Episode 3 Sport Relief Does Glee Club


Episode 3

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Welcome to Glee Club.

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Last time, #BOOM, Hi' JinX, React, Musicality and Inferno

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wowed the judges to book their place in the studio heats.

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None of us could stop smiling and that tells me something.

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Today our last eight acts will perform.

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But who's got what it takes to get through to the next round?

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This is Sport Relief Does Glee Club 2014.

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Hello and welcome back to Sport Relief Does Glee Club, and the third

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and final judges' audition show.

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Last time we saw eight groups battle it

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out for a place in the studio heats, but only five made it through.

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Today the last eight groups will perform for the judges,

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all hoping they've got what it takes to become the winners of

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Sport Relief Does Glee Club 2014.

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The search for Britain's best young singing

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and dancing group took us all over the UK.

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Let's have a look back at some of the acts who came to visit us

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on the Sport Relief Does Glee Club tour.

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John and the team travelled the length

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and breadth of the country to find the best singing and

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dancing talent the UK has to offer.

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First stop, the Northeast of England and Newcastle.

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Hello. Hello.

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# Don't stop me now. #

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Next stop was Glasgow, where John was checking out the talent

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North of the border.

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# It's not about the money, money, money. #

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Then it was straight back down to Manchester with more groups

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giving it their all.

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John and the team then headed off to London

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to see what the Glee Clubs in the capital city could come up with.

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Let's go listen to some music.

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Next they were off to Bristol to check out

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the best of the West Country's glee clubs before heading to

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Cardiff to see what was on offer there.

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Bye-bye, Cardiff. Who's next?

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Then it was a quick trip across to Belfast to see what the

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Northern Irish glee clubs could come up with before heading down to

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Brighton to complete the talent search of the UK.

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The standard was high,

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but it was then up to John to select 24 successful Glee Clubs

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who were invited to perform again at the judges' auditions.

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We saw groups from across the country

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but the one thing they all had in common was that they wanted

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the chance to perform in front of our experts. Let's meet them.

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It's our judges.

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Carrie and David are two of the UK's best known celebrity vocal coaches.

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-That was fantastic.

-That was a world-class performance.

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They've worked with pop artists including Take That,

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The Saturdays, Marvin Humes and even Gwyneth Paltrow.

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Celebrity vocal and performance coach John has worked with

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a variety of stars including JLS, Leona Lewis,

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Olly Murs and Frankie Sandford.

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He's also worked behind the scenes on top shows like The voice

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and the X Factor.

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Helping Carrie, David and John decide who should go through

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to the heats were some very special expert guests.

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Let's meet them.

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Soul singer and presenter Dionne Bromfield has been

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nominated for a MOBO award, has recorded two albums,

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and also finds time to present CBBC's Friday Download.

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Is that another one you play on the Breakfast Show?

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I do play that on the radio as well.

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That's so in sync.

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West End star Kerry Ellis has had lead roles in Wicked,

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Les Miserables, We Will Rock You and Oliver

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and is also a successful recording artist.

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And finally, Strictly Come Dancing professional Erin Boag has

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put many celebrities through their paces, wowed audiences with

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her dance moves, and stars regularly in spectacular sell-out shows.

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So many groups applied for Sport Relief Does Glee Club

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that I lost count,

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but only the top 24 made it to the judges' auditions.

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There are only five places remaining in the studio heats

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so there is everything to sing for.

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Let's meet the first of today's acts.

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Whoo!

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-Right, next up we have The Gleeks.

-Love it.

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Yeah, saw them in London, they are very Glee Club.

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'I really like these kids. They are like Family Von Trapp.

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'They have chosen the right kind of song as well.'

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And I find that their performance level and energy just,

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it was so good, I kept watching them.

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So I hope you have the same feeling.

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I hear you are going to be singing Supercalifragilisticexpialidocious.

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-ALL: Yes.

-We spell it out as well.

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Now you've said it you are going to have to do it. Go for it.

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S-U-P-E-R-C-A-L-I-F-R-A-G-I-L-I-S-T- I-C-E-X-I-A-L-I-D-O-C-I-O-U-S.

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High five. Can you say it backwards?

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Um...

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# Supercalifragilisticexpialidocious

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# Even though the sound of it Is something quite atrocious

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# If you say it loud enough You'll always sound precocious

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# Supercalifragilisticexpialidocious

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# Um-dee-dee-dee-I Um-dee-dee-dee-I

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# Um-dee-dee-dee-I Um-dee-dee-dee-I

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# Because I was afraid to speak when I was just a lad

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# My father gave me nose a tweak And told me I was bad

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# But then one day I learned a word That saved me aching nose

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# The biggest word I ever heard And this is how it goes

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# Supercalifragilisticexpialidocious

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# Even though the sound of it is something quite atrocious

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# If you say it loud enough you'll always sound precocious

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# Supercalifragilisticexpialidocious

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# S-U-P-E-R-C-A-L-I-F-R-A-G-I-L-I-S

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# T-I-C-E-X-I-A-L-I-D-O-C-I-O-U-S

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# He travelled all around the world and every where he went

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# He'd use his word and all would say There goes a clever gent

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# When Dukes and Maharajas Pass the time of day with me

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# I say my special word

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# And then they ask me out for tea

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# Supercalifragilisticexpialidocious

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# Even though the sound of it is something quite atrocious

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# If you say it loud enough you'll always sound precocious

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# Supercalifragilistic expialidocious. #

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-Are you pleased?

-Yes.

