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To be honest, I've never been this nervous in my life before. | 0:00:01 | 0:00:03 | |
Previously on The Next Step... | 0:00:04 | 0:00:05 | |
SHE SPEAKS IN OWN LANGUAGE | 0:00:05 | 0:00:07 | |
Are they really still talking to each other? | 0:00:07 | 0:00:09 | |
You just worry about your pirouettes, OK? | 0:00:09 | 0:00:11 | |
And that girl will be all yours. | 0:00:11 | 0:00:14 | |
How many pirouettes are you at now? | 0:00:14 | 0:00:16 | |
27? | 0:00:16 | 0:00:17 | |
Well, if we want to make it to the next round, | 0:00:17 | 0:00:19 | |
we need as many as you can muster. | 0:00:19 | 0:00:21 | |
I just hope Eldon can do it | 0:00:21 | 0:00:23 | |
because the whole team is going to be riding on it. | 0:00:23 | 0:00:25 | |
I don't know if I'm ready for this. | 0:00:25 | 0:00:27 | |
The next round is the music mystery round, | 0:00:36 | 0:00:39 | |
so it's a five-person dance, | 0:00:39 | 0:00:41 | |
but we've learned that we can't use our own music. | 0:00:41 | 0:00:44 | |
The Internationals Board is going to provide the music. | 0:00:44 | 0:00:48 | |
Yo. Are you good? | 0:00:48 | 0:00:50 | |
Man, I really don't want to do this turning competition. | 0:00:51 | 0:00:54 | |
This turning competition determines your placement for the next round. | 0:00:54 | 0:00:57 | |
Whoever goes last gets the most amount of time to hear the song | 0:00:57 | 0:01:02 | |
and redo their dance to that song. | 0:01:02 | 0:01:04 | |
So, basically, I have to turn as long as I possibly can | 0:01:04 | 0:01:08 | |
so that The Next Step doesn't have to go first. | 0:01:08 | 0:01:11 | |
You're the best turner at The Next Step. You have to. | 0:01:11 | 0:01:13 | |
You actually don't have a choice, so... | 0:01:13 | 0:01:15 | |
I already let The Next Step down | 0:01:15 | 0:01:17 | |
with Mr International Soloist and, | 0:01:17 | 0:01:20 | |
if I let them down again, | 0:01:20 | 0:01:21 | |
I don't know if I'll be able to bear it. | 0:01:21 | 0:01:23 | |
I need to find a way to motivate him | 0:01:23 | 0:01:25 | |
because he needs to do well in the turning competition. | 0:01:25 | 0:01:28 | |
Listen, I'll tell you what, | 0:01:28 | 0:01:29 | |
if you win this, you can date Thalia. | 0:01:29 | 0:01:33 | |
You always said I have to get to 30 pirouettes | 0:01:33 | 0:01:35 | |
before I can do that. | 0:01:35 | 0:01:37 | |
Whatever, man. You can pirouette, fouette, pique turn, attitude, | 0:01:37 | 0:01:40 | |
sail your way to victory and Thalia. You're ready. | 0:01:40 | 0:01:43 | |
Yeah? Yeah, brother. | 0:01:45 | 0:01:47 | |
Cool. You good? I got to go rehearse. Have fun. | 0:01:47 | 0:01:50 | |
What? You're not even going to stay? 'Unfortunately, I can't stay to | 0:01:50 | 0:01:53 | |
'watch Eldon in the turning competition because' | 0:01:53 | 0:01:55 | |
I have to get to rehearsing for the next round. | 0:01:55 | 0:01:58 | |
HE SPEAKS POLISH | 0:01:59 | 0:02:03 | |
It's the almost boyfriend. | 0:02:03 | 0:02:06 | |
I don't want to hear this right now. | 0:02:06 | 0:02:07 | |
'I don't have time for...' | 0:02:07 | 0:02:09 | |
Bartek or whatever. I have to focus. | 0:02:09 | 0:02:12 | |
HE SIGHS | 0:02:12 | 0:02:14 | |
Good luck. | 0:02:14 | 0:02:15 | |
