how tight your harmonies are | 0:19:43 | 0:19:47 | |
and how really on it you are with your vocals, so well done. | 0:19:47 | 0:19:50 | |
Thank you. | 0:19:51 | 0:19:52 | |
I think you could just relax a little bit | 0:19:52 | 0:19:55 | |
and have a bit more fun with it. | 0:19:55 | 0:19:57 | |
Just relax your performance a little bit and link the song to the moves. | 0:19:57 | 0:20:01 | |
Like the guys were saying, it's one performance, | 0:20:01 | 0:20:04 | |
so you need to link those dance moves with those vocals, | 0:20:04 | 0:20:08 | |
which doesn't help with the breathing, cos it's tough. | 0:20:08 | 0:20:11 | |
You get out of breath when you're doing those big notes. | 0:20:11 | 0:20:13 | |
You're moving around the stage. | 0:20:13 | 0:20:15 | |
Maybe simplify the moves a little bit | 0:20:15 | 0:20:17 | |
so you can concentrate on your singing. But I loved it. | 0:20:17 | 0:20:20 | |
You looked great. Great faces. I love the colours. Great harmonies. | 0:20:20 | 0:20:24 | |
-You've got some wonderful voices. -Well done, guys. | 0:20:24 | 0:20:28 | |
So you're happy with how it went. | 0:20:29 | 0:20:31 | |
-Yeah. -Did any bits go wrong or...? | 0:20:31 | 0:20:33 | |
We have to work on our moves, putting them with our song, | 0:20:33 | 0:20:38 | |
cos we were getting out of breath a lot of the time. | 0:20:38 | 0:20:41 | |
Do you find that as you're performing with that routine, | 0:20:41 | 0:20:45 | |
that you do get a bit tired towards the end? | 0:20:45 | 0:20:47 | |
I think it was nerves as well. | 0:20:47 | 0:20:50 | |
Maybe just less movement, they needed. | 0:20:51 | 0:20:54 | |
Towards the end they did get a little bit out of breath, | 0:20:54 | 0:20:56 | |
-and that's when the tuning slightly went. -Yeah. | 0:20:56 | 0:20:58 | |
It's difficult for them singing with mics. | 0:20:58 | 0:21:01 | |
-They might not have sung with mics. -Not used to hearing themselves. | 0:21:01 | 0:21:04 | |
They're used to listening to themselves acoustically, | 0:21:04 | 0:21:07 | |
and to suddenly to hear themselves with mics on. | 0:21:07 | 0:21:09 | |
Perhaps they stopped listening. | 0:21:09 | 0:21:10 | |
# Cos somewhere in the crowd | 0:21:10 | 0:21:13 | |
# There's you. # | 0:21:13 | 0:21:20 | |
Four of today's acts have now performed for the judges, | 0:21:26 | 0:21:29 | |
but there are four more groups still to see, so don't go anywhere. | 0:21:29 | 0:21:32 | |
But first, let's take a moment to remind ourselves why we're all here. | 0:21:32 | 0:21:36 | |
Sport Relief raises money to help change people's lives in some | 0:21:38 | 0:21:41 | |
of the world's poorest communities, as well as right here in the UK. | 0:21:41 | 0:21:45 | |
In fact, there are over 2,000 UK projects | 0:21:46 | 0:21:49 | |
benefitting from money raised by the charity. | 0:21:49 | 0:21:52 | |
So wherever you're watching from, you're probably not very far away | 0:21:52 | 0:21:55 | |
from a project supported by Sport Relief. | 0:21:55 | 0:21:58 | |
Your donations really can make a difference | 0:21:59 | 0:22:01 | |
to the lives of vulnerable people at home and abroad. | 0:22:01 | 0:22:05 | |
If you'd like to get involved in this year's | 0:22:05 | 0:22:07 | |
Sport Relief Games from the 21st to the 23rd of March, | 0:22:07 | 0:22:10 | |
grab a grown-up and visit the CBBC website... | 0:22:10 | 0:22:13 | |
..to find out how. | 0:22:18 | 0:22:19 | |
Thank you. | 0:22:20 | 0:22:21 | |
Right, next group up. You're going to like this one. | 0:22:29 | 0:22:32 | |
It's an all-boy band. | 0:22:32 | 0:22:33 | |
-Really? -Oh, yes. They're called React. I saw them in London. | 0:22:36 | 0:22:40 | |
Let's hear it for the boys! | 0:22:40 | 0:22:42 | |
Of course, they had to come back. | 0:22:42 | 0:22:43 | |
