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Previously on The Next Step... | 0:00:03 | 0:00:04 | |
I'm being pulled from A-Troupe. | 0:00:04 | 0:00:06 | |
I say James leaves for two weeks and brings up the grades. | 0:00:06 | 0:00:10 | |
-No! -Yeah. -That's...! | 0:00:10 | 0:00:13 | |
When I see Emily touching Eldon's hand, | 0:00:13 | 0:00:15 | |
I just want to get out of there. | 0:00:15 | 0:00:17 | |
I'm bothered by them getting along but I don't know why. | 0:00:17 | 0:00:20 | |
You don't include anyone's ideas. | 0:00:22 | 0:00:24 | |
So, what? I don't include people's moves? They're not good moves. | 0:00:24 | 0:00:27 | |
You took my friends and stole my spot as dance captain. | 0:00:29 | 0:00:31 | |
I hope that you can now be a team player | 0:00:31 | 0:00:33 | |
and I won't hear any complaints out of you. | 0:00:33 | 0:00:35 | |
5, 6, 7, 8... | 0:00:43 | 0:00:44 | |
1, 2, 3, 4, 5, 6, 7, 8. | 0:00:44 | 0:00:49 | |
With Michelle as the new dance captain, | 0:00:49 | 0:00:51 | |
everything is about teamwork and it's about the team. | 0:00:51 | 0:00:54 | |
This is just so different from what Emily was like. | 0:00:54 | 0:00:57 | |
And, one! | 0:00:57 | 0:00:59 | |
OK, let's do it one more time just to fine-tune it. | 0:00:59 | 0:01:02 | |
-Michelle? -Yeah. -I have got to go. I have a shift. | 0:01:04 | 0:01:08 | |
I'm the only person in A-Troupe | 0:01:08 | 0:01:09 | |
that knows about Chloe's financial problems. | 0:01:09 | 0:01:11 | |
So when I have to leave Michelle is really understanding | 0:01:11 | 0:01:15 | |
and really sweet about letting me go. | 0:01:15 | 0:01:16 | |
Thank you. | 0:01:16 | 0:01:18 | |
When I see Michelle letting Chloe go early, I mean, | 0:01:18 | 0:01:21 | |
it just goes to show how irresponsible Michelle is | 0:01:21 | 0:01:24 | |
as a dance captain. | 0:01:24 | 0:01:26 | |
I'm flabbergasted. | 0:01:27 | 0:01:28 | |
2, 3, 4, 5, 6, 7, 8. | 0:01:28 | 0:01:31 | |
And, 1, 2, 3, 4, 5, 6, 7, 8, 1... | 0:01:31 | 0:01:36 | |
I'm kind of frustrated with Emily. | 0:01:38 | 0:01:40 | |
I just think she's being a drama queen. | 0:01:40 | 0:01:42 | |
Regionals is coming up. We've got to be ready. | 0:01:42 | 0:01:44 | |
We can't have one person at the back being sad. | 0:01:44 | 0:01:46 | |
7, 8, 1, 2, 3. | 0:01:46 | 0:01:48 | |
OK, guys, just stop. | 0:01:48 | 0:01:50 | |
Why aren't you doing it? | 0:01:53 | 0:01:54 | |
The least you could do is mark it and you're not even doing that! | 0:01:55 | 0:01:59 | |
I'm not marking these ridiculous moves. What is this? Bop! | 0:01:59 | 0:02:03 | |
'She's not trying at all. Right now is a crucial time | 0:02:03 | 0:02:06 | |
'and we need to be working on this routine' | 0:02:06 | 0:02:08 | |
so that it's perfect for Regionals. | 0:02:08 | 0:02:10 | |
I think Michelle's moves are completely | 0:02:10 | 0:02:12 | |
inadequate for the level of A-Troupe. | 0:02:12 | 0:02:14 | |
I'm not going to stand here and do something that I don't think | 0:02:14 | 0:02:17 | |
is to the level of my previous captaincy. | 0:02:17 | 0:02:19 | |
How are they ridiculous? We made them up as a team. | 0:02:19 | 0:02:22 | |