Look, I know you're nervous, but you're going to do great. | 0:02:15 | 0:02:18 | |
To be honest, I've never been this nervous in my life before. | 0:02:18 | 0:02:22 | |
If you win this, you win me. | 0:02:22 | 0:02:24 | |
What if I don't? | 0:02:25 | 0:02:27 | |
Well, you will because I believe in you. | 0:02:27 | 0:02:29 | |
OK. Everybody take their place. | 0:02:36 | 0:02:38 | |
'I have Bartek on one side of me | 0:02:38 | 0:02:41 | |
'and then Thalia on the other side of me.' | 0:02:41 | 0:02:43 | |
I'm ready to win this thing. | 0:02:43 | 0:02:45 | |
# We | 0:02:46 | 0:02:48 | |
# We are gonna show the world | 0:02:48 | 0:02:52 | |
# Everything we're made of | 0:02:52 | 0:02:56 | |
# We're gonna tear the roof off this place | 0:02:56 | 0:03:04 | |
# Stand up. # | 0:03:09 | 0:03:10 | |
OK, guys. We have a lyrical section, we have a hip-hop section, | 0:03:27 | 0:03:30 | |
we kind of have our tumbling section, | 0:03:30 | 0:03:32 | |
so what makes the most sense to me is | 0:03:32 | 0:03:34 | |
if we get a rap song, we can extend our hip-hop section. | 0:03:34 | 0:03:37 | |
If we get a ballad, we can extend our lyrical. | 0:03:37 | 0:03:39 | |
OK, OK. So what if we extend all the sections just to be safe then? | 0:03:39 | 0:03:42 | |
We won't know what the song is until the first team performs on stage, | 0:03:42 | 0:03:46 | |
so we have to be extra prepared, just in case we are that first team. | 0:03:46 | 0:03:50 | |
We have no time to work on three new dances. No, no, guys. | 0:03:50 | 0:03:52 | |
I agree with Riley. We're wasting | 0:03:52 | 0:03:54 | |
time standing here talking about it. | 0:03:54 | 0:03:55 | |
You know what? Let's just hope that Eldon does well in his competition | 0:03:55 | 0:03:58 | |
so we don't have to go first. | 0:03:58 | 0:04:00 | |
That's true. Good point. Good point, man. | 0:04:00 | 0:04:02 | |
We're really relying on him because we need | 0:04:02 | 0:04:04 | |
as much time as possible with the music. | 0:04:04 | 0:04:07 | |
Five, four, three, | 0:04:07 | 0:04:10 | |
two, one. Go. | 0:04:10 | 0:04:13 | |
And the spinning is under way. | 0:04:13 | 0:04:15 | |
Every remaining team has picked their best turner | 0:04:15 | 0:04:18 | |
to represent them in this round of the competition. | 0:04:18 | 0:04:20 | |
The first person to fall out of our turning competition | 0:04:20 | 0:04:24 | |
is really hindering their group more than they know. | 0:04:24 | 0:04:26 | |
If you're the first person to fall out of the turning competition, | 0:04:26 | 0:04:29 | |
your team is the first to dance on that stage | 0:04:29 | 0:04:31 | |
without ever hearing that music. | 0:04:31 | 0:04:33 | |
The final team that holds out to the end - | 0:04:33 | 0:04:36 | |
they have just bought their team a huge advantage. | 0:04:36 | 0:04:39 | |
And they are spinning their minds out right now. | 0:04:40 | 0:04:43 | |
Now, Ashley, it's not the amount of spins, it's the endurance. Exactly. | 0:04:43 | 0:04:47 | |
So you're going to see they're not spinning as fast as they can. | 0:04:47 | 0:04:50 | |
This is how long they can do it for, | 0:04:50 | 0:04:52 | |
so the slower and more controlled the spin, the better, in this case. | 0:04:52 | 0:04:56 | |
For this competition, you can do any kind of turn you want. | 0:04:56 | 0:04:59 | |