-Air punch!

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One of the hardest things with musical theatre, glee club,

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is to not, one, do too much dancing,

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two, make sure the dancing doesn't get in the way of the singing.

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And I felt that you absolutely had that in perfect balance.

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I loved the choreography. It didn't impinge on the vocals.

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The vocals were still strong. You didn't sound out of breath.

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Absolutely great. Loved it.

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-ALL:

-Thank you.

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-Well done, guys.

-Who

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would have thought of beatboxing, spelling out the words,

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staggering the words?

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You doing a counter melody to it on the last chorus?

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It was just nuts. You made an old song sound really young. I loved it.

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ALL: Thank you.

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What was really nice, performance wise,

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you mixed the moves with the songs, so it was one performance.

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It was not, "This is the dance and this is the song." It was one show.

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I loved it. I thought you guys were great.

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ALL: Thank you.

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Now I have to ask you because you've barely said a word

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since you've arrived. You looked really nervous before you went in.

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-How was it?

-It was all right.

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-It felt natural.

-It did feel natural. They weren't overdoing it.

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It wasn't, "This is a show." It was very spontaneous, almost.

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It was great.

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And I think because of that you could see them adapting -

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-if they're given a pop song they would cope with it.

-Definitely.

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Anybody who's going to win is going to have to beat this quality.

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Because this was quality.

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# Supercalifragilistic expialidocious. #

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# Money, money, money... #

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OK, so the next group is A-List.

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I'm very excited about these guys.

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You might remember some of the members from a group last

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-year called Activ8.

-I remember them.

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Yes, and I really felt they should come back.

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They brought these new guys in

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'and I think it's mixed it up a little bit.'

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It's very good. You've definitely given me something to think about.

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I think we're more calm this year

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because we kind of know a bit more what we are expecting.

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We are all just here to enjoy it and not be nervous.

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Just being really excited because it's a big opportunity.

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We just want to take advantage of it.

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# We need to take it back in time When music made us all unite

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# And it wasn't lows and video shows

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# Am I the only one getting tired?

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# Why is everybody so obsessed? Money can't buy us happiness

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# Can we all slow down and enjoy right now?

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# Guarantee we'll be feeling all right

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# Everybody look to their left

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# Everybody look to their right

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# Can you feel that We're paying with love tonight?

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# It's not about the money, money, money

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# We don't need your money, money, money

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# We just want to make the world dance

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# Forget about the price tag

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# Ain't about the cha-ching cha-ching

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-# Ain't about the...

-Ba-bling ba-bling

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# Want to make the world dance Forget about the price tag

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# Everybody look to their left

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# Everybody look to their right

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# Can you feel that We're paying with love tonight?

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# It's not about the money, money, money

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# We don't need your money, money, money

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# We just want to make the world dance

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# Price tag

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# Money, money, money

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# Money, money, money

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# World dance Price tag

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# Yeah Ah-ah-ah-ah

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# Ah-ah-ah-ah

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# Ah-ah

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# Price tag

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# Ah-ah-ah-ah

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# Ah-ah-ah-ah

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# Ah-ah

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# Price tag. #

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What did you think?

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It was a good performance. It was a good performance.

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Looking at you, it's sort of like a cross between Grease...

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THEY LAUGH

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..with a bit of vogue movements in there.

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And I loved the choreography that you had.

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You just needed a bit more punch in your performance.

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But it's there as a package.

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You just need a bit more of what you are doing.

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Thank you.

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The thing with you guys that I absolutely love is I can

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close my eyes and I know it's you singing.

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You have a very distinct sound as a unit.

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Your ensemble, your solos are very good.

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You need to start believing in yourself.

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And you need to actually show that when you're performing.

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Thank you.

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Watching you, though, for me it just lacks snap. It lacks energy.

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And so somehow you've got to get those vocals attached

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to the visual presentation, but vocally really beautiful.

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-ALL:

-Thank you.

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-How do you feel after that?

-Really happy.

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We were quite pleased that they liked all our vocals and stuff

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because the harmonies and stuff, we all tried really hard.

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It was good. All the judges kind of agreed on what we need to work on.

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Maybe they need to perform more

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in front of people which might give them the confidence,

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rather than just perform in a studio.

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And that's quite different when you're performing to a wall,

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compared to performing to an audience In front of you.

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# Price tag. #

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So both The Gleeks and A-List were complimented on their unique

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sounds, but will this help them stand out at decision time?

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Coming up, another two groups are hoping to impress the judges

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with their singing and dancing skills.

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I believed every word you sung. You did it with a lot of passion.

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Your eyes tend to wander.

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Then I get a bit nervous that something is going to go wrong.

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If you work on it you will be doing something

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that no other glee club is doing.

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# Roar. #

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The next group is Raw Mania. I saw these girls in London.

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They are quite girl band-ish.

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I like the look of you guys.

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They could be really brilliant with a little bit of time,

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a little bit of polishing.

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-Tell me your glee club name.

-ALL:

-Raw Mania.

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-Raw Mania, why have you chosen that?

-We felt it's like individual.

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No-one else has it so it's our own special name.

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It's two kinds of "raws".

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It's like a "raw" in the way of "unique"

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and then it's "roar" like a lion. Like we're feisty.

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We're also singing Raw, Katy Perry, so...

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Ah! It all ties in.