Yeah, actually. I think her moves are pretty cool, Emily. | 0:02:22 | 0:02:25 | |
Emily has been really hard on Michelle for a long time | 0:02:25 | 0:02:28 | |
and I don't think Michelle deserves all of it. | 0:02:28 | 0:02:30 | |
Eldon defending me is really sweet, actually. | 0:02:30 | 0:02:33 | |
I didn't expect him to do that. | 0:02:33 | 0:02:35 | |
Really? | 0:02:35 | 0:02:37 | |
-You made them up as a team? -Yes. | 0:02:37 | 0:02:40 | |
Cos I don't recall giving any input. | 0:02:40 | 0:02:42 | |
So I guess I'm not part of this team. | 0:02:42 | 0:02:44 | |
SHE TAPS | 0:02:47 | 0:02:49 | |
Kate notices that Emily's not trying at all and right now, | 0:02:49 | 0:02:52 | |
I think that she's going to get in a little bit of trouble. | 0:02:52 | 0:02:55 | |
-(She's in trouble. -Trouble.) | 0:02:58 | 0:03:00 | |
So take it one last time from the lyrical. | 0:03:00 | 0:03:03 | |
Finally Emily is going to get a little talking to | 0:03:03 | 0:03:06 | |
and maybe get what she deserves. | 0:03:06 | 0:03:08 | |
I'm not going to sugar coat this, Emily. | 0:03:48 | 0:03:50 | |
You've just lost your dance captaincy. I know it's a huge deal. | 0:03:50 | 0:03:55 | |
I know you're going through a lot. | 0:03:55 | 0:03:57 | |
'I feel strange not having Emily as dance captain. | 0:03:57 | 0:03:59 | |
'I mean, she's been my right hand woman for so long' | 0:03:59 | 0:04:01 | |
and I thought she was doing a great job. | 0:04:01 | 0:04:03 | |
Was I that bad at being a dance captain? | 0:04:03 | 0:04:06 | |
Emily, don't even say that. You were phenomenal. That's why I chose you. | 0:04:06 | 0:04:09 | |
Why couldn't you stick to that choice? | 0:04:09 | 0:04:11 | |
Why did you let them vote, Ms Kate? | 0:04:11 | 0:04:13 | |
-I know that we've worked so hard for so long... -But... | 0:04:13 | 0:04:16 | |
But everyone still needs you to contribute | 0:04:16 | 0:04:18 | |
and to be apart of the team and to help guide them. | 0:04:18 | 0:04:21 | |
'I absolutely feel for Emily. Her world has been rocked' | 0:04:21 | 0:04:24 | |
and I want to help her out as much as I can, give her guidance. | 0:04:24 | 0:04:28 | |
You don't have a clue what I'm feeling right now. | 0:04:28 | 0:04:31 | |
-Emily, you know I was dance captain once. -Yeah, everyone knows. | 0:04:31 | 0:04:34 | |
-Did you know that I lost my dance captaincy? -No. | 0:04:34 | 0:04:38 | |
What happened? | 0:04:40 | 0:04:41 | |
I injured myself really badly before competition. | 0:04:42 | 0:04:45 | |
Lost my spot in the line, lost my captaincy, | 0:04:45 | 0:04:48 | |
everything I had known just pulled out from under my feet. | 0:04:48 | 0:04:51 | |
That's a little different. The whole team didn't vote against you. | 0:04:51 | 0:04:56 | |
But both of us, we've both had it snatched out from us, you know? | 0:04:56 | 0:05:00 | |
Just like that. | 0:05:00 | 0:05:02 | |
I know it's tough, but this is what it comes down to - | 0:05:02 | 0:05:04 | |
you have to decide if you're going to focus on you | 0:05:04 | 0:05:08 | |
and all this hurt and pain | 0:05:08 | 0:05:10 | |
and frustration that you're going through, | 0:05:10 | 0:05:12 | |