-They were actually pretty good. -Fantastic. | 0:22:43 | 0:22:46 | |
Somebody has brought lucky underwear. | 0:22:46 | 0:22:48 | |
-I'm the shameful one. -You're wearing lucky pants. | 0:22:48 | 0:22:50 | |
-I am. -Right, OK. | 0:22:50 | 0:22:51 | |
Is this what you do cos you've done it before | 0:22:51 | 0:22:53 | |
-and it's worked in your favour? -Yeah. | 0:22:53 | 0:22:56 | |
OK. What are your lucky pants like? | 0:22:56 | 0:22:59 | |
-Grey. -No, we don't want to see them. | 0:22:59 | 0:23:01 | |
# Some nights I stay out | 0:23:06 | 0:23:09 | |
# Cashing in my bad luck | 0:23:09 | 0:23:11 | |
# Some nights I call it a draw | 0:23:11 | 0:23:14 | |
# Some nights I wish | 0:23:15 | 0:23:17 | |
# That my lips could build a castle | 0:23:17 | 0:23:20 | |
# Some nights I wish | 0:23:20 | 0:23:21 | |
# They'd just fall off | 0:23:21 | 0:23:23 | |
# But I still wake up | 0:23:23 | 0:23:26 | |
# I still see your ghost | 0:23:26 | 0:23:28 | |
# Oh, Lord, I'm still not sure | 0:23:28 | 0:23:30 | |
# What I stand for | 0:23:30 | 0:23:32 | |
# Oh | 0:23:32 | 0:23:33 | |
# What do I stand for? | 0:23:33 | 0:23:35 | |
# What do I stand for? | 0:23:35 | 0:23:37 | |
# Most nights I don't know | 0:23:37 | 0:23:41 | |
# Any more | 0:23:41 | 0:23:43 | |
# Oh-oh, whoa-oh Oh-oh, whoa-oh | 0:23:43 | 0:23:48 | |
# Whoa, whoa | 0:23:48 | 0:23:51 | |
# Oh-oh, whoa-oh # Oh-oh, whoa-oh | 0:23:51 | 0:23:58 | |
# Some nights I stay out | 0:24:00 | 0:24:02 | |
# Cashing in my bad luck | 0:24:02 | 0:24:04 | |
# Some nights I call it a draw | 0:24:04 | 0:24:07 | |
# Some nights I wish | 0:24:08 | 0:24:10 | |
# That my lips could build a castle | 0:24:10 | 0:24:13 | |
# Some nights I wish they'd just fall off. # | 0:24:13 | 0:24:20 | |
-Aww. -Yes. | 0:24:20 | 0:24:21 | |
-Do you like that? -Yes. No, I'm really happy with it, yeah. | 0:24:22 | 0:24:25 | |
Had a good time. | 0:24:25 | 0:24:27 | |
I felt so safe in your hands on that stage. | 0:24:27 | 0:24:30 | |
I felt that you were absolutely in control. It was clean. | 0:24:30 | 0:24:35 | |
Clean choreographically, clean vocally. Really well done. | 0:24:35 | 0:24:39 | |
-I loved it. BOYS: -Thank you. | 0:24:39 | 0:24:42 | |
Now this is a glee club. | 0:24:42 | 0:24:44 | |
The breadth of harmonies from top to bottom are huge. How old are you? | 0:24:44 | 0:24:50 | |
15. | 0:24:50 | 0:24:51 | |
How on Earth you're able to sing those low notes at 15 is beyond me. | 0:24:51 | 0:24:55 | |
To sing those notes, you should have a beard. | 0:24:55 | 0:24:57 | |
THEY LAUGH | 0:24:57 | 0:24:58 | |
They're fantastic. You're like the Junior Warblers. | 0:24:58 | 0:25:02 | |
-I absolutely love your sound. -Thank you. | 0:25:02 | 0:25:05 | |
For me, it was just refreshing to see an all-male group. | 0:25:05 | 0:25:08 | |
Well done, cos I know that... | 0:25:08 | 0:25:10 | |
I don't know whether you do, but I'm sure you do. | 0:25:10 | 0:25:12 | |
Sometimes you get a bit of stick for performing. | 0:25:12 | 0:25:14 | |
I just think it's fantastic | 0:25:14 | 0:25:16 | |
that each and every one of you were great. Keep it going. | 0:25:16 | 0:25:18 | |
-Thank you very much. -Well done, guys. | 0:25:18 | 0:25:20 | |
That's lovely comments! | 0:25:20 | 0:25:22 | |
-That's really nice. I'm so proud of them. -You all right? | 0:25:22 | 0:25:24 | |
-I had a moment there. -Happy for you! | 0:25:24 | 0:25:28 | |
You made me proud. You did so well. | 0:25:28 | 0:25:30 | |
She's so proud of you. Come and join them. Tell them what you think. | 0:25:30 | 0:25:33 | |
We've been so proud. | 0:25:33 | 0:25:34 | |
You did absolutely everything I asked and more, | 0:25:34 | 0:25:38 | |
and, Will, that helped with the harmonies, he's going | 0:25:38 | 0:25:41 | |
