Episode 3 Sport Relief Does Glee Club


Episode 3

The best young glee clubs from all over the UK battle it out. Carrie, David and John are joined by Naomi Wilkinson to decide who goes through to the studio heats.


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Transcript


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Welcome to Glee Club.

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Last time, #BOOM, Hi' JinX, React, Musicality and Inferno

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wowed the judges to book their place in the studio heats.

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None of us could stop smiling and that tells me something.

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Today our last eight acts will perform.

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But who's got what it takes to get through to the next round?

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This is Sport Relief Does Glee Club 2014.

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Hello and welcome back to Sport Relief Does Glee Club, and the third

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and final judges' audition show.

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Last time we saw eight groups battle it

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out for a place in the studio heats, but only five made it through.

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Today the last eight groups will perform for the judges,

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all hoping they've got what it takes to become the winners of

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Sport Relief Does Glee Club 2014.

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The search for Britain's best young singing

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and dancing group took us all over the UK.

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Let's have a look back at some of the acts who came to visit us

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on the Sport Relief Does Glee Club tour.

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John and the team travelled the length

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and breadth of the country to find the best singing and

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dancing talent the UK has to offer.

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First stop, the Northeast of England and Newcastle.

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Hello. Hello.

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# Don't stop me now. #

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Next stop was Glasgow, where John was checking out the talent

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North of the border.

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# It's not about the money, money, money. #

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Then it was straight back down to Manchester with more groups

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giving it their all.

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John and the team then headed off to London

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to see what the Glee Clubs in the capital city could come up with.

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Let's go listen to some music.

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Next they were off to Bristol to check out

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the best of the West Country's glee clubs before heading to

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Cardiff to see what was on offer there.

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Bye-bye, Cardiff. Who's next?

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Then it was a quick trip across to Belfast to see what the

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Northern Irish glee clubs could come up with before heading down to

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Brighton to complete the talent search of the UK.

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The standard was high,

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but it was then up to John to select 24 successful Glee Clubs

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who were invited to perform again at the judges' auditions.

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We saw groups from across the country

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but the one thing they all had in common was that they wanted

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the chance to perform in front of our experts. Let's meet them.

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It's our judges.

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Carrie and David are two of the UK's best known celebrity vocal coaches.

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-That was fantastic.

-That was a world-class performance.

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They've worked with pop artists including Take That,

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The Saturdays, Marvin Humes and even Gwyneth Paltrow.

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Celebrity vocal and performance coach John has worked with

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a variety of stars including JLS, Leona Lewis,

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Olly Murs and Frankie Sandford.

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He's also worked behind the scenes on top shows like The voice

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and the X Factor.

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Helping Carrie, David and John decide who should go through

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to the heats were some very special expert guests.

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Let's meet them.

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Soul singer and presenter Dionne Bromfield has been

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nominated for a MOBO award, has recorded two albums,

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and also finds time to present CBBC's Friday Download.

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Is that another one you play on the Breakfast Show?

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I do play that on the radio as well.

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That's so in sync.

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West End star Kerry Ellis has had lead roles in Wicked,

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Les Miserables, We Will Rock You and Oliver

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and is also a successful recording artist.

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And finally, Strictly Come Dancing professional Erin Boag has

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put many celebrities through their paces, wowed audiences with

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her dance moves, and stars regularly in spectacular sell-out shows.

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So many groups applied for Sport Relief Does Glee Club

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that I lost count,

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but only the top 24 made it to the judges' auditions.

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There are only five places remaining in the studio heats

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so there is everything to sing for.

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Let's meet the first of today's acts.

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Whoo!

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-Right, next up we have The Gleeks.

-Love it.

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Yeah, saw them in London, they are very Glee Club.

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'I really like these kids. They are like Family Von Trapp.

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'They have chosen the right kind of song as well.'

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And I find that their performance level and energy just,

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it was so good, I kept watching them.

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So I hope you have the same feeling.

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I hear you are going to be singing Supercalifragilisticexpialidocious.

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-ALL: Yes.

-We spell it out as well.

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Now you've said it you are going to have to do it. Go for it.

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S-U-P-E-R-C-A-L-I-F-R-A-G-I-L-I-S-T- I-C-E-X-I-A-L-I-D-O-C-I-O-U-S.

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High five. Can you say it backwards?

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Um...

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# Supercalifragilisticexpialidocious

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# Even though the sound of it Is something quite atrocious

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# If you say it loud enough You'll always sound precocious

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# Supercalifragilisticexpialidocious

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# Um-dee-dee-dee-I Um-dee-dee-dee-I

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# Um-dee-dee-dee-I Um-dee-dee-dee-I

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# Because I was afraid to speak when I was just a lad

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# My father gave me nose a tweak And told me I was bad

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# But then one day I learned a word That saved me aching nose

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# The biggest word I ever heard And this is how it goes

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# Supercalifragilisticexpialidocious

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# Even though the sound of it is something quite atrocious

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# If you say it loud enough you'll always sound precocious

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# Supercalifragilisticexpialidocious

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# S-U-P-E-R-C-A-L-I-F-R-A-G-I-L-I-S

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# T-I-C-E-X-I-A-L-I-D-O-C-I-O-U-S

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# He travelled all around the world and every where he went

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# He'd use his word and all would say There goes a clever gent

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# When Dukes and Maharajas Pass the time of day with me

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# I say my special word

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# And then they ask me out for tea

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# Supercalifragilisticexpialidocious

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# Even though the sound of it is something quite atrocious

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# If you say it loud enough you'll always sound precocious

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# Supercalifragilistic expialidocious. #

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-Are you pleased?

