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I used to be in care at The Dumping Ground. | 0:00:10 | 0:00:13 | |
Ha! Look at me now. | 0:00:13 | 0:00:14 | |
We're number one in the US, France and Germany. | 0:00:14 | 0:00:18 | |
Number two in New Zealand. | 0:00:18 | 0:00:19 | |
-Number two? -Yes, sir. | 0:00:19 | 0:00:21 | |
You're fired. | 0:00:21 | 0:00:23 | |
Before you go, grab me a water and make sure it's... | 0:00:23 | 0:00:26 | |
It's chilled to 21 degrees. Yes, sir. | 0:00:26 | 0:00:28 | |
Now you've got it. | 0:00:28 | 0:00:30 | |
You're going to be late for college... Again. | 0:00:32 | 0:00:35 | |
-I'm leaving in five minutes. -Oh, man! | 0:00:35 | 0:00:37 | |
My name is Liam O'Donovan. | 0:00:40 | 0:00:43 | |
Now, some people like to write stuff down. | 0:00:43 | 0:00:45 | |
Me, I'm going to record it all on here. | 0:00:45 | 0:00:46 | |
Now, one day you're going to want to know how I started | 0:00:46 | 0:00:49 | |
and where I'm from. | 0:00:49 | 0:00:50 | |
Well, this is it. This is my story so far. | 0:00:50 | 0:00:53 | |
-Right, guys... -I've been living with my brother for a few years now. | 0:00:53 | 0:00:56 | |
-I'm at college trying to be a plumber. -Liam. | 0:00:56 | 0:00:58 | |
-His idea, not mine. -He's talking to you. | 0:00:58 | 0:01:01 | |
I want you to come up here and show everyone how to replace this washer. | 0:01:01 | 0:01:05 | |
Now, is there anything you need to do in preparation? | 0:01:10 | 0:01:13 | |
No, it's cool. I've got this. | 0:01:13 | 0:01:15 | |
SQUEAKING | 0:01:18 | 0:01:20 | |
The first rule of plumbing. When fixing a leak... | 0:01:30 | 0:01:33 | |
First turn the water off. | 0:01:33 | 0:01:34 | |
Yeah, well... What did you expect? | 0:01:34 | 0:01:37 | |
Do I look like a plumber to you? | 0:01:37 | 0:01:38 | |
So, this is my college and, well... I'm the most popular guy here. | 0:01:42 | 0:01:46 | |
Why do you bother? | 0:01:48 | 0:01:49 | |
-Back off, Stevie, yeah? -The only reason you're here | 0:01:49 | 0:01:51 | |
is because Dave's mates with your brother. | 0:01:51 | 0:01:53 | |
-I'm actually going places. -HE SNIGGERS | 0:01:53 | 0:01:55 | |
See, this time next year I'm... | 0:01:55 | 0:01:57 | |
Unemployed and sponging off your brother. | 0:01:57 | 0:01:59 | |
BELL RINGS | 0:02:01 | 0:02:09 | |
DISTANT SINGING | 0:02:09 | 0:02:12 | |
HE SIGHS | 0:02:12 | 0:02:13 | |
GIRL'S VOICE SINGS SOOTHINGLY | 0:02:16 | 0:02:22 | |
# Is someone getting the best | 0:02:23 | 0:02:25 | |
# The best, the best, the best of you | 0:02:25 | 0:02:30 | |
# Are you gone and onto someone new? | 0:02:33 | 0:02:38 | |
# I needed somewhere to hang my head | 0:02:39 | 0:02:43 | |
# Without your noose | 0:02:43 | 0:02:47 | |
# You gave me something that I didn't have | 0:02:47 | 0:02:50 | |
# But had no use... # | 0:02:50 | 0:02:54 | |
Hearing her voice... It just took me to another world. | 0:02:55 | 0:02:59 | |
CAMERA BLEEPS | 0:03:01 | 0:03:02 | |
-So, come on, spill. -What you going on about? | 0:03:04 | 0:03:07 | |
I haven't heard a peep out of you since yesterday. | 0:03:07 | 0:03:09 | |
-It's nothing. -So what's her name? | 0:03:11 | 0:03:14 | |
What makes you think it's a girl? | 0:03:14 | 0:03:17 | |
It's always a girl. | 0:03:17 | 0:03:18 | |
