Episode 2 Sport Relief Does Glee Club


Episode 2

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Last time on Glee Club,

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VoxBox, Encore, Miss Chief,

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MT13 and The Peppermints

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all made it through to the studio heats.

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You guys are like a musical energy drink.

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Today, eight more acts will sing

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and dance their hearts out for a place in the next round.

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This is Sport Relief Does Glee Club 2014.

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Hello and welcome back to

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Sport Relief Does Glee Club 2014 -

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CBBC's search for Britain's best young singing and dancing group.

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This is the second of our judges' audition shows,

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so the pressure is on.

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Today, eight acts will give it their all for the chance to perform again

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in front of a live studio audience.

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But, before all that, let's take a look back at some of the many acts

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who performed for us during the Glee Club tour of the UK.

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John and the team travelled the length and breadth of the country

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to find the best singing and dancing talent that the UK has to offer.

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First stop, the North East of England and Newcastle.

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Hello!

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# Don't stop me now... #

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Next stop was Glasgow,

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where John was checking out the talent north of the border.

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# It's not about the money, money, money... #

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Then it was straight back down to Manchester,

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with more groups giving it their all.

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THEY SING

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HE MOUTHS

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John and the team then headed off to London

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to see what the Glee Clubs in the capital city could come up with.

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Let's go and listen to some music!

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# La, la, la, hey! #

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Next, they were off to Bristol,

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to check out the best of the West Country's glee clubs,

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before heading to Cardiff to see what was on offer there.

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# Yes, I do now... #

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Bye-bye, Cardiff.

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Who's next?

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Then it was a quick trip across to Belfast, to see what

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the Northern Irish glee clubs could come up with, before heading

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down to Brighton, to complete the talent search of the UK.

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# I keep coming back... #

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The standard was high,

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but it was then up to John to select the 24 successful glee clubs

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who were invited to perform again at the judges' auditions.

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Now, you may have noticed, Sam and Mark aren't here, but don't worry,

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they will be joining us very soon for the heats and live shows.

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But, in the meantime, keeping a close eye on proceedings

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and making those all-important decisions were our resident experts.

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So let's take a moment to meet the people

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who will decide the fate of our groups.

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It's our judges.

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Carrie and David are two of the UK's best-known celebrity vocal coaches.

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That was fantastic.

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That was a world-class performance.

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They've worked with pop artists including Take That,

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The Saturdays, Marvin Humes and even Gwyneth Paltrow.

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Celebrity vocal and performance coach John has worked with

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a variety of stars, including JLS, Leona Lewis, Olly Murs

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and Frankie Sandford.

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He's also worked behind-the-scenes on top shows

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like The Voice and The X Factor.

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Helping Carrie, David and John decide who should go through

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to the heats were some very special expert guests.

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Let's meet them.

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Soul singer and presenter Dionne Bromfield has been nominated

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for a MOBO Award, has recorded two albums

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and also finds time to present CBBC's Friday Download.

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Is that another one you play on the breakfast show?

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I do play that on the radio, as well, Dionne. We're so in sync!

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West End star Kerry Ellis has had lead roles in Wicked,

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Les Miserables, We Will Rock You and Oliver!

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and is also a successful recording artist.

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And finally, Strictly Come Dancing professional Erin Boag

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has put many celebrities through their paces,

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wowed audiences with her dance moves

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and stars regularly in spectacular sell-out shows.

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Now for the serious bit, so pay attention.

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Of the many groups who applied for Sport Relief Does Glee Club,

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only the top 24 made it through to the judges' auditions.

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Today, eight of those hopefuls will perform for our judges,

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but only five will go through to the studio heats.

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So let's meet the first act to perform for our judges.

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We're Hi' JinX!

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# Yeah

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# Down on earth. #

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I think you're going to recognise a certain feel about them

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-from another group last year, but they're different.

-OK.

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Now, tell me about the stripy socks. They are pretty cool.

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THEY LAUGH

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Somebody told me there was a bit of sock drama. What's happened?

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-I lost the sock.

-You lost the sock?

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-What, on your way here?

-No, in my house.

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Oh, dear. So what have you done? Have you borrowed someone else's?

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-No, I had two pairs.

-OK. Phew!

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You have lots of crazy socks in your collection? Good.

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# I got this feeling on

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# A summer day when you were gone

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# I crashed my car into the bridge

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# I watched, I let it burn

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# I threw your stuff into a bag

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# And pushed it down the stairs

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# I crashed my car into the bridge

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# I don't care

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# I love it... #

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-Go on, girls.

-# I don't care

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# I love it, I love it

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# I don't care

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# I love it

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# I don't care

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# I love it

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# You're on a different road

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# I'm in the Milky Way

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# You want me down on Earth

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# But I am up in space

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# You're so, so hard to please

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# We gotta kill this switch

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# You're from the '70s

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# But I'm a '90s chick

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# I got this feeling on

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# A summer day when you were gone

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# I crashed my car into the bridge

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# I watched, I let it burn

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# I threw your stuff into a bag

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# And pushed it down the stairs

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# I crashed my car into the bridge

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# I don't care

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# I love it

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# I don't care

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# I love it, I love it

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# I don't care. #

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-Excellent. Happy with that?

-Very happy.

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I like the overall package. I like your costumes.

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But also, I like the way that you lit up

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when you started singing, especially the second girl in here.

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With the... I suppose they've all got pink tops on.

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But it engaged me.

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And it was really good, well done.

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You know, there was a group who came runner-up last year

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called Raveheart.

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You guys remind me of a junior version of them.

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You need... The only thing I would say to add, is just add

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a bit more ferocity, because I think you've got it in you.