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# Used to bite my tongue and hold my breath

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# Scared to rock the boat and make a mess

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# So I sat quietly, agreed politely

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# I guess that I forgot I had a choice

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# I let you push me past the breaking point

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# I stood for nothing

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# So I fell for everything

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# You held me down, but I got up

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# Hey! Already brushing off the dust

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# You hear my voice

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# You hear that sound

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# Like thunder going to shake the ground

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# You held me down, but I got up

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# Hey! Get ready cos I've had enough

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# I see it all, I see it now

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# I got the eye of the tiger

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# A fighter dancing through the fire

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# Cos I am a champion And you're going to hear me roar

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# Louder, louder than a lion cos I am a champion

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# And you're going to hear me roar

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# Oh-oh-oh-oh-oh-oh

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# Oh-oh-oh-oh-oh-oh

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# Oh-oh-oh-oh-oh-oh

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# You're gonna hear me roar. #

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Yay!

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-Did they do you proud?

-They did me very proud.

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I'm very proud of them all.

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I really like you, I thought you had attitude,

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there was a Girl Power vibe.

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You all look really good.

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Really tight as a group,

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and I could see you and go "I know how to package you girls."

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You've all got wicked voices.

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But, in the chorus,

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I would have liked to see you doing it without harmonies.

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I thought it would have been nicer

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if you were just singing that one melody instead of harmonising.

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But other than that, I thought you were really good.

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-ALL:

-Thank you.

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What I really love is that you really tell the story...

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That song, I believed every word you sung, you did it with passion.

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You put heart and soul into it. And it showed.

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When you just stood together at the end there, and you had that great

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"Yeah! This is us!", your vocals were bang on,

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your faces were there, the power, the attitude,

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the passion, was all there.

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That is your strength. Play to your strength.

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Thank you.

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How was it when you were standing up there, how did it feel?

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It felt... It felt really good.

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Being on stage and performing our songs.

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-Especially as we are like, together.

-Yeah.

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We have been together for five months now,

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so it's been a really good experience.

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Are they ready for the ferocity of the competition?

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There are some people who will be going to the next round who

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are incredibly strong.

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Are they ready to take the step up which they'll have to take?

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# You're going to hear me roar. #

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The next group is Abstract. I saw these girls in London, very unique.

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Different... That 1950s Chordettes sound. Mr Sandman.

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I really like them and I'll be surprised if you don't.

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I'm grateful that you came prepared,

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it sounds like you have worked hard.

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Love your style, it's very French. It's lovely, who chose that?

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THEY TALK OVER EACH OTHER

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It just feels right with the song as well. I don't know why?

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# At first I was afraid I was petrified

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# Kept thinking I could never live without you by my side

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# But then I spent so many nights

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# Thinking how you did me wrong

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# And I grew strong

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# And I learned how to get along

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# And so you're back

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# From outer space

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# I just walked in to find you here with that sad look upon your face

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# I should have changed that stupid lock

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# I should have made you leave your key

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# If I had known for just one second you'd back to bother me

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# Go on now, go walk out the door

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# Just turn around now

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# Cos you're not welcome any more

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# Weren't you the one who tried to hurt me with goodbye

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# Do you think I'd crumble?

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# Did you think I'd lay down and die?

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# Oh, no, not I. I will survive

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# Oh, as long as I know how to love

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# I know I'll stay alive

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# I've got all my life to live

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# I've got all my love to give, I will survive

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# I will survive

0:18:500:18:52

# Hey hey. #

0:18:520:18:54

APPLAUSE

0:18:540:18:57

-Well done.

-Yeah!

0:18:570:19:00

Can I ask one question?

0:19:000:19:01

If you were going to do a Little Mix song, say you're given one,

0:19:010:19:06

how would you adapt that?

0:19:060:19:09

Would you decide to do it their style, or would you stick with this?

0:19:090:19:12

I think we would probably still try and keep it this style, because

0:19:120:19:15

this style is quite different and makes us different to other groups.

0:19:150:19:19

I'm really glad you have just said that.

0:19:190:19:21

Because then it's like, "OK, they are no longer the '50s thing".

0:19:210:19:24

I think that is such a unique selling point,

0:19:250:19:29

if that was your style across every song you tried to sing...

0:19:290:19:33

You fascinate and interest me.

0:19:330:19:36

We'll keep to that style, then.

0:19:360:19:37

If you work on it,

0:19:380:19:40

you'll be doing something that no other Glee club is doing.

0:19:400:19:44

-This makes you unique, this makes you stand out.

-ALL:

-Thank you.

0:19:440:19:47

I think you had a few timing issues.

0:19:490:19:51

Your dancing choreography.

0:19:510:19:54

What gave it away...

0:19:540:19:56

Obviously you could see it, but your eyes tend to wander.

0:19:560:19:59

Then I get a bit nervous that something's going to go wrong.

0:19:590:20:02

Just be careful of that.

0:20:020:20:04

Be confident of what you are doing.

0:20:040:20:07

I think you'll be fine.

0:20:070:20:10

-ALL:

-Thank you.

0:20:100:20:12

Have you got anything you want to say to the group?

0:20:120:20:14

I'm do proud of you guys, you did so well,

0:20:140:20:16

we worked so hard on this style, and you all came together.

0:20:160:20:19

I'm so proud!

0:20:190:20:21

It's a really unusual choice.

0:20:230:20:26

It's not just unusual, I think the way they started,

0:20:260:20:29

if they can get confidence...

0:20:290:20:32

the level of confidence...into the whole performance that they

0:20:320:20:35

had in the beginning.

0:20:350:20:37

They will be outstanding.