Give me it back! Give me it back, man! | 0:03:18 | 0:03:21 | |
Don't forget your plumbing coursework's due in today. | 0:03:21 | 0:03:23 | |
Yeah, yeah, I know. Can I have it back now? | 0:03:23 | 0:03:25 | |
# To hang my head without your noose...# | 0:03:25 | 0:03:29 | |
Who's this? | 0:03:29 | 0:03:31 | |
-Her name is Poppy. -And? | 0:03:31 | 0:03:32 | |
-And that's all I know. -So what are you going to say to her? | 0:03:32 | 0:03:36 | |
I haven't figured it out yet. Well, it can't be hard, can it? | 0:03:36 | 0:03:40 | |
With this face, all I need to do is give her the O'Donovan charm. | 0:03:40 | 0:03:43 | |
Something you lack, son. | 0:03:43 | 0:03:45 | |
THE GIRLS LAUGH | 0:03:50 | 0:03:52 | |
Sorry, man. | 0:03:56 | 0:03:59 | |
GENTLE LAUGHTER | 0:03:59 | 0:04:01 | |
See you later. | 0:04:15 | 0:04:16 | |
STRUMMING ON GUITAR | 0:04:34 | 0:04:37 | |
Are you using this space? | 0:04:41 | 0:04:44 | |
No, no. It's all yours. | 0:04:44 | 0:04:46 | |
You don't have to go. | 0:04:49 | 0:04:50 | |
It's Liam, isn't it? | 0:04:51 | 0:04:54 | |
Look, I'm sorry about earlier. I'm so embarrassed. | 0:04:54 | 0:04:57 | |
Don't worry about it. | 0:04:57 | 0:04:59 | |
I heard you singing yesterday. | 0:05:00 | 0:05:03 | |
-Was I terrible? -No, you was amazing! | 0:05:03 | 0:05:06 | |
Every time I watch back it gets better and better. | 0:05:06 | 0:05:08 | |
I was just, like... Oh, man! | 0:05:08 | 0:05:10 | |
Watching me back? | 0:05:10 | 0:05:12 | |
Yeah, I filmed it... No, not in a stalker way. Like... | 0:05:12 | 0:05:16 | |
Let's pretend this conversation never happened, yeah? | 0:05:19 | 0:05:23 | |
The answer's yes. | 0:05:23 | 0:05:24 | |
I will go out with you. | 0:05:29 | 0:05:30 | |
And there you have it. The day everything changed. | 0:05:33 | 0:05:37 | |
With the right management you can really go places, you know. | 0:05:37 | 0:05:40 | |
Where would I find a manager? | 0:05:40 | 0:05:42 | |
Now let me introduce myself. | 0:05:42 | 0:05:44 | |
Liam O'Donovan, talent scout, agent, manager and all-round entrepreneur. | 0:05:44 | 0:05:50 | |
Look, with your voice, my brains, we'll be | 0:05:50 | 0:05:53 | |
selling out Wembley by the end of the year. | 0:05:53 | 0:05:55 | |
-Are you serious? -Yeah. | 0:05:55 | 0:05:56 | |
I mean, Adele, Jessie J, One Direction. | 0:05:56 | 0:05:59 | |
They'd all be busking in the street if it weren't for me. | 0:05:59 | 0:06:02 | |
All right, that's a lie, | 0:06:02 | 0:06:03 | |
but everyone's got to start somewhere, haven't we? | 0:06:03 | 0:06:06 | |
I'll think about it. | 0:06:06 | 0:06:07 | |
BELL RINGS | 0:06:07 | 0:06:09 | |
I'll have my assistant draw up a contract, yeah? | 0:06:09 | 0:06:11 | |
I can't help it if I've got bigger ambitions than plumbing. | 0:06:25 | 0:06:28 | |
If I work hard at it, then why can't I give music a shot? | 0:06:28 | 0:06:32 | |
TAPS QUICKLY AT KEYBOARD | 0:06:39 | 0:06:42 | |
A college talent competition! That's just the break we need. | 0:06:48 | 0:06:51 | |
SHOUTING AND JOSTLING | 0:07:00 | 0:07:05 | |
Will you get out of the way? | 0:07:12 | 0:07:14 | |
FIRE ALARM GOES OFF | 0:07:14 | 0:07:16 | |
Fire! | 0:07:16 | 0:07:18 | |
Result! | 0:07:28 | 0:07:30 | |
Come in. | 0:07:33 | 0:07:34 | |