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Guys, that was fabulous.

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It's a real summer song and you were like a ray of sunshine on that stage.

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Really uniform. I love the unison vocals.

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It was like one big, fat voice, which sounds brilliant. That's brilliant.

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If you get through, I want a little bit more harmony singing from you,

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but the stuff that was in unison was brilliant.

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-GIRLS:

-Thank you.

-Well done.

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-How was it?

-ALL: Good!

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Relieved it's over, or did you really enjoy it?

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-Really enjoyed it.

-Enjoyed it, good. I thought you did.

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And you got a special mention.

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-How did that feel, to get a special mention?

-Really good.

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What would you like to say back to the judges

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for saying something nice to you?

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-Thank you!

-Aww, short and sweet.

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The only thing I would have liked, is because the unison was

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-so belty and then the harmony was a bit...

-It was a bit sweet, yeah.

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The harmony was a bit... Maybe it's the age of their voices.

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That's the only reason why...

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It might have been better to pick a lower harmony,

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so that they could have kicked a bit more guts into that.

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But, you know, to be honest,

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to get that good unison singing is hard.

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# I don't care. #

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# Stop, cos we're so... #

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Next up, we have Figure 8 from Manchester.

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THEY CHEER

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That wall of sound you always talk about,

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I think this is why I brought them back.

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Any bits you are particularly looking forward to,

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or a bit nervous about with this performance?

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-A bit nervous about the dancing.

-The dancing? Why's that?

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Um, none of us are really dancers.

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Have you made the choreography very complicated?

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Not really complicated but we still... Yeah.

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Just have to think about it all the time. OK.

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# Let's go to the beach-each # Let's go get away

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-# They say

-# What they gonna say?

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# Have a drink, clink, found the light

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# Bad chicks like me, it's hard to come by

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# Get it on, on, let's go get it on

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# The zone-one, yes, I'm in the zone

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# Is it two, three, leave a good tip

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# I'm-a blow all my money I don't care about it

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# The floor, floor

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# I love to dance

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# So give me more, more

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# Till I can't stand

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# Get on the floor, floor

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# Like it's your last chance

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# If you want more, more

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# Then here I am

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# Starships were meant to fly

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# Hands up and touch the sky

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# Can't stop cos we're so high

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# Let's do this one more time

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# Starships were meant to fly

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# Hands up and touch the sky

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# Can't stop cos we're so high

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# Let's do this one more time

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# Let's do this one more time. #

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Oh, a lovely ending.

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-Lovely.

-Wow.

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I'm going to count to three and I want you all to go, "Pow!" Like that.

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One, two, three.

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ALL: Pow!

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Right, that's what you call snap.

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Snap is when you go...

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FORCEFULLY: # Starships... #

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At the moment it's like... WEAKLY: # Starships are meant to... #

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it's a little bit droopy, choreographically.

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The choreography is fine,

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it's how you're executing the choreography.

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Similarly, with the vocals, the vocals are beautiful,

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but it's very legato and joined up. It needs snap.

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So if you get through, I want you to think about,

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"How do I put pow into the vocals and into the action?"

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I go with Carrie. You need snap, you need attitude, you need swagger.

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Don't hold anything back.

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Don't save anything for when it's over,

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cos when it's over its too late. Leave everything on the stage.

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Leave everything in that performance. Don't hold back.

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You've all got beautiful voices.

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When you sing together it sounds really, really nice.

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I think you girls should just smile more.

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You've all got very pretty faces, so we want to see your teeth.

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You there, are you the girl who started singing?

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Um, I think with you, your voice was really, really nice.

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But you're the first one that's going to sing on their own,

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so people are going to look at you.

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I just wanted you to be a bit more like,

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"Yeah, I'm the first one singing and I'm going to own this."

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But, girls, don't think just because the soloists are singing

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that you're not going to be seen as well.

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So just make sure everyone knows that.

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So if we see you again, I need to see POW, yeah?

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So they said you needed POW.

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-Do you think you've got it in you?

-ALL: Yeah.

-It's there, is it?

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How are you going to bring out that KA-POW.

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A bit more energy, I think. Like, pow.

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LAUGHTER

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Fingers crossed you have done enough.

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If you get through, what are we going to see more of?

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ALL: POW!

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They're all doing it out there now, but that POW thing,

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they all went like that.

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-Yeah.

-Yeah.

-Where's that aggression when they're going...?

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WEAKLY: # Starships are meant to... # What's that?

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Do you know what? All it takes is...

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It only takes one of them for the rest of them to actually go,

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-"Oh, I'm going to do it now."

-Yes, you're right.

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But until that one person does it, they're all just going to...

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They've all levelled out to... # Hands up... #

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-Yeah.

-The question is going to be

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are you willing to take a risk with these guys?

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# Let's do this one more time. #

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Good comments for both Hi' JinX and Figure 8 there,

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but still lots to improve on if they make it to the studio heats.

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Next up, another two groups get their chance to impress the judges.

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None of us could stop smiling, and that tells me something.

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Great harmonies, and you've got some wonderful voices.

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You're a proper urban glee club.

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We are #Boom!

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I wasn't sure about them.

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I wanted to bring them back especially for a second,

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third and fourth opinion.

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-Are you ready?

-Yes.

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Let's do it. Off you go.

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# Mama told me not to waste my life

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# She said, "Spread your wings, my little butterfly

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# "Don't let what they say keep you up at night

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# "And if they give you... Sh!

