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Welcome to Glee Club. | 0:00:02 | 0:00:03 | |
Last time, #BOOM, Hi' JinX, React, Musicality and Inferno | 0:00:03 | 0:00:07 | |
wowed the judges to book their place in the studio heats. | 0:00:07 | 0:00:10 | |
None of us could stop smiling and that tells me something. | 0:00:10 | 0:00:13 | |
Today our last eight acts will perform. | 0:00:13 | 0:00:15 | |
But who's got what it takes to get through to the next round? | 0:00:15 | 0:00:18 | |
This is Sport Relief Does Glee Club 2014. | 0:00:18 | 0:00:21 | |
Hello and welcome back to Sport Relief Does Glee Club, and the third | 0:00:40 | 0:00:44 | |
and final judges' audition show. | 0:00:44 | 0:00:47 | |
Last time we saw eight groups battle it | 0:00:47 | 0:00:49 | |
out for a place in the studio heats, but only five made it through. | 0:00:49 | 0:00:54 | |
Today the last eight groups will perform for the judges, | 0:00:54 | 0:00:57 | |
all hoping they've got what it takes to become the winners of | 0:00:57 | 0:01:00 | |
Sport Relief Does Glee Club 2014. | 0:01:00 | 0:01:03 | |
The search for Britain's best young singing | 0:01:03 | 0:01:05 | |
and dancing group took us all over the UK. | 0:01:05 | 0:01:08 | |
Let's have a look back at some of the acts who came to visit us | 0:01:08 | 0:01:11 | |
on the Sport Relief Does Glee Club tour. | 0:01:11 | 0:01:13 | |
John and the team travelled the length | 0:01:22 | 0:01:23 | |
and breadth of the country to find the best singing and | 0:01:23 | 0:01:26 | |
dancing talent the UK has to offer. | 0:01:26 | 0:01:28 | |
First stop, the Northeast of England and Newcastle. | 0:01:29 | 0:01:31 | |
Hello. Hello. | 0:01:31 | 0:01:33 | |
# Don't stop me now. # | 0:01:37 | 0:01:39 | |
Next stop was Glasgow, where John was checking out the talent | 0:01:41 | 0:01:43 | |
North of the border. | 0:01:43 | 0:01:45 | |
# It's not about the money, money, money. # | 0:01:47 | 0:01:49 | |
Then it was straight back down to Manchester with more groups | 0:01:49 | 0:01:52 | |
giving it their all. | 0:01:52 | 0:01:53 | |
John and the team then headed off to London | 0:01:55 | 0:01:58 | |
to see what the Glee Clubs in the capital city could come up with. | 0:01:58 | 0:02:02 | |
Let's go listen to some music. | 0:02:03 | 0:02:05 | |
Next they were off to Bristol to check out | 0:02:11 | 0:02:13 | |
the best of the West Country's glee clubs before heading to | 0:02:13 | 0:02:16 | |
Cardiff to see what was on offer there. | 0:02:16 | 0:02:18 | |
Bye-bye, Cardiff. Who's next? | 0:02:20 | 0:02:23 | |
Then it was a quick trip across to Belfast to see what the | 0:02:23 | 0:02:26 | |
Northern Irish glee clubs could come up with before heading down to | 0:02:26 | 0:02:29 | |
Brighton to complete the talent search of the UK. | 0:02:29 | 0:02:32 | |
The standard was high, | 0:02:34 | 0:02:36 | |
but it was then up to John to select 24 successful Glee Clubs | 0:02:36 | 0:02:39 | |
who were invited to perform again at the judges' auditions. | 0:02:39 | 0:02:43 | |
We saw groups from across the country | 0:02:51 | 0:02:53 | |
but the one thing they all had in common was that they wanted | 0:02:53 | 0:02:56 | |
the chance to perform in front of our experts. Let's meet them. | 0:02:56 | 0:03:00 | |
It's our judges. | 0:03:00 | 0:03:02 | |
Carrie and David are two of the UK's best known celebrity vocal coaches. | 0:03:03 | 0:03:07 | |
-That was fantastic. -That was a world-class performance. | 0:03:07 | 0:03:12 | |
They've worked with pop artists including Take That, | 0:03:12 | 0:03:15 | |
The Saturdays, Marvin Humes and even Gwyneth Paltrow. | 0:03:15 | 0:03:18 | |
Celebrity vocal and performance coach John has worked with | 0:03:18 | 0:03:22 | |
a variety of stars including JLS, Leona Lewis, | 0:03:22 | 0:03:25 | |
Olly Murs and Frankie Sandford. | 0:03:25 | 0:03:27 | |
He's also worked behind the scenes on top shows like The voice | 0:03:27 | 0:03:31 | |
and the X Factor. | 0:03:31 | 0:03:33 | |
Helping Carrie, David and John decide who should go through | 0:03:33 | 0:03:36 | |
to the heats were some very special expert guests. | 0:03:36 | 0:03:39 | |
Let's meet them. | 0:03:39 | 0:03:40 | |
Soul singer and presenter Dionne Bromfield has been | 0:03:42 | 0:03:45 | |
nominated for a MOBO award, has recorded two albums, | 0:03:45 | 0:03:47 | |
and also finds time to present CBBC's Friday Download. | 0:03:47 | 0:03:51 | |
Is that another one you play on the Breakfast Show? | 0:03:51 | 0:03:54 | |
I do play that on the radio as well. | 0:03:54 | 0:03:55 | |
That's so in sync. | 0:03:55 | 0:03:57 | |
West End star Kerry Ellis has had lead roles in Wicked, | 0:03:57 | 0:04:00 | |
Les Miserables, We Will Rock You and Oliver | 0:04:00 | 0:04:02 | |
and is also a successful recording artist. | 0:04:02 | 0:04:05 | |
And finally, Strictly Come Dancing professional Erin Boag has | 0:04:05 | 0:04:08 | |
put many celebrities through their paces, wowed audiences with | 0:04:08 | 0:04:11 | |
her dance moves, and stars regularly in spectacular sell-out shows. | 0:04:11 | 0:04:15 | |
So many groups applied for Sport Relief Does Glee Club | 0:04:22 | 0:04:24 | |
that I lost count, | 0:04:24 | 0:04:26 | |
but only the top 24 made it to the judges' auditions. | 0:04:26 | 0:04:30 | |
There are only five places remaining in the studio heats | 0:04:30 | 0:04:34 | |
so there is everything to sing for. | 0:04:34 | 0:04:35 | |
Let's meet the first of today's acts. | 0:04:35 | 0:04:38 | |
Whoo! | 0:04:45 | 0:04:46 | |
-Right, next up we have The Gleeks. -Love it. | 0:04:46 | 0:04:49 | |
Yeah, saw them in London, they are very Glee Club. | 0:04:49 | 0:04:52 | |
'I really like these kids. They are like Family Von Trapp. | 0:04:52 | 0:04:55 | |
'They have chosen the right kind of song as well.' | 0:04:55 | 0:04:58 | |
And I find that their performance level and energy just, | 0:04:58 | 0:05:02 | |
it was so good, I kept watching them. | 0:05:02 | 0:05:04 | |
So I hope you have the same feeling. | 0:05:04 | 0:05:06 | |
I hear you are going to be singing Supercalifragilisticexpialidocious. | 0:05:06 | 0:05:11 | |
-ALL: Yes. -We spell it out as well. | 0:05:11 | 0:05:12 | |
Now you've said it you are going to have to do it. Go for it. | 0:05:12 | 0:05:15 | |
S-U-P-E-R-C-A-L-I-F-R-A-G-I-L-I-S-T- I-C-E-X-I-A-L-I-D-O-C-I-O-U-S. | 0:05:15 | 0:05:22 | |
High five. Can you say it backwards? | 0:05:24 | 0:05:28 | |
Um... | 0:05:28 | 0:05:29 | |
