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Six inspiring, young singer-songwriters... | 0:00:02 | 0:00:04 | |
I'm really passionate about song writing. | 0:00:04 | 0:00:05 | |
Whenever I get back from school, I start to write new songs. | 0:00:05 | 0:00:09 | |
..and award-winning choirmaster Gareth Malone... | 0:00:09 | 0:00:11 | |
Ah! Did you feel the difference? | 0:00:11 | 0:00:14 | |
..team up with the music industry's most influential... | 0:00:14 | 0:00:17 | |
Really, really deliver those lyrics to the audience. | 0:00:17 | 0:00:19 | |
..to prepare for a big performance of historical significance. | 0:00:19 | 0:00:23 | |
Everyone, get under your desks immediately! | 0:00:23 | 0:00:26 | |
When there was an air raid, they would've probably thought, | 0:00:26 | 0:00:29 | |
"Am I going to die now?" | 0:00:29 | 0:00:30 | |
After weeks of fine tuning their musical skills... | 0:00:30 | 0:00:33 | |
Yeah, I loved it! | 0:00:33 | 0:00:35 | |
..and building up their World War I knowledge... | 0:00:35 | 0:00:37 | |
There are big rats in this trench. | 0:00:37 | 0:00:40 | |
..have any of them written a song worthy of commemorating | 0:00:40 | 0:00:43 | |
one of the biggest events in history? | 0:00:43 | 0:00:45 | |
This is something we'll remember the rest of our lives, | 0:00:45 | 0:00:48 | |
so I just don't want to mess it up. | 0:00:48 | 0:00:50 | |
Today, | 0:00:52 | 0:00:53 | |
the kids find final inspiration for their World War I songs... | 0:00:53 | 0:00:57 | |
-He was 19. -I can't believe he was so young. | 0:00:57 | 0:01:01 | |
..they make waves on the radio... | 0:01:01 | 0:01:03 | |
That would be welcome in the Live Lounge any day. | 0:01:03 | 0:01:06 | |
..and one song is picked for the big performance. | 0:01:06 | 0:01:09 | |
The song we have chosen is... | 0:01:09 | 0:01:12 | |
It is the final week at Music Headquarters. | 0:01:43 | 0:01:46 | |
The six young songwriters are hard at work on their World War I songs. | 0:01:46 | 0:01:52 | |
In just 24 hours, | 0:01:52 | 0:01:53 | |
they will each have to perform what they've written, | 0:01:53 | 0:01:55 | |
and only one of their songs will be chosen for the big performance. | 0:01:55 | 0:02:00 | |
It would be amazing to know that my song had been chosen | 0:02:00 | 0:02:03 | |
and I'd be performing it in Belgium. | 0:02:03 | 0:02:05 | |
It would be fantastic. | 0:02:05 | 0:02:07 | |
It's the thing I would dream about - my song, | 0:02:07 | 0:02:10 | |
something I've written, to be represented in such an amazing way. | 0:02:10 | 0:02:14 | |
One of our songs is going to represent the nation. That's just... | 0:02:14 | 0:02:18 | |
It's like it's untrue. It's like a dream, really. | 0:02:18 | 0:02:21 | |
I'm really looking forward to hearing your songs. | 0:02:21 | 0:02:24 | |
And I know that it is going to be a very difficult decision. | 0:02:24 | 0:02:27 | |
But I will not be making that decision on my own. | 0:02:27 | 0:02:29 | |
I'll have two people to help me. | 0:02:29 | 0:02:31 | |
Judging the songs with Gareth will be two people | 0:02:32 | 0:02:35 | |
from the music industry. | 0:02:35 | 0:02:36 | |
The first person who is going to come and join me on the panel, | 0:02:36 | 0:02:39 | |
making the decision, is... | 0:02:39 | 0:02:41 | |
Katy B! | 0:02:43 | 0:02:44 | |
That's right, it's me, Katy B! | 0:02:48 | 0:02:51 | |
I will be heading to Music HQ later. | 0:02:51 | 0:02:54 | |
I started writing songs when I was 14, | 0:02:54 | 0:02:56 | |
and I've been lucky enough to have a number one selling best album. | 0:02:56 | 0:03:00 | |
So, Katy B is coming to help me make my decision. | 0:03:00 | 0:03:02 | |
There is one more person, | 0:03:02 | 0:03:03 | |
and that person is one of the most influential people in music today. | 0:03:03 | 0:03:08 | |
And they have sent you a message. | 0:03:08 | 0:03:09 | |
Hi there, I'm Jake Gosling, and I have produced Ed Sheeran | 0:03:09 | 0:03:13 | |
and Paloma Faith and I've worked with One Direction. | 0:03:13 | 0:03:16 | |
And I'm coming to hear your songs. So I will see you very soon. | 0:03:16 | 0:03:19 | |
Jake Gosling co-wrote Ed Sheeran's number one album | 0:03:21 | 0:03:24 | |
and has produced records for numerous stars. | 0:03:24 | 0:03:27 | |
He is a man who really knows the technical side of music. | 0:03:28 | 0:03:31 | |
