Episode 2 Sport Relief Does Glee Club


Episode 2

The best young glee clubs from all over the UK battle it out. Carrie, David and John are joined by Naomi Wilkinson to decide who goes through to the studio heats.


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Transcript


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Last time on Glee Club,

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VoxBox, Encore, Miss Chief,

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MT13 and The Peppermints

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all made it through to the studio heats.

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You guys are like a musical energy drink.

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Today, eight more acts will sing

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and dance their hearts out for a place in the next round.

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This is Sport Relief Does Glee Club 2014.

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Hello and welcome back to

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Sport Relief Does Glee Club 2014 -

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CBBC's search for Britain's best young singing and dancing group.

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This is the second of our judges' audition shows,

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so the pressure is on.

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Today, eight acts will give it their all for the chance to perform again

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in front of a live studio audience.

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But, before all that, let's take a look back at some of the many acts

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who performed for us during the Glee Club tour of the UK.

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John and the team travelled the length and breadth of the country

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to find the best singing and dancing talent that the UK has to offer.

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First stop, the North East of England and Newcastle.

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Hello!

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# Don't stop me now... #

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Next stop was Glasgow,

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where John was checking out the talent north of the border.

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# It's not about the money, money, money... #

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Then it was straight back down to Manchester,

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with more groups giving it their all.

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THEY SING

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HE MOUTHS

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John and the team then headed off to London

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to see what the Glee Clubs in the capital city could come up with.

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Let's go and listen to some music!

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# La, la, la, hey! #

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Next, they were off to Bristol,

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to check out the best of the West Country's glee clubs,

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before heading to Cardiff to see what was on offer there.

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# Yes, I do now... #

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Bye-bye, Cardiff.

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Who's next?

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Then it was a quick trip across to Belfast, to see what

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the Northern Irish glee clubs could come up with, before heading

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down to Brighton, to complete the talent search of the UK.

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# I keep coming back... #

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The standard was high,

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but it was then up to John to select the 24 successful glee clubs

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who were invited to perform again at the judges' auditions.

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Now, you may have noticed, Sam and Mark aren't here, but don't worry,

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they will be joining us very soon for the heats and live shows.

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But, in the meantime, keeping a close eye on proceedings

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and making those all-important decisions were our resident experts.

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So let's take a moment to meet the people

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who will decide the fate of our groups.

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It's our judges.

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Carrie and David are two of the UK's best-known celebrity vocal coaches.

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That was fantastic.

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That was a world-class performance.

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They've worked with pop artists including Take That,

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The Saturdays, Marvin Humes and even Gwyneth Paltrow.

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Celebrity vocal and performance coach John has worked with

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a variety of stars, including JLS, Leona Lewis, Olly Murs

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and Frankie Sandford.

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He's also worked behind-the-scenes on top shows

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like The Voice and The X Factor.

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Helping Carrie, David and John decide who should go through

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to the heats were some very special expert guests.

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Let's meet them.

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Soul singer and presenter Dionne Bromfield has been nominated

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for a MOBO Award, has recorded two albums

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and also finds time to present CBBC's Friday Download.

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Is that another one you play on the breakfast show?

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I do play that on the radio, as well, Dionne. We're so in sync!

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West End star Kerry Ellis has had lead roles in Wicked,

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Les Miserables, We Will Rock You and Oliver!

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and is also a successful recording artist.

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And finally, Strictly Come Dancing professional Erin Boag

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has put many celebrities through their paces,

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wowed audiences with her dance moves

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and stars regularly in spectacular sell-out shows.

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Now for the serious bit, so pay attention.

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Of the many groups who applied for Sport Relief Does Glee Club,

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only the top 24 made it through to the judges' auditions.

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Today, eight of those hopefuls will perform for our judges,

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but only five will go through to the studio heats.

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So let's meet the first act to perform for our judges.

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We're Hi' JinX!

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# Yeah

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# Down on earth. #

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I think you're going to recognise a certain feel about them

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-from another group last year, but they're different.

-OK.

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Now, tell me about the stripy socks. They are pretty cool.

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THEY LAUGH

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Somebody told me there was a bit of sock drama. What's happened?

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-I lost the sock.

-You lost the sock?

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-What, on your way here?

-No, in my house.

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Oh, dear. So what have you done? Have you borrowed someone else's?

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-No, I had two pairs.

-OK. Phew!

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You have lots of crazy socks in your collection? Good.

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# I got this feeling on

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# A summer day when you were gone

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# I crashed my car into the bridge

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# I watched, I let it burn

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# I threw your stuff into a bag

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# And pushed it down the stairs

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# I crashed my car into the bridge

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# I don't care

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# I love it... #

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-Go on, girls.

-# I don't care

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# I love it, I love it

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# I don't care

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# I love it

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# I don't care

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# I love it

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# You're on a different road

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# I'm in the Milky Way

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# You want me down on Earth

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# But I am up in space

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# You're so, so hard to please

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# We gotta kill this switch

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# You're from the '70s

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# But I'm a '90s chick

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# I got this feeling on

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# A summer day when you were gone

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# I crashed my car into the bridge

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# I watched, I let it burn

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# I threw your stuff into a bag

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# And pushed it down the stairs

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# I crashed my car into the bridge

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# I don't care

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# I love it

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# I don't care

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# I love it, I love it

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# I don't care. #

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-Excellent. Happy with that?

-Very happy.

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I like the overall package. I like your costumes.

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But also, I like the way that you lit up

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when you started singing, especially the second girl in here.

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With the... I suppose they've all got pink tops on.

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But it engaged me.

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And it was really good, well done.

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You know, there was a group who came runner-up last year

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called Raveheart.

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You guys remind me of a junior version of them.

