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-'Previously...' -I want to act, I want to sing. | 0:00:02 | 0:00:04 | |
-So, you want to be a triple threat. -Yeah. | 0:00:04 | 0:00:07 | |
-So, who was that? -I have an agent! | 0:00:07 | 0:00:09 | |
CHEERING | 0:00:09 | 0:00:10 | |
Congrats! | 0:00:10 | 0:00:11 | |
-How was the math test? -I killed it. | 0:00:11 | 0:00:13 | |
-Just be straight with me. -OK. I might have failed it. | 0:00:13 | 0:00:15 | |
I'm getting pulled from the studio. | 0:00:15 | 0:00:17 | |
My mom took me out cos I'm having trouble in math. | 0:00:17 | 0:00:19 | |
-Please. -We need you. -We need your son. | 0:00:19 | 0:00:23 | |
OK. James does not dance for two weeks. | 0:00:23 | 0:00:26 | |
-I have a crush on Eldon? -Yes. -Maybe you do. | 0:00:26 | 0:00:29 | |
I need you all to re-audition for your line position. | 0:00:29 | 0:00:31 | |
I'm not re-auditioning for our lines. | 0:00:31 | 0:00:33 | |
Other people can be in the front row instead of just the E-Girls. | 0:00:33 | 0:00:36 | |
In the middle line, we have Chloe, Riley, Tiffany, and James. | 0:00:40 | 0:00:44 | |
And in the last line we have West, Stephanie, and Emily. | 0:00:44 | 0:00:47 | |
Maybe I deserve to be there, but it's just kind of shocking. | 0:00:47 | 0:00:51 | |
-OK, guys, let's take it from the tutting. -Yeah. -Formations. | 0:00:57 | 0:01:01 | |
And can we just scoot back a little bit? | 0:01:01 | 0:01:03 | |
So, 1, 2, 3, 4, 5, 6, 7, 8! | 0:01:03 | 0:01:08 | |
Right now, we're just rehearsing our Regionals routine. | 0:01:08 | 0:01:11 | |
1, 2, 3, 4, 5, 6, 7, 8, | 0:01:11 | 0:01:14 | |
1 and 2, 3, 4, 5, 6, 7, 8! | 0:01:14 | 0:01:18 | |
OK, where's your spacing? | 0:01:18 | 0:01:20 | |
I dunno. | 0:01:20 | 0:01:22 | |
So, then... | 0:01:22 | 0:01:23 | |
..you should go right here. | 0:01:25 | 0:01:27 | |
I'm pretty sure that's where you put James. | 0:01:27 | 0:01:29 | |
Right. | 0:01:29 | 0:01:31 | |
OK, so then, you're here. | 0:01:31 | 0:01:33 | |
I feel like there's a little bit of tension in the room | 0:01:35 | 0:01:37 | |
since I've announced the new dance positions. | 0:01:37 | 0:01:40 | |
One more time, and then we'll go on to the acro-section. | 0:01:40 | 0:01:43 | |
1, 2, 3, 4, 5, 6, 7, 8... | 0:01:43 | 0:01:46 | |
'I feel really bad for Emily.' | 0:01:46 | 0:01:49 | |
She was dance captain, and now, she's just stuck in the back row? | 0:01:49 | 0:01:52 | |
I wish there was something I could do. | 0:01:52 | 0:01:54 | |
1, 2, 3, 4, 5, 6, ba, ba, ba, ba, ba, ba, ba, | 0:01:54 | 0:01:58 | |
1, 2, 3, 4, 5, 6, 7, 8. | 0:01:58 | 0:02:02 | |
That was really nice, Eldon. | 0:02:02 | 0:02:04 | |
'When Michelle compliments Eldon it gives me a weird feeling.' | 0:02:04 | 0:02:07 | |
Does she like him? She can't let her personal feelings | 0:02:07 | 0:02:09 | |
get in the way of her being dance captain. | 0:02:09 | 0:02:11 | |
Um, Emily? Everyone else did their flips except for you. | 0:02:11 | 0:02:15 | |
You're not just hurting me, you're hurting everyone. | 0:02:16 | 0:02:19 | |
Well, the team hurt me, especially you. | 0:02:19 | 0:02:22 | |
'I can't believe I used to be dance captain,' | 0:02:22 | 0:02:24 | |
and now, here I am standing at the BACK row. | 0:02:24 | 0:02:27 | |
'It's such an obvious slap in the face by Michelle.' | 0:02:27 | 0:02:29 | |
