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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
We have decided to let you audition. | 0:00:03 | 0:00:05 | |
I just want to get out there, I want to dance and prove to them | 0:00:05 | 0:00:07 | |
that this is my new home. | 0:00:07 | 0:00:09 | |
I feel horrible about having to replace Emily and Stephanie. | 0:00:09 | 0:00:11 | |
We can't win Regionals with eight people. We need ten. | 0:00:11 | 0:00:14 | |
I just really, really hope I make it this time. | 0:00:14 | 0:00:17 | |
My teacher just scheduled a math retest for tomorrow. | 0:00:17 | 0:00:20 | |
I've already accepted that I'm not coming back to the studio. | 0:00:20 | 0:00:23 | |
If you get a 70%, | 0:00:23 | 0:00:24 | |
I will go on a date with you. | 0:00:24 | 0:00:26 | |
My ankle has been really, really bothering me lately. | 0:00:27 | 0:00:30 | |
So I hope I can keep dancing. | 0:00:30 | 0:00:32 | |
You have a ginormous crush on Eldon. | 0:00:32 | 0:00:36 | |
OK, so maybe I do have a little crush on Eldon, just a little. | 0:00:36 | 0:00:39 | |
Where I dance doesn't matter. We're still together. | 0:00:39 | 0:00:42 | |
Are there still auditions for A-Troupe? | 0:00:42 | 0:00:44 | |
I thought I was going to get into Elite. | 0:00:44 | 0:00:47 | |
So I didn't really think of anything else. | 0:00:47 | 0:00:49 | |
Where's Emily? | 0:01:00 | 0:01:01 | |
At Elite. | 0:01:04 | 0:01:06 | |
She made it in. | 0:01:06 | 0:01:08 | |
I didn't. | 0:01:08 | 0:01:09 | |
'I messed up pretty badly. I mean...' | 0:01:10 | 0:01:12 | |
..she's gone... | 0:01:14 | 0:01:15 | |
..and it's all my fault. | 0:01:16 | 0:01:18 | |
We're ready for you. | 0:01:24 | 0:01:26 | |
OK. | 0:01:26 | 0:01:27 | |
Good luck. | 0:01:29 | 0:01:30 | |
'They don't look too happy to see me.' | 0:01:37 | 0:01:40 | |
I either dance here or I don't dance, I'm alone. | 0:01:40 | 0:01:43 | |
That's it. | 0:01:43 | 0:01:44 | |
'The reality is, dancers switch studios,' | 0:01:44 | 0:01:47 | |
but the fact that Emily and Stephanie didn't come to me? | 0:01:47 | 0:01:50 | |
It really hurts. | 0:01:52 | 0:01:53 | |
Stephanie, the way you handled yourself | 0:01:53 | 0:01:56 | |
was completely inappropriate. | 0:01:56 | 0:01:57 | |
Because of your actions, | 0:01:57 | 0:01:59 | |
you're going to be auditioning like everybody else. | 0:01:59 | 0:02:01 | |
OK, um, I just... I have no clothes. | 0:02:01 | 0:02:04 | |
You can dance like that. | 0:02:04 | 0:02:05 | |
OK. | 0:02:07 | 0:02:09 | |
'I might as well try.' | 0:02:09 | 0:02:11 | |
At least if I try, then I know. | 0:02:11 | 0:02:14 | |
Rather than just go home. | 0:02:14 | 0:02:15 | |
Stop. | 0:02:27 | 0:02:28 | |
OK. | 0:02:31 | 0:02:32 | |
I'm sorry. | 0:02:35 | 0:02:36 | |
Stop. | 0:02:39 | 0:02:40 | |
And then out of nowhere, Michelle stops me. | 0:02:45 | 0:02:47 | |
'She's probably not done ripping me apart.' | 0:02:48 | 0:02:51 | |
We know you can dance. | 0:02:55 | 0:02:56 | |
That's why we need you in A-Troupe. | 0:03:00 | 0:03:02 | |
Thank you. | 0:03:14 | 0:03:15 | |
I'm sorry, guys. | 0:03:21 | 0:03:23 | |
They're just such an amazing group of people. | 0:03:23 | 0:03:26 | |
And I'm so happy and I'm so lucky to have them in my life. | 0:03:28 | 0:03:31 | |
Welcome back. | 0:03:31 | 0:03:33 | |
Thanks, guys. | 0:03:35 | 0:03:37 | |