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You need... The only thing I would say to add, is just add

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a bit more ferocity, because I think you've got it in you.

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Guys, that was fabulous.

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It's a real summer song and you were like a ray of sunshine on that stage.

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Really uniform. I love the unison vocals.

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It was like one big, fat voice, which sounds brilliant. That's brilliant.

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If you get through, I want a little bit more harmony singing from you,

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but the stuff that was in unison was brilliant.

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-GIRLS:

-Thank you.

-Well done.

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-How was it?

-ALL: Good!

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Relieved it's over, or did you really enjoy it?

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-Really enjoyed it.

-Enjoyed it, good. I thought you did.

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And you got a special mention.

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-How did that feel, to get a special mention?

-Really good.

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What would you like to say back to the judges

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for saying something nice to you?

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-Thank you!

-Aww, short and sweet.

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The only thing I would have liked, is because the unison was

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-so belty and then the harmony was a bit...

-It was a bit sweet, yeah.

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The harmony was a bit... Maybe it's the age of their voices.

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That's the only reason why...

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It might have been better to pick a lower harmony,

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so that they could have kicked a bit more guts into that.

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But, you know, to be honest,

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to get that good unison singing is hard.

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# I don't care. #

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# Stop, cos we're so... #

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Next up, we have Figure 8 from Manchester.

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THEY CHEER

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That wall of sound you always talk about,

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I think this is why I brought them back.

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Any bits you are particularly looking forward to,

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or a bit nervous about with this performance?

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-A bit nervous about the dancing.

-The dancing? Why's that?

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Um, none of us are really dancers.

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Have you made the choreography very complicated?

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Not really complicated but we still... Yeah.

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Just have to think about it all the time. OK.

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# Let's go to the beach-each # Let's go get away

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-# They say

-# What they gonna say?

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# Have a drink, clink, found the light

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# Bad chicks like me, it's hard to come by

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# Get it on, on, let's go get it on

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# The zone-one, yes, I'm in the zone

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# Is it two, three, leave a good tip

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# I'm-a blow all my money I don't care about it

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# The floor, floor

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# I love to dance

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# So give me more, more

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# Till I can't stand

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# Get on the floor, floor

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# Like it's your last chance

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# If you want more, more

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# Then here I am

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# Starships were meant to fly

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# Hands up and touch the sky

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# Can't stop cos we're so high

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# Let's do this one more time

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# Starships were meant to fly

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# Hands up and touch the sky

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# Can't stop cos we're so high

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# Let's do this one more time

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# Let's do this one more time. #

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Oh, a lovely ending.

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-Lovely.

-Wow.

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I'm going to count to three and I want you all to go, "Pow!" Like that.

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One, two, three.

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ALL: Pow!

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Right, that's what you call snap.

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Snap is when you go...

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FORCEFULLY: # Starships... #

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At the moment it's like... WEAKLY: # Starships are meant to... #

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it's a little bit droopy, choreographically.

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The choreography is fine,

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it's how you're executing the choreography.

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Similarly, with the vocals, the vocals are beautiful,

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but it's very legato and joined up. It needs snap.

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So if you get through, I want you to think about,

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"How do I put pow into the vocals and into the action?"

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I go with Carrie. You need snap, you need attitude, you need swagger.

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Don't hold anything back.

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Don't save anything for when it's over,

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cos when it's over its too late. Leave everything on the stage.

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Leave everything in that performance. Don't hold back.

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You've all got beautiful voices.

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When you sing together it sounds really, really nice.

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I think you girls should just smile more.

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You've all got very pretty faces, so we want to see your teeth.

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You there, are you the girl who started singing?

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Um, I think with you, your voice was really, really nice.

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But you're the first one that's going to sing on their own,

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so people are going to look at you.

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I just wanted you to be a bit more like,

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"Yeah, I'm the first one singing and I'm going to own this."

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But, girls, don't think just because the soloists are singing

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that you're not going to be seen as well.

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So just make sure everyone knows that.

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So if we see you again, I need to see POW, yeah?

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So they said you needed POW.

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-Do you think you've got it in you?

-ALL: Yeah.

-It's there, is it?

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How are you going to bring out that KA-POW.

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A bit more energy, I think. Like, pow.

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LAUGHTER

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Fingers crossed you have done enough.

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If you get through, what are we going to see more of?

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ALL: POW!

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They're all doing it out there now, but that POW thing,

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they all went like that.

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-Yeah.

-Yeah.

-Where's that aggression when they're going...?

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WEAKLY: # Starships are meant to... # What's that?

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Do you know what? All it takes is...

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It only takes one of them for the rest of them to actually go,

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-"Oh, I'm going to do it now."

-Yes, you're right.

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But until that one person does it, they're all just going to...

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They've all levelled out to... # Hands up... #

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-Yeah.

-The question is going to be

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are you willing to take a risk with these guys?

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# Let's do this one more time. #

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Good comments for both Hi' JinX and Figure 8 there,

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but still lots to improve on if they make it to the studio heats.

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Next up, another two groups get their chance to impress the judges.

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None of us could stop smiling, and that tells me something.

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Great harmonies, and you've got some wonderful voices.

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You're a proper urban glee club.

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We are #Boom!

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I wasn't sure about them.

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I wanted to bring them back especially for a second,

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third and fourth opinion.

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-Are you ready?

-Yes.

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Let's do it. Off you go.

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# Mama told me not to waste my life

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# She said, "Spread your wings, my little butterfly

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# "Don't let what they say keep you up at night

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# "And if they give you... Sh!