I don't even know if I can be here any more since no-one respects me. | 0:02:29 | 0:02:32 | |
-Hey, Riley, what's up? -Hey! Not much. How are you? | 0:03:17 | 0:03:20 | |
-I'm pretty good. -'Right now, I'm video chatting with James' | 0:03:20 | 0:03:23 | |
because his mother won't allow him to come to the studio. | 0:03:23 | 0:03:26 | |
Two weeks to get my grades up. | 0:03:26 | 0:03:27 | |
So, it's my only way to connect with her. | 0:03:27 | 0:03:30 | |
It's going good, actually. Um, you're...second row? | 0:03:30 | 0:03:34 | |
Of course, I'm in the middle row. I didn't even have to audition! | 0:03:34 | 0:03:37 | |
I know. | 0:03:37 | 0:03:38 | |
You'll never guess who's in the back row - Emily. | 0:03:38 | 0:03:41 | |
She's in the back row? | 0:03:41 | 0:03:43 | |
-Yeah, Michelle just put her in the back row. -Man. That's funny. | 0:03:43 | 0:03:47 | |
-So, how's the math going? -It's good. It's good. | 0:03:47 | 0:03:49 | |
Don't even worry about it. We'll be going on that date in no time. | 0:03:49 | 0:03:52 | |
Me and James have our own little deal. | 0:03:54 | 0:03:56 | |
'If he gets a 70% on his next math test,' | 0:03:56 | 0:03:59 | |
then I will go on a date with him. | 0:03:59 | 0:04:02 | |
Test me. | 0:04:02 | 0:04:04 | |
OK. What is the volume of a cube that is 2 by 2 by 2 inches? | 0:04:04 | 0:04:09 | |
Um, 2 by... The volume of...? | 0:04:09 | 0:04:14 | |
-Uh, 39 cubic inches? -Really? | 0:04:16 | 0:04:19 | |
-No, wait, wait, I know this! It's 34 cubic inches. -No. | 0:04:19 | 0:04:23 | |
It's somewhere in the 30s. | 0:04:23 | 0:04:24 | |
No, it's not even close to the 30s! | 0:04:24 | 0:04:27 | |
I feel a little doomed, | 0:04:27 | 0:04:30 | |
the fact that, you know, | 0:04:30 | 0:04:32 | |
James doesn't know the answer to that simple math question. | 0:04:32 | 0:04:35 | |
I just hope he can start taking this seriously and really focus. | 0:04:35 | 0:04:39 | |
Can you please, like, think, like, seriously think about it. | 0:04:39 | 0:04:42 | |
Uh...I'm losing signal... | 0:04:42 | 0:04:44 | |
I...I can't...I... | 0:04:44 | 0:04:46 | |
I can't...can't hear you. | 0:04:46 | 0:04:48 | |
HE IMITATES STATIC James? James. | 0:04:48 | 0:04:50 | |
Nah, I'm totally playing, girl. | 0:04:50 | 0:04:53 | |
You have to stop playing all the time. We're all counting on you. | 0:04:53 | 0:04:55 | |
I know. | 0:04:55 | 0:04:57 | |
I may be a little disappointed. | 0:04:57 | 0:04:59 | |
I mean, I did kind of want to go on a date with him, but, you know, | 0:04:59 | 0:05:02 | |
it's also more important that he gets here for Regionals | 0:05:02 | 0:05:05 | |
so that we can work on our routine. | 0:05:05 | 0:05:07 | |
-I actually have to go, though. -Yeah. | 0:05:07 | 0:05:09 | |
Wait, wait. | 0:05:09 | 0:05:11 | |
It's 8 cubic inches. | 0:05:11 | 0:05:13 | |
See ya. | 0:05:16 | 0:05:17 | |
It seems like every math question, he gets right | 0:05:17 | 0:05:20 | |
kind of shows that he likes me even more. | 0:05:20 | 0:05:22 | |
Let's just say I hope that he aces the test. | 0:05:22 | 0:05:24 | |
-Hey, Em. -Hey. | 0:05:33 | 0:05:35 | |
How are you? | 0:05:37 | 0:05:38 | |
As good as I can be, I guess. You? | 0:05:38 | 0:05:42 | |
I feel like I was switched at birth and woke up in B-Troupe. | 0:05:42 | 0:05:46 | |
-Like... -I know. | 0:05:46 | 0:05:48 | |