# Supercalifragilisticexpialidocious | 0:05:33 | 0:05:35 | |
# Even though the sound of it Is something quite atrocious | 0:05:35 | 0:05:38 | |
# If you say it loud enough You'll always sound precocious | 0:05:38 | 0:05:41 | |
# Supercalifragilisticexpialidocious | 0:05:41 | 0:05:45 | |
# Um-dee-dee-dee-I Um-dee-dee-dee-I | 0:05:45 | 0:05:48 | |
# Um-dee-dee-dee-I Um-dee-dee-dee-I | 0:05:48 | 0:05:51 | |
# Because I was afraid to speak when I was just a lad | 0:05:51 | 0:05:54 | |
# My father gave me nose a tweak And told me I was bad | 0:05:54 | 0:05:57 | |
# But then one day I learned a word That saved me aching nose | 0:05:57 | 0:06:01 | |
# The biggest word I ever heard And this is how it goes | 0:06:01 | 0:06:04 | |
# Supercalifragilisticexpialidocious | 0:06:04 | 0:06:07 | |
# Even though the sound of it is something quite atrocious | 0:06:07 | 0:06:11 | |
# If you say it loud enough you'll always sound precocious | 0:06:11 | 0:06:14 | |
# Supercalifragilisticexpialidocious | 0:06:14 | 0:06:17 | |
# S-U-P-E-R-C-A-L-I-F-R-A-G-I-L-I-S | 0:06:17 | 0:06:20 | |
# T-I-C-E-X-I-A-L-I-D-O-C-I-O-U-S | 0:06:20 | 0:06:24 | |
# He travelled all around the world and every where he went | 0:06:24 | 0:06:27 | |
# He'd use his word and all would say There goes a clever gent | 0:06:27 | 0:06:30 | |
# When Dukes and Maharajas Pass the time of day with me | 0:06:30 | 0:06:33 | |
# I say my special word | 0:06:33 | 0:06:35 | |
# And then they ask me out for tea | 0:06:35 | 0:06:37 | |
# Supercalifragilisticexpialidocious | 0:06:37 | 0:06:40 | |
# Even though the sound of it is something quite atrocious | 0:06:40 | 0:06:43 | |
# If you say it loud enough you'll always sound precocious | 0:06:43 | 0:06:46 | |
# Supercalifragilistic expialidocious. # | 0:06:46 | 0:06:50 | |
-Are you pleased? -Yes. -Air punch! | 0:06:53 | 0:06:55 | |
One of the hardest things with musical theatre, glee club, | 0:06:55 | 0:06:58 | |
is to not, one, do too much dancing, | 0:06:58 | 0:07:00 | |
two, make sure the dancing doesn't get in the way of the singing. | 0:07:00 | 0:07:05 | |
And I felt that you absolutely had that in perfect balance. | 0:07:05 | 0:07:10 | |
I loved the choreography. It didn't impinge on the vocals. | 0:07:10 | 0:07:14 | |
The vocals were still strong. You didn't sound out of breath. | 0:07:14 | 0:07:19 | |
Absolutely great. Loved it. | 0:07:19 | 0:07:21 | |
-ALL: -Thank you. | 0:07:21 | 0:07:22 | |
-Well done, guys. -Who | 0:07:22 | 0:07:23 | |
would have thought of beatboxing, spelling out the words, | 0:07:23 | 0:07:26 | |
staggering the words? | 0:07:26 | 0:07:28 | |
You doing a counter melody to it on the last chorus? | 0:07:28 | 0:07:32 | |
It was just nuts. You made an old song sound really young. I loved it. | 0:07:32 | 0:07:38 | |
ALL: Thank you. | 0:07:38 | 0:07:40 | |
What was really nice, performance wise, | 0:07:40 | 0:07:43 | |
you mixed the moves with the songs, so it was one performance. | 0:07:43 | 0:07:46 | |
It was not, "This is the dance and this is the song." It was one show. | 0:07:46 | 0:07:51 | |
I loved it. I thought you guys were great. | 0:07:51 | 0:07:53 | |
ALL: Thank you. | 0:07:53 | 0:07:54 | |
Now I have to ask you because you've barely said a word | 0:07:56 | 0:07:59 | |
since you've arrived. You looked really nervous before you went in. | 0:07:59 | 0:08:02 | |
-How was it? -It was all right. | 0:08:02 | 0:08:03 | |
-It felt natural. -It did feel natural. They weren't overdoing it. | 0:08:03 | 0:08:07 | |
It wasn't, "This is a show." It was very spontaneous, almost. | 0:08:07 | 0:08:11 | |
It was great. | 0:08:11 | 0:08:13 | |
And I think because of that you could see them adapting - | 0:08:13 | 0:08:16 | |
-if they're given a pop song they would cope with it. -Definitely. | 0:08:16 | 0:08:19 | |
Anybody who's going to win is going to have to beat this quality. | 0:08:19 | 0:08:23 | |
Because this was quality. | 0:08:23 | 0:08:25 | |
# Supercalifragilistic expialidocious. # | 0:08:25 | 0:08:28 | |
# Money, money, money... # | 0:08:37 | 0:08:38 | |
OK, so the next group is A-List. | 0:08:38 | 0:08:41 | |
I'm very excited about these guys. | 0:08:41 | 0:08:43 | |
You might remember some of the members from a group last | 0:08:43 | 0:08:47 | |
-year called Activ8. -I remember them. | 0:08:47 | 0:08:49 | |
Yes, and I really felt they should come back. | 0:08:49 | 0:08:51 | |
They brought these new guys in | 0:08:51 | 0:08:53 | |
'and I think it's mixed it up a little bit.' | 0:08:53 | 0:08:55 | |
It's very good. You've definitely given me something to think about. | 0:08:55 | 0:08:58 | |
I think we're more calm this year | 0:08:58 | 0:09:00 | |
because we kind of know a bit more what we are expecting. | 0:09:00 | 0:09:03 | |
We are all just here to enjoy it and not be nervous. | 0:09:03 | 0:09:07 | |
Just being really excited because it's a big opportunity. | 0:09:07 | 0:09:10 | |
We just want to take advantage of it. | 0:09:10 | 0:09:13 | |
# We need to take it back in time When music made us all unite | 0:09:15 | 0:09:20 | |
# And it wasn't lows and video shows | 0:09:20 | 0:09:23 | |
# Am I the only one getting tired? | 0:09:23 | 0:09:26 | |
# Why is everybody so obsessed? Money can't buy us happiness | 0:09:26 | 0:09:30 | |
# Can we all slow down and enjoy right now? | 0:09:30 | 0:09:33 | |
# Guarantee we'll be feeling all right | 0:09:33 | 0:09:36 | |
# Everybody look to their left | 0:09:36 | 0:09:37 | |
# Everybody look to their right | 0:09:37 | 0:09:40 | |
# Can you feel that We're paying with love tonight? | 0:09:40 | 0:09:44 | |
# It's not about the money, money, money | 0:09:44 | 0:09:46 | |
# We don't need your money, money, money | 0:09:46 | 0:09:49 | |
# We just want to make the world dance | 0:09:49 | 0:09:53 | |
# Forget about the price tag | 0:09:53 | 0:09:54 | |
# Ain't about the cha-ching cha-ching | 0:09:54 | 0:09:56 | |
-# Ain't about the... -Ba-bling ba-bling | 0:09:56 | 0:10:00 | |
# Want to make the world dance Forget about the price tag | 0:10:00 | 0:10:04 | |
# Everybody look to their left | 0:10:06 | 0:10:09 | |
# Everybody look to their right | 0:10:09 | 0:10:12 | |
# Can you feel that We're paying with love tonight? | 0:10:12 | 0:10:15 | |
# It's not about the money, money, money | 0:10:15 | 0:10:17 | |
# We don't need your money, money, money | 0:10:17 | 0:10:20 | |
# We just want to make the world dance | 0:10:20 | 0:10:22 | |
# Price tag | 0:10:22 | 0:10:25 | |
# Money, money, money | 0:10:25 | 0:10:28 | |
# Money, money, money | 0:10:28 | 0:10:31 | |
# World dance Price tag | 0:10:31 | 0:10:35 | |
# Yeah Ah-ah-ah-ah | 0:10:35 | 0:10:38 | |
# Ah-ah-ah-ah | 0:10:38 | 0:10:41 | |
# Ah-ah | 0:10:41 | 0:10:43 | |
# Price tag | 0:10:43 | 0:10:46 | |
# Ah-ah-ah-ah | 0:10:46 | 0:10:48 | |
# Ah-ah-ah-ah | 0:10:48 | 0:10:51 | |
# Ah-ah | 0:10:51 | 0:10:53 | |
# Price tag. # | 0:10:53 | 0:10:57 | |
What did you think? | 0:11:00 | 0:11:01 | |
