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Previously on The Next Step: | 0:00:02 | 0:00:03 | |
Your shoe's untied. | 0:00:03 | 0:00:04 | |
Maybe she'll realise that I'll pretty much do anything for her. | 0:00:04 | 0:00:08 | |
Part of me wants to laugh. | 0:00:08 | 0:00:10 | |
A part of me wants to disinfect my shoe. | 0:00:10 | 0:00:12 | |
I want to do different things. I want to act. I want to sing. | 0:00:12 | 0:00:14 | |
I always wanted to be the person in the spotlight. | 0:00:17 | 0:00:19 | |
I gave these kids a chance to audition for a solo at regionals. | 0:00:19 | 0:00:23 | |
-Chloe is up next. -And she's late. | 0:00:29 | 0:00:30 | |
Disgraceful! | 0:00:30 | 0:00:32 | |
I don't tell people about my job because | 0:00:32 | 0:00:34 | |
I don't want them to think that it's a lack of commitment. | 0:00:34 | 0:00:36 | |
I'm sorry. I was doing stuff. | 0:00:36 | 0:00:38 | |
You're sorry? Then maybe A isn't the right place for you. | 0:00:38 | 0:00:41 | |
It was really hurtful. | 0:00:41 | 0:00:42 | |
Emily was starting to take things into her own hands | 0:00:42 | 0:00:45 | |
and that's not OK. | 0:00:45 | 0:00:47 | |
If you miss a dance practice, I can teach you the routine. | 0:00:47 | 0:00:49 | |
Do you still want me to be dance captain? | 0:00:49 | 0:00:51 | |
It's time for someone to step in and be a true leader. | 0:00:51 | 0:00:54 | |
We just need to show Kate and Chris that nobody really wants Emily | 0:01:01 | 0:01:04 | |
and her bad choreography here anymore. | 0:01:04 | 0:01:06 | |
We need a new dance captain because | 0:01:06 | 0:01:08 | |
the way that Emily's treating people is horrible | 0:01:08 | 0:01:10 | |
and we're not going to win regionals with her choreography. | 0:01:10 | 0:01:14 | |
I have an idea. | 0:01:14 | 0:01:15 | |
I say we re-choreograph the regionals routine. | 0:01:15 | 0:01:17 | |
Make it so good, make it better, include people's ideas. | 0:01:17 | 0:01:21 | |
Yeah, and then we can show it to Kate and she'll love it so much | 0:01:21 | 0:01:23 | |
that she'll have to put you as dance captain. | 0:01:23 | 0:01:25 | |
-I'm down. When do we start, then? -No time like the present. | 0:01:25 | 0:01:29 | |
We have rehearsal. What is this about? | 0:02:08 | 0:02:10 | |
Word on the street is that you and Chloe have not been | 0:02:10 | 0:02:12 | |
cooperating and we're here to discuss it. | 0:02:12 | 0:02:14 | |
Emily, we know you're upset with Chloe about being late, | 0:02:14 | 0:02:17 | |
but you need to take it easy on her. | 0:02:17 | 0:02:18 | |
I mean, I know she's my friend, but | 0:02:18 | 0:02:20 | |
get here on time. This is A-Troupe. | 0:02:20 | 0:02:23 | |
Have you even asked her why she's late? | 0:02:23 | 0:02:24 | |
I would love to ask her... if she was ever here. | 0:02:24 | 0:02:27 | |
Sometimes Emily gets a bit out of control. | 0:02:27 | 0:02:29 | |
I kind of have to reel her back in and kind of | 0:02:29 | 0:02:31 | |
put her back in her place a bit. | 0:02:31 | 0:02:33 | |
End of discussion, you have to apologise. | 0:02:33 | 0:02:36 | |
End of discussion, I'm not apologising. | 0:02:36 | 0:02:39 | |
Emily, if you want to continue as dance captain, | 0:02:39 | 0:02:41 | |
-you will apologise. -You're not serious? | 0:02:41 | 0:02:45 | |
Oh, I mean it. | 0:02:45 | 0:02:47 | |
I had to show her who's boss and tell her that if she didn't | 0:02:47 | 0:02:50 | |
