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Previously on The Next Step... | 0:00:04 | 0:00:06 | |
They're so in sync. Yup. | 0:00:06 | 0:00:08 | |
I feel like no-one wants to go up against LOD because | 0:00:08 | 0:00:10 | |
as soon as you face them, you know you're going home. | 0:00:10 | 0:00:13 | |
The Next Step! | 0:00:14 | 0:00:16 | |
I'm so happy that I won. | 0:00:17 | 0:00:19 | |
This means that our whole team gets to perform | 0:00:19 | 0:00:21 | |
in the semifinals round. | 0:00:21 | 0:00:22 | |
# Oh | 0:00:25 | 0:00:27 | |
# If I beg and I plead | 0:00:27 | 0:00:28 | |
# Will you stay by me? # | 0:00:28 | 0:00:31 | |
Attention, all groups competing this afternoon must report back to the... | 0:00:33 | 0:00:37 | |
Whoo-hoo. | 0:00:37 | 0:00:39 | |
Right now, we're on an empty stage rehearsing | 0:00:39 | 0:00:41 | |
our routine for the semifinals. | 0:00:41 | 0:00:43 | |
Since Michelle won the fourth round, | 0:00:43 | 0:00:45 | |
we will be competing against Joanne Chapman's. | 0:00:45 | 0:00:47 | |
I'm getting kind of nervous because Joanne Chapman's is really good. | 0:00:47 | 0:00:51 | |
They're really clean and really up to date with their style. | 0:00:51 | 0:00:56 | |
But I am still happy we don't have to go up against LOD... | 0:00:56 | 0:00:59 | |
yet. | 0:00:59 | 0:01:01 | |
As I'm warming up on stage, I look over and I see Thalia | 0:01:06 | 0:01:10 | |
kind of walking around, just looking at the floor. | 0:01:10 | 0:01:13 | |
Thalia...what are you doing? | 0:01:13 | 0:01:16 | |
I'm looking for the sweet spot. | 0:01:16 | 0:01:18 | |
A sweet spot is a place that really gives me good energy. | 0:01:18 | 0:01:20 | |
It is a place that feels like magic | 0:01:20 | 0:01:23 | |
and where someone can be really comfortable. | 0:01:23 | 0:01:25 | |
Ah, see? I knew it. | 0:01:25 | 0:01:28 | |
Actually, I found a sweet spot in my solo. | 0:01:28 | 0:01:32 | |
Right here. | 0:01:32 | 0:01:33 | |
Over here? Right here, nope. | 0:01:33 | 0:01:35 | |
Over here? | 0:01:35 | 0:01:36 | |
No, no, no, no, no. | 0:01:36 | 0:01:38 | |
Over here. | 0:01:38 | 0:01:39 | |
Right there. | 0:01:42 | 0:01:44 | |
This feels good. | 0:01:46 | 0:01:47 | |
It's our secret, though. | 0:01:47 | 0:01:49 | |
OK. | 0:01:50 | 0:01:51 | |
Hey, guys. | 0:01:51 | 0:01:53 | |
Just so you know, we have around ten more minutes on the stage, | 0:01:53 | 0:01:56 | |
so, uh, make sure you're in the zone, all right? | 0:01:56 | 0:01:59 | |
The team does look good, | 0:01:59 | 0:02:01 | |
but I don't know if it's good enough to beat the other three. | 0:02:01 | 0:02:04 | |
Hey, what's up? | 0:02:06 | 0:02:07 | |
Hey! How are you? | 0:02:07 | 0:02:08 | |
Good, good. | 0:02:08 | 0:02:10 | |
So, you know, I've been... | 0:02:10 | 0:02:11 | |
I've been doing some big thinking. | 0:02:11 | 0:02:14 | |
And what big thoughts have you been having? | 0:02:14 | 0:02:16 | |
Well... | 0:02:16 | 0:02:18 | |
I think we should go on a date. | 0:02:18 | 0:02:20 | |