It was a good performance. It was a good performance. | 0:11:01 | 0:11:04 | |
Looking at you, it's sort of like a cross between Grease... | 0:11:04 | 0:11:07 | |
THEY LAUGH | 0:11:07 | 0:11:08 | |
..with a bit of vogue movements in there. | 0:11:08 | 0:11:10 | |
And I loved the choreography that you had. | 0:11:10 | 0:11:12 | |
You just needed a bit more punch in your performance. | 0:11:12 | 0:11:16 | |
But it's there as a package. | 0:11:16 | 0:11:18 | |
You just need a bit more of what you are doing. | 0:11:18 | 0:11:21 | |
Thank you. | 0:11:21 | 0:11:22 | |
The thing with you guys that I absolutely love is I can | 0:11:22 | 0:11:25 | |
close my eyes and I know it's you singing. | 0:11:25 | 0:11:27 | |
You have a very distinct sound as a unit. | 0:11:27 | 0:11:30 | |
Your ensemble, your solos are very good. | 0:11:30 | 0:11:32 | |
You need to start believing in yourself. | 0:11:32 | 0:11:35 | |
And you need to actually show that when you're performing. | 0:11:35 | 0:11:38 | |
Thank you. | 0:11:38 | 0:11:39 | |
Watching you, though, for me it just lacks snap. It lacks energy. | 0:11:39 | 0:11:43 | |
And so somehow you've got to get those vocals attached | 0:11:43 | 0:11:48 | |
to the visual presentation, but vocally really beautiful. | 0:11:48 | 0:11:52 | |
-ALL: -Thank you. | 0:11:52 | 0:11:54 | |
-How do you feel after that? -Really happy. | 0:11:54 | 0:11:57 | |
We were quite pleased that they liked all our vocals and stuff | 0:11:57 | 0:12:01 | |
because the harmonies and stuff, we all tried really hard. | 0:12:01 | 0:12:07 | |
It was good. All the judges kind of agreed on what we need to work on. | 0:12:07 | 0:12:10 | |
Maybe they need to perform more | 0:12:10 | 0:12:12 | |
in front of people which might give them the confidence, | 0:12:12 | 0:12:15 | |
rather than just perform in a studio. | 0:12:15 | 0:12:17 | |
And that's quite different when you're performing to a wall, | 0:12:17 | 0:12:20 | |
compared to performing to an audience In front of you. | 0:12:20 | 0:12:23 | |
# Price tag. # | 0:12:23 | 0:12:25 | |
So both The Gleeks and A-List were complimented on their unique | 0:12:32 | 0:12:36 | |
sounds, but will this help them stand out at decision time? | 0:12:36 | 0:12:39 | |
Coming up, another two groups are hoping to impress the judges | 0:12:39 | 0:12:42 | |
with their singing and dancing skills. | 0:12:42 | 0:12:44 | |
I believed every word you sung. You did it with a lot of passion. | 0:12:44 | 0:12:46 | |
Your eyes tend to wander. | 0:12:46 | 0:12:48 | |
Then I get a bit nervous that something is going to go wrong. | 0:12:48 | 0:12:51 | |
If you work on it you will be doing something | 0:12:51 | 0:12:53 | |
that no other glee club is doing. | 0:12:53 | 0:12:56 | |
# Roar. # | 0:13:04 | 0:13:06 | |
The next group is Raw Mania. I saw these girls in London. | 0:13:06 | 0:13:09 | |
They are quite girl band-ish. | 0:13:09 | 0:13:11 | |
I like the look of you guys. | 0:13:11 | 0:13:13 | |
They could be really brilliant with a little bit of time, | 0:13:13 | 0:13:16 | |
a little bit of polishing. | 0:13:16 | 0:13:17 | |
-Tell me your glee club name. -ALL: -Raw Mania. | 0:13:17 | 0:13:21 | |
-Raw Mania, why have you chosen that? -We felt it's like individual. | 0:13:21 | 0:13:27 | |
No-one else has it so it's our own special name. | 0:13:27 | 0:13:30 | |
It's two kinds of "raws". | 0:13:30 | 0:13:33 | |
It's like a "raw" in the way of "unique" | 0:13:33 | 0:13:35 | |
and then it's "roar" like a lion. Like we're feisty. | 0:13:35 | 0:13:38 | |
We're also singing Raw, Katy Perry, so... | 0:13:38 | 0:13:40 | |
Ah! It all ties in. | 0:13:40 | 0:13:42 | |
# Used to bite my tongue and hold my breath | 0:13:49 | 0:13:51 | |
# Scared to rock the boat and make a mess | 0:13:51 | 0:13:54 | |
# So I sat quietly, agreed politely | 0:13:54 | 0:13:59 | |
# I guess that I forgot I had a choice | 0:13:59 | 0:14:02 | |
# I let you push me past the breaking point | 0:14:02 | 0:14:05 | |
# I stood for nothing | 0:14:05 | 0:14:08 | |
# So I fell for everything | 0:14:08 | 0:14:10 | |
# You held me down, but I got up | 0:14:10 | 0:14:12 | |
# Hey! Already brushing off the dust | 0:14:12 | 0:14:15 | |
# You hear my voice | 0:14:15 | 0:14:17 | |
# You hear that sound | 0:14:17 | 0:14:19 | |
# Like thunder going to shake the ground | 0:14:19 | 0:14:21 | |
# You held me down, but I got up | 0:14:21 | 0:14:23 | |
# Hey! Get ready cos I've had enough | 0:14:23 | 0:14:26 | |
# I see it all, I see it now | 0:14:26 | 0:14:29 | |
# I got the eye of the tiger | 0:14:29 | 0:14:32 | |
# A fighter dancing through the fire | 0:14:32 | 0:14:36 | |
# Cos I am a champion And you're going to hear me roar | 0:14:36 | 0:14:42 | |
# Louder, louder than a lion cos I am a champion | 0:14:42 | 0:14:49 | |
# And you're going to hear me roar | 0:14:49 | 0:14:54 | |
# Oh-oh-oh-oh-oh-oh | 0:14:54 | 0:14:56 | |
# Oh-oh-oh-oh-oh-oh | 0:14:56 | 0:14:58 | |
# Oh-oh-oh-oh-oh-oh | 0:14:58 | 0:15:02 | |
# You're gonna hear me roar. # | 0:15:02 | 0:15:05 | |
Yay! | 0:15:07 | 0:15:09 | |
-Did they do you proud? -They did me very proud. | 0:15:11 | 0:15:13 | |
I'm very proud of them all. | 0:15:13 | 0:15:15 | |
I really like you, I thought you had attitude, | 0:15:15 | 0:15:18 | |
there was a Girl Power vibe. | 0:15:18 | 0:15:19 | |
You all look really good. | 0:15:19 | 0:15:22 | |
Really tight as a group, | 0:15:22 | 0:15:23 | |
and I could see you and go "I know how to package you girls." | 0:15:23 | 0:15:26 | |
You've all got wicked voices. | 0:15:28 | 0:15:29 | |
But, in the chorus, | 0:15:29 | 0:15:31 | |
I would have liked to see you doing it without harmonies. | 0:15:31 | 0:15:35 | |
I thought it would have been nicer | 0:15:35 | 0:15:37 | |
if you were just singing that one melody instead of harmonising. | 0:15:37 | 0:15:41 | |
But other than that, I thought you were really good. | 0:15:41 | 0:15:43 | |
-ALL: -Thank you. | 0:15:43 | 0:15:44 | |
What I really love is that you really tell the story... | 0:15:44 | 0:15:48 | |
That song, I believed every word you sung, you did it with passion. | 0:15:48 | 0:15:53 | |
You put heart and soul into it. And it showed. | 0:15:54 | 0:15:57 | |
When you just stood together at the end there, and you had that great | 0:15:58 | 0:16:03 | |
"Yeah! This is us!", your vocals were bang on, | 0:16:03 | 0:16:07 | |
your faces were there, the power, the attitude, | 0:16:07 | 0:16:10 | |
the passion, was all there. | 0:16:10 | 0:16:12 | |
That is your strength. Play to your strength. | 0:16:12 | 0:16:14 | |