So, I got your message. What was so urgent? | 0:07:34 | 0:07:37 | |
-Who is it, Liam? -It's for me. | 0:07:37 | 0:07:39 | |
-You must be Poppy. -That's right. | 0:07:42 | 0:07:44 | |
Liam hasn't shut up about you. | 0:07:44 | 0:07:45 | |
-Ignore him. -Bless him! He's gone all shy. | 0:07:45 | 0:07:48 | |
Look, we're going out. | 0:07:48 | 0:07:49 | |
-No, you don't. -But... -You've got practical tomorrow. | 0:07:49 | 0:07:52 | |
Do me a favour, yeah, talk some sense into this one. | 0:07:52 | 0:07:54 | |
He needs to learn a trade if he wants to get on in the world. | 0:07:54 | 0:07:57 | |
-He's right, you know. -Not you as well. | 0:07:57 | 0:07:59 | |
I think me and you are going to be good friends, Poppy. | 0:07:59 | 0:08:02 | |
Five minutes. | 0:08:02 | 0:08:04 | |
So what was so urgent? | 0:08:04 | 0:08:07 | |
This is the big break we've been waiting for. | 0:08:07 | 0:08:09 | |
It's a college talent competition. | 0:08:10 | 0:08:12 | |
-You want to get noticed, don't you? -What about your brother? | 0:08:12 | 0:08:15 | |
You heard what he said, | 0:08:15 | 0:08:16 | |
I need a trade if I want to get on in the world. | 0:08:16 | 0:08:18 | |
Well, this is my trade. | 0:08:18 | 0:08:21 | |
-So are you in or not? -I'm in. | 0:08:23 | 0:08:25 | |
Poppy and me, we're heading right to the top. | 0:08:28 | 0:08:31 | |
Next stop, private jets and limousines! | 0:08:31 | 0:08:33 | |
-What time's your practical? -Four o'clock. | 0:08:35 | 0:08:38 | |
Are you nervous? | 0:08:38 | 0:08:40 | |
-You've been putting the work in, haven't you? -Of course. | 0:08:41 | 0:08:45 | |
Then how about I take you out tonight, to celebrate? | 0:08:45 | 0:08:48 | |
I don't want to let my brother down | 0:08:48 | 0:08:50 | |
but me and Poppy, we're chasing the dream. | 0:08:50 | 0:08:53 | |
-Is that all right? -Yeah, that's good. | 0:08:53 | 0:08:55 | |
You don't talk about your mum and dad much. | 0:08:57 | 0:09:00 | |
They're abroad, aren't they? | 0:09:00 | 0:09:02 | |
Running a hotel on a beach. | 0:09:02 | 0:09:04 | |
They wanted me to go along, but, you know, college and stuff. | 0:09:04 | 0:09:07 | |
I know you were in care, Liam. | 0:09:08 | 0:09:10 | |
You don't have to lie to me. | 0:09:11 | 0:09:13 | |
We should get these plugged in, eh? | 0:09:16 | 0:09:18 | |
What was it like... In care, I mean? | 0:09:18 | 0:09:21 | |
It was all right. | 0:09:22 | 0:09:25 | |
It must have been hard not having a family. | 0:09:25 | 0:09:27 | |
Oh, I had a family. | 0:09:27 | 0:09:29 | |
There was Mike, he was practically a father figure, | 0:09:29 | 0:09:32 | |
then there was Tracy, she was like a big sister, then there was Frank. | 0:09:32 | 0:09:36 | |
-Who was Frank? -My brother from another mother! | 0:09:36 | 0:09:39 | |
Better get started on these. | 0:09:41 | 0:09:43 | |
I'm starting to get really nervous now. | 0:09:45 | 0:09:47 | |
Look... There's nothing to be nervous about. | 0:09:49 | 0:09:52 | |
What could go wrong? | 0:09:52 | 0:09:53 | |
SPEAKER FIZZLES | 0:09:57 | 0:09:59 | |
-ANNOUNCER: -The talent contest will start in one minute. | 0:09:59 | 0:10:01 | |
We've got this in the bag. | 0:10:05 | 0:10:06 | |
I'm going to need an audience member. | 0:10:06 | 0:10:09 | |