-Yes.

-Air punch!

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One of the hardest things with musical theatre, glee club,

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is to not, one, do too much dancing,

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two, make sure the dancing doesn't get in the way of the singing.

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And I felt that you absolutely had that in perfect balance.

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I loved the choreography. It didn't impinge on the vocals.

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The vocals were still strong. You didn't sound out of breath.

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Absolutely great. Loved it.

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-ALL:

-Thank you.

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-Well done, guys.

-Who

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would have thought of beatboxing, spelling out the words,

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staggering the words?

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You doing a counter melody to it on the last chorus?

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It was just nuts. You made an old song sound really young. I loved it.

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ALL: Thank you.

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What was really nice, performance wise,

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you mixed the moves with the songs, so it was one performance.

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It was not, "This is the dance and this is the song." It was one show.

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I loved it. I thought you guys were great.

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ALL: Thank you.

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Now I have to ask you because you've barely said a word

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since you've arrived. You looked really nervous before you went in.

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-How was it?

-It was all right.

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-It felt natural.

-It did feel natural. They weren't overdoing it.

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It wasn't, "This is a show." It was very spontaneous, almost.

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It was great.

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And I think because of that you could see them adapting -

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-if they're given a pop song they would cope with it.

-Definitely.

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Anybody who's going to win is going to have to beat this quality.

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Because this was quality.

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# Supercalifragilistic expialidocious. #

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# Money, money, money... #

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OK, so the next group is A-List.

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I'm very excited about these guys.

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You might remember some of the members from a group last

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-year called Activ8.

-I remember them.

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Yes, and I really felt they should come back.

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They brought these new guys in

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'and I think it's mixed it up a little bit.'

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It's very good. You've definitely given me something to think about.

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I think we're more calm this year

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because we kind of know a bit more what we are expecting.

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We are all just here to enjoy it and not be nervous.

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Just being really excited because it's a big opportunity.

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We just want to take advantage of it.

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# We need to take it back in time When music made us all unite

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# And it wasn't lows and video shows

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# Am I the only one getting tired?

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# Why is everybody so obsessed? Money can't buy us happiness

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# Can we all slow down and enjoy right now?

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# Guarantee we'll be feeling all right

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# Everybody look to their left

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# Everybody look to their right

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# Can you feel that We're paying with love tonight?

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# It's not about the money, money, money

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# We don't need your money, money, money

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# We just want to make the world dance

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# Forget about the price tag

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# Ain't about the cha-ching cha-ching

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-# Ain't about the...

-Ba-bling ba-bling

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# Want to make the world dance Forget about the price tag

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# Everybody look to their left

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# Everybody look to their right

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# Can you feel that We're paying with love tonight?

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# It's not about the money, money, money

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# We don't need your money, money, money

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# We just want to make the world dance

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# Price tag

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# Money, money, money

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# Money, money, money

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# World dance Price tag

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# Yeah Ah-ah-ah-ah

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# Ah-ah-ah-ah

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# Ah-ah

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# Price tag

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# Ah-ah-ah-ah

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# Ah-ah-ah-ah

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# Ah-ah

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# Price tag. #

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What did you think?

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It was a good performance. It was a good performance.

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Looking at you, it's sort of like a cross between Grease...

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THEY LAUGH

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..with a bit of vogue movements in there.

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And I loved the choreography that you had.

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You just needed a bit more punch in your performance.

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But it's there as a package.

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You just need a bit more of what you are doing.

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Thank you.

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The thing with you guys that I absolutely love is I can

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close my eyes and I know it's you singing.

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You have a very distinct sound as a unit.

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Your ensemble, your solos are very good.

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You need to start believing in yourself.

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And you need to actually show that when you're performing.

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Thank you.

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Watching you, though, for me it just lacks snap. It lacks energy.

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And so somehow you've got to get those vocals attached

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to the visual presentation, but vocally really beautiful.

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-ALL:

-Thank you.

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-How do you feel after that?

-Really happy.

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We were quite pleased that they liked all our vocals and stuff

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because the harmonies and stuff, we all tried really hard.

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It was good. All the judges kind of agreed on what we need to work on.

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Maybe they need to perform more

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in front of people which might give them the confidence,

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rather than just perform in a studio.

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And that's quite different when you're performing to a wall,

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compared to performing to an audience In front of you.

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# Price tag. #

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So both The Gleeks and A-List were complimented on their unique

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sounds, but will this help them stand out at decision time?

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Coming up, another two groups are hoping to impress the judges

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with their singing and dancing skills.

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I believed every word you sung. You did it with a lot of passion.

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Your eyes tend to wander.

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Then I get a bit nervous that something is going to go wrong.

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If you work on it you will be doing something

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that no other glee club is doing.

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# Roar. #

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The next group is Raw Mania. I saw these girls in London.

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They are quite girl band-ish.

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I like the look of you guys.

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They could be really brilliant with a little bit of time,

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a little bit of polishing.

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-Tell me your glee club name.

-ALL:

-Raw Mania.

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-Raw Mania, why have you chosen that?

-We felt it's like individual.

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No-one else has it so it's our own special name.

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It's two kinds of "raws".

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It's like a "raw" in the way of "unique"

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and then it's "roar" like a lion. Like we're feisty.

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We're also singing Raw, Katy Perry, so...

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Ah! It all ties in.

