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How far would you dare to go | 0:00:02 | 0:00:04 | |
to win a prize for YOUR family? | 0:00:04 | 0:00:07 | |
Would you do this? | 0:00:07 | 0:00:08 | |
This? | 0:00:08 | 0:00:10 | |
Or even this? | 0:00:10 | 0:00:11 | |
I'm The Dare Devil and it's time to push another team to their limits. | 0:00:15 | 0:00:20 | |
SCREAMS | 0:00:20 | 0:00:22 | |
# A family I find They dream of a prize | 0:00:29 | 0:00:32 | |
# On courage they draw With hope in their eyes | 0:00:32 | 0:00:35 | |
# All they need do Is face each of my dares | 0:00:38 | 0:00:40 | |
# There's revulsion, embarrassment And heart-pounding scares | 0:00:40 | 0:00:44 | |
# So of wishes Wants and temptation, beware | 0:00:44 | 0:00:47 | |
# For the Dare Devil waits... | 0:00:47 | 0:00:49 | |
# ..with a devilish dare. # | 0:00:50 | 0:00:53 | |
HE CACKLES | 0:00:53 | 0:00:55 | |
HE GROWLS | 0:00:58 | 0:00:59 | |
Ah, another wretched team of hapless human-lings for me to toy with. | 0:01:01 | 0:01:06 | |
Who have we here? | 0:01:06 | 0:01:08 | |
Ah, Matilda, Matty, M-Dog. | 0:01:08 | 0:01:13 | |
Next. | 0:01:13 | 0:01:14 | |
You must be Imogen. | 0:01:14 | 0:01:17 | |
Well, two girls, double trouble. | 0:01:17 | 0:01:19 | |
Let's have a look at the grown-ups. | 0:01:19 | 0:01:22 | |
Ah, Matilda's mum, Sophie, eurgh. Who else is there? | 0:01:22 | 0:01:28 | |
Ah, Matilda's big sister, Ella. | 0:01:28 | 0:01:31 | |
What's that, she's not scared of anything? | 0:01:31 | 0:01:33 | |
Well, we'll see about that. | 0:01:33 | 0:01:35 | |
And finally, it's Imogen's mum, Bronte. | 0:01:35 | 0:01:38 | |
Well, an all-girl team, let's go and meet them. | 0:01:41 | 0:01:44 | |
-Who are you? -Good question. | 0:01:54 | 0:01:56 | |
Some call me The Ex-Rental Copy but you can call me the Dare Devil. | 0:01:56 | 0:02:02 | |
-The Dare Devil? -The very same. | 0:02:02 | 0:02:03 | |
I'm here to offer you the chance to win an accolade of untold riches. | 0:02:03 | 0:02:07 | |
Ready your eyes. | 0:02:07 | 0:02:08 | |
This is my precious "medale of championes", | 0:02:11 | 0:02:15 | |
forged in the fires of... | 0:02:15 | 0:02:18 | |
Kingston upon Hull. | 0:02:18 | 0:02:20 | |
Want one? | 0:02:20 | 0:02:22 | |
Uh-uh-uh, if you want the gold... It's not gold. | 0:02:22 | 0:02:25 | |
..then all you must do is complete a few harmless, devilish dares. | 0:02:25 | 0:02:32 | |
SCREAMS | 0:02:32 | 0:02:33 | |
There are three devilish dares and three doubloons to be won. | 0:02:33 | 0:02:37 | |
Matilda and Imogen must decide which grown-up-ling does which dare. | 0:02:37 | 0:02:41 | |
-BOTH: -Dare Devil, Dare Devil, we dare... | 0:02:41 | 0:02:44 | |
I'll give them one doubloon to get them started | 0:02:46 | 0:02:49 | |
because if someone is too scared to do a dare, they can use a doubloon | 0:02:49 | 0:02:52 | |
to buy their way out, but someone must always take their place. | 0:02:52 | 0:02:57 | |
The more doubloons won means more time for Matilda and Imogen | 0:02:57 | 0:03:00 | |
when they face my dreaded Chambers of Bravery in a bid | 0:03:00 | 0:03:04 | |
to tip the Scales of Destiny and claim their prize. | 0:03:04 | 0:03:08 | |
Think you're up to it? | 0:03:09 | 0:03:11 | |
-BOTH: -Yeah! -Then, tell me, Matilda and Imogen, | 0:03:11 | 0:03:14 | |
what is your almost inevitably bland team name? | 0:03:14 | 0:03:17 | |
-ALL: -The Wacky Wimbles! | 0:03:17 | 0:03:20 | |
All right, time for our first dastardly dare. | 0:03:23 | 0:03:25 | |
But what could it be? | 0:03:25 | 0:03:27 | |
Let us consult the Scroll Of Secrets. | 0:03:27 | 0:03:29 | |
This ancient scroll holds the clue to what the first dare might be. | 0:03:31 | 0:03:35 | |
Matilda, you read it loud and clear, but remember, | 0:03:35 | 0:03:38 | |
the devil is in the detail. | 0:03:38 | 0:03:40 | |
What could that mean? | 0:03:48 | 0:03:49 | |