WHOOPING AND CHEERING | 0:10:09 | 0:10:11 | |
That's my card. It's Katie. | 0:10:11 | 0:10:15 | |
-ANNOUNCER: -Would Poppy please come up on stage? | 0:10:21 | 0:10:23 | |
Go and smash it, yeah? | 0:10:23 | 0:10:25 | |
APPLAUSE | 0:10:29 | 0:10:34 | |
Poppy is going to sing Chasing Pavements. | 0:10:34 | 0:10:36 | |
Excuse me, have you got the time, bro? | 0:10:36 | 0:10:39 | |
-Just gone 4.30pm. -Cheers, thank you. | 0:10:39 | 0:10:42 | |
# I've made up my mind | 0:10:42 | 0:10:44 | |
# Don't need to think it over | 0:10:44 | 0:10:46 | |
# If I'm wrong I am right | 0:10:46 | 0:10:49 | |
# Don't need to look no further | 0:10:49 | 0:10:52 | |
# This ain't lust | 0:10:52 | 0:10:54 | |
# I know this is love | 0:10:54 | 0:11:00 | |
# But if I tell the world | 0:11:00 | 0:11:04 | |
# I'll never say enough | 0:11:04 | 0:11:06 | |
# Cos it was not said to you | 0:11:06 | 0:11:09 | |
# And that's exactly what I need to do | 0:11:09 | 0:11:12 | |
# If I end up with you | 0:11:12 | 0:11:17 | |
# Should I give up... # | 0:11:17 | 0:11:18 | |
I know he's your brother, Jack, but I can't keep pushing him like this. | 0:11:18 | 0:11:21 | |
-I can explain. -Don't bother. | 0:11:21 | 0:11:23 | |
Jack! | 0:11:26 | 0:11:27 | |
We won! | 0:11:31 | 0:11:33 | |
Sometimes you don't always feel like a winner. | 0:11:34 | 0:11:37 | |
Mmm, that's a nice cup of tea. | 0:11:37 | 0:11:40 | |
If you've got any other problems, Mrs Roberts, | 0:11:40 | 0:11:42 | |
-you just give Liam a call. -I will. | 0:11:42 | 0:11:46 | |
Biscuits? | 0:11:48 | 0:11:50 | |
Now that's done, you can make a start on her shower. | 0:11:51 | 0:11:54 | |
This is my life now. Jack's slave and all-round skivvy. | 0:11:54 | 0:11:57 | |
The music's on hold and I'm just a dogsbody for hire. | 0:11:58 | 0:12:01 | |
This is all for your benefit, you know. | 0:12:01 | 0:12:03 | |
Just get your head down and keep your eye on the goal, yeah? | 0:12:03 | 0:12:06 | |
This time next year you could be your own boss, | 0:12:06 | 0:12:08 | |
driving around in your own van. How does that sound? | 0:12:08 | 0:12:11 | |
PHOTOCOPIER WHIRRS | 0:12:28 | 0:12:34 | |
Just chill one minute, yeah? | 0:12:36 | 0:12:39 | |
# 12 tiny hours...# | 0:12:39 | 0:12:42 | |
-It's a bit rough around the edges but... -What is it? | 0:12:42 | 0:12:47 | |
It's our first number one. | 0:12:47 | 0:12:49 | |
-What do you think? -I love it. | 0:12:49 | 0:12:52 | |
Also, I designed these - look. | 0:12:52 | 0:12:54 | |
If we get gigs we'll attract record companies. | 0:12:54 | 0:12:57 | |
I thought I'd take you out seeing as you'd been working so hard. | 0:13:07 | 0:13:10 | |
-Listen, Jack... -It turns out you've mugged me off... Again. | 0:13:10 | 0:13:13 | |
More fool me. | 0:13:13 | 0:13:14 | |
Look, why don't you just hear us out, yeah? | 0:13:14 | 0:13:17 | |
Just give me a chance. | 0:13:18 | 0:13:20 | |
FOOTBALL CROWD ROARS ON TV | 0:13:40 | 0:13:44 | |
MOBILE PHONE RINGS | 0:13:46 | 0:13:48 | |
Hello? | 0:13:51 | 0:13:52 | |
Yeah, Liam O'Donovan. | 0:13:54 | 0:13:56 | |
A gig? Tomorrow? | 0:14:01 | 0:14:03 | |
Yeah, we can be there. | 0:14:03 | 0:14:05 | |
All right, sweet. | 0:14:07 | 0:14:08 | |
Yes! | 0:14:09 | 0:14:11 | |
Have you ever found yourself being caught | 0:14:11 | 0:14:13 | |