Thank you. | 0:16:14 | 0:16:17 | |
How was it when you were standing up there, how did it feel? | 0:16:17 | 0:16:20 | |
It felt... It felt really good. | 0:16:20 | 0:16:22 | |
Being on stage and performing our songs. | 0:16:22 | 0:16:25 | |
-Especially as we are like, together. -Yeah. | 0:16:25 | 0:16:29 | |
We have been together for five months now, | 0:16:29 | 0:16:32 | |
so it's been a really good experience. | 0:16:32 | 0:16:33 | |
Are they ready for the ferocity of the competition? | 0:16:33 | 0:16:38 | |
There are some people who will be going to the next round who | 0:16:38 | 0:16:41 | |
are incredibly strong. | 0:16:41 | 0:16:44 | |
Are they ready to take the step up which they'll have to take? | 0:16:44 | 0:16:48 | |
# You're going to hear me roar. # | 0:16:48 | 0:16:53 | |
The next group is Abstract. I saw these girls in London, very unique. | 0:17:00 | 0:17:06 | |
Different... That 1950s Chordettes sound. Mr Sandman. | 0:17:06 | 0:17:11 | |
I really like them and I'll be surprised if you don't. | 0:17:11 | 0:17:14 | |
I'm grateful that you came prepared, | 0:17:14 | 0:17:17 | |
it sounds like you have worked hard. | 0:17:17 | 0:17:19 | |
Love your style, it's very French. It's lovely, who chose that? | 0:17:19 | 0:17:24 | |
THEY TALK OVER EACH OTHER | 0:17:24 | 0:17:27 | |
It just feels right with the song as well. I don't know why? | 0:17:28 | 0:17:31 | |
# At first I was afraid I was petrified | 0:17:35 | 0:17:40 | |
# Kept thinking I could never live without you by my side | 0:17:41 | 0:17:47 | |
# But then I spent so many nights | 0:17:48 | 0:17:51 | |
# Thinking how you did me wrong | 0:17:52 | 0:17:56 | |
# And I grew strong | 0:17:56 | 0:17:59 | |
# And I learned how to get along | 0:17:59 | 0:18:03 | |
# And so you're back | 0:18:05 | 0:18:07 | |
# From outer space | 0:18:07 | 0:18:09 | |
# I just walked in to find you here with that sad look upon your face | 0:18:09 | 0:18:13 | |
# I should have changed that stupid lock | 0:18:13 | 0:18:15 | |
# I should have made you leave your key | 0:18:15 | 0:18:17 | |
# If I had known for just one second you'd back to bother me | 0:18:17 | 0:18:21 | |
# Go on now, go walk out the door | 0:18:21 | 0:18:24 | |
# Just turn around now | 0:18:24 | 0:18:26 | |
# Cos you're not welcome any more | 0:18:26 | 0:18:29 | |
# Weren't you the one who tried to hurt me with goodbye | 0:18:29 | 0:18:32 | |
# Do you think I'd crumble? | 0:18:32 | 0:18:34 | |
# Did you think I'd lay down and die? | 0:18:34 | 0:18:36 | |
# Oh, no, not I. I will survive | 0:18:36 | 0:18:39 | |
# Oh, as long as I know how to love | 0:18:39 | 0:18:42 | |
# I know I'll stay alive | 0:18:42 | 0:18:43 | |
# I've got all my life to live | 0:18:43 | 0:18:46 | |
# I've got all my love to give, I will survive | 0:18:46 | 0:18:49 | |
# I will survive | 0:18:50 | 0:18:52 | |
# Hey hey. # | 0:18:52 | 0:18:54 | |
APPLAUSE | 0:18:54 | 0:18:57 | |
-Well done. -Yeah! | 0:18:57 | 0:19:00 | |
Can I ask one question? | 0:19:00 | 0:19:01 | |
If you were going to do a Little Mix song, say you're given one, | 0:19:01 | 0:19:06 | |
how would you adapt that? | 0:19:06 | 0:19:09 | |
Would you decide to do it their style, or would you stick with this? | 0:19:09 | 0:19:12 | |
I think we would probably still try and keep it this style, because | 0:19:12 | 0:19:15 | |
this style is quite different and makes us different to other groups. | 0:19:15 | 0:19:19 | |
I'm really glad you have just said that. | 0:19:19 | 0:19:21 | |
Because then it's like, "OK, they are no longer the '50s thing". | 0:19:21 | 0:19:24 | |
I think that is such a unique selling point, | 0:19:25 | 0:19:29 | |
if that was your style across every song you tried to sing... | 0:19:29 | 0:19:33 | |
You fascinate and interest me. | 0:19:33 | 0:19:36 | |
We'll keep to that style, then. | 0:19:36 | 0:19:37 | |
If you work on it, | 0:19:38 | 0:19:40 | |
you'll be doing something that no other Glee club is doing. | 0:19:40 | 0:19:44 | |
-This makes you unique, this makes you stand out. -ALL: -Thank you. | 0:19:44 | 0:19:47 | |
I think you had a few timing issues. | 0:19:49 | 0:19:51 | |
Your dancing choreography. | 0:19:51 | 0:19:54 | |
What gave it away... | 0:19:54 | 0:19:56 | |
Obviously you could see it, but your eyes tend to wander. | 0:19:56 | 0:19:59 | |
Then I get a bit nervous that something's going to go wrong. | 0:19:59 | 0:20:02 | |
Just be careful of that. | 0:20:02 | 0:20:04 | |
Be confident of what you are doing. | 0:20:04 | 0:20:07 | |
I think you'll be fine. | 0:20:07 | 0:20:10 | |
-ALL: -Thank you. | 0:20:10 | 0:20:12 | |
Have you got anything you want to say to the group? | 0:20:12 | 0:20:14 | |
I'm do proud of you guys, you did so well, | 0:20:14 | 0:20:16 | |
we worked so hard on this style, and you all came together. | 0:20:16 | 0:20:19 | |
I'm so proud! | 0:20:19 | 0:20:21 | |
It's a really unusual choice. | 0:20:23 | 0:20:26 | |
It's not just unusual, I think the way they started, | 0:20:26 | 0:20:29 | |
if they can get confidence... | 0:20:29 | 0:20:32 | |
the level of confidence...into the whole performance that they | 0:20:32 | 0:20:35 | |
had in the beginning. | 0:20:35 | 0:20:37 | |
They will be outstanding. | 0:20:37 | 0:20:39 | |
# Hey hey. # | 0:20:39 | 0:20:41 | |
Four of today's acts have now performed for the judges. | 0:20:48 | 0:20:51 | |
And with four groups still to take to the stage, | 0:20:51 | 0:20:53 | |
let's take a moment to remind ourselves why we're all here. | 0:20:53 | 0:20:56 | |
Sport Relief raises money to change people's | 0:20:57 | 0:21:00 | |
lives in some of the world's poorest communities, | 0:21:00 | 0:21:03 | |
as well as right here in the UK. | 0:21:03 | 0:21:05 | |
In fact, there are over 2,000 UK projects benefiting from money | 0:21:06 | 0:21:10 | |
raised by the charity. | 0:21:10 | 0:21:11 | |
So, wherever you are watching from, you are probably not very far | 0:21:11 | 0:21:15 | |
away from a project supported by Sport Relief. | 0:21:15 | 0:21:17 | |
Your donations really can make a difference to the | 0:21:18 | 0:21:21 | |
lives of vulnerable people at home and abroad. | 0:21:21 | 0:21:25 | |
If you'd like to get involved in this year's Sport Relief Games, | 0:21:25 | 0:21:29 | |
from the 21st-23rd March, grab a grown-up, and visit the CBBC website. | 0:21:29 | 0:21:33 | |
Thank you. | 0:21:39 | 0:21:41 | |
INDISTINCT SINGING | 0:21:50 | 0:21:54 | |
Right, next up we have Tenacity, you'll remember these | 0:21:54 | 0:21:57 | |
guys from last series as New Creation, a five-piece girl band. | 0:21:57 | 0:22:00 | |
What they've done this time is...three are the same, | 0:22:01 | 0:22:04 | |