He is coming to hear your songs. | 0:03:31 | 0:03:33 | |
In less than 24 hours, | 0:03:33 | 0:03:35 | |
two of the biggest names in the music industry | 0:03:35 | 0:03:37 | |
are coming to help me decide | 0:03:37 | 0:03:39 | |
which song is going to represent the nation. | 0:03:39 | 0:03:41 | |
There is a lot of pressure. | 0:03:41 | 0:03:43 | |
To impress me, Gareth and Jake, the kids must get the right | 0:03:43 | 0:03:47 | |
tone for the World War I commemorative event in Belgium. | 0:03:47 | 0:03:50 | |
So before they put the finishing touches to their songs, | 0:03:52 | 0:03:55 | |
Gareth is taking the singers to one last World War I location. | 0:03:55 | 0:03:59 | |
Brookwood Military Cemetery was the final resting place | 0:03:59 | 0:04:03 | |
for hundreds of soldiers who fought in the war. | 0:04:03 | 0:04:06 | |
It's the perfect place for the songwriters to reflect on what | 0:04:06 | 0:04:10 | |
they have written. | 0:04:10 | 0:04:11 | |
This is Brookwood Cemetery, which is | 0:04:12 | 0:04:14 | |
the largest war grave in this country. | 0:04:14 | 0:04:17 | |
It is perhaps not what you'd expect. I don't know how you feel about it. | 0:04:17 | 0:04:20 | |
But you can hear the bird songs, the sun's shining, | 0:04:20 | 0:04:22 | |
the graves are beautifully kept. Immaculate here. | 0:04:22 | 0:04:25 | |
There is something rather beautiful, | 0:04:25 | 0:04:27 | |
something rather still about this place. | 0:04:27 | 0:04:29 | |
Is it what you expected? | 0:04:29 | 0:04:31 | |
It's quite overwhelming to, like, see all of the graves just lined up. | 0:04:31 | 0:04:36 | |
This place is kind of like a very big respect cos it is showing them | 0:04:36 | 0:04:40 | |
that we care so much that we've made this whole place for them. | 0:04:40 | 0:04:45 | |
It does feel respectful, doesn't it? | 0:04:45 | 0:04:47 | |
This is your last chance to reflect on your songs. | 0:04:47 | 0:04:50 | |
So go around, have a look at the graves, have a think about whether | 0:04:50 | 0:04:53 | |
you have written something that is a fitting tribute to these people. | 0:04:53 | 0:04:57 | |
Around ten million men were killed fighting in World War I. | 0:04:59 | 0:05:02 | |
The bloodshed finally came to an end in 1918 when, | 0:05:04 | 0:05:07 | |
after a series of rattles, the German forces were defeated. | 0:05:07 | 0:05:11 | |
Thousands of men returned home to Britain as heroes. | 0:05:13 | 0:05:16 | |
And it was sworn that the soldiers who died on the battlefield | 0:05:16 | 0:05:20 | |
would never be forgotten. | 0:05:20 | 0:05:22 | |
It is a sobering place to be, | 0:05:24 | 0:05:27 | |
but I think it will help everyone | 0:05:27 | 0:05:29 | |
understand the sacrifice that was made in the First World War. | 0:05:29 | 0:05:33 | |
It says Ernest Alfred Hadley. | 0:05:33 | 0:05:37 | |
He was 19. | 0:05:37 | 0:05:38 | |
I can't believe he was so young. | 0:05:38 | 0:05:40 | |
That would be like my brother going to war, and that's really weird, | 0:05:42 | 0:05:45 | |
hearing that. | 0:05:45 | 0:05:46 | |
-Oh, look, this one was only 15. -Yeah. | 0:05:47 | 0:05:50 | |
-He's only one year older than you. -I know. -And he went to war and died. | 0:05:50 | 0:05:56 | |
This boy could've had, like, 60 or maybe even 70 years ahead of him. | 0:05:56 | 0:06:00 | |
That's really sad. | 0:06:00 | 0:06:02 | |
To join the British Army, you had to be at least 18 years old. | 0:06:02 | 0:06:06 | |
But many chose to lie about their age | 0:06:06 | 0:06:08 | |
so that they could fight for their country. | 0:06:08 | 0:06:10 | |
He died on the 22nd of October, 1918. | 0:06:10 | 0:06:13 | |
If he had just survived, like, three weeks, | 0:06:13 | 0:06:15 | |
then he would have made it to the end of the war. | 0:06:15 | 0:06:18 | |
The bottom bit says, "A loving son." | 0:06:18 | 0:06:21 | |
It's really nice that they all have such personal messages behind them. | 0:06:21 | 0:06:26 | |
For one songwriter, there is | 0:06:26 | 0:06:29 | |
a headstone of particular significance. | 0:06:29 | 0:06:31 | |
He has the same name as my great-great-granddad, John Barber. | 0:06:31 | 0:06:36 | |
-Whoa. -'Middlesex Regiment, 28th of October, 1918, age 33. | 0:06:36 | 0:06:41 | |
'Ever remembered by his adoring wife and children.' | 0:06:41 | 0:06:44 | |