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# "Then they can walk on by"

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# My feet, feet can't touch the ground

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# I can't hear a sound

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# But you just keep on running off your mouth, yeah

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# Walk, walk on over there

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# Cos I'm too fly to care

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# Oh, yeah

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# Your words don't mean a thing

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# I'm not listening

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# Keep talking

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# All I know is

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# Mama told me not to waste my life

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# She said, "Spread your wings, my little butterfly

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# "Don't let what they say

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# "Keep you up at night

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# "And they can't detain you

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# "Cos wings are made to fly"

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# And we don't let nobody bring us down

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# No matter what they say

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# It won't hurt me

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# Hurt me

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# No matter if I fall from the sky

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# These wings are made to fly. #

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I think he's born to be on the stage. Wow.

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There is something about you that really makes us smile.

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I actually looked down the line and everyone was full-on teeth

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and everything smiling.

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-It's cos we're on camera.

-LAUGHTER

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Actually, quite often, it's the reverse that happens.

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Judges will sit there with their poker faces,

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but none of us could stop smiling.

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That tells me something.

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So well done.

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Let me tell you what I love.

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I mean, you've got the gospel, R&B riffing,

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you've got the hip-hop swagger, you've got the pop cool.

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You're a proper urban glee club.

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If you get through, you have to do so much work

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between now and then to tighten everything up.

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You guys are sensational.

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Thank you.

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I loved each and everyone of you.

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I loved your song, I loved the attitude,

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I loved the way that you used the entire floor.

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You're marvellous, all of you were marvellous.

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But, Shem, it's like you ruled the floor. It was fantastic. Fantastic.

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-Thank you.

-#Boom!

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-It's more like the # and then the Boom.

-All right, do it for us.

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Get it right!

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# Boom!

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# Boom!

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John, it doesn't sound right with a Canadian accent.

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-It doesn't.

-See you later, guys.

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What would you have to do if you were put through to the next level.

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Work harder, I guess.

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What are you going to do?

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-Put more effort into it.

-A bit more energy, maybe.

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-Do you think you could rehearse more?

-Definitely.

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-DAVID:

-I think they're either going to be magical

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or they're going to be terrible.

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But, I have to say, there's a part of me that would rather that

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than to have a glee club that just sits in the middle.

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Yeah, you don't want one that's just average, do you?

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They're never going to fall apart,

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but they're never going to give you a moment

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where you just spontaneously smile.

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# These wings are made to fly. #

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# Harmonee

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# Harmonee

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# Harmonee

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# Harmonee. #

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Someone's off.

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What's the name of your group?

0:17:080:17:10

-Harmonee.

-Harmonee.

0:17:100:17:12

Saw these guys in Manchester.

0:17:120:17:14

They've got good use of props, their ensemble sound, I found,

0:17:140:17:18

was very well blended.

0:17:180:17:19

They had a lot of animation, so I said,

0:17:190:17:21

-"Well, you're going to come back."

-But what do you know?

0:17:210:17:24

Yeah.

0:17:240:17:26

THEY LAUGH

0:17:260:17:29

# Super Trouper

0:17:320:17:34

# Beams are gonna blind me

0:17:340:17:36

# But I won't feel blue

0:17:360:17:40

# Like I always do

0:17:400:17:44

# Cos somewhere in the crowd

0:17:440:17:46

# There's you

0:17:460:17:48

# I was sick and tired of everything

0:18:030:18:06

# When I called you last night from Glasgow

0:18:060:18:11

# All I do is eat and sleep and sing

0:18:110:18:14

# Wishing every show was the last show

0:18:140:18:19

# So imagine I was glad to hear you're coming

0:18:190:18:22

# Glad to hear you're coming

0:18:220:18:23

# Suddenly I feel all right

0:18:230:18:26

# And suddenly it's gonna be

0:18:260:18:28

# And it's gonna be so different

0:18:280:18:30

# When I'm on the stage tonight

0:18:300:18:34

# Super trouper

0:18:350:18:37

# Beams are gonna blind me

0:18:370:18:39

# But I won't feel blue

0:18:390:18:43

# Like I always do

0:18:430:18:47

# Cos somewhere in the crowd

0:18:470:18:49

# There's you

0:18:490:18:50

# Super trouper

0:18:500:18:51

# Beams are gonna blind me

0:18:510:18:53

# But I won't feel blue

0:18:530:18:57

# Like I always do

0:18:570:19:01

# Cos somewhere in the crowd... # MUSIC STOPS

0:19:010:19:04

# There's you. #

0:19:040:19:11

Don't look scared. It's finished.

0:19:120:19:17

-Yay!

-Oh, I'm really proud.

0:19:170:19:18

-Yeah?

-Yeah.

0:19:180:19:20

What I admire about it is the fact that people don't know

0:19:200:19:23

until they start taking apart ABBA harmonies just how complex they are.

0:19:230:19:27

They always seem really easy to sing till...

0:19:270:19:29

till you try and sing them and then they're not.

0:19:290:19:32

And you actually had them.

0:19:320:19:34

You actually got them all and you got them all in. You did them well.

0:19:340:19:40

Thank you.

0:19:400:19:41

The brilliant part about it was the a cappella.

0:19:410:19:43

The way you finished at the end showed how tight your harmonies are

0:19:430:19:47

and how really on it you are with your vocals, so well done.

0:19:470:19:50

Thank you.

0:19:510:19:52

I think you could just relax a little bit

0:19:520:19:55

and have a bit more fun with it.

0:19:550:19:57

Just relax your performance a little bit and link the song to the moves.

0:19:570:20:01

Like the guys were saying, it's one performance,

0:20:010:20:04

so you need to link those dance moves with those vocals,

0:20:040:20:08

which doesn't help with the breathing, cos it's tough.

0:20:080:20:11

You get out of breath when you're doing those big notes.