they've brought in another girl, and they've brought in a boy. | 0:22:04 | 0:22:07 | |
# I don't want to lose you now... # | 0:22:07 | 0:22:11 | |
I like them very much. | 0:22:11 | 0:22:12 | |
So, be careful what you say. | 0:22:12 | 0:22:15 | |
He's threatening us, now. | 0:22:15 | 0:22:16 | |
How come you've enrolled new people? | 0:22:16 | 0:22:19 | |
Well, we thought, last year, | 0:22:19 | 0:22:21 | |
and the year before, we just wanted a new sound. | 0:22:21 | 0:22:25 | |
Especially with Adam. Adam's got a great voice. | 0:22:25 | 0:22:27 | |
-Has he? -Yeah, amazing. -No pressure. | 0:22:27 | 0:22:29 | |
It's a nice new sound, it's fresh. | 0:22:31 | 0:22:33 | |
# Aren't you somethin' to admire? | 0:22:40 | 0:22:43 | |
# Cos your shine is somethin' like a mirror | 0:22:43 | 0:22:46 | |
# And I can't help but notice | 0:22:46 | 0:22:48 | |
# You reflect in this heart of mine | 0:22:48 | 0:22:50 | |
# If you ever feel alone and | 0:22:53 | 0:22:55 | |
# The glare makes me hard to find | 0:22:55 | 0:22:58 | |
# Just know that I'm always | 0:22:58 | 0:23:00 | |
# Parallel on the other side | 0:23:00 | 0:23:03 | |
# Cos with your hand in my hand and a pocket full of soul | 0:23:03 | 0:23:06 | |
# I can tell you there's no place we couldn't go | 0:23:06 | 0:23:09 | |
# Just put your hand on the glass | 0:23:09 | 0:23:11 | |
# I'll be tryin' to pull you through | 0:23:11 | 0:23:13 | |
# You just gotta be strong | 0:23:13 | 0:23:15 | |
# Cos I don't wanna lose you now | 0:23:15 | 0:23:18 | |
# I'm lookin' right at the other half of me | 0:23:18 | 0:23:21 | |
# The vacancy that sat in my heart | 0:23:21 | 0:23:23 | |
# Is a space that now you hold | 0:23:23 | 0:23:26 | |
# Show me how to fight for now | 0:23:26 | 0:23:29 | |
# And I'll tell you, baby, it was easy | 0:23:29 | 0:23:32 | |
# Comin' back here to you once I figured it out | 0:23:32 | 0:23:35 | |
# You were right here all along | 0:23:35 | 0:23:40 | |
# It's like you're my mirror | 0:23:40 | 0:23:43 | |
# My mirror staring back at me | 0:23:43 | 0:23:45 | |
# I couldn't get any bigger | 0:23:45 | 0:23:48 | |
# With anyone else beside of me | 0:23:48 | 0:23:51 | |
# And now it's clear as this promise | 0:23:51 | 0:23:53 | |
# That we're making two reflections into one | 0:23:53 | 0:23:56 | |
# Yeah! | 0:23:56 | 0:23:57 | |
# Cos it's like you're my mirror | 0:23:57 | 0:24:00 | |
# My mirror staring back at me, staring back at me | 0:24:00 | 0:24:03 | |
# Staring back at me | 0:24:03 | 0:24:05 | |
# It's like you're my mirror | 0:24:05 | 0:24:06 | |
# My mirror staring back at me | 0:24:06 | 0:24:08 | |
# Staring back at me. # | 0:24:08 | 0:24:10 | |
-APPLAUSE There we go. Nice. -You like? -Yes, yeah. | 0:24:10 | 0:24:13 | |
They do OK, that was good. | 0:24:13 | 0:24:14 | |
-That's great. He's got a great voice. -He has. | 0:24:14 | 0:24:17 | |
He's a good lad. | 0:24:17 | 0:24:19 | |
Excellent, I'm really impressed. | 0:24:19 | 0:24:22 | |
Particularly with all of your soloists. | 0:24:22 | 0:24:25 | |
They are so strong. | 0:24:25 | 0:24:27 | |
That's four out of five of you...all your individual | 0:24:27 | 0:24:30 | |
stuff was great. You two girls on the end, so much vocal identity, | 0:24:30 | 0:24:34 | |
I would know your voices immediately if I heard them again. | 0:24:34 | 0:24:37 | |
As a group, you need to work on your choreography, | 0:24:37 | 0:24:41 | |
look at what you're doing physically, and let it m match | 0:24:41 | 0:24:44 | |
the strength of the vocals, cos the vocals are really strong. | 0:24:44 | 0:24:48 | |
-ALL: -Thank you. | 0:24:48 | 0:24:50 | |
Every now and again, every time you had to do a new move, | 0:24:50 | 0:24:52 | |
I could see a bit of concern about, | 0:24:52 | 0:24:55 | |
"Where exactly are we going?" | 0:24:55 | 0:24:57 | |
Your focus came off just pure performance. | 0:24:57 | 0:25:01 | |
Which I think may be to do with actually spending more time | 0:25:01 | 0:25:04 | |
on the choreography cos, vocally, I loved what you did. | 0:25:04 | 0:25:07 | |
Yeah, I agree with these guys completely on all points | 0:25:07 | 0:25:11 | |
in terms of the energy and the performance. | 0:25:11 | 0:25:13 | |
Just believing in yourself. But I have to give you credit. | 0:25:13 | 0:25:16 | |
You three girls from last series, you've stepped up. | 0:25:16 | 0:25:19 | |
And it's really, really good. | 0:25:19 | 0:25:22 | |
And the two new additions, very good additions to the group. | 0:25:22 | 0:25:25 | |
Well done, my friends. | 0:25:25 | 0:25:27 | |
See, you're the only boy, but you're definitely, definitely strong, | 0:25:27 | 0:25:30 | |
strong, strong. I'm very glad I brought you guys back. | 0:25:30 | 0:25:33 | |
-I'm really happy with that. -You were glad they noted a change? | 0:25:34 | 0:25:37 | |
-Definitely. That's what we were aiming for and we got it. -Yeah! | 0:25:37 | 0:25:42 | |
The girl with the red hair, when she sung, straightaway, | 0:25:42 | 0:25:45 | |
I was, like, OK, out of everyone, | 0:25:45 | 0:25:47 | |
-I look at you because you're the one with life. -Exactly. -Confident. | 0:25:47 | 0:25:51 | |
They've got so much potential. It's the sound. | 0:25:51 | 0:25:54 | |
Just closing your eyes, when you really hear them together, | 0:25:54 | 0:25:57 | |
they do have that real, incredible recorded sound. | 0:25:57 | 0:26:01 | |
# My mirror's staring back at me | 0:26:02 | 0:26:04 | |
# Staring back at me. # | 0:26:04 | 0:26:05 | |
-OK, so, next up we have... -Unity 7! | 0:26:16 | 0:26:20 | |
And you might actually recognise some of the members | 0:26:20 | 0:26:22 | |
from Allsorts last series. | 0:26:22 | 0:26:24 | |
But they have come back and they've said they are new and improved. | 0:26:24 | 0:26:28 | |
And I actually really did like their sound. They're very Glee-esque. | 0:26:28 | 0:26:32 | |
-Have you been rehearsing a lot? -Yes. -Yes. -A lot! | 0:26:32 | 0:26:36 | |
In the hotel room this morning. | 0:26:36 | 0:26:38 | |
-Every minute you have, you're rehearsing? -Yeah! | 0:26:39 | 0:26:43 | |