or if you're going to focus on the team | 0:05:12 | 0:05:15 | |
and what the team needs. | 0:05:15 | 0:05:17 | |
'Hearing Ms Kate talk like this' | 0:05:17 | 0:05:19 | |
makes me wonder if I even belong in A-Troupe anymore. | 0:05:19 | 0:05:22 | |
I'll think about it, | 0:05:22 | 0:05:24 | |
but I honestly don't know if I can do this. | 0:05:24 | 0:05:27 | |
'She's just been completely mortified.' | 0:05:29 | 0:05:32 | |
So it's going to take her a long time to come back from that | 0:05:32 | 0:05:35 | |
'and hopefully she will.' | 0:05:35 | 0:05:36 | |
Hey, just wait, wait! | 0:05:47 | 0:05:49 | |
I just wanted to let you know that you did really well today. | 0:05:49 | 0:05:52 | |
-Oh, thanks! Yeah. You're awesome. -Thank you! | 0:05:52 | 0:05:54 | |
And thanks for defending me. It was really sweet. | 0:05:54 | 0:05:57 | |
-Any time. All right, see ya. -Bye. | 0:05:57 | 0:05:59 | |
-Michelle. -Yeah? -Good job today. -Really? -Yeah. | 0:05:59 | 0:06:02 | |
-You know, things were tense but they'll loosen up eventually. -Right. | 0:06:02 | 0:06:05 | |
-Um, do you want to get juice? -Yeah. I'll meet you there, though. | 0:06:05 | 0:06:08 | |
-All right. -See ya. | 0:06:08 | 0:06:09 | |
'I haven't been back in the studio it feels like in forever.' | 0:06:24 | 0:06:26 | |
I have been studying like crazy at all of this math stuff. | 0:06:26 | 0:06:29 | |
I really need to up my grades | 0:06:29 | 0:06:30 | |
'so that I can stay but I just can't keep focus.' | 0:06:30 | 0:06:33 | |
-Hey. -Yo, what's up, man? | 0:06:33 | 0:06:36 | |
-What are you drinking? -Do I look like the kind of guy | 0:06:36 | 0:06:39 | |
that would order tomato juice with carrot on top? | 0:06:39 | 0:06:42 | |
-That's disgusting. Did they just leave it here? -Yeah. | 0:06:42 | 0:06:45 | |
-Ew! -The service is brutal here. They're going downhill. -Yeah. -Yeah. | 0:06:45 | 0:06:48 | |
-What are you working on? -Uh just some math, man. Yeah. | 0:06:48 | 0:06:51 | |
I find it really helped, I did the right-angle triangles | 0:06:51 | 0:06:53 | |
with SOHCAHTOA and everything. | 0:06:53 | 0:06:55 | |
-SOHCAH-what? -SOHCAHTOA. They're the trig ratios. | 0:06:55 | 0:06:57 | |
Man, I speak English. Not all that Chinese stuff! | 0:06:57 | 0:07:01 | |
Yo, are you all right, man? | 0:07:04 | 0:07:05 | |
Yeah. I landed funny in rehearsal the other day. | 0:07:05 | 0:07:08 | |
-I think I tweaked my ankle. -Really? | 0:07:08 | 0:07:10 | |
-Yeah, it'll be fine though. -Yeah. Are you sure? | 0:07:10 | 0:07:12 | |
Yeah, yeah, yeah. I'm just going to grab a juice. | 0:07:12 | 0:07:15 | |
'I do believe him because he's an honest guy, but then again I don't. | 0:07:15 | 0:07:18 | |
'The way he was wincing, | 0:07:18 | 0:07:19 | |
'it does look like he might have injured it a little bit.' | 0:07:19 | 0:07:22 | |
I'm sitting alone because I just need some time to myself, | 0:07:31 | 0:07:35 | |
really, to process what's happened. Just because I'm so mortified, | 0:07:35 | 0:07:39 | |
I really couldn't face the group right now. | 0:07:39 | 0:07:41 | |
'I see Emily there all alone and she looks sad.' | 0:07:51 | 0:07:55 | |