You can do normal pirouettes, you can do press turns, fouettes, | 0:04:59 | 0:05:01 | |
sail turns, attitude turns - | 0:05:01 | 0:05:03 | |
whatever you want. | 0:05:03 | 0:05:04 | |
But you can't switch feet | 0:05:04 | 0:05:07 | |
and you can't touch the ground with two feet | 0:05:07 | 0:05:09 | |
or else you will be disqualified. | 0:05:09 | 0:05:11 | |
Waiting for that first.... | 0:05:11 | 0:05:13 | |
Oh, Cape Town Royal Dance Academy. | 0:05:13 | 0:05:15 | |
They are out of the competition. They are. It is such a shame. | 0:05:15 | 0:05:18 | |
They try so hard and to see somebody spill like that. | 0:05:18 | 0:05:21 | |
Their whole team is so disappointed now. | 0:05:21 | 0:05:23 | |
It's heartbreaking to watch. | 0:05:23 | 0:05:24 | |
I thought we could extend the dance with, after this section... Yeah? | 0:05:24 | 0:05:27 | |
..we go right into the... Hey, hey, hey, guys. ..tumbling section. | 0:05:27 | 0:05:30 | |
Thalia just texted me. What'd she say? South Africa's out. | 0:05:30 | 0:05:33 | |
We're not going first. Yes, Eldon! He came through. All right. OK. | 0:05:33 | 0:05:37 | |
We have at least one number to hear the music | 0:05:37 | 0:05:39 | |
before we actually have to perform to it. | 0:05:39 | 0:05:42 | |
Let me ask you, as a dancer... | 0:05:42 | 0:05:43 | |
Oh, there's another one, Ashley. Italy. | 0:05:43 | 0:05:46 | |
Italy is out. Italy has fallen out of the competition, | 0:05:46 | 0:05:49 | |
so Italy will be facing South Africa | 0:05:49 | 0:05:52 | |
in the first round of the five-person dance. | 0:05:52 | 0:05:54 | |
Oh. Oh, wow. Germany is out. | 0:05:56 | 0:05:59 | |
I was just about to say that the girls were hanging with the guys. | 0:05:59 | 0:06:02 | |
This is the problem when you try and make it too fancy, | 0:06:02 | 0:06:05 | |
it can set you right off. | 0:06:05 | 0:06:07 | |
This is so impressive, watching them... Sweden! | 0:06:07 | 0:06:09 | |
Oh, my goodness. That is a bit of a shocker, isn't it? | 0:06:09 | 0:06:11 | |
That is a big upset. Sweden out in this round. I am shocked. | 0:06:11 | 0:06:16 | |
People are starting to drop out left and right. | 0:06:16 | 0:06:18 | |
This is looking really good for The Next Step. | 0:06:18 | 0:06:21 | |
We are down to four. We are down to three. | 0:06:21 | 0:06:24 | |
England is now out of the mix. We're down to three. | 0:06:24 | 0:06:26 | |
That's great. Now tell Riley. And things are starting to heat up. | 0:06:26 | 0:06:29 | |
So, if you want to roll out of that, that'd be good. Guys, guys... | 0:06:29 | 0:06:32 | |
England's out. Yo! Are you serious? Yes, bro. | 0:06:32 | 0:06:35 | |
Hearing that England is out | 0:06:35 | 0:06:37 | |
kind of makes me happy, just because it means that | 0:06:37 | 0:06:40 | |
we at least have a better chance than them at winning this round. | 0:06:40 | 0:06:44 | |
Only Poland, Jamaica and Eldon are left. | 0:06:44 | 0:06:46 | |
Eldon's going to kill it, man. Of course he will. All right. Ready? | 0:06:46 | 0:06:49 | |
Yep. Six, seven, eight. | 0:06:49 | 0:06:50 | |
You're thinking, "Great, you know, one more person is down." | 0:06:51 | 0:06:54 | |
But, in the same sense, you're thinking, "OK, we're closer to a win", | 0:06:54 | 0:06:57 | |
and that's when the nerves really start to kick in. Sure. | 0:06:57 | 0:06:59 | |