to be sitting at home watching this going, "You really did..." yeah. | 0:25:41 | 0:25:44 | |
Did us both proud, well done. | 0:25:44 | 0:25:46 | |
Have you heard them sing any other song apart from that? | 0:25:46 | 0:25:48 | |
No, that's the one thing I'd be really interested to hear them | 0:25:48 | 0:25:51 | |
sing a classic sort of, well, One Direction number or a boyband, | 0:25:51 | 0:25:55 | |
-something with a little pop, rock, soulful. Something different. -Yeah. | 0:25:55 | 0:25:59 | |
I bet you they do it very well. | 0:25:59 | 0:26:01 | |
# Some nights I wish they'd just fall off... # | 0:26:01 | 0:26:06 | |
# Jack and Jill | 0:26:13 | 0:26:15 | |
# Went up the hill... # | 0:26:15 | 0:26:17 | |
Right, next up we have Inferno. I saw these guys in Manchester. | 0:26:17 | 0:26:21 | |
I'm so looking forward to this. OK. | 0:26:21 | 0:26:23 | |
Very musical theatre. Obviously they're doing a number from Matilda. | 0:26:23 | 0:26:28 | |
So they're very confident. | 0:26:28 | 0:26:30 | |
I really enjoyed their delivery | 0:26:30 | 0:26:32 | |
and I thought they'd be worth having back. | 0:26:32 | 0:26:34 | |
Why have you chosen to do a musical theatre song rather than a pop song? | 0:26:35 | 0:26:39 | |
Well, we all love acting, singing and dancing, | 0:26:39 | 0:26:42 | |
so we do, like, the three things in it, so it's really good for us. | 0:26:42 | 0:26:45 | |
-You get to show off all your talent. -Yeah. | 0:26:45 | 0:26:48 | |
I believe the judges are ready to see you, | 0:26:48 | 0:26:50 | |
so, Inferno, go that way, and set the stage on fire! | 0:26:50 | 0:26:53 | |
Thank you! | 0:26:53 | 0:26:55 | |
# Jack and Jill, went up the hill | 0:26:58 | 0:27:01 | |
# To fetch a pail of water, | 0:27:01 | 0:27:02 | |
# So they say | 0:27:02 | 0:27:04 | |
# Their subsequent fall was inevitable | 0:27:04 | 0:27:06 | |
# They never stood a chance, they were written that way | 0:27:06 | 0:27:10 | |
# Innocent victims of their story | 0:27:10 | 0:27:12 | |
# Like Romeo and Juliet | 0:27:14 | 0:27:17 | |
# Twas written in the stars before they even met | 0:27:17 | 0:27:19 | |
# That love and fate, and a touch of stupidity | 0:27:21 | 0:27:23 | |
# Would rob them of their hope of living happily | 0:27:23 | 0:27:27 | |
# The endings are often a little bit gory | 0:27:27 | 0:27:29 | |
# I wonder why they didn't just change their story | 0:27:31 | 0:27:33 | |
# We're told we have to do as we're told, but surely | 0:27:35 | 0:27:38 | |
# Sometimes you have to be a little bit naughty | 0:27:40 | 0:27:43 | |
# Just because you find that life's not fair | 0:27:46 | 0:27:48 | |
# It doesn't mean that you just have to grin and bear it | 0:27:48 | 0:27:51 | |
# If you always take it on the chin and wear it | 0:27:51 | 0:27:54 | |
# Nothing will change | 0:27:54 | 0:27:57 | |
# Even if you're little, you can do a lot | 0:27:57 | 0:28:00 | |
# You mustn't let a little thing like, little stop you | 0:28:00 | 0:28:03 | |
# If you sit around and let them get on top | 0:28:03 | 0:28:06 | |
# You might as well be saying | 0:28:06 | 0:28:08 | |
# You think that it's OK | 0:28:08 | 0:28:09 | |
# And that's not right | 0:28:09 | 0:28:11 | |
# And if it's not right | 0:28:11 | 0:28:14 | |
# You have to put it right | 0:28:14 | 0:28:18 | |
# But nobody else is gonna put it right for me | 0:28:18 | 0:28:21 | |
# Nobody but me is going to change my story | 0:28:21 | 0:28:24 | |
# Sometimes you have to be a little bit naughty. # | 0:28:24 | 0:28:27 | |
-Aah! -Yay! | 0:28:28 | 0:28:30 | |
-Pleased? -Yes, very pleased. Very pleased. -That was great. | 0:28:30 | 0:28:35 | |
-Did you enjoy that? -Yes. -Yeah, you can tell. | 0:28:35 | 0:28:37 | |
-And are you all friends, you all know each other well? -Yes. | 0:28:37 | 0:28:40 | |
