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'Previously on The Next Step...' | 0:00:02 | 0:00:04 | |
I'm being pulled from A-Troupe. | 0:00:04 | 0:00:06 | |
I'm not allowed to go back to the studio till I get my grades up. | 0:00:06 | 0:00:09 | |
I don't want to see so much as a flat ball change from you, James! | 0:00:09 | 0:00:12 | |
If he gets a 70% on his next math test, I will go on a date with him. | 0:00:12 | 0:00:16 | |
Giselle has earned her place in A-Troupe, not Michelle. | 0:00:17 | 0:00:20 | |
We're going to do more caveman-dancing, then. | 0:00:20 | 0:00:22 | |
I hate being in B-Troupe. | 0:00:23 | 0:00:25 | |
Daniel, do you know where James is? | 0:00:25 | 0:00:27 | |
Last year Beth dated James for like, five minutes | 0:00:27 | 0:00:30 | |
and she will not get over him. | 0:00:30 | 0:00:32 | |
-She's not my girlfriend. -And does she KNOW that? | 0:00:32 | 0:00:34 | |
Putting you in the back row like that, it isn't fair. | 0:00:36 | 0:00:39 | |
I don't even know if I can be here any more since no-one respects me! | 0:00:39 | 0:00:42 | |
Guys! | 0:00:48 | 0:00:49 | |
Emily and Stephanie | 0:00:52 | 0:00:54 | |
are leaving the studio. | 0:00:54 | 0:00:56 | |
-ALL: -What? | 0:00:56 | 0:00:57 | |
I overheard my parents talking to Emily | 0:00:57 | 0:00:59 | |
and she was saying that they're planning on moving to Elite. | 0:00:59 | 0:01:02 | |
-No way! -Elite? | 0:01:02 | 0:01:04 | |
I don't know what we're going to do. This is really bad news. | 0:01:04 | 0:01:07 | |
'I mean, you might as well put a dagger in my heart and twist it.' | 0:01:07 | 0:01:09 | |
That's the worst thing they could do. | 0:01:09 | 0:01:11 | |
Out of all studios, Elite, our rival studio? | 0:01:11 | 0:01:15 | |
We might not win Regionals now. | 0:01:15 | 0:01:17 | |
They want to do stuff for the troupe but then they leave. | 0:01:17 | 0:01:20 | |
-I mean, come on! -They're always about themselves. We know that. | 0:01:20 | 0:01:23 | |
But I think if we talk to them, | 0:01:23 | 0:01:24 | |
-or something, they'll want to come back. -No. Bad idea. | 0:01:24 | 0:01:28 | |
If Emily sets her mind on something nothing is going to change that. | 0:01:28 | 0:01:30 | |
'They're both going to Elite.' | 0:01:30 | 0:01:32 | |
I know that we've worked really hard to go to Regionals | 0:01:32 | 0:01:35 | |
and I really want to go, but... | 0:01:35 | 0:01:36 | |
Are you suggesting that we not go to Regionals? | 0:01:36 | 0:01:38 | |
-I don't want to say that... -We're going! -It's out of the question. | 0:01:38 | 0:01:41 | |
-The amount of stuff we've sacrificed! -We're going! | 0:01:41 | 0:01:44 | |
I don't care if I have to take my grandma, we are taking ten people. | 0:01:44 | 0:01:47 | |
'At the end of the day I want to win Regionals.' | 0:01:47 | 0:01:49 | |
And we can't win Regionals with eight people. We need ten. | 0:01:49 | 0:01:52 | |
-We need to find a solution, OK? We want to go to Regionals. -Yes. | 0:01:52 | 0:01:56 | |
What we're going to do is we're going to audition | 0:01:56 | 0:01:59 | |
-from B-Troupe. -Yup. -OK? | 0:01:59 | 0:02:00 | |
They still haven't been accepted to Elite. | 0:02:00 | 0:02:02 | |
'I do think the team is giving up on Emily' | 0:02:02 | 0:02:05 | |
and Stephanie way too quickly. | 0:02:05 | 0:02:07 | |
We still have hope. They haven't auditioned. | 0:02:07 | 0:02:09 | |