And you have to keep your focus. | 0:06:59 | 0:07:01 | |
Oh, my goodness. | 0:07:01 | 0:07:03 | |
That's a shocker... Wow. ..even worse than what happened to Sweden. | 0:07:03 | 0:07:06 | |
Well, Bartek will be... | 0:07:06 | 0:07:07 | |
When Bartek falls out, | 0:07:07 | 0:07:08 | |
I now know we'll be facing Jamaica in the five-person dance, | 0:07:08 | 0:07:12 | |
so I want to win so we'll have more time than them | 0:07:12 | 0:07:15 | |
to rehearse to the mystery song. | 0:07:15 | 0:07:17 | |
Eldon and Jamaica are the last two standing | 0:07:17 | 0:07:20 | |
and I'm freaking out because I want him to win | 0:07:20 | 0:07:22 | |
because one - the team will benefit - | 0:07:22 | 0:07:24 | |
and two - we'll finally be dating. | 0:07:24 | 0:07:26 | |
We have two dancers that are left and they're still going strong. | 0:07:26 | 0:07:29 | |
Being one of the last people turning is really nerve-racking. | 0:07:29 | 0:07:33 | |
All I can think about is how I'm that much closer to dating Thalia. | 0:07:40 | 0:07:44 | |
Oh, and there we have it. We have a winner - The Next Step. | 0:07:46 | 0:07:50 | |
And he collapses to the floor in exhaustion. | 0:07:50 | 0:07:53 | |
I am so excited and I knew he could do it. | 0:07:53 | 0:07:56 | |
So... Just... Yes. We're in a good spot. | 0:07:56 | 0:07:59 | |
APPLAUSE | 0:07:59 | 0:08:03 | |
After I win, Thalia runs into my arms and | 0:08:03 | 0:08:06 | |
nothing else matters. | 0:08:06 | 0:08:08 | |
I told you you could do it. | 0:08:09 | 0:08:11 | |
You know what this means? | 0:08:11 | 0:08:13 | |
We're dating. | 0:08:13 | 0:08:14 | |
CHEERING | 0:08:14 | 0:08:16 | |
'I can't believe this is real right now.' | 0:08:16 | 0:08:18 | |
I feel butterflies. | 0:08:18 | 0:08:20 | |
# All the light | 0:08:25 | 0:08:26 | |
# All the sound... # | 0:08:26 | 0:08:30 | |
Poor South Africa - our first ones out of the turning round - | 0:08:30 | 0:08:32 | |
they're going to have to adapt and improvise on stage | 0:08:32 | 0:08:35 | |
to make it their own and really try and get through this number. | 0:08:35 | 0:08:38 | |
# Floating through the galaxy | 0:08:38 | 0:08:41 | |
# Till we meet again, I'll be alone... # | 0:08:41 | 0:08:44 | |
'Since this is the first time that anyone has heard the mystery song,' | 0:08:44 | 0:08:47 | |
myself and all the other dancers are recording the song | 0:08:47 | 0:08:49 | |
so that we can bring it back to our team. | 0:08:49 | 0:08:51 | |
Eldon won the turning competition, so our team has time | 0:08:57 | 0:08:59 | |
to practise the music before they have to perform, | 0:08:59 | 0:09:01 | |
but South Africa wasn't so lucky. | 0:09:01 | 0:09:03 | |
# All the light | 0:09:06 | 0:09:08 | |
# All the sound... # | 0:09:08 | 0:09:10 | |
'South Africa is doing a horrible job at this mystery music dance.' | 0:09:10 | 0:09:16 | |
They're just completely off the song and it looks really bad. | 0:09:16 | 0:09:20 | |
# Floating through the galaxy | 0:09:20 | 0:09:23 | |
# Till we meet again, I'll be alone. # | 0:09:23 | 0:09:27 | |
APPLAUSE | 0:09:30 | 0:09:32 | |
As soon as that dance finishes, | 0:09:32 | 0:09:34 | |
I need to bring the music to the group | 0:09:34 | 0:09:36 | |
so that they can start rehearsing with it. | 0:09:36 | 0:09:38 | |