'So I go in' | 0:07:55 | 0:07:56 | |
because I care about her. | 0:07:56 | 0:07:59 | |
Hey. | 0:08:02 | 0:08:04 | |
I know you're mad about the whole dance-captain thing. | 0:08:04 | 0:08:08 | |
Just... I'm sorry that happened. | 0:08:08 | 0:08:11 | |
It's OK. | 0:08:13 | 0:08:14 | |
And I'm really sorry about taking Michelle's side over yours. | 0:08:17 | 0:08:22 | |
You should have. Her dance was better. | 0:08:23 | 0:08:26 | |
Yeah, but yours was good. too. | 0:08:26 | 0:08:28 | |
Eldon, I know when someone beats me fair and square. And she did. | 0:08:28 | 0:08:32 | |
It's fine. | 0:08:33 | 0:08:35 | |
So what's wrong? | 0:08:35 | 0:08:38 | |
Nothing. | 0:08:38 | 0:08:39 | |
Emily, clearly there's something wrong. | 0:08:39 | 0:08:41 | |
Nope. | 0:08:41 | 0:08:43 | |
Are you sure? | 0:08:45 | 0:08:46 | |
Yup. | 0:08:46 | 0:08:48 | |
You know when you over-pronounce your words, | 0:08:49 | 0:08:52 | |
I know for a fact that you're lying. | 0:08:52 | 0:08:55 | |
I don't over-pronounce my words. | 0:08:55 | 0:08:57 | |
-You just did it again. -No... | 0:08:57 | 0:09:00 | |
HE SIGHS | 0:09:02 | 0:09:05 | |
Emily, why don't you just tell me what's wrong? | 0:09:05 | 0:09:08 | |
'I don't really want to tell Eldon what's wrong because,' | 0:09:08 | 0:09:10 | |
I mean, I've hid this for so long. | 0:09:10 | 0:09:12 | |
I've hid it from literally everyone. | 0:09:12 | 0:09:15 | |
It's embarrassing, OK? | 0:09:15 | 0:09:16 | |
Emily, I embarrass myself constantly. | 0:09:18 | 0:09:22 | |
Everything I do is embarrassing. | 0:09:22 | 0:09:24 | |
I tied your shoe in front of the class. | 0:09:25 | 0:09:28 | |
I walked in with posters | 0:09:28 | 0:09:29 | |
and a big, stupid poem that turned out just like a joke. | 0:09:29 | 0:09:33 | |
You think I'm just a joke! | 0:09:33 | 0:09:35 | |
Everyone does. | 0:09:35 | 0:09:37 | |
I don't think you're a joke. | 0:09:37 | 0:09:39 | |
Why can't you just take one little chance and embarrass yourself? | 0:09:39 | 0:09:43 | |
-I can't do her dance. -What do you mean? | 0:09:48 | 0:09:51 | |
I can't do the moves. I...I don't know how. | 0:09:52 | 0:09:56 | |
'I'm really, like, surprised and shocked' | 0:09:56 | 0:09:59 | |
that she said that because she's the dance captain | 0:09:59 | 0:10:02 | |
and she should be able to do them. | 0:10:02 | 0:10:04 | |
Do you ever wonder why I choreograph my dances the way I do? | 0:10:06 | 0:10:10 | |
Look, I know they're not good | 0:10:10 | 0:10:14 | |
but those are the only moves I can do. | 0:10:14 | 0:10:17 | |
That's why I never take any suggestions from other people. | 0:10:17 | 0:10:22 | |
I confessed to Eldon because no matter what I do | 0:10:24 | 0:10:29 | |
or what I say, Eldon is constantly by my side, | 0:10:29 | 0:10:33 | |
and I trust him. | 0:10:33 | 0:10:34 | |
-What are you doing? -I'm going to teach you. | 0:10:37 | 0:10:39 | |
-No. -I'm not taking no as an answer. | 0:10:39 | 0:10:42 | |
You might not be able to do it right now | 0:10:42 | 0:10:44 | |
but I'm not going to stop until you can do them. | 0:10:44 | 0:10:46 | |
-Really? -Yeah. | 0:10:46 | 0:10:48 | |