-Caves? -Yeah. -What else does it say? -Potholes? | 0:03:49 | 0:03:51 | |
This one's different, so it's not a lark. | 0:03:51 | 0:03:53 | |
-A dark maze with a twist. -In the pitch-black dark. | 0:03:53 | 0:03:56 | |
Definitely underground. | 0:03:56 | 0:03:57 | |
All right, then, Wacky Wimbles, the time has come for you to decide | 0:03:57 | 0:04:00 | |
which of your grown-up-lings will undertake our first devilish dare? | 0:04:00 | 0:04:05 | |
Will they choose The Mum, Alternate Mum, | 0:04:05 | 0:04:08 | |
or will big sister Ella be first in line? | 0:04:08 | 0:04:11 | |
Let's see. | 0:04:11 | 0:04:12 | |
-BOTH: -Dare Devil, Dare Devil, we dare Ella. | 0:04:12 | 0:04:16 | |
Ella, you have been chosen for our first challenge. | 0:04:16 | 0:04:19 | |
Now, come on, then, there's no time to lose. | 0:04:19 | 0:04:21 | |
Ah, yes, the door has brought us | 0:04:33 | 0:04:36 | |
to a most strange place. | 0:04:36 | 0:04:37 | |
Humans gather here | 0:04:37 | 0:04:39 | |
to learn how to put out fires | 0:04:39 | 0:04:41 | |
but it's not fire that's brought us here, | 0:04:41 | 0:04:42 | |
it's another of my favourite things - very, very dark rooms | 0:04:42 | 0:04:46 | |
and it's there that we'll play our first game, | 0:04:46 | 0:04:49 | |
in a dare I like to call... | 0:04:49 | 0:04:51 | |
Room of Doom! | 0:04:51 | 0:04:54 | |
This large metal box may not look much from the outside | 0:04:58 | 0:05:01 | |
but it's what's inside that excites me. | 0:05:01 | 0:05:03 | |
Are you curious? | 0:05:03 | 0:05:05 | |
-Not really. -Not really? | 0:05:05 | 0:05:06 | |
Well, here's what you need to know. | 0:05:06 | 0:05:08 | |
Big Sister Ella's dare | 0:05:09 | 0:05:11 | |
is to crawl through 20 metres of fire training tunnel | 0:05:11 | 0:05:15 | |
in the pitch dark. | 0:05:15 | 0:05:17 | |
To make things more fun, | 0:05:17 | 0:05:19 | |
she'll be transporting a jug of my favourite drink, | 0:05:19 | 0:05:22 | |
pond-water. | 0:05:22 | 0:05:24 | |
If Ella spills more than half my stinky beverage, then it's a fail. | 0:05:24 | 0:05:29 | |
All right, big sister Ella, | 0:05:30 | 0:05:31 | |
you certainly seem ready to face the Room of Doom. | 0:05:31 | 0:05:33 | |
Off you go. | 0:05:33 | 0:05:35 | |
Oh, my God, it's so dark. | 0:05:42 | 0:05:44 | |
-We'll be able to see everything on my TV. -It's like a cage. | 0:05:44 | 0:05:49 | |
-Yeah. -What is it? | 0:05:49 | 0:05:50 | |
Ella has no idea that my old schoolmate Smiley Bobs | 0:05:50 | 0:05:54 | |
is lurking in the darkness... | 0:05:54 | 0:05:57 | |
..ready to make her spill my pond-water. | 0:05:58 | 0:06:01 | |
Oh, it's so dark. | 0:06:03 | 0:06:05 | |
She can't see a thing. Look, she's feeling around with her hand, | 0:06:05 | 0:06:08 | |
trying to find... What's that? | 0:06:08 | 0:06:09 | |
Ooh, it's horrible. | 0:06:09 | 0:06:12 | |
She's encountered the spooky cobwebs | 0:06:12 | 0:06:14 | |
but they're the least of Ella's problems. | 0:06:14 | 0:06:16 | |
It's clown time! | 0:06:16 | 0:06:18 | |
SMILEY BOBS LAUGHS MANICALLY AND ELLA SCREAMS | 0:06:18 | 0:06:20 | |
-Yes, Smiley Bobs has made her presence felt. -Oh, no! | 0:06:22 | 0:06:25 | |
I'm going to get those girls. | 0:06:27 | 0:06:29 | |
This is so scary. | 0:06:32 | 0:06:34 | |
Well, I have to say, | 0:06:37 | 0:06:39 | |
-she's still keeping most of the pond-water in her jug. -She is. | 0:06:39 | 0:06:42 | |
Oh, it's all wet. | 0:06:44 | 0:06:45 | |
Oh! | 0:06:47 | 0:06:48 | |
Yeah, she's been blasted with smoke | 0:06:48 | 0:06:51 | |
and Smiley Bobs has plenty more tricks | 0:06:53 | 0:06:55 | |
to cause some spillage from my jug. | 0:06:55 | 0:06:58 | |
She's spilt some water but I really want her to fail. | 0:07:01 | 0:07:04 | |
Time for Smiley Bobs to kick it up a gear. | 0:07:04 | 0:07:07 | |
Oh! | 0:07:09 | 0:07:10 | |
There's blasts... | 0:07:10 | 0:07:12 | |
BALLOON POPS | 0:07:12 | 0:07:14 | |
..bangs | 0:07:14 | 0:07:15 | |
