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Today, film and games are jam-packed with orchestral music. | 0:00:05 | 0:00:09 | |
You know why? | 0:00:09 | 0:00:11 | |
Because you name any emotion, any feeling, | 0:00:11 | 0:00:14 | |
and the orchestra can create it in music. | 0:00:14 | 0:00:18 | |
From heartache and pain | 0:00:18 | 0:00:19 | |
to fear and dread. | 0:00:19 | 0:00:21 | |
MUSIC: Dies Irae by Giuseppe Verdi | 0:00:24 | 0:00:27 | |
Welcome to the end of the world. | 0:00:27 | 0:00:30 | |
This is what it sounds like. | 0:00:34 | 0:00:36 | |
The sky seems to be ripping open with the sound of those drums. | 0:00:36 | 0:00:40 | |
And those voices... | 0:00:40 | 0:00:41 | |
I can't seem to get them out of my head. | 0:00:42 | 0:00:45 | |
Uh-oh. | 0:00:45 | 0:00:46 | |
MACHINERY BUZZES | 0:00:46 | 0:00:49 | |
They're singing "dies irae" - | 0:00:49 | 0:00:51 | |
that's Latin for Day of Judgment - | 0:00:51 | 0:00:53 | |
and they sing it over and over and over again. | 0:00:53 | 0:00:57 | |
It isn't a question, it's a statement. | 0:00:57 | 0:00:59 | |
Life is over. | 0:00:59 | 0:01:01 | |
It's like disaster movie music. | 0:01:04 | 0:01:07 | |
An orchestral storm destroying everything in its path... | 0:01:07 | 0:01:11 | |
including me! | 0:01:11 | 0:01:12 | |
That's because the Day of Judgment, | 0:01:16 | 0:01:17 | |
according to some people, is the time when everyone that's ever lived | 0:01:17 | 0:01:20 | |
will be brought before the throne of God. | 0:01:20 | 0:01:22 | |
They're summoned by a fanfare, | 0:01:25 | 0:01:26 | |
a fanfare loud enough to wake the dead, | 0:01:26 | 0:01:29 | |
and then each person's soul either rises up to heaven | 0:01:29 | 0:01:32 | |
or descends into the fiery pits of hell. | 0:01:32 | 0:01:35 | |
SHE GASPS There's the trumpets! | 0:01:35 | 0:01:38 | |
It's starting. | 0:01:38 | 0:01:40 | |
This Dies Irae is by Italian composer Giuseppe Verdi, | 0:01:40 | 0:01:44 | |
who knew that for believers listening to his music in 1874, | 0:01:44 | 0:01:47 | |
the Day of Judgment was no story... | 0:01:47 | 0:01:50 | |
it was real. | 0:01:50 | 0:01:52 | |
So, Verdi brings that terrible day to life for his audience. | 0:01:52 | 0:01:55 | |
It's his warning in music | 0:01:55 | 0:01:58 | |
of an incredible power far greater than us. | 0:01:58 | 0:02:01 | |
Right now, it still makes me feel small... | 0:02:01 | 0:02:04 | |
fragile... | 0:02:04 | 0:02:05 | |
scared. | 0:02:05 | 0:02:06 | |
But maybe because there's another vast power | 0:02:06 | 0:02:08 | |
that we're all at the mercy of... | 0:02:08 | 0:02:10 | |
Nature. | 0:02:10 | 0:02:12 | |
SHE GASPS | 0:02:12 | 0:02:14 | |
And this music sounds to me like a warning - | 0:02:14 | 0:02:16 | |
if we don't respect nature - of our own possible dies irae. | 0:02:16 | 0:02:20 | |
# Dies irae, dies illa | 0:02:20 | 0:02:24 | |
# Dies irae, dies illa | 0:02:30 | 0:02:39 | |
# Solvet saeclum in favilla | 0:02:41 | 0:02:47 | |
# Teste David cum Sibylla | 0:02:47 | 0:02:53 | |
# Dies irae, dies illa | 0:02:53 | 0:02:56 | |
# Dies irae, dies illa | 0:02:56 | 0:03:02 | |
# Solvet saeclum in favilla | 0:03:02 | 0:03:09 | |
# Dies irae, dies illa | 0:03:09 | 0:03:12 | |
# Solvet saeclum in favilla | 0:03:12 | 0:03:15 | |
# Teste David cum Sibylla | 0:03:15 | 0:03:19 | |
# Dies irae, dies illa | 0:03:19 | 0:03:25 | |
# Solvet saeclum in favilla | 0:03:25 | 0:03:31 | |
# Solvet saeclum in favilla | 0:03:31 | 0:03:37 | |
# Teste David cum Sibylla | 0:03:37 | 0:03:43 | |
# Dies irae | 0:03:47 | 0:03:51 | |
# Dies irae | 0:03:52 | 0:03:56 | |
# Dies irae | 0:03:59 | 0:04:01 | |
# Quantus tremor est futurus | 0:04:07 | 0:04:14 | |
# Quando judex est venturus | 0:04:14 | 0:04:19 | |
# Cuncta stricte discussurus! # | 0:04:19 | 0:04:27 | |
TRUMPETS PLAY FANFARE | 0:04:27 | 0:04:34 | |
# Tuba mirum spargens sonum | 0:05:30 | 0:05:35 | |
# Tuba mirum spargens sonum | 0:05:35 | 0:05:44 | |
# Per sepulchra regionum | 0:05:44 | 0:05:51 | |
# Tuba mirum spargens sonum | 0:05:57 | 0:05:59 | |
# Coget omnes ante thronum. # | 0:06:08 | 0:06:17 |