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This is Taking The Next Step, | 0:00:02 | 0:00:03 | |
the show where talented young dancers | 0:00:03 | 0:00:05 | |
compete for an amazing prize - | 0:00:05 | 0:00:07 | |
to guest role on the hit TV dance show The Next Step. | 0:00:07 | 0:00:10 | |
1,300 dancers applied to take part... | 0:00:12 | 0:00:15 | |
I'm going to do my audition for Taking The Next Step. | 0:00:15 | 0:00:18 | |
..and we've travelled the length and breadth of Britain | 0:00:22 | 0:00:26 | |
on a quest to find the best. | 0:00:26 | 0:00:28 | |
Today, we're in Cardiff. | 0:00:28 | 0:00:29 | |
Glasgow. London. Manchester, are you ready? | 0:00:29 | 0:00:32 | |
-ALL: -Yeah! | 0:00:32 | 0:00:34 | |
-Nervous. -I've been practising and practising like crazy. | 0:00:34 | 0:00:38 | |
-If I was in The Next Step... -It would be a dream come true. | 0:00:38 | 0:00:40 | |
Show us what you got. | 0:00:40 | 0:00:42 | |
From ballet to bhangra, performers from every discipline | 0:00:42 | 0:00:45 | |
turned out in a bid to impress our three judges. | 0:00:45 | 0:00:48 | |
We're making dreams come true in here. | 0:00:48 | 0:00:51 | |
They are... | 0:00:53 | 0:00:54 | |
professional dancer and former Pussycat Doll Kimberly Wyatt, | 0:00:54 | 0:00:58 | |
star of stage and screen John Partridge, | 0:00:58 | 0:01:02 | |
and director and choreographer Simeon Qsyea. | 0:01:02 | 0:01:06 | |
But which dancer will join these guys and the rest of the cast? | 0:01:08 | 0:01:12 | |
It's Taking The Next Step. | 0:01:12 | 0:01:14 | |
The hunt is on for one dancer who will join the cast of The Next Step. | 0:01:27 | 0:01:32 | |
Been practising for months. Just hope it goes well. | 0:01:32 | 0:01:35 | |
It's the opportunity of a lifetime, | 0:01:35 | 0:01:37 | |
but our judges all need to be convinced. | 0:01:37 | 0:01:40 | |
Only three yeses will guarantee a place in the next round. | 0:01:42 | 0:01:46 | |
I got a ticket to nationals! Whoo! | 0:01:46 | 0:01:49 | |
Lindsey, the judges have been looking for this everywhere. | 0:01:49 | 0:01:52 | |
You did not get three yeses. | 0:01:52 | 0:01:53 | |
OK. | 0:01:55 | 0:01:56 | |
First to audition, it's 14-year-old street dancer Joe. | 0:01:58 | 0:02:03 | |
Dancing is just such a huge part of my life. | 0:02:03 | 0:02:05 | |
It's like I dance nearly every day. | 0:02:05 | 0:02:07 | |
In school I got detention for dancing. It's just what I do. | 0:02:08 | 0:02:12 | |
I just love it. | 0:02:12 | 0:02:13 | |
It's just like when you're on stage, you just feel like | 0:02:13 | 0:02:16 | |
something's inside and you just burst out, come out. | 0:02:16 | 0:02:19 | |
It just makes me want to do dance even more. | 0:02:19 | 0:02:22 | |
Joe, come on over. | 0:02:25 | 0:02:26 | |
-You've got swag, I like that. -Yeah. -You seem ready for this audition. | 0:02:26 | 0:02:30 | |
-Feeling good? -Yeah. -Good luck. -Thanks. | 0:02:30 | 0:02:32 | |
Impress those judges. Go for it. | 0:02:32 | 0:02:34 | |
Remember, Joe needs a yes from all three of our judges | 0:02:34 | 0:02:37 | |
if he's to secure a ticket for nationals. | 0:02:37 | 0:02:40 | |
-Hey. -Hello. -What's your name? -My name's Joe. | 0:02:42 | 0:02:45 | |
How long have you been dancing for, Joe? | 0:02:45 | 0:02:47 | |
I've been dancing since I was four. | 0:02:47 | 0:02:48 | |
-The floor is yours. -Thank you. -Show me what you got. | 0:02:48 | 0:02:51 | |
MUSIC: Good Feeling by Flo Rida | 0:02:54 | 0:02:57 | |
I just can't help but like you. | 0:03:25 | 0:03:27 | |