What?! | 0:02:21 | 0:02:22 | |
Yeah. | 0:02:22 | 0:02:23 | |
I mean, I'm shocked! It's out of nowhere. | 0:02:23 | 0:02:26 | |
I mean, I guess we have been hanging out a lot lately | 0:02:26 | 0:02:28 | |
and I don't hate the idea of dating him. | 0:02:28 | 0:02:31 | |
West, we are two hours away | 0:02:31 | 0:02:35 | |
from dancing in the semifinals at Nationals... | 0:02:35 | 0:02:39 | |
..and you think that you would take me on a date? | 0:02:40 | 0:02:42 | |
You know, we've been spending a lot of time recently | 0:02:42 | 0:02:45 | |
and, you know, I'm having a good time | 0:02:45 | 0:02:47 | |
and I want to continue to have good times with her. | 0:02:47 | 0:02:50 | |
You're ridiculous! | 0:02:50 | 0:02:52 | |
Well, you won't really know how ridiculous I am | 0:02:52 | 0:02:54 | |
until you agree to go on a date with me. | 0:02:54 | 0:02:58 | |
All right? Go rehearse! | 0:02:58 | 0:03:00 | |
So, that's...that's a yes, right? All right, cool, sweet! | 0:03:00 | 0:03:04 | |
We need to focus. We have worked so hard to make it | 0:03:06 | 0:03:09 | |
to the final four | 0:03:09 | 0:03:11 | |
and I don't want anything to get in the way of that. | 0:03:11 | 0:03:14 | |
# We | 0:03:14 | 0:03:16 | |
# We are gonna show the world | 0:03:16 | 0:03:21 | |
# Everything we're made of | 0:03:21 | 0:03:24 | |
# We're gonna tear the roof off this place | 0:03:24 | 0:03:32 | |
# Stand up! # | 0:03:37 | 0:03:38 | |
Last year at Nationals, CDC was bounced in the fourth round. | 0:04:10 | 0:04:13 | |
This year? You could say mission accomplished. | 0:04:13 | 0:04:16 | |
They are in the final four, but they are in tough. | 0:04:16 | 0:04:20 | |
Yep, and they are up against Life Of Dance | 0:04:20 | 0:04:22 | |
And, you know, right now for CDC... | 0:04:22 | 0:04:24 | |
it's life or death. | 0:04:24 | 0:04:27 | |
Guys. Hey. | 0:04:49 | 0:04:50 | |
How are they doing? | 0:04:50 | 0:04:51 | |
Um...they're amazing. | 0:04:51 | 0:04:53 | |
CDC is actually a lot like The Next Step. | 0:05:00 | 0:05:03 | |
We're both in the semifinals for the first time and we're both | 0:05:03 | 0:05:06 | |
going up against groups that made it to the finals last year. | 0:05:06 | 0:05:10 | |
Their storyline I think is what pushes it | 0:05:18 | 0:05:20 | |
really over the edge. | 0:05:20 | 0:05:22 | |
They have a Charlie Chaplin character who | 0:05:22 | 0:05:23 | |
starts off really happy and he gives flowers to all | 0:05:23 | 0:05:27 | |
the other characters who are kind of sad. | 0:05:27 | 0:05:30 | |
And it... | 0:05:30 | 0:05:31 | |
It's really cool because it's a contemporary number | 0:05:31 | 0:05:34 | |
but it's to this old comedian. | 0:05:34 | 0:05:36 | |
Probably one of the most creative pieces | 0:05:36 | 0:05:37 | |
I've seen at Nationals. | 0:05:37 | 0:05:39 | |
He's just trying to make everybody happy | 0:06:13 | 0:06:15 | |
so he gives people these flowers to make them happy, | 0:06:15 | 0:06:18 | |
and by the end he runs out of flowers, so he becomes sad himself. | 0:06:18 | 0:06:21 | |