0:20:370:20:39

# Hey hey. #

0:20:390:20:41

Four of today's acts have now performed for the judges.

0:20:480:20:51

And with four groups still to take to the stage,

0:20:510:20:53

let's take a moment to remind ourselves why we're all here.

0:20:530:20:56

Sport Relief raises money to change people's

0:20:570:21:00

lives in some of the world's poorest communities,

0:21:000:21:03

as well as right here in the UK.

0:21:030:21:05

In fact, there are over 2,000 UK projects benefiting from money

0:21:060:21:10

raised by the charity.

0:21:100:21:11

So, wherever you are watching from, you are probably not very far

0:21:110:21:15

away from a project supported by Sport Relief.

0:21:150:21:17

Your donations really can make a difference to the

0:21:180:21:21

lives of vulnerable people at home and abroad.

0:21:210:21:25

If you'd like to get involved in this year's Sport Relief Games,

0:21:250:21:29

from the 21st-23rd March, grab a grown-up, and visit the CBBC website.

0:21:290:21:33

Thank you.

0:21:390:21:41

INDISTINCT SINGING

0:21:500:21:54

Right, next up we have Tenacity, you'll remember these

0:21:540:21:57

guys from last series as New Creation, a five-piece girl band.

0:21:570:22:00

What they've done this time is...three are the same,

0:22:010:22:04

they've brought in another girl, and they've brought in a boy.

0:22:040:22:07

# I don't want to lose you now... #

0:22:070:22:11

I like them very much.

0:22:110:22:12

So, be careful what you say.

0:22:120:22:15

He's threatening us, now.

0:22:150:22:16

How come you've enrolled new people?

0:22:160:22:19

Well, we thought, last year,

0:22:190:22:21

and the year before, we just wanted a new sound.

0:22:210:22:25

Especially with Adam. Adam's got a great voice.

0:22:250:22:27

-Has he?

-Yeah, amazing.

-No pressure.

0:22:270:22:29

It's a nice new sound, it's fresh.

0:22:310:22:33

# Aren't you somethin' to admire?

0:22:400:22:43

# Cos your shine is somethin' like a mirror

0:22:430:22:46

# And I can't help but notice

0:22:460:22:48

# You reflect in this heart of mine

0:22:480:22:50

# If you ever feel alone and

0:22:530:22:55

# The glare makes me hard to find

0:22:550:22:58

# Just know that I'm always

0:22:580:23:00

# Parallel on the other side

0:23:000:23:03

# Cos with your hand in my hand and a pocket full of soul

0:23:030:23:06

# I can tell you there's no place we couldn't go

0:23:060:23:09

# Just put your hand on the glass

0:23:090:23:11

# I'll be tryin' to pull you through

0:23:110:23:13

# You just gotta be strong

0:23:130:23:15

# Cos I don't wanna lose you now

0:23:150:23:18

# I'm lookin' right at the other half of me

0:23:180:23:21

# The vacancy that sat in my heart

0:23:210:23:23

# Is a space that now you hold

0:23:230:23:26

# Show me how to fight for now

0:23:260:23:29

# And I'll tell you, baby, it was easy

0:23:290:23:32

# Comin' back here to you once I figured it out

0:23:320:23:35

# You were right here all along

0:23:350:23:40

# It's like you're my mirror

0:23:400:23:43

# My mirror staring back at me

0:23:430:23:45

# I couldn't get any bigger

0:23:450:23:48

# With anyone else beside of me

0:23:480:23:51

# And now it's clear as this promise

0:23:510:23:53

# That we're making two reflections into one

0:23:530:23:56

# Yeah!

0:23:560:23:57

# Cos it's like you're my mirror

0:23:570:24:00

# My mirror staring back at me, staring back at me

0:24:000:24:03

# Staring back at me

0:24:030:24:05

# It's like you're my mirror

0:24:050:24:06

# My mirror staring back at me

0:24:060:24:08

# Staring back at me. #

0:24:080:24:10

-APPLAUSE There we go. Nice.

-You like?

-Yes, yeah.

0:24:100:24:13

They do OK, that was good.

0:24:130:24:14

-That's great. He's got a great voice.

-He has.

0:24:140:24:17

He's a good lad.

0:24:170:24:19

Excellent, I'm really impressed.

0:24:190:24:22

Particularly with all of your soloists.

0:24:220:24:25

They are so strong.

0:24:250:24:27

That's four out of five of you...all your individual

0:24:270:24:30

stuff was great. You two girls on the end, so much vocal identity,

0:24:300:24:34

I would know your voices immediately if I heard them again.

0:24:340:24:37

As a group, you need to work on your choreography,

0:24:370:24:41

look at what you're doing physically, and let it m match

0:24:410:24:44

the strength of the vocals, cos the vocals are really strong.

0:24:440:24:48

-ALL:

-Thank you.

0:24:480:24:50

Every now and again, every time you had to do a new move,

0:24:500:24:52

I could see a bit of concern about,

0:24:520:24:55

"Where exactly are we going?"

0:24:550:24:57

Your focus came off just pure performance.

0:24:570:25:01

Which I think may be to do with actually spending more time

0:25:010:25:04

on the choreography cos, vocally, I loved what you did.

0:25:040:25:07

Yeah, I agree with these guys completely on all points

0:25:070:25:11

in terms of the energy and the performance.

0:25:110:25:13

Just believing in yourself. But I have to give you credit.

0:25:130:25:16

You three girls from last series, you've stepped up.

0:25:160:25:19

And it's really, really good.