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# Used to bite my tongue and hold my breath

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# Scared to rock the boat and make a mess

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# So I sat quietly, agreed politely

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# I guess that I forgot I had a choice

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# I let you push me past the breaking point

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# I stood for nothing

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# So I fell for everything

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# You held me down, but I got up

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# Hey! Already brushing off the dust

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# You hear my voice

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# You hear that sound

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# Like thunder going to shake the ground

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# You held me down, but I got up

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# Hey! Get ready cos I've had enough

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# I see it all, I see it now

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# I got the eye of the tiger

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# A fighter dancing through the fire

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# Cos I am a champion And you're going to hear me roar

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# Louder, louder than a lion cos I am a champion

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# And you're going to hear me roar

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# Oh-oh-oh-oh-oh-oh

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# Oh-oh-oh-oh-oh-oh

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# Oh-oh-oh-oh-oh-oh

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# You're gonna hear me roar. #

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Yay!

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-Did they do you proud?

-They did me very proud.

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I'm very proud of them all.

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I really like you, I thought you had attitude,

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there was a Girl Power vibe.

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You all look really good.

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Really tight as a group,

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and I could see you and go "I know how to package you girls."

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You've all got wicked voices.

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But, in the chorus,

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I would have liked to see you doing it without harmonies.

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I thought it would have been nicer

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if you were just singing that one melody instead of harmonising.

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But other than that, I thought you were really good.

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-ALL:

-Thank you.

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What I really love is that you really tell the story...

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That song, I believed every word you sung, you did it with passion.

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You put heart and soul into it. And it showed.

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When you just stood together at the end there, and you had that great

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"Yeah! This is us!", your vocals were bang on,

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your faces were there, the power, the attitude,

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the passion, was all there.

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That is your strength. Play to your strength.

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Thank you.

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How was it when you were standing up there, how did it feel?

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It felt... It felt really good.

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Being on stage and performing our songs.

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-Especially as we are like, together.

-Yeah.

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We have been together for five months now,

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so it's been a really good experience.

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Are they ready for the ferocity of the competition?

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There are some people who will be going to the next round who

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are incredibly strong.

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Are they ready to take the step up which they'll have to take?

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# You're going to hear me roar. #

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The next group is Abstract. I saw these girls in London, very unique.

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Different... That 1950s Chordettes sound. Mr Sandman.

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I really like them and I'll be surprised if you don't.

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I'm grateful that you came prepared,

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it sounds like you have worked hard.

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Love your style, it's very French. It's lovely, who chose that?

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THEY TALK OVER EACH OTHER

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It just feels right with the song as well. I don't know why?

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# At first I was afraid I was petrified

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# Kept thinking I could never live without you by my side

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# But then I spent so many nights

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# Thinking how you did me wrong

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# And I grew strong

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# And I learned how to get along

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# And so you're back

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# From outer space

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# I just walked in to find you here with that sad look upon your face

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# I should have changed that stupid lock

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# I should have made you leave your key

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# If I had known for just one second you'd back to bother me

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# Go on now, go walk out the door

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# Just turn around now

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# Cos you're not welcome any more

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# Weren't you the one who tried to hurt me with goodbye

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# Do you think I'd crumble?

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# Did you think I'd lay down and die?

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# Oh, no, not I. I will survive

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# Oh, as long as I know how to love

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# I know I'll stay alive

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# I've got all my life to live

0:18:430:18:46

# I've got all my love to give, I will survive

0:18:460:18:49

# I will survive

0:18:500:18:52

# Hey hey. #

0:18:520:18:54

APPLAUSE

0:18:540:18:57

-Well done.

-Yeah!

0:18:570:19:00

Can I ask one question?

0:19:000:19:01

If you were going to do a Little Mix song, say you're given one,

0:19:010:19:06

how would you adapt that?

0:19:060:19:09

Would you decide to do it their style, or would you stick with this?

0:19:090:19:12

I think we would probably still try and keep it this style, because

0:19:120:19:15

this style is quite different and makes us different to other groups.

0:19:150:19:19

I'm really glad you have just said that.

0:19:190:19:21

Because then it's like, "OK, they are no longer the '50s thing".

0:19:210:19:24

I think that is such a unique selling point,

0:19:250:19:29

if that was your style across every song you tried to sing...

0:19:290:19:33

You fascinate and interest me.

0:19:330:19:36

We'll keep to that style, then.

0:19:360:19:37

If you work on it,

0:19:380:19:40

you'll be doing something that no other Glee club is doing.

0:19:400:19:44

-This makes you unique, this makes you stand out.

-ALL:

-Thank you.

0:19:440:19:47

I think you had a few timing issues.

0:19:490:19:51

Your dancing choreography.

0:19:510:19:54

What gave it away...

0:19:540:19:56

Obviously you could see it, but your eyes tend to wander.

0:19:560:19:59

Then I get a bit nervous that something's going to go wrong.

0:19:590:20:02

Just be careful of that.

0:20:020:20:04

Be confident of what you are doing.

0:20:040:20:07

I think you'll be fine.

0:20:070:20:10

-ALL:

-Thank you.

0:20:100:20:12

Have you got anything you want to say to the group?

0:20:120:20:14

I'm do proud of you guys, you did so well,

0:20:140:20:16

we worked so hard on this style, and you all came together.

0:20:160:20:19

I'm so proud!

0:20:190:20:21

It's a really unusual choice.

0:20:230:20:26

It's not just unusual, I think the way they started,

0:20:260:20:29

if they can get confidence...

0:20:290:20:32

the level of confidence...into the whole performance that they

0:20:320:20:35

had in the beginning.

0:20:350:20:37

They will be outstanding.