Cheer up, kid. | 0:03:37 | 0:03:38 | |
Looks like we only have one spot to fill now. | 0:03:40 | 0:03:42 | |
Thank you. | 0:03:45 | 0:03:46 | |
MUSIC: Where Did Everybody Go by Vistavision | 0:04:23 | 0:04:25 | |
Right now, I'm just at the studio, getting in some extra practice time, | 0:04:34 | 0:04:37 | |
rehearsing my solo and... just dancing. | 0:04:37 | 0:04:40 | |
'I walk into the studio and I'm just so excited to be back.' | 0:04:56 | 0:04:59 | |
And on top of that, Riley's just dancing a solo. | 0:04:59 | 0:05:03 | |
It's the perfect day. | 0:05:03 | 0:05:04 | |
'When I see Riley dancing | 0:05:23 | 0:05:24 | |
'to a song called Where Did Everybody Go,' | 0:05:24 | 0:05:27 | |
it makes me think of how Emily left | 0:05:27 | 0:05:29 | |
and how I left. | 0:05:29 | 0:05:30 | |
'It just... It makes me feel bad. | 0:05:30 | 0:05:32 | |
'It kind of stirs me up a bit.' | 0:05:32 | 0:05:34 | |
That was unreal! | 0:05:45 | 0:05:47 | |
Thank you. What are you doing here? | 0:05:49 | 0:05:51 | |
You're not supposed to be here until you pass your math exam. | 0:05:51 | 0:05:54 | |
True. | 0:05:54 | 0:05:55 | |
Bam! | 0:05:55 | 0:05:57 | |
It's a pass! | 0:05:58 | 0:05:59 | |
That's amazing! | 0:05:59 | 0:06:00 | |
Oh, I'm sweaty, sorry. | 0:06:00 | 0:06:03 | |
Not just a B, | 0:06:03 | 0:06:05 | |
I'm a B-plus! | 0:06:05 | 0:06:06 | |
That's awesome. | 0:06:08 | 0:06:09 | |
Well, uh, you know what that means, right? | 0:06:12 | 0:06:15 | |
Yeah. You're back in A-Troupe. | 0:06:16 | 0:06:18 | |
True. True. | 0:06:18 | 0:06:20 | |
Um, but also... | 0:06:20 | 0:06:22 | |
..it means you owe me a date. | 0:06:24 | 0:06:26 | |
Don't tell James, but... | 0:06:28 | 0:06:31 | |
I'm maybe a little excited | 0:06:31 | 0:06:32 | |
and also kind of nervous. | 0:06:32 | 0:06:34 | |
I mean, it's my first date. | 0:06:34 | 0:06:35 | |
I don't know, I just have to wait and see how it goes. | 0:06:35 | 0:06:38 | |
Seeing Eldon here, sitting in the juice bar is cool, I guess. | 0:06:50 | 0:06:53 | |
I mean, it's another time for me to spend time with him. | 0:06:53 | 0:06:56 | |
-Hey, Eldon. -Oh, hey. | 0:06:56 | 0:06:58 | |
I was actually thinking that, you know, maybe we should do | 0:07:04 | 0:07:07 | |
a new routine for Regionals, you know, since Emily has left and... | 0:07:07 | 0:07:11 | |
I was thinking maybe we could even do a duet. | 0:07:11 | 0:07:13 | |
Yeah, I'd love that. | 0:07:14 | 0:07:16 | |
Me too. | 0:07:16 | 0:07:17 | |
What are you doing, anyway? | 0:07:19 | 0:07:21 | |
Oh, um... | 0:07:21 | 0:07:23 | |
nothing. | 0:07:23 | 0:07:24 | |
Come on, tell me. I want to know. | 0:07:24 | 0:07:26 | |
I'm trying to come up with... | 0:07:29 | 0:07:32 | |
date ideas, for me and Emily. | 0:07:32 | 0:07:34 | |
I have... | 0:07:36 | 0:07:38 | |
uh, Apple Fest, the zoo, | 0:07:38 | 0:07:41 | |
ice cream parlour... | 0:07:41 | 0:07:43 | |
'Eldon telling me that he's planning date ideas for Emily | 0:07:43 | 0:07:46 | |
'is kind of a downer.' | 0:07:46 | 0:07:47 | |
I mean, I don't really want to hear him talk about Emily. | 0:07:47 | 0:07:50 | |
Teddy bear museum, | 0:07:50 | 0:07:51 | |
laser tag... | 0:07:51 | 0:07:53 | |
Emily really loves laser tag. | 0:07:53 | 0:07:55 | |
Bye. | 0:07:55 | 0:07:57 | |
I kind of wish Eldon was planning dates with me and not Emily. | 0:07:57 | 0:08:00 | |