You've got serious charisma. | 0:03:27 | 0:03:29 | |
Standing there, talking to us, dancing. | 0:03:29 | 0:03:32 | |
It's just burning off of you and I really like that. | 0:03:32 | 0:03:35 | |
She likes you, Joe. | 0:03:35 | 0:03:37 | |
I do. I like when you get into it. | 0:03:37 | 0:03:39 | |
But it's like you put stank face on, but it's real, | 0:03:39 | 0:03:42 | |
it's not like put-on stank face. | 0:03:42 | 0:03:44 | |
-I'm not a fan of the stank face thing. I don't get it. -I am. | 0:03:44 | 0:03:48 | |
I find it really distracting. | 0:03:48 | 0:03:49 | |
I'm not sure whether you're in pain... | 0:03:49 | 0:03:52 | |
-No, it's like attitude. -Yeah, I mean, I get that. | 0:03:52 | 0:03:55 | |
I get that it's that, but what other faces do you have other than stank? | 0:03:55 | 0:03:58 | |
-Angry face, I can do. -Show me angry face. | 0:03:58 | 0:04:01 | |
Yeah! Now show me happy face. | 0:04:03 | 0:04:06 | |
Yeah! | 0:04:06 | 0:04:08 | |
Now, show me stank face just so I can like... | 0:04:08 | 0:04:11 | |
Yeah. No, I'm not a fan of the stank face. | 0:04:11 | 0:04:14 | |
-But, Joe, I'm a fan of you. Good job. -Thanks. | 0:04:14 | 0:04:17 | |
So, you need three yeses to go through to nationals. Kim? | 0:04:17 | 0:04:21 | |
I think you're that One Direction character of dance. | 0:04:21 | 0:04:24 | |
-I can't help it, I see it. -Oh, big compliment. | 0:04:24 | 0:04:26 | |
I think The Next Step might just love you. | 0:04:26 | 0:04:29 | |
-So, yes. -Thank you. | 0:04:29 | 0:04:31 | |
-It's a yes for me, Joe. -Thank you. | 0:04:31 | 0:04:33 | |
I do like you. | 0:04:34 | 0:04:36 | |
I do feel like dance-wise you've got some way to go. | 0:04:36 | 0:04:38 | |
You're good, but if you're too overconfident | 0:04:38 | 0:04:42 | |
and not willing to learn, that can be troublesome for you. | 0:04:42 | 0:04:45 | |
No, I am willing to learn. I'm willing to improve. | 0:04:45 | 0:04:48 | |
I'm willing to learn from other people, other teachers. | 0:04:48 | 0:04:51 | |
Who's not going to love that face? | 0:04:55 | 0:04:57 | |
Looks like you're going to nationals then. | 0:05:00 | 0:05:03 | |
Thank you so much. | 0:05:03 | 0:05:04 | |
Well done. | 0:05:05 | 0:05:07 | |
-You have to tank the stank, right? -Yeah. -Yeah. | 0:05:07 | 0:05:10 | |
He's good, he's got a good character. | 0:05:10 | 0:05:13 | |
From stank face to smiley face, Joe's done it. | 0:05:13 | 0:05:16 | |
-How you feeing? -So good, so good. -Oh, my goodness! | 0:05:16 | 0:05:19 | |
What happened in there? | 0:05:19 | 0:05:21 | |
John said I was doing a stank face, he wants me to get rid of it. | 0:05:21 | 0:05:23 | |
Kimberly loved me, she loved me. | 0:05:23 | 0:05:25 | |
She was just like, "You're the 1D of dance." | 0:05:25 | 0:05:27 | |
Ooh! What a compliment from Kimberly as well. | 0:05:27 | 0:05:30 | |
-Go celebrate, Joe. -Thanks. | 0:05:30 | 0:05:32 | |
Yes! | 0:05:32 | 0:05:33 | |
So, one audition down and one ticket to nationals secured. | 0:05:35 | 0:05:39 | |
Yes, I got through to nationals! | 0:05:39 | 0:05:42 | |
Whoo! | 0:05:42 | 0:05:44 | |
Can any of these other dancers wow the judges | 0:05:45 | 0:05:48 | |
and grab a spot alongside Joe in the next round? | 0:05:48 | 0:05:51 | |
As an overall performance, | 0:05:56 | 0:05:58 | |
I didn't feel like you were telling me anything. | 0:05:58 | 0:06:00 | |
It's a no today, but you keep on dancing, OK? | 0:06:00 | 0:06:02 | |
-Yeah. -Thanks. | 0:06:02 | 0:06:04 | |