between a rock and a hard place? | 0:14:13 | 0:14:14 | |
Welcome to my world. | 0:14:14 | 0:14:16 | |
Poppy Ho. Trust me, she's going to be the next big thing. | 0:14:16 | 0:14:19 | |
Get your reporters down there. | 0:14:19 | 0:14:22 | |
Yeah? All right. | 0:14:22 | 0:14:23 | |
You made it, then. | 0:14:24 | 0:14:26 | |
-I told you I wouldn't let you down, didn't I? -Right. | 0:14:26 | 0:14:28 | |
Well, we'll be splitting you into pairs. | 0:14:28 | 0:14:31 | |
You're going to be working with... | 0:14:31 | 0:14:33 | |
Pass some more sealant. | 0:14:37 | 0:14:40 | |
Now. Now. | 0:14:40 | 0:14:43 | |
Now! | 0:14:43 | 0:14:44 | |
We'll be there in 20 minutes. | 0:14:44 | 0:14:47 | |
What are you talking about, a PA system? | 0:14:47 | 0:14:49 | |
Look, I'm the only one here, how can I... | 0:14:49 | 0:14:51 | |
PHONE GOES DEAD | 0:14:51 | 0:14:53 | |
Look, sometimes I can't do right from doing wrong. | 0:14:53 | 0:14:56 | |
Music or plumbing? Music or plumbing? | 0:14:56 | 0:14:58 | |
There's two back-to-back gigs booked. | 0:15:02 | 0:15:04 | |
There's no way I can cancel that! | 0:15:04 | 0:15:06 | |
# Ever had one of those days | 0:15:10 | 0:15:13 | |
# Slip and trip gotta steady the ship | 0:15:13 | 0:15:17 | |
# Cos if yesterday was grey sky blue | 0:15:17 | 0:15:21 | |
# Took you to that place | 0:15:21 | 0:15:25 | |
# Now yesterday feels a world away | 0:15:25 | 0:15:29 | |
# Cos I've seen your face | 0:15:29 | 0:15:31 | |
# The clock is ticking over 12 tiny hours... # | 0:15:31 | 0:15:35 | |
I hope this place is better than the last. | 0:15:35 | 0:15:37 | |
-What sort of place is this? -He didn't say. | 0:15:41 | 0:15:45 | |
It's probably one of them underground clubs. | 0:15:45 | 0:15:47 | |
He said all the big names have performed here. You ready? | 0:15:47 | 0:15:50 | |
This is exactly what I was... | 0:15:53 | 0:15:54 | |
Five and two, 52. | 0:15:54 | 0:15:56 | |
Two and five, 25. | 0:15:58 | 0:16:01 | |
Three and five, 35. | 0:16:01 | 0:16:04 | |
Look on the bright side, things can't get any worse, can they? | 0:16:04 | 0:16:07 | |
Hey? | 0:16:07 | 0:16:09 | |
Where you going? We've got a management meeting later. | 0:16:09 | 0:16:12 | |
I can't do this. | 0:16:15 | 0:16:17 | |
Look, sorry I had a few teething troubles. | 0:16:19 | 0:16:21 | |
Next week will be better, I promise. | 0:16:21 | 0:16:24 | |
There's not going to be a next week. | 0:16:24 | 0:16:27 | |
What do you mean? | 0:16:27 | 0:16:28 | |
It's over. | 0:16:28 | 0:16:30 | |
I think you've got some explaining to do. | 0:16:37 | 0:16:40 | |
PHONE RINGS | 0:16:51 | 0:16:53 | |
-'Hi, you've reached Poppy.' -We're leaving in five minutes. | 0:16:53 | 0:16:56 | |
-Listen, Jack... -I don't want to hear it, | 0:16:56 | 0:16:58 | |
you're lucky Dave didn't get you nicked for stealing a motor. | 0:16:58 | 0:17:01 | |
Why you got to drive me to college every day? | 0:17:01 | 0:17:04 | |
You behave like a kid, then I'll treat you like a kid. | 0:17:04 | 0:17:06 | |
BRAKES SCREECH | 0:17:06 | 0:17:07 | |
Right! | 0:17:07 | 0:17:09 | |
Get in the car. | 0:17:09 | 0:17:11 | |
This is DS O'Donovan to Control. | 0:17:12 | 0:17:14 | |
Possible TWOC. I'm going to need backup. | 0:17:14 | 0:17:17 | |