I don't... | 0:08:00 | 0:08:01 | |
want to hear about Emily. | 0:08:01 | 0:08:03 | |
Laser tag it is. | 0:08:04 | 0:08:06 | |
'It feels so great to come back to the studio.' | 0:08:18 | 0:08:20 | |
I mean, for a moment there | 0:08:20 | 0:08:21 | |
I really thought that I wasn't coming back. | 0:08:21 | 0:08:24 | |
I'm not a teddy bear, OK? | 0:08:29 | 0:08:31 | |
'Having James back is like finding a dog.' | 0:08:32 | 0:08:34 | |
I mean, you're so happy because you found the dog, | 0:08:34 | 0:08:37 | |
and then you bring the dog to the owner | 0:08:37 | 0:08:38 | |
'and the owner's even more excited.' | 0:08:38 | 0:08:40 | |
But that's...that feeling. That feeling right there. | 0:08:40 | 0:08:43 | |
Actually, now might be a great time to let you guys know | 0:08:43 | 0:08:45 | |
who the newest member of A-Troupe is. | 0:08:45 | 0:08:47 | |
ALL: Oooh! | 0:08:47 | 0:08:48 | |
It could be Zach, | 0:08:48 | 0:08:50 | |
'or Beth, | 0:08:50 | 0:08:53 | |
'or possibly Giselle. Maybe even Charlie. | 0:08:53 | 0:08:54 | |
'He's been really working hard.' | 0:08:54 | 0:08:57 | |
You guys excited? | 0:08:57 | 0:08:59 | |
Yeah? | 0:08:59 | 0:09:00 | |
OK. The tenth member of A-Troupe is... | 0:09:00 | 0:09:03 | |
..Giselle! | 0:09:06 | 0:09:08 | |
CHEERING | 0:09:08 | 0:09:09 | |
I'm back! | 0:09:11 | 0:09:12 | |
I am so excited to be back in A-Troupe! | 0:09:14 | 0:09:16 | |
-Finally! -I... Right? | 0:09:16 | 0:09:18 | |
Yeah. | 0:09:18 | 0:09:19 | |
She's worked so hard and she definitely deserves this. | 0:09:19 | 0:09:22 | |
'Now we can really get started and work towards Regionals.' | 0:09:22 | 0:09:25 | |
Uh, OK, so, guys, um... | 0:09:25 | 0:09:28 | |
Me and Michelle were talking and... | 0:09:28 | 0:09:30 | |
I think it would be a good idea | 0:09:30 | 0:09:32 | |
if we came up with a new routine for Regionals. | 0:09:32 | 0:09:34 | |
Why? | 0:09:35 | 0:09:36 | |
'Emily's a very competitive person' | 0:09:36 | 0:09:38 | |
and now she's on Elite's team, | 0:09:38 | 0:09:40 | |
and she will do anything to make sure that she wins. | 0:09:40 | 0:09:43 | |
Emily might share our old routine with the people at Elite. | 0:09:43 | 0:09:45 | |
'You know, we don't want to show up to Regionals' | 0:09:45 | 0:09:47 | |
with the same routine as Elite so, just... We got to be careful. | 0:09:47 | 0:09:50 | |
OK. | 0:09:50 | 0:09:51 | |
And I also came up with the idea | 0:09:51 | 0:09:53 | |
that Eldon and I could perform a duet in the new piece. | 0:09:53 | 0:09:57 | |
Oh! That's a great idea! | 0:09:57 | 0:09:59 | |
-OK, well, you guys want to get started right away? -Yeah. -Yeah! | 0:09:59 | 0:10:02 | |
-Why don't you hop into Studio B? -All right. -Great. | 0:10:02 | 0:10:05 | |
OK, guys, let's start working on some new choreography. | 0:10:05 | 0:10:08 | |
-Yeah! -All right! | 0:10:08 | 0:10:09 | |
I'm really excited that I'm doing this duet with Eldon. | 0:10:09 | 0:10:12 | |
It'll give us a chance to spend time with each other | 0:10:12 | 0:10:14 | |
and a chance for him to get to know me better. | 0:10:14 | 0:10:16 | |
One, two, three, four, five, six, seven, eight. | 0:10:25 | 0:10:28 | |
'Working with Eldon on our duet is great.' | 0:10:28 | 0:10:31 | |
I mean, we both have really strong ideas and it's going really well. | 0:10:31 | 0:10:34 | |