So we're just supposed to wait for them to get into Elite, | 0:02:09 | 0:02:12 | |
go to Regionals then beat us? Like, we have to do something now. | 0:02:12 | 0:02:15 | |
Regionals is so soon and we don't have any time to wait around. | 0:02:15 | 0:02:18 | |
We'll bring two people up from B-Troupe. | 0:02:18 | 0:02:20 | |
-There's Giselle, there's Beth. -There's Charlie! | 0:02:20 | 0:02:23 | |
There's Charlie, Zach! Exactly! | 0:02:23 | 0:02:25 | |
'B-Troupe is full of awesome dancers.' | 0:02:25 | 0:02:26 | |
Not only will we find good dancers, we'll find dancers | 0:02:26 | 0:02:29 | |
'better than Emily and Stephanie.' | 0:02:29 | 0:02:31 | |
-Are we going to do this? -Yeah, we are! -Let's do this! | 0:02:31 | 0:02:34 | |
The Next Step! ALL: Whoo! | 0:02:34 | 0:02:36 | |
All right. Welcome to A-Troupe auditions. | 0:03:16 | 0:03:20 | |
CHEERING | 0:03:20 | 0:03:22 | |
Michelle is running the auditions because she's dance captain. | 0:03:23 | 0:03:26 | |
Obviously it's not her decision. Chris and I make the final decision, | 0:03:26 | 0:03:29 | |
but it's really nice having her input as well. | 0:03:29 | 0:03:32 | |
So, as you know, there are two spots open in A-Troupe. | 0:03:32 | 0:03:34 | |
A-Troupe is a big jump from B-Troupe | 0:03:34 | 0:03:36 | |
and it's really important that you guys are serious. | 0:03:36 | 0:03:39 | |
'I am so excited to re-audition for A-Troupe.' | 0:03:39 | 0:03:43 | |
I just... Please. Let me make it. | 0:03:43 | 0:03:45 | |
'I'm the only one in B-Troupe that's ever been in A-Troupe before,' | 0:03:45 | 0:03:49 | |
so I think I have a pretty good chance. | 0:03:49 | 0:03:52 | |
So, just so you know, it'll be solos, like four counts of eight, | 0:03:53 | 0:03:56 | |
and then we'll go through choreography after. | 0:03:56 | 0:03:59 | |
So, we'll have you first. | 0:03:59 | 0:04:00 | |
So, why do you dance? | 0:04:03 | 0:04:04 | |
'I have Michelle ask why the dancers dance. | 0:04:04 | 0:04:07 | |
'Dance has to be a part of you.' | 0:04:07 | 0:04:09 | |
It has to be your every ounce of being. | 0:04:09 | 0:04:12 | |
I like entertaining people. I like being the centre of attention. | 0:04:12 | 0:04:16 | |
-Right after I'm on stage, it's always fun being up there. -Cool. | 0:04:17 | 0:04:20 | |
We're doing freestyle auditions right now. | 0:04:20 | 0:04:22 | |
Freestyle is a big part of dance. | 0:04:22 | 0:04:24 | |
We just want to see what they can bring to the table. | 0:04:24 | 0:04:26 | |
DANCE MUSIC PLAYS | 0:04:26 | 0:04:30 | |
The auditions are going pretty smoothly. | 0:04:37 | 0:04:39 | |
The B-Troupe dancers are... We have better dancers in A-Troupe, | 0:04:39 | 0:04:44 | |
but we've gotta do what we've gotta do. | 0:04:44 | 0:04:45 | |
DANCE MUSIC PLAYS | 0:04:45 | 0:04:49 | |
So, why do you dance, Sarah? | 0:04:49 | 0:04:50 | |
I dance cos I just love to move. | 0:04:50 | 0:04:54 | |
Trying to jump higher and turn faster | 0:04:54 | 0:04:56 | |
and learn new tricks and try new things. | 0:04:56 | 0:04:59 | |
-It's what makes me really happy. -Good for you. -Thanks. | 0:04:59 | 0:05:03 | |
DANCE MUSIC PLAYS | 0:05:03 | 0:05:04 | |
-Charlie, why do you dance? -I like to dance cos I find | 0:05:24 | 0:05:27 | |
it kind of makes people smile and um...I feel as if smiling | 0:05:27 | 0:05:30 | |