-I miss it so much. -I feel like I need to apologise. | 0:05:48 | 0:05:52 | |
We had all of these plans. | 0:05:52 | 0:05:54 | |
You were an E-Girl! | 0:05:54 | 0:05:56 | |
'I promised Giselle we would get her back into A-Troupe,' | 0:05:56 | 0:06:00 | |
but I really don't see how that's possible now | 0:06:00 | 0:06:02 | |
considering I can't even get myself out of the back row. | 0:06:02 | 0:06:05 | |
-Hi. -Hi, Michelle. -Hi. Um, can I talk to you for a minute, please? | 0:06:07 | 0:06:11 | |
-Yeah. -Oh. | 0:06:11 | 0:06:13 | |
I just wanted to make sure that you know why you're in the back row. | 0:06:16 | 0:06:22 | |
Of course, I do. I completely understand. | 0:06:22 | 0:06:25 | |
-Oh, OK, good. I was worried. -Mm-hm. | 0:06:25 | 0:06:28 | |
I'm in the back row because you have a ginormous crush on Eldon. | 0:06:28 | 0:06:33 | |
Excuse me? | 0:06:33 | 0:06:35 | |
'She knows Eldon likes me.' | 0:06:35 | 0:06:37 | |
So, putting me in the back row | 0:06:37 | 0:06:38 | |
not only kind of diminishes me in his eyes as a dancer, | 0:06:38 | 0:06:41 | |
but also gets me out of the way, physically, | 0:06:41 | 0:06:43 | |
for her to be in like his direct eye line. | 0:06:43 | 0:06:46 | |
Well, that's not true. | 0:06:46 | 0:06:47 | |
You blush every time you see him. | 0:06:47 | 0:06:50 | |
The reason why you're not in the front row, | 0:06:50 | 0:06:52 | |
is because you're not a good enough dancer. | 0:06:52 | 0:06:54 | |
I even talked to Kate and Chris about it and they signed off on it. | 0:06:54 | 0:06:57 | |
'Hearing that Kate and Chris' | 0:06:57 | 0:06:58 | |
backed Michelle's decision is kind of a blow, | 0:06:58 | 0:07:00 | |
especially on Kate's side, | 0:07:00 | 0:07:02 | |
because she is kind of like a second mother to me. | 0:07:02 | 0:07:05 | |
I actually take their advice. | 0:07:05 | 0:07:07 | |
Well, how about you take mine. You're not good enough for Eldon. | 0:07:07 | 0:07:10 | |
So, stop trying. | 0:07:10 | 0:07:12 | |
OK, maybe I do have a little crush on Eldon, just little, | 0:07:13 | 0:07:16 | |
'but why does Emily care? She treats him horribly.' | 0:07:16 | 0:07:19 | |
And besides, I would never let my feelings get in the way | 0:07:19 | 0:07:22 | |
of what's best for the team. | 0:07:22 | 0:07:24 | |
'Waiting in this waiting room is the scariest thing ever.' | 0:07:36 | 0:07:39 | |
I've never had an audition before. So, I'm really nervous. | 0:07:39 | 0:07:43 | |
-It's great to see you again. -Yeah, I know! | 0:07:43 | 0:07:45 | |
I just wanted to let you know that I saw your play | 0:07:45 | 0:07:47 | |
-and I thought that you were wonderful. -Thank you so much. | 0:07:47 | 0:07:50 | |
I'm excited to see what you're going to do today. | 0:07:50 | 0:07:52 | |
-All right. -You all set to go? -Yeah! -Let's see what you got. | 0:07:52 | 0:07:55 | |
All right. | 0:07:55 | 0:07:57 | |
There's a million things running through my head. | 0:07:57 | 0:07:59 | |
I'm trying to see what the girl in the room's doing. | 0:07:59 | 0:08:02 | |
You've got questions? Well, we've got answers. Call us today. | 0:08:02 | 0:08:06 | |
A great education is just a phone call away. | 0:08:06 | 0:08:08 | |
-Sweet. -Yeah? -Aw, man, that was great. | 0:08:10 | 0:08:12 | |
-High-five! -So great! -Yeah. | 0:08:12 | 0:08:14 | |
He seems to like her, so if I try what she's doing he'll like me. | 0:08:14 | 0:08:17 | |