-Even, I could go like, fall back. -Oh, and I'll catch you. | 0:10:34 | 0:10:36 | |
Then you can catch me and like... | 0:10:36 | 0:10:38 | |
-I'll catch you! So... -..push me back up. -Yeah! | 0:10:38 | 0:10:40 | |
We seem to be on the same page about the choreography. | 0:10:40 | 0:10:43 | |
We're almost saying the exact same ideas at the exact same time. | 0:10:43 | 0:10:46 | |
-And then go around into something like that. -Yeah. -Yeah? | 0:10:46 | 0:10:49 | |
Yeah. I like that. | 0:10:49 | 0:10:51 | |
Why don't we use the backpacks? | 0:10:51 | 0:10:52 | |
Yeah. Let's do it. | 0:10:53 | 0:10:55 | |
But you have to use the purple one. | 0:10:56 | 0:10:59 | |
-Just kidding! -No! | 0:10:59 | 0:11:01 | |
'Working with Eldon on the duet is great' | 0:11:01 | 0:11:03 | |
and I haven't felt comfortable around anyone like that | 0:11:03 | 0:11:06 | |
in a really long time. | 0:11:06 | 0:11:07 | |
MUSIC: More Than That by Andrew Austin | 0:11:08 | 0:11:11 | |
We're working on a new Regionals routine. | 0:11:15 | 0:11:17 | |
We've just finished the choreography, | 0:11:17 | 0:11:19 | |
so we're kind of working out the details of it. | 0:11:19 | 0:11:21 | |
'It's titled More Than That, so it's about two opposing forces - | 0:11:40 | 0:11:42 | |
'contemporary and hip-hop -' | 0:11:42 | 0:11:44 | |
and kind of the fusion of those two things. | 0:11:44 | 0:11:46 | |
It's still in the early stages but it's looking pretty good so far. | 0:11:49 | 0:11:53 | |
Great job picking up the choreography, Giselle! | 0:12:05 | 0:12:07 | |
Way to go! | 0:12:07 | 0:12:08 | |
'I'm glad that Kate notices that | 0:12:12 | 0:12:14 | |
'I'm picking up the choreography fast. | 0:12:14 | 0:12:16 | |
'I've worked so hard.' | 0:12:16 | 0:12:17 | |
I hope she notices, you know? | 0:12:17 | 0:12:19 | |
'Something definitely is off with Daniel.' | 0:12:26 | 0:12:28 | |
This is so unlike him. To be marking? | 0:12:28 | 0:12:30 | |
Daniel? | 0:12:32 | 0:12:34 | |
Can I speak to you in my office? | 0:12:34 | 0:12:35 | |
'He's getting lazy, and that's that.' | 0:12:39 | 0:12:41 | |
And we are way too close to Regionals for that to be happening. | 0:12:41 | 0:12:44 | |
'I'm marking the routine | 0:12:48 | 0:12:50 | |
'simply because I want my ankle to fully heal before Regionals.' | 0:12:50 | 0:12:53 | |
I injured it a few weeks back, but it's been much better lately. | 0:12:53 | 0:12:56 | |
Daniel, why are you marking your solo? | 0:12:59 | 0:13:02 | |
Oh, um... | 0:13:02 | 0:13:03 | |
I thought I heard you say that everyone was marking it this time. | 0:13:03 | 0:13:06 | |
I don't believe Daniel's excuse for a second. | 0:13:06 | 0:13:08 | |
I distinctly said full out. | 0:13:08 | 0:13:10 | |
I think that it must be that, | 0:13:10 | 0:13:12 | |
uh... | 0:13:12 | 0:13:14 | |
..with Regionals being so close, | 0:13:15 | 0:13:17 | |
instinctively, I'm just trying not to burn out. | 0:13:17 | 0:13:19 | |
OK, that's fine, I understand. | 0:13:19 | 0:13:21 | |
But your lines aren't complete. | 0:13:21 | 0:13:22 | |
You need to practise full out all the time. | 0:13:22 | 0:13:25 | |
You're right, I'm sorry. | 0:13:25 | 0:13:26 | |
James is your understudy. | 0:13:26 | 0:13:28 | |
He's working on the solo. | 0:13:28 | 0:13:29 | |
He's ready, and he could come in and take it from you in a heartbeat. | 0:13:29 | 0:13:32 | |