0:20:370:20:39

# Hey hey. #

0:20:390:20:41

Four of today's acts have now performed for the judges.

0:20:480:20:51

And with four groups still to take to the stage,

0:20:510:20:53

let's take a moment to remind ourselves why we're all here.

0:20:530:20:56

Sport Relief raises money to change people's

0:20:570:21:00

lives in some of the world's poorest communities,

0:21:000:21:03

as well as right here in the UK.

0:21:030:21:05

In fact, there are over 2,000 UK projects benefiting from money

0:21:060:21:10

raised by the charity.

0:21:100:21:11

So, wherever you are watching from, you are probably not very far

0:21:110:21:15

away from a project supported by Sport Relief.

0:21:150:21:17

Your donations really can make a difference to the

0:21:180:21:21

lives of vulnerable people at home and abroad.

0:21:210:21:25

If you'd like to get involved in this year's Sport Relief Games,

0:21:250:21:29

from the 21st-23rd March, grab a grown-up, and visit the CBBC website.

0:21:290:21:33

Thank you.

0:21:390:21:41

INDISTINCT SINGING

0:21:500:21:54

Right, next up we have Tenacity, you'll remember these

0:21:540:21:57

guys from last series as New Creation, a five-piece girl band.

0:21:570:22:00

What they've done this time is...three are the same,

0:22:010:22:04

they've brought in another girl, and they've brought in a boy.

0:22:040:22:07

# I don't want to lose you now... #

0:22:070:22:11

I like them very much.

0:22:110:22:12

So, be careful what you say.

0:22:120:22:15

He's threatening us, now.

0:22:150:22:16

How come you've enrolled new people?

0:22:160:22:19

Well, we thought, last year,

0:22:190:22:21

and the year before, we just wanted a new sound.

0:22:210:22:25

Especially with Adam. Adam's got a great voice.

0:22:250:22:27

-Has he?

-Yeah, amazing.

-No pressure.

0:22:270:22:29

It's a nice new sound, it's fresh.

0:22:310:22:33

# Aren't you somethin' to admire?

0:22:400:22:43

# Cos your shine is somethin' like a mirror

0:22:430:22:46

# And I can't help but notice

0:22:460:22:48

# You reflect in this heart of mine

0:22:480:22:50

# If you ever feel alone and

0:22:530:22:55

# The glare makes me hard to find

0:22:550:22:58

# Just know that I'm always

0:22:580:23:00

# Parallel on the other side

0:23:000:23:03

# Cos with your hand in my hand and a pocket full of soul

0:23:030:23:06

# I can tell you there's no place we couldn't go

0:23:060:23:09

# Just put your hand on the glass

0:23:090:23:11

# I'll be tryin' to pull you through

0:23:110:23:13

# You just gotta be strong

0:23:130:23:15

# Cos I don't wanna lose you now

0:23:150:23:18

# I'm lookin' right at the other half of me

0:23:180:23:21

# The vacancy that sat in my heart

0:23:210:23:23

# Is a space that now you hold

0:23:230:23:26

# Show me how to fight for now

0:23:260:23:29

# And I'll tell you, baby, it was easy

0:23:290:23:32

# Comin' back here to you once I figured it out

0:23:320:23:35

# You were right here all along

0:23:350:23:40

# It's like you're my mirror

0:23:400:23:43

# My mirror staring back at me

0:23:430:23:45

# I couldn't get any bigger

0:23:450:23:48

# With anyone else beside of me

0:23:480:23:51

# And now it's clear as this promise

0:23:510:23:53

# That we're making two reflections into one

0:23:530:23:56

# Yeah!

0:23:560:23:57

# Cos it's like you're my mirror

0:23:570:24:00

# My mirror staring back at me, staring back at me

0:24:000:24:03

# Staring back at me

0:24:030:24:05

# It's like you're my mirror

0:24:050:24:06

# My mirror staring back at me

0:24:060:24:08

# Staring back at me. #

0:24:080:24:10

-APPLAUSE There we go. Nice.

-You like?

-Yes, yeah.

0:24:100:24:13

They do OK, that was good.

0:24:130:24:14

-That's great. He's got a great voice.

-He has.

0:24:140:24:17

He's a good lad.

0:24:170:24:19

Excellent, I'm really impressed.

0:24:190:24:22

Particularly with all of your soloists.

0:24:220:24:25

They are so strong.

0:24:250:24:27

That's four out of five of you...all your individual

0:24:270:24:30

stuff was great. You two girls on the end, so much vocal identity,

0:24:300:24:34

I would know your voices immediately if I heard them again.

0:24:340:24:37

As a group, you need to work on your choreography,

0:24:370:24:41

look at what you're doing physically, and let it m match

0:24:410:24:44

the strength of the vocals, cos the vocals are really strong.

0:24:440:24:48

-ALL:

-Thank you.

0:24:480:24:50

Every now and again, every time you had to do a new move,

0:24:500:24:52

I could see a bit of concern about,

0:24:520:24:55

"Where exactly are we going?"

0:24:550:24:57

Your focus came off just pure performance.

0:24:570:25:01

Which I think may be to do with actually spending more time

0:25:010:25:04

on the choreography cos, vocally, I loved what you did.

0:25:040:25:07

Yeah, I agree with these guys completely on all points

0:25:070:25:11

in terms of the energy and the performance.

0:25:110:25:13

Just believing in yourself. But I have to give you credit.

0:25:130:25:16

You three girls from last series, you've stepped up.

0:25:160:25:19

And it's really, really good.