0:25:190:25:22

And the two new additions, very good additions to the group.

0:25:220:25:25

Well done, my friends.

0:25:250:25:27

See, you're the only boy, but you're definitely, definitely strong,

0:25:270:25:30

strong, strong. I'm very glad I brought you guys back.

0:25:300:25:33

-I'm really happy with that.

-You were glad they noted a change?

0:25:340:25:37

-Definitely. That's what we were aiming for and we got it.

-Yeah!

0:25:370:25:42

The girl with the red hair, when she sung, straightaway,

0:25:420:25:45

I was, like, OK, out of everyone,

0:25:450:25:47

-I look at you because you're the one with life.

-Exactly.

-Confident.

0:25:470:25:51

They've got so much potential. It's the sound.

0:25:510:25:54

Just closing your eyes, when you really hear them together,

0:25:540:25:57

they do have that real, incredible recorded sound.

0:25:570:26:01

# My mirror's staring back at me

0:26:020:26:04

# Staring back at me. #

0:26:040:26:05

-OK, so, next up we have...

-Unity 7!

0:26:160:26:20

And you might actually recognise some of the members

0:26:200:26:22

from Allsorts last series.

0:26:220:26:24

But they have come back and they've said they are new and improved.

0:26:240:26:28

And I actually really did like their sound. They're very Glee-esque.

0:26:280:26:32

-Have you been rehearsing a lot?

-Yes.

-Yes.

-A lot!

0:26:320:26:36

In the hotel room this morning.

0:26:360:26:38

-Every minute you have, you're rehearsing?

-Yeah!

0:26:390:26:43

# I've been a fool and I've been blind

0:26:440:26:48

# I can never leave the past behind

0:26:480:26:53

# I can see no way, I can see no way

0:26:530:26:57

# I'm always dragging that horse around

0:26:570:27:02

# Tonight I'm gonna bury that horse in the ground

0:27:020:27:06

# But I like to keep my issues drawn

0:27:060:27:11

# It's always darkest before the dawn

0:27:110:27:15

# Shake it out, shake it out, shake it out, shake it out

0:27:150:27:18

# Ooh, whoa

0:27:180:27:20

# Shake it out, shake it out, shake it out, shake it out

0:27:200:27:22

# Ooh, whoa

0:27:220:27:24

# And it's hard to dance with a devil on your back

0:27:240:27:27

# So shake him off, oh, whoa

0:27:270:27:32

# And I'm doomed if I do and I'm doomed if I don't

0:27:330:27:36

# It's a shot in the dark aimed right at my throat

0:27:360:27:41

# Cos looking for heaven found the devil in me

0:27:410:27:45

# Cos looking for heaven found the devil in me

0:27:450:27:49

# Well, whatever, I'm gonna let it

0:27:500:27:54

# Happen

0:27:540:27:56

# To me, yeah... #

0:27:560:27:59

There you go.

0:27:590:28:01

# And it's hard to dance with a devil on your back

0:28:030:28:07

# So shake him off

0:28:070:28:09

# Oh, whoa. #

0:28:090:28:12

-Well done.

-Good job, guys. What's not to like?

-They are so good.

0:28:140:28:20

Do you know what I loved about you guys as a group is that the song

0:28:200:28:24

that you picked and the choreography that you did told a story.

0:28:240:28:27

And it made me feel what you were doing, which was lovely.

0:28:270:28:31

But what I felt also was that you lacked a slight bit of confidence.

0:28:310:28:35

Just a little bit. And...

0:28:360:28:39

But I think you guys are great, and you've made it this far.

0:28:390:28:42

You've got to believe in yourselves.

0:28:420:28:44

Because then your confidence will shine through.

0:28:440:28:47

-ALL:

-Thank you.

-But well done.

0:28:470:28:49

I feel like I've just watched an anti-bullying play.

0:28:490:28:52

And that, for me, is absolutely fantastic.

0:28:520:28:55

I felt you really conveyed that.

0:28:550:28:57

I felt you used the nerves to actually tell the story.

0:28:570:29:01

And, for me, I was really entertained and informed.

0:29:010:29:05

I think that you probably need to practise the vocals more.

0:29:050:29:08

And, more than anything, be really confident.

0:29:080:29:11

It's hard to say, "Be confident," but you should be.

0:29:110:29:14

You should be believing in yourselves ten times more than you do.

0:29:140:29:17

You're much better than you realise you are. So, well done. Well done.

0:29:170:29:22

-ALL: Thank you.

-Thank you, guys.

0:29:220:29:24

The main thing was they were saying you need to be more confident.

0:29:250:29:28

They were saying you got it, you just need to believe in yourselves.

0:29:280:29:31

-Do you think that's fair?

-ALL: Yeah, definitely.

0:29:310:29:34

Have you got anything you'd like to say about that?

0:29:340:29:37

It was fun.

0:29:370:29:38

You just had a good time!

0:29:380:29:40

I love the scope of their ambition.

0:29:400:29:43

And I think, for the most part, they pulled it off.

0:29:440:29:47

-In terms of glee clubs, they are very glee club.

-They are.

0:29:470:29:51

I mean, they are enjoyable. They do have energy, they do have dynamic.

0:29:510:29:56

They can build, they can grow.

0:29:570:29:59

# Oh, whoa. #

0:29:590:30:03

With Tenacity and Unity 7 both needing to work on their confidence,

0:30:090:30:13

neither is guaranteed a place in the studio heats.

0:30:130:30:16

Next, the final two groups take to the stage.