and even a feather in the face. | 0:07:15 | 0:07:18 | |
Argh, what's that? | 0:07:18 | 0:07:19 | |
-LOUD BANG -Whoa! | 0:07:22 | 0:07:24 | |
-Go, Ella! -You can do it! -Come on! | 0:07:24 | 0:07:26 | |
-Nearly there. -Well done. | 0:07:26 | 0:07:27 | |
Ooh, what is that? Is it bugs? | 0:07:27 | 0:07:30 | |
She's being attacked by monster spaghetti from above. | 0:07:31 | 0:07:35 | |
I hate the Dare Devil! | 0:07:35 | 0:07:37 | |
Ooh, charming(!) | 0:07:37 | 0:07:39 | |
Just time for one last fright from Smiley Bobs when the lights come on. | 0:07:40 | 0:07:45 | |
SHE SHRIEKS | 0:07:45 | 0:07:46 | |
Impressive work, big sister Ella. | 0:07:49 | 0:07:51 | |
It's time to find out just how well you held your nerve. | 0:07:51 | 0:07:54 | |
Pour the remaining pond-water from the jug of transportation | 0:07:54 | 0:07:57 | |
into the great jug of measurement. | 0:07:57 | 0:07:59 | |
-ALL: -Whoooaaa. | 0:07:59 | 0:08:00 | |
I'm a "jug half-full" kind of guy. | 0:08:03 | 0:08:06 | |
-Yes! That's well over halfway. -THEY CHEER | 0:08:06 | 0:08:09 | |
That means, of course, that the Wacky Wimbles have passed the dare | 0:08:09 | 0:08:12 | |
and the doubloon is yours. | 0:08:12 | 0:08:14 | |
Bah! | 0:08:15 | 0:08:17 | |
I think the scariest bit was when the clown popped the balloon. | 0:08:17 | 0:08:22 | |
-BALLOON POPS -Oh! | 0:08:22 | 0:08:23 | |
She wasn't really expecting it. | 0:08:23 | 0:08:25 | |
I'm really, really pleased to get a doubloon for the girls | 0:08:25 | 0:08:27 | |
cos they really wanted the first one. | 0:08:27 | 0:08:30 | |
They now have - | 0:08:31 | 0:08:32 | |
All right, it's time for our second dastardly dare. | 0:08:38 | 0:08:40 | |
What could it be? Let us once again consult the Scroll of Secrets. | 0:08:40 | 0:08:45 | |
Imogen, you take charge this time, | 0:08:45 | 0:08:47 | |
but remember, the devil is in the detail. | 0:08:47 | 0:08:50 | |
What could that possibly mean? | 0:08:57 | 0:09:00 | |
Well, it's definitely something wet. | 0:09:00 | 0:09:02 | |
So, maybe it's a water slide | 0:09:02 | 0:09:03 | |
-and you have to get numbers whilst going down. -A water slide? | 0:09:03 | 0:09:07 | |
All right, Wacky Wimbles, the time has come for you to decide | 0:09:07 | 0:09:10 | |
which of your grown-up-lings | 0:09:10 | 0:09:11 | |
will undertake this second dastardly dare. | 0:09:11 | 0:09:14 | |
Will they choose The Mum, big sister Ella again | 0:09:14 | 0:09:18 | |
or the Alternate Mum? | 0:09:18 | 0:09:21 | |
-BOTH: -Dare Devil, Dare Devil, we dare... -MATILDA: -My mum. | 0:09:21 | 0:09:25 | |
The Mum, you are the chosen one. We must depart. | 0:09:25 | 0:09:29 | |
Ah, the door has brought us | 0:09:41 | 0:09:43 | |
to one of Britain's most natural landscapes. | 0:09:43 | 0:09:46 | |
People supposedly come here to have fun and get wet. | 0:09:46 | 0:09:48 | |
Now, I can't promise you fun, The Mum, but you will definitely | 0:09:48 | 0:09:51 | |
be getting very, very wet in a dare I like to call | 0:09:51 | 0:09:55 | |
Washed Away! | 0:09:55 | 0:09:58 | |
-Tell me, The Mum, how are your rafting skills? -Oh, uh, zero. | 0:10:02 | 0:10:06 | |
Well that's good because there's no raft for you here, no. | 0:10:06 | 0:10:09 | |
Instead, you'll have to jump in | 0:10:09 | 0:10:11 | |
and navigate this dangerously fast-flowing white-water course. | 0:10:11 | 0:10:15 | |
Here's what you need to know. | 0:10:15 | 0:10:17 | |
On a terrifying trip along these rapids, | 0:10:18 | 0:10:22 | |
The Mum's challenge is to look out for three numbers on white cards | 0:10:22 | 0:10:27 | |
that I've dotted along the course. | 0:10:27 | 0:10:29 | |
Oh, dear, what am I doing? | 0:10:29 | 0:10:33 | |
To confuse her, I've also placed some decoy numbers on red cards. | 0:10:33 | 0:10:39 | |
To free the doubloon, | 0:10:39 | 0:10:40 | |
she must only enter the numbers from the white cards into my lock. | 0:10:40 | 0:10:46 | |