It's the best feeling having someone believe in you like that. | 0:10:48 | 0:10:51 | |
Like someone believes that you will get it, no matter what. | 0:10:51 | 0:10:54 | |
'He's just kind of giving me faith back in myself again' | 0:10:54 | 0:10:57 | |
and it's great. It's an amazing feeling. | 0:10:57 | 0:11:00 | |
-Promise? -I promise. | 0:11:02 | 0:11:04 | |
I'm hugging Eldon cos it just feels right. | 0:11:09 | 0:11:12 | |
Right now she needs a friend. So, I'm going to be her friend. | 0:11:13 | 0:11:17 | |
How can I help you, Giselle? | 0:11:31 | 0:11:33 | |
Um, I was just thinking that maybe B-Troupe could step it up. | 0:11:33 | 0:11:36 | |
-Step it up, what do you mean by stepping it up? -It's just hard | 0:11:36 | 0:11:39 | |
to be with dancers that aren't at the same level. | 0:11:39 | 0:11:41 | |
I need to get out of B-Troupe. | 0:11:41 | 0:11:42 | |
-So I thought maybe we could add lifts. -Lifts? -Yeah. | 0:11:42 | 0:11:45 | |
-B-Troupe? Lifts? -Yeah, lifts. Like maybe even the helicopter. | 0:11:45 | 0:11:48 | |
Helico... Wow! You're ready for the helicopter, | 0:11:48 | 0:11:50 | |
but I'm not sure if B-Troupe is ready for that yet. | 0:11:50 | 0:11:53 | |
Chris doesn't think B-Troupe's ready for the helicopter lift. | 0:11:53 | 0:11:56 | |
He's probably right. | 0:11:56 | 0:11:58 | |
-How about we go take a talk to them and we can go from there? -OK. | 0:11:58 | 0:12:01 | |
All right, let's go. | 0:12:01 | 0:12:02 | |
-Hey. -Hi. | 0:12:02 | 0:12:04 | |
Uh, I just wanted to talk to you about switching up | 0:12:04 | 0:12:07 | |
the positioning of the dancers in my routine. | 0:12:07 | 0:12:09 | |
That's something Emily never would have done. | 0:12:09 | 0:12:12 | |
Um, it shows a lot of initiative, | 0:12:12 | 0:12:14 | |
but also that she still respects my opinion | 0:12:14 | 0:12:17 | |
and sees me as the big boss. | 0:12:17 | 0:12:19 | |
Yeah, just to mix up the lines a little bit. | 0:12:19 | 0:12:21 | |
I feel like they've been in the same lines for a really long time. | 0:12:21 | 0:12:23 | |
-Sure. -I'm going to make sure that the best dancers are in the front. | 0:12:23 | 0:12:27 | |
I'm not going to be biased. | 0:12:27 | 0:12:28 | |
-OK, cool. Go for it. I'm looking forward to seeing it. -Thank you. | 0:12:28 | 0:12:31 | |
Do you want to try it from the beginning? | 0:12:33 | 0:12:34 | |
-Yeah, yeah. Yeah? Let's do that. -Ready? 5, 6... | 0:12:34 | 0:12:37 | |
'I'm helping Emily right now with Michelle's moves | 0:12:37 | 0:12:40 | |
'because I wanted to make sure' | 0:12:40 | 0:12:41 | |
she could keep up to the rest of the group. | 0:12:41 | 0:12:44 | |
-I can't. I can't get this! -Just try it. Try it. | 0:12:47 | 0:12:51 | |
-Here. -No, I can't. -You can do it. -I can't! -Try it again. | 0:12:51 | 0:12:53 | |
-I can't. -Ready? 6, 7, 8... | 0:12:53 | 0:12:55 | |
Working on Michelle's routine is tough | 0:12:59 | 0:13:02 | |
but there's also a drive in me because it's her routine | 0:13:02 | 0:13:05 | |
and because I want to master it. | 0:13:05 | 0:13:06 | |
Yeah. Boom, boom, boom, and then right, left. Left. | 0:13:06 | 0:13:09 | |
I don't want to even master it, | 0:13:09 | 0:13:11 | |