apologise to Chloe, she wouldn't be dance captain anymore. | 0:02:50 | 0:02:52 | |
Fine. I'll apologise. | 0:02:52 | 0:02:54 | |
But I'm not going to like it. | 0:02:55 | 0:02:56 | |
I don't know if Kate and Chris would bluff about something like that | 0:02:56 | 0:03:00 | |
and, even so, I'm not willing to take a chance. | 0:03:00 | 0:03:02 | |
I don't mean to take Emily's side | 0:03:06 | 0:03:07 | |
but I don't really understand why you've been | 0:03:07 | 0:03:09 | |
so distracted lately. It really takes away from the group. | 0:03:09 | 0:03:12 | |
I don't want them to know about my job | 0:03:12 | 0:03:14 | |
so I just want to change the subject. | 0:03:14 | 0:03:17 | |
Giselle, don't you have a rehearsal to be at or something? | 0:03:17 | 0:03:19 | |
Don't you have to go? | 0:03:19 | 0:03:21 | |
-Oh, yeah, I should probably go. Bye, guys. See you later. -Bye. | 0:03:21 | 0:03:24 | |
I don't know why Chloe is dodging my questions. | 0:03:24 | 0:03:26 | |
What is she trying to hide? | 0:03:26 | 0:03:27 | |
-Hey, how are you? -Good. How are you? | 0:03:27 | 0:03:29 | |
-Chloe? -Yeah? | 0:03:32 | 0:03:33 | |
Can I talk to you for a second? | 0:03:33 | 0:03:35 | |
Um, sure. | 0:03:35 | 0:03:36 | |
I just came to apologise. | 0:03:37 | 0:03:40 | |
I can't believe Emily is apologising to Chloe. | 0:03:42 | 0:03:45 | |
She never apologises to anybody. | 0:03:45 | 0:03:47 | |
What I did was really unprofessional and... | 0:03:47 | 0:03:50 | |
and mean. I...I'm sorry. | 0:03:50 | 0:03:52 | |
You're...you're part of A-Troupe and you're an amazing dancer | 0:03:52 | 0:03:56 | |
and you're meant to be in A-Troupe. | 0:03:56 | 0:03:57 | |
-You're also an E Girl. -Really? -Yeah. | 0:03:57 | 0:04:00 | |
I accept Emily's apology | 0:04:00 | 0:04:02 | |
because it takes a lot of guts to get up in front of everyone | 0:04:02 | 0:04:05 | |
and admit that she's sorry. | 0:04:05 | 0:04:07 | |
I'm choreographing a new dance to get rid of Emily. | 0:04:13 | 0:04:16 | |
Well, when Michelle brought up the thought of me using hip-hop, | 0:04:16 | 0:04:19 | |
I loved it. It was right on for me. | 0:04:19 | 0:04:21 | |
I love adding that swag and I love the fact that she's | 0:04:21 | 0:04:23 | |
so chill about everything. | 0:04:23 | 0:04:25 | |
We're all putting in our own input | 0:04:28 | 0:04:30 | |
so it's turning out great because we all have a say in it. | 0:04:30 | 0:04:32 | |
It's so new and fresh and different, | 0:04:32 | 0:04:34 | |
like, even better than I expected it would be. | 0:04:34 | 0:04:36 | |
Ladies, please. Dance floor. | 0:04:43 | 0:04:46 | |
OK, OK. | 0:04:46 | 0:04:47 | |
Where is Riley, James, | 0:04:47 | 0:04:50 | |
and Michelle? | 0:04:50 | 0:04:52 | |
Oh, I thought I saw them in Studio B. | 0:04:52 | 0:04:54 | |
-Studio B? -Yeah. -You sure? OK, I'll be back. | 0:04:54 | 0:04:57 | |
Keep warming up, guys. | 0:04:57 | 0:04:58 | |
When I hear that three of my best dancers aren't in the studio | 0:04:58 | 0:05:01 | |
I'm kind of curious. What are they doing? | 0:05:01 | 0:05:03 | |
-Eldon, do you want to get some water? -Yeah, sure! | 0:05:03 | 0:05:07 | |
I think Emily is calling me over because I feel like she's | 0:05:07 | 0:05:11 | |
Starting to fall for me more and more. | 0:05:11 | 0:05:13 | |
So I was wondering if you could tell me what you saw in Studio B. | 0:05:13 | 0:05:18 | |