-Anchors aweigh, The Mum. -Whoo! -Go, Mum! -Come on! -Go on, Mum. | 0:10:46 | 0:10:52 | |
That's it, down the first ramp. | 0:10:52 | 0:10:55 | |
Here comes the first number, but will The Mum spot it? | 0:10:55 | 0:11:00 | |
It's the big one, yes. | 0:11:00 | 0:11:03 | |
That's a five. | 0:11:03 | 0:11:04 | |
That's it, down she goes again. | 0:11:04 | 0:11:07 | |
What a dunking and here's your second number, The Mum. | 0:11:07 | 0:11:11 | |
Remember, the red numbers are decoys. | 0:11:12 | 0:11:15 | |
You can do it! | 0:11:18 | 0:11:20 | |
-By the way, have you seen my piranha? I, uh... -Ooh! -Ooh. | 0:11:22 | 0:11:26 | |
Here's the next white number. | 0:11:30 | 0:11:32 | |
Will The Mum take that on board or will she take on water? | 0:11:32 | 0:11:36 | |
Go on! | 0:11:36 | 0:11:38 | |
The Mum survived that drenching | 0:11:44 | 0:11:47 | |
and hurtles on past red seven. | 0:11:47 | 0:11:50 | |
THEY CHEER AND WHOOP | 0:11:50 | 0:11:52 | |
There are two numbers left to spot | 0:11:54 | 0:11:56 | |
as she hits the most treacherous part of the course. | 0:11:56 | 0:11:59 | |
Little less flailing around underwater | 0:12:01 | 0:12:03 | |
and a little more floating. | 0:12:03 | 0:12:04 | |
The Mum's taken another dip, but did she see that number? | 0:12:07 | 0:12:11 | |
THEY CHEER AND URGE HER ON | 0:12:11 | 0:12:13 | |
That's it, she's on the home straight. | 0:12:13 | 0:12:16 | |
THEY CHEER | 0:12:16 | 0:12:17 | |
One more red number | 0:12:19 | 0:12:21 | |
and The Mum is home and dry. | 0:12:21 | 0:12:24 | |
-Well, home at least. -CHEERING | 0:12:24 | 0:12:28 | |
Welcome back to dry land, The Mum. | 0:12:29 | 0:12:31 | |
Now, we asked you to look out for six numbers dangling overhead, | 0:12:31 | 0:12:34 | |
but there's a little twist. | 0:12:34 | 0:12:36 | |
the ones on the red cards were red herrings. | 0:12:36 | 0:12:39 | |
I need you to give me only the three numbers that you saw | 0:12:39 | 0:12:42 | |
on the white cards and I'll need them in the correct order. | 0:12:42 | 0:12:47 | |
Enter them in. | 0:12:47 | 0:12:48 | |
Nine... | 0:12:51 | 0:12:52 | |
..five... | 0:12:54 | 0:12:55 | |
..one. | 0:12:56 | 0:12:57 | |
-Any joy? -Oh, no. -No! | 0:12:59 | 0:13:01 | |
Oh, dear! I can reveal you got the right numbers, but they were in the | 0:13:01 | 0:13:05 | |
wrong order and that means you haven't passed the dare. | 0:13:05 | 0:13:09 | |
The doubloon is mine! | 0:13:09 | 0:13:12 | |
Trying to keep going in the right direction | 0:13:14 | 0:13:16 | |
without crashing into the sides or the big bollards in the water | 0:13:16 | 0:13:20 | |
was the biggest challenge. | 0:13:20 | 0:13:21 | |
I'm really proud that she actually went in and did it | 0:13:22 | 0:13:25 | |
cos it was really cold in the water, as well. | 0:13:25 | 0:13:28 | |
Yes, they failed and still only have - | 0:13:29 | 0:13:32 | |
All right, Wacky Wimbles, | 0:13:37 | 0:13:38 | |
let us once again consult the Scroll of Secrets. | 0:13:38 | 0:13:42 | |
Matilda, you take charge again this time, but remember, | 0:13:42 | 0:13:46 | |
-the devil is in... -MUMBLES INCOHERENTLY | 0:13:46 | 0:13:48 | |
What could that possibly mean? | 0:13:55 | 0:13:57 | |
-Well, something to do with flowers, anyway. -And love. -Yeah. | 0:13:57 | 0:14:00 | |
Or see how many people will take the flower. | 0:14:00 | 0:14:02 | |
All right, Matilda and Imogen, the time has come for you to announce | 0:14:02 | 0:14:05 | |
which of your grown-up-lings will undertake this final challenge. | 0:14:05 | 0:14:09 | |
-BOTH: -Dare Devil, Dare Devil, we dare... -IMOGEN: -My mum. | 0:14:09 | 0:14:14 | |
Alternate Mum, you are chosen for our final dare. | 0:14:14 | 0:14:17 | |
All right, enough of this jibber-jabber. Choppity-chop! | 0:14:17 | 0:14:20 | |
Ah, yes, here we are in Waltham Cross. | 0:14:31 | 0:14:34 | |
It's this romantic locale that has inspired our final dare, | 0:14:34 | 0:14:38 | |