We're going to ask you to stick around. | 0:08:17 | 0:08:19 | |
Grab a coffee or something like that. We'll see you in a bit. | 0:08:19 | 0:08:21 | |
-I'll see you in a little bit. -Yeah. OK. Yeah. -Bye. -Bye. | 0:08:21 | 0:08:25 | |
-OK, Stephanie? -Yup. Hi. -Hey. | 0:08:25 | 0:08:28 | |
-How are you? -I'm good, thanks. -Picture and resume? | 0:08:28 | 0:08:31 | |
-Awesome. -Thanks. | 0:08:31 | 0:08:33 | |
So, what do we have here? | 0:08:36 | 0:08:38 | |
-Wow! A lot of dance experience. -Yeah. | 0:08:38 | 0:08:40 | |
And what about the acting? | 0:08:40 | 0:08:42 | |
Not much experience on here I can see. | 0:08:42 | 0:08:44 | |
-Um, have you done much of it? -I'm still learning. -OK. | 0:08:44 | 0:08:48 | |
-Cool. You're ready to go? -Yeah. | 0:08:48 | 0:08:51 | |
Um, I just had a question, because it didn't tell me. | 0:08:51 | 0:08:53 | |
What accent did you want it in? | 0:08:53 | 0:08:56 | |
Just your regular voice is good. | 0:08:56 | 0:08:58 | |
OK, cos like I can do like Shakespeare and stuff like that | 0:08:58 | 0:09:01 | |
and be really dramatic. | 0:09:01 | 0:09:03 | |
You know what? Do what you're comfortable with. | 0:09:03 | 0:09:05 | |
Do what you think is going to be the best example of who you are. | 0:09:05 | 0:09:10 | |
-OK. -Yeah. -Awesome. | 0:09:10 | 0:09:12 | |
Why don't you do your thing? | 0:09:12 | 0:09:13 | |
You've got questions? We've got answers! | 0:09:13 | 0:09:17 | |
Call us today, because a great education is just a phone call away! | 0:09:17 | 0:09:21 | |
I feel confident in what I'm doing. | 0:09:24 | 0:09:26 | |
The casting director, | 0:09:26 | 0:09:27 | |
he has a smile on his face. | 0:09:27 | 0:09:28 | |
I really feel like everything's going great right now. | 0:09:28 | 0:09:31 | |
Wow. That was great, you can turn around now. | 0:09:33 | 0:09:35 | |
-You can turn around. Thank you. -Really? | 0:09:35 | 0:09:37 | |
So much. Yeah. That was, oh...so good. | 0:09:37 | 0:09:40 | |
So, how about you go take a ten-minute break | 0:09:40 | 0:09:42 | |
and we're going to bring you back in and meet the director. | 0:09:42 | 0:09:45 | |
-OK! -Yeah. -Awesome! | 0:09:45 | 0:09:47 | |
-He's going to love what you've got. -Oh, my goodness! That's great. | 0:09:47 | 0:09:50 | |
-Thank you. -You're welcome. Thank you. -Thank you so much. | 0:09:50 | 0:09:53 | |
When the casting director tells me to stick around, | 0:09:54 | 0:09:56 | |
this is like the best thing ever. | 0:09:56 | 0:09:59 | |
Hey, Em, it's Steph. | 0:09:59 | 0:10:01 | |
I'm at my audition, | 0:10:01 | 0:10:03 | |
and it seems to be going really well. | 0:10:03 | 0:10:05 | |
The casting director wants me to meet the director. | 0:10:05 | 0:10:08 | |
So, I'll let you know when I'm done and I'll see you later, OK? | 0:10:08 | 0:10:10 | |
We'll talk about it later. OK, bye. | 0:10:10 | 0:10:12 | |
Hi, Steph. Um, it's Em. | 0:10:27 | 0:10:30 | |
I got your voice mail. | 0:10:30 | 0:10:33 | |
Congratulations, you're going to do amazing. | 0:10:33 | 0:10:36 | |
I was just calling to say I really needed to talk to you. | 0:10:36 | 0:10:40 | |
Call me back when you can. | 0:10:42 | 0:10:44 | |
When Stephanie doesn't answer, | 0:10:44 | 0:10:46 | |
in my head, I know she's busy. | 0:10:46 | 0:10:48 | |
'Having her not pick up right away just makes me feel so alone.' | 0:10:48 | 0:10:53 | |