I just walked by. I just saw James, Riley, and Michelle in there. | 0:05:18 | 0:05:21 | |
Were they sitting or standing? | 0:05:21 | 0:05:23 | |
-They were standing. -In a formation? | 0:05:23 | 0:05:25 | |
I don't think Eldon knows anything. There's no way he | 0:05:25 | 0:05:27 | |
could ever keep a secret from me, and there's no way he ever would. | 0:05:27 | 0:05:30 | |
-Oh, my bad. -You were supposed to be there! | 0:05:37 | 0:05:40 | |
Riley, James, and Michelle. | 0:05:40 | 0:05:41 | |
When Chris walks into the studio, I think we're all busted. | 0:05:42 | 0:05:45 | |
My heart kind of skips a beat a little. | 0:05:45 | 0:05:48 | |
-Studio A is where rehearsal is. -Oh! It's supposed to be in Studio A. | 0:05:48 | 0:05:51 | |
-Yes. -We were wondering where everyone was. | 0:05:51 | 0:05:53 | |
You know, I covered it up good. | 0:05:53 | 0:05:55 | |
I just pretended that we were waiting for him. | 0:05:55 | 0:05:57 | |
No worries. Come on, hurry up! Go, go, go, go, leave. | 0:05:57 | 0:05:59 | |
I feel relieve now, that we haven't been caught. | 0:05:59 | 0:06:01 | |
He doesn't know, | 0:06:01 | 0:06:02 | |
so, thank goodness, we're fine. | 0:06:02 | 0:06:06 | |
Welcome to class! Thanks for joining us! | 0:06:06 | 0:06:08 | |
It actually started five minutes ago. | 0:06:08 | 0:06:11 | |
Let's get in our first positions, everyone. | 0:06:11 | 0:06:13 | |
Positions. Positions. | 0:06:13 | 0:06:15 | |
Guys, 100%. | 0:06:15 | 0:06:18 | |
-You ready? -Yeah! | 0:06:18 | 0:06:19 | |
I love Emily's choreography. Always. No matter what it is, she's brilliant | 0:06:32 | 0:06:38 | |
and she always makes us look good. | 0:06:38 | 0:06:40 | |
I mean, it's great and everything. Don't get me wrong. | 0:06:42 | 0:06:44 | |
It's very energetic but, I don't know, I want something more. | 0:06:44 | 0:06:47 | |
I want something more fun, more groovy. | 0:06:47 | 0:06:49 | |
It's really just showcasing her, you know? | 0:06:54 | 0:06:56 | |
It's not really incorporating anybody else's strengths or ideas. | 0:06:56 | 0:06:59 | |
We're rehearsing "Addicted To You" right now | 0:07:05 | 0:07:07 | |
and Emily's choreography is great. | 0:07:07 | 0:07:09 | |
It's not really that challenging | 0:07:09 | 0:07:11 | |
cos I'm kind of used to the way she choreographs now. It's... | 0:07:11 | 0:07:17 | |
I dunno but it's good. | 0:07:17 | 0:07:18 | |
I think she needs to bring in some new ideas and | 0:07:20 | 0:07:22 | |
we all have great ideas in the group | 0:07:22 | 0:07:24 | |
and she really doesn't consider any of them. | 0:07:24 | 0:07:26 | |
It's Emily's way or no way. | 0:07:26 | 0:07:28 | |
Emily's routine, I really don't like. | 0:07:32 | 0:07:35 | |
It's too choppy and too bland. | 0:07:35 | 0:07:37 | |
Hold! Hold...two, three, release. | 0:07:46 | 0:07:49 | |
Nice! West, remember, hold that last pose, OK? | 0:07:49 | 0:07:52 | |
Boys, pick up the energy. | 0:07:52 | 0:07:54 | |
Riley, James, and Michelle seem particularly lazy. | 0:07:54 | 0:07:57 | |
It just seems like people aren't committed. | 0:07:57 | 0:07:59 | |
As soon as we're done at Emily's rehearsal, | 0:08:09 | 0:08:11 | |
we're back in Studio B working on Michelle's routine. | 0:08:11 | 0:08:14 | |
One, two, three, four... You can't go too far back there. | 0:08:14 | 0:08:16 | |
Right, right, right. | 0:08:16 | 0:08:18 | |