a dare I like to call | 0:14:38 | 0:14:40 | |
12 Dead Roses. | 0:14:40 | 0:14:43 | |
OK, Alternate Mum, your dare today will be to give a rose | 0:14:46 | 0:14:52 | |
to the good people of this town | 0:14:52 | 0:14:54 | |
but what you say will be controlled by Matilda and Imogen. | 0:14:54 | 0:14:57 | |
Still sounding good? Here's the "informazione". | 0:14:57 | 0:15:01 | |
To secure a doubloon, Alternate Mum must successfully hand out | 0:15:03 | 0:15:07 | |
six of her 12 roses in a series of cringeworthy ways. | 0:15:07 | 0:15:13 | |
Every time she's turned down, | 0:15:13 | 0:15:15 | |
a rose is lost, so she must overcome her embarrassment. | 0:15:15 | 0:15:19 | |
OK, Matilda and Imogen, Alternate Mum's in place. | 0:15:21 | 0:15:25 | |
I think it's time for you to feed her her first cringe-inducing line. | 0:15:25 | 0:15:30 | |
This is what you have to do, | 0:15:31 | 0:15:32 | |
pretend that you think the person is famous, tell them how much | 0:15:32 | 0:15:35 | |
-you love their work and that you just want to give them a rose. -OK. | 0:15:35 | 0:15:40 | |
Excuse me, sir, are you from that TV show? | 0:15:40 | 0:15:43 | |
Excuse me, kind lady, can I present you with this rose? | 0:15:44 | 0:15:47 | |
A bad start, that's two roses gone. | 0:15:47 | 0:15:51 | |
Do I recognise you? Are you from that TV show? | 0:15:51 | 0:15:53 | |
Yes, we could have a punter. | 0:15:53 | 0:15:55 | |
What show are you in again? You must remind me, I love your work. | 0:15:56 | 0:15:59 | |
-EastEnders. -Fantastic. Please have this free rose. Thank you. | 0:15:59 | 0:16:03 | |
-THEY WHOOP -Well done, Alternate Mum, | 0:16:03 | 0:16:06 | |
time for our second line. | 0:16:06 | 0:16:08 | |
You have to sing a song in opera-style with the words, | 0:16:10 | 0:16:14 | |
"You are beautiful. This rose is for being beautiful." | 0:16:14 | 0:16:17 | |
Excuse me, sir, can I give you this free rose? | 0:16:20 | 0:16:22 | |
Oh, another potential. | 0:16:22 | 0:16:25 | |
# You are beautiful | 0:16:25 | 0:16:27 | |
# Here is a rose because you are beautiful. # | 0:16:27 | 0:16:30 | |
Yes, I'd be amazed if he didn't marry her on the spot. | 0:16:30 | 0:16:33 | |
-There we go, that's another success. Well done. -Yes! -Yes! | 0:16:33 | 0:16:38 | |
Alternate Mum is hiding her blushes well. | 0:16:40 | 0:16:42 | |
I to the L, to the O, to the V, to the E, | 0:16:44 | 0:16:46 | |
to the Y, to the O, to the U. | 0:16:46 | 0:16:49 | |
-It's for you, yes. Thank you. -Thank you. | 0:16:49 | 0:16:51 | |
THEY CHEER | 0:16:51 | 0:16:52 | |
Well done, Alternate Mum, that's another one. | 0:16:52 | 0:16:54 | |
That's three successes, | 0:16:54 | 0:16:56 | |
but she still needs another three to pass the dare. | 0:16:56 | 0:16:59 | |
Next up, an awkward staring challenge. | 0:17:01 | 0:17:04 | |
Excuse me, kind lady, can I present you with this free rose? | 0:17:04 | 0:17:07 | |
I think you are fantastic, I could gaze into your eyes all day long. | 0:17:07 | 0:17:11 | |
Thank you. SHE LAUGHS NERVOUSLY | 0:17:11 | 0:17:13 | |
-And an immediate hit. -Can I have the rose now? | 0:17:13 | 0:17:16 | |
It's looking good, but how will Alternate Mum handle | 0:17:16 | 0:17:19 | |
the old pick-your-nose-with-a-rose dare? | 0:17:19 | 0:17:22 | |
Roses are red I love a good rose | 0:17:22 | 0:17:25 | |
The stems are particularly good To pick your nose. | 0:17:25 | 0:17:27 | |
That's beautiful, thank you. | 0:17:27 | 0:17:29 | |
-I will treasure it for the rest of my life... -Thank you, | 0:17:29 | 0:17:32 | |
-that's very kind of you! -..especially that bit. | 0:17:32 | 0:17:34 | |
-That's five triumphs in the bag. -THEY CHEER | 0:17:36 | 0:17:39 | |
-Go, Bronte! -She's doing so well. | 0:17:39 | 0:17:42 | |
One more win and the Wacky Wimbles will have the doubloon. | 0:17:42 | 0:17:46 | |