I need a friend and she's the only one I have. | 0:10:53 | 0:10:57 | |
Hey. Emily. | 0:11:09 | 0:11:11 | |
Hi. | 0:11:13 | 0:11:14 | |
'When Eldon walks in, it's not like I'm annoyed to see him.' | 0:11:16 | 0:11:20 | |
I just don't want anyone there. | 0:11:20 | 0:11:22 | |
So... | 0:11:22 | 0:11:24 | |
How's it going? | 0:11:24 | 0:11:26 | |
-I'm fine. I'm good. -Really? | 0:11:28 | 0:11:32 | |
Yup. | 0:11:32 | 0:11:34 | |
Listen, what Michelle did to you, | 0:11:37 | 0:11:42 | |
putting you in the back row like that, it isn't fair. | 0:11:42 | 0:11:46 | |
-Really? -Yeah. | 0:11:48 | 0:11:51 | |
All of a sudden, she just treats you like you're a back-row dancer | 0:11:51 | 0:11:55 | |
and that's definitely not what you are. | 0:11:55 | 0:11:57 | |
-What if I am a back-row dancer? -You're not. Trust me. | 0:11:58 | 0:12:01 | |
You're one of the best dancers in the studio. | 0:12:01 | 0:12:04 | |
All I do is dance, pretty much. | 0:12:04 | 0:12:06 | |
I'll watch videos of dance, practise, train, | 0:12:06 | 0:12:10 | |
I know a good dancer when I see one. | 0:12:10 | 0:12:12 | |
You don't deserve to be back there. | 0:12:12 | 0:12:14 | |
Eldon telling me I'm not a back-row dancer does pick me up a little bit. | 0:12:14 | 0:12:19 | |
'But at the end of the day, | 0:12:19 | 0:12:20 | |
'Everybody's fine with me being in the back row.' | 0:12:20 | 0:12:24 | |
That must mean something. | 0:12:24 | 0:12:25 | |
Do you want me to go talk to Michelle for you? | 0:12:27 | 0:12:29 | |
No. It's not your fight to fight. | 0:12:31 | 0:12:34 | |
It's not even my fight any more. | 0:12:37 | 0:12:39 | |
I'm so, so tired of constantly fighting. | 0:12:39 | 0:12:42 | |
'I don't want to do it any more.' | 0:12:42 | 0:12:44 | |
I'm writing cue cards for James. | 0:13:04 | 0:13:06 | |
With all the drama and craziness | 0:13:06 | 0:13:08 | |
that has been going on at the studio, | 0:13:08 | 0:13:10 | |
it's a great way to just kind of get my mind on something else. | 0:13:10 | 0:13:13 | |
-What are you doing? -Making cue cards for James. | 0:13:17 | 0:13:20 | |
-For James? -Yeah. | 0:13:20 | 0:13:23 | |
-What's going on between you guys? -Nothing. We're just friends. -Hmm. | 0:13:23 | 0:13:28 | |
I'm just helping him with math. | 0:13:28 | 0:13:30 | |
He is in the second row, we do need him for Regionals. | 0:13:30 | 0:13:32 | |
'It's just typical Tiffany.' | 0:13:32 | 0:13:34 | |
She's just digging for gossip like she always does. | 0:13:34 | 0:13:36 | |
So, I'm just not going to give it to her. | 0:13:36 | 0:13:40 | |
I've seen the way he looks at you. Definitely more than "just friends". | 0:13:40 | 0:13:43 | |
He gives you those googly eyes. | 0:13:43 | 0:13:45 | |
I'm telling you, he likes you. | 0:13:45 | 0:13:49 | |
I think something's going on between Riley and James. | 0:13:51 | 0:13:54 | |
'Why else would she help him with math? Who likes math?' | 0:13:54 | 0:13:57 | |
That's love. | 0:13:57 | 0:13:58 | |
And a 5, 6, 7, 8, tondu, and close. | 0:14:03 | 0:14:11 | |
Good. Tiffany, really engage your core. Tuck your pelvis. | 0:14:11 | 0:14:16 | |
Good. Nice. | 0:14:16 | 0:14:18 | |
Good. | 0:14:18 | 0:14:21 | |
So, I heard about your conversation with Emily. | 0:14:21 | 0:14:24 | |
-You did? -Yeah. | 0:14:24 | 0:14:26 | |