I want to be the best at it and prove that I can do this. | 0:13:11 | 0:13:14 | |
-2, and... -My hands don't move like that. | 0:13:14 | 0:13:17 | |
Everyone's hands move like that. | 0:13:17 | 0:13:20 | |
We've found kind of like a level of our relationship where | 0:13:31 | 0:13:34 | |
she kind of respects me more, | 0:13:34 | 0:13:36 | |
so she's not being this, like, control freak. | 0:13:36 | 0:13:38 | |
She's just kind of letting me teach her and it's easy to work with her. | 0:13:38 | 0:13:41 | |
-And 3, and 4... -No? -Try one more. | 0:13:41 | 0:13:45 | |
-No? -Try one more. -OK. -Ready? 6... | 0:13:45 | 0:13:47 | |
He's great, he's funny and smart and he's kind of cute. | 0:13:47 | 0:13:51 | |
-Nice! -Woo! | 0:13:59 | 0:14:01 | |
-You did it! -Thank you. | 0:14:02 | 0:14:04 | |
It's the best feeling in the world. It's amazing. | 0:14:04 | 0:14:06 | |
Guys, I've made a decision to change up the lines | 0:14:12 | 0:14:15 | |
a little bit in the routine. | 0:14:15 | 0:14:16 | |
I'm going to need you guys to re-audition for your placement. | 0:14:16 | 0:14:20 | |
OK, so we're going to start warm-up. | 0:14:20 | 0:14:21 | |
I'm excited to be re-auditioning. | 0:14:21 | 0:14:23 | |
There's other people that are able to be in the front row | 0:14:23 | 0:14:25 | |
instead of just the E-Girls. | 0:14:25 | 0:14:27 | |
That's ridiculous that she's going to make us re-audition | 0:14:27 | 0:14:30 | |
for the lines. Like, who does that? | 0:14:30 | 0:14:33 | |
I dunno, we should probably just warm-up. | 0:14:33 | 0:14:35 | |
No shot. | 0:14:35 | 0:14:37 | |
-What are you doing? -I'm not re-auditioning for our lines. | 0:14:37 | 0:14:40 | |
This is just obviously another way for Michelle to humiliate us. | 0:14:40 | 0:14:45 | |
Whether me and you audition or not, we're going to be in the back row. | 0:14:45 | 0:14:48 | |
I'm just not going to waste my time. | 0:14:48 | 0:14:50 | |
-So you're just going to leave? -Yeah, watch me. | 0:14:50 | 0:14:53 | |
When Stephanie leaves, | 0:14:53 | 0:14:55 | |
obviously the thought of leaving with her crosses my mind, | 0:14:55 | 0:14:58 | |
but I can't do it. It is the team I grew up with, | 0:14:58 | 0:15:02 | |
and I want to keep dancing at The Next Step. | 0:15:02 | 0:15:05 | |
Wait. Where are you going? | 0:15:05 | 0:15:07 | |
Class just started. | 0:15:07 | 0:15:08 | |
I have something to do. | 0:15:11 | 0:15:13 | |
So, you have something better to do than take dance class? | 0:15:13 | 0:15:16 | |
Yeah. I have a huge commercial audition coming up that | 0:15:16 | 0:15:20 | |
I need to be prepared for. | 0:15:20 | 0:15:22 | |
I'd rather spend my time doing | 0:15:22 | 0:15:23 | |
something for myself rather than waste my time | 0:15:23 | 0:15:26 | |
auditioning for something that's not going to work out. | 0:15:26 | 0:15:29 | |
You can't just leave. | 0:15:30 | 0:15:31 | |
Really? Because you let Chloe leave all the time. | 0:15:31 | 0:15:34 | |
I'm so embarrassed. Nobody knows what it's like for me at home, | 0:15:35 | 0:15:40 | |
and I haven't told anyone besides Michelle about my job. | 0:15:40 | 0:15:44 | |