But I've saved the most dastardly challenge to the end. | 0:17:47 | 0:17:52 | |
OK, Bronte, you have to say, "Can you hold this rose for me, please? | 0:17:52 | 0:17:56 | |
"I've got terrible wind | 0:17:56 | 0:17:57 | |
"and this flower isn't the only thing that I need to get rid of." | 0:17:57 | 0:18:01 | |
Can Alternate Mum deliver? | 0:18:02 | 0:18:06 | |
Excuse me, kind lady, excuse me, | 0:18:06 | 0:18:07 | |
can I present you with this free rose? | 0:18:07 | 0:18:10 | |
Please? | 0:18:10 | 0:18:12 | |
How embarrassing, another rose gone. | 0:18:12 | 0:18:15 | |
Yes, you can practically smell the tension. | 0:18:15 | 0:18:19 | |
-Excuse me, sir, can I present you with this free rose? -Certainly. | 0:18:19 | 0:18:23 | |
Cos I have terrible wind and wind is not the only thing | 0:18:23 | 0:18:27 | |
I need to get rid of, so please take this rose. | 0:18:27 | 0:18:29 | |
-It looks like she's done it. -She's done it, well done! | 0:18:29 | 0:18:31 | |
Well done, Wacky Wimbles. Alternate Mum, come on over. | 0:18:31 | 0:18:35 | |
Wacky Wimbles, I hate to say it, but the doubloon is yours! | 0:18:35 | 0:18:39 | |
-Grrr! -Yay! | 0:18:39 | 0:18:41 | |
I think that dare was really hard for my mum, cos she had to give | 0:18:41 | 0:18:44 | |
flowers away to strangers and say really embarrassing things. | 0:18:44 | 0:18:47 | |
# Here is a rose Because you are beautiful. # | 0:18:47 | 0:18:51 | |
The most embarrassing part was when I had to sing opera, | 0:18:51 | 0:18:54 | |
clearly I was dreadful. | 0:18:54 | 0:18:55 | |
That's it for the grown-ups, let's see how they've done. | 0:18:57 | 0:19:01 | |
The Wacky Wimbles have passed two of their three dares. | 0:19:01 | 0:19:05 | |
Add that to the doubloon I gave them, | 0:19:05 | 0:19:07 | |
means they have three doubloons, giving Matilda and Imogen | 0:19:07 | 0:19:10 | |
180 seconds as we head back to my castle. | 0:19:10 | 0:19:15 | |
Come on! | 0:19:17 | 0:19:18 | |
Welcome, welcome to my castle. | 0:19:29 | 0:19:32 | |
We're heading down to my dungeon. Feeling brave, Imogen and Matilda? | 0:19:32 | 0:19:35 | |
-BOTH: -Bring it on! -Bring what on what? | 0:19:35 | 0:19:37 | |
Anyway, we're about to face up to my terrifying Chambers of Bravery 3.0. | 0:19:37 | 0:19:43 | |
Come on! | 0:19:43 | 0:19:44 | |
To win the prize and escape my dungeon, the Wacky Wimbles must | 0:19:46 | 0:19:50 | |
try and open all of the Treasure Tanks by playing my devilish games. | 0:19:50 | 0:19:56 | |
-Please. -I can't find it, Amy. | 0:19:56 | 0:19:59 | |
-In a moment of weakness... -HE GROWLS | 0:20:00 | 0:20:02 | |
..I opened the first tank to give them a head start. | 0:20:02 | 0:20:06 | |
The more tanks THEY open, | 0:20:06 | 0:20:08 | |
the easier it will be in the final pitch-black chamber | 0:20:08 | 0:20:12 | |
to grab enough doubloons to tip the Scales of Destiny | 0:20:12 | 0:20:15 | |
and claim the glory. | 0:20:15 | 0:20:18 | |
Welcome! Welcome to my dungeon, Wacky Wimbles. | 0:20:19 | 0:20:23 | |
Now, listen closely, if one of you doesn't want to do a dare, | 0:20:23 | 0:20:26 | |
or it all gets a bit too much, you must shout, "Stop!" | 0:20:26 | 0:20:29 | |
and someone can take your place | 0:20:29 | 0:20:30 | |
although you will lose ten seconds off the clock. Comprende? | 0:20:30 | 0:20:33 | |
-Si! -All right, it's time for us to face my first horrifying chamber, | 0:20:33 | 0:20:39 | |
it's The Organ of Halvor! | 0:20:39 | 0:20:42 | |
To open the tank, | 0:20:46 | 0:20:47 | |
the tangled notes of the Organ of Halvor must be solved. | 0:20:47 | 0:20:51 | |
Whilst one plays the notes written on my music sheet, | 0:20:53 | 0:20:56 | |
the other must confront terrifying beasts as they struggle to find | 0:20:56 | 0:20:59 | |
the same tune on their keys. | 0:20:59 | 0:21:02 | |
Well, Imogen and Matilda, you must both enter | 0:21:03 | 0:21:05 | |
the first horrifying chamber but only one of you | 0:21:05 | 0:21:07 | |