I feel like you're still on your way, still on your journey. | 0:06:09 | 0:06:12 | |
It's a no from myself today. | 0:06:12 | 0:06:14 | |
MUSIC: Shake It Off by Taylor Swift | 0:06:15 | 0:06:20 | |
You've got great energy, great personality, | 0:06:27 | 0:06:30 | |
I just needed a bit more tap. | 0:06:30 | 0:06:33 | |
-It's a no today, Jamie. -OK. | 0:06:33 | 0:06:35 | |
Winning over our three judges clearly won't be easy. | 0:06:35 | 0:06:38 | |
13-year-old Catherine is no stranger to auditions. | 0:06:42 | 0:06:46 | |
She's previously trained with a Hollywood talent agency, | 0:06:46 | 0:06:49 | |
so today should be a breeze. | 0:06:49 | 0:06:51 | |
I think I'm a little bit more nervous for this audition than | 0:06:52 | 0:06:55 | |
the other ones because it's The Next Step and I love that show | 0:06:55 | 0:07:00 | |
cos it's such a big hit, so I think the pressure's really on, | 0:07:00 | 0:07:03 | |
and I'm just hoping that I can do my best | 0:07:03 | 0:07:05 | |
and hopefully the judges will like it. | 0:07:05 | 0:07:07 | |
Catherine, are you a big fan of the show? | 0:07:10 | 0:07:13 | |
-Yes. -Oh, you had to think about that one. You were like, uh... | 0:07:13 | 0:07:17 | |
I was going say I'm even bigger fan, | 0:07:17 | 0:07:18 | |
but I couldn't think of a bigger word than big, so... | 0:07:18 | 0:07:21 | |
-That is totally fine. -Huge, humongous, enormous. | 0:07:21 | 0:07:24 | |
OK, and what are you doing for us today? | 0:07:24 | 0:07:26 | |
-I'm doing contemporary. -Well, the floor is yours. | 0:07:26 | 0:07:28 | |
-Take it away. -Thank you. | 0:07:28 | 0:07:30 | |
MUSIC: Skinny Love by Birdy | 0:07:30 | 0:07:32 | |
APPLAUSE | 0:08:20 | 0:08:23 | |
Catherine, I like you, but I'm not so sure I like that dance. | 0:08:23 | 0:08:27 | |
Because it's so slow, you had a lot of time to... | 0:08:29 | 0:08:31 | |
through your port de bras, | 0:08:31 | 0:08:33 | |
and I just wanted you to lift high release through that port de bras. | 0:08:33 | 0:08:37 | |
It just would have given it a little bit more grace. | 0:08:37 | 0:08:41 | |
It was really nice, you've got really great, | 0:08:41 | 0:08:44 | |
lovely qualities about the way that you move. | 0:08:44 | 0:08:47 | |
It just needs more strength behind it. | 0:08:47 | 0:08:49 | |
Just needs a bit more depth to it, a bit more, ough! | 0:08:49 | 0:08:52 | |
Got to give me something! | 0:08:52 | 0:08:54 | |
You have a lovely grace about you and it's really actually | 0:08:54 | 0:08:57 | |
quite mature for such a young dancer, but we just need the kick. | 0:08:57 | 0:09:01 | |
We're going to go to a vote. | 0:09:01 | 0:09:03 | |
You need three yeses to go through to nationals. | 0:09:03 | 0:09:05 | |
I know this means a lot to you. | 0:09:05 | 0:09:07 | |
Catherine, we're all looking for different things. | 0:09:09 | 0:09:11 | |
Simeon is looking choreographically, Kimberly is looking at dance | 0:09:11 | 0:09:14 | |
and I'm looking at personality and character. | 0:09:14 | 0:09:16 | |
And for that, for your character, it's a yes from me. | 0:09:16 | 0:09:19 | |
Thank you. | 0:09:19 | 0:09:21 | |
-Kim? -Oh, I love you. | 0:09:21 | 0:09:23 | |
That face is gorgeous, you've got a really good facility... | 0:09:23 | 0:09:26 | |
..but you got to work on that strength. | 0:09:28 | 0:09:31 | |
It's a no for now. Keep, keep training. | 0:09:31 | 0:09:34 | |
So, it's a no from myself as well, but keep training, | 0:09:34 | 0:09:37 | |
keep working hard and really listen to all the advice we gave you today. | 0:09:37 | 0:09:41 | |