For her to just think that I'm not serious about dance, | 0:15:44 | 0:15:47 | |
and that I'm just leaving for no reason is really hurtful. | 0:15:47 | 0:15:52 | |
'We're just about to start the auditions | 0:15:52 | 0:15:54 | |
'and she just picks up her bag and leaves. | 0:15:54 | 0:15:56 | |
'That's really disrespectful.' | 0:15:56 | 0:15:58 | |
I want to change up the dance positions because I feel like | 0:16:11 | 0:16:14 | |
everyone's always in the same positions | 0:16:14 | 0:16:16 | |
and it's getting boring so I just want to switch it up a little bit. | 0:16:16 | 0:16:19 | |
Watching Eldon dance is really something, and I always have | 0:16:23 | 0:16:25 | |
loved to watch him dance but now knowing him more, | 0:16:25 | 0:16:28 | |
it's like the Eldon I've come to care about, I guess. | 0:16:28 | 0:16:32 | |
It's a beautiful thing. He's a stunning dancer. | 0:16:32 | 0:16:35 | |
As I watch Eldon dance, I'm really impressed. | 0:16:38 | 0:16:40 | |
He's so sharp and precise. I'm really enjoying his routine. | 0:16:40 | 0:16:44 | |
Great job! Amazing! APPLAUSE | 0:16:46 | 0:16:49 | |
SHE MOUTHS | 0:16:50 | 0:16:52 | |
Uh, Emily's turn. | 0:16:52 | 0:16:53 | |
'I feel like this is Emily's chance to really show | 0:16:53 | 0:16:56 | |
'that she's been working really hard and I've been helping her out | 0:16:56 | 0:16:59 | |
'and I feel like she's really ready' | 0:16:59 | 0:17:01 | |
to show everyone that she's got what it takes. | 0:17:01 | 0:17:03 | |
'I'm super confident in myself, I know the moves.' | 0:17:11 | 0:17:13 | |
I just want everyone to see how hard I've been working. | 0:17:13 | 0:17:16 | |
She's actually giving it her all. I'm so proud of her | 0:17:20 | 0:17:23 | |
for accepting Michelle as a dance captain and trying to get the moves. | 0:17:23 | 0:17:27 | |
-Nice! -Good job. | 0:17:29 | 0:17:30 | |
APPLAUSE | 0:17:30 | 0:17:31 | |
'Two seconds ago, she was all grumpy and mad | 0:17:31 | 0:17:33 | |
'about losing her spot as captain, | 0:17:33 | 0:17:36 | |
'but now there's this new girl' | 0:17:36 | 0:17:37 | |
just hitting the moves so well. | 0:17:37 | 0:17:40 | |
You guys are doing amazing. | 0:17:40 | 0:17:42 | |
Daniel, it's your turn. | 0:17:42 | 0:17:44 | |
-Work it. -Yeah! That was great. | 0:18:07 | 0:18:09 | |
APPLAUSE | 0:18:09 | 0:18:12 | |
Thank you all very much, | 0:18:12 | 0:18:13 | |
and I'm going to be making my decisions very soon. | 0:18:13 | 0:18:16 | |
So we've made a decision. | 0:18:23 | 0:18:24 | |
-It's what needs to be done. -Yup, you're right. | 0:18:24 | 0:18:27 | |
Right now, we're discussing the placement of the dancers. | 0:18:27 | 0:18:29 | |
We're just creating new lines. | 0:18:29 | 0:18:31 | |
I trust Michelle and that choice | 0:18:31 | 0:18:33 | |
we're going to have to see when we see the final dance. | 0:18:33 | 0:18:35 | |
-Uh, well, we've got West there, Emily here? -Perfect. | 0:18:35 | 0:18:39 | |
-James there. -James, if he ups his grades. | 0:18:39 | 0:18:42 | |
-And he will. -He will. He'll be back. -Definitely, 100%. | 0:18:42 | 0:18:45 | |
Generally, the weaker dancers do get put in the back | 0:18:45 | 0:18:48 | |