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# "Then they can walk on by"

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# My feet, feet can't touch the ground

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# I can't hear a sound

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# But you just keep on running off your mouth, yeah

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# Walk, walk on over there

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# Cos I'm too fly to care

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# Oh, yeah

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# Your words don't mean a thing

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# I'm not listening

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# Keep talking

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# All I know is

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# Mama told me not to waste my life

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# She said, "Spread your wings, my little butterfly

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# "Don't let what they say

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# "Keep you up at night

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# "And they can't detain you

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# "Cos wings are made to fly"

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# And we don't let nobody bring us down

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# No matter what they say

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# It won't hurt me

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# Hurt me

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# No matter if I fall from the sky

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# These wings are made to fly. #

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I think he's born to be on the stage. Wow.

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There is something about you that really makes us smile.

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I actually looked down the line and everyone was full-on teeth

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and everything smiling.

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-It's cos we're on camera.

-LAUGHTER

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Actually, quite often, it's the reverse that happens.

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Judges will sit there with their poker faces,

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but none of us could stop smiling.

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That tells me something.

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So well done.

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Let me tell you what I love.

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I mean, you've got the gospel, R&B riffing,

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you've got the hip-hop swagger, you've got the pop cool.

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You're a proper urban glee club.

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If you get through, you have to do so much work

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between now and then to tighten everything up.

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You guys are sensational.

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Thank you.

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I loved each and everyone of you.

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I loved your song, I loved the attitude,

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I loved the way that you used the entire floor.

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You're marvellous, all of you were marvellous.

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But, Shem, it's like you ruled the floor. It was fantastic. Fantastic.

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-Thank you.

-#Boom!

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-It's more like the # and then the Boom.

-All right, do it for us.

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Get it right!

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# Boom!

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# Boom!

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John, it doesn't sound right with a Canadian accent.

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-It doesn't.

-See you later, guys.

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What would you have to do if you were put through to the next level.

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Work harder, I guess.

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What are you going to do?

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-Put more effort into it.

-A bit more energy, maybe.

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-Do you think you could rehearse more?

-Definitely.

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-DAVID:

-I think they're either going to be magical

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or they're going to be terrible.

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But, I have to say, there's a part of me that would rather that

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than to have a glee club that just sits in the middle.

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Yeah, you don't want one that's just average, do you?

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They're never going to fall apart,

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but they're never going to give you a moment

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where you just spontaneously smile.

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# These wings are made to fly. #

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# Harmonee

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# Harmonee

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# Harmonee

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# Harmonee. #

0:17:050:17:07

Someone's off.

0:17:070:17:08

What's the name of your group?

0:17:080:17:10

-Harmonee.

-Harmonee.

0:17:100:17:12

Saw these guys in Manchester.

0:17:120:17:14

They've got good use of props, their ensemble sound, I found,

0:17:140:17:18

was very well blended.

0:17:180:17:19

They had a lot of animation, so I said,

0:17:190:17:21

-"Well, you're going to come back."

-But what do you know?

0:17:210:17:24

Yeah.

0:17:240:17:26

THEY LAUGH

0:17:260:17:29

# Super Trouper

0:17:320:17:34

# Beams are gonna blind me

0:17:340:17:36

# But I won't feel blue

0:17:360:17:40

# Like I always do

0:17:400:17:44

# Cos somewhere in the crowd

0:17:440:17:46

# There's you

0:17:460:17:48

# I was sick and tired of everything

0:18:030:18:06

# When I called you last night from Glasgow

0:18:060:18:11

# All I do is eat and sleep and sing

0:18:110:18:14

# Wishing every show was the last show

0:18:140:18:19

# So imagine I was glad to hear you're coming

0:18:190:18:22

# Glad to hear you're coming

0:18:220:18:23

# Suddenly I feel all right

0:18:230:18:26

# And suddenly it's gonna be

0:18:260:18:28

# And it's gonna be so different

0:18:280:18:30

# When I'm on the stage tonight

0:18:300:18:34

# Super trouper

0:18:350:18:37

# Beams are gonna blind me

0:18:370:18:39

# But I won't feel blue

0:18:390:18:43

# Like I always do

0:18:430:18:47

# Cos somewhere in the crowd

0:18:470:18:49

# There's you

0:18:490:18:50

# Super trouper

0:18:500:18:51

# Beams are gonna blind me

0:18:510:18:53

# But I won't feel blue

0:18:530:18:57

# Like I always do

0:18:570:19:01

# Cos somewhere in the crowd... # MUSIC STOPS

0:19:010:19:04

# There's you. #

0:19:040:19:11

Don't look scared. It's finished.

0:19:120:19:17

-Yay!

-Oh, I'm really proud.

0:19:170:19:18

-Yeah?

-Yeah.

0:19:180:19:20

What I admire about it is the fact that people don't know

0:19:200:19:23

until they start taking apart ABBA harmonies just how complex they are.

0:19:230:19:27

They always seem really easy to sing till...

0:19:270:19:29

till you try and sing them and then they're not.

0:19:290:19:32

And you actually had them.

0:19:320:19:34

You actually got them all and you got them all in. You did them well.

0:19:340:19:40

Thank you.

0:19:400:19:41

The brilliant part about it was the a cappella.

0:19:410:19:43

The way you finished at the end showed how tight your harmonies are

0:19:430:19:47

and how really on it you are with your vocals, so well done.

0:19:470:19:50

Thank you.

0:19:510:19:52

I think you could just relax a little bit

0:19:520:19:55

and have a bit more fun with it.

0:19:550:19:57

Just relax your performance a little bit and link the song to the moves.

0:19:570:20:01

Like the guys were saying, it's one performance,

0:20:010:20:04

so you need to link those dance moves with those vocals,

0:20:040:20:08

which doesn't help with the breathing, cos it's tough.

0:20:080:20:11

You get out of breath when you're doing those big notes.