will face the beasts, who will it be? | 0:21:07 | 0:21:10 | |
-Me. -You, Matilda, very good, | 0:21:10 | 0:21:12 | |
and what creatures do you think are lurking therein? | 0:21:12 | 0:21:15 | |
-Hopefully not maggots. -Hopefully not maggots. | 0:21:15 | 0:21:17 | |
All right, then - your time will start when you take off the cloth. | 0:21:17 | 0:21:21 | |
-In you go. -Good luck. -Good luck. -Go for it, girls. | 0:21:21 | 0:21:24 | |
What creepy delights await the Wacky Wimbles? | 0:21:27 | 0:21:31 | |
It's the revolting rats! | 0:21:31 | 0:21:34 | |
All right, time starts now. | 0:21:34 | 0:21:36 | |
THE BUTTONS PLAY EERIE MUSIC WHEN PRESSED | 0:21:36 | 0:21:39 | |
Imogen has played the tune written on my music sheet. | 0:21:43 | 0:21:47 | |
Matilda now has to brave the rats | 0:21:49 | 0:21:51 | |
to find the same tune on her mixed up notes. | 0:21:51 | 0:21:55 | |
-Think the third one. -Third one. | 0:22:04 | 0:22:05 | |
They've found the second note, but need to find the first. | 0:22:05 | 0:22:09 | |
OK, fourth one. | 0:22:11 | 0:22:12 | |
That's the fourth note and here are the others she needs to find. | 0:22:15 | 0:22:18 | |
But Matilda's still playing the wrong sequence. | 0:22:21 | 0:22:24 | |
-No. -The girls are now playing any note they can find. | 0:22:30 | 0:22:34 | |
They need to organise themselves to play the right tune. | 0:22:34 | 0:22:38 | |
That one. | 0:22:41 | 0:22:42 | |
-THEY CHEER -Stop the clock. | 0:22:47 | 0:22:49 | |
Out you come, out you come. | 0:22:49 | 0:22:50 | |
Well, how did you enjoy the company of the rats? | 0:22:52 | 0:22:56 | |
-They're cute. -And fluffy. -Of course they're fluffy. | 0:22:56 | 0:22:58 | |
I washed and blow-dried them myself only this morning. | 0:22:58 | 0:23:01 | |
You've got two tanks open | 0:23:01 | 0:23:02 | |
and 99 seconds left on the clock which you will need as we head | 0:23:02 | 0:23:05 | |
to our second terrifying chamber - it's the Circles of Solocles. | 0:23:05 | 0:23:11 | |
The final tank will open | 0:23:15 | 0:23:16 | |
when the Circles of Solocles are correctly aligned | 0:23:16 | 0:23:20 | |
but the code to the sequence is hidden in my Dome of Doom. | 0:23:20 | 0:23:24 | |
To reveal the symbols, the lights must be illuminated | 0:23:24 | 0:23:27 | |
and the terrifying creatures must be faced. | 0:23:27 | 0:23:31 | |
All right, Matilda and Imogen, it's time for you both to enter | 0:23:31 | 0:23:34 | |
our second chamber, but one of you, and one of you alone, | 0:23:34 | 0:23:37 | |
will face the Dome of Doom, who will it be? | 0:23:37 | 0:23:39 | |
Me. | 0:23:39 | 0:23:40 | |
You, Imogen, very good. And what dastardly creatures | 0:23:40 | 0:23:43 | |
do you think are hungrily awaiting your arrival? | 0:23:43 | 0:23:45 | |
Hopefully not snakes. | 0:23:45 | 0:23:47 | |
How do you feel about giant spiders? | 0:23:47 | 0:23:49 | |
Cos that's what it is. | 0:23:49 | 0:23:51 | |
Well, you've got 99 seconds left on the clock. | 0:23:52 | 0:23:55 | |
Your time will start when your head enters the dome. | 0:23:55 | 0:23:58 | |
-In you go. -Go on, guys. -Good luck, Immy. | 0:23:58 | 0:24:01 | |
That's it, up she comes, time starts now. | 0:24:07 | 0:24:09 | |
-Come on, Immy. -Use your fingers. | 0:24:09 | 0:24:11 | |
-Get the torch, yes. -Got it? -Fingers... | 0:24:11 | 0:24:13 | |
-OK, now, turn it on, quick. -OK, look at the roof. | 0:24:13 | 0:24:16 | |
-First one. -The first one... -Come on, quick, Immy. | 0:24:16 | 0:24:22 | |
-..is a skull... -OK. -..with a bone going through the middle | 0:24:22 | 0:24:26 | |
-and has a crack on its head. -With a bone in the middle of it? | 0:24:26 | 0:24:30 | |
Going on a diagonal. | 0:24:30 | 0:24:33 | |
-OK, is it going to top right? -Yeah. | 0:24:33 | 0:24:38 | |
-OK, the second one. -One minute left, girls. | 0:24:38 | 0:24:42 | |
It's a triangle, the point is pointing down and it's got | 0:24:42 | 0:24:45 | |