You can tell that cos it really comes across. | 0:28:40 | 0:28:42 | |
I think, use that a bit more. | 0:28:42 | 0:28:44 | |
Use the times that you know each other outside of performing | 0:28:44 | 0:28:47 | |
and bring a little bit of that to your performance, | 0:28:47 | 0:28:50 | |
you know, when you go out together and you go to the shops or whatever. | 0:28:50 | 0:28:53 | |
Just remember those feelings and bring that to the performance, | 0:28:53 | 0:28:56 | |
cos it'll make it sound a bit natural. | 0:28:56 | 0:28:58 | |
I loved it, I thought you had great energy, | 0:28:58 | 0:29:01 | |
and your facial expressions are just wonderful. | 0:29:01 | 0:29:04 | |
-So thank you very much. -Thank you. | 0:29:04 | 0:29:06 | |
What that song required was attack and energy and attitude | 0:29:06 | 0:29:12 | |
and it had to be very tongue-in-cheek, | 0:29:12 | 0:29:15 | |
and you hit it perfectly. | 0:29:15 | 0:29:17 | |
You ticked all the boxes and hit all the marks on that song. | 0:29:17 | 0:29:20 | |
It was a great physical and facial performance, and I think that | 0:29:20 | 0:29:25 | |
you guys are a great Gree... Glee Club and I love what you do. | 0:29:25 | 0:29:29 | |
Thank you! | 0:29:29 | 0:29:31 | |
-Greek club. -A great Greek Glee Club. | 0:29:31 | 0:29:34 | |
John's Greek. He thinks that he just wants to bring a little bit of that | 0:29:35 | 0:29:38 | |
into it, you know. They're not Greek... | 0:29:38 | 0:29:41 | |
When I saw you girls in Manchester, you performance was slick, | 0:29:44 | 0:29:47 | |
it was focused, disciplined and you're so consistent | 0:29:47 | 0:29:52 | |
cos you did it again today. | 0:29:52 | 0:29:54 | |
-Thank you. -Thank you. | 0:29:54 | 0:29:56 | |
-How are you all feeling now it's over? -Good. Great. | 0:29:57 | 0:30:00 | |
-They said really nice things, didn't they? -Yeah! | 0:30:00 | 0:30:03 | |
And so all those faces that you've been working on, that paid off then. | 0:30:03 | 0:30:07 | |
Yeah. | 0:30:07 | 0:30:09 | |
Something that I think we are finding with the Glee Clubs is that you | 0:30:09 | 0:30:13 | |
find there's two or three that are really strong, | 0:30:13 | 0:30:16 | |
and then there's always one or two, sometimes three who are weaker. | 0:30:16 | 0:30:20 | |
With that group I did feel like, "Gosh, wherever I look, they're | 0:30:20 | 0:30:23 | |
"all really able to give 100%." They're not looking self conscious. | 0:30:23 | 0:30:26 | |
Yeah, they all committed, and you could see | 0:30:26 | 0:30:28 | |
that they're all really confident, which was really nice. | 0:30:28 | 0:30:31 | |
There wasn't that, you know, the shy one hiding at the back | 0:30:31 | 0:30:33 | |
and the confident one at the front, it was a nice dynamic | 0:30:33 | 0:30:36 | |
between the lot of them. | 0:30:36 | 0:30:37 | |
# Sometimes you have to be a little bit naughty. # | 0:30:37 | 0:30:40 | |
Glowing comments for the boys, React, | 0:30:46 | 0:30:48 | |
and equally great comments for the girls, Inferno. | 0:30:48 | 0:30:52 | |
Coming up, the final two acts take to the stage. | 0:30:52 | 0:30:54 | |
Will All Sorts and Musicality hold their nerve when it really matters? | 0:30:54 | 0:31:00 | |
Your voice is really, really good, it's really theatrical. | 0:31:00 | 0:31:04 | |
That was so well rehearsed. | 0:31:04 | 0:31:07 | |
You cannot lose energy at all throughout the performance. | 0:31:07 | 0:31:10 | |
# Dum dee dum dum dum | 0:31:16 | 0:31:18 | |
# Dum dee dum dum dum... # | 0:31:18 | 0:31:19 | |
Right, next up we have All Sorts, and, yeah, | 0:31:20 | 0:31:22 | |
the name sounds familiar as well. I think last series they were Diva 8 | 0:31:22 | 0:31:26 | |
and I think six members are the same. | 0:31:26 | 0:31:29 | |