kind of brightens the world a little bit. | 0:05:30 | 0:05:33 | |
The fact that Charlie says he dances | 0:05:33 | 0:05:34 | |
cos he wants to make people smile just... It makes ME smile! | 0:05:34 | 0:05:38 | |
I can't help it! It's so sweet. | 0:05:38 | 0:05:40 | |
DANCE MUSIC PLAYS | 0:05:40 | 0:05:43 | |
'I'm nervous to audition. I just want to go, though. | 0:05:55 | 0:05:58 | |
'I'm in the last group and I feel like it's never-ending.' | 0:05:58 | 0:06:03 | |
Come on! Just let me dance! | 0:06:03 | 0:06:04 | |
It's like an itch that can't be scratched. | 0:06:04 | 0:06:06 | |
DANCE MUSIC PLAYS | 0:06:06 | 0:06:08 | |
So, Beth, why do you dance? | 0:06:13 | 0:06:15 | |
Well, some people tell me I'm kind of a little crazy, | 0:06:15 | 0:06:18 | |
and loud, so I love to express that with my dancing. | 0:06:18 | 0:06:21 | |
And it's embarrassing, | 0:06:21 | 0:06:24 | |
but I really miss James and kind of want to see him | 0:06:24 | 0:06:28 | |
so I'd love to make A-Troupe! Yeah, that's it! | 0:06:28 | 0:06:32 | |
OK. | 0:06:32 | 0:06:33 | |
-Sorry, that's embarrassing! -Cool. | 0:06:34 | 0:06:37 | |
-That's awkward. -OK. -But, yeah. | 0:06:37 | 0:06:40 | |
'Beth telling me that, you know, the only reason why' | 0:06:40 | 0:06:42 | |
she wants to be in A-Troupe is because of James is kind of lame. | 0:06:42 | 0:06:46 | |
'I mean, it's just weird that she would say that.' | 0:06:46 | 0:06:48 | |
-Hey, James! -Hey, guys, what's up? -How you doing? | 0:07:00 | 0:07:04 | |
Um, I'm doing all right. | 0:07:04 | 0:07:05 | |
'Well, I'm at the studio because my mom took me out so that' | 0:07:05 | 0:07:08 | |
I could focus on my math because my math grades were slipping. | 0:07:08 | 0:07:11 | |
We're here to do your daily math pop quiz. Are you ready? | 0:07:11 | 0:07:14 | |
-..Yay... -Yeah. Um, but I made cue cards this time. So... | 0:07:15 | 0:07:21 | |
-Dry. OK. -Everyone who is a part of A-Troupe has been taking shifts | 0:07:21 | 0:07:25 | |
to help James with his math. | 0:07:25 | 0:07:27 | |
What is cosecant? | 0:07:27 | 0:07:29 | |
-Um, the inverse of cosine. -Yes! -Good! -Good job. -Yay! | 0:07:29 | 0:07:32 | |
'It's important to pass because if I pass it,' | 0:07:32 | 0:07:35 | |
I get to go back to the studio. And I get a date with Riley. | 0:07:35 | 0:07:39 | |
Does sine to the power of 4 times theta minus cos to the power of 4 | 0:07:39 | 0:07:43 | |
times theta equal 2 sine squared theta minus 1? | 0:07:43 | 0:07:48 | |
Um... | 0:07:48 | 0:07:50 | |
3? | 0:07:52 | 0:07:53 | |
No, no... You just have to say if it's equal or not. | 0:07:53 | 0:07:57 | |
Um, yes? | 0:07:57 | 0:07:59 | |
-No. -No! | 0:08:00 | 0:08:02 | |
-OK, let's do another one. -Yeah. | 0:08:02 | 0:08:04 | |
Because you need to get these right. | 0:08:04 | 0:08:06 | |
'I don't really know if he'll make it back.' | 0:08:06 | 0:08:08 | |
But I really hope that he does cos he's a huge part of A-Troupe. | 0:08:08 | 0:08:12 | |
I don't know if I can learn all the material in time, | 0:08:12 | 0:08:15 | |
and I'm kinda stressed out about learning the dance. | 0:08:15 | 0:08:18 | |
I've gotta get to know it a little better I think. | 0:08:18 | 0:08:20 | |
Well, I mean, I guess I could come teach you? | 0:08:24 | 0:08:27 | |
Yeah, that'd be cool. I'm down for that. | 0:08:29 | 0:08:31 | |