I have no idea if James is ready. | 0:13:32 | 0:13:35 | |
'But I need to motivate Daniel. | 0:13:35 | 0:13:37 | |
'If he thinks someone else is coming for his spot, | 0:13:37 | 0:13:39 | |
'he'll work so much harder and that's what we need.' | 0:13:39 | 0:13:41 | |
When Kate threatens to give the solo to James, | 0:13:41 | 0:13:44 | |
that pretty much tears my heart out. | 0:13:44 | 0:13:46 | |
It's everything I've worked for. | 0:13:46 | 0:13:47 | |
No, I'll do it. I'll do it full out, I promise. | 0:13:47 | 0:13:50 | |
Good. | 0:13:50 | 0:13:52 | |
Now, get back in there. | 0:13:52 | 0:13:53 | |
OK. You got it. | 0:13:53 | 0:13:54 | |
'I am going to work harder than ever' | 0:13:54 | 0:13:57 | |
and I'm going to make sure I keep that solo. | 0:13:57 | 0:13:59 | |
MUSIC: Inside Out by Andrew Austin | 0:14:09 | 0:14:11 | |
'The concept of our duet is, | 0:14:32 | 0:14:34 | |
'Michelle is scared to go and do something | 0:14:34 | 0:14:37 | |
'and she has to learn to trust me | 0:14:37 | 0:14:39 | |
'to help her get through what she's doing. | 0:14:39 | 0:14:42 | |
'He helps me through my struggles and by the end,' | 0:14:42 | 0:14:45 | |
I'm ready to face any fears that I have. | 0:14:45 | 0:14:47 | |
There's just great energy between us. | 0:14:56 | 0:14:58 | |
We're really connecting and it feels amazing. | 0:14:58 | 0:15:01 | |
As we're dancing, | 0:15:12 | 0:15:14 | |
I feel like there's no-one else in the world that I trust | 0:15:14 | 0:15:16 | |
'more than I trust Eldon. | 0:15:16 | 0:15:17 | |
'I'm learning to trust her' | 0:15:19 | 0:15:21 | |
more than I've trusted anyone in my life. | 0:15:21 | 0:15:23 | |
'Maybe Eldon will see how much I really like him... | 0:15:50 | 0:15:53 | |
'and he'll see that maybe there IS something between us.' | 0:15:53 | 0:15:57 | |
I am putting every inch of my brainpower into this date. | 0:16:15 | 0:16:18 | |
'I really hope she enjoys it.' | 0:16:18 | 0:16:21 | |
-Hey! -Hi. Why are we meeting here? | 0:16:21 | 0:16:24 | |
Come on! | 0:16:24 | 0:16:25 | |
I chose Studio A for our date, | 0:16:25 | 0:16:27 | |
because it's where I first met Riley. | 0:16:27 | 0:16:29 | |
I mean, any guy could take any girl to a restaurant. | 0:16:29 | 0:16:32 | |
This is original. | 0:16:32 | 0:16:33 | |
This is not very romantic. | 0:16:34 | 0:16:36 | |
What? There's more to it than you think. | 0:16:36 | 0:16:38 | |
'I'm always here dancing.' | 0:16:38 | 0:16:40 | |
I don't want to have my first date here. | 0:16:40 | 0:16:42 | |
Trust me. Here... | 0:16:42 | 0:16:45 | |
-Take this. -What is it? | 0:16:45 | 0:16:47 | |
'As soon as James pulls out the passport,' | 0:16:47 | 0:16:50 | |
I'm a little more intrigued. | 0:16:50 | 0:16:51 | |
Where did you get my yearbook photo? | 0:16:51 | 0:16:53 | |
Heh. Don't worry about it. | 0:16:53 | 0:16:55 | |
Riley has the passport because I know she loves to travel. | 0:16:55 | 0:16:58 | |
Maybe he put a little bit more effort into the date than I thought. | 0:16:58 | 0:17:00 | |
OK. Sorry. | 0:17:02 | 0:17:04 | |
Yeah. It's all good. We're going to have fun. | 0:17:04 | 0:17:06 | |
Come on, I'll show you. | 0:17:06 | 0:17:07 | |
'Right now, I'm working on a combo in Studio B. | 0:17:20 | 0:17:23 | |
'After Kate noticed me marking the solo,' | 0:17:23 | 0:17:25 | |
I really wanted to see | 0:17:25 | 0:17:27 | |