Everywhere I look, I can see myself! | 0:31:29 | 0:31:32 | |
So you know when you go in there, it's quite a dark stage | 0:31:32 | 0:31:34 | |
and you've got the four judges in front of you. | 0:31:34 | 0:31:37 | |
What are you going to do to impress them? | 0:31:37 | 0:31:39 | |
-Just smile. -Smile a lot. | 0:31:39 | 0:31:42 | |
And perform as much as we can. | 0:31:42 | 0:31:43 | |
# Dum dee dum dum dum | 0:31:46 | 0:31:48 | |
# No gal made has got a shade | 0:31:48 | 0:31:50 | |
# On sweet Georgia brown | 0:31:50 | 0:31:53 | |
# Two left feet, but, oh, so neat | 0:31:53 | 0:31:55 | |
# Has sweet Georgia brown | 0:31:55 | 0:31:59 | |
# They all sigh, and want to die | 0:31:59 | 0:32:01 | |
# For sweet Georgia brown | 0:32:01 | 0:32:03 | |
# I'll tell you just why | 0:32:03 | 0:32:06 | |
# You know I don't lie | 0:32:06 | 0:32:09 | |
# Not much | 0:32:09 | 0:32:10 | |
# It's been said she knocks 'em dead | 0:32:10 | 0:32:13 | |
# When she lands in town | 0:32:13 | 0:32:16 | |
# Since she came, why it's a shame | 0:32:16 | 0:32:18 | |
# How she cools them down | 0:32:18 | 0:32:21 | |
# Fellas she can't get | 0:32:22 | 0:32:24 | |
# Must be fellas she ain't met | 0:32:24 | 0:32:27 | |
# Georgia claimed her, Georgia named her | 0:32:27 | 0:32:30 | |
# Sweet Georgia brown | 0:32:30 | 0:32:33 | |
# Sweet Georgia, Georgia brown | 0:32:33 | 0:32:36 | |
# Sweet Georgia, Georgia brown | 0:32:36 | 0:32:39 | |
# All those gifts those courters give | 0:32:39 | 0:32:41 | |
# To sweet Georgia brown | 0:32:41 | 0:32:44 | |
# They buy clothes at fashion shows | 0:32:44 | 0:32:46 | |
# While one dollar down | 0:32:46 | 0:32:50 | |
# Fellas, won't you tip your hat | 0:32:50 | 0:32:52 | |
# Oh, boy, ain't she the cat | 0:32:52 | 0:32:55 | |
# Who's that, mister? 'tain't a sister | 0:32:55 | 0:32:58 | |
# It's sweet Georgia brown | 0:32:58 | 0:33:02 | |
# Georgia brown, yeah. # | 0:33:02 | 0:33:05 | |
Yeah! | 0:33:05 | 0:33:06 | |
-What did you think? -Yeah, good. -Happy? -Yeah. | 0:33:10 | 0:33:13 | |
There was so much variety going on. | 0:33:13 | 0:33:15 | |
You had three groups at one point, I didn't quite know where to look. | 0:33:15 | 0:33:19 | |
And you're all doing something fantastic. | 0:33:19 | 0:33:21 | |
And then all of a sudden... It's Rosie, isn't it? | 0:33:21 | 0:33:23 | |
-You did a little bass over there. It was great. Well done. -Thank you. | 0:33:23 | 0:33:29 | |
Somewhere in the middle, I think during the break down, maybe | 0:33:29 | 0:33:32 | |
when the beatboxing started... | 0:33:32 | 0:33:34 | |
I loved the beatboxing idea, I just found that the vocals dipped | 0:33:34 | 0:33:37 | |
a little bit there, lost that energy. | 0:33:37 | 0:33:39 | |
Kind of picked it up at the end again. | 0:33:39 | 0:33:41 | |
So, just bear that in mind that you cannot lose energy at all | 0:33:41 | 0:33:45 | |
throughout the performance. You have to finish as strong as you start. | 0:33:45 | 0:33:49 | |
-But well done over all. -Thank you. | 0:33:49 | 0:33:51 | |
I think it was a really brave choice of song, | 0:33:51 | 0:33:57 | |
and I thought that you executed it very well. | 0:33:57 | 0:34:01 | |
I loved the whole cup song thing going on with the thighs. | 0:34:01 | 0:34:05 | |
I'm on with that, I know what that's about. Very good. | 0:34:05 | 0:34:07 | |
It lost it a little bit at the end in terms of your timing, | 0:34:07 | 0:34:10 | |
you were like "Whoa, we've lost the timing," but overall, | 0:34:10 | 0:34:14 | |
I mean, I think for the complexity of the arrangement you did really well. | 0:34:14 | 0:34:17 | |
Thank you. | 0:34:17 | 0:34:20 | |
What sort of things do you think they said that were fair? | 0:34:20 | 0:34:22 | |