0:20:110:20:13

You're moving around the stage.

0:20:130:20:15

Maybe simplify the moves a little bit

0:20:150:20:17

so you can concentrate on your singing. But I loved it.

0:20:170:20:20

You looked great. Great faces. I love the colours. Great harmonies.

0:20:200:20:24

-You've got some wonderful voices.

-Well done, guys.

0:20:240:20:28

So you're happy with how it went.

0:20:290:20:31

-Yeah.

-Did any bits go wrong or...?

0:20:310:20:33

We have to work on our moves, putting them with our song,

0:20:330:20:38

cos we were getting out of breath a lot of the time.

0:20:380:20:41

Do you find that as you're performing with that routine,

0:20:410:20:45

that you do get a bit tired towards the end?

0:20:450:20:47

I think it was nerves as well.

0:20:470:20:50

Maybe just less movement, they needed.

0:20:510:20:54

Towards the end they did get a little bit out of breath,

0:20:540:20:56

-and that's when the tuning slightly went.

-Yeah.

0:20:560:20:58

It's difficult for them singing with mics.

0:20:580:21:01

-They might not have sung with mics.

-Not used to hearing themselves.

0:21:010:21:04

They're used to listening to themselves acoustically,

0:21:040:21:07

and to suddenly to hear themselves with mics on.

0:21:070:21:09

Perhaps they stopped listening.

0:21:090:21:10

# Cos somewhere in the crowd

0:21:100:21:13

# There's you. #

0:21:130:21:20

Four of today's acts have now performed for the judges,

0:21:260:21:29

but there are four more groups still to see, so don't go anywhere.

0:21:290:21:32

But first, let's take a moment to remind ourselves why we're all here.

0:21:320:21:36

Sport Relief raises money to help change people's lives in some

0:21:380:21:41

of the world's poorest communities, as well as right here in the UK.

0:21:410:21:45

In fact, there are over 2,000 UK projects

0:21:460:21:49

benefitting from money raised by the charity.

0:21:490:21:52

So wherever you're watching from, you're probably not very far away

0:21:520:21:55

from a project supported by Sport Relief.

0:21:550:21:58

Your donations really can make a difference

0:21:590:22:01

to the lives of vulnerable people at home and abroad.

0:22:010:22:05

If you'd like to get involved in this year's

0:22:050:22:07

Sport Relief Games from the 21st to the 23rd of March,

0:22:070:22:10

grab a grown-up and visit the CBBC website...

0:22:100:22:13

..to find out how.

0:22:180:22:19

Thank you.

0:22:200:22:21

Right, next group up. You're going to like this one.

0:22:290:22:32

It's an all-boy band.

0:22:320:22:33

-Really?

-Oh, yes. They're called React. I saw them in London.

0:22:360:22:40

Let's hear it for the boys!

0:22:400:22:42

Of course, they had to come back.

0:22:420:22:43

-They were actually pretty good.

-Fantastic.

0:22:430:22:46

Somebody has brought lucky underwear.

0:22:460:22:48

-I'm the shameful one.

-You're wearing lucky pants.

0:22:480:22:50

-I am.

-Right, OK.

0:22:500:22:51

Is this what you do cos you've done it before

0:22:510:22:53

-and it's worked in your favour?

-Yeah.

0:22:530:22:56

OK. What are your lucky pants like?

0:22:560:22:59

-Grey.

-No, we don't want to see them.

0:22:590:23:01

# Some nights I stay out

0:23:060:23:09

# Cashing in my bad luck

0:23:090:23:11

# Some nights I call it a draw

0:23:110:23:14

# Some nights I wish

0:23:150:23:17

# That my lips could build a castle

0:23:170:23:20

# Some nights I wish

0:23:200:23:21

# They'd just fall off

0:23:210:23:23

# But I still wake up

0:23:230:23:26

# I still see your ghost

0:23:260:23:28

# Oh, Lord, I'm still not sure

0:23:280:23:30

# What I stand for

0:23:300:23:32

# Oh

0:23:320:23:33

# What do I stand for?

0:23:330:23:35

# What do I stand for?

0:23:350:23:37

# Most nights I don't know

0:23:370:23:41

# Any more

0:23:410:23:43

# Oh-oh, whoa-oh Oh-oh, whoa-oh

0:23:430:23:48

# Whoa, whoa

0:23:480:23:51

# Oh-oh, whoa-oh # Oh-oh, whoa-oh

0:23:510:23:58

# Some nights I stay out

0:24:000:24:02

# Cashing in my bad luck

0:24:020:24:04

# Some nights I call it a draw

0:24:040:24:07

# Some nights I wish

0:24:080:24:10

# That my lips could build a castle

0:24:100:24:13

# Some nights I wish they'd just fall off. #

0:24:130:24:20

-Aww.

-Yes.

0:24:200:24:21

-Do you like that?

-Yes. No, I'm really happy with it, yeah.

0:24:220:24:25

Had a good time.

0:24:250:24:27

I felt so safe in your hands on that stage.

0:24:270:24:30

I felt that you were absolutely in control. It was clean.

0:24:300:24:35

Clean choreographically, clean vocally. Really well done.

0:24:350:24:39

-I loved it. BOYS:

-Thank you.

0:24:390:24:42

Now this is a glee club.

0:24:420:24:44

The breadth of harmonies from top to bottom are huge. How old are you?

0:24:440:24:50

15.

0:24:500:24:51

How on Earth you're able to sing those low notes at 15 is beyond me.

0:24:510:24:55

To sing those notes, you should have a beard.

0:24:550:24:57

THEY LAUGH

0:24:570:24:58

They're fantastic. You're like the Junior Warblers.