I'll turn around and come back to that. | 0:08:18 | 0:08:20 | |
-Yo, James. -Yo, waddup, man? | 0:08:20 | 0:08:22 | |
I come into B Studio, because this is where I keep my extra socks, | 0:08:22 | 0:08:25 | |
and then I get suspicious because I see Riley, | 0:08:25 | 0:08:27 | |
James, and Michelle rehearsing something. | 0:08:27 | 0:08:29 | |
What are you guys doing in B Studio? | 0:08:29 | 0:08:31 | |
Should we invite him into the dance or not? | 0:08:31 | 0:08:33 | |
Uh... | 0:08:38 | 0:08:39 | |
..we've kind of got something to show you, man. | 0:08:40 | 0:08:43 | |
All right. So show me. | 0:08:43 | 0:08:45 | |
We've been forced to show West our dance and tell him what's up. | 0:08:56 | 0:09:00 | |
I just hope it works out. | 0:09:00 | 0:09:02 | |
-That's all we have, bro. -That's all we have so far. | 0:09:09 | 0:09:12 | |
-What do you think? -Let me get this straight. | 0:09:12 | 0:09:15 | |
You guys made this new routine to show to Kate to overthrow Emily | 0:09:15 | 0:09:21 | |
so that Michelle can become the new dance captain? | 0:09:21 | 0:09:24 | |
Is that right? Am I right? | 0:09:24 | 0:09:25 | |
-That's right. -Really? | 0:09:27 | 0:09:29 | |
That's what you bright lights worked out? | 0:09:29 | 0:09:32 | |
I am a little bit worried as I wait for West's reaction. | 0:09:32 | 0:09:34 | |
We literally, like, just put it together not too long ago | 0:09:34 | 0:09:37 | |
and, like, it was kind of messy, | 0:09:37 | 0:09:38 | |
so I didn't know if he was going to be like, "This is a joke" | 0:09:38 | 0:09:41 | |
and then go tell Emily or something. | 0:09:41 | 0:09:42 | |
If West doesn't like the dance, it could be all over for us. | 0:09:42 | 0:09:46 | |
Love it! | 0:09:50 | 0:09:51 | |
But you know what? I've got some good ideas. | 0:09:51 | 0:09:54 | |
I mean, why don't we, you know, we just add a little bit of, | 0:09:54 | 0:09:56 | |
-you know, some... -But you're going to have to teach us. | 0:09:56 | 0:09:59 | |
-Yeah, I... -No problem, man. All right. | 0:09:59 | 0:10:02 | |
I am loving West's moves. | 0:10:02 | 0:10:04 | |
West being in the routine is probably one of the best | 0:10:04 | 0:10:06 | |
things that's happened so far. | 0:10:06 | 0:10:08 | |
I love the fact that | 0:10:08 | 0:10:09 | |
Michelle lets me incorporate my own style. | 0:10:09 | 0:10:12 | |
I definitely think Michelle will make a better dance captain. | 0:10:12 | 0:10:14 | |
So, I'm sitting there on the bus with my mom's gift beside me | 0:10:23 | 0:10:27 | |
and someone honks outside and I go look, | 0:10:27 | 0:10:32 | |
and I turn back and it's gone! | 0:10:32 | 0:10:34 | |
It's gone! I don't know where it went! | 0:10:34 | 0:10:38 | |
What am I going to do? Her birthday's tomorrow! | 0:10:38 | 0:10:41 | |
-That was amazing. -Thanks. -How do you do that? | 0:10:47 | 0:10:52 | |
Tiffany is a great actress. | 0:10:52 | 0:10:55 | |
I had no idea that she was that good. | 0:10:55 | 0:10:57 | |
What monologue do you have for today? | 0:10:57 | 0:10:58 | |
-I was supposed to have a monologue? -For your big audition with the agent? | 0:10:58 | 0:11:01 | |
I can be, like, really dramatic. I know a little bit of Shakespeare. | 0:11:01 | 0:11:04 | |
OK, show me what you got. | 0:11:04 | 0:11:07 | |
To be or not to be, that is the question. | 0:11:07 | 0:11:11 | |
Whether it is nobler in the mind to suffer the slings | 0:11:11 | 0:11:14 | |