It's technically not at the studio, and I mean, as long as your mom | 0:08:31 | 0:08:35 | |
doesn't see you dancing, it doesn't matter | 0:08:35 | 0:08:37 | |
if other people see you dancing. | 0:08:37 | 0:08:39 | |
Technically, my mom's not going to see it, | 0:08:39 | 0:08:41 | |
so I'm not breaking the rules. | 0:08:41 | 0:08:43 | |
This place is huge. | 0:08:53 | 0:08:55 | |
This is their B-Studio. | 0:08:55 | 0:08:58 | |
They have a piano! | 0:08:58 | 0:08:59 | |
We have a boom box. | 0:08:59 | 0:09:01 | |
This studio is amazing. | 0:09:01 | 0:09:04 | |
There's a tech booth with a projector screen. | 0:09:04 | 0:09:06 | |
Do they show movies in here? | 0:09:06 | 0:09:08 | |
It's state of the art. It has everything. | 0:09:08 | 0:09:10 | |
This is insane, Steph! | 0:09:10 | 0:09:12 | |
Compared to The Next Step, | 0:09:12 | 0:09:14 | |
it doesn't even compare. | 0:09:14 | 0:09:15 | |
So I hear you two girls would like to audition for Elite. | 0:09:19 | 0:09:22 | |
-That's correct. -Do you understand who we are? | 0:09:22 | 0:09:25 | |
Yes. That's why we came here. | 0:09:27 | 0:09:28 | |
And why? | 0:09:28 | 0:09:30 | |
Stephie and I are two of the best dancers from our studio. | 0:09:30 | 0:09:33 | |
We want to be with the BEST studio. | 0:09:33 | 0:09:35 | |
And your studio is? | 0:09:35 | 0:09:36 | |
-The Next Step. -I don't think I've heard of The Next Step. | 0:09:38 | 0:09:42 | |
Um, I've heard of it, | 0:09:42 | 0:09:44 | |
-but isn't it pretty wreck? -No. | 0:09:44 | 0:09:47 | |
(Dry.) | 0:09:47 | 0:09:49 | |
-It's pretty competitive, actually. -Hm. | 0:09:49 | 0:09:51 | |
Nice sweater, by the way. | 0:09:51 | 0:09:54 | |
It's really red. | 0:09:54 | 0:09:56 | |
'They're just trying to mess with our heads.' | 0:09:56 | 0:09:58 | |
And I totally respect that. | 0:09:58 | 0:10:01 | |
-What do you think, Amanda? -I think we should talk about it. | 0:10:01 | 0:10:04 | |
-OK. We'll go chat and we'll be back, girls. -All right. | 0:10:04 | 0:10:07 | |
'Right now, I'm at James's school just to keep him up' | 0:10:26 | 0:10:29 | |
on the choreography for the Regionals routine. | 0:10:29 | 0:10:32 | |
James! Hey, you ready to learn Michelle's choreography? | 0:10:33 | 0:10:36 | |
I can't, I'm sorry. There's too much on my plate right now, OK? | 0:10:36 | 0:10:39 | |
What! No, James, come on! | 0:10:39 | 0:10:41 | |
My teacher just scheduled a math retest for tomorrow. | 0:10:41 | 0:10:45 | |
So? You know this stuff, James. | 0:10:45 | 0:10:47 | |
You've been studying for weeks. | 0:10:47 | 0:10:49 | |
'I'm not ready for the exam, I'm not going to pass it.' | 0:10:49 | 0:10:51 | |
I've already accepted that I'm not coming back to the studio. | 0:10:51 | 0:10:54 | |
Just relax, OK? | 0:10:54 | 0:10:56 | |
I'm telling you, I don't know any of it. | 0:10:56 | 0:10:58 | |
I have to get tutored after class, I still don't know it! | 0:10:58 | 0:11:00 | |
-OK, yes, you do. -No, I don't! | 0:11:00 | 0:11:02 | |
OK, you know what? Let me prove it to you. Here. | 0:11:02 | 0:11:05 | |
-Oh, my gosh! Did you bring cue cards? -Yes. | 0:11:05 | 0:11:07 | |
Can you just tell me the angle? | 0:11:07 | 0:11:08 | |
-I don't know, 92? I have no idea! -This is a right angle, right! | 0:11:09 | 0:11:12 | |
-Yeah. -Right angle triangle... -Cos 90 degrees. -Exactly. | 0:11:12 | 0:11:15 | |