Learning about his relative's role | 0:06:45 | 0:06:47 | |
in the war made a big impression on Ben. | 0:06:47 | 0:06:49 | |
That's him. 100 years ago. | 0:06:49 | 0:06:52 | |
It looks like one of those photos you see in a history lesson. | 0:06:52 | 0:06:55 | |
And now it's actually, like, real life, that... | 0:06:55 | 0:06:57 | |
That could've been me, that's my relative. | 0:06:57 | 0:07:00 | |
Now he has found the grave of a soldier who shares the same name. | 0:07:01 | 0:07:05 | |
-Do think it is actually him? -I don't know. | 0:07:05 | 0:07:08 | |
Obviously, I don't know because, like, | 0:07:08 | 0:07:10 | |
it could just be a huge coincidence. | 0:07:10 | 0:07:12 | |
In fact, records show that Ben's ancestor was one of the lucky ones. | 0:07:12 | 0:07:18 | |
Not only did he survive the war, | 0:07:18 | 0:07:20 | |
but he lived into his 70s and had 13 children. | 0:07:20 | 0:07:23 | |
When we first came in, I saw a dozen and I thought, | 0:07:27 | 0:07:30 | |
"Oh, yeah, that's it." | 0:07:30 | 0:07:32 | |
But there's just endless amounts as you go on into the cemetery. | 0:07:32 | 0:07:36 | |
Each of them was a different person, had a different life. | 0:07:36 | 0:07:40 | |
The care that has been put into these grave stones, like, | 0:07:40 | 0:07:42 | |
they're all carved really well and everything. | 0:07:42 | 0:07:45 | |
And I think that's the kind of care we need to put into our songs. | 0:07:45 | 0:07:49 | |
I genuinely think that coming here has changed everything. | 0:07:49 | 0:07:53 | |
Which song can stand up and represent the nation | 0:07:53 | 0:07:57 | |
and sum up how we feel that the First World War? | 0:07:57 | 0:08:00 | |
It's a very big decision. | 0:08:00 | 0:08:02 | |
Whichever World War I song is chosen will be | 0:08:08 | 0:08:11 | |
sung by the kids at an international event in front of the royal family. | 0:08:11 | 0:08:15 | |
So far, the group have only performed at HQ, | 0:08:15 | 0:08:18 | |
so Gareth wants to help prepare them for the pressure. | 0:08:18 | 0:08:21 | |
Here we are, this is Broadcasting House, home of BBC Radio One. | 0:08:21 | 0:08:26 | |
ALL: Whoa! | 0:08:26 | 0:08:28 | |
Radio One is where some of the biggest names in the music | 0:08:28 | 0:08:31 | |
industry have performed their hits. | 0:08:31 | 0:08:33 | |
Hello, good morning. You are listening to BBC Radio One. | 0:08:33 | 0:08:36 | |
Today, it is the turn of our songwriters. | 0:08:36 | 0:08:38 | |
They will be performing for superstar DJ Dev Griffin. | 0:08:38 | 0:08:42 | |
-Hi, Dev. -Hey, what is up, guys? | 0:08:43 | 0:08:45 | |
Welcome. How's it going? Is it quite exciting to be on Radio One? | 0:08:45 | 0:08:48 | |
ALL: Yes. | 0:08:48 | 0:08:49 | |
What kind of people have you had in here? | 0:08:49 | 0:08:51 | |
What's your coolest people so far? | 0:08:51 | 0:08:53 | |
Oh, man, we've had everybody. | 0:08:53 | 0:08:55 | |
Will Ferrell, Ne-Yo... We've had Harry Styles in. | 0:08:55 | 0:08:59 | |
Anyone who's anybody who makes music or is in film has been | 0:08:59 | 0:09:03 | |
to Radio One at least once. | 0:09:03 | 0:09:04 | |
And now it's us. | 0:09:04 | 0:09:06 | |
They have decided to sing Fly Away, | 0:09:06 | 0:09:09 | |
an up-beat pop song they wrote for Eliza Doolittle. | 0:09:09 | 0:09:12 | |
# Everything's gonna be OK | 0:09:12 | 0:09:15 | |
# It'll get better from here | 0:09:15 | 0:09:18 | |
# What's the point in worrying | 0:09:18 | 0:09:22 | |
# It'll be all right | 0:09:22 | 0:09:25 | |
# Use your wings to fly away | 0:09:25 | 0:09:28 | |
# Down the path to a better day | 0:09:28 | 0:09:32 | |
# Shed your worries Spread your wings | 0:09:32 | 0:09:35 | |
# Out of winter The sunlight springs | 0:09:35 | 0:09:39 | |
# Out of winter The sunlight springs. # | 0:09:39 | 0:09:41 | |
Woo! That was really good. | 0:09:44 | 0:09:46 | |
I tell you what, that would be welcome in the Live Lounge any day. | 0:09:46 | 0:09:49 | |
That was really good, guys. One thing I did notice, | 0:09:49 | 0:09:51 | |
though, is that body language is quite important. | 0:09:51 | 0:09:54 | |
When I stand and I am doing my show in there, | 0:09:54 | 0:09:56 | |
I'm very much, you know, hands out and about and stuff. | 0:09:56 | 0:09:59 | |
It just makes me feel like I can maybe project a little bit more. | 0:09:59 | 0:10:02 | |