CHEERING AND APPLAUSE | 0:06:31 | 0:06:34 | |
That was good. | 0:06:35 | 0:06:36 | |
CDC'S number was really good and I always love creativity | 0:06:36 | 0:06:40 | |
but, for the judges, I don't know if it's clean enough | 0:06:40 | 0:06:44 | |
to beat Life Of Dance. | 0:06:44 | 0:06:46 | |
West. | 0:06:51 | 0:06:53 | |
Hey. Hi. Uh... | 0:06:53 | 0:06:54 | |
I have a question... | 0:06:55 | 0:06:57 | |
Yeah, about us...going on a date, right? | 0:06:57 | 0:06:59 | |
Yeah, that. Yeah. | 0:06:59 | 0:07:00 | |
I just want to know why someone | 0:07:00 | 0:07:02 | |
like West would even want to date someone like me. | 0:07:02 | 0:07:06 | |
I'm controlling... | 0:07:06 | 0:07:07 | |
You know, she sees herself as controlling, stubborn, mean... | 0:07:07 | 0:07:12 | |
I see the good in her and it's unfortunate that she doesn't. | 0:07:12 | 0:07:16 | |
Emily. I see so much more in you than that. | 0:07:16 | 0:07:20 | |
When West tells me he sees so much more in me, | 0:07:23 | 0:07:27 | |
it makes me believe in myself a little bit more. | 0:07:27 | 0:07:32 | |
CHEERING | 0:07:32 | 0:07:34 | |
# I know you better than you know yourself | 0:07:50 | 0:07:54 | |
# You're trying to tell me... # | 0:07:54 | 0:07:55 | |
LOD's concept for their routine is that one person | 0:07:55 | 0:07:58 | |
breaks free from the group | 0:07:58 | 0:08:00 | |
and the rest of the group tries to bring them back. | 0:08:00 | 0:08:02 | |
It's kind of like LOD itself - | 0:08:04 | 0:08:06 | |
you can never escape. | 0:08:06 | 0:08:07 | |
# You keep yourself locked up in these castle walls | 0:08:07 | 0:08:11 | |
# Where no-one comes to save you till you know who's at fault... # | 0:08:11 | 0:08:16 | |
Their mix of stepping with soundography - | 0:08:16 | 0:08:18 | |
almost perfection, if not perfect. | 0:08:18 | 0:08:20 | |
I feel bad for CDC. | 0:08:23 | 0:08:25 | |
# Oh, you ran to me | 0:08:25 | 0:08:28 | |
# When you broke free | 0:08:28 | 0:08:30 | |
# When you broke free, yeah | 0:08:30 | 0:08:34 | |
# These chains have come unchained | 0:08:34 | 0:08:37 | |
# Now you'll never be the same from today | 0:08:37 | 0:08:40 | |
# And you don't know what to say... # | 0:08:40 | 0:08:43 | |
Wow! Yeah! | 0:08:46 | 0:08:47 | |
# To the roots of the forests and the trees | 0:08:49 | 0:08:53 | |
# No-one ever said it was gonna be easy | 0:08:54 | 0:08:59 | |
# You have to believe | 0:08:59 | 0:09:03 | |
# Oh, you ran to me | 0:09:03 | 0:09:06 | |
# When you broke free | 0:09:06 | 0:09:08 | |
# When you broke free, yeah... # | 0:09:08 | 0:09:12 | |
Everything they do is so precise, so sharp and so together - | 0:09:12 | 0:09:16 | |
they're seriously like an army. | 0:09:16 | 0:09:18 | |
A dance troupe army. | 0:09:18 | 0:09:20 | |
# Don't know what to say, don't know what to say | 0:09:20 | 0:09:24 | |
# Keep on shining through | 0:09:26 | 0:09:29 | |
# Don't let anybody see | 0:09:30 | 0:09:34 | |
# Only you know the truth | 0:09:34 | 0:09:38 | |
# But while you're here | 0:09:38 | 0:09:41 | |
# You cannot undo. # | 0:09:41 | 0:09:45 | |
CHEERING AND APPLAUSE | 0:09:45 | 0:09:47 | |