What did she say? What did you guys talk about? | 0:14:26 | 0:14:29 | |
-Everything. -Everything? | 0:14:29 | 0:14:31 | |
-Yeah. -'I'm so embarrassed. | 0:14:33 | 0:14:34 | |
'I can't believe Emily told Eldon that I have a crush on him. | 0:14:34 | 0:14:37 | |
I don't even know if that's true. | 0:14:37 | 0:14:40 | |
I mean, he's cute and all but... This is so bad. | 0:14:40 | 0:14:44 | |
I'm really sorry. I should have told you I've been having these feelings | 0:14:44 | 0:14:47 | |
and I...II didn't know what to do. | 0:14:47 | 0:14:49 | |
Listen, I think Emily should be in the front row. | 0:14:49 | 0:14:52 | |
-What? -I'll happily move to the back. | 0:14:52 | 0:14:55 | |
-Really? -Yeah. | 0:14:55 | 0:14:57 | |
'Oh, boy. I'm so relieved | 0:14:57 | 0:14:59 | |
'that my secret crush is still a secret.' | 0:14:59 | 0:15:02 | |
Great! Awesome! | 0:15:02 | 0:15:04 | |
OK. | 0:15:04 | 0:15:05 | |
I am really surprised at how quickly Michelle agrees. | 0:15:05 | 0:15:08 | |
It was just like, she just said yes. | 0:15:08 | 0:15:11 | |
I'm so glad you thought of it. | 0:15:11 | 0:15:14 | |
OK, cool. | 0:15:14 | 0:15:16 | |
Eldon is a great dancer, | 0:15:18 | 0:15:20 | |
and I totally respect his opinion. | 0:15:20 | 0:15:21 | |
Moving Emily to the front has nothing to do with a crush, | 0:15:21 | 0:15:24 | |
at least I don't think so. | 0:15:24 | 0:15:27 | |
-Hey, girl. -Hey. | 0:15:40 | 0:15:42 | |
-What's up? -You were right. | 0:15:43 | 0:15:47 | |
Back row? | 0:15:47 | 0:15:48 | |
-And James, who wasn't even there... -In front of you. | 0:15:48 | 0:15:53 | |
The fact that I'm in the back row doesn't surprise me. | 0:15:53 | 0:15:56 | |
'The fact that James is in front of me really just shows' | 0:15:56 | 0:15:58 | |
how Michelle is just picking favourites. | 0:15:58 | 0:16:01 | |
'He didn't even try and here I was working my hardest' | 0:16:01 | 0:16:03 | |
and it clearly didn't matter. The decision was already made up. | 0:16:03 | 0:16:06 | |
Whatever. It just goes to show how much Kate and Chris | 0:16:06 | 0:16:09 | |
pretty much forgot about us now. | 0:16:09 | 0:16:11 | |
The fact that Kate doesn't seem to care | 0:16:11 | 0:16:14 | |
about what's going on is really upsetting. | 0:16:14 | 0:16:16 | |
-How was your audition? -I don't want to talk about it. | 0:16:16 | 0:16:19 | |
Why not? When you called, you sounded ecstatic. | 0:16:19 | 0:16:21 | |
Yeah, that was before it turned into a train wreck. | 0:16:21 | 0:16:24 | |
After being so excited about my audition today, | 0:16:24 | 0:16:27 | |
'it was so embarrassing having to tell Emily the truth.' | 0:16:27 | 0:16:30 | |
You know how I called you and like, got so excited? | 0:16:30 | 0:16:33 | |
Yeah you sounded so happy. I thought you had got it, for sure. | 0:16:33 | 0:16:37 | |
Well, after that, | 0:16:37 | 0:16:38 | |
the casting director made the director come and watch me. | 0:16:38 | 0:16:42 | |
Long story short, it was just to make fun of me. | 0:16:42 | 0:16:45 | |
-He made me do it in a Shakespeare voice. -Shakespeare? -Yeah. | 0:16:47 | 0:16:51 | |
-IN A SHAKESPEARE VOICE: -Were thou upset? | 0:16:51 | 0:16:54 | |
It was like, "If you have questions, we have answers." | 0:16:54 | 0:17:01 | |
-IN A SHAKESPEARE VOICE: -Thou art shall call. | 0:17:01 | 0:17:03 | |
Yeah! Exactly. | 0:17:03 | 0:17:05 | |