If you shy away a little bit, | 0:10:02 | 0:10:03 | |
if you've got your hands in your pockets, | 0:10:03 | 0:10:05 | |
it might take away a little bit from the performance, you know? | 0:10:05 | 0:10:08 | |
You definitely want to stand confidently. | 0:10:08 | 0:10:10 | |
Do you ever get nervous when you're about to go live on air? | 0:10:10 | 0:10:12 | |
Every single show, every single time, just before I go on-air, | 0:10:12 | 0:10:15 | |
I get the butterflies in my stomach a little bit. | 0:10:15 | 0:10:17 | |
Do you have any advice for dealing with that? | 0:10:17 | 0:10:20 | |
Well, I would definitely say this to you guys. | 0:10:20 | 0:10:22 | |
When you perform in front of a crowd, | 0:10:22 | 0:10:24 | |
most of the people want you to do well. | 0:10:24 | 0:10:27 | |
Nobody is out there wanting you to fail or wanting you to mess | 0:10:27 | 0:10:29 | |
up or maybe hit a bum note. Most of the people are rooting for you. | 0:10:29 | 0:10:33 | |
They're already fans before you've even started. | 0:10:33 | 0:10:36 | |
It's great feedback from DJ Dev | 0:10:36 | 0:10:38 | |
and another amazing experience for the young songwriters. | 0:10:38 | 0:10:41 | |
Well, we've just been the Radio One and met Dev | 0:10:41 | 0:10:45 | |
and performed a song in front of him. | 0:10:45 | 0:10:47 | |
And it's like it's just a dream, really. | 0:10:47 | 0:10:51 | |
I think he was impressed. He did like our song, which was good. | 0:10:51 | 0:10:55 | |
That was, like, so cool! | 0:10:55 | 0:10:56 | |
I just want to go back in there and do that again. It's amazing. | 0:10:56 | 0:11:00 | |
We were right in the room were some of the biggest | 0:11:00 | 0:11:02 | |
stars in the world have been and performed their own music. | 0:11:02 | 0:11:04 | |
And I think our song, it stood up. | 0:11:04 | 0:11:07 | |
They did a good job, they held their own. I'm proud of them. | 0:11:07 | 0:11:10 | |
To inspire their song writing for the last five weeks, | 0:11:16 | 0:11:19 | |
the group have been immersed in all aspects of the First World War, | 0:11:19 | 0:11:23 | |
from life in the trenches to a 1914 school lesson. | 0:11:23 | 0:11:28 | |
Back at The Big Performance HQ, it is | 0:11:28 | 0:11:30 | |
the last chance for the young musicians to work on their tracks. | 0:11:30 | 0:11:35 | |
Soon they will each have to perform their songs, | 0:11:35 | 0:11:38 | |
and then one will be chosen for the group to sing in Belgium. | 0:11:38 | 0:11:41 | |
Everyone is making the final tweaks to their songs, | 0:11:41 | 0:11:44 | |
hoping that that will make the difference. | 0:11:44 | 0:11:46 | |
I think they've all realised that they really want this. | 0:11:46 | 0:11:49 | |
I'm really, really, really nervous. | 0:11:49 | 0:11:52 | |
Probably the most nervous I've ever been. | 0:11:52 | 0:11:54 | |
I think my song's got quite a good chance. | 0:11:54 | 0:11:57 | |
Well, I think everybody's has. | 0:11:57 | 0:11:58 | |
If they call out my name, if my song was chosen, | 0:11:58 | 0:12:00 | |
I think I'd feel so happy. | 0:12:00 | 0:12:01 | |
I know, if I mess this one up, I mess the whole thing up. | 0:12:01 | 0:12:05 | |
And it's not one of those things where I can just start again. | 0:12:05 | 0:12:09 | |
This is it, this is your final performance, | 0:12:09 | 0:12:12 | |
where you sing your song that you've worked so hard on. | 0:12:12 | 0:12:14 | |
You really have put a bit of yourself into those songs, | 0:12:14 | 0:12:16 | |
which I really appreciate. | 0:12:16 | 0:12:18 | |
You were all picked because you are great songwriters | 0:12:18 | 0:12:20 | |
and you are great singers, but I can only take one song. | 0:12:20 | 0:12:24 | |
I just want each one of you to sing your songs to the best | 0:12:24 | 0:12:27 | |
of your ability. Good luck, everyone. | 0:12:27 | 0:12:30 | |
The song for me that is going to | 0:12:30 | 0:12:32 | |
get it is the song that seems to make history leap out at you | 0:12:32 | 0:12:36 | |
and make you really feel like you are proud, like, | 0:12:36 | 0:12:38 | |
you want to respect the soldiers, like, you want to be part of it. | 0:12:38 | 0:12:41 | |
That's the song I'm looking for. | 0:12:41 | 0:12:43 | |
To help Gareth make his big decision | 0:12:43 | 0:12:46 | |
are two guest judges from the music industry. | 0:12:46 | 0:12:49 | |