Oh, my. I mean... | 0:09:38 | 0:09:41 | |
We just witnessed a disaster. | 0:09:41 | 0:09:43 | |
I mean, it just goes to show | 0:09:43 | 0:09:44 | |
how important that turning competition was. | 0:09:44 | 0:09:46 | |
Absolutely. | 0:09:46 | 0:09:47 | |
I hate to say it but I don't think that'll be very hard to beat. | 0:09:47 | 0:09:51 | |
Guys, I have your song. | 0:09:51 | 0:09:53 | |
'I am so glad Michelle got us the song.' | 0:09:53 | 0:09:55 | |
Now, we just have to pull this dance together. | 0:09:55 | 0:09:58 | |
# All the light... # | 0:09:58 | 0:09:59 | |
OK, sweet. The beginning part works here. Is it going to work? | 0:09:59 | 0:10:02 | |
The main part. Oh, yeah. Ta-ta-ta, hot boom. | 0:10:02 | 0:10:05 | |
'Yo, this song sounds pretty tight.' | 0:10:05 | 0:10:07 | |
I think we can make it work. | 0:10:07 | 0:10:09 | |
Try the hip-hop, try the hip-hop. Try it. | 0:10:09 | 0:10:12 | |
Oh! Oh, my God. THEY CHEER | 0:10:12 | 0:10:15 | |
'It's actually working out really well.' | 0:10:15 | 0:10:17 | |
I mean, it kind of fits perfectly. | 0:10:17 | 0:10:20 | |
Look, the other team was really messy. | 0:10:20 | 0:10:22 | |
You guys have to make sure it's tight. | 0:10:22 | 0:10:24 | |
'If we win this... | 0:10:24 | 0:10:26 | |
'we're in the semifinals.' | 0:10:26 | 0:10:28 | |
Our team is fully counting on us. | 0:10:28 | 0:10:31 | |
There's no other option but to win. | 0:10:31 | 0:10:33 | |
Italy is going forward to the next round. | 0:10:34 | 0:10:37 | |
CHEERING Well, there you have it. | 0:10:37 | 0:10:40 | |
And you made mention earlier that South Africa can only blame | 0:10:40 | 0:10:43 | |
themselves for what happened earlier today. Is that correct? | 0:10:43 | 0:10:46 | |
Unfortunately, it's true. They really needed to | 0:10:46 | 0:10:48 | |
come out strong in the turning competition. | 0:10:48 | 0:10:50 | |
They didn't and, unfortunately, it's been their major downfall. | 0:10:50 | 0:10:53 | |
Academia Toscana di Danza is moving on. | 0:10:53 | 0:10:55 | |
MUSIC PLAYS | 0:11:02 | 0:11:04 | |
Wow. Sweden looks like they've been dancing to this music for weeks. | 0:11:04 | 0:11:08 | |
They are on a whole new level. | 0:11:08 | 0:11:10 | |
I expect this from them now. | 0:11:10 | 0:11:12 | |
Improv and adaptability are huge things | 0:11:12 | 0:11:14 | |
that a dancer needs to be able to do | 0:11:14 | 0:11:16 | |
and they've shown they can do it all. | 0:11:16 | 0:11:18 | |
# You and I are made of stars... # | 0:11:18 | 0:11:22 | |
Sweden is so amazing. | 0:11:22 | 0:11:24 | |
It looks like they've had this music for ten years. It's so good. | 0:11:24 | 0:11:26 | |
I know. I completely agree. | 0:11:26 | 0:11:28 | |
CHEERING They're amazing. | 0:11:31 | 0:11:33 | |
It makes me so nervous because, | 0:11:33 | 0:11:35 | |
if The Next Step doesn't get their act together, | 0:11:35 | 0:11:37 | |
we're going to be out. | 0:11:37 | 0:11:38 | |
The winner is Sweden. CHEERING | 0:11:38 | 0:11:42 | |
Well, it was looking a little nip-and-tuck for a while there, | 0:11:43 | 0:11:46 | |
but after a good fight from Institute for Dance Dresden, | 0:11:46 | 0:11:50 | |
Stockholm Dance Teater is moving on. | 0:11:50 | 0:11:53 | |
MUSIC PLAYS | 0:11:53 | 0:11:55 | |
England is now up and they're against Poland, | 0:12:02 | 0:12:05 | |