# I've been a fool and I've been blind | 0:26:44 | 0:26:48 | |
# I can never leave the past behind | 0:26:48 | 0:26:53 | |
# I can see no way, I can see no way | 0:26:53 | 0:26:57 | |
# I'm always dragging that horse around | 0:26:57 | 0:27:02 | |
# Tonight I'm gonna bury that horse in the ground | 0:27:02 | 0:27:06 | |
# But I like to keep my issues drawn | 0:27:06 | 0:27:11 | |
# It's always darkest before the dawn | 0:27:11 | 0:27:15 | |
# Shake it out, shake it out, shake it out, shake it out | 0:27:15 | 0:27:18 | |
# Ooh, whoa | 0:27:18 | 0:27:20 | |
# Shake it out, shake it out, shake it out, shake it out | 0:27:20 | 0:27:22 | |
# Ooh, whoa | 0:27:22 | 0:27:24 | |
# And it's hard to dance with a devil on your back | 0:27:24 | 0:27:27 | |
# So shake him off, oh, whoa | 0:27:27 | 0:27:32 | |
# And I'm doomed if I do and I'm doomed if I don't | 0:27:33 | 0:27:36 | |
# It's a shot in the dark aimed right at my throat | 0:27:36 | 0:27:41 | |
# Cos looking for heaven found the devil in me | 0:27:41 | 0:27:45 | |
# Cos looking for heaven found the devil in me | 0:27:45 | 0:27:49 | |
# Well, whatever, I'm gonna let it | 0:27:50 | 0:27:54 | |
# Happen | 0:27:54 | 0:27:56 | |
# To me, yeah... # | 0:27:56 | 0:27:59 | |
There you go. | 0:27:59 | 0:28:01 | |
# And it's hard to dance with a devil on your back | 0:28:03 | 0:28:07 | |
# So shake him off | 0:28:07 | 0:28:09 | |
# Oh, whoa. # | 0:28:09 | 0:28:12 | |
-Well done. -Good job, guys. What's not to like? -They are so good. | 0:28:14 | 0:28:20 | |
Do you know what I loved about you guys as a group is that the song | 0:28:20 | 0:28:24 | |
that you picked and the choreography that you did told a story. | 0:28:24 | 0:28:27 | |
And it made me feel what you were doing, which was lovely. | 0:28:27 | 0:28:31 | |
But what I felt also was that you lacked a slight bit of confidence. | 0:28:31 | 0:28:35 | |
Just a little bit. And... | 0:28:36 | 0:28:39 | |
But I think you guys are great, and you've made it this far. | 0:28:39 | 0:28:42 | |
You've got to believe in yourselves. | 0:28:42 | 0:28:44 | |
Because then your confidence will shine through. | 0:28:44 | 0:28:47 | |
-ALL: -Thank you. -But well done. | 0:28:47 | 0:28:49 | |
I feel like I've just watched an anti-bullying play. | 0:28:49 | 0:28:52 | |
And that, for me, is absolutely fantastic. | 0:28:52 | 0:28:55 | |
I felt you really conveyed that. | 0:28:55 | 0:28:57 | |
I felt you used the nerves to actually tell the story. | 0:28:57 | 0:29:01 | |
And, for me, I was really entertained and informed. | 0:29:01 | 0:29:05 | |
I think that you probably need to practise the vocals more. | 0:29:05 | 0:29:08 | |
And, more than anything, be really confident. | 0:29:08 | 0:29:11 | |
It's hard to say, "Be confident," but you should be. | 0:29:11 | 0:29:14 | |
You should be believing in yourselves ten times more than you do. | 0:29:14 | 0:29:17 | |
You're much better than you realise you are. So, well done. Well done. | 0:29:17 | 0:29:22 | |
-ALL: Thank you. -Thank you, guys. | 0:29:22 | 0:29:24 | |
The main thing was they were saying you need to be more confident. | 0:29:25 | 0:29:28 | |
They were saying you got it, you just need to believe in yourselves. | 0:29:28 | 0:29:31 | |
-Do you think that's fair? -ALL: Yeah, definitely. | 0:29:31 | 0:29:34 | |
Have you got anything you'd like to say about that? | 0:29:34 | 0:29:37 | |
It was fun. | 0:29:37 | 0:29:38 | |
You just had a good time! | 0:29:38 | 0:29:40 | |
I love the scope of their ambition. | 0:29:40 | 0:29:43 | |
And I think, for the most part, they pulled it off. | 0:29:44 | 0:29:47 | |
-In terms of glee clubs, they are very glee club. -They are. | 0:29:47 | 0:29:51 | |
I mean, they are enjoyable. They do have energy, they do have dynamic. | 0:29:51 | 0:29:56 | |
They can build, they can grow. | 0:29:57 | 0:29:59 | |
# Oh, whoa. # | 0:29:59 | 0:30:03 | |
With Tenacity and Unity 7 both needing to work on their confidence, | 0:30:09 | 0:30:13 | |
neither is guaranteed a place in the studio heats. | 0:30:13 | 0:30:16 | |
Next, the final two groups take to the stage. | 0:30:16 | 0:30:19 | |
Will Young Vibe and BuSKerS do enough to impress the judges? | 0:30:19 | 0:30:23 | |
I want you to think about making it slightly less shouty. | 0:30:24 | 0:30:28 | |
Your voice is gorgeous. | 0:30:28 | 0:30:30 | |
When you came out, actually, I didn't expect you to be that good. | 0:30:30 | 0:30:33 | |
Right, next up, we have Young Vibe, and they're from Manchester. | 0:30:40 | 0:30:44 | |
And they are exactly that - young and vibey. | 0:30:44 | 0:30:47 | |
They basically have a great age demographic as well. | 0:30:47 | 0:30:50 | |
Kind of like older sister, younger sister kind of thing going. | 0:30:50 | 0:30:53 | |
Outfits are great, sound is great, loads of energy. | 0:30:53 | 0:30:56 | |
I think they were worth bringing back. | 0:30:56 | 0:30:59 | |
-Dizzy Vibe. -Musical Vibe. | 0:30:59 | 0:31:01 | |
-Sporty Vibe. -Baby Vibe. -Cute Vibe. -Smiley Vibe. | 0:31:01 | 0:31:04 | |
-Sparkly Vibe. -Flexy Vibe. | 0:31:04 | 0:31:06 | |
-Flexy? Does that mean you're very flexible? -Yeah! | 0:31:06 | 0:31:08 | |
Can you show us a bit of your flexibility? Here she goes. | 0:31:08 | 0:31:11 | |
Oh, my goodness. | 0:31:11 | 0:31:12 | |
SHE GASPS | 0:31:12 | 0:31:14 | |
So flexible. | 0:31:14 | 0:31:15 | |
THEY LAUGH | 0:31:15 | 0:31:16 | |
# I love you | 0:31:23 | 0:31:25 | |
# Doop-doop | 0:31:25 | 0:31:26 | |
# But I gotta stay true | 0:31:26 | 0:31:28 | |
# Doop-doop | 0:31:28 | 0:31:30 | |
# My morals got me on my knees | 0:31:30 | 0:31:32 | |
# I'm beggin' please | 0:31:32 | 0:31:33 | |
# Stop playin' games | 0:31:33 | 0:31:36 | |
# Doop-doop | 0:31:36 | 0:31:37 | |
# I don't know what this is | 0:31:37 | 0:31:39 | |
# But you got me good | 0:31:39 | 0:31:41 | |
# Just like I knew you would | 0:31:41 | 0:31:43 | |
# Like I knew you would | 0:31:43 | 0:31:44 | |
# I don't know what you do | 0:31:44 | 0:31:47 | |
# But you do it well | 0:31:47 | 0:31:48 | |
# I'm under your spell | 0:31:48 | 0:31:51 | |
# Under your spell | 0:31:51 | 0:31:52 | |
# You got me beggin' you for mercy | 0:31:52 | 0:31:54 | |
# Yeah, yeah, yeah | 0:31:54 | 0:31:56 | |
# Why won't you release me | 0:31:56 | 0:31:58 | |
# Yeah, yeah, yeah | 0:31:58 | 0:31:59 | |
# You got me beggin' you for mercy | 0:31:59 | 0:32:02 | |
# Yeah, yeah, yeah | 0:32:02 | 0:32:03 | |
# Why won't you release me | 0:32:03 | 0:32:05 | |
# Yeah, yeah, yeah | 0:32:05 | 0:32:07 | |
# I said... | 0:32:07 | 0:32:08 | |
# Release me, yeah | 0:32:08 | 0:32:15 | |
# I'm beggin' you for mercy | 0:32:15 | 0:32:18 | |
# Why won't you release me | 0:32:18 | 0:32:22 | |
# I'm beggin' you for mercy | 0:32:23 | 0:32:25 | |
# Cos you got me beggin', you got me beggin', you got me beggin'. # | 0:32:27 | 0:32:32 | |
-What do you think? -Good, really good, because they've worked so hard. | 0:32:37 | 0:32:41 | |
You've got very strong voices. Very strong. | 0:32:41 | 0:32:44 | |
When you're together, it sounds wicked. | 0:32:44 | 0:32:46 | |
But, yeah, I thought it was really good. I liked how you split up, | 0:32:46 | 0:32:48 | |
and you were kind of saying it to each other, | 0:32:48 | 0:32:50 | |