0:24:580:25:02

-I absolutely love your sound.

-Thank you.

0:25:020:25:05

For me, it was just refreshing to see an all-male group.

0:25:050:25:08

Well done, cos I know that...

0:25:080:25:10

I don't know whether you do, but I'm sure you do.

0:25:100:25:12

Sometimes you get a bit of stick for performing.

0:25:120:25:14

I just think it's fantastic

0:25:140:25:16

that each and every one of you were great. Keep it going.

0:25:160:25:18

-Thank you very much.

-Well done, guys.

0:25:180:25:20

That's lovely comments!

0:25:200:25:22

-That's really nice. I'm so proud of them.

-You all right?

0:25:220:25:24

-I had a moment there.

-Happy for you!

0:25:240:25:28

You made me proud. You did so well.

0:25:280:25:30

She's so proud of you. Come and join them. Tell them what you think.

0:25:300:25:33

We've been so proud.

0:25:330:25:34

You did absolutely everything I asked and more,

0:25:340:25:38

and, Will, that helped with the harmonies, he's going

0:25:380:25:41

to be sitting at home watching this going, "You really did..." yeah.

0:25:410:25:44

Did us both proud, well done.

0:25:440:25:46

Have you heard them sing any other song apart from that?

0:25:460:25:48

No, that's the one thing I'd be really interested to hear them

0:25:480:25:51

sing a classic sort of, well, One Direction number or a boyband,

0:25:510:25:55

-something with a little pop, rock, soulful. Something different.

-Yeah.

0:25:550:25:59

I bet you they do it very well.

0:25:590:26:01

# Some nights I wish they'd just fall off... #

0:26:010:26:06

# Jack and Jill

0:26:130:26:15

# Went up the hill... #

0:26:150:26:17

Right, next up we have Inferno. I saw these guys in Manchester.

0:26:170:26:21

I'm so looking forward to this. OK.

0:26:210:26:23

Very musical theatre. Obviously they're doing a number from Matilda.

0:26:230:26:28

So they're very confident.

0:26:280:26:30

I really enjoyed their delivery

0:26:300:26:32

and I thought they'd be worth having back.

0:26:320:26:34

Why have you chosen to do a musical theatre song rather than a pop song?

0:26:350:26:39

Well, we all love acting, singing and dancing,

0:26:390:26:42

so we do, like, the three things in it, so it's really good for us.

0:26:420:26:45

-You get to show off all your talent.

-Yeah.

0:26:450:26:48

I believe the judges are ready to see you,

0:26:480:26:50

so, Inferno, go that way, and set the stage on fire!

0:26:500:26:53

Thank you!

0:26:530:26:55

# Jack and Jill, went up the hill

0:26:580:27:01

# To fetch a pail of water,

0:27:010:27:02

# So they say

0:27:020:27:04

# Their subsequent fall was inevitable

0:27:040:27:06

# They never stood a chance, they were written that way

0:27:060:27:10

# Innocent victims of their story

0:27:100:27:12

# Like Romeo and Juliet

0:27:140:27:17

# Twas written in the stars before they even met

0:27:170:27:19

# That love and fate, and a touch of stupidity

0:27:210:27:23

# Would rob them of their hope of living happily

0:27:230:27:27

# The endings are often a little bit gory

0:27:270:27:29

# I wonder why they didn't just change their story

0:27:310:27:33

# We're told we have to do as we're told, but surely

0:27:350:27:38

# Sometimes you have to be a little bit naughty

0:27:400:27:43

# Just because you find that life's not fair

0:27:460:27:48

# It doesn't mean that you just have to grin and bear it

0:27:480:27:51

# If you always take it on the chin and wear it

0:27:510:27:54

# Nothing will change

0:27:540:27:57

# Even if you're little, you can do a lot

0:27:570:28:00

# You mustn't let a little thing like, little stop you

0:28:000:28:03

# If you sit around and let them get on top

0:28:030:28:06

# You might as well be saying

0:28:060:28:08

# You think that it's OK

0:28:080:28:09

# And that's not right

0:28:090:28:11

# And if it's not right

0:28:110:28:14

# You have to put it right

0:28:140:28:18

# But nobody else is gonna put it right for me

0:28:180:28:21

# Nobody but me is going to change my story

0:28:210:28:24

# Sometimes you have to be a little bit naughty. #

0:28:240:28:27

-Aah!

-Yay!

0:28:280:28:30

-Pleased?

-Yes, very pleased. Very pleased.

-That was great.

0:28:300:28:35

-Did you enjoy that?

-Yes.

-Yeah, you can tell.

0:28:350:28:37

-And are you all friends, you all know each other well?

-Yes.

0:28:370:28:40

You can tell that cos it really comes across.

0:28:400:28:42

I think, use that a bit more.

0:28:420:28:44

Use the times that you know each other outside of performing

0:28:440:28:47

and bring a little bit of that to your performance,

0:28:470:28:50

you know, when you go out together and you go to the shops or whatever.

0:28:500:28:53

Just remember those feelings and bring that to the performance,

0:28:530:28:56

cos it'll make it sound a bit natural.

0:28:560:28:58

I loved it, I thought you had great energy,

0:28:580:29:01

and your facial expressions are just wonderful.

0:29:010:29:04

-So thank you very much.

-Thank you.

0:29:040:29:06

What that song required was attack and energy and attitude

0:29:060:29:12

and it had to be very tongue-in-cheek,

0:29:120:29:15

and you hit it perfectly.

0:29:150:29:17

You ticked all the boxes and hit all the marks on that song.

0:29:170:29:20

It was a great physical and facial performance, and I think that

0:29:200:29:25

you guys are a great Gree... Glee Club and I love what you do.