Did Life Of Dance wrap up another trip to the finals | 0:09:50 | 0:09:54 | |
here at the Absolute Dance National Championships? | 0:09:54 | 0:09:57 | |
We're about to find out. | 0:09:57 | 0:09:58 | |
CDC had a great story to their routine | 0:10:00 | 0:10:01 | |
but LOD all around are just better dancers. | 0:10:01 | 0:10:05 | |
And if you're judging just on dance, then LOD is the clear winner. | 0:10:05 | 0:10:09 | |
The first of two dance troupes in the finals is... | 0:10:09 | 0:10:13 | |
Life Of Dance! | 0:10:13 | 0:10:15 | |
And so, for a fourth consecutive year, | 0:10:15 | 0:10:20 | |
Life Of Dance will be moving on to the finals | 0:10:20 | 0:10:23 | |
here at the Absolute Dance National Championships. | 0:10:23 | 0:10:27 | |
It's amazing that we've come this far, but if we win | 0:10:27 | 0:10:30 | |
the semifinals, we're going to have to compete | 0:10:30 | 0:10:32 | |
against Life Of Dance. | 0:10:32 | 0:10:34 | |
And to beat Life Of Dance... | 0:10:34 | 0:10:36 | |
we're going to have to pull a miracle. | 0:10:36 | 0:10:39 | |
# Unsinkable | 0:10:39 | 0:10:43 | |
# Unsinkable. # | 0:10:43 | 0:10:47 | |
Well, Life Of Dance is off to the final, | 0:10:48 | 0:10:51 | |
but we've got ourselves quite a confrontation in moments | 0:10:51 | 0:10:54 | |
as Joanne Chapman gets set to take on The Next Step. | 0:10:54 | 0:10:56 | |
Got to go all or nothing. I know. This is it, man. | 0:10:56 | 0:10:58 | |
I know, this is it. | 0:10:58 | 0:10:59 | |
Last year, they lost in the finals. | 0:10:59 | 0:11:02 | |
This year, they're coming back | 0:11:02 | 0:11:04 | |
for a rematch against Life Of Dance, so they've got some fire. | 0:11:04 | 0:11:06 | |
And they're about to take the stage right here | 0:11:06 | 0:11:09 | |
at the Absolute Dance National Championships. | 0:11:09 | 0:11:11 | |
We should honour them with our presence. | 0:11:11 | 0:11:14 | |
# Darling, I'm lost | 0:11:30 | 0:11:32 | |
# Adrift in the dark... # | 0:11:34 | 0:11:36 | |
The story behind Joanne Chapman's dance is a little dark, | 0:11:40 | 0:11:43 | |
but in kind of a beautiful way. | 0:11:43 | 0:11:45 | |
# So let in the light... # | 0:11:49 | 0:11:52 | |
This girl who sees a letter explaining to her | 0:11:52 | 0:11:54 | |
that someone she cares about has left. | 0:11:54 | 0:11:56 | |
From then on, the darkness - which is all the dancers | 0:11:56 | 0:11:59 | |
in the dark costumes - kind of consume her. | 0:11:59 | 0:12:01 | |
They're just so emotional | 0:12:04 | 0:12:07 | |
and so invested in what they're doing, | 0:12:07 | 0:12:09 | |
even I'm getting goose bumps watching it. | 0:12:09 | 0:12:11 | |
# In the darkest place | 0:12:12 | 0:12:15 | |
# My reflection | 0:12:19 | 0:12:20 | |
# Shows only your face | 0:12:22 | 0:12:26 | |
# Something is found... # | 0:12:28 | 0:12:31 | |
Psst. Emily. Come on. | 0:12:33 | 0:12:35 | |