SIRENS BLARE | 0:17:24 | 0:17:26 | |
So, this is my brother at work. | 0:17:28 | 0:17:31 | |
Now, today, today's just got interesting. | 0:17:31 | 0:17:35 | |
-Look, is that... -You didn't see anything. -But he plays for... | 0:17:44 | 0:17:47 | |
What did I just say? | 0:17:47 | 0:17:49 | |
You shouldn't even be here, so you keep that zipped, all right? | 0:17:49 | 0:17:52 | |
Why can't I go to the building site? | 0:18:03 | 0:18:05 | |
Because you blew your chance. | 0:18:05 | 0:18:06 | |
I'm sorry, Dave. I really am. | 0:18:08 | 0:18:11 | |
You're your own worst enemy. | 0:18:13 | 0:18:15 | |
I mean, me and your brother are just trying to give you a chance. | 0:18:15 | 0:18:18 | |
-To make something of my life? -Because a kid like you... | 0:18:18 | 0:18:20 | |
Will end up in prison. I know. | 0:18:20 | 0:18:22 | |
That is not what I was going to say, Liam. | 0:18:22 | 0:18:26 | |
You didn't have to. | 0:18:26 | 0:18:27 | |
# Cos if yesterday was grey sky too... # | 0:18:30 | 0:18:33 | |
-It's already had 500 hits. -Are you serious? | 0:19:18 | 0:19:20 | |
All we need to do now is get a few tracks, | 0:19:20 | 0:19:23 | |
record companies will be fighting to sign you up. I mean, us. | 0:19:23 | 0:19:25 | |
But a recording studio costs money. | 0:19:25 | 0:19:27 | |
-Sorted it. -How? | 0:19:27 | 0:19:30 | |
I'm your manager, aren't I? It's my job to sort everything. | 0:19:30 | 0:19:34 | |
So... We back on? | 0:19:34 | 0:19:36 | |
I've got to get to class, are you coming? | 0:19:36 | 0:19:39 | |
No. I'll call you when it's sorted, yeah? | 0:19:39 | 0:19:42 | |
'Now, what is it that they say? Oh, yeah. | 0:19:46 | 0:19:49 | |
'You've got to speculate to accumulate.' | 0:19:49 | 0:19:52 | |
So, I've got six hours, | 0:19:52 | 0:19:54 | |
26 minutes and 44 seconds | 0:19:54 | 0:19:57 | |
to pay for a recording studio. | 0:19:57 | 0:19:59 | |
For a hustler like me, | 0:19:59 | 0:20:01 | |
it's just too easy. | 0:20:01 | 0:20:03 | |
Good afternoon, sir, madam. | 0:20:03 | 0:20:05 | |
This is a charity, it's called The O'Donovan Foundation. | 0:20:05 | 0:20:07 | |
Basically, it's for ex-care kids trying to break into show business. | 0:20:07 | 0:20:11 | |
We just need a little bit of support. No? | 0:20:11 | 0:20:13 | |
# Back beat, the word is on the street | 0:20:17 | 0:20:20 | |
# That the fire in your heart is out... # | 0:20:20 | 0:20:23 | |
Oh, yes. City tours, this way. | 0:20:36 | 0:20:39 | |
All the sights that you want to see and just £20 a head. | 0:20:39 | 0:20:42 | |
"£20 a head?" | 0:20:42 | 0:20:43 | |
I mean, you can't go wrong for that, can you? | 0:20:43 | 0:20:45 | |
You know what that includes? A photo with yours truly. | 0:20:45 | 0:20:48 | |
But, oh, I'm going to leave. | 0:20:48 | 0:20:50 | |
This one's my colleague. | 0:20:50 | 0:20:52 | |
You have a great day. | 0:20:52 | 0:20:53 | |
-Jack... -No! | 0:20:56 | 0:20:59 | |
I ain't even asked yet. | 0:20:59 | 0:21:01 | |
The answer's still no. | 0:21:01 | 0:21:03 | |
Oh, come on, I need a little, little loan. | 0:21:03 | 0:21:06 | |
-Just a small one. -Then it's definitely no. | 0:21:06 | 0:21:09 | |
Oh, come on. It's 200 quid tops. | 0:21:09 | 0:21:11 | |
-200?! -It's important. | 0:21:11 | 0:21:14 | |