-Thanks for coming down. -Thank you. | 0:09:41 | 0:09:43 | |
-Thank you, Catherine. -Thanks a lot. | 0:09:43 | 0:09:45 | |
So, even though I didn't get through | 0:09:48 | 0:09:50 | |
I'm just really glad I came here today. | 0:09:50 | 0:09:52 | |
I got really good feedback which I can now work on | 0:09:52 | 0:09:55 | |
and I wish good luck to everyone else. | 0:09:55 | 0:09:57 | |
Catherine gave it everything, but the bar is set sky-high. | 0:09:57 | 0:10:01 | |
Will 14-year-old Erin fare any better? | 0:10:04 | 0:10:08 | |
-Hi, Erin. -Hello. | 0:10:10 | 0:10:11 | |
-How are you? -Good, thank you. | 0:10:11 | 0:10:13 | |
I'm excited to see you dance. Take the floor. | 0:10:13 | 0:10:16 | |
MUSIC: All Of Me by John Legend | 0:10:17 | 0:10:19 | |
APPLAUSE | 0:11:05 | 0:11:07 | |
What I'm concerned about, Erin, is not your dancing. | 0:11:09 | 0:11:11 | |
We're looking for not just a dancer on this show, | 0:11:11 | 0:11:14 | |
we're looking for a girl that can hold a story arc in a drama. | 0:11:14 | 0:11:19 | |
-Yeah. -We're looking for an actress as well, | 0:11:19 | 0:11:24 | |
and I'm not sure I'm seeing your personality in you, Erin. | 0:11:24 | 0:11:30 | |
You have a real vision for dance, a real feel for it. | 0:11:30 | 0:11:33 | |
It was really quite effortless and I enjoyed that. Did you do enough? | 0:11:33 | 0:11:38 | |
I think there's some personality maybe | 0:11:38 | 0:11:40 | |
that you just need to be a bit more fearless. | 0:11:40 | 0:11:42 | |
I feel like you are a good, solid dancer. | 0:11:42 | 0:11:45 | |
I didn't feel like you had that edge that I would want. | 0:11:45 | 0:11:48 | |
What would it mean for you to go nationals? | 0:11:50 | 0:11:52 | |
Erm, it would mean a lot. | 0:11:52 | 0:11:54 | |
I think this is sort of what I want to do with my life, | 0:11:54 | 0:11:57 | |
so to be able to have this opportunity, | 0:11:57 | 0:12:00 | |
especially at this age, would open up so much | 0:12:00 | 0:12:04 | |
doors for me and meeting new people. | 0:12:04 | 0:12:07 | |
Even today, I've met so many nice people. | 0:12:07 | 0:12:09 | |
I can see how much this means to you | 0:12:11 | 0:12:13 | |
and I can see that you're a little upset. | 0:12:13 | 0:12:14 | |
We all get noes and we all get rejections, OK? | 0:12:14 | 0:12:17 | |
But I think Kimberly and I both see something in you. | 0:12:17 | 0:12:20 | |
Would this not be a question for a callback? | 0:12:20 | 0:12:22 | |
OK. We'll give her a shot. Callback. | 0:12:26 | 0:12:28 | |
Bring some fire when you come back to this callback, OK? | 0:12:28 | 0:12:31 | |
It's not your dancing, we're not worried about your dancing. | 0:12:31 | 0:12:34 | |
-Bring some fire from you, yeah? -I will. Thank you. | 0:12:34 | 0:12:38 | |
LINDSEY: So, it's a callback for Erin. | 0:12:38 | 0:12:40 | |
That means she's earned the opportunity to come back | 0:12:40 | 0:12:43 | |
at the end of the day and dance again. | 0:12:43 | 0:12:47 | |
I think if there was ever a case for a callback, really... | 0:12:47 | 0:12:49 | |
that's one. | 0:12:49 | 0:12:51 | |
But she'll need to perform her heart out to stand a chance | 0:12:51 | 0:12:54 | |
of going through to nationals. | 0:12:54 | 0:12:56 | |
Our judges are demanding, but they need to be. | 0:12:58 | 0:13:02 | |
This isn't just any dance contest. | 0:13:02 | 0:13:05 | |
The prize on offer is nothing less than the opportunity of a lifetime - | 0:13:06 | 0:13:11 | |
a guest role on The Next Step. | 0:13:11 | 0:13:13 | |