it made interesting to watch, it wasn't boring at all. | 0:32:50 | 0:32:53 | |
You were all smiles. So, yeah, I can't really fault it. | 0:32:53 | 0:32:56 | |
ALL: Thank you so much. | 0:32:56 | 0:32:57 | |
Every look was met by another look, every gesture | 0:32:57 | 0:33:00 | |
and expression was met by the appropriate expression | 0:33:00 | 0:33:03 | |
from another person, so you really looked like you were together. | 0:33:03 | 0:33:06 | |
I liked the unity of your vocals as well. | 0:33:06 | 0:33:10 | |
ALL: Thank you. | 0:33:10 | 0:33:11 | |
I love your attitude. You actually scare me slightly. | 0:33:11 | 0:33:15 | |
THEY LAUGH | 0:33:15 | 0:33:17 | |
Fab, fab, fab! | 0:33:17 | 0:33:18 | |
Vocally, I'm just going to talk about your vocals a little bit, | 0:33:18 | 0:33:21 | |
I want you to think about making it slightly less shouty, in places. | 0:33:21 | 0:33:27 | |
I mean, the blend is good, and it's uniform, | 0:33:27 | 0:33:30 | |
and that's a good thing, but it is a little shouty in places. | 0:33:30 | 0:33:33 | |
I'd like you to think about beautifying it | 0:33:33 | 0:33:35 | |
or smoothing it out just slightly for me. | 0:33:35 | 0:33:37 | |
ALL: OK. Thank you. | 0:33:37 | 0:33:38 | |
Thank you, well done. | 0:33:38 | 0:33:40 | |
OK, so, what are you going to go away and work on? | 0:33:41 | 0:33:44 | |
We're going to work on all of what they said, | 0:33:44 | 0:33:46 | |
but mostly the harmonies and smoothing them out. | 0:33:46 | 0:33:49 | |
Would you like to put harmonies into it? | 0:33:49 | 0:33:51 | |
-ALL: Yeah! -And you can sing harmonies? | 0:33:51 | 0:33:53 | |
ALL: Yeah! | 0:33:53 | 0:33:54 | |
These guys don't have the vocals, really, right now. | 0:33:54 | 0:34:00 | |
They could have, but the energy's amazing. | 0:34:00 | 0:34:02 | |
You kind of want both but, I suppose... You know... | 0:34:02 | 0:34:05 | |
I love the energy, I loved the performance. | 0:34:05 | 0:34:07 | |
I think the vocals could be there. They could be there. | 0:34:07 | 0:34:10 | |
# You got me begging! # | 0:34:10 | 0:34:12 | |
We are BuSKerS! | 0:34:21 | 0:34:23 | |
Right, next up, we have BuSKerS. And I saw these guys in Bristol. | 0:34:27 | 0:34:31 | |
Funnily enough, their name is very appropriate. | 0:34:31 | 0:34:34 | |
So, you have a backing track? | 0:34:34 | 0:34:37 | |
-No. -You're singing a cappella? | 0:34:37 | 0:34:40 | |
Amazing! I think you're one of our first. | 0:34:40 | 0:34:43 | |
What can we expect from your performance? | 0:34:43 | 0:34:45 | |
Good things, I hope. | 0:34:45 | 0:34:46 | |
THEY LAUGH | 0:34:46 | 0:34:48 | |
Any solos? | 0:34:48 | 0:34:49 | |
-Yes. -Who's doing the solos? | 0:34:49 | 0:34:52 | |
-You've got one. -I'm doing one. | 0:34:52 | 0:34:55 | |
-Oh, there's a few of you. -Brian's doing one. | 0:34:55 | 0:34:57 | |
So you're all confident about doing those bits? | 0:34:57 | 0:34:59 | |
-Yeah. -Yeah. -Yeah? | 0:34:59 | 0:35:01 | |
Are you sure? | 0:35:01 | 0:35:03 | |
# Ooh-ooh-ooh | 0:35:05 | 0:35:09 | |
# Ooh-ooh-ooh | 0:35:09 | 0:35:12 | |
# You won't find him drinking at the table | 0:35:13 | 0:35:18 | |
# Rolling dice or staying out till three | 0:35:18 | 0:35:23 | |
# You won't ever find him being unfaithful | 0:35:23 | 0:35:27 | |
# You will find him, you'll find him next to me | 0:35:27 | 0:35:31 | |
# Next to me ooh-hoo-hoo | 0:35:31 | 0:35:34 | |
# Next to me ooh-hoo-hoo | 0:35:34 | 0:35:39 | |
# Next to me ooh-hoo-hoo | 0:35:39 | 0:35:44 | |
# You will find him, you'll find him next to me | 0:35:44 | 0:35:48 | |
# When the money's spent and all my friends have vanished | 0:35:48 | 0:35:53 | |
# And I can't seem to find no help or love for free | 0:35:53 | 0:35:55 | |
# I know there's no need for me to panic | 0:35:57 | 0:35:59 | |
# You will find him, you'll find him next to me | 0:36:01 | 0:36:05 | |
# Next to me ooh-hoo-hoo-hoo | 0:36:05 | 0:36:09 | |
# Next to me ooh-hoo-hoo | 0:36:09 | 0:36:13 | |
# Next to me ooh-hoo-hoo | 0:36:13 | 0:36:17 | |
# You will find him, you'll find him next to me | 0:36:17 | 0:36:24 | |
# Yeah. # | 0:36:24 | 0:36:25 | |
-That was brave doing that with no accompaniment. -Yeah. | 0:36:28 | 0:36:31 | |
Wow! | 0:36:31 | 0:36:32 | |
A cappella - that is so brave. | 0:36:32 | 0:36:35 | |
Your male soloist - what a beautiful voice - pitch perfect. | 0:36:35 | 0:36:39 | |
And also, you, young lady on the end, | 0:36:39 | 0:36:42 | |
you have one of the best blend voices I've heard in a number of years. | 0:36:42 | 0:36:45 | |
We're saying, "Who is that?" Fantastic. | 0:36:45 | 0:36:48 | |
Absolutely brilliant blend voice. | 0:36:48 | 0:36:51 | |
My question really for you guys, is, why do you look so terrified? | 0:36:51 | 0:36:56 | |
If I sounded that good, I would be so pleased with myself. | 0:36:56 | 0:37:00 | |
You don't need to look that scared, you sound amazing. | 0:37:00 | 0:37:04 | |
-What's your name, young man? -Rashid. | 0:37:04 | 0:37:07 | |
Your voice is gorgeous. | 0:37:07 | 0:37:08 | |
The bottom end of that voice is great. | 0:37:08 | 0:37:10 | |
What I'd love you to do when you perform is look up. | 0:37:10 | 0:37:14 | |
Look up, because the floor's not that attractive here. | 0:37:14 | 0:37:17 | |
Look up, because what you're sounding like is great. | 0:37:19 | 0:37:23 | |
Thank you. | 0:37:23 | 0:37:24 | |
When you came out, actually, I didn't expect you to be that good. | 0:37:24 | 0:37:27 | |
And that's me judging a book by its cover, but like these guys said, | 0:37:27 | 0:37:30 | |
I really wanted you guys to get into it a bit more. | 0:37:30 | 0:37:33 | |
Those smiles - you should have been doing that in the performance. | 0:37:33 | 0:37:36 | |
-Yeah. -That's what we need. That's the smiles we wanted to see. | 0:37:36 | 0:37:38 | |
-ALL: -Thank you. | 0:37:38 | 0:37:41 | |
LAUGHTER | 0:37:42 | 0:37:44 | |
CRIES OF DISBELIEF | 0:37:44 | 0:37:46 | |
# You won't find him at the table... # | 0:37:48 | 0:37:51 | |
Did you hear the things that they said?! | 0:37:51 | 0:37:53 | |
LAUGHTER | 0:37:53 | 0:37:54 | |
Now, where's that personality? | 0:37:54 | 0:37:56 | |
-Who is that guy?! -That was Rashid. | 0:37:56 | 0:37:59 | |
Cos he wasn't... That was Rashid! | 0:37:59 | 0:38:02 | |
Go on, what did you say? | 0:38:02 | 0:38:03 | |
They were just so nice. Like, they were... | 0:38:03 | 0:38:06 | |
It's true, Rashid, you just have to believe in yourself. | 0:38:06 | 0:38:09 | |
But to have those kind of comments from them, that is just incredible. | 0:38:09 | 0:38:12 | |
It means a lot to you... | 0:38:12 | 0:38:15 | |
I'm still kind star-struck! | 0:38:15 | 0:38:17 | |
For me, the confidence thing is the difference between them | 0:38:17 | 0:38:21 | |