and arrows of outrageous fortune. | 0:11:14 | 0:11:17 | |
Scene. | 0:11:18 | 0:11:19 | |
That monologue makes me want to do this... | 0:11:19 | 0:11:22 | |
What? | 0:11:22 | 0:11:24 | |
SHE LAUGHS | 0:11:24 | 0:11:26 | |
-Oh. -Yeah. Lot of work to do! | 0:11:26 | 0:11:28 | |
I think if everyone keeps working hard, | 0:11:34 | 0:11:36 | |
we have a really good shot at regionals. | 0:11:36 | 0:11:38 | |
-Oh, yeah, yeah. Definitely. -Yeah. | 0:11:38 | 0:11:39 | |
I don't really know what our status is but I think we're definitely | 0:11:39 | 0:11:42 | |
getting closer. We're actually starting to hang out more | 0:11:42 | 0:11:45 | |
so...who knows? | 0:11:45 | 0:11:47 | |
How are you? How are your brothers? | 0:11:47 | 0:11:48 | |
Brothers are good. We never really talk because we're mostly just | 0:11:48 | 0:11:51 | |
stuffing our mouths with food and playing video games. | 0:11:51 | 0:11:54 | |
My relationship with Eldon is still non-existent | 0:11:54 | 0:11:57 | |
but I definitely don't hate him as much as I used to | 0:11:57 | 0:12:01 | |
and maybe he's a little bit cute. | 0:12:01 | 0:12:03 | |
-So, did he know it was your brother? -No, but he just, like...he knew | 0:12:04 | 0:12:08 | |
it was, like, someone in the... in the basement, we were just | 0:12:08 | 0:12:10 | |
playing video games and we all collapsed and fell asleep. | 0:12:10 | 0:12:13 | |
-No! -Yeah. -That's so weird... Wait, just playing videogames | 0:12:13 | 0:12:16 | |
-you guys fell asleep? -Yeah. | 0:12:16 | 0:12:17 | |
Oh! We should prank them one time! We've never done that! | 0:12:17 | 0:12:20 | |
When I see Emily touching Eldon's hand | 0:12:20 | 0:12:22 | |
I just want to get out of there. | 0:12:22 | 0:12:24 | |
I don't want to see them together at all. | 0:12:24 | 0:12:26 | |
I'm bothered by them getting along but... | 0:12:27 | 0:12:30 | |
I don't know why. | 0:12:30 | 0:12:32 | |
We were up pretty late, so... | 0:12:32 | 0:12:33 | |
'Emily touches my hand and I feel really happy and nervous at the same time' | 0:12:33 | 0:12:38 | |
because we've never really made any physical contact, like, ever. | 0:12:38 | 0:12:44 | |
So it kind of seems like she's opening up a little more to me. | 0:12:44 | 0:12:47 | |
-Oh yeah. -I know. -Going to be sick. | 0:12:53 | 0:12:55 | |
With West and all that cutting, it's going to be dope. | 0:12:55 | 0:12:57 | |
Like, this thing, who would've thought of that? | 0:12:57 | 0:13:00 | |
-I know. -It's so sick. | 0:13:00 | 0:13:01 | |
I'm really excited. | 0:13:02 | 0:13:03 | |
What do you think Emily would do if she found out right now? | 0:13:03 | 0:13:06 | |
-She'd probably go to Kate. -She'd flip. -Yeah. -Probably rip my head off. | 0:13:08 | 0:13:11 | |
-Rip all our heads off. -Whatever. | 0:13:11 | 0:13:13 | |
KNOCK AT DOOR | 0:13:13 | 0:13:15 | |
All right, so we have this secret knock... | 0:13:15 | 0:13:17 | |
# I'm so addicted to you, to you to you. # | 0:13:17 | 0:13:21 | |
..just so that we know who's coming in. | 0:13:21 | 0:13:23 | |
Come in. | 0:13:23 | 0:13:25 | |
-Guys! -Yo, waddup, man? -We got you juice. -Hi. | 0:13:25 | 0:13:27 | |
-I, uh, kind of did something. -What? | 0:13:27 | 0:13:31 | |
I...told somebody about the dance. | 0:13:31 | 0:13:34 | |
-What? -Who? | 0:13:34 | 0:13:35 | |
I'm really nervous. Um... | 0:13:44 | 0:13:46 | |
I don't know who West told and this is getting out of hand. | 0:13:46 | 0:13:49 | |