-So how many degrees are left over to make the other two? -45 degrees. | 0:11:15 | 0:11:19 | |
Exactly, you just figured it out. | 0:11:19 | 0:11:21 | |
That's one question. There's going to be like, 50 on the test. | 0:11:21 | 0:11:23 | |
One out of 50, what is that, like, 2%? | 0:11:23 | 0:11:26 | |
Exactly, you just figured out another math question. | 0:11:26 | 0:11:29 | |
'I do think James will pass his exam.' | 0:11:29 | 0:11:32 | |
He just has to believe in himself. | 0:11:32 | 0:11:34 | |
I came to Elite to figure out what's going on with me and Emily. | 0:11:41 | 0:11:45 | |
-Hey! I got your text. -Hey. -What's up? -Not much, how are you? | 0:11:46 | 0:11:49 | |
I'm good. I have to get back in there, but how's the studio? | 0:11:49 | 0:11:52 | |
Have they replaced Steph and I yet, or...? | 0:11:52 | 0:11:54 | |
Kate and Chris are auditioning B-Troupe. | 0:11:54 | 0:11:57 | |
-Well, that's a good decision. -MOBILE BEEPS | 0:11:58 | 0:12:01 | |
Look, I really have to head back in. Is that it? | 0:12:01 | 0:12:04 | |
Um, I just wanted to say hi. | 0:12:04 | 0:12:06 | |
Hi? | 0:12:06 | 0:12:07 | |
-I just wanted to... -You took... | 0:12:07 | 0:12:10 | |
-..you took three buses to come say hi to me? -Yeah. | 0:12:10 | 0:12:13 | |
'It's a long way from where he lives.' | 0:12:13 | 0:12:15 | |
This must be important to him. | 0:12:15 | 0:12:17 | |
Eldon, get to the point, hon. | 0:12:17 | 0:12:19 | |
-OK, well... -MOBILE BEEPS | 0:12:19 | 0:12:21 | |
You're auditioning for Elite and... | 0:12:22 | 0:12:26 | |
And? | 0:12:26 | 0:12:28 | |
Well... | 0:12:28 | 0:12:30 | |
what about us? | 0:12:30 | 0:12:32 | |
Oh. | 0:12:35 | 0:12:36 | |
We're not really going out so... | 0:12:36 | 0:12:39 | |
I wanted to know where we are in our relationship. | 0:12:39 | 0:12:43 | |
Eldon, it doesn't matter where I dance, | 0:12:45 | 0:12:48 | |
we're still going to be together. | 0:12:48 | 0:12:51 | |
OK. | 0:12:51 | 0:12:52 | |
-Is that what you were worried about? -Yeah. | 0:12:53 | 0:12:56 | |
That was really cute. | 0:12:56 | 0:12:58 | |
'He's been there for me through everything' | 0:12:58 | 0:13:01 | |
and being official with Eldon | 0:13:01 | 0:13:03 | |
'is kind of an amazing feeling.' | 0:13:03 | 0:13:05 | |
-Don't worry. Nothing's going to change, OK? -OK. | 0:13:05 | 0:13:08 | |
-DOOR OPENS -Ugh. There you are! | 0:13:08 | 0:13:11 | |
Amanda and Lucien have made up their mind. | 0:13:11 | 0:13:13 | |
We need to go. I've been looking everywhere for you. | 0:13:13 | 0:13:15 | |
OK, wish me luck. I'll see you later, OK? | 0:13:15 | 0:13:17 | |
-Hurry up! -Bye. -Good luck. -See you later. -Can you hurry? | 0:13:17 | 0:13:20 | |
-I'm coming! I'm coming! -Serious. -Let's go! | 0:13:20 | 0:13:22 | |
It feels amazing to finally be Emily's boyfriend. | 0:13:27 | 0:13:30 | |
(..The Next Step, and missing class probably.) | 0:13:39 | 0:13:42 | |
Girls, we don't appreciate tardiness here at Elite... | 0:13:42 | 0:13:45 | |
-Sorry. -Sorry. -..but we have decided to let you audition. | 0:13:45 | 0:13:49 | |
-OK. -Let's see what you've got. | 0:13:49 | 0:13:52 | |
We're just going to go get changed and we'll be right back. | 0:13:52 | 0:13:55 | |
I'm still really nervous but I'm a little relieved when Amanda | 0:13:56 | 0:13:59 | |
and Lucien decide that Emily and I can audition. | 0:13:59 | 0:14:01 | |