I pulled Emily aside because | 0:12:37 | 0:12:39 | |
I've been doing a lot of thinking about | 0:12:39 | 0:12:41 | |
what she said. You know, why I like her. | 0:12:41 | 0:12:44 | |
I think I have an answer. | 0:12:44 | 0:12:46 | |
A book. | 0:12:46 | 0:12:47 | |
Yeah. | 0:12:47 | 0:12:49 | |
I'm... I'm sorry, I don't get it. | 0:12:49 | 0:12:52 | |
Open it up to the page I marked. | 0:12:52 | 0:12:54 | |
Fire fairies? Yeah. | 0:12:57 | 0:13:00 | |
They're in charge of volcanoes, lava, fireworks, the sun, | 0:13:00 | 0:13:03 | |
and they're very fierce and loyal. | 0:13:03 | 0:13:06 | |
But once you get their friendship, anything is possible. | 0:13:06 | 0:13:09 | |
I know you think you're difficult | 0:13:10 | 0:13:12 | |
and hard to be around, | 0:13:12 | 0:13:14 | |
but I see you as a fire fairy. | 0:13:14 | 0:13:16 | |
When West tells me I'm a fire fairy, | 0:13:18 | 0:13:20 | |
it's honestly one of the nicest things | 0:13:20 | 0:13:22 | |
that anyone has ever said to me. | 0:13:22 | 0:13:24 | |
So, uh, am I winning you over? | 0:13:24 | 0:13:26 | |
We'll see how you dance! | 0:13:28 | 0:13:30 | |
That's a yes. | 0:13:35 | 0:13:37 | |
# I spilled someone's blood | 0:13:37 | 0:13:39 | |
# I broke someone's heart again | 0:13:42 | 0:13:45 | |
# Someone you knew | 0:13:47 | 0:13:49 | |
# You're looking at him, my friend... # | 0:13:52 | 0:13:57 | |
This is it! This is it. Ready, ready, ready. | 0:13:57 | 0:13:59 | |
Yes, yes, yes, yes. | 0:13:59 | 0:14:01 | |
This will be the first time that a lot of us | 0:14:04 | 0:14:06 | |
have stepped out onto that national stage | 0:14:06 | 0:14:08 | |
and now it's time for everyone | 0:14:08 | 0:14:09 | |
to come together as a team and make it to the final round. | 0:14:09 | 0:14:13 | |
# Here we are | 0:14:13 | 0:14:15 | |
# In the darkest place | 0:14:15 | 0:14:18 | |
# To keep from forgetting | 0:14:21 | 0:14:23 | |
# I picture your face... # | 0:14:25 | 0:14:29 | |
I look around and I see my team-mates | 0:14:29 | 0:14:32 | |
and I just know that we're going to do really well. | 0:14:32 | 0:14:34 | |
# While we count the cost... # | 0:14:34 | 0:14:39 | |
We all have each others' backs | 0:14:40 | 0:14:42 | |
and I know that we would all do anything for this team. | 0:14:42 | 0:14:45 | |
# So I curse you | 0:14:45 | 0:14:47 | |
# My vampire heart | 0:14:47 | 0:14:51 | |
# For letting me love you | 0:14:56 | 0:14:59 | |
# From the start. # | 0:15:02 | 0:15:04 | |
CHEERING AND APPLAUSE | 0:15:04 | 0:15:06 | |
I can tell you one thing - | 0:15:13 | 0:15:14 | |
these dancers do not want to go home. | 0:15:14 | 0:15:16 | |
The Next Step is off in the wings. | 0:15:16 | 0:15:18 | |
Looking at what they just saw, | 0:15:18 | 0:15:20 | |
that is quite a performance to have to ratchet it up to. | 0:15:20 | 0:15:23 | |
It is the time. | 0:15:23 | 0:15:25 | |
Time to perform. | 0:15:25 | 0:15:26 | |
All right, West, set us up, brah! | 0:15:26 | 0:15:28 | |
It's finally time for us to go out on that stage and do what we do. | 0:15:28 | 0:15:31 | |