The first is me, Katy B. | 0:12:49 | 0:12:51 | |
I'm hoping to bring my experience as a songwriter to the panel. | 0:12:51 | 0:12:55 | |
I'd really just like to see someone | 0:12:55 | 0:12:57 | |
who yet is connected to the lyrics, is connected to | 0:12:57 | 0:13:01 | |
the performance, | 0:13:01 | 0:13:02 | |
who kind of isn't worrying too much about what is going on around. | 0:13:02 | 0:13:05 | |
Joining us at Music HQ is Jake Gosling, a multiplatinum music | 0:13:05 | 0:13:10 | |
producer who has worked with One Direction and Ed Sheeran. | 0:13:10 | 0:13:13 | |
When I first heard about this, I was like, "This is a massive challenge." | 0:13:13 | 0:13:18 | |
So I'm... You now, I feel for them. | 0:13:18 | 0:13:20 | |
I'm like, "This is going to be quite an incredible thing to hear." | 0:13:20 | 0:13:24 | |
It's a very tough thing that I'm asking them to do. | 0:13:30 | 0:13:33 | |
-What makes a good song for you, Katy? -I love to hear a story. | 0:13:33 | 0:13:36 | |
I love having different parts of the song, like visually, | 0:13:36 | 0:13:40 | |
someone taking on a journey. I love that. | 0:13:40 | 0:13:43 | |
Jake, you work with some of the biggest stars in the music | 0:13:43 | 0:13:45 | |
industry, what makes a song stand out for you? | 0:13:45 | 0:13:47 | |
For me, it's just all about the connection. | 0:13:47 | 0:13:49 | |
You've got to have that connection with the audience, | 0:13:49 | 0:13:52 | |
with the listener. | 0:13:52 | 0:13:53 | |
-I'm feeling nervous on their behalf now. -Yeah. | 0:13:53 | 0:13:55 | |
-OK, shall we get the first one in? -Let's do it. | 0:13:55 | 0:13:57 | |
First up is 12-year-old Sid, | 0:13:57 | 0:14:00 | |
one of the most creative musicians in the group. | 0:14:00 | 0:14:02 | |
In the past, | 0:14:04 | 0:14:05 | |
he has sometimes struggled to take his song writing seriously. | 0:14:05 | 0:14:08 | |
-Nobody is going to cry? Just Sid. -I'm sorry! -You can't carry on? | 0:14:08 | 0:14:13 | |
I'm concerned that he can sometimes be a bit silly | 0:14:13 | 0:14:15 | |
and kind of mess around. | 0:14:15 | 0:14:17 | |
Will his World War I song have the sincerity we are looking for? | 0:14:18 | 0:14:22 | |
# I hope you know | 0:14:25 | 0:14:29 | |
# What they did for us | 0:14:29 | 0:14:31 | |
# I hope you know | 0:14:31 | 0:14:34 | |
# And understand | 0:14:34 | 0:14:38 | |
# So look at us now | 0:14:38 | 0:14:41 | |
# United by what we faced | 0:14:41 | 0:14:44 | |
# Just look at how | 0:14:44 | 0:14:47 | |
# In the end we still embraced | 0:14:47 | 0:14:51 | |
# They built our future | 0:14:51 | 0:14:53 | |
# In their time | 0:14:55 | 0:14:57 | |
# So look at us now | 0:14:57 | 0:15:01 | |
# And don't let it go to waste | 0:15:02 | 0:15:05 | |
# Oh, yeah | 0:15:05 | 0:15:08 | |
# Don't let it go to waste. # | 0:15:08 | 0:15:13 | |
THEY CHEER | 0:15:14 | 0:15:18 | |
-Nice, wasn't it? -He's got a beautiful voice. -Yeah. | 0:15:21 | 0:15:25 | |
My performance went really well | 0:15:25 | 0:15:27 | |
and I think I really did the song justice. | 0:15:27 | 0:15:29 | |
It was my best performance so far. | 0:15:29 | 0:15:31 | |
-Good start. -Great start. -Good. | 0:15:31 | 0:15:33 | |
Next up, it's one of the most experienced performers, Jasmine. | 0:15:33 | 0:15:37 | |
When she first met Gareth, | 0:15:37 | 0:15:39 | |
her knowledge of World War I left a lot to be desired. | 0:15:39 | 0:15:42 | |
I think it lasted for 37 days. | 0:15:42 | 0:15:47 | |
37 days? | 0:15:47 | 0:15:48 | |
-Uh... -No, it didn't, it was four years. -Oh. | 0:15:48 | 0:15:52 | |
Has she learnt enough to write a song that fits | 0:15:52 | 0:15:55 | |
the historic occasion? | 0:15:55 | 0:15:56 | |
# Soldiers fought for us | 0:15:58 | 0:16:01 | |
# And risked their lives for us | 0:16:02 | 0:16:06 | |
# And hope was all they had | 0:16:06 | 0:16:09 | |
# To get by | 0:16:09 | 0:16:12 | |
# To get by | 0:16:12 | 0:16:15 | |
# The war ends | 0:16:15 | 0:16:18 | |
# The peace came | 0:16:18 | 0:16:19 | |
# And the poppies grow | 0:16:19 | 0:16:23 | |
# From loudness comes silence | 0:16:23 | 0:16:27 | |
# Now we'll head home | 0:16:27 | 0:16:32 | |
# The war ends | 0:16:32 | 0:16:34 | |
# The peace came | 0:16:34 | 0:16:36 | |
# And the poppies grow | 0:16:36 | 0:16:39 | |
# From fighting comes friendship | 0:16:40 | 0:16:44 | |
# Now we'll head home. # | 0:16:44 | 0:16:48 | |
-Very nice, yes! -Beautiful. | 0:16:51 | 0:16:53 | |