0:29:250:29:29

Thank you!

0:29:290:29:31

-Greek club.

-A great Greek Glee Club.

0:29:310:29:34

John's Greek. He thinks that he just wants to bring a little bit of that

0:29:350:29:38

into it, you know. They're not Greek...

0:29:380:29:41

When I saw you girls in Manchester, you performance was slick,

0:29:440:29:47

it was focused, disciplined and you're so consistent

0:29:470:29:52

cos you did it again today.

0:29:520:29:54

-Thank you.

-Thank you.

0:29:540:29:56

-How are you all feeling now it's over?

-Good. Great.

0:29:570:30:00

-They said really nice things, didn't they?

-Yeah!

0:30:000:30:03

And so all those faces that you've been working on, that paid off then.

0:30:030:30:07

Yeah.

0:30:070:30:09

Something that I think we are finding with the Glee Clubs is that you

0:30:090:30:13

find there's two or three that are really strong,

0:30:130:30:16

and then there's always one or two, sometimes three who are weaker.

0:30:160:30:20

With that group I did feel like, "Gosh, wherever I look, they're

0:30:200:30:23

"all really able to give 100%." They're not looking self conscious.

0:30:230:30:26

Yeah, they all committed, and you could see

0:30:260:30:28

that they're all really confident, which was really nice.

0:30:280:30:31

There wasn't that, you know, the shy one hiding at the back

0:30:310:30:33

and the confident one at the front, it was a nice dynamic

0:30:330:30:36

between the lot of them.

0:30:360:30:37

# Sometimes you have to be a little bit naughty. #

0:30:370:30:40

Glowing comments for the boys, React,

0:30:460:30:48

and equally great comments for the girls, Inferno.

0:30:480:30:52

Coming up, the final two acts take to the stage.

0:30:520:30:54

Will All Sorts and Musicality hold their nerve when it really matters?

0:30:540:31:00

Your voice is really, really good, it's really theatrical.

0:31:000:31:04

That was so well rehearsed.

0:31:040:31:07

You cannot lose energy at all throughout the performance.

0:31:070:31:10

# Dum dee dum dum dum

0:31:160:31:18

# Dum dee dum dum dum... #

0:31:180:31:19

Right, next up we have All Sorts, and, yeah,

0:31:200:31:22

the name sounds familiar as well. I think last series they were Diva 8

0:31:220:31:26

and I think six members are the same.

0:31:260:31:29

Everywhere I look, I can see myself!

0:31:290:31:32

So you know when you go in there, it's quite a dark stage

0:31:320:31:34

and you've got the four judges in front of you.

0:31:340:31:37

What are you going to do to impress them?

0:31:370:31:39

-Just smile.

-Smile a lot.

0:31:390:31:42

And perform as much as we can.

0:31:420:31:43

# Dum dee dum dum dum

0:31:460:31:48

# No gal made has got a shade

0:31:480:31:50

# On sweet Georgia brown

0:31:500:31:53

# Two left feet, but, oh, so neat

0:31:530:31:55

# Has sweet Georgia brown

0:31:550:31:59

# They all sigh, and want to die

0:31:590:32:01

# For sweet Georgia brown

0:32:010:32:03

# I'll tell you just why

0:32:030:32:06

# You know I don't lie

0:32:060:32:09

# Not much

0:32:090:32:10

# It's been said she knocks 'em dead

0:32:100:32:13

# When she lands in town

0:32:130:32:16

# Since she came, why it's a shame

0:32:160:32:18

# How she cools them down

0:32:180:32:21

# Fellas she can't get

0:32:220:32:24

# Must be fellas she ain't met

0:32:240:32:27

# Georgia claimed her, Georgia named her

0:32:270:32:30

# Sweet Georgia brown

0:32:300:32:33

# Sweet Georgia, Georgia brown

0:32:330:32:36

# Sweet Georgia, Georgia brown

0:32:360:32:39

# All those gifts those courters give

0:32:390:32:41

# To sweet Georgia brown

0:32:410:32:44

# They buy clothes at fashion shows

0:32:440:32:46

# While one dollar down

0:32:460:32:50

# Fellas, won't you tip your hat

0:32:500:32:52

# Oh, boy, ain't she the cat

0:32:520:32:55

# Who's that, mister? 'tain't a sister

0:32:550:32:58

# It's sweet Georgia brown

0:32:580:33:02

# Georgia brown, yeah. #

0:33:020:33:05

Yeah!

0:33:050:33:06

-What did you think?

-Yeah, good.

-Happy?

-Yeah.

0:33:100:33:13

There was so much variety going on.

0:33:130:33:15

You had three groups at one point, I didn't quite know where to look.

0:33:150:33:19

And you're all doing something fantastic.

0:33:190:33:21

And then all of a sudden... It's Rosie, isn't it?

0:33:210:33:23

-You did a little bass over there. It was great. Well done.

-Thank you.

0:33:230:33:29

Somewhere in the middle, I think during the break down, maybe

0:33:290:33:32

when the beatboxing started...

0:33:320:33:34

I loved the beatboxing idea, I just found that the vocals dipped

0:33:340:33:37

a little bit there, lost that energy.

0:33:370:33:39

Kind of picked it up at the end again.

0:33:390:33:41

So, just bear that in mind that you cannot lose energy at all

0:33:410:33:45

throughout the performance. You have to finish as strong as you start.

0:33:450:33:49

-But well done over all.

-Thank you.

0:33:490:33:51

I think it was a really brave choice of song,

0:33:510:33:57

and I thought that you executed it very well.

0:33:570:34:01

I loved the whole cup song thing going on with the thighs.

0:34:010:34:05

I'm on with that, I know what that's about. Very good.