a white bit, like a line, and a pupil in the middle. | 0:24:45 | 0:24:49 | |
-So, is it a triangle pointing down with an eye in the middle? -Yeah. | 0:24:49 | 0:24:53 | |
-OK, third one. -A key, it's upside down and it has two little bits. | 0:24:53 | 0:24:58 | |
So, is the circle at the top? | 0:24:58 | 0:25:00 | |
-No, the circle's at the bottom. -OK. | 0:25:00 | 0:25:03 | |
That's 30 seconds remaining. | 0:25:05 | 0:25:07 | |
Yes, that's it. | 0:25:08 | 0:25:10 | |
All right, stop the clock and out you come, out you come. | 0:25:10 | 0:25:13 | |
Matilda and Imogen's smart work sees them carry 25 seconds | 0:25:17 | 0:25:22 | |
to add to the 60 seconds I'll give them as they end their quest | 0:25:22 | 0:25:26 | |
at the fearsome Tanks of Treachery. | 0:25:26 | 0:25:29 | |
Imogen and Matilda, we stand outside the Tanks of Treachery, | 0:25:31 | 0:25:34 | |
but only one of you may enter - who will it be? | 0:25:34 | 0:25:38 | |
-Me. -You, Matilda. | 0:25:38 | 0:25:39 | |
You have 85 seconds on the clock to gather enough doubloons to tip | 0:25:39 | 0:25:44 | |
the Scales of Destiny. | 0:25:44 | 0:25:45 | |
And remember, you can shout "Stop" at any time. In you go! | 0:25:45 | 0:25:50 | |
All right, Matilda, your time will start in three, two, one, | 0:25:55 | 0:25:59 | |
off you go! | 0:25:59 | 0:26:00 | |
-Eurrggh! Eurrggh, that's gross! -Remember, Matilda can't see a thing | 0:26:00 | 0:26:05 | |
and has no idea what she's putting her hands into. | 0:26:05 | 0:26:10 | |
-Just keep digging, there's a few in there. -Yeah, we're doing well. | 0:26:10 | 0:26:13 | |
-Well done. -Balloon. -She's certainly industrious. -Come on. | 0:26:13 | 0:26:16 | |
That's 60 seconds left, Matilda. | 0:26:16 | 0:26:19 | |
-Move tanks, move tanks. -Keep going, come on! -Oh, this is impossible. | 0:26:19 | 0:26:25 | |
She's braving the darkness, | 0:26:25 | 0:26:26 | |
but will she find enough doubloons to tip the scales? | 0:26:26 | 0:26:30 | |
-Next tank, next tank. -Go, go, go. | 0:26:30 | 0:26:34 | |
Oh, that's gross. | 0:26:34 | 0:26:36 | |
Go, go, go, go, go! | 0:26:36 | 0:26:38 | |
You found any? | 0:26:38 | 0:26:39 | |
Matilda can't find any more doubloons, | 0:26:39 | 0:26:42 | |
so she heads back to the first tank. | 0:26:42 | 0:26:44 | |
Nine, eight, seven, six, | 0:26:44 | 0:26:47 | |
five, four, | 0:26:47 | 0:26:50 | |
three, two, one. | 0:26:50 | 0:26:52 | |
Stop the clock, out you come, out you come, Matilda. | 0:26:52 | 0:26:55 | |
Yes, that's it, welcome back, welcome back. | 0:26:55 | 0:26:57 | |
Matilda, it's time to face the scales. | 0:26:57 | 0:27:00 | |
Hand over the doubloons. | 0:27:03 | 0:27:06 | |
Yes. | 0:27:06 | 0:27:07 | |
Oh, there's lots. | 0:27:08 | 0:27:09 | |
-That's it, is that the lot? -Oh, wow. -Let's put these on the scales | 0:27:09 | 0:27:13 | |
and see how you've done. Chuck a couple in. No movement. | 0:27:13 | 0:27:18 | |
Maybe another one. Well, a couple more. | 0:27:18 | 0:27:22 | |
It's not looking good, is it? Oh, a little flicker. Yes! | 0:27:22 | 0:27:26 | |
Well, how about that? You've won, you've defeated me! | 0:27:28 | 0:27:31 | |
This is the worst possible outcome but I have to give you your prize. | 0:27:32 | 0:27:36 | |
Ah, disgusting, go on, get out of my sight. | 0:27:39 | 0:27:41 | |
I never want to see you again. | 0:27:41 | 0:27:43 | |
Chalk this one up to experience. | 0:27:46 | 0:27:50 | |
THEY CHEER | 0:27:50 | 0:27:51 | |
I hate winners. I need a lift. | 0:27:52 | 0:27:54 | |
Book us in for a weekend of pampering, will you? Huh? | 0:27:54 | 0:27:57 | |
Yes, a sauna for me | 0:27:57 | 0:27:59 | |
and a wash and blow-dry for you. | 0:27:59 | 0:28:01 | |
Anyhoo, | 0:28:02 | 0:28:03 | |
fearless children and adults beware, | 0:28:03 | 0:28:05 | |
for the Dare Devil waits | 0:28:05 | 0:28:07 | |
with a devilish dare! | 0:28:07 | 0:28:09 |