Being a part of The Next Step, | 0:13:13 | 0:13:15 | |
it's amazing. | 0:13:15 | 0:13:16 | |
It's an amazing feeling. | 0:13:16 | 0:13:17 | |
Especially considering the success of the show. | 0:13:17 | 0:13:21 | |
Now, to see, after four seasons, what it's become, and it's awesome. | 0:13:21 | 0:13:26 | |
So, it's no surprise that our regional auditions were proving | 0:13:30 | 0:13:33 | |
a magnet for Next Step superfans from every corner of the UK. | 0:13:33 | 0:13:38 | |
On a scale of one to ten, how much do you love The Next Step? | 0:13:41 | 0:13:45 | |
20. | 0:13:45 | 0:13:47 | |
Me and my sister are addicted to it. | 0:13:47 | 0:13:50 | |
Would it be quite the dream come true to become part of it? | 0:13:50 | 0:13:53 | |
Yeah. | 0:13:53 | 0:13:54 | |
-Who's your favourite character? -I think my favourite's Michelle. | 0:13:56 | 0:13:59 | |
I really love Emily. | 0:13:59 | 0:14:00 | |
-Eldon. -Riley. | 0:14:00 | 0:14:01 | |
-Giselle. -Daniel. -Amanda. | 0:14:01 | 0:14:04 | |
It's West, because he's just so funny | 0:14:04 | 0:14:06 | |
and all the tricks he does is amazing. | 0:14:06 | 0:14:08 | |
And when he delivers a dance, he always does the best he can. | 0:14:08 | 0:14:12 | |
Well, this is your chance to take the next step, so take to the floor. | 0:14:12 | 0:14:16 | |
MUSIC: Set Fire To The Rain by Adele | 0:14:17 | 0:14:22 | |
APPLAUSE | 0:15:06 | 0:15:08 | |
I think it was a great piece of choreography. | 0:15:10 | 0:15:12 | |
I really love the fact that you travel and use the space. | 0:15:12 | 0:15:15 | |
I'll say yes. | 0:15:15 | 0:15:17 | |
Thank you. | 0:15:17 | 0:15:18 | |
I think you're a really good little dancer. | 0:15:18 | 0:15:21 | |
-It's a yes from me. -Thank you. | 0:15:21 | 0:15:24 | |
What would it mean to you to go through? | 0:15:24 | 0:15:26 | |
It would mean the world to me because I love The Next Step | 0:15:26 | 0:15:30 | |
and I watch it all the time and to actually get to go to nationals | 0:15:30 | 0:15:34 | |
would just be a step further. | 0:15:34 | 0:15:36 | |
It's a yes from me. | 0:15:40 | 0:15:41 | |
-See you at nationals. -Thank you so much. -Thank you. -Take care. | 0:15:45 | 0:15:48 | |
Congrats. See you soon, yeah? | 0:15:48 | 0:15:50 | |
One Next Step superfan inches closer to crossing the Atlantic | 0:15:52 | 0:15:56 | |
and performing alongside her heroes. | 0:15:56 | 0:15:58 | |
In London, 14-year-old Khyrese was also hoping that today's audition | 0:16:05 | 0:16:09 | |
could be the first step on a journey to a starring role | 0:16:09 | 0:16:12 | |
in his favourite TV show. | 0:16:12 | 0:16:14 | |
If I was on The Next Step it would mean literally everything | 0:16:17 | 0:16:21 | |
because I would dance with my heroes. | 0:16:21 | 0:16:24 | |
It would just be so... | 0:16:24 | 0:16:26 | |
It would be so amazing. | 0:16:26 | 0:16:28 | |
Don't be nervous. You seem really nervous. | 0:16:29 | 0:16:32 | |
There you go. Shake it out. | 0:16:32 | 0:16:34 | |
You're getting ready to throw down, don't be nervous. | 0:16:34 | 0:16:37 | |
-Are you excited to perform today? -Yes, pumped. | 0:16:37 | 0:16:40 | |
All right, let's do it. | 0:16:40 | 0:16:42 | |
MUSIC: Wrapped Up by Ollie Murs | 0:16:42 | 0:16:44 | |
APPLAUSE | 0:17:30 | 0:17:33 | |
Well done. I'm going to start with Simeon. | 0:17:33 | 0:17:36 | |
I don't want generic street dancers. I want magicians. | 0:17:36 | 0:17:39 | |
You started improvising, using your finger, that's what I want to see. | 0:17:39 | 0:17:43 | |