although I really wish England was against Sweden. | 0:12:05 | 0:12:08 | |
They deserve to lose. | 0:12:08 | 0:12:09 | |
APPLAUSE | 0:12:09 | 0:12:12 | |
# All the light | 0:12:15 | 0:12:16 | |
# All the sound... # | 0:12:16 | 0:12:19 | |
Our team didn't do so well in the turning competition, | 0:12:21 | 0:12:23 | |
so we didn't really have that much time to prepare this dance. | 0:12:23 | 0:12:26 | |
# You and I are made of stars... # | 0:12:27 | 0:12:31 | |
The dance is going OK, | 0:12:33 | 0:12:34 | |
but not as well as it could be. | 0:12:34 | 0:12:36 | |
# Till we meet again, I'll be alone. # | 0:12:36 | 0:12:40 | |
CHEERING AND APPLAUSE | 0:12:40 | 0:12:44 | |
And that's going to work against us. | 0:12:44 | 0:12:46 | |
# Collide and make a perfect storm... # | 0:12:54 | 0:12:57 | |
Well, Ashley, it looks like Poland | 0:12:57 | 0:12:58 | |
is really leaving it all on the floor. | 0:12:58 | 0:13:00 | |
Oh, they're so powerful. | 0:13:00 | 0:13:02 | |
They are definitely a force to be reckoned with in this competition. | 0:13:02 | 0:13:05 | |
# Floating through the galaxy | 0:13:07 | 0:13:11 | |
# Till we meet again, I'll be alone. # | 0:13:11 | 0:13:14 | |
CHEERING | 0:13:14 | 0:13:17 | |
Wow. | 0:13:17 | 0:13:18 | |
Now, keep this in mind, folks at home, | 0:13:20 | 0:13:23 | |
England has five points to play with | 0:13:23 | 0:13:25 | |
during the course of this competition. | 0:13:25 | 0:13:27 | |
They garnered that from earlier in the competition, | 0:13:27 | 0:13:29 | |
when they won Miss International Soloist courtesy of Ella. | 0:13:29 | 0:13:33 | |
So that means that Poland, heading into this aspect of the competition, | 0:13:33 | 0:13:36 | |
they've got to be six points better | 0:13:36 | 0:13:38 | |
in order to move on to the next round. That's right. | 0:13:38 | 0:13:40 | |
And that puts a lot of stress on your troupe | 0:13:40 | 0:13:42 | |
in an already stressful situation. | 0:13:42 | 0:13:44 | |
Moving on to the semifinals, | 0:13:44 | 0:13:47 | |
by way of their five-point advantage... | 0:13:47 | 0:13:50 | |
England. CHEERING | 0:13:50 | 0:13:54 | |
I'm happy that we won, | 0:13:54 | 0:13:56 | |
but we had to use our five-point advantage, | 0:13:56 | 0:13:58 | |
so we can't use that in our semifinals. | 0:13:58 | 0:14:00 | |
Wow. You know, I'm actually glad we're holding hands for once. | 0:14:00 | 0:14:03 | |
I know. It's so good to finally be able to talk to you. | 0:14:03 | 0:14:06 | |
Me and Thalia can't really go out on a date right now | 0:14:06 | 0:14:08 | |
cos we're in the middle of Internationals, | 0:14:08 | 0:14:10 | |
so we're just kind of trying to spend as much time as we can together. | 0:14:10 | 0:14:15 | |
Ah, this competition is so intense. | 0:14:15 | 0:14:17 | |
'I see the Polish team coming through with all their bags' | 0:14:18 | 0:14:22 | |
and I just know it can't be good. | 0:14:22 | 0:14:24 | |
Hi. | 0:14:24 | 0:14:26 | |
THEY SPEAK POLISH | 0:14:26 | 0:14:28 | |
'Bartek tells me that England knocked them out with the | 0:14:28 | 0:14:30 | |
'five-point lead and Poland's going home.' | 0:14:30 | 0:14:33 | |
I'm really going to miss my friend. | 0:14:33 | 0:14:35 | |
HE SPEAKS POLISH Poland got beat out by England. | 0:14:35 | 0:14:38 | |