0:25:190:25:22

And the two new additions, very good additions to the group.

0:25:220:25:25

Well done, my friends.

0:25:250:25:27

See, you're the only boy, but you're definitely, definitely strong,

0:25:270:25:30

strong, strong. I'm very glad I brought you guys back.

0:25:300:25:33

-I'm really happy with that.

-You were glad they noted a change?

0:25:340:25:37

-Definitely. That's what we were aiming for and we got it.

-Yeah!

0:25:370:25:42

The girl with the red hair, when she sung, straightaway,

0:25:420:25:45

I was, like, OK, out of everyone,

0:25:450:25:47

-I look at you because you're the one with life.

-Exactly.

-Confident.

0:25:470:25:51

They've got so much potential. It's the sound.

0:25:510:25:54

Just closing your eyes, when you really hear them together,

0:25:540:25:57

they do have that real, incredible recorded sound.

0:25:570:26:01

# My mirror's staring back at me

0:26:020:26:04

# Staring back at me. #

0:26:040:26:05

-OK, so, next up we have...

-Unity 7!

0:26:160:26:20

And you might actually recognise some of the members

0:26:200:26:22

from Allsorts last series.

0:26:220:26:24

But they have come back and they've said they are new and improved.

0:26:240:26:28

And I actually really did like their sound. They're very Glee-esque.

0:26:280:26:32

-Have you been rehearsing a lot?

-Yes.

-Yes.

-A lot!

0:26:320:26:36

In the hotel room this morning.

0:26:360:26:38

-Every minute you have, you're rehearsing?

-Yeah!

0:26:390:26:43

# I've been a fool and I've been blind

0:26:440:26:48

# I can never leave the past behind

0:26:480:26:53

# I can see no way, I can see no way

0:26:530:26:57

# I'm always dragging that horse around

0:26:570:27:02

# Tonight I'm gonna bury that horse in the ground

0:27:020:27:06

# But I like to keep my issues drawn

0:27:060:27:11

# It's always darkest before the dawn

0:27:110:27:15

# Shake it out, shake it out, shake it out, shake it out

0:27:150:27:18

# Ooh, whoa

0:27:180:27:20

# Shake it out, shake it out, shake it out, shake it out

0:27:200:27:22

# Ooh, whoa

0:27:220:27:24

# And it's hard to dance with a devil on your back

0:27:240:27:27

# So shake him off, oh, whoa

0:27:270:27:32

# And I'm doomed if I do and I'm doomed if I don't

0:27:330:27:36

# It's a shot in the dark aimed right at my throat

0:27:360:27:41

# Cos looking for heaven found the devil in me

0:27:410:27:45

# Cos looking for heaven found the devil in me

0:27:450:27:49

# Well, whatever, I'm gonna let it

0:27:500:27:54

# Happen

0:27:540:27:56

# To me, yeah... #

0:27:560:27:59

There you go.

0:27:590:28:01

# And it's hard to dance with a devil on your back

0:28:030:28:07

# So shake him off

0:28:070:28:09

# Oh, whoa. #

0:28:090:28:12

-Well done.

-Good job, guys. What's not to like?

-They are so good.

0:28:140:28:20

Do you know what I loved about you guys as a group is that the song

0:28:200:28:24

that you picked and the choreography that you did told a story.

0:28:240:28:27

And it made me feel what you were doing, which was lovely.

0:28:270:28:31

But what I felt also was that you lacked a slight bit of confidence.

0:28:310:28:35

Just a little bit. And...

0:28:360:28:39

But I think you guys are great, and you've made it this far.

0:28:390:28:42

You've got to believe in yourselves.

0:28:420:28:44

Because then your confidence will shine through.

0:28:440:28:47

-ALL:

-Thank you.

-But well done.

0:28:470:28:49

I feel like I've just watched an anti-bullying play.

0:28:490:28:52

And that, for me, is absolutely fantastic.

0:28:520:28:55

I felt you really conveyed that.

0:28:550:28:57

I felt you used the nerves to actually tell the story.

0:28:570:29:01

And, for me, I was really entertained and informed.

0:29:010:29:05

I think that you probably need to practise the vocals more.

0:29:050:29:08

And, more than anything, be really confident.

0:29:080:29:11

It's hard to say, "Be confident," but you should be.

0:29:110:29:14

You should be believing in yourselves ten times more than you do.

0:29:140:29:17

You're much better than you realise you are. So, well done. Well done.

0:29:170:29:22

-ALL: Thank you.

-Thank you, guys.

0:29:220:29:24

The main thing was they were saying you need to be more confident.

0:29:250:29:28

They were saying you got it, you just need to believe in yourselves.

0:29:280:29:31

-Do you think that's fair?

-ALL: Yeah, definitely.

0:29:310:29:34

Have you got anything you'd like to say about that?

0:29:340:29:37

It was fun.

0:29:370:29:38

You just had a good time!

0:29:380:29:40

I love the scope of their ambition.

0:29:400:29:43

And I think, for the most part, they pulled it off.

0:29:440:29:47

-In terms of glee clubs, they are very glee club.

-They are.

0:29:470:29:51

I mean, they are enjoyable. They do have energy, they do have dynamic.

0:29:510:29:56

They can build, they can grow.

0:29:570:29:59

# Oh, whoa. #

0:29:590:30:03

With Tenacity and Unity 7 both needing to work on their confidence,

0:30:090:30:13

neither is guaranteed a place in the studio heats.

0:30:130:30:16

Next, the final two groups take to the stage.

0:30:160:30:19

Will Young Vibe and BuSKerS do enough to impress the judges?