I'm looking for someone who's got that edge. | 0:17:43 | 0:17:45 | |
I love your level of movement. | 0:17:45 | 0:17:47 | |
When it is real to you, that's when it's yummy. | 0:17:47 | 0:17:50 | |
But I also need it to be real right here | 0:17:51 | 0:17:54 | |
cos this is a TV show as well and you've got to be able to act, | 0:17:54 | 0:17:57 | |
you've got to be able to become a part of that as well. | 0:17:57 | 0:18:00 | |
Yeah, it's a tough one for me, mate. | 0:18:00 | 0:18:02 | |
It is, it's a tough one for me. | 0:18:02 | 0:18:05 | |
When you perform for me you look off to somewhere here. | 0:18:06 | 0:18:10 | |
And it's...not connecting with me. | 0:18:10 | 0:18:14 | |
Who inspires you? | 0:18:14 | 0:18:15 | |
Lots of people. | 0:18:15 | 0:18:17 | |
-People from Next Step, Hunter, Giselle, West. -Why do you like them? | 0:18:17 | 0:18:22 | |
Because Hunter, his style's so grimy and flowy. | 0:18:22 | 0:18:27 | |
And then Giselle's got all the... | 0:18:27 | 0:18:30 | |
tricks. | 0:18:30 | 0:18:32 | |
And then West is all like... isolation, slow. | 0:18:32 | 0:18:36 | |
-Yeah. -And who are you? What do you bring? | 0:18:37 | 0:18:40 | |
What's your style? What's your flow? | 0:18:40 | 0:18:43 | |
My flow is just... | 0:18:43 | 0:18:45 | |
I...just want this so much. | 0:18:52 | 0:18:56 | |
You need three yeses to get through to the nationals. | 0:18:58 | 0:19:01 | |
It's going to be the fight of your life. | 0:19:01 | 0:19:04 | |
I believe in you. It's a yes from me. | 0:19:08 | 0:19:11 | |
It's a yes from me. I love your passion, | 0:19:13 | 0:19:16 | |
and you really want it, and I commend you for that. | 0:19:16 | 0:19:19 | |
-Thank you. -Johnny? | 0:19:19 | 0:19:21 | |
Every kid that comes through this door wants it. | 0:19:21 | 0:19:25 | |
I'll show you. In here. | 0:19:25 | 0:19:27 | |
I'll show you that I want it. | 0:19:27 | 0:19:29 | |
That's what an audition is. You have to show it right here, right now. | 0:19:29 | 0:19:33 | |
And you did. It's a yes from me. | 0:19:38 | 0:19:41 | |
SIMEON BIRD CALLS | 0:19:42 | 0:19:44 | |
Boom. | 0:19:44 | 0:19:46 | |
Thank you so much. | 0:19:46 | 0:19:47 | |
Come here. Come get your ticket to nationals. | 0:19:47 | 0:19:50 | |
LINDSEY: Our judges have really put him through his paces, | 0:19:50 | 0:19:54 | |
but Khyrese has done just enough to convince them | 0:19:54 | 0:19:57 | |
he deserves a place in the next round. | 0:19:57 | 0:20:00 | |
Whoo! How are you feeling? | 0:20:02 | 0:20:04 | |
I'm so excited. | 0:20:04 | 0:20:07 | |
-You've got a ticket to nationals. -Yeah. | 0:20:07 | 0:20:10 | |
He worked hard for that. | 0:20:10 | 0:20:12 | |
You're one step closer to dancing with The Next Step team. | 0:20:12 | 0:20:15 | |
-How does that sound? -Amazing. | 0:20:15 | 0:20:18 | |
It's party time for a delighted Khyrese. | 0:20:21 | 0:20:25 | |
# I'm going to nationals | 0:20:25 | 0:20:27 | |
# I'm going to nationals. # | 0:20:27 | 0:20:29 | |
Yep, I'm going to nationals. | 0:20:29 | 0:20:31 | |
But 11-year-old Esha has some work to do. | 0:20:31 | 0:20:34 | |
-Hello. -Hello. -What's your name? -Esha. -Hi, Esha. -Hello. | 0:20:34 | 0:20:38 | |
What does it feel like when you dance? | 0:20:38 | 0:20:40 | |
I just love it. I just listen to the music and be myself. | 0:20:40 | 0:20:45 | |
Good. You be yourself today. The floor is yours. Take it away. | 0:20:45 | 0:20:49 | |
MUSIC: Human by Christina Perri | 0:20:49 | 0:20:52 | |
APPLAUSE | 0:21:41 | 0:21:43 | |
-I really enjoyed that performance. -Thank you. | 0:21:43 | 0:21:45 | |