What do you think they said that wasn't fair? | 0:34:22 | 0:34:24 | |
I think all their comments were very fair | 0:34:24 | 0:34:26 | |
and I think we did lose a little bit of energy, | 0:34:26 | 0:34:29 | |
but overall we did like their comments cos they were very good. | 0:34:29 | 0:34:32 | |
We'll take all the comments on board. | 0:34:32 | 0:34:35 | |
If we come back next time, we'll be so much better. | 0:34:35 | 0:34:37 | |
They are sweet. That's what it... | 0:34:37 | 0:34:39 | |
It's like something little kids would do | 0:34:39 | 0:34:41 | |
at the end of the school year for their parents. | 0:34:41 | 0:34:43 | |
Lovely, very well done. High standard for them, | 0:34:43 | 0:34:45 | |
but I don't think they're ready for this type of competition. | 0:34:45 | 0:34:48 | |
They don't bring that wow factor. | 0:34:48 | 0:34:51 | |
I think you're probably right. | 0:34:51 | 0:34:52 | |
# Georgia brown, yeah. # | 0:34:52 | 0:34:54 | |
We are Musicality! | 0:35:00 | 0:35:02 | |
These guys are very determined. | 0:35:02 | 0:35:04 | |
I think they made it to the heats for two series in a row. | 0:35:04 | 0:35:08 | |
-Have they not made it through the heats before? -No. | 0:35:08 | 0:35:11 | |
They bring the feel good factor as far as I'm concerned. | 0:35:11 | 0:35:14 | |
I love these mirrors so much. | 0:35:14 | 0:35:16 | |
Any team cheer you would like to do before you go in? | 0:35:16 | 0:35:20 | |
Oh, just hands in. Ready. | 0:35:20 | 0:35:21 | |
Musicality! | 0:35:21 | 0:35:23 | |
# Sun is shinin' in the sky | 0:35:28 | 0:35:32 | |
# There ain't a cloud in sight | 0:35:32 | 0:35:36 | |
# It's stopped rainin' | 0:35:36 | 0:35:38 | |
# Everybody's in a play | 0:35:38 | 0:35:42 | |
# And don't you know | 0:35:42 | 0:35:45 | |
# It's a beautiful new day, hey | 0:35:45 | 0:35:52 | |
# Runnin' down the avenue | 0:35:56 | 0:35:59 | |
# See how the sun shines brightly | 0:35:59 | 0:36:02 | |
# In the city on the streets | 0:36:02 | 0:36:05 | |
# Where once was pity | 0:36:05 | 0:36:06 | |
# Mr Blue Sky is living here today | 0:36:06 | 0:36:10 | |
# Hey | 0:36:10 | 0:36:13 | |
# Mr Blue sky, please tell us why | 0:36:13 | 0:36:16 | |
# You had to hide away for so long | 0:36:16 | 0:36:19 | |
# So long, where did we go wrong? | 0:36:19 | 0:36:22 | |
# Hey there, Mr Blue | 0:36:24 | 0:36:26 | |
# We're so pleased to be with you | 0:36:26 | 0:36:29 | |
# Look around, see what you do | 0:36:29 | 0:36:31 | |
# Everybody smiles at you | 0:36:31 | 0:36:34 | |
# Mr Blue, you did it right | 0:36:36 | 0:36:39 | |
# But soon comes Mr Night | 0:36:39 | 0:36:42 | |
# Creepin' over, now his hand is on your shoulder | 0:36:42 | 0:36:46 | |
# Never mind, I'll remember you this | 0:36:46 | 0:36:50 | |
# I'll remember you this | 0:36:50 | 0:36:52 | |
# I'll remember you this way. # | 0:36:52 | 0:36:58 | |
-I'm actually pleased with that. -Yay! Good, you should be. | 0:37:00 | 0:37:03 | |
And I'm really hard to please sometimes as well. | 0:37:03 | 0:37:06 | |
I'm actually really pleased with that. | 0:37:06 | 0:37:08 | |
That was so well rehearsed. | 0:37:08 | 0:37:11 | |
I mean, literally, every person's hand, foot, everything, | 0:37:11 | 0:37:15 | |
in absolute co-ordination. Fantastic choreography, lovely vocals. | 0:37:15 | 0:37:20 | |
My only criticism is that the song itself felt at times | 0:37:20 | 0:37:23 | |
like it was too low for you. | 0:37:23 | 0:37:25 | |
-But apart from that, absolutely lovely. -Thank you. | 0:37:25 | 0:37:30 | |
Yeah, when I saw Mr Blue Sky I thought, | 0:37:30 | 0:37:32 | |
"Here's three minutes of my life I'll never get back." | 0:37:32 | 0:37:35 | |
And I was actually really surprised. I loved it. I enjoyed it. | 0:37:35 | 0:37:38 | |
You guys looked like you were loving it. | 0:37:38 | 0:37:40 | |