0:30:160:30:19

Will Young Vibe and BuSKerS do enough to impress the judges?

0:30:190:30:23

I want you to think about making it slightly less shouty.

0:30:240:30:28

Your voice is gorgeous.

0:30:280:30:30

When you came out, actually, I didn't expect you to be that good.

0:30:300:30:33

Right, next up, we have Young Vibe, and they're from Manchester.

0:30:400:30:44

And they are exactly that - young and vibey.

0:30:440:30:47

They basically have a great age demographic as well.

0:30:470:30:50

Kind of like older sister, younger sister kind of thing going.

0:30:500:30:53

Outfits are great, sound is great, loads of energy.

0:30:530:30:56

I think they were worth bringing back.

0:30:560:30:59

-Dizzy Vibe.

-Musical Vibe.

0:30:590:31:01

-Sporty Vibe.

-Baby Vibe.

-Cute Vibe.

-Smiley Vibe.

0:31:010:31:04

-Sparkly Vibe.

-Flexy Vibe.

0:31:040:31:06

-Flexy? Does that mean you're very flexible?

-Yeah!

0:31:060:31:08

Can you show us a bit of your flexibility? Here she goes.

0:31:080:31:11

Oh, my goodness.

0:31:110:31:12

SHE GASPS

0:31:120:31:14

So flexible.

0:31:140:31:15

THEY LAUGH

0:31:150:31:16

# I love you

0:31:230:31:25

# Doop-doop

0:31:250:31:26

# But I gotta stay true

0:31:260:31:28

# Doop-doop

0:31:280:31:30

# My morals got me on my knees

0:31:300:31:32

# I'm beggin' please

0:31:320:31:33

# Stop playin' games

0:31:330:31:36

# Doop-doop

0:31:360:31:37

# I don't know what this is

0:31:370:31:39

# But you got me good

0:31:390:31:41

# Just like I knew you would

0:31:410:31:43

# Like I knew you would

0:31:430:31:44

# I don't know what you do

0:31:440:31:47

# But you do it well

0:31:470:31:48

# I'm under your spell

0:31:480:31:51

# Under your spell

0:31:510:31:52

# You got me beggin' you for mercy

0:31:520:31:54

# Yeah, yeah, yeah

0:31:540:31:56

# Why won't you release me

0:31:560:31:58

# Yeah, yeah, yeah

0:31:580:31:59

# You got me beggin' you for mercy

0:31:590:32:02

# Yeah, yeah, yeah

0:32:020:32:03

# Why won't you release me

0:32:030:32:05

# Yeah, yeah, yeah

0:32:050:32:07

# I said...

0:32:070:32:08

# Release me, yeah

0:32:080:32:15

# I'm beggin' you for mercy

0:32:150:32:18

# Why won't you release me

0:32:180:32:22

# I'm beggin' you for mercy

0:32:230:32:25

# Cos you got me beggin', you got me beggin', you got me beggin'. #

0:32:270:32:32

-What do you think?

-Good, really good, because they've worked so hard.

0:32:370:32:41

You've got very strong voices. Very strong.

0:32:410:32:44

When you're together, it sounds wicked.

0:32:440:32:46

But, yeah, I thought it was really good. I liked how you split up,

0:32:460:32:48

and you were kind of saying it to each other,

0:32:480:32:50

it made interesting to watch, it wasn't boring at all.

0:32:500:32:53

You were all smiles. So, yeah, I can't really fault it.

0:32:530:32:56

ALL: Thank you so much.

0:32:560:32:57

Every look was met by another look, every gesture

0:32:570:33:00

and expression was met by the appropriate expression

0:33:000:33:03

from another person, so you really looked like you were together.

0:33:030:33:06

I liked the unity of your vocals as well.

0:33:060:33:10

ALL: Thank you.

0:33:100:33:11

I love your attitude. You actually scare me slightly.

0:33:110:33:15

THEY LAUGH

0:33:150:33:17

Fab, fab, fab!

0:33:170:33:18

Vocally, I'm just going to talk about your vocals a little bit,

0:33:180:33:21

I want you to think about making it slightly less shouty, in places.

0:33:210:33:27

I mean, the blend is good, and it's uniform,

0:33:270:33:30

and that's a good thing, but it is a little shouty in places.

0:33:300:33:33

I'd like you to think about beautifying it

0:33:330:33:35

or smoothing it out just slightly for me.

0:33:350:33:37

ALL: OK. Thank you.

0:33:370:33:38

Thank you, well done.

0:33:380:33:40

OK, so, what are you going to go away and work on?

0:33:410:33:44

We're going to work on all of what they said,

0:33:440:33:46

but mostly the harmonies and smoothing them out.

0:33:460:33:49

Would you like to put harmonies into it?

0:33:490:33:51

-ALL: Yeah!

-And you can sing harmonies?

0:33:510:33:53

ALL: Yeah!

0:33:530:33:54

These guys don't have the vocals, really, right now.

0:33:540:34:00

They could have, but the energy's amazing.

0:34:000:34:02

You kind of want both but, I suppose... You know...

0:34:020:34:05

I love the energy, I loved the performance.

0:34:050:34:07

I think the vocals could be there. They could be there.

0:34:070:34:10

# You got me begging! #

0:34:100:34:12

We are BuSKerS!

0:34:210:34:23

Right, next up, we have BuSKerS. And I saw these guys in Bristol.

0:34:270:34:31

Funnily enough, their name is very appropriate.