0:20:110:20:13

You're moving around the stage.

0:20:130:20:15

Maybe simplify the moves a little bit

0:20:150:20:17

so you can concentrate on your singing. But I loved it.

0:20:170:20:20

You looked great. Great faces. I love the colours. Great harmonies.

0:20:200:20:24

-You've got some wonderful voices.

-Well done, guys.

0:20:240:20:28

So you're happy with how it went.

0:20:290:20:31

-Yeah.

-Did any bits go wrong or...?

0:20:310:20:33

We have to work on our moves, putting them with our song,

0:20:330:20:38

cos we were getting out of breath a lot of the time.

0:20:380:20:41

Do you find that as you're performing with that routine,

0:20:410:20:45

that you do get a bit tired towards the end?

0:20:450:20:47

I think it was nerves as well.

0:20:470:20:50

Maybe just less movement, they needed.

0:20:510:20:54

Towards the end they did get a little bit out of breath,

0:20:540:20:56

-and that's when the tuning slightly went.

-Yeah.

0:20:560:20:58

It's difficult for them singing with mics.

0:20:580:21:01

-They might not have sung with mics.

-Not used to hearing themselves.

0:21:010:21:04

They're used to listening to themselves acoustically,

0:21:040:21:07

and to suddenly to hear themselves with mics on.

0:21:070:21:09

Perhaps they stopped listening.

0:21:090:21:10

# Cos somewhere in the crowd

0:21:100:21:13

# There's you. #

0:21:130:21:20

Four of today's acts have now performed for the judges,

0:21:260:21:29

but there are four more groups still to see, so don't go anywhere.

0:21:290:21:32

But first, let's take a moment to remind ourselves why we're all here.

0:21:320:21:36

Sport Relief raises money to help change people's lives in some

0:21:380:21:41

of the world's poorest communities, as well as right here in the UK.

0:21:410:21:45

In fact, there are over 2,000 UK projects

0:21:460:21:49

benefitting from money raised by the charity.

0:21:490:21:52

So wherever you're watching from, you're probably not very far away

0:21:520:21:55

from a project supported by Sport Relief.

0:21:550:21:58

Your donations really can make a difference

0:21:590:22:01

to the lives of vulnerable people at home and abroad.

0:22:010:22:05

If you'd like to get involved in this year's

0:22:050:22:07

Sport Relief Games from the 21st to the 23rd of March,

0:22:070:22:10

grab a grown-up and visit the CBBC website...

0:22:100:22:13

..to find out how.

0:22:180:22:19

Thank you.

0:22:200:22:21

Right, next group up. You're going to like this one.

0:22:290:22:32

It's an all-boy band.

0:22:320:22:33

-Really?

-Oh, yes. They're called React. I saw them in London.

0:22:360:22:40

Let's hear it for the boys!

0:22:400:22:42

Of course, they had to come back.

0:22:420:22:43

-They were actually pretty good.

-Fantastic.

0:22:430:22:46

Somebody has brought lucky underwear.

0:22:460:22:48

-I'm the shameful one.

-You're wearing lucky pants.

0:22:480:22:50

-I am.

-Right, OK.

0:22:500:22:51

Is this what you do cos you've done it before

0:22:510:22:53

-and it's worked in your favour?

-Yeah.

0:22:530:22:56

OK. What are your lucky pants like?

0:22:560:22:59

-Grey.

-No, we don't want to see them.

0:22:590:23:01

# Some nights I stay out

0:23:060:23:09

# Cashing in my bad luck

0:23:090:23:11

# Some nights I call it a draw

0:23:110:23:14

# Some nights I wish

0:23:150:23:17

# That my lips could build a castle

0:23:170:23:20

# Some nights I wish

0:23:200:23:21

# They'd just fall off

0:23:210:23:23

# But I still wake up

0:23:230:23:26

# I still see your ghost

0:23:260:23:28

# Oh, Lord, I'm still not sure

0:23:280:23:30

# What I stand for

0:23:300:23:32

# Oh

0:23:320:23:33

# What do I stand for?

0:23:330:23:35

# What do I stand for?

0:23:350:23:37

# Most nights I don't know

0:23:370:23:41

# Any more

0:23:410:23:43

# Oh-oh, whoa-oh Oh-oh, whoa-oh

0:23:430:23:48

# Whoa, whoa

0:23:480:23:51

# Oh-oh, whoa-oh # Oh-oh, whoa-oh

0:23:510:23:58

# Some nights I stay out

0:24:000:24:02

# Cashing in my bad luck

0:24:020:24:04

# Some nights I call it a draw

0:24:040:24:07

# Some nights I wish

0:24:080:24:10

# That my lips could build a castle

0:24:100:24:13

# Some nights I wish they'd just fall off. #

0:24:130:24:20

-Aww.

-Yes.

0:24:200:24:21

-Do you like that?

-Yes. No, I'm really happy with it, yeah.

0:24:220:24:25

Had a good time.

0:24:250:24:27

I felt so safe in your hands on that stage.

0:24:270:24:30

I felt that you were absolutely in control. It was clean.

0:24:300:24:35

Clean choreographically, clean vocally. Really well done.

0:24:350:24:39

-I loved it. BOYS:

-Thank you.

0:24:390:24:42

Now this is a glee club.

0:24:420:24:44

The breadth of harmonies from top to bottom are huge. How old are you?

0:24:440:24:50

15.

0:24:500:24:51

How on Earth you're able to sing those low notes at 15 is beyond me.

0:24:510:24:55

To sing those notes, you should have a beard.

0:24:550:24:57

THEY LAUGH

0:24:570:24:58

They're fantastic. You're like the Junior Warblers.