I felt comfortable, | 0:37:40 | 0:37:41 | |
I felt like I was watching a group of performers | 0:37:41 | 0:37:43 | |
who were used to performing together, | 0:37:43 | 0:37:45 | |
who really knew what it was like to take to the stage and just deliver. | 0:37:45 | 0:37:49 | |
Your choreography was tight, your staging was absolutely inch-perfect, | 0:37:49 | 0:37:55 | |
and your vocals were really locked. | 0:37:55 | 0:37:57 | |
I liked it, much to my surprise. | 0:37:57 | 0:37:59 | |
I didn't think I was going to like it, cos it's not my favourite song, | 0:37:59 | 0:38:03 | |
but it's grown on me. | 0:38:03 | 0:38:05 | |
Thank you. | 0:38:05 | 0:38:07 | |
I really loved it. | 0:38:07 | 0:38:08 | |
I think everything worked, | 0:38:08 | 0:38:09 | |
even down to the way you guys are dressed, it was wicked. | 0:38:09 | 0:38:12 | |
-And what's your name, the young girl who sung? -Laney. | 0:38:12 | 0:38:15 | |
Your voice is really, really good. It's really theatrical. | 0:38:15 | 0:38:18 | |
So, big claps to you, but big claps to all of you, | 0:38:18 | 0:38:21 | |
it was absolutely amazing. | 0:38:21 | 0:38:22 | |
-Thank you. -Well done, guys. -Good job. -Well done. | 0:38:22 | 0:38:26 | |
Laney, your first time and you got lovely comments, | 0:38:26 | 0:38:29 | |
-how does that make you feel? -It was really... | 0:38:29 | 0:38:32 | |
It was amazing to get those comments, | 0:38:32 | 0:38:34 | |
and, like, it was my first time, and it was just incredible. | 0:38:34 | 0:38:37 | |
And you've got a cold as well to be dealing with. Poor you. | 0:38:37 | 0:38:40 | |
It's that Welsh thing. What is it with...? | 0:38:40 | 0:38:42 | |
I said it last series to the Welsh, it's like singing is in them. | 0:38:42 | 0:38:45 | |
-They're born singing. -Yeah. They just come out crying and singing. | 0:38:45 | 0:38:49 | |
-Wah! -They don't go wah, they go... | 0:38:49 | 0:38:51 | |
# Waaah.... # | 0:38:51 | 0:38:52 | |
So here's a quick reminder of the Glee Clubs | 0:39:03 | 0:39:05 | |
that performed on today's show. | 0:39:05 | 0:39:07 | |
Hi' JinX from Motherwell. | 0:39:08 | 0:39:10 | |
# I don't care | 0:39:10 | 0:39:12 | |
# I love it | 0:39:12 | 0:39:14 | |
# I don't care | 0:39:14 | 0:39:16 | |
# I love it, I love it... # | 0:39:16 | 0:39:18 | |
Figure 8 from Preston. | 0:39:18 | 0:39:20 | |
# Starships were meant to fly | 0:39:20 | 0:39:24 | |
# Hands up and touch the sky... # | 0:39:24 | 0:39:28 | |
#Boom! from north-west London. | 0:39:28 | 0:39:31 | |
# Walk, walk on over there | 0:39:31 | 0:39:33 | |
# Cos I'm too fly to care | 0:39:33 | 0:39:36 | |
# Oh, yeah... # | 0:39:36 | 0:39:38 | |
Harmonee from South Yorkshire. | 0:39:39 | 0:39:41 | |
# Was sick and tired of everything | 0:39:42 | 0:39:45 | |
# When I called you last night from Glasgow... # | 0:39:45 | 0:39:50 | |
React from Brighton. | 0:39:50 | 0:39:52 | |
# Some nights I stay up cashing in my bad luck | 0:39:52 | 0:39:57 | |
# Some nights I call it a draw... # | 0:39:57 | 0:40:00 | |
Inferno from Grimsby. | 0:40:00 | 0:40:02 | |
# That love and fate and a touch of stupidity | 0:40:02 | 0:40:06 | |
# Would rob them of the hope of living happily | 0:40:06 | 0:40:09 | |
# The endings are often a little bit gory... # | 0:40:09 | 0:40:12 | |
All Sorts from London. | 0:40:12 | 0:40:14 | |
# Must be fellas she ain't met | 0:40:14 | 0:40:16 | |
# Georgia claimed her, Georgia named her | 0:40:16 | 0:40:20 | |
# Sweet Georgia brown. # | 0:40:20 | 0:40:22 | |
And, finally, Musicality from Port Talbot. | 0:40:23 | 0:40:26 | |
# I'll remember you this | 0:40:27 | 0:40:29 | |
# I'll remember you this way. # | 0:40:29 | 0:40:34 | |
OK, so all eight groups have now performed, | 0:40:42 | 0:40:44 | |