Let's do it! You got this, let's go! | 0:15:31 | 0:15:34 | |
It's time for the team to come together, it's time for us | 0:15:34 | 0:15:36 | |
to work together, it's time for us to prove | 0:15:36 | 0:15:39 | |
that we're here to win. | 0:15:39 | 0:15:41 | |
CHEERING | 0:15:49 | 0:15:51 | |
# You can hear the sirens off in the distance... # | 0:15:57 | 0:16:02 | |
The story of the dance basically is | 0:16:05 | 0:16:06 | |
we're all trying to get somewhere but we can't do it alone. | 0:16:06 | 0:16:09 | |
So it's all about teamwork and team chemistry. | 0:16:09 | 0:16:12 | |
# But here with you now | 0:16:12 | 0:16:14 | |
# I'm lost in this moment... # | 0:16:14 | 0:16:16 | |
So, as one person tries to get there, | 0:16:16 | 0:16:18 | |
they can't make it without all of us being there. | 0:16:18 | 0:16:20 | |
So Riley tries to get up and we all go with her | 0:16:24 | 0:16:27 | |
and, as people start moving closer and closer to the edge of the stage, | 0:16:27 | 0:16:30 | |
it's kind of pulling everyone forward. | 0:16:30 | 0:16:33 | |
We can't move on if we don't have everybody. | 0:16:33 | 0:16:36 | |
It's kind of like A-Troupe. | 0:16:37 | 0:16:39 | |
# Unsinkable | 0:16:39 | 0:16:54 | |
# These voices I call in the darkness | 0:16:54 | 0:16:58 | |
# I wanna let out what you hold inside... # | 0:17:01 | 0:17:05 | |
It is a crazy feeling, looking out at the audience | 0:17:09 | 0:17:12 | |
and there's 1,200 people looking right at you. | 0:17:12 | 0:17:15 | |
# What's behind those troubled eyes? | 0:17:15 | 0:17:20 | |
# I count every second that ticks by... # | 0:17:22 | 0:17:27 | |
I'm just kind of overwhelmed with all the amount of support | 0:17:27 | 0:17:30 | |
that we have from the audience. It's just screams and screams | 0:17:30 | 0:17:32 | |
and I can barely hear myself think. | 0:17:32 | 0:17:35 | |
# Unsinkable | 0:17:35 | 0:17:45 | |
# Unsinkable... # | 0:17:45 | 0:17:48 | |
The dance is going amazing. | 0:17:51 | 0:17:52 | |
I can feel us moving as one, breathing as one... | 0:17:52 | 0:17:56 | |
We have this. We're going to win. | 0:17:56 | 0:17:58 | |
You all right? | 0:18:04 | 0:18:05 | |
APPLAUSE | 0:18:05 | 0:18:07 | |
Oh, my gosh, I think she's hurt. What? | 0:18:09 | 0:18:11 | |
Uh, Tre, I was just about to say - | 0:18:14 | 0:18:16 | |
fantastic routine, but I think there may have been an injury. | 0:18:16 | 0:18:19 | |
What did you think? | 0:18:19 | 0:18:21 | |
What's wrong? | 0:18:21 | 0:18:22 | |
Emily, Emily, Emily! | 0:18:22 | 0:18:23 | |
Come on, come on, come on! Ow! | 0:18:25 | 0:18:26 | |
What's wrong, what's wrong, what's wrong? | 0:18:26 | 0:18:28 | |
Knowing whether or not we won can wait - | 0:18:28 | 0:18:31 | |
I just want to make sure my sister is fine. | 0:18:31 | 0:18:33 | |
I'm not quite sure what happened. | 0:18:33 | 0:18:35 | |
We'll obviously get those details | 0:18:35 | 0:18:37 | |
as they funnel into us, uh... | 0:18:37 | 0:18:38 | |
What happened? My knee. | 0:18:38 | 0:18:39 | |