I come in to Studio B because... | 0:13:49 | 0:13:51 | |
I know that they're working on a dance. | 0:13:51 | 0:13:54 | |
That's huge so I really want to make sure that everyone's up for it | 0:13:54 | 0:13:58 | |
and they know what they're getting into. | 0:13:58 | 0:13:59 | |
Riley, Emily's your sister. It's going to be war. | 0:13:59 | 0:14:03 | |
Is dance more important than my sister? | 0:14:03 | 0:14:05 | |
Yeah, but my sister does not deserve to be dance captain. | 0:14:08 | 0:14:11 | |
She's not... | 0:14:11 | 0:14:12 | |
She's tearing us apart more than she's bringing us together. | 0:14:12 | 0:14:15 | |
If I'm going to join, I have one condition. | 0:14:15 | 0:14:17 | |
What is it? | 0:14:17 | 0:14:18 | |
I get to keep my solo. | 0:14:19 | 0:14:21 | |
-Of course! -Great, OK! | 0:14:23 | 0:14:25 | |
Having Daniel join the routine is awesome, you know? | 0:14:25 | 0:14:27 | |
Between his technique and West's style, I think | 0:14:27 | 0:14:29 | |
we're going to have some great moves. | 0:14:29 | 0:14:32 | |
OK, now you're frightened, you're frightened. Someone's scaring you. | 0:14:38 | 0:14:41 | |
Someone's chasing you. | 0:14:41 | 0:14:42 | |
And you're sad. | 0:14:42 | 0:14:44 | |
And you're mad! | 0:14:44 | 0:14:46 | |
You're mad, you're mad... and waterworks. | 0:14:46 | 0:14:48 | |
I see Stephanie crying and it just breaks my heart. | 0:14:52 | 0:14:54 | |
I mean, I know she wants to do this whole triple-threat thing | 0:14:54 | 0:14:57 | |
but maybe she just doesn't have it in her. | 0:14:57 | 0:15:00 | |
Oh, she's coming. Keep going. | 0:15:00 | 0:15:02 | |
Stephanie, honey, honey, it's OK, it's OK. | 0:15:02 | 0:15:04 | |
Don't cry, you're going to get an agent. | 0:15:04 | 0:15:06 | |
You don't need to worry about it. You're going to get one, OK? | 0:15:06 | 0:15:09 | |
Really?! | 0:15:09 | 0:15:11 | |
When Kate comes up to me and thinks that me crying | 0:15:11 | 0:15:14 | |
is actually real, even though I was just acting, | 0:15:14 | 0:15:18 | |
I just got, like, the most excited I have | 0:15:18 | 0:15:20 | |
probably ever been in my entire life. | 0:15:20 | 0:15:22 | |
OK. I'm impressed. I think you can do this. | 0:15:22 | 0:15:25 | |
-You're going to get an agent in no time. -Really? | 0:15:25 | 0:15:27 | |
-But only if we're on time. Let's go. -OK. Thank you so much. | 0:15:27 | 0:15:30 | |
-Good luck, girl. -Thank you. -See you. | 0:15:30 | 0:15:33 | |
Last night I was watching a video on YouTube | 0:15:33 | 0:15:35 | |
and it was this guy, and he was doing 24 different accents. | 0:15:35 | 0:15:38 | |
-I've seen that. -Is he good? -Yeah, he's so good. | 0:15:38 | 0:15:40 | |
-What? -From England alone. | 0:15:40 | 0:15:42 | |
We're sitting around, um, talking and doing funny accents. | 0:15:42 | 0:15:45 | |
Because we don't want to deal with what we have to deal with. | 0:15:45 | 0:15:48 | |
Which is who should be added into the group next? | 0:15:48 | 0:15:51 | |
-BRITISH ACCENT: -Allo, allo! | 0:15:51 | 0:15:53 | |
You sound Australian! | 0:15:53 | 0:15:54 | |
-BRITISH ACCENT: -Crumpets and tea. | 0:15:54 | 0:15:56 | |
-BRITISH ACCENT: -May I please have some more? | 0:15:56 | 0:15:58 | |
That was so bad! | 0:15:58 | 0:15:59 | |
Guys, this would be so much better with more people. | 0:16:01 | 0:16:04 | |