There's been very few people that's come out and really touched me, | 0:21:45 | 0:21:48 | |
and that was the way you switch into the mode, you got into it, | 0:21:48 | 0:21:52 | |
-was that... Really was amazing. -Thank you. -Kim? | 0:21:52 | 0:21:55 | |
Technically there's some things going on through those legs | 0:21:55 | 0:21:57 | |
and whatnot, but that real emotion was beautiful. | 0:21:57 | 0:22:01 | |
Thank you. | 0:22:01 | 0:22:02 | |
And I like your quality of movement, it's a bit different, | 0:22:02 | 0:22:05 | |
it's a bit quirky, it's a bit understated, but really grown up. | 0:22:05 | 0:22:10 | |
When you're dancing you become this fearless warrior. | 0:22:10 | 0:22:15 | |
You look like you could break down walls. | 0:22:15 | 0:22:18 | |
But when you stand here in front of me, | 0:22:18 | 0:22:21 | |
I'm not so sure that person could break down a wall. | 0:22:21 | 0:22:25 | |
Cos we're not just looking for a dancer, | 0:22:25 | 0:22:28 | |
we're looking for somebody who can be a fearless actress too. | 0:22:28 | 0:22:31 | |
-Yeah. -Is that you, Esha? -Yes. | 0:22:31 | 0:22:34 | |
Esha, I'm going to have | 0:22:34 | 0:22:36 | |
a little conversation with my friends over here. | 0:22:36 | 0:22:38 | |
If you don't mind, just give us a minute. | 0:22:38 | 0:22:41 | |
(I'm just wondering from the other contemporary girl that | 0:22:44 | 0:22:47 | |
(we've kept through to a callback, | 0:22:47 | 0:22:49 | |
(where does that stand up against it? | 0:22:49 | 0:22:51 | |
(Do you mind if I call her back to see them together? | 0:22:54 | 0:22:58 | |
-(I don't mind. -No, I don't mind.) | 0:22:58 | 0:23:00 | |
So, we've had a little talk... | 0:23:00 | 0:23:04 | |
and we're a bit undecided. | 0:23:04 | 0:23:05 | |
We like your dancing, but we want to see more of your personality, | 0:23:05 | 0:23:09 | |
so we're going to invite you to a callback. | 0:23:09 | 0:23:11 | |
-That's happening at the end of today. Is that OK with you? -Yes. | 0:23:11 | 0:23:14 | |
So, it looks like Erin and Esha will be going head-to-head | 0:23:14 | 0:23:17 | |
at those all-important callbacks. | 0:23:17 | 0:23:19 | |
Their dancing has impressed the judges, | 0:23:19 | 0:23:21 | |
but if either of these dancers wants to secure a spot at nationals | 0:23:21 | 0:23:25 | |
their personalities will really need to shine. | 0:23:25 | 0:23:28 | |
As the day rolls on, | 0:23:34 | 0:23:35 | |
competition for those prized tickets remains as fierce as ever. | 0:23:35 | 0:23:39 | |
But that hasn't stopped friendships from forming backstage. | 0:23:41 | 0:23:44 | |
We're feeling a bit nervous because we're the only two callbacks. | 0:23:44 | 0:23:47 | |
It could go either way. | 0:23:47 | 0:23:49 | |
We could both get in, we could both not get in, or only one of us. | 0:23:49 | 0:23:52 | |
No matter what happens, we'll still be friends. | 0:23:55 | 0:23:58 | |
No? OK. | 0:23:58 | 0:24:00 | |
OK. | 0:24:00 | 0:24:01 | |
That's harsh. That's harsh. | 0:24:01 | 0:24:03 | |
And Joe and Khyrese who are already safely through to nationals | 0:24:06 | 0:24:09 | |
have stuck around to offer the girls some moral support. | 0:24:09 | 0:24:13 | |
Can we have our final two callbacks, | 0:24:13 | 0:24:15 | |
that's Esha and Erin, please? | 0:24:15 | 0:24:17 | |
So, guys, what's going to happen now - | 0:24:23 | 0:24:25 | |
we're going to play you a track, | 0:24:25 | 0:24:26 | |
you can use the material you've done before | 0:24:26 | 0:24:28 | |