0:34:050:34:07

It lost it a little bit at the end in terms of your timing,

0:34:070:34:10

you were like "Whoa, we've lost the timing," but overall,

0:34:100:34:14

I mean, I think for the complexity of the arrangement you did really well.

0:34:140:34:17

Thank you.

0:34:170:34:20

What sort of things do you think they said that were fair?

0:34:200:34:22

What do you think they said that wasn't fair?

0:34:220:34:24

I think all their comments were very fair

0:34:240:34:26

and I think we did lose a little bit of energy,

0:34:260:34:29

but overall we did like their comments cos they were very good.

0:34:290:34:32

We'll take all the comments on board.

0:34:320:34:35

If we come back next time, we'll be so much better.

0:34:350:34:37

They are sweet. That's what it...

0:34:370:34:39

It's like something little kids would do

0:34:390:34:41

at the end of the school year for their parents.

0:34:410:34:43

Lovely, very well done. High standard for them,

0:34:430:34:45

but I don't think they're ready for this type of competition.

0:34:450:34:48

They don't bring that wow factor.

0:34:480:34:51

I think you're probably right.

0:34:510:34:52

# Georgia brown, yeah. #

0:34:520:34:54

We are Musicality!

0:35:000:35:02

These guys are very determined.

0:35:020:35:04

I think they made it to the heats for two series in a row.

0:35:040:35:08

-Have they not made it through the heats before?

-No.

0:35:080:35:11

They bring the feel good factor as far as I'm concerned.

0:35:110:35:14

I love these mirrors so much.

0:35:140:35:16

Any team cheer you would like to do before you go in?

0:35:160:35:20

Oh, just hands in. Ready.

0:35:200:35:21

Musicality!

0:35:210:35:23

# Sun is shinin' in the sky

0:35:280:35:32

# There ain't a cloud in sight

0:35:320:35:36

# It's stopped rainin'

0:35:360:35:38

# Everybody's in a play

0:35:380:35:42

# And don't you know

0:35:420:35:45

# It's a beautiful new day, hey

0:35:450:35:52

# Runnin' down the avenue

0:35:560:35:59

# See how the sun shines brightly

0:35:590:36:02

# In the city on the streets

0:36:020:36:05

# Where once was pity

0:36:050:36:06

# Mr Blue Sky is living here today

0:36:060:36:10

# Hey

0:36:100:36:13

# Mr Blue sky, please tell us why

0:36:130:36:16

# You had to hide away for so long

0:36:160:36:19

# So long, where did we go wrong?

0:36:190:36:22

# Hey there, Mr Blue

0:36:240:36:26

# We're so pleased to be with you

0:36:260:36:29

# Look around, see what you do

0:36:290:36:31

# Everybody smiles at you

0:36:310:36:34

# Mr Blue, you did it right

0:36:360:36:39

# But soon comes Mr Night

0:36:390:36:42

# Creepin' over, now his hand is on your shoulder

0:36:420:36:46

# Never mind, I'll remember you this

0:36:460:36:50

# I'll remember you this

0:36:500:36:52

# I'll remember you this way. #

0:36:520:36:58

-I'm actually pleased with that.

-Yay! Good, you should be.

0:37:000:37:03

And I'm really hard to please sometimes as well.

0:37:030:37:06

I'm actually really pleased with that.

0:37:060:37:08

That was so well rehearsed.

0:37:080:37:11

I mean, literally, every person's hand, foot, everything,

0:37:110:37:15

in absolute co-ordination. Fantastic choreography, lovely vocals.

0:37:150:37:20

My only criticism is that the song itself felt at times

0:37:200:37:23

like it was too low for you.

0:37:230:37:25

-But apart from that, absolutely lovely.

-Thank you.

0:37:250:37:30

Yeah, when I saw Mr Blue Sky I thought,

0:37:300:37:32

"Here's three minutes of my life I'll never get back."

0:37:320:37:35

And I was actually really surprised. I loved it. I enjoyed it.

0:37:350:37:38

You guys looked like you were loving it.

0:37:380:37:40

I felt comfortable,

0:37:400:37:41

I felt like I was watching a group of performers

0:37:410:37:43

who were used to performing together,

0:37:430:37:45

who really knew what it was like to take to the stage and just deliver.

0:37:450:37:49

Your choreography was tight, your staging was absolutely inch-perfect,

0:37:490:37:55

and your vocals were really locked.

0:37:550:37:57

I liked it, much to my surprise.

0:37:570:37:59

I didn't think I was going to like it, cos it's not my favourite song,

0:37:590:38:03

but it's grown on me.

0:38:030:38:05

Thank you.

0:38:050:38:07

I really loved it.

0:38:070:38:08

I think everything worked,

0:38:080:38:09

even down to the way you guys are dressed, it was wicked.

0:38:090:38:12

-And what's your name, the young girl who sung?

-Laney.

0:38:120:38:15

Your voice is really, really good. It's really theatrical.

0:38:150:38:18

So, big claps to you, but big claps to all of you,

0:38:180:38:21

it was absolutely amazing.

0:38:210:38:22

-Thank you.

-Well done, guys.

-Good job.

-Well done.

0:38:220:38:26

Laney, your first time and you got lovely comments,

0:38:260:38:29

-how does that make you feel?

-It was really...

0:38:290:38:32

It was amazing to get those comments,

0:38:320:38:34

and, like, it was my first time, and it was just incredible.

0:38:340:38:37

And you've got a cold as well to be dealing with. Poor you.

0:38:370:38:40

It's that Welsh thing. What is it with...?

0:38:400:38:42

I said it last series to the Welsh, it's like singing is in them.

0:38:420:38:45

-They're born singing.

-Yeah. They just come out crying and singing.