0:24:580:25:02

-I absolutely love your sound.

-Thank you.

0:25:020:25:05

For me, it was just refreshing to see an all-male group.

0:25:050:25:08

Well done, cos I know that...

0:25:080:25:10

I don't know whether you do, but I'm sure you do.

0:25:100:25:12

Sometimes you get a bit of stick for performing.

0:25:120:25:14

I just think it's fantastic

0:25:140:25:16

that each and every one of you were great. Keep it going.

0:25:160:25:18

-Thank you very much.

-Well done, guys.

0:25:180:25:20

That's lovely comments!

0:25:200:25:22

-That's really nice. I'm so proud of them.

-You all right?

0:25:220:25:24

-I had a moment there.

-Happy for you!

0:25:240:25:28

You made me proud. You did so well.

0:25:280:25:30

She's so proud of you. Come and join them. Tell them what you think.

0:25:300:25:33

We've been so proud.

0:25:330:25:34

You did absolutely everything I asked and more,

0:25:340:25:38

and, Will, that helped with the harmonies, he's going

0:25:380:25:41

to be sitting at home watching this going, "You really did..." yeah.

0:25:410:25:44

Did us both proud, well done.

0:25:440:25:46

Have you heard them sing any other song apart from that?

0:25:460:25:48

No, that's the one thing I'd be really interested to hear them

0:25:480:25:51

sing a classic sort of, well, One Direction number or a boyband,

0:25:510:25:55

-something with a little pop, rock, soulful. Something different.

-Yeah.

0:25:550:25:59

I bet you they do it very well.

0:25:590:26:01

# Some nights I wish they'd just fall off... #

0:26:010:26:06

# Jack and Jill

0:26:130:26:15

# Went up the hill... #

0:26:150:26:17

Right, next up we have Inferno. I saw these guys in Manchester.

0:26:170:26:21

I'm so looking forward to this. OK.

0:26:210:26:23

Very musical theatre. Obviously they're doing a number from Matilda.

0:26:230:26:28

So they're very confident.

0:26:280:26:30

I really enjoyed their delivery

0:26:300:26:32

and I thought they'd be worth having back.

0:26:320:26:34

Why have you chosen to do a musical theatre song rather than a pop song?

0:26:350:26:39

Well, we all love acting, singing and dancing,

0:26:390:26:42

so we do, like, the three things in it, so it's really good for us.

0:26:420:26:45

-You get to show off all your talent.

-Yeah.

0:26:450:26:48

I believe the judges are ready to see you,

0:26:480:26:50

so, Inferno, go that way, and set the stage on fire!

0:26:500:26:53

Thank you!

0:26:530:26:55

# Jack and Jill, went up the hill

0:26:580:27:01

# To fetch a pail of water,

0:27:010:27:02

# So they say

0:27:020:27:04

# Their subsequent fall was inevitable

0:27:040:27:06

# They never stood a chance, they were written that way

0:27:060:27:10

# Innocent victims of their story

0:27:100:27:12

# Like Romeo and Juliet

0:27:140:27:17

# Twas written in the stars before they even met

0:27:170:27:19

# That love and fate, and a touch of stupidity

0:27:210:27:23

# Would rob them of their hope of living happily

0:27:230:27:27

# The endings are often a little bit gory

0:27:270:27:29

# I wonder why they didn't just change their story

0:27:310:27:33

# We're told we have to do as we're told, but surely

0:27:350:27:38

# Sometimes you have to be a little bit naughty

0:27:400:27:43

# Just because you find that life's not fair

0:27:460:27:48

# It doesn't mean that you just have to grin and bear it

0:27:480:27:51

# If you always take it on the chin and wear it

0:27:510:27:54

# Nothing will change

0:27:540:27:57

# Even if you're little, you can do a lot

0:27:570:28:00

# You mustn't let a little thing like, little stop you

0:28:000:28:03

# If you sit around and let them get on top

0:28:030:28:06

# You might as well be saying

0:28:060:28:08

# You think that it's OK

0:28:080:28:09

# And that's not right

0:28:090:28:11

# And if it's not right

0:28:110:28:14

# You have to put it right

0:28:140:28:18

# But nobody else is gonna put it right for me

0:28:180:28:21

# Nobody but me is going to change my story

0:28:210:28:24

# Sometimes you have to be a little bit naughty. #

0:28:240:28:27

-Aah!

-Yay!

0:28:280:28:30

-Pleased?

-Yes, very pleased. Very pleased.

-That was great.

0:28:300:28:35

-Did you enjoy that?

-Yes.

-Yeah, you can tell.

0:28:350:28:37

-And are you all friends, you all know each other well?

-Yes.

0:28:370:28:40

You can tell that cos it really comes across.

0:28:400:28:42

I think, use that a bit more.

0:28:420:28:44

Use the times that you know each other outside of performing

0:28:440:28:47

and bring a little bit of that to your performance,

0:28:470:28:50

you know, when you go out together and you go to the shops or whatever.

0:28:500:28:53

Just remember those feelings and bring that to the performance,

0:28:530:28:56

cos it'll make it sound a bit natural.

0:28:560:28:58

I loved it, I thought you had great energy,

0:28:580:29:01

and your facial expressions are just wonderful.

0:29:010:29:04

-So thank you very much.

-Thank you.

0:29:040:29:06

What that song required was attack and energy and attitude

0:29:060:29:12

and it had to be very tongue-in-cheek,

0:29:120:29:15

and you hit it perfectly.

0:29:150:29:17

You ticked all the boxes and hit all the marks on that song.

0:29:170:29:20

It was a great physical and facial performance, and I think that

0:29:200:29:25

you guys are a great Gree... Glee Club and I love what you do.