We need at least one more person to balance out the team. | 0:16:04 | 0:16:07 | |
I'm just not too sure who it could be. | 0:16:07 | 0:16:09 | |
I think it would be great for Eldon to join the routine but | 0:16:09 | 0:16:12 | |
I don't think he'd ever turn on Emily like that. | 0:16:12 | 0:16:14 | |
-We'd be able to do partnering. -I know, I don't have a partner. | 0:16:14 | 0:16:16 | |
If we get three boys, three girls, it's even. Formations would be better. | 0:16:16 | 0:16:20 | |
Not Emily, Stephanie... | 0:16:20 | 0:16:21 | |
Maybe Chloe. | 0:16:21 | 0:16:22 | |
Even if we just added one more. | 0:16:22 | 0:16:24 | |
-Yeah, we need an even number. -We need a girl. | 0:16:24 | 0:16:26 | |
All I know is that it won't be Emily. | 0:16:26 | 0:16:28 | |
The chances of her joining our dance to overthrow herself? | 0:16:28 | 0:16:32 | |
Very, very unlikely. | 0:16:32 | 0:16:34 | |
Guys, we're missing rehearsal. | 0:16:34 | 0:16:36 | |
-Ugh. -Let's go! -Uh. | 0:16:36 | 0:16:38 | |
Can I get everyone's attention, please? | 0:16:43 | 0:16:45 | |
Where the heck is everybody? | 0:16:45 | 0:16:47 | |
I'm not sure, | 0:16:47 | 0:16:49 | |
but I think something's going on. I'll play it cool now, but | 0:16:49 | 0:16:52 | |
I'm keeping my eye on them. | 0:16:52 | 0:16:53 | |
Let's take it from the ball chain step. Here we go. | 0:16:53 | 0:16:57 | |
-Hey, Chris? -Hey. | 0:16:57 | 0:16:59 | |
-Could I ask you something? -Hit me. | 0:16:59 | 0:17:01 | |
-I've been practising a new move. -OK. New move? | 0:17:01 | 0:17:03 | |
Yeah. I think that we should put it in Emily's routine. | 0:17:03 | 0:17:05 | |
I want to show Chris my new move because I want to show him | 0:17:05 | 0:17:08 | |
and everyone else in A-Troupe that I am dedicated to the troupe. | 0:17:08 | 0:17:11 | |
-So you know that ball change kick, right? -Yup. | 0:17:11 | 0:17:13 | |
I'm thinking maybe one, two, up | 0:17:13 | 0:17:14 | |
instead of, you know, just a regular old kick. | 0:17:14 | 0:17:18 | |
You know, that's a great idea. | 0:17:18 | 0:17:19 | |
Sorry, I just couldn't help overhearing. | 0:17:19 | 0:17:21 | |
As the dance captain, just because it's my dance, maybe could I see it? | 0:17:21 | 0:17:25 | |
When Emily approaches me, I get really nervous because I know how | 0:17:25 | 0:17:29 | |
Emily is, and she's really judgmental. | 0:17:29 | 0:17:31 | |
We should do this - up. | 0:17:31 | 0:17:34 | |
That's really pretty and looks great on you, but put it in | 0:17:34 | 0:17:37 | |
one of your routines, not one of my routines. | 0:17:37 | 0:17:40 | |
-All right. -OK. | 0:17:40 | 0:17:43 | |
I thought that once Emily apologised to me, that it would be a start to a whole new | 0:17:43 | 0:17:47 | |
friendship, but now I realise that maybe things are never going to change. | 0:17:47 | 0:17:50 | |
All right, everybody, let's take it from the ball change kick again. | 0:17:52 | 0:17:55 | |
Right now is the time to approach Chloe because I'm assuming that | 0:17:55 | 0:17:58 | |
she feels really horrible about the way that Emily's treating her. | 0:17:58 | 0:18:03 | |
So why not give her an opportunity to become | 0:18:03 | 0:18:05 | |
part of a dance where she can include her own ideas. | 0:18:05 | 0:18:09 | |
-Hey, Chloe? -Yeah? | 0:18:09 | 0:18:10 | |
-Can I talk to you in Studio B later? It's really important. -Sure. | 0:18:10 | 0:18:14 | |
-But you can't tell anyone. It's secret. -All right. | 0:18:14 | 0:18:17 | |