or you can totally improv and freestyle it. | 0:24:28 | 0:24:30 | |
All we're looking for is quality of performance, not just technique. | 0:24:30 | 0:24:35 | |
Erin, you'll stand over here. Esha, you will go first. | 0:24:35 | 0:24:37 | |
Start when you're ready. Please, take your place. | 0:24:37 | 0:24:40 | |
MUSIC STARTS | 0:24:40 | 0:24:42 | |
And relax. | 0:25:02 | 0:25:04 | |
And switch over. | 0:25:04 | 0:25:05 | |
And relax. | 0:25:23 | 0:25:25 | |
If you could both come back for me, please. | 0:25:25 | 0:25:27 | |
We're going to take a couple of minutes | 0:25:30 | 0:25:32 | |
to speak about the both of you. | 0:25:32 | 0:25:33 | |
You can leave and we'll invite you back in in a second. | 0:25:33 | 0:25:36 | |
-Thank you. -Thanks a lot. | 0:25:36 | 0:25:38 | |
-How do you think each other did? -She is amazing. | 0:25:38 | 0:25:40 | |
You were so good. You were like popping and locking. | 0:25:40 | 0:25:43 | |
-I was like, "So good." -I love this support that's going, | 0:25:43 | 0:25:47 | |
cos you both really want each other | 0:25:47 | 0:25:49 | |
-to get a ticket to nationals, don't you? BOTH: -Yeah. | 0:25:49 | 0:25:51 | |
So, I was really surprised actually | 0:25:51 | 0:25:54 | |
because she really pulled it out the bag. | 0:25:54 | 0:25:57 | |
Do you think there's a possibility that they could both go through, | 0:25:58 | 0:26:03 | |
both this girl and this girl? | 0:26:03 | 0:26:06 | |
My honest opinion is no. | 0:26:07 | 0:26:09 | |
My honesty says there's one girl that came to that callback, | 0:26:09 | 0:26:13 | |
killed it and deserves it. | 0:26:13 | 0:26:16 | |
Judges' deliberation finally over, | 0:26:16 | 0:26:18 | |
it's time for Esha and Erin to learn their fate. | 0:26:18 | 0:26:21 | |
Hello, ladies. How are you feeling? | 0:26:28 | 0:26:31 | |
-BOTH: -Nervous. -Nervous. -KIM CHUCKLES | 0:26:31 | 0:26:34 | |
It's been a really tough day. I know this means so much to each of you. | 0:26:34 | 0:26:39 | |
So we've made a decision. | 0:26:40 | 0:26:43 | |
One of you did brilliantly... | 0:26:45 | 0:26:48 | |
the other still needs a little bit of work. | 0:26:48 | 0:26:51 | |
But there's people that believe in you behind this desk | 0:26:55 | 0:26:59 | |
that want to see you put that work to good use. | 0:26:59 | 0:27:02 | |
So we've decided... | 0:27:02 | 0:27:04 | |
..to take both of you through to nationals. | 0:27:07 | 0:27:10 | |
-Thank you so much. -Come get your tickets, ladies. | 0:27:11 | 0:27:14 | |
Congratulations. | 0:27:16 | 0:27:18 | |
Girls? Oh, my goodness! | 0:27:18 | 0:27:21 | |
Oh, my goodness! | 0:27:21 | 0:27:23 | |
Two tickets to nationals. | 0:27:23 | 0:27:25 | |
I've got goose bumps. I think I'm going to cry. | 0:27:25 | 0:27:27 | |
Well done, guys. Good job. Whoo! | 0:27:27 | 0:27:29 | |
A fantastic end to the day in London, | 0:27:37 | 0:27:40 | |
as new-found friends Esha and Erin deliver callback performances | 0:27:40 | 0:27:44 | |
packed with enough personality to win over the judges. | 0:27:44 | 0:27:48 | |
-ALL: -We're going to nationals! | 0:27:48 | 0:27:50 | |
-Next time... -Whoo! | 0:27:52 | 0:27:55 | |
Do you have the potential? | 0:27:58 | 0:28:00 | |
Are you this guy? | 0:28:00 | 0:28:02 | |
This right now, it's not right. | 0:28:02 | 0:28:05 | |
Girl, you brought me to tears. | 0:28:05 | 0:28:07 | |
I'm going to say yes. | 0:28:08 | 0:28:09 | |
It's a yes from me. | 0:28:09 | 0:28:11 | |
I think you just danced your way to nationals. | 0:28:11 | 0:28:13 | |
THEY CHEER | 0:28:13 | 0:28:15 |