0:30:190:30:23

I want you to think about making it slightly less shouty.

0:30:240:30:28

Your voice is gorgeous.

0:30:280:30:30

When you came out, actually, I didn't expect you to be that good.

0:30:300:30:33

Right, next up, we have Young Vibe, and they're from Manchester.

0:30:400:30:44

And they are exactly that - young and vibey.

0:30:440:30:47

They basically have a great age demographic as well.

0:30:470:30:50

Kind of like older sister, younger sister kind of thing going.

0:30:500:30:53

Outfits are great, sound is great, loads of energy.

0:30:530:30:56

I think they were worth bringing back.

0:30:560:30:59

-Dizzy Vibe.

-Musical Vibe.

0:30:590:31:01

-Sporty Vibe.

-Baby Vibe.

-Cute Vibe.

-Smiley Vibe.

0:31:010:31:04

-Sparkly Vibe.

-Flexy Vibe.

0:31:040:31:06

-Flexy? Does that mean you're very flexible?

-Yeah!

0:31:060:31:08

Can you show us a bit of your flexibility? Here she goes.

0:31:080:31:11

Oh, my goodness.

0:31:110:31:12

SHE GASPS

0:31:120:31:14

So flexible.

0:31:140:31:15

THEY LAUGH

0:31:150:31:16

# I love you

0:31:230:31:25

# Doop-doop

0:31:250:31:26

# But I gotta stay true

0:31:260:31:28

# Doop-doop

0:31:280:31:30

# My morals got me on my knees

0:31:300:31:32

# I'm beggin' please

0:31:320:31:33

# Stop playin' games

0:31:330:31:36

# Doop-doop

0:31:360:31:37

# I don't know what this is

0:31:370:31:39

# But you got me good

0:31:390:31:41

# Just like I knew you would

0:31:410:31:43

# Like I knew you would

0:31:430:31:44

# I don't know what you do

0:31:440:31:47

# But you do it well

0:31:470:31:48

# I'm under your spell

0:31:480:31:51

# Under your spell

0:31:510:31:52

# You got me beggin' you for mercy

0:31:520:31:54

# Yeah, yeah, yeah

0:31:540:31:56

# Why won't you release me

0:31:560:31:58

# Yeah, yeah, yeah

0:31:580:31:59

# You got me beggin' you for mercy

0:31:590:32:02

# Yeah, yeah, yeah

0:32:020:32:03

# Why won't you release me

0:32:030:32:05

# Yeah, yeah, yeah

0:32:050:32:07

# I said...

0:32:070:32:08

# Release me, yeah

0:32:080:32:15

# I'm beggin' you for mercy

0:32:150:32:18

# Why won't you release me

0:32:180:32:22

# I'm beggin' you for mercy

0:32:230:32:25

# Cos you got me beggin', you got me beggin', you got me beggin'. #

0:32:270:32:32

-What do you think?

-Good, really good, because they've worked so hard.

0:32:370:32:41

You've got very strong voices. Very strong.

0:32:410:32:44

When you're together, it sounds wicked.

0:32:440:32:46

But, yeah, I thought it was really good. I liked how you split up,

0:32:460:32:48

and you were kind of saying it to each other,

0:32:480:32:50

it made interesting to watch, it wasn't boring at all.

0:32:500:32:53

You were all smiles. So, yeah, I can't really fault it.

0:32:530:32:56

ALL: Thank you so much.

0:32:560:32:57

Every look was met by another look, every gesture

0:32:570:33:00

and expression was met by the appropriate expression

0:33:000:33:03

from another person, so you really looked like you were together.

0:33:030:33:06

I liked the unity of your vocals as well.

0:33:060:33:10

ALL: Thank you.

0:33:100:33:11

I love your attitude. You actually scare me slightly.

0:33:110:33:15

THEY LAUGH

0:33:150:33:17

Fab, fab, fab!

0:33:170:33:18

Vocally, I'm just going to talk about your vocals a little bit,

0:33:180:33:21

I want you to think about making it slightly less shouty, in places.

0:33:210:33:27

I mean, the blend is good, and it's uniform,

0:33:270:33:30

and that's a good thing, but it is a little shouty in places.

0:33:300:33:33

I'd like you to think about beautifying it

0:33:330:33:35

or smoothing it out just slightly for me.

0:33:350:33:37

ALL: OK. Thank you.

0:33:370:33:38

Thank you, well done.

0:33:380:33:40

OK, so, what are you going to go away and work on?

0:33:410:33:44

We're going to work on all of what they said,

0:33:440:33:46

but mostly the harmonies and smoothing them out.

0:33:460:33:49

Would you like to put harmonies into it?

0:33:490:33:51

-ALL: Yeah!

-And you can sing harmonies?

0:33:510:33:53

ALL: Yeah!

0:33:530:33:54

These guys don't have the vocals, really, right now.

0:33:540:34:00

They could have, but the energy's amazing.

0:34:000:34:02

You kind of want both but, I suppose... You know...

0:34:020:34:05

I love the energy, I loved the performance.

0:34:050:34:07

I think the vocals could be there. They could be there.

0:34:070:34:10

# You got me begging! #

0:34:100:34:12

We are BuSKerS!

0:34:210:34:23

Right, next up, we have BuSKerS. And I saw these guys in Bristol.

0:34:270:34:31

Funnily enough, their name is very appropriate.

0:34:310:34:34

So, you have a backing track?

0:34:340:34:37

-No.

-You're singing a cappella?