I'm really happy with my performance, | 0:16:55 | 0:16:57 | |
I think it went really well. | 0:16:57 | 0:16:59 | |
I think it sounded really professional. | 0:16:59 | 0:17:01 | |
It did sound really pro, yeah. | 0:17:01 | 0:17:03 | |
It sounded really crafted. | 0:17:03 | 0:17:05 | |
Facing us next is Molly, | 0:17:05 | 0:17:07 | |
a classically trained singer with a flawless voice. | 0:17:07 | 0:17:11 | |
In her past performances, she has struggled to show emotion. | 0:17:11 | 0:17:15 | |
I think your voice is so lovely. | 0:17:15 | 0:17:17 | |
-Sometimes I look at you and you look quite serious. -I don't mean to be. | 0:17:17 | 0:17:20 | |
The thing is, I love singing, but I concentrate | 0:17:20 | 0:17:23 | |
and I just forget to show it on my face. | 0:17:23 | 0:17:26 | |
Will her World War I song be moving enough for such an important event? | 0:17:26 | 0:17:30 | |
# Soldiers marched away | 0:17:33 | 0:17:38 | |
# Families hoping they would be safe | 0:17:38 | 0:17:42 | |
# At Flanders Field and the Somme | 0:17:42 | 0:17:47 | |
# Now the poppies still stand strong | 0:17:47 | 0:17:51 | |
# Four years went by | 0:17:52 | 0:17:55 | |
# Flags painting the skies | 0:17:57 | 0:18:01 | |
# The tears will dry | 0:18:01 | 0:18:05 | |
# We will stand together | 0:18:05 | 0:18:10 | |
# Friendship and unity | 0:18:10 | 0:18:13 | |
# One community | 0:18:13 | 0:18:18 | |
# We move forward as one. # | 0:18:18 | 0:18:25 | |
-Yay! -Well done, Molly. | 0:18:25 | 0:18:27 | |
Yeah, it went quite well. | 0:18:27 | 0:18:29 | |
I think I could've done better, but I think I did OK. | 0:18:29 | 0:18:33 | |
-I really liked some of these lyrics a lot. -Yeah, me too. -Really clever. | 0:18:33 | 0:18:37 | |
Yeah, I thought the same. | 0:18:37 | 0:18:39 | |
Ben is the next young talent to put his commemorative song to the test. | 0:18:39 | 0:18:42 | |
He is a charismatic performer, | 0:18:42 | 0:18:45 | |
but his fidgeting on stage has been a worry to Gareth. | 0:18:45 | 0:18:48 | |
Ben, you can't seem to stand still for a second. It's just like... | 0:18:48 | 0:18:51 | |
You've just burnt the bottom of your feet or something. | 0:18:51 | 0:18:54 | |
Can he keep his composure now when it really counts? | 0:18:54 | 0:18:59 | |
# Sun or rain, does it matter? | 0:18:59 | 0:19:01 | |
# They both lead to pain | 0:19:01 | 0:19:05 | |
# Front or behind, does it matter? | 0:19:05 | 0:19:07 | |
# There's nowhere to hide | 0:19:07 | 0:19:11 | |
# Throw your things into that trench | 0:19:11 | 0:19:14 | |
# And smile your face away | 0:19:14 | 0:19:17 | |
# Always laugh and never cry | 0:19:17 | 0:19:19 | |
# And hope today's the day | 0:19:19 | 0:19:23 | |
# Today's the day that we can say | 0:19:23 | 0:19:26 | |
# That the war's finally over | 0:19:26 | 0:19:28 | |
# Today's the day that we will sail | 0:19:28 | 0:19:31 | |
# Towards the Cliffs of Dover | 0:19:31 | 0:19:34 | |
# Let's take a moment now just for one thing to remember | 0:19:34 | 0:19:40 | |
# Serve your duty well | 0:19:40 | 0:19:43 | |
# And our respect will never end. # | 0:19:43 | 0:19:47 | |
Great. Really good. | 0:19:47 | 0:19:49 | |
Feeling so good. | 0:19:49 | 0:19:51 | |
I just want to do it again and again and again and again and again. | 0:19:51 | 0:19:54 | |
It was actually so fun. | 0:19:54 | 0:19:55 | |
-I love that chorus. -Because it kind of had that swing to it. | 0:19:55 | 0:19:59 | |
Yeah, it's really nice. | 0:19:59 | 0:20:01 | |
Molly from Huddersfield has an amazingly powerful voice. | 0:20:01 | 0:20:05 | |
But in front of Conor Maynard, she was one of the singers who | 0:20:05 | 0:20:09 | |
struggled to remember the words and melody. | 0:20:09 | 0:20:11 | |
Guys, uh, did that go perfectly? | 0:20:11 | 0:20:14 | |
It was really awkward, forgetting the words, | 0:20:14 | 0:20:16 | |
but, um, yeah, I think we did well to carry on. | 0:20:16 | 0:20:20 | |
If she forgets her lyrics here, her song won't stand a chance. | 0:20:21 | 0:20:25 | |
# Once there... # Oh, can I start again? | 0:20:32 | 0:20:35 | |
The nerves have got to Molly. Can she pull it together? | 0:20:35 | 0:20:40 | |