but remember not everyone can make it through to the studio heats. | 0:40:44 | 0:40:48 | |
Let's join our judges to find out | 0:40:48 | 0:40:49 | |
if they can agree on who should go through to the next round. | 0:40:49 | 0:40:53 | |
OK, any definites for you guys? | 0:40:54 | 0:40:56 | |
Definite, definite for me. | 0:40:57 | 0:41:00 | |
Um, I would say... | 0:41:00 | 0:41:02 | |
-Definite, definite for me. -Oh. Big if. | 0:41:02 | 0:41:04 | |
We need to talk about that. | 0:41:04 | 0:41:06 | |
-I'd have them before them. -Oh, no, I'd have them before them. | 0:41:06 | 0:41:09 | |
100% more. | 0:41:09 | 0:41:10 | |
-A definite no for me. -No. | 0:41:10 | 0:41:13 | |
Definite no for me. | 0:41:13 | 0:41:14 | |
-Definitely no. -Oh, well, that's all no's then. | 0:41:14 | 0:41:16 | |
Yeah, OK. | 0:41:16 | 0:41:17 | |
Do we take a risk and put these guys through? | 0:41:17 | 0:41:19 | |
I would, definitely. | 0:41:19 | 0:41:20 | |
There was something. Even from audition day, there was something. | 0:41:21 | 0:41:25 | |
I'm a possibly on that. I'm a yes on this. | 0:41:25 | 0:41:27 | |
-I'm a yes on that. Are you a yes on that? -Yes. | 0:41:28 | 0:41:30 | |
What are we arguing for then? | 0:41:30 | 0:41:32 | |
That's five there and three there, we're done. | 0:41:32 | 0:41:34 | |
So, after some debate, the judges have made their decision. | 0:41:40 | 0:41:44 | |
All of the Glee Clubs performed amazingly well, | 0:41:44 | 0:41:47 | |
but remember, only five of the eight groups from today's show | 0:41:47 | 0:41:50 | |
can go through to the studio heats. | 0:41:50 | 0:41:52 | |
So, let's find out who has secured | 0:41:52 | 0:41:54 | |
an all-important place in the next round. | 0:41:54 | 0:41:58 | |
The first group going through to the studio heat is... | 0:41:58 | 0:42:03 | |
..Musicality. | 0:42:04 | 0:42:06 | |
And the second group going through to the studio heat is... | 0:42:11 | 0:42:16 | |
..#Boom! | 0:42:19 | 0:42:20 | |
Harmonee and All Sorts, I'm afraid for now | 0:42:26 | 0:42:30 | |
you're not going through, but very, very well done. | 0:42:30 | 0:42:33 | |
thank you so much for coming to perform for us. | 0:42:33 | 0:42:35 | |
The third group going through to the studio heats... | 0:42:42 | 0:42:46 | |
is... | 0:42:46 | 0:42:47 | |
..React... | 0:42:49 | 0:42:50 | |
..who didn't react. | 0:42:52 | 0:42:53 | |
The fourth group going through to the studio heats is... | 0:42:55 | 0:42:58 | |
..Inferno. | 0:43:00 | 0:43:02 | |
And finally the fifth group going through to the studio heats is... | 0:43:05 | 0:43:08 | |
..Hi' JinX! | 0:43:11 | 0:43:13 | |
Figure 8, well done. | 0:43:14 | 0:43:15 | |
Thank you, everybody, for entertaining us | 0:43:15 | 0:43:18 | |
throughout these days. | 0:43:18 | 0:43:19 | |
So, another five acts have made it into the next round | 0:43:22 | 0:43:26 | |
and are one step closer to the live shows. | 0:43:26 | 0:43:29 | |
Thanks to Carrie, David, John and all our celebrity guests. | 0:43:29 | 0:43:32 | |
Join us next time when the final eight acts will battle it out | 0:43:32 | 0:43:36 | |
for the last five places in the studio heats. | 0:43:36 | 0:43:39 | |
See you next time for Sport Relief Does Glee Club, | 0:43:39 | 0:43:41 | |
the Judges' Auditions. | 0:43:41 | 0:43:43 | |
Bye! | 0:43:43 | 0:43:44 | |
To see all of today's performances again, go to the CBBC website | 0:43:44 | 0:43:48 | |
and click on the links for today's acts. | 0:43:48 | 0:43:50 | |
Next time on Glee Club, | 0:43:50 | 0:43:51 | |
the pressure is on. It's the last judges' audition show. | 0:43:51 | 0:43:55 | |
Eight groups are left and only five places remain, | 0:43:55 | 0:43:57 | |
but who will make it through to the studio heats? | 0:43:57 | 0:43:59 |