0:34:310:34:34

So, you have a backing track?

0:34:340:34:37

-No.

-You're singing a cappella?

0:34:370:34:40

Amazing! I think you're one of our first.

0:34:400:34:43

What can we expect from your performance?

0:34:430:34:45

Good things, I hope.

0:34:450:34:46

THEY LAUGH

0:34:460:34:48

Any solos?

0:34:480:34:49

-Yes.

-Who's doing the solos?

0:34:490:34:52

-You've got one.

-I'm doing one.

0:34:520:34:55

-Oh, there's a few of you.

-Brian's doing one.

0:34:550:34:57

So you're all confident about doing those bits?

0:34:570:34:59

-Yeah.

-Yeah.

-Yeah?

0:34:590:35:01

Are you sure?

0:35:010:35:03

# Ooh-ooh-ooh

0:35:050:35:09

# Ooh-ooh-ooh

0:35:090:35:12

# You won't find him drinking at the table

0:35:130:35:18

# Rolling dice or staying out till three

0:35:180:35:23

# You won't ever find him being unfaithful

0:35:230:35:27

# You will find him, you'll find him next to me

0:35:270:35:31

# Next to me ooh-hoo-hoo

0:35:310:35:34

# Next to me ooh-hoo-hoo

0:35:340:35:39

# Next to me ooh-hoo-hoo

0:35:390:35:44

# You will find him, you'll find him next to me

0:35:440:35:48

# When the money's spent and all my friends have vanished

0:35:480:35:53

# And I can't seem to find no help or love for free

0:35:530:35:55

# I know there's no need for me to panic

0:35:570:35:59

# You will find him, you'll find him next to me

0:36:010:36:05

# Next to me ooh-hoo-hoo-hoo

0:36:050:36:09

# Next to me ooh-hoo-hoo

0:36:090:36:13

# Next to me ooh-hoo-hoo

0:36:130:36:17

# You will find him, you'll find him next to me

0:36:170:36:24

# Yeah. #

0:36:240:36:25

-That was brave doing that with no accompaniment.

-Yeah.

0:36:280:36:31

Wow!

0:36:310:36:32

A cappella - that is so brave.

0:36:320:36:35

Your male soloist - what a beautiful voice - pitch perfect.

0:36:350:36:39

And also, you, young lady on the end,

0:36:390:36:42

you have one of the best blend voices I've heard in a number of years.

0:36:420:36:45

We're saying, "Who is that?" Fantastic.

0:36:450:36:48

Absolutely brilliant blend voice.

0:36:480:36:51

My question really for you guys, is, why do you look so terrified?

0:36:510:36:56

If I sounded that good, I would be so pleased with myself.

0:36:560:37:00

You don't need to look that scared, you sound amazing.

0:37:000:37:04

-What's your name, young man?

-Rashid.

0:37:040:37:07

Your voice is gorgeous.

0:37:070:37:08

The bottom end of that voice is great.

0:37:080:37:10

What I'd love you to do when you perform is look up.

0:37:100:37:14

Look up, because the floor's not that attractive here.

0:37:140:37:17

Look up, because what you're sounding like is great.

0:37:190:37:23

Thank you.

0:37:230:37:24

When you came out, actually, I didn't expect you to be that good.

0:37:240:37:27

And that's me judging a book by its cover, but like these guys said,

0:37:270:37:30

I really wanted you guys to get into it a bit more.

0:37:300:37:33

Those smiles - you should have been doing that in the performance.

0:37:330:37:36

-Yeah.

-That's what we need. That's the smiles we wanted to see.

0:37:360:37:38

-ALL:

-Thank you.

0:37:380:37:41

LAUGHTER

0:37:420:37:44

CRIES OF DISBELIEF

0:37:440:37:46

# You won't find him at the table... #

0:37:480:37:51

Did you hear the things that they said?!

0:37:510:37:53

LAUGHTER

0:37:530:37:54

Now, where's that personality?

0:37:540:37:56

-Who is that guy?!

-That was Rashid.

0:37:560:37:59

Cos he wasn't... That was Rashid!

0:37:590:38:02

Go on, what did you say?

0:38:020:38:03

They were just so nice. Like, they were...

0:38:030:38:06

It's true, Rashid, you just have to believe in yourself.

0:38:060:38:09

But to have those kind of comments from them, that is just incredible.

0:38:090:38:12

It means a lot to you...

0:38:120:38:15

I'm still kind star-struck!

0:38:150:38:17

For me, the confidence thing is the difference between them

0:38:170:38:21

being lovely to listen to and good to look at.

0:38:210:38:26

And they've got match that.

0:38:260:38:29

-When you are on stage, you are performing.

-Yeah.

0:38:290:38:33

And even if performing means, I'm not confident,

0:38:330:38:35

but I got to act like I am, then act.

0:38:350:38:38

You've got to perform.

0:38:380:38:39

If they can bring a little bit of that performance to the vocal

0:38:390:38:43

sound, they could be excellent.

0:38:430:38:46

# You will find him, you'll find him next to me

0:38:460:38:51

# Yeah. #

0:38:510:38:53

Here's a quick reminder of the Glee Clubs that performed today.

0:38:580:39:02

The Gleeks, from Essex.

0:39:020:39:04

# Cos I was afraid to speak when I was just a lad

0:39:040:39:06

# Me father gave me nose a tweak and told me I was bad... #

0:39:060:39:10

A-list, from Coatbridge.