0:29:250:29:29

Thank you!

0:29:290:29:31

-Greek club.

-A great Greek Glee Club.

0:29:310:29:34

John's Greek. He thinks that he just wants to bring a little bit of that

0:29:350:29:38

into it, you know. They're not Greek...

0:29:380:29:41

When I saw you girls in Manchester, you performance was slick,

0:29:440:29:47

it was focused, disciplined and you're so consistent

0:29:470:29:52

cos you did it again today.

0:29:520:29:54

-Thank you.

-Thank you.

0:29:540:29:56

-How are you all feeling now it's over?

-Good. Great.

0:29:570:30:00

-They said really nice things, didn't they?

-Yeah!

0:30:000:30:03

And so all those faces that you've been working on, that paid off then.

0:30:030:30:07

Yeah.

0:30:070:30:09

Something that I think we are finding with the Glee Clubs is that you

0:30:090:30:13

find there's two or three that are really strong,

0:30:130:30:16

and then there's always one or two, sometimes three who are weaker.

0:30:160:30:20

With that group I did feel like, "Gosh, wherever I look, they're

0:30:200:30:23

"all really able to give 100%." They're not looking self conscious.

0:30:230:30:26

Yeah, they all committed, and you could see

0:30:260:30:28

that they're all really confident, which was really nice.

0:30:280:30:31

There wasn't that, you know, the shy one hiding at the back

0:30:310:30:33

and the confident one at the front, it was a nice dynamic

0:30:330:30:36

between the lot of them.

0:30:360:30:37

# Sometimes you have to be a little bit naughty. #

0:30:370:30:40

Glowing comments for the boys, React,

0:30:460:30:48

and equally great comments for the girls, Inferno.

0:30:480:30:52

Coming up, the final two acts take to the stage.

0:30:520:30:54

Will All Sorts and Musicality hold their nerve when it really matters?

0:30:540:31:00

Your voice is really, really good, it's really theatrical.

0:31:000:31:04

That was so well rehearsed.

0:31:040:31:07

You cannot lose energy at all throughout the performance.

0:31:070:31:10

# Dum dee dum dum dum

0:31:160:31:18

# Dum dee dum dum dum... #

0:31:180:31:19

Right, next up we have All Sorts, and, yeah,

0:31:200:31:22

the name sounds familiar as well. I think last series they were Diva 8

0:31:220:31:26

and I think six members are the same.

0:31:260:31:29

Everywhere I look, I can see myself!

0:31:290:31:32

So you know when you go in there, it's quite a dark stage

0:31:320:31:34

and you've got the four judges in front of you.

0:31:340:31:37

What are you going to do to impress them?

0:31:370:31:39

-Just smile.

-Smile a lot.

0:31:390:31:42

And perform as much as we can.

0:31:420:31:43

# Dum dee dum dum dum

0:31:460:31:48

# No gal made has got a shade

0:31:480:31:50

# On sweet Georgia brown

0:31:500:31:53

# Two left feet, but, oh, so neat

0:31:530:31:55

# Has sweet Georgia brown

0:31:550:31:59

# They all sigh, and want to die

0:31:590:32:01

# For sweet Georgia brown

0:32:010:32:03

# I'll tell you just why

0:32:030:32:06

# You know I don't lie

0:32:060:32:09

# Not much

0:32:090:32:10

# It's been said she knocks 'em dead

0:32:100:32:13

# When she lands in town

0:32:130:32:16

# Since she came, why it's a shame

0:32:160:32:18

# How she cools them down

0:32:180:32:21

# Fellas she can't get

0:32:220:32:24

# Must be fellas she ain't met

0:32:240:32:27

# Georgia claimed her, Georgia named her

0:32:270:32:30

# Sweet Georgia brown

0:32:300:32:33

# Sweet Georgia, Georgia brown

0:32:330:32:36

# Sweet Georgia, Georgia brown

0:32:360:32:39

# All those gifts those courters give

0:32:390:32:41

# To sweet Georgia brown

0:32:410:32:44

# They buy clothes at fashion shows

0:32:440:32:46

# While one dollar down

0:32:460:32:50

# Fellas, won't you tip your hat

0:32:500:32:52

# Oh, boy, ain't she the cat

0:32:520:32:55

# Who's that, mister? 'tain't a sister

0:32:550:32:58

# It's sweet Georgia brown

0:32:580:33:02

# Georgia brown, yeah. #

0:33:020:33:05

Yeah!

0:33:050:33:06

-What did you think?

-Yeah, good.

-Happy?

-Yeah.

0:33:100:33:13

There was so much variety going on.

0:33:130:33:15

You had three groups at one point, I didn't quite know where to look.

0:33:150:33:19

And you're all doing something fantastic.

0:33:190:33:21

And then all of a sudden... It's Rosie, isn't it?

0:33:210:33:23

-You did a little bass over there. It was great. Well done.

-Thank you.

0:33:230:33:29

Somewhere in the middle, I think during the break down, maybe

0:33:290:33:32

when the beatboxing started...

0:33:320:33:34

I loved the beatboxing idea, I just found that the vocals dipped

0:33:340:33:37

a little bit there, lost that energy.

0:33:370:33:39

Kind of picked it up at the end again.

0:33:390:33:41

So, just bear that in mind that you cannot lose energy at all

0:33:410:33:45

throughout the performance. You have to finish as strong as you start.

0:33:450:33:49

-But well done over all.

-Thank you.

0:33:490:33:51

I think it was a really brave choice of song,

0:33:510:33:57

and I thought that you executed it very well.