'I'm ecstatic. I just want to get out there, I want to dance' | 0:14:01 | 0:14:04 | |
and I want to prove to them that this is where I belong, | 0:14:04 | 0:14:06 | |
that this is my new home. | 0:14:06 | 0:14:08 | |
You answered every question right. | 0:14:13 | 0:14:15 | |
-You know all this stuff, I told you this. -I hope you're right. | 0:14:15 | 0:14:18 | |
I know I'm right. High-five. | 0:14:18 | 0:14:20 | |
-High-five? -High-five. | 0:14:20 | 0:14:23 | |
-Thank you. -You're welcome. | 0:14:24 | 0:14:26 | |
'He just got every single question right that I asked him,' | 0:14:26 | 0:14:29 | |
so he's clearly capable of doing this. | 0:14:29 | 0:14:32 | |
She believes in me, when no-one else does. | 0:14:32 | 0:14:35 | |
It feels like anything is possible with Riley. | 0:14:35 | 0:14:37 | |
Follow me. Ready? | 0:14:38 | 0:14:40 | |
Riley, what are you doing? | 0:14:42 | 0:14:43 | |
I'm dancing. | 0:14:44 | 0:14:46 | |
Yo, there's nothing to see. Hit the road. | 0:14:46 | 0:14:48 | |
'I begin dancing, because for so long I've always' | 0:14:48 | 0:14:52 | |
been the one who's always so stressed out about everything, | 0:14:52 | 0:14:55 | |
'and for once James is now stressed out about math, and' | 0:14:55 | 0:14:59 | |
I just need to show him how to let loose. | 0:14:59 | 0:15:01 | |
-Come on. James. -Man... | 0:15:01 | 0:15:05 | |
-Just learn the choreography. You can do this. -In front of the school? | 0:15:05 | 0:15:08 | |
-Do it for me. -OK, well, I don't know it. | 0:15:08 | 0:15:11 | |
-OK, well, then, let me teach you. -So go slowly. | 0:15:11 | 0:15:13 | |
-Fine. -From the top. -OK. Ready? | 0:15:13 | 0:15:16 | |
-Yeah. -One, two... | 0:15:16 | 0:15:20 | |
APPLAUSE | 0:15:25 | 0:15:27 | |
And who's left? | 0:15:27 | 0:15:29 | |
-Me. -Giselle. | 0:15:29 | 0:15:31 | |
CHEERING AND APPLAUSE | 0:15:31 | 0:15:35 | |
'I'm so excited I get a second chance' | 0:15:35 | 0:15:38 | |
to audition for A-Troupe. | 0:15:38 | 0:15:40 | |
That's never happened. | 0:15:40 | 0:15:41 | |
Why do you dance? | 0:15:41 | 0:15:43 | |
Uh, I dance because when I was a little kid I was really fidgety | 0:15:43 | 0:15:47 | |
-and my parents got extremely worried. -Mm-hm. | 0:15:47 | 0:15:50 | |
And so we were talking to a couple other people | 0:15:50 | 0:15:52 | |
and they suggested that they put me in dance. | 0:15:52 | 0:15:55 | |
And I instantly fell in love with it. | 0:15:55 | 0:15:58 | |
-I was with the people that were fidgety as well, and... -Yeah. | 0:15:58 | 0:16:01 | |
..I was like, I was at home. | 0:16:01 | 0:16:03 | |
'Giselle's answer is really moving.' | 0:16:03 | 0:16:06 | |
A lot of kids feel like they don't fit in and they don't belong | 0:16:06 | 0:16:09 | |
'and then when you find that one place where you just' | 0:16:09 | 0:16:12 | |
feel so at home...? I'm getting goosebumps just talking about it. | 0:16:12 | 0:16:16 | |
'We belong in this crazy little dance world.' | 0:16:16 | 0:16:20 | |
Are you ready? | 0:16:20 | 0:16:22 | |
Yeah. | 0:16:22 | 0:16:23 | |
DANCE MUSIC PLAYS | 0:16:25 | 0:16:29 | |
'I'm just leaving my heart on that dance floor. | 0:16:45 | 0:16:49 | |
'I'm spinning and I'm doing acro like I've never done it before.' | 0:16:49 | 0:16:52 | |
DANCE MUSIC CONTINUES | 0:16:54 | 0:16:57 | |