Which knee? What do you mean, your knee? | 0:18:39 | 0:18:41 | |
I think I might have rolled it. | 0:18:41 | 0:18:43 | |
What?! | 0:18:43 | 0:18:45 | |
I landed on my knee wrong. It pops, I feel it. | 0:18:45 | 0:18:48 | |
I can't put any weight on it, I can't put any pressure on it. | 0:18:48 | 0:18:51 | |
Ow! Ow! | 0:18:51 | 0:18:52 | |
Well, if that's the case... | 0:18:52 | 0:18:54 | |
OK, not one, but a few more just ran off. | 0:18:54 | 0:18:56 | |
You OK? What's going on? She hurt her knee. | 0:18:56 | 0:18:59 | |
Try standing on it. | 0:18:59 | 0:19:00 | |
Careful. We got you. Come on, come on, come on. | 0:19:00 | 0:19:03 | |
Ow! | 0:19:03 | 0:19:05 | |
Injury's bad. | 0:19:05 | 0:19:07 | |
She can't put any weight on her knee. | 0:19:07 | 0:19:10 | |
It's not good. | 0:19:10 | 0:19:11 | |
This injury is not good. | 0:19:12 | 0:19:14 | |
It's such a special moment and for something... | 0:19:14 | 0:19:16 | |
Again, we're speculating here... | 0:19:16 | 0:19:18 | |
For something as tragic as an injury to happen | 0:19:18 | 0:19:20 | |
at this juncture of the competition? | 0:19:20 | 0:19:22 | |
I can't even imagine what that feels like. Guys, go, go. | 0:19:22 | 0:19:25 | |
Here's the thing - you're allowed to have an alternate. | 0:19:25 | 0:19:28 | |
Uh, however, it appears that The Next Step | 0:19:28 | 0:19:31 | |
doesn't have any alternates left, Chuck. | 0:19:31 | 0:19:33 | |
That's a problem. That is going to be a huge problem. | 0:19:33 | 0:19:36 | |
What recourse for The Next Step | 0:19:36 | 0:19:39 | |
if they do have an injury to one of their team members? | 0:19:39 | 0:19:42 | |
That's a wait-and-see situation. | 0:19:42 | 0:19:44 | |
And the second team moving on to the finals is... | 0:19:44 | 0:19:47 | |
..The Next Step! | 0:19:52 | 0:19:54 | |
We did it! | 0:19:56 | 0:19:57 | |
Wow, yeah. | 0:19:59 | 0:20:00 | |
The Next Step is moving on. Or are they, Tre? | 0:20:03 | 0:20:06 | |
The rules stipulate that you have to have ten dancers compete | 0:20:06 | 0:20:11 | |
and it looks like The Next Step is really up against it here | 0:20:11 | 0:20:14 | |
as they are hoping to move on to the final. | 0:20:14 | 0:20:17 | |
When The Next Step wins, obviously I'm over the moon. | 0:20:18 | 0:20:21 | |
I mean, I can't really show it because of my knee, | 0:20:21 | 0:20:26 | |
but I'm happy I didn't ruin it for them. | 0:20:26 | 0:20:28 | |
Guys... | 0:20:28 | 0:20:30 | |
..I don't think I'm going to be able to dance. | 0:20:31 | 0:20:33 | |
No, don't say that. You can, you can. | 0:20:33 | 0:20:36 | |
You just need rest. | 0:20:36 | 0:20:37 | |
Right? You just need rest, that's it. Guys... | 0:20:37 | 0:20:39 | |
..no. | 0:20:42 | 0:20:43 | |
We're going up against Life Of Dance | 0:20:43 | 0:20:46 | |
and we have an injured dancer. | 0:20:46 | 0:20:47 | |
Tell me how this is going to work out. | 0:20:49 | 0:20:51 | |
I have no idea... | 0:20:52 | 0:20:55 | |
what we're going to do now. | 0:20:55 | 0:20:56 |