being lovely to listen to and good to look at. | 0:38:21 | 0:38:26 | |
And they've got match that. | 0:38:26 | 0:38:29 | |
-When you are on stage, you are performing. -Yeah. | 0:38:29 | 0:38:33 | |
And even if performing means, I'm not confident, | 0:38:33 | 0:38:35 | |
but I got to act like I am, then act. | 0:38:35 | 0:38:38 | |
You've got to perform. | 0:38:38 | 0:38:39 | |
If they can bring a little bit of that performance to the vocal | 0:38:39 | 0:38:43 | |
sound, they could be excellent. | 0:38:43 | 0:38:46 | |
# You will find him, you'll find him next to me | 0:38:46 | 0:38:51 | |
# Yeah. # | 0:38:51 | 0:38:53 | |
Here's a quick reminder of the Glee Clubs that performed today. | 0:38:58 | 0:39:02 | |
The Gleeks, from Essex. | 0:39:02 | 0:39:04 | |
# Cos I was afraid to speak when I was just a lad | 0:39:04 | 0:39:06 | |
# Me father gave me nose a tweak and told me I was bad... # | 0:39:06 | 0:39:10 | |
A-list, from Coatbridge. | 0:39:10 | 0:39:13 | |
# We just want to make the world dance | 0:39:13 | 0:39:15 | |
# Price tag... # | 0:39:15 | 0:39:18 | |
Raw Mania, from London. | 0:39:18 | 0:39:20 | |
# You held me down, but I got up | 0:39:20 | 0:39:23 | |
# Hey | 0:39:23 | 0:39:24 | |
# Get ready cos I've had enough...# | 0:39:24 | 0:39:26 | |
Abstract, from Brighton. | 0:39:26 | 0:39:28 | |
# And so you're back, from outer space | 0:39:28 | 0:39:32 | |
# I just walked to find you here with that sad look upon your face...# | 0:39:32 | 0:39:36 | |
Tenacity, from Preston. | 0:39:36 | 0:39:38 | |
# I don't want to lose you now | 0:39:38 | 0:39:40 | |
# I'm looking right at the other half of me... # | 0:39:40 | 0:39:43 | |
Unity 7, from Milton Keynes. | 0:39:43 | 0:39:45 | |
# Shake it out, shake it out | 0:39:46 | 0:39:48 | |
# Shake it out, shake it out | 0:39:48 | 0:39:49 | |
# Wo-oh | 0:39:49 | 0:39:51 | |
# It's hard to dance with the devil on your back... # | 0:39:51 | 0:39:55 | |
Young Vibe, from Leicester. | 0:39:55 | 0:39:56 | |
-# You've got me begging you for mercy -Yeah, yeah, yeah | 0:39:56 | 0:40:00 | |
-# Why don't you release me? -Yeah, yeah, yeah... # | 0:40:00 | 0:40:04 | |
And finally, BuSKerS, from South Gloucestershire. | 0:40:04 | 0:40:07 | |
You will find him, you'll find him next to me | 0:40:07 | 0:40:13 | |
# Yeah. # | 0:40:13 | 0:40:15 | |
OK, so the last of our groups has now performed, | 0:40:22 | 0:40:25 | |
but remember, there are only five places left in the studio heats. | 0:40:25 | 0:40:29 | |
Let's join our expert judges to see | 0:40:29 | 0:40:31 | |
if they agreed on who should go through to the next round. | 0:40:31 | 0:40:35 | |
Definite yes's? | 0:40:36 | 0:40:39 | |
They were really strong, for me. | 0:40:39 | 0:40:41 | |
Oh, yeah, in every way. Visually too - fantastic. | 0:40:41 | 0:40:44 | |
-Wee - yay! -Oh, yes, that's entertainment. | 0:40:44 | 0:40:47 | |
If it was a miming competition, I'd say yes. | 0:40:47 | 0:40:49 | |
Ouch. | 0:40:49 | 0:40:50 | |
If we chose any one of them, | 0:40:50 | 0:40:53 | |
they would possibly be as good as any other that we didn't choose. | 0:40:53 | 0:40:59 | |
What does that mean?! | 0:40:59 | 0:41:00 | |
Yeah, these ones told a story and I liked their story. | 0:41:00 | 0:41:03 | |
I would say no to these guys, now having seen them again, second time. | 0:41:03 | 0:41:07 | |
Do you know what I see? | 0:41:07 | 0:41:08 | |
Here, I see a future potential band, but definitely not ready. | 0:41:08 | 0:41:13 | |
-Not ready. -Agreed. Not ready. -On the three... | 0:41:13 | 0:41:15 | |
One, two, three... | 0:41:15 | 0:41:16 | |
I lose. | 0:41:18 | 0:41:19 | |
-Really? -Wow! | 0:41:19 | 0:41:20 | |
-That's got to be a first. -Normally, you'd fight, because... | 0:41:20 | 0:41:23 | |
I'm done fighting! | 0:41:23 | 0:41:25 | |
So, all of out Glee Clubs have performed their hearts out, | 0:41:31 | 0:41:34 | |
but remember, only five of the eight groups from today's show can | 0:41:34 | 0:41:38 | |
go through to the studio heats. | 0:41:38 | 0:41:40 | |
So let's go back to the judges' audition studio, to find | 0:41:40 | 0:41:43 | |
out who's secured those last five places in the next round. | 0:41:43 | 0:41:46 | |
The first group going through to the studio heats is... | 0:41:49 | 0:41:55 | |
The Gleeks. | 0:41:55 | 0:41:57 | |
THEY CHEER | 0:41:57 | 0:41:59 | |
The second group going through to the studio heats is... | 0:41:59 | 0:42:03 | |
..Abstract. | 0:42:05 | 0:42:06 | |
THEY SCREAM | 0:42:06 | 0:42:09 | |
And the third group going though to the studio heats is... | 0:42:11 | 0:42:15 | |
..Tenacity. | 0:42:17 | 0:42:18 | |
THEY SCREAM | 0:42:18 | 0:42:21 | |
Unity 7, I'm afraid you're not going through, | 0:42:23 | 0:42:26 | |
but well done for getting this far. | 0:42:26 | 0:42:28 | |
The fourth group going through to the studio heat... | 0:42:33 | 0:42:38 | |
is... | 0:42:38 | 0:42:40 | |
A-list. | 0:42:40 | 0:42:42 | |
THEY SCREAM | 0:42:42 | 0:42:43 | |
And finally, the fifth group going through to the studio heats is... | 0:42:45 | 0:42:50 | |
..BuSKerS. | 0:42:54 | 0:42:56 | |
THEY CHEER | 0:42:56 | 0:42:59 | |
Young Vibe and Raw Mania, well done, you've been fantastic | 0:42:59 | 0:43:04 | |
and we really are sorry to lose you. | 0:43:04 | 0:43:06 | |
Now, unfortunately, although the judges put them through, | 0:43:08 | 0:43:11 | |
Tenacity were unable to continue in Glee Club, | 0:43:11 | 0:43:14 | |
so Carrie, David and John decide that Unity 7 should replace them | 0:43:14 | 0:43:19 | |
and go through to the studio heats. | 0:43:19 | 0:43:21 | |
# Shake it out, shake it out | 0:43:21 | 0:43:23 | |
# Shake it out, shake it out | 0:43:23 | 0:43:25 | |
# Woo-oh... # | 0:43:25 | 0:43:27 | |
So there you have it. | 0:43:27 | 0:43:28 | |
Despite some last-minute drama, we now have the final five | 0:43:28 | 0:43:31 | |
acts that will performing this very studio, in front of a live audience. | 0:43:31 | 0:43:36 | |
Thanks to Carrie, David, John and all our celebrity guests. | 0:43:36 | 0:43:40 | |
Tune in next time, when I'll be joined by Sam and Mark | 0:43:40 | 0:43:43 | |
for the first of our Sport Relief Does Glee Club studio heats. | 0:43:43 | 0:43:46 | |
It's so exciting! | 0:43:46 | 0:43:48 | |
Bye! | 0:43:48 | 0:43:50 | |
To see all of today's performances again, go to the CBBC website | 0:43:50 | 0:43:54 | |
and click on the links for today's acts. | 0:43:54 | 0:43:56 | |
Next time on Glee Club, it's getting serious - | 0:43:56 | 0:43:58 | |
it's the first of the studio heats. | 0:43:58 | 0:44:01 | |
Let the battle begin for a place in the semifinal. | 0:44:01 | 0:44:04 |