Oh. Shame. | 0:14:38 | 0:14:40 | |
THEY SPEAK POLISH | 0:14:40 | 0:14:41 | |
Still almost boyfriend? | 0:14:45 | 0:14:47 | |
Boyfriend. | 0:14:47 | 0:14:49 | |
Aww! | 0:14:49 | 0:14:50 | |
I'm going to miss him. | 0:14:58 | 0:14:59 | |
No, you won't. You got me now. | 0:14:59 | 0:15:01 | |
Yeah, I do. Oh, yeah. | 0:15:01 | 0:15:03 | |
Just at the knee here. Five, six, seven and up. | 0:15:03 | 0:15:06 | |
Yes, that's perfect. Three, four, five. | 0:15:06 | 0:15:08 | |
Guys, our time is up. | 0:15:08 | 0:15:10 | |
What? 'Jamaica just took the stage -' | 0:15:10 | 0:15:12 | |
that means we're up next. | 0:15:12 | 0:15:13 | |
We've got to go to the wings. Come on. Let's go. Well, we just... | 0:15:13 | 0:15:16 | |
We'll be fine, let's go. We've got to go. | 0:15:16 | 0:15:18 | |
'I can't help but feel like we should have rehearsed a little bit more,' | 0:15:18 | 0:15:22 | |
but I just hope that everything that we did to prepare for this | 0:15:22 | 0:15:26 | |
is going to be enough. | 0:15:26 | 0:15:27 | |
MUSIC PLAYS | 0:15:37 | 0:15:39 | |
Wow. They're really good. Yeah, I know. | 0:15:46 | 0:15:50 | |
Hopefully The Next Step will come through. | 0:15:50 | 0:15:51 | |
'Michelle and I are watching | 0:15:51 | 0:15:53 | |
'Jamaica's mystery music dance and...' | 0:15:53 | 0:15:55 | |
Yep, they're really, really good. | 0:15:55 | 0:15:57 | |
I haven't seen what our team has done with the music yet, | 0:16:02 | 0:16:05 | |
but hopefully it's enough to beat this. | 0:16:05 | 0:16:08 | |
# All the light | 0:16:09 | 0:16:11 | |
# All the sound... # | 0:16:11 | 0:16:13 | |
BOTH: Finally. | 0:16:15 | 0:16:17 | |
You guys ready? Yeah. | 0:16:19 | 0:16:21 | |
# You and I are made of stars | 0:16:22 | 0:16:26 | |
# Floating through the galaxy | 0:16:28 | 0:16:31 | |
# Till we meet again, I'll be alone. # | 0:16:31 | 0:16:35 | |
CHEERING | 0:16:35 | 0:16:39 | |
In a competition like this, you like to see teams really muscle through | 0:16:39 | 0:16:43 | |
and Jamaica did exactly that. | 0:16:43 | 0:16:45 | |
That was a solid performance. | 0:16:45 | 0:16:47 | |
It sure was. Kingston's Dance Central was amazing. | 0:16:47 | 0:16:49 | |
It's going to be very hard for The Next Step to beat that. | 0:16:49 | 0:16:53 | |
All right, you guys, let's get in. Come on. Ready? | 0:16:53 | 0:16:55 | |
One, two, three... | 0:16:55 | 0:16:57 | |
ALL: Next Step! | 0:16:57 | 0:16:59 | |
We've rehearsed, we've worked all our choreo. | 0:16:59 | 0:17:03 | |
I think we're ready. | 0:17:03 | 0:17:04 | |
Will The Next Step please take the stage? | 0:17:04 | 0:17:07 | |
CHEERING | 0:17:07 | 0:17:11 | |
'This is my first time on the international stage.' | 0:17:11 | 0:17:15 | |
It's so crazy. | 0:17:15 | 0:17:16 | |
Well, it was Eldon that got them to this scenario. | 0:17:18 | 0:17:21 | |
The Next Step now has to leave everything on the floor. | 0:17:21 | 0:17:24 | |
They've had the most time to prepare out of all eight entrants. | 0:17:24 | 0:17:29 | |
# All the light... # CHEERING | 0:17:29 | 0:17:31 | |
# All the sound | 0:17:31 | 0:17:33 | |
# Collide and make a perfect storm | 0:17:35 | 0:17:40 | |
# Floating through the galaxy | 0:17:42 | 0:17:45 | |
# Till we meet again, I'll be alone... # | 0:17:45 | 0:17:49 | |
Yeah! Woo! THEY CHEER | 0:17:53 | 0:17:57 | |