This is where I want to be. I can't stay at the Next Step and be happy | 0:17:03 | 0:17:06 | |
knowing that everyone went behind my back and betrayed me like that. | 0:17:06 | 0:17:09 | |
It's just time for me to take the next step away from The Next Step. | 0:17:09 | 0:17:13 | |
'As I'm dancing it kind of just makes me forget | 0:17:27 | 0:17:29 | |
'about all the math and everything | 0:17:29 | 0:17:31 | |
'and it just makes me realise that I really don't want to stop' | 0:17:31 | 0:17:34 | |
dancing at the studio. | 0:17:34 | 0:17:36 | |
'This studio is amazing. I love to dance and that's all I want to do.' | 0:17:43 | 0:17:48 | |
We both want a fresh start. | 0:17:48 | 0:17:50 | |
Thank you, guys. If we could swap with the next group | 0:18:21 | 0:18:24 | |
and then we'll go over the choreography with you guys. | 0:18:24 | 0:18:28 | |
'I've been working so hard, you wouldn't even believe me.' | 0:18:28 | 0:18:30 | |
I've been in the studio every single night. | 0:18:30 | 0:18:33 | |
I just really, really hope I make it this time. | 0:18:33 | 0:18:37 | |
I think the audition went really, really well. So I'm just anxious. | 0:18:50 | 0:18:55 | |
I just want to know already. | 0:18:55 | 0:18:56 | |
'I just keep staring at my phone.' | 0:18:56 | 0:18:58 | |
'I talked to Chloe and she said' | 0:18:59 | 0:19:01 | |
she would text me if she heard anything. But still no text. | 0:19:01 | 0:19:05 | |
Beth? | 0:19:05 | 0:19:06 | |
Did you hear anything yet? | 0:19:07 | 0:19:09 | |
SHE SIGHS No. | 0:19:10 | 0:19:12 | |
A-Troupe means the world to me. | 0:19:15 | 0:19:17 | |
'If I don't get in, I will be devastated. | 0:19:17 | 0:19:21 | |
'There are two spots,' | 0:19:21 | 0:19:23 | |
gotta stay positive. | 0:19:23 | 0:19:25 | |
All right, so we've talked it through | 0:19:35 | 0:19:37 | |
and we have made a decision of the two individuals | 0:19:37 | 0:19:40 | |
that will move up from B-Troupe into A for Regionals. | 0:19:40 | 0:19:42 | |
And we just wanted to let you guys know first | 0:19:42 | 0:19:44 | |
before giving them the news. | 0:19:44 | 0:19:46 | |
To add two new people into the group | 0:19:46 | 0:19:48 | |
so quickly right before Regionals, | 0:19:48 | 0:19:50 | |
it's going to be hard to mix all our chemistries together. | 0:19:50 | 0:19:52 | |
So we've done a lot of deliberating. | 0:19:52 | 0:19:54 | |
A lot of talented dancers, and the two individuals... | 0:19:54 | 0:19:57 | |
-They've really improved. -Yeah, definitely. -Yeah, a lot. | 0:19:57 | 0:19:59 | |
And the two individuals that will be moving up | 0:19:59 | 0:20:01 | |
from B-Troupe to A-Troupe is... | 0:20:01 | 0:20:03 | |
Hi. | 0:20:07 | 0:20:09 | |
Are there still auditions for A-Troupe? | 0:20:11 | 0:20:13 | |
Well, no, they're finished. | 0:20:16 | 0:20:19 | |
'Stephanie walking in was kind of ridiculous.' | 0:20:19 | 0:20:22 | |
If you left, then you left. Why come back? | 0:20:22 | 0:20:25 | |
'I come back to The Next Step cos I have nowhere else to go.' | 0:20:25 | 0:20:28 | |
I thought I was going to get into Elite, | 0:20:29 | 0:20:32 | |
so I didn't really think of anything else. | 0:20:32 | 0:20:34 | |
I know instantly that Emily made it to Elite and she's not coming back. | 0:20:34 | 0:20:40 | |
Do you guys think you could make an exception? | 0:20:43 | 0:20:46 | |
Do you think I could audition? | 0:20:50 | 0:20:52 |