# Where once was war | 0:20:40 | 0:20:44 | |
# Now there's peace | 0:20:44 | 0:20:47 | |
# The battle is over | 0:20:47 | 0:20:50 | |
# The friendship has won | 0:20:50 | 0:20:53 | |
# The tides, the mud | 0:20:53 | 0:20:57 | |
# Now the poppies blossomed path | 0:20:57 | 0:21:03 | |
# Their lives were taken | 0:21:06 | 0:21:09 | |
# They fought, they fell | 0:21:09 | 0:21:12 | |
# Stand up | 0:21:12 | 0:21:14 | |
# Be proud | 0:21:14 | 0:21:16 | |
# They were all our heroes | 0:21:16 | 0:21:19 | |
# The light, the peace | 0:21:19 | 0:21:22 | |
# We walk ahead as one. # | 0:21:22 | 0:21:26 | |
Well done, Molly. | 0:21:26 | 0:21:28 | |
-I love it. -Gutsy performance. | 0:21:28 | 0:21:32 | |
Because I had to start again, | 0:21:32 | 0:21:34 | |
I think it went quite badly, to be honest. | 0:21:34 | 0:21:38 | |
I feel a bit, like, emotional, sort of thing. | 0:21:38 | 0:21:41 | |
-Yeah, it had the drama to it. -Yeah. | 0:21:41 | 0:21:43 | |
Last but not least, it is 11-year-old Sam, | 0:21:43 | 0:21:46 | |
the youngest of the songwriters. | 0:21:46 | 0:21:49 | |
Learning about World War I has had a big impact on him. | 0:21:49 | 0:21:52 | |
It's quite sad cos it's, like, the dad writing to his son. | 0:21:52 | 0:21:56 | |
He doesn't know what it will be like in France when he's fighting. | 0:21:56 | 0:22:00 | |
But has he been able to turn his experience into a song that | 0:22:00 | 0:22:04 | |
reflects the time? | 0:22:04 | 0:22:06 | |
# On French soil now, rifle in hand | 0:22:06 | 0:22:10 | |
# Fighting for my country | 0:22:10 | 0:22:14 | |
# My country that I had | 0:22:14 | 0:22:17 | |
# To leave behind | 0:22:17 | 0:22:20 | |
# Those who fought in war | 0:22:23 | 0:22:26 | |
# Shall all come together | 0:22:26 | 0:22:32 | |
# Soon the war will end | 0:22:32 | 0:22:35 | |
# And there will be peace in every nation | 0:22:35 | 0:22:40 | |
# And I hope in time | 0:22:41 | 0:22:44 | |
# That they will remember the soldiers that fought and fell | 0:22:44 | 0:22:50 | |
# In the Great War. # | 0:22:53 | 0:22:55 | |
-Well done. -Yeah! -Well done. | 0:22:55 | 0:22:59 | |
I really sort of felt like he got into character there. | 0:23:00 | 0:23:03 | |
-Yeah. -Yeah. Don't you think? | 0:23:03 | 0:23:05 | |
All of the songwriters have done themselves proud. | 0:23:05 | 0:23:08 | |
But now it is out of their hands. | 0:23:08 | 0:23:10 | |
OK, the moment of truth, it's decision time. | 0:23:10 | 0:23:13 | |
Gareth can only choose one of the six songs for the group to | 0:23:13 | 0:23:16 | |
perform at the World War I commemoration in Belgium. | 0:23:16 | 0:23:20 | |
What about this one? | 0:23:20 | 0:23:21 | |
I really liked parts of it, but just not all of it. | 0:23:21 | 0:23:25 | |
Definitely the lyric at the end, I felt, didn't quite fit, did it? | 0:23:25 | 0:23:29 | |
How about him? | 0:23:29 | 0:23:30 | |
-I just see great potential in him. -Yeah, me too. -Great ability. | 0:23:30 | 0:23:33 | |
There was a really sort of unusual melody, | 0:23:33 | 0:23:35 | |
which I thought was really beautiful. | 0:23:35 | 0:23:37 | |
This is not an easy decision. | 0:23:37 | 0:23:39 | |
Because I think a lot of the songs had very, very strong elements. | 0:23:39 | 0:23:42 | |
I do feel a sense of responsibility to choose the right song. | 0:23:42 | 0:23:45 | |
Is there one song for you that leaps out? | 0:23:45 | 0:23:47 | |
I'm sort of torn between two. | 0:23:47 | 0:23:50 | |
-I know what one I like. -Yeah? -Yeah. -You're there. Where are you? | 0:23:50 | 0:23:54 | |
Do you know what? I am leaning towards this. | 0:23:54 | 0:23:57 | |
HE SIGHS | 0:23:57 | 0:23:59 | |
Now it is just a question of making that decision. | 0:24:01 | 0:24:03 | |
-I've got a feeling this with that whole chorus... -You can feel it? | 0:24:03 | 0:24:07 | |
-I can feel it. -Yes, I think that's it. | 0:24:07 | 0:24:10 | |
I think we've made a decision, and I think it is a good decision. | 0:24:10 | 0:24:12 | |
-Thank you. -Yep. -Good work, team. -Good work. | 0:24:12 | 0:24:15 | |
OK, come back in. | 0:24:15 | 0:24:16 | |
Weeks of hard work and now it has all come down to this - | 0:24:17 | 0:24:21 | |
which song will be representing the nation? | 0:24:21 | 0:24:24 | |
Firstly, can I say, thank you very much. | 0:24:26 | 0:24:28 | |
We all really enjoyed the performances | 0:24:28 | 0:24:30 | |
and I think for all of us it was actually a really difficult decision. | 0:24:30 | 0:24:33 | |