0:34:370:34:40

Amazing! I think you're one of our first.

0:34:400:34:43

What can we expect from your performance?

0:34:430:34:45

Good things, I hope.

0:34:450:34:46

THEY LAUGH

0:34:460:34:48

Any solos?

0:34:480:34:49

-Yes.

-Who's doing the solos?

0:34:490:34:52

-You've got one.

-I'm doing one.

0:34:520:34:55

-Oh, there's a few of you.

-Brian's doing one.

0:34:550:34:57

So you're all confident about doing those bits?

0:34:570:34:59

-Yeah.

-Yeah.

-Yeah?

0:34:590:35:01

Are you sure?

0:35:010:35:03

# Ooh-ooh-ooh

0:35:050:35:09

# Ooh-ooh-ooh

0:35:090:35:12

# You won't find him drinking at the table

0:35:130:35:18

# Rolling dice or staying out till three

0:35:180:35:23

# You won't ever find him being unfaithful

0:35:230:35:27

# You will find him, you'll find him next to me

0:35:270:35:31

# Next to me ooh-hoo-hoo

0:35:310:35:34

# Next to me ooh-hoo-hoo

0:35:340:35:39

# Next to me ooh-hoo-hoo

0:35:390:35:44

# You will find him, you'll find him next to me

0:35:440:35:48

# When the money's spent and all my friends have vanished

0:35:480:35:53

# And I can't seem to find no help or love for free

0:35:530:35:55

# I know there's no need for me to panic

0:35:570:35:59

# You will find him, you'll find him next to me

0:36:010:36:05

# Next to me ooh-hoo-hoo-hoo

0:36:050:36:09

# Next to me ooh-hoo-hoo

0:36:090:36:13

# Next to me ooh-hoo-hoo

0:36:130:36:17

# You will find him, you'll find him next to me

0:36:170:36:24

# Yeah. #

0:36:240:36:25

-That was brave doing that with no accompaniment.

-Yeah.

0:36:280:36:31

Wow!

0:36:310:36:32

A cappella - that is so brave.

0:36:320:36:35

Your male soloist - what a beautiful voice - pitch perfect.

0:36:350:36:39

And also, you, young lady on the end,

0:36:390:36:42

you have one of the best blend voices I've heard in a number of years.

0:36:420:36:45

We're saying, "Who is that?" Fantastic.

0:36:450:36:48

Absolutely brilliant blend voice.

0:36:480:36:51

My question really for you guys, is, why do you look so terrified?

0:36:510:36:56

If I sounded that good, I would be so pleased with myself.

0:36:560:37:00

You don't need to look that scared, you sound amazing.

0:37:000:37:04

-What's your name, young man?

-Rashid.

0:37:040:37:07

Your voice is gorgeous.

0:37:070:37:08

The bottom end of that voice is great.

0:37:080:37:10

What I'd love you to do when you perform is look up.

0:37:100:37:14

Look up, because the floor's not that attractive here.

0:37:140:37:17

Look up, because what you're sounding like is great.

0:37:190:37:23

Thank you.

0:37:230:37:24

When you came out, actually, I didn't expect you to be that good.

0:37:240:37:27

And that's me judging a book by its cover, but like these guys said,

0:37:270:37:30

I really wanted you guys to get into it a bit more.

0:37:300:37:33

Those smiles - you should have been doing that in the performance.

0:37:330:37:36

-Yeah.

-That's what we need. That's the smiles we wanted to see.

0:37:360:37:38

-ALL:

-Thank you.

0:37:380:37:41

LAUGHTER

0:37:420:37:44

CRIES OF DISBELIEF

0:37:440:37:46

# You won't find him at the table... #

0:37:480:37:51

Did you hear the things that they said?!

0:37:510:37:53

LAUGHTER

0:37:530:37:54

Now, where's that personality?

0:37:540:37:56

-Who is that guy?!

-That was Rashid.

0:37:560:37:59

Cos he wasn't... That was Rashid!

0:37:590:38:02

Go on, what did you say?

0:38:020:38:03

They were just so nice. Like, they were...

0:38:030:38:06

It's true, Rashid, you just have to believe in yourself.

0:38:060:38:09

But to have those kind of comments from them, that is just incredible.

0:38:090:38:12

It means a lot to you...

0:38:120:38:15

I'm still kind star-struck!

0:38:150:38:17

For me, the confidence thing is the difference between them

0:38:170:38:21

being lovely to listen to and good to look at.

0:38:210:38:26

And they've got match that.

0:38:260:38:29

-When you are on stage, you are performing.

-Yeah.

0:38:290:38:33

And even if performing means, I'm not confident,

0:38:330:38:35

but I got to act like I am, then act.

0:38:350:38:38

You've got to perform.

0:38:380:38:39

If they can bring a little bit of that performance to the vocal

0:38:390:38:43

sound, they could be excellent.

0:38:430:38:46

# You will find him, you'll find him next to me

0:38:460:38:51

# Yeah. #

0:38:510:38:53

Here's a quick reminder of the Glee Clubs that performed today.

0:38:580:39:02

The Gleeks, from Essex.

0:39:020:39:04

# Cos I was afraid to speak when I was just a lad

0:39:040:39:06

# Me father gave me nose a tweak and told me I was bad... #

0:39:060:39:10

A-list, from Coatbridge.

0:39:100:39:13

# We just want to make the world dance

0:39:130:39:15

# Price tag... #

0:39:150:39:18

Raw Mania, from London.