0:33:570:34:01

I loved the whole cup song thing going on with the thighs.

0:34:010:34:05

I'm on with that, I know what that's about. Very good.

0:34:050:34:07

It lost it a little bit at the end in terms of your timing,

0:34:070:34:10

you were like "Whoa, we've lost the timing," but overall,

0:34:100:34:14

I mean, I think for the complexity of the arrangement you did really well.

0:34:140:34:17

Thank you.

0:34:170:34:20

What sort of things do you think they said that were fair?

0:34:200:34:22

What do you think they said that wasn't fair?

0:34:220:34:24

I think all their comments were very fair

0:34:240:34:26

and I think we did lose a little bit of energy,

0:34:260:34:29

but overall we did like their comments cos they were very good.

0:34:290:34:32

We'll take all the comments on board.

0:34:320:34:35

If we come back next time, we'll be so much better.

0:34:350:34:37

They are sweet. That's what it...

0:34:370:34:39

It's like something little kids would do

0:34:390:34:41

at the end of the school year for their parents.

0:34:410:34:43

Lovely, very well done. High standard for them,

0:34:430:34:45

but I don't think they're ready for this type of competition.

0:34:450:34:48

They don't bring that wow factor.

0:34:480:34:51

I think you're probably right.

0:34:510:34:52

# Georgia brown, yeah. #

0:34:520:34:54

We are Musicality!

0:35:000:35:02

These guys are very determined.

0:35:020:35:04

I think they made it to the heats for two series in a row.

0:35:040:35:08

-Have they not made it through the heats before?

-No.

0:35:080:35:11

They bring the feel good factor as far as I'm concerned.

0:35:110:35:14

I love these mirrors so much.

0:35:140:35:16

Any team cheer you would like to do before you go in?

0:35:160:35:20

Oh, just hands in. Ready.

0:35:200:35:21

Musicality!

0:35:210:35:23

# Sun is shinin' in the sky

0:35:280:35:32

# There ain't a cloud in sight

0:35:320:35:36

# It's stopped rainin'

0:35:360:35:38

# Everybody's in a play

0:35:380:35:42

# And don't you know

0:35:420:35:45

# It's a beautiful new day, hey

0:35:450:35:52

# Runnin' down the avenue

0:35:560:35:59

# See how the sun shines brightly

0:35:590:36:02

# In the city on the streets

0:36:020:36:05

# Where once was pity

0:36:050:36:06

# Mr Blue Sky is living here today

0:36:060:36:10

# Hey

0:36:100:36:13

# Mr Blue sky, please tell us why

0:36:130:36:16

# You had to hide away for so long

0:36:160:36:19

# So long, where did we go wrong?

0:36:190:36:22

# Hey there, Mr Blue

0:36:240:36:26

# We're so pleased to be with you

0:36:260:36:29

# Look around, see what you do

0:36:290:36:31

# Everybody smiles at you

0:36:310:36:34

# Mr Blue, you did it right

0:36:360:36:39

# But soon comes Mr Night

0:36:390:36:42

# Creepin' over, now his hand is on your shoulder

0:36:420:36:46

# Never mind, I'll remember you this

0:36:460:36:50

# I'll remember you this

0:36:500:36:52

# I'll remember you this way. #

0:36:520:36:58

-I'm actually pleased with that.

-Yay! Good, you should be.

0:37:000:37:03

And I'm really hard to please sometimes as well.

0:37:030:37:06

I'm actually really pleased with that.

0:37:060:37:08

That was so well rehearsed.

0:37:080:37:11

I mean, literally, every person's hand, foot, everything,

0:37:110:37:15

in absolute co-ordination. Fantastic choreography, lovely vocals.

0:37:150:37:20

My only criticism is that the song itself felt at times

0:37:200:37:23

like it was too low for you.

0:37:230:37:25

-But apart from that, absolutely lovely.

-Thank you.

0:37:250:37:30

Yeah, when I saw Mr Blue Sky I thought,

0:37:300:37:32

"Here's three minutes of my life I'll never get back."

0:37:320:37:35

And I was actually really surprised. I loved it. I enjoyed it.

0:37:350:37:38

You guys looked like you were loving it.

0:37:380:37:40

I felt comfortable,

0:37:400:37:41

I felt like I was watching a group of performers

0:37:410:37:43

who were used to performing together,

0:37:430:37:45

who really knew what it was like to take to the stage and just deliver.

0:37:450:37:49

Your choreography was tight, your staging was absolutely inch-perfect,

0:37:490:37:55

and your vocals were really locked.

0:37:550:37:57

I liked it, much to my surprise.

0:37:570:37:59

I didn't think I was going to like it, cos it's not my favourite song,

0:37:590:38:03

but it's grown on me.

0:38:030:38:05

Thank you.

0:38:050:38:07

I really loved it.

0:38:070:38:08

I think everything worked,

0:38:080:38:09

even down to the way you guys are dressed, it was wicked.

0:38:090:38:12

-And what's your name, the young girl who sung?

-Laney.

0:38:120:38:15

Your voice is really, really good. It's really theatrical.

0:38:150:38:18

So, big claps to you, but big claps to all of you,

0:38:180:38:21

it was absolutely amazing.

0:38:210:38:22

-Thank you.

-Well done, guys.

-Good job.

-Well done.

0:38:220:38:26

Laney, your first time and you got lovely comments,

0:38:260:38:29

-how does that make you feel?

-It was really...

0:38:290:38:32

It was amazing to get those comments,

0:38:320:38:34

and, like, it was my first time, and it was just incredible.

0:38:340:38:37

And you've got a cold as well to be dealing with. Poor you.

0:38:370:38:40

It's that Welsh thing. What is it with...?