It always is with you, Liam. | 0:21:14 | 0:21:17 | |
'So, this is my brother at work.' | 0:21:36 | 0:21:38 | |
HE DIALS | 0:21:43 | 0:21:45 | |
PHONE RINGS | 0:21:45 | 0:21:47 | |
'Now, today, today's just got interesting.' | 0:21:47 | 0:21:50 | |
'News desk.' | 0:21:50 | 0:21:52 | |
Yeah, I'm Liam O'Donovan. | 0:21:52 | 0:21:54 | |
I've got an interesting story for you. It's big. | 0:21:54 | 0:21:58 | |
'Don't look at me like that. You'd do the same if you was in my shoes.' | 0:21:58 | 0:22:02 | |
180, 200. | 0:22:02 | 0:22:04 | |
You've got one hour. | 0:22:05 | 0:22:07 | |
Oh! | 0:22:08 | 0:22:10 | |
Now, this is what I'm talking about. | 0:22:10 | 0:22:12 | |
I was meant to be. | 0:22:12 | 0:22:14 | |
Then we've got the effects here. | 0:22:14 | 0:22:16 | |
'Hi, you've reached Poppy, you know what to do.' | 0:22:23 | 0:22:26 | |
Poppy, I'm at the studio. It's been half hour now. | 0:22:26 | 0:22:29 | |
Have you forgot about it or something? | 0:22:29 | 0:22:32 | |
-'Hi, you've reached Poppy.' -Where are you? | 0:22:32 | 0:22:35 | |
Give me a call when you can, yeah? | 0:22:35 | 0:22:37 | |
You've got 15 minutes left. | 0:22:44 | 0:22:47 | |
She's not coming. | 0:22:47 | 0:22:49 | |
Well, then, you've just wasted 200 quid. | 0:22:49 | 0:22:52 | |
I'm so sorry, I had to stay behind at college. | 0:22:53 | 0:22:56 | |
You better fire up the mixing decks! | 0:22:56 | 0:22:58 | |
MUSIC PLAYS | 0:23:01 | 0:23:04 | |
# 12 tiny hours | 0:23:05 | 0:23:08 | |
# You ever had one of those days | 0:23:09 | 0:23:13 | |
# You slip, you trip | 0:23:13 | 0:23:15 | |
# Got to steady the ship | 0:23:15 | 0:23:17 | |
# Well, the sun is out and shining down on you | 0:23:17 | 0:23:22 | |
# And takes you to that place | 0:23:22 | 0:23:26 | |
# And now my troubles are all gone | 0:23:26 | 0:23:30 | |
# Cos I've seen your face | 0:23:30 | 0:23:32 | |
# The clock is ticking on those | 0:23:32 | 0:23:34 | |
# 12 tiny hours | 0:23:34 | 0:23:37 | |
# My heart is beating...# | 0:23:37 | 0:23:38 | |
-Not bad. -Are you joking? | 0:23:38 | 0:23:41 | |
-She's going to be the next big thing. Trust me. -And who are you? | 0:23:41 | 0:23:44 | |
The brains behind the whole operation. | 0:23:44 | 0:23:47 | |
Look. Liam O'Donovan. | 0:23:47 | 0:23:49 | |
Agent to the stars. Nice to meet you, brother. | 0:23:49 | 0:23:52 | |
MAN LAUGHS | 0:23:52 | 0:23:53 | |
# You ever had one of those days you | 0:23:53 | 0:23:56 | |
# You fly, you soar | 0:23:56 | 0:23:57 | |
# You're ready to roar | 0:23:57 | 0:23:59 | |
# Cos the sun is out and shining down on you... # | 0:23:59 | 0:24:04 | |
-It was amazing. -15 minutes, as well. | 0:24:04 | 0:24:06 | |
High-five me on 15 minute. | 0:24:06 | 0:24:09 | |
So, what happens now? | 0:24:09 | 0:24:10 | |
-We get the track to as many record companies as we can. -And then what? | 0:24:10 | 0:24:14 | |
Then there'll probably be a bidding war or something. | 0:24:14 | 0:24:16 | |
Look, all you've got to do is leave it all to... | 0:24:16 | 0:24:18 | |
-Read all about it. -What is it? | 0:24:18 | 0:24:21 | |
Nothing. | 0:24:22 | 0:24:24 | |
'There it is in black and white. | 0:24:27 | 0:24:29 | |
'The day I sold my soul.' | 0:24:29 | 0:24:32 | |