0:39:180:39:20

# You held me down, but I got up

0:39:200:39:23

# Hey

0:39:230:39:24

# Get ready cos I've had enough...#

0:39:240:39:26

Abstract, from Brighton.

0:39:260:39:28

# And so you're back, from outer space

0:39:280:39:32

# I just walked to find you here with that sad look upon your face...#

0:39:320:39:36

Tenacity, from Preston.

0:39:360:39:38

# I don't want to lose you now

0:39:380:39:40

# I'm looking right at the other half of me... #

0:39:400:39:43

Unity 7, from Milton Keynes.

0:39:430:39:45

# Shake it out, shake it out

0:39:460:39:48

# Shake it out, shake it out

0:39:480:39:49

# Wo-oh

0:39:490:39:51

# It's hard to dance with the devil on your back... #

0:39:510:39:55

Young Vibe, from Leicester.

0:39:550:39:56

-# You've got me begging you for mercy

-Yeah, yeah, yeah

0:39:560:40:00

-# Why don't you release me?

-Yeah, yeah, yeah... #

0:40:000:40:04

And finally, BuSKerS, from South Gloucestershire.

0:40:040:40:07

You will find him, you'll find him next to me

0:40:070:40:13

# Yeah. #

0:40:130:40:15

OK, so the last of our groups has now performed,

0:40:220:40:25

but remember, there are only five places left in the studio heats.

0:40:250:40:29

Let's join our expert judges to see

0:40:290:40:31

if they agreed on who should go through to the next round.

0:40:310:40:35

Definite yes's?

0:40:360:40:39

They were really strong, for me.

0:40:390:40:41

Oh, yeah, in every way. Visually too - fantastic.

0:40:410:40:44

-Wee - yay!

-Oh, yes, that's entertainment.

0:40:440:40:47

If it was a miming competition, I'd say yes.

0:40:470:40:49

Ouch.

0:40:490:40:50

If we chose any one of them,

0:40:500:40:53

they would possibly be as good as any other that we didn't choose.

0:40:530:40:59

What does that mean?!

0:40:590:41:00

Yeah, these ones told a story and I liked their story.

0:41:000:41:03

I would say no to these guys, now having seen them again, second time.

0:41:030:41:07

Do you know what I see?

0:41:070:41:08

Here, I see a future potential band, but definitely not ready.

0:41:080:41:13

-Not ready.

-Agreed. Not ready.

-On the three...

0:41:130:41:15

One, two, three...

0:41:150:41:16

I lose.

0:41:180:41:19

-Really?

-Wow!

0:41:190:41:20

-That's got to be a first.

-Normally, you'd fight, because...

0:41:200:41:23

I'm done fighting!

0:41:230:41:25

So, all of out Glee Clubs have performed their hearts out,

0:41:310:41:34

but remember, only five of the eight groups from today's show can

0:41:340:41:38

go through to the studio heats.

0:41:380:41:40

So let's go back to the judges' audition studio, to find

0:41:400:41:43

out who's secured those last five places in the next round.

0:41:430:41:46

The first group going through to the studio heats is...

0:41:490:41:55

The Gleeks.

0:41:550:41:57

THEY CHEER

0:41:570:41:59

The second group going through to the studio heats is...

0:41:590:42:03

..Abstract.

0:42:050:42:06

THEY SCREAM

0:42:060:42:09

And the third group going though to the studio heats is...

0:42:110:42:15

..Tenacity.

0:42:170:42:18

THEY SCREAM

0:42:180:42:21

Unity 7, I'm afraid you're not going through,

0:42:230:42:26

but well done for getting this far.

0:42:260:42:28

The fourth group going through to the studio heat...

0:42:330:42:38

is...

0:42:380:42:40

A-list.

0:42:400:42:42

THEY SCREAM

0:42:420:42:43

And finally, the fifth group going through to the studio heats is...

0:42:450:42:50

..BuSKerS.

0:42:540:42:56

THEY CHEER

0:42:560:42:59

Young Vibe and Raw Mania, well done, you've been fantastic

0:42:590:43:04

and we really are sorry to lose you.

0:43:040:43:06

Now, unfortunately, although the judges put them through,

0:43:080:43:11

Tenacity were unable to continue in Glee Club,

0:43:110:43:14

so Carrie, David and John decide that Unity 7 should replace them

0:43:140:43:19

and go through to the studio heats.

0:43:190:43:21

# Shake it out, shake it out

0:43:210:43:23

# Shake it out, shake it out

0:43:230:43:25

# Woo-oh... #

0:43:250:43:27

So there you have it.

0:43:270:43:28

Despite some last-minute drama, we now have the final five

0:43:280:43:31

acts that will performing this very studio, in front of a live audience.

0:43:310:43:36

Thanks to Carrie, David, John and all our celebrity guests.

0:43:360:43:40

Tune in next time, when I'll be joined by Sam and Mark

0:43:400:43:43

for the first of our Sport Relief Does Glee Club studio heats.

0:43:430:43:46

It's so exciting!

0:43:460:43:48

Bye!

0:43:480:43:50

To see all of today's performances again, go to the CBBC website

0:43:500:43:54

and click on the links for today's acts.

0:43:540:43:56

Next time on Glee Club, it's getting serious -

0:43:560:43:58

it's the first of the studio heats.

0:43:580:44:01

Let the battle begin for a place in the semifinal.

0:44:010:44:04

Join Naomi Wilkinson for the Judges' Auditions, as the best young glee clubs from all over the UK battle it out in the musical extravaganza of the year. Once again Carrie, David and John are joined by some very special celebrity guests as they decide who goes through to the studio heats.


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