and the ones who are the stars that shine are in the front. | 0:18:48 | 0:18:51 | |
Are we sure we want to do this? | 0:18:51 | 0:18:53 | |
-Yeah. -Michelle? | 0:18:53 | 0:18:54 | |
-I've worked out all the combos and that's what works. -OK. | 0:18:54 | 0:18:58 | |
I'll get front row. I'm confident in myself. | 0:18:58 | 0:19:00 | |
'I'm not sure where I place. | 0:19:00 | 0:19:02 | |
'I know I'm not back row but I'm pretty confident in second row' | 0:19:02 | 0:19:05 | |
and I think I'd be happy there. | 0:19:05 | 0:19:07 | |
-Well, let's go tell the team. -Let's go. -All right, let's do it. | 0:19:07 | 0:19:10 | |
All right, dancers, listen up! | 0:19:13 | 0:19:14 | |
The final decision has been made and we have our new lines. | 0:19:14 | 0:19:18 | |
-Michelle. -Thank you. | 0:19:18 | 0:19:19 | |
So in the first line we have myself, Daniel, and Eldon. | 0:19:19 | 0:19:23 | |
APPLAUSE | 0:19:23 | 0:19:26 | |
It's the big Regionals number and I'm right in the front row. | 0:19:29 | 0:19:32 | |
So it feels great. | 0:19:32 | 0:19:33 | |
In the middle line we have Chloe, Riley, Tiffany, and James. | 0:19:33 | 0:19:38 | |
And in the last line, | 0:19:38 | 0:19:39 | |
we have West, Stephanie, and Emily. | 0:19:39 | 0:19:42 | |
Good job. Great job, everyone. | 0:19:43 | 0:19:46 | |
APPLAUSE | 0:19:46 | 0:19:48 | |
Good job, everyone. You all did a great job. | 0:19:48 | 0:19:51 | |
'I'm bummed about my line position,' | 0:19:51 | 0:19:53 | |
but now I know how much work I need to get to the front row | 0:19:53 | 0:19:55 | |
and this just motivates me. | 0:19:55 | 0:19:57 | |
I worked so hard and I feel that I did better | 0:19:58 | 0:20:01 | |
than being in the back row... | 0:20:01 | 0:20:02 | |
And remember, it doesn't matter what position you are, | 0:20:02 | 0:20:05 | |
we can see you at all times, | 0:20:05 | 0:20:06 | |
-so make sure you're always at 100%, OK? -Right. | 0:20:06 | 0:20:09 | |
Exactly. We're only as strong as our weakest member. | 0:20:09 | 0:20:12 | |
So, everyone, work hard, no matter where you are. | 0:20:12 | 0:20:14 | |
-Great job today, guys. I'm really proud of you. -Congrats. | 0:20:14 | 0:20:17 | |
'I'm pretty mad because she did really well, | 0:20:22 | 0:20:25 | |
'so to just be thrown in the back like that,' | 0:20:25 | 0:20:27 | |
I don't think it's very fair. | 0:20:27 | 0:20:29 | |
I'm so happy that I kept my front row position. | 0:20:31 | 0:20:34 | |
I'm really, really glad. | 0:20:34 | 0:20:36 | |
I do feel a little odd being in a row | 0:20:36 | 0:20:38 | |
above my sister because she's always been in front of me. | 0:20:38 | 0:20:40 | |
I'm happy with my position in the lines, you know? | 0:20:40 | 0:20:43 | |
It's not quite the front but at least I'm not in the back! | 0:20:43 | 0:20:46 | |
Finally, somebody has noticed my hard work and has put me in a spot | 0:20:47 | 0:20:51 | |
I know I deserve. | 0:20:51 | 0:20:52 | |
I find the dance-placement line-up...interesting. | 0:20:52 | 0:20:56 | |
It's definitely a direction that we haven't gone in before. | 0:20:56 | 0:21:00 | |
I'm confident that we're going to win Regionals. | 0:21:00 | 0:21:03 |