-Really nice. -Yeah, I was so blown away just by everyone's talent. | 0:24:33 | 0:24:38 | |
The music in general was really, really, | 0:24:38 | 0:24:41 | |
really strong and I enjoyed every single performance so much. | 0:24:41 | 0:24:44 | |
You've gone away, you've written these songs, lyrics, melodies, | 0:24:44 | 0:24:48 | |
you worked really hard, so well done. | 0:24:48 | 0:24:51 | |
I felt really proud of you. | 0:24:51 | 0:24:53 | |
I know where these songs started and I know how far they've come | 0:24:53 | 0:24:56 | |
and how much crafting and working that it's taken. | 0:24:56 | 0:24:59 | |
Really pleased. And thank you. | 0:24:59 | 0:25:01 | |
Right. | 0:25:01 | 0:25:03 | |
It's crunch time. | 0:25:03 | 0:25:04 | |
The song we've chosen is... | 0:25:06 | 0:25:08 | |
..Stand Up Be Proud, by Molly. | 0:25:16 | 0:25:19 | |
Well done! | 0:25:20 | 0:25:22 | |
Congratulations, well done. A fantastic song, well done. | 0:25:22 | 0:25:25 | |
I just can't believe my song is going to represent the nation. | 0:25:27 | 0:25:31 | |
It's just beyond words. | 0:25:31 | 0:25:32 | |
I just can't even describe how I'm feeling right now. | 0:25:32 | 0:25:35 | |
Sometimes you hear a song and you can just imagine it in the occasion, | 0:25:35 | 0:25:40 | |
and I could really tell that | 0:25:40 | 0:25:42 | |
when Molly sang that song, that everyone is going to get behind it. | 0:25:42 | 0:25:45 | |
It's the right decision. | 0:25:45 | 0:25:47 | |
I'd be lying if I said I wasn't disappointed, but I am also really, | 0:25:47 | 0:25:50 | |
really pleased for Molly, cos her song really, really deserves it. | 0:25:50 | 0:25:53 | |
The experience with Gareth and everybody has been amazing. | 0:25:53 | 0:25:57 | |
It has been the best thing that has ever happened to me. | 0:25:57 | 0:26:00 | |
Thank you so much! | 0:26:00 | 0:26:03 | |
I am really excited about the next part of the adventure and I'm | 0:26:03 | 0:26:07 | |
just glad that we're all going to be able to sing together again. | 0:26:07 | 0:26:09 | |
Very well done, Molly. | 0:26:09 | 0:26:11 | |
I think yours just picked it because it's an anthem and it feels really | 0:26:11 | 0:26:15 | |
strong, and we all had an instinctive emotional reaction to that. | 0:26:15 | 0:26:19 | |
So very, very well done. | 0:26:19 | 0:26:20 | |
And of course now, it is no longer just about you, | 0:26:20 | 0:26:22 | |
it becomes our song, and we're all going to sing it together. | 0:26:22 | 0:26:26 | |
Very, very exciting. | 0:26:26 | 0:26:27 | |
Now as a very special treat for all the hard work we've done, | 0:26:27 | 0:26:30 | |
Katy is going to sing her single Still. | 0:26:30 | 0:26:33 | |
THEY CHEER | 0:26:33 | 0:26:36 | |
# You chose the simple life | 0:26:42 | 0:26:45 | |
# My love was way too much for you | 0:26:45 | 0:26:48 | |
# To bear | 0:26:48 | 0:26:49 | |
# And left our world to end right there | 0:26:49 | 0:26:53 | |
# But I still hear you whispering | 0:26:55 | 0:26:58 | |
# My name | 0:26:58 | 0:27:00 | |
# Surely there's a part unchanged | 0:27:00 | 0:27:04 | |
# How could you be so far away | 0:27:04 | 0:27:07 | |
# When I still seek your face | 0:27:07 | 0:27:10 | |
# Like it was only yesterday | 0:27:10 | 0:27:15 | |
# And although you're out of sight | 0:27:15 | 0:27:18 | |
# Would you still be the same | 0:27:18 | 0:27:20 | |
# If I was next to you tonight | 0:27:20 | 0:27:23 | |
# Still | 0:27:25 | 0:27:28 | |
# Still on my mind now | 0:27:28 | 0:27:31 | |
# Still | 0:27:31 | 0:27:33 | |
# You still know how to make me feel | 0:27:33 | 0:27:38 | |
# How come these wounds...? # | 0:27:38 | 0:27:41 | |
'The songwriters have achieved so much, | 0:27:41 | 0:27:43 | |
'but there is still work to be done. | 0:27:43 | 0:27:45 | |
'Next time, they perform Molly's song together at the commemoration | 0:27:45 | 0:27:49 | |
'of one of the biggest events in world history.' | 0:27:49 | 0:27:52 | |
Having the young generation singing there, singing about the future, | 0:27:52 | 0:27:55 | |
singing about hope that comes out of such a terrible | 0:27:55 | 0:27:58 | |
time in our history, I want to get that right. | 0:27:58 | 0:28:00 | |
So I feel a great responsibility, actually. | 0:28:00 | 0:28:03 | |
# You're still on my mind now Still. # | 0:28:03 | 0:28:06 |