-You want some? -No, you're all right. | 0:24:32 | 0:24:35 | |
Might take a bit of time off next week. | 0:24:35 | 0:24:37 | |
Take the bike down to the coast. What do you reckon? | 0:24:37 | 0:24:39 | |
Yeah, maybe. | 0:24:39 | 0:24:42 | |
Don't sound too excited! | 0:24:42 | 0:24:44 | |
'Disappointing night for football fans, as news comes in that...' | 0:24:44 | 0:24:47 | |
I was listening to that. | 0:24:47 | 0:24:48 | |
Why don't we go now? | 0:24:48 | 0:24:50 | |
I've got work in an hour, graveyard shift. | 0:24:50 | 0:24:53 | |
PHONE RINGS | 0:24:53 | 0:24:55 | |
I'll get it, shall I? | 0:24:56 | 0:24:58 | |
Hello? | 0:25:01 | 0:25:03 | |
I didn't know anything about it, I swear. | 0:25:05 | 0:25:07 | |
I'll be there first thing. | 0:25:12 | 0:25:14 | |
Who was that? | 0:25:14 | 0:25:15 | |
How much did the papers pay you, Liam? | 0:25:21 | 0:25:23 | |
What you talking about? | 0:25:23 | 0:25:25 | |
Don't deny it! | 0:25:25 | 0:25:26 | |
Look, I was desperate, yeah? | 0:25:28 | 0:25:29 | |
And I'm looking at a disciplinary. | 0:25:29 | 0:25:31 | |
I'll call them up, I'll explain everything. | 0:25:31 | 0:25:33 | |
It's too late. | 0:25:33 | 0:25:34 | |
I'm sorry. | 0:25:36 | 0:25:37 | |
I'm your brother. | 0:25:40 | 0:25:42 | |
Or does that not mean anything to you? | 0:25:42 | 0:25:44 | |
Course it does. | 0:25:44 | 0:25:46 | |
All I've ever done is try and do my best by you. | 0:25:46 | 0:25:48 | |
Yeah, and I appreciate it. I really do. | 0:25:48 | 0:25:50 | |
You've got a funny way of showing it. | 0:25:50 | 0:25:52 | |
Please, Jack. | 0:25:52 | 0:25:54 | |
Just get out of my sight. | 0:25:54 | 0:25:56 | |
# Save me | 0:25:56 | 0:25:58 | |
# Save me from myself... # | 0:25:58 | 0:26:00 | |
'The football world has been shamed by the news that David Mason | 0:26:00 | 0:26:03 | |
'has been caught drink-driving and has now been suspended by his club.' | 0:26:03 | 0:26:08 | |
# You said you'd always | 0:26:08 | 0:26:11 | |
# Fall for the underdog | 0:26:11 | 0:26:17 | |
# Oh, oh, oh | 0:26:17 | 0:26:22 | |
# Oh | 0:26:22 | 0:26:24 | |
# Well I've been dreaming of jet streams | 0:26:28 | 0:26:31 | |
# And kicking up dust | 0:26:31 | 0:26:33 | |
# A 37,000 foot wanderlust | 0:26:35 | 0:26:39 | |
# And with skyline number nine | 0:26:41 | 0:26:43 | |
# Ticked off in my mind | 0:26:43 | 0:26:46 | |
# Oh, can you hear me screaming out now | 0:26:47 | 0:26:49 | |
# Through the telephone lines | 0:26:49 | 0:26:51 | |
# Oh, please save me... # | 0:26:51 | 0:26:53 | |
KNOCKING ON DOOR | 0:26:53 | 0:26:56 | |
# Save me from myself... # | 0:26:56 | 0:26:58 | |
-Can I help you? -Where's Frank? | 0:26:58 | 0:27:00 | |
He's gone with Johnny to the cinema. | 0:27:00 | 0:27:02 | |
How long's he going to be? | 0:27:02 | 0:27:04 | |
A couple of hours. Why? | 0:27:04 | 0:27:06 | |
Doesn't matter. | 0:27:06 | 0:27:07 | |
I can go and get Mike, if you want. | 0:27:07 | 0:27:09 | |
No! | 0:27:09 | 0:27:11 | |
No, no. It's fine, yeah? | 0:27:12 | 0:27:15 | |
What's your name? | 0:27:15 | 0:27:17 | |
Nobody. | 0:27:19 | 0:27:20 | |
# Save me | 0:27:20 | 0:27:22 | |
# Save me... # | 0:27:26 | 0:27:28 | |
'So, that's me. Liam O'Donovan. | 0:27:29 | 0:27:32 | |
'Dreamer, schemer and agent to the stars.' | 0:27:32 | 0:27:36 |