0:38:400:38:42

I said it last series to the Welsh, it's like singing is in them.

0:38:420:38:45

-They're born singing.

-Yeah. They just come out crying and singing.

0:38:450:38:49

-Wah!

-They don't go wah, they go...

0:38:490:38:51

# Waaah.... #

0:38:510:38:52

So here's a quick reminder of the Glee Clubs

0:39:030:39:05

that performed on today's show.

0:39:050:39:07

Hi' JinX from Motherwell.

0:39:080:39:10

# I don't care

0:39:100:39:12

# I love it

0:39:120:39:14

# I don't care

0:39:140:39:16

# I love it, I love it... #

0:39:160:39:18

Figure 8 from Preston.

0:39:180:39:20

# Starships were meant to fly

0:39:200:39:24

# Hands up and touch the sky... #

0:39:240:39:28

#Boom! from north-west London.

0:39:280:39:31

# Walk, walk on over there

0:39:310:39:33

# Cos I'm too fly to care

0:39:330:39:36

# Oh, yeah... #

0:39:360:39:38

Harmonee from South Yorkshire.

0:39:390:39:41

# Was sick and tired of everything

0:39:420:39:45

# When I called you last night from Glasgow... #

0:39:450:39:50

React from Brighton.

0:39:500:39:52

# Some nights I stay up cashing in my bad luck

0:39:520:39:57

# Some nights I call it a draw... #

0:39:570:40:00

Inferno from Grimsby.

0:40:000:40:02

# That love and fate and a touch of stupidity

0:40:020:40:06

# Would rob them of the hope of living happily

0:40:060:40:09

# The endings are often a little bit gory... #

0:40:090:40:12

All Sorts from London.

0:40:120:40:14

# Must be fellas she ain't met

0:40:140:40:16

# Georgia claimed her, Georgia named her

0:40:160:40:20

# Sweet Georgia brown. #

0:40:200:40:22

And, finally, Musicality from Port Talbot.

0:40:230:40:26

# I'll remember you this

0:40:270:40:29

# I'll remember you this way. #

0:40:290:40:34

OK, so all eight groups have now performed,

0:40:420:40:44

but remember not everyone can make it through to the studio heats.

0:40:440:40:48

Let's join our judges to find out

0:40:480:40:49

if they can agree on who should go through to the next round.

0:40:490:40:53

OK, any definites for you guys?

0:40:540:40:56

Definite, definite for me.

0:40:570:41:00

Um, I would say...

0:41:000:41:02

-Definite, definite for me.

-Oh. Big if.

0:41:020:41:04

We need to talk about that.

0:41:040:41:06

-I'd have them before them.

-Oh, no, I'd have them before them.

0:41:060:41:09

100% more.

0:41:090:41:10

-A definite no for me.

-No.

0:41:100:41:13

Definite no for me.

0:41:130:41:14

-Definitely no.

-Oh, well, that's all no's then.

0:41:140:41:16

Yeah, OK.

0:41:160:41:17

Do we take a risk and put these guys through?

0:41:170:41:19

I would, definitely.

0:41:190:41:20

There was something. Even from audition day, there was something.

0:41:210:41:25

I'm a possibly on that. I'm a yes on this.

0:41:250:41:27

-I'm a yes on that. Are you a yes on that?

-Yes.

0:41:280:41:30

What are we arguing for then?

0:41:300:41:32

That's five there and three there, we're done.

0:41:320:41:34

So, after some debate, the judges have made their decision.

0:41:400:41:44

All of the Glee Clubs performed amazingly well,

0:41:440:41:47

but remember, only five of the eight groups from today's show

0:41:470:41:50

can go through to the studio heats.

0:41:500:41:52

So, let's find out who has secured

0:41:520:41:54

an all-important place in the next round.

0:41:540:41:58

The first group going through to the studio heat is...

0:41:580:42:03

..Musicality.

0:42:040:42:06

And the second group going through to the studio heat is...

0:42:110:42:16

..#Boom!

0:42:190:42:20

Harmonee and All Sorts, I'm afraid for now

0:42:260:42:30

you're not going through, but very, very well done.

0:42:300:42:33

thank you so much for coming to perform for us.

0:42:330:42:35

The third group going through to the studio heats...

0:42:420:42:46

is...

0:42:460:42:47

..React...

0:42:490:42:50

..who didn't react.

0:42:520:42:53

The fourth group going through to the studio heats is...

0:42:550:42:58

..Inferno.

0:43:000:43:02

And finally the fifth group going through to the studio heats is...

0:43:050:43:08

..Hi' JinX!

0:43:110:43:13

Figure 8, well done.

0:43:140:43:15

Thank you, everybody, for entertaining us

0:43:150:43:18

throughout these days.

0:43:180:43:19

So, another five acts have made it into the next round

0:43:220:43:26

and are one step closer to the live shows.

0:43:260:43:29

Thanks to Carrie, David, John and all our celebrity guests.

0:43:290:43:32

Join us next time when the final eight acts will battle it out

0:43:320:43:36

for the last five places in the studio heats.

0:43:360:43:39

See you next time for Sport Relief Does Glee Club,

0:43:390:43:41

the Judges' Auditions.

0:43:410:43:43

Bye!

0:43:430:43:44

To see all of today's performances again, go to the CBBC website

0:43:440:43:48

and click on the links for today's acts.

0:43:480:43:50

Next time on Glee Club,

0:43:500:43:51

the pressure is on. It's the last judges' audition show.

0:43:510:43:55

Eight groups are left and only five places remain,

0:43:550:43:57

but who will make it through to the studio heats?

0:43:570:43:59

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