-Don't worry, OK? -You sure? -Yes. | 0:18:23 | 0:18:25 | |
So, Red Carpet Girl, what's up? How was it? | 0:18:25 | 0:18:28 | |
It was OK. Whatever. | 0:18:28 | 0:18:30 | |
Ugh! You did phenomenal! You have nothing to worry about. You should be proud. | 0:18:30 | 0:18:33 | |
-I'm sure it was amazing. -How was rehearsal? | 0:18:33 | 0:18:35 | |
-You didn't miss a thing. -You sure? | 0:18:35 | 0:18:37 | |
-I'm positive. Like, nothing. -PHONE RINGS | 0:18:37 | 0:18:39 | |
Excuse me. | 0:18:39 | 0:18:41 | |
So what did you do? Which monologue? | 0:18:41 | 0:18:43 | |
Well I did a little bit of Shakespeare | 0:18:43 | 0:18:45 | |
-and then, like, improvised and did other things. -Did you... | 0:18:45 | 0:18:48 | |
-Oh. -I wonder what she wants. | 0:18:48 | 0:18:51 | |
I don't know. But, like, I don't feel the best about it, you know? | 0:18:51 | 0:18:54 | |
No, I'm sure you were amazing. | 0:18:54 | 0:18:55 | |
-There's a phone call for you. -Really? Who is it? | 0:18:55 | 0:18:58 | |
When Kate passes Stephanie the phone, | 0:18:58 | 0:19:00 | |
like, I wish I knew. Like, I have no idea who's on the line. | 0:19:00 | 0:19:03 | |
OK. Cool. I totally appreciate it. Thank you. | 0:19:03 | 0:19:06 | |
-OK, you too. Bye. -So who was that? | 0:19:06 | 0:19:08 | |
-I have an agent! -What? -Yeah! | 0:19:11 | 0:19:15 | |
-Congrats! Yes! -Congratulations! | 0:19:15 | 0:19:18 | |
Getting that phone call and finding out that | 0:19:18 | 0:19:20 | |
I have an agent now is the most amazing feeling in the world. | 0:19:20 | 0:19:24 | |
And you know what? I'm officially a double threat. | 0:19:24 | 0:19:26 | |
When I'm watching the new dance, it's awesome. | 0:19:29 | 0:19:32 | |
There's some of every person's style of dance in the groove. | 0:19:32 | 0:19:35 | |
It looks like a lot of fun and nothing like we do with Emily. | 0:19:35 | 0:19:39 | |
-So, what do you think? -It's amazing! -Yeah? | 0:19:51 | 0:19:54 | |
It's so good. But what's it for? | 0:19:54 | 0:19:56 | |
I don't know. I still don't think we can trust Chloe with this. | 0:19:59 | 0:20:03 | |
-It's for regionals. -I'm sorry, what? | 0:20:04 | 0:20:08 | |
Does Emily know about this? | 0:20:08 | 0:20:09 | |
Not exactly. | 0:20:13 | 0:20:14 | |
And we'd like to keep it that way. | 0:20:14 | 0:20:17 | |
I'm already on pretty bad terms with Emily so joining this dance | 0:20:17 | 0:20:22 | |
and being a part of this group is probably a really bad idea. | 0:20:22 | 0:20:25 | |
Guys, do you know how mad Emily would be | 0:20:25 | 0:20:27 | |
if she found out you were doing a dance behind her back? | 0:20:27 | 0:20:29 | |
Do you? | 0:20:29 | 0:20:30 | |
I knew this was... It was too early to tell Chloe. | 0:20:33 | 0:20:36 | |
I'm sorry but I'm not interested. | 0:20:36 | 0:20:38 | |
And if you guys knew what was good for you, | 0:20:38 | 0:20:40 | |
you wouldn't even be doing this right now. | 0:20:40 | 0:20:42 | |
We could have just ruined everything by telling her. | 0:20:45 | 0:20:48 | |
# We, we're going to show the world | 0:20:51 | 0:20:57 | |
# Everything we're made of | 0:20:57 | 0:21:01 | |
# We're going to tear the roof off this place | 0:21:01 | 0:21:05 | |
# You, you can never fade us out | 0:21:05 | 0:21:11 | |
# Don't even ask the DJ | 0:21:11 | 0:21:15 | |
# Everybody knows we own this dance. # | 0:21:15 | 0:21:18 |