Like, disaster. And they were laughing at me. It's not funny! | 0:17:05 | 0:17:09 | |
-EMILY GIGGLES -I would laugh at you, too! | 0:17:09 | 0:17:12 | |
The fact that Emily's laughing at my audition is kind of helping. | 0:17:12 | 0:17:17 | |
I really needed someone to make me see the brighter side of things | 0:17:17 | 0:17:21 | |
cos I was definitely in one of my worst states ever. | 0:17:21 | 0:17:24 | |
I'll be your Romeo. | 0:17:24 | 0:17:26 | |
Stephanie is, honestly, the only bright spot in my life right now. | 0:17:26 | 0:17:30 | |
So, we can only go up from here. | 0:17:30 | 0:17:32 | |
I know. Seems like it. | 0:17:32 | 0:17:34 | |
'At this point,' | 0:17:34 | 0:17:35 | |
I feel like Steph and I need a fresh start. | 0:17:35 | 0:17:37 | |
Hey, guys, I just have one change that I want to make, just minor. | 0:17:42 | 0:17:46 | |
Um, I'm going to follow up on your request | 0:17:46 | 0:17:49 | |
and switch you with Emily. | 0:17:49 | 0:17:51 | |
-Oh. OK. -OK, sure. | 0:17:52 | 0:17:53 | |
I was so caught up in changing the lines for Eldon | 0:17:53 | 0:17:56 | |
that I forgot to run it by Kate and Chris. | 0:17:56 | 0:17:58 | |
I hope I'm not in trouble. | 0:17:58 | 0:18:00 | |
Michelle changing the positions kind of boggles my mind. | 0:18:00 | 0:18:03 | |
Eldon is one of the best dancers in the studio, | 0:18:03 | 0:18:06 | |
and putting him in the back is kind of a risky move. | 0:18:06 | 0:18:08 | |
'But Michelle is new captain and she has my trust.' | 0:18:08 | 0:18:11 | |
Wait, so Eldon's in the back? | 0:18:11 | 0:18:12 | |
-Yeah. -Yeah. | 0:18:14 | 0:18:15 | |
'Michelle's decision to put Eldon in the back row | 0:18:15 | 0:18:18 | |
'and Emily in the front,' | 0:18:18 | 0:18:19 | |
huge mistake. Mayday, mayday, abort, get out of there. | 0:18:19 | 0:18:22 | |
I mean, what is she doing? | 0:18:22 | 0:18:23 | |
I'm hoping that Michelle is not | 0:18:23 | 0:18:25 | |
going to blow her chance as dance captain. | 0:18:25 | 0:18:27 | |
I don't know if it's the best move, | 0:18:27 | 0:18:29 | |
but I needed to throw Eldon off the trail. | 0:18:29 | 0:18:31 | |
And with a little encouragement, Emily will do a good job. | 0:18:31 | 0:18:34 | |
I was really harsh to Emily | 0:18:34 | 0:18:36 | |
during her audition and she did really well. | 0:18:36 | 0:18:38 | |
Yeah, she did well, | 0:18:38 | 0:18:39 | |
but Eldon's one of our best dancers. | 0:18:39 | 0:18:42 | |
You are. Just trust me guys, it's for the best. All right? | 0:18:42 | 0:18:46 | |
I'm really excited for when Emily comes into the room | 0:18:46 | 0:18:49 | |
and finds out that she's in the front | 0:18:49 | 0:18:52 | |
because I saw how sad she was. | 0:18:52 | 0:18:54 | |
I feel like a knight coming in to save the day. | 0:18:54 | 0:18:57 | |
-Let's get started and rework it. -Guys! > | 0:18:57 | 0:19:00 | |
SHE PANTS | 0:19:04 | 0:19:06 | |
-Yeah? -Emily and Stephanie | 0:19:06 | 0:19:09 | |
are leaving the studio. | 0:19:09 | 0:19:11 | |
-What? -What? -What? | 0:19:11 | 0:19:12 | |
I feel...really betrayed. | 0:19:14 | 0:19:17 | |
I'm outraged. What are we going to do for Regionals? We're two short! | 0:19:18 | 0:19:21 | |
It's the worst thing that could be happening this close to Regionals. | 0:19:21 | 0:19:25 | |
I don't know what we're going to do. This is really bad news. | 0:19:25 | 0:19:29 |