if my ankle could handle pushing myself a little harder. | 0:17:27 | 0:17:30 | |
'My ankle injury is a lot better, so I'm really happy, | 0:17:48 | 0:17:50 | |
'it seems like it's healing.' | 0:17:50 | 0:17:52 | |
Yes! | 0:18:05 | 0:18:06 | |
'My ankle feels really great,' | 0:18:09 | 0:18:11 | |
so I think I'm going to be able to get back into everything full swing | 0:18:11 | 0:18:13 | |
'and no-one will even have to know that I was injured.' | 0:18:13 | 0:18:16 | |
-Yo, Daniel. -Hi. -Hey. | 0:18:16 | 0:18:17 | |
'I'm a little nervous when West enters, | 0:18:17 | 0:18:19 | |
'because I've got the tensor bandage on' | 0:18:19 | 0:18:21 | |
and I hope he didn't see anything. | 0:18:21 | 0:18:23 | |
I go into Studio B looking for Daniel | 0:18:23 | 0:18:25 | |
'because he's giving me a ride home tonight.' | 0:18:25 | 0:18:28 | |
Is everything all right? | 0:18:28 | 0:18:30 | |
-Yeah, yeah, yeah. Yeah, let's go. -You sure? | 0:18:30 | 0:18:32 | |
'He's acting a little weird,' | 0:18:32 | 0:18:34 | |
but I'm pretty sure it's nothing out of the ordinary. | 0:18:34 | 0:18:36 | |
Um, I'm actually going to hang back for a sec, I'll be right there. | 0:18:36 | 0:18:39 | |
-All right dude, I'll see you there. -OK. | 0:18:39 | 0:18:41 | |
'I don't want anyone to know about my injury, | 0:18:46 | 0:18:48 | |
'because if they were to find out, | 0:18:48 | 0:18:50 | |
'then they could possibly take the solo away from me,' | 0:18:50 | 0:18:52 | |
and that's my one big moment to shine at Regionals. | 0:18:52 | 0:18:54 | |
'Well, for my date,' | 0:19:07 | 0:19:08 | |
we're going to eat a bunch of food from around the world. | 0:19:08 | 0:19:11 | |
Different countries. | 0:19:11 | 0:19:12 | |
And before we get a little bit of food from each one, | 0:19:12 | 0:19:14 | |
I'm going to stamp your passport. | 0:19:14 | 0:19:16 | |
So what country do you want to go to first? | 0:19:17 | 0:19:19 | |
Surprise me. | 0:19:19 | 0:19:21 | |
OK, well, I think I'm going to go to America first. | 0:19:21 | 0:19:23 | |
-OK. -Just because I love the burgers. | 0:19:23 | 0:19:26 | |
I've always wanted to travel the world. | 0:19:26 | 0:19:28 | |
OK, we have to stamp your passport first. | 0:19:28 | 0:19:30 | |
Of course. | 0:19:30 | 0:19:32 | |
So James definitely has my attention now. | 0:19:32 | 0:19:35 | |
Bon appetit. | 0:19:39 | 0:19:40 | |
'She's starting to enjoy it more and loosen up again,' | 0:19:41 | 0:19:44 | |
so I think that the date is going really good. | 0:19:44 | 0:19:45 | |
OK. I would love to go to India. | 0:19:45 | 0:19:48 | |
'I'd built up this idea in my head | 0:19:48 | 0:19:50 | |
'of what a first date was supposed to look like.' | 0:19:50 | 0:19:52 | |
Mmm, that looks good. | 0:19:52 | 0:19:53 | |
'I realise now that it's not the most important part at all.' | 0:19:53 | 0:19:56 | |
Welcome to India. | 0:19:58 | 0:20:00 | |
INAUDIBLE | 0:20:05 | 0:20:07 | |
'As the night continues on,' | 0:20:22 | 0:20:24 | |
James asks me to dance. | 0:20:24 | 0:20:26 | |
I just felt like it was the perfect thing to do after dinner. | 0:20:31 | 0:20:35 | |
'I've never been this close to Riley before. | 0:20:41 | 0:20:44 | |
'It just felt good. | 0:20:44 | 0:20:45 | |
'As far as first dates go, | 0:20:52 | 0:20:54 | |
'this one was pretty perfect.' | 0:20:54 | 0:20:56 |