This routine is extremely intense. | 0:17:57 | 0:18:00 | |
We have a lot of fast and intricate movement. | 0:18:00 | 0:18:03 | |
Our team is counting on us. | 0:18:07 | 0:18:09 | |
We have to get this right. | 0:18:09 | 0:18:11 | |
# All the light | 0:18:11 | 0:18:12 | |
# All the sound... # | 0:18:12 | 0:18:14 | |
Woo! | 0:18:14 | 0:18:16 | |
# Collide and make a perfect storm... # | 0:18:16 | 0:18:20 | |
Our old choreography to the new song | 0:18:20 | 0:18:23 | |
actually works really, really, really well. | 0:18:23 | 0:18:26 | |
The Next Step is killing it. | 0:18:35 | 0:18:37 | |
They are just ripping it. | 0:18:37 | 0:18:39 | |
# All the light | 0:18:50 | 0:18:52 | |
# All the sound | 0:18:52 | 0:18:54 | |
# Collide and make a perfect storm | 0:18:56 | 0:19:00 | |
# You and I are made of stars... # THEY CHEER | 0:19:04 | 0:19:08 | |
# Floating through the galaxy | 0:19:10 | 0:19:13 | |
# Till we meet again, I'll be alone. # | 0:19:13 | 0:19:17 | |
CHEERING | 0:19:17 | 0:19:21 | |
The Next Step danced an incredible routine. | 0:19:28 | 0:19:31 | |
They sure did. Both teams were great. | 0:19:31 | 0:19:33 | |
They've left it all on the stage and now it's up to the judges. | 0:19:33 | 0:19:36 | |
Let's listen in as the judges render their decision. | 0:19:36 | 0:19:39 | |
The winner moving on to the next round is... | 0:19:41 | 0:19:45 | |
..The Next Step! CHEERING | 0:19:49 | 0:19:53 | |
We won. We won this round. | 0:19:53 | 0:19:55 | |
We got it, we got it. | 0:19:55 | 0:19:57 | |
CHEERING | 0:19:57 | 0:20:01 | |
I'm so pumped that we won. | 0:20:01 | 0:20:03 | |
This means we're going to semifinals. | 0:20:03 | 0:20:05 | |
I am so excited right now. | 0:20:05 | 0:20:06 | |
'I'm so proud of these guys.' | 0:20:09 | 0:20:10 | |
They worked really hard to pull this off and they did it. | 0:20:10 | 0:20:13 | |
'I can't believe we made it this far.' | 0:20:15 | 0:20:18 | |
I mean, who's to say that we can't win this? | 0:20:18 | 0:20:20 | |
See? | 0:20:22 | 0:20:23 | |
We won because of you. | 0:20:23 | 0:20:24 | |
CHEERING | 0:20:29 | 0:20:31 | |
It's nice to kiss Eldon and not have James yell at me for it. | 0:20:31 | 0:20:35 | |
Congratulations. I don't have time for you right now. | 0:20:36 | 0:20:39 | |
Well, you're going to have to make time, Riley, | 0:20:39 | 0:20:41 | |
because we're about to go head-to-head. | 0:20:41 | 0:20:44 | |
Ella was at The Next Step, | 0:20:45 | 0:20:47 | |
so when we go against them in semifinals, | 0:20:47 | 0:20:49 | |
they're going to know all of our strengths, all of our weaknesses. | 0:20:49 | 0:20:52 | |
They're going to know everything. | 0:20:52 | 0:20:54 | |
'This isn't about Internationals any more. | 0:20:55 | 0:20:58 | |
'Ella betrayed me', | 0:20:58 | 0:20:59 | |
but worse, she betrayed my team, | 0:20:59 | 0:21:02 | |
and we're going to make her regret it. | 0:21:02 | 0:21:04 | |
# We | 0:21:08 | 0:21:10 | |
# We are gonna show the world | 0:21:10 | 0:21:14 | |
# Everything we're made of | 0:21:14 | 0:21:17 | |
# We're gonna tear the roof off this place | 0:21:17 | 0:21:24 | |
# You can never fade us out | 0:21:24 | 0:21:28 | |
# Don't even ask the DJ | 0:21:28 | 0:21:31 | |
# Everybody knows we own this dance. # | 0:21:31 | 0:21:36 |