0:38:450:38:49

-Wah!

-They don't go wah, they go...

0:38:490:38:51

# Waaah.... #

0:38:510:38:52

So here's a quick reminder of the Glee Clubs

0:39:030:39:05

that performed on today's show.

0:39:050:39:07

Hi' JinX from Motherwell.

0:39:080:39:10

# I don't care

0:39:100:39:12

# I love it

0:39:120:39:14

# I don't care

0:39:140:39:16

# I love it, I love it... #

0:39:160:39:18

Figure 8 from Preston.

0:39:180:39:20

# Starships were meant to fly

0:39:200:39:24

# Hands up and touch the sky... #

0:39:240:39:28

#Boom! from north-west London.

0:39:280:39:31

# Walk, walk on over there

0:39:310:39:33

# Cos I'm too fly to care

0:39:330:39:36

# Oh, yeah... #

0:39:360:39:38

Harmonee from South Yorkshire.

0:39:390:39:41

# Was sick and tired of everything

0:39:420:39:45

# When I called you last night from Glasgow... #

0:39:450:39:50

React from Brighton.

0:39:500:39:52

# Some nights I stay up cashing in my bad luck

0:39:520:39:57

# Some nights I call it a draw... #

0:39:570:40:00

Inferno from Grimsby.

0:40:000:40:02

# That love and fate and a touch of stupidity

0:40:020:40:06

# Would rob them of the hope of living happily

0:40:060:40:09

# The endings are often a little bit gory... #

0:40:090:40:12

All Sorts from London.

0:40:120:40:14

# Must be fellas she ain't met

0:40:140:40:16

# Georgia claimed her, Georgia named her

0:40:160:40:20

# Sweet Georgia brown. #

0:40:200:40:22

And, finally, Musicality from Port Talbot.

0:40:230:40:26

# I'll remember you this

0:40:270:40:29

# I'll remember you this way. #

0:40:290:40:34

OK, so all eight groups have now performed,

0:40:420:40:44

but remember not everyone can make it through to the studio heats.

0:40:440:40:48

Let's join our judges to find out

0:40:480:40:49

if they can agree on who should go through to the next round.

0:40:490:40:53

OK, any definites for you guys?

0:40:540:40:56

Definite, definite for me.

0:40:570:41:00

Um, I would say...

0:41:000:41:02

-Definite, definite for me.

-Oh. Big if.

0:41:020:41:04

We need to talk about that.

0:41:040:41:06

-I'd have them before them.

-Oh, no, I'd have them before them.

0:41:060:41:09

100% more.

0:41:090:41:10

-A definite no for me.

-No.

0:41:100:41:13

Definite no for me.

0:41:130:41:14

-Definitely no.

-Oh, well, that's all no's then.

0:41:140:41:16

Yeah, OK.

0:41:160:41:17

Do we take a risk and put these guys through?

0:41:170:41:19

I would, definitely.

0:41:190:41:20

There was something. Even from audition day, there was something.

0:41:210:41:25

I'm a possibly on that. I'm a yes on this.

0:41:250:41:27

-I'm a yes on that. Are you a yes on that?

-Yes.

0:41:280:41:30

What are we arguing for then?

0:41:300:41:32

That's five there and three there, we're done.

0:41:320:41:34

So, after some debate, the judges have made their decision.

0:41:400:41:44

All of the Glee Clubs performed amazingly well,

0:41:440:41:47

but remember, only five of the eight groups from today's show

0:41:470:41:50

can go through to the studio heats.

0:41:500:41:52

So, let's find out who has secured

0:41:520:41:54

an all-important place in the next round.

0:41:540:41:58

The first group going through to the studio heat is...

0:41:580:42:03

..Musicality.

0:42:040:42:06

And the second group going through to the studio heat is...

0:42:110:42:16

..#Boom!

0:42:190:42:20

Harmonee and All Sorts, I'm afraid for now

0:42:260:42:30

you're not going through, but very, very well done.

0:42:300:42:33

thank you so much for coming to perform for us.

0:42:330:42:35

The third group going through to the studio heats...

0:42:420:42:46

is...

0:42:460:42:47

..React...

0:42:490:42:50

..who didn't react.

0:42:520:42:53

The fourth group going through to the studio heats is...

0:42:550:42:58

..Inferno.

0:43:000:43:02

And finally the fifth group going through to the studio heats is...

0:43:050:43:08

..Hi' JinX!

0:43:110:43:13

Figure 8, well done.

0:43:140:43:15

Thank you, everybody, for entertaining us

0:43:150:43:18

throughout these days.

0:43:180:43:19

So, another five acts have made it into the next round

0:43:220:43:26

and are one step closer to the live shows.

0:43:260:43:29

Thanks to Carrie, David, John and all our celebrity guests.

0:43:290:43:32

Join us next time when the final eight acts will battle it out

0:43:320:43:36

for the last five places in the studio heats.

0:43:360:43:39

See you next time for Sport Relief Does Glee Club,

0:43:390:43:41

the Judges' Auditions.

0:43:410:43:43

Bye!

0:43:430:43:44

To see all of today's performances again, go to the CBBC website

0:43:440:43:48

and click on the links for today's acts.

0:43:480:43:50

Next time on Glee Club,

0:43:500:43:51

the pressure is on. It's the last judges' audition show.

0:43:510:43:55

Eight groups are left and only five places remain,

0:43:550:43:57

but who will make it through to the studio heats?

0:43:570:43:59

Join Naomi Wilkinson for the Judges' Auditions, as the best young glee clubs from all over the UK battle it out in the musical extravaganza of the year. Once again Carrie, David and John are joined by some very special celebrity guests as they decide who goes through to the studio heats.


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