0:39:100:39:13

# We just want to make the world dance

0:39:130:39:15

# Price tag... #

0:39:150:39:18

Raw Mania, from London.

0:39:180:39:20

# You held me down, but I got up

0:39:200:39:23

# Hey

0:39:230:39:24

# Get ready cos I've had enough...#

0:39:240:39:26

Abstract, from Brighton.

0:39:260:39:28

# And so you're back, from outer space

0:39:280:39:32

# I just walked to find you here with that sad look upon your face...#

0:39:320:39:36

Tenacity, from Preston.

0:39:360:39:38

# I don't want to lose you now

0:39:380:39:40

# I'm looking right at the other half of me... #

0:39:400:39:43

Unity 7, from Milton Keynes.

0:39:430:39:45

# Shake it out, shake it out

0:39:460:39:48

# Shake it out, shake it out

0:39:480:39:49

# Wo-oh

0:39:490:39:51

# It's hard to dance with the devil on your back... #

0:39:510:39:55

Young Vibe, from Leicester.

0:39:550:39:56

-# You've got me begging you for mercy

-Yeah, yeah, yeah

0:39:560:40:00

-# Why don't you release me?

-Yeah, yeah, yeah... #

0:40:000:40:04

And finally, BuSKerS, from South Gloucestershire.

0:40:040:40:07

You will find him, you'll find him next to me

0:40:070:40:13

# Yeah. #

0:40:130:40:15

OK, so the last of our groups has now performed,

0:40:220:40:25

but remember, there are only five places left in the studio heats.

0:40:250:40:29

Let's join our expert judges to see

0:40:290:40:31

if they agreed on who should go through to the next round.

0:40:310:40:35

Definite yes's?

0:40:360:40:39

They were really strong, for me.

0:40:390:40:41

Oh, yeah, in every way. Visually too - fantastic.

0:40:410:40:44

-Wee - yay!

-Oh, yes, that's entertainment.

0:40:440:40:47

If it was a miming competition, I'd say yes.

0:40:470:40:49

Ouch.

0:40:490:40:50

If we chose any one of them,

0:40:500:40:53

they would possibly be as good as any other that we didn't choose.

0:40:530:40:59

What does that mean?!

0:40:590:41:00

Yeah, these ones told a story and I liked their story.

0:41:000:41:03

I would say no to these guys, now having seen them again, second time.

0:41:030:41:07

Do you know what I see?

0:41:070:41:08

Here, I see a future potential band, but definitely not ready.

0:41:080:41:13

-Not ready.

-Agreed. Not ready.

-On the three...

0:41:130:41:15

One, two, three...

0:41:150:41:16

I lose.

0:41:180:41:19

-Really?

-Wow!

0:41:190:41:20

-That's got to be a first.

-Normally, you'd fight, because...

0:41:200:41:23

I'm done fighting!

0:41:230:41:25

So, all of out Glee Clubs have performed their hearts out,

0:41:310:41:34

but remember, only five of the eight groups from today's show can

0:41:340:41:38

go through to the studio heats.

0:41:380:41:40

So let's go back to the judges' audition studio, to find

0:41:400:41:43

out who's secured those last five places in the next round.

0:41:430:41:46

The first group going through to the studio heats is...

0:41:490:41:55

The Gleeks.

0:41:550:41:57

THEY CHEER

0:41:570:41:59

The second group going through to the studio heats is...

0:41:590:42:03

..Abstract.

0:42:050:42:06

THEY SCREAM

0:42:060:42:09

And the third group going though to the studio heats is...

0:42:110:42:15

..Tenacity.

0:42:170:42:18

THEY SCREAM

0:42:180:42:21

Unity 7, I'm afraid you're not going through,

0:42:230:42:26

but well done for getting this far.

0:42:260:42:28

The fourth group going through to the studio heat...

0:42:330:42:38

is...

0:42:380:42:40

A-list.

0:42:400:42:42

THEY SCREAM

0:42:420:42:43

And finally, the fifth group going through to the studio heats is...

0:42:450:42:50

..BuSKerS.

0:42:540:42:56

THEY CHEER

0:42:560:42:59

Young Vibe and Raw Mania, well done, you've been fantastic

0:42:590:43:04

and we really are sorry to lose you.

0:43:040:43:06

Now, unfortunately, although the judges put them through,

0:43:080:43:11

Tenacity were unable to continue in Glee Club,

0:43:110:43:14

so Carrie, David and John decide that Unity 7 should replace them

0:43:140:43:19

and go through to the studio heats.

0:43:190:43:21

# Shake it out, shake it out

0:43:210:43:23

# Shake it out, shake it out

0:43:230:43:25

# Woo-oh... #

0:43:250:43:27

So there you have it.

0:43:270:43:28

Despite some last-minute drama, we now have the final five

0:43:280:43:31

acts that will performing this very studio, in front of a live audience.

0:43:310:43:36

Thanks to Carrie, David, John and all our celebrity guests.

0:43:360:43:40

Tune in next time, when I'll be joined by Sam and Mark

0:43:400:43:43

for the first of our Sport Relief Does Glee Club studio heats.

0:43:430:43:46

It's so exciting!

0:43:460:43:48

Bye!

0:43:480:43:50

To see all of today's performances again, go to the CBBC website

0:43:500:43:54

and click on the links for today's acts.

0:43:540:43:56

Next time on Glee Club, it's getting serious -

0:43:560:43:58

it's the first of the studio heats.

0:43:580:44:01

Let the battle begin for a place in the semifinal.

0:44:010:44:04

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