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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
Michelle being in A Troupe is honestly confusing. | 0:00:03 | 0:00:06 | |
We don't let randoms walk in from the street and audition. | 0:00:06 | 0:00:09 | |
So, Michelle, are you going to audition to be dance captain? | 0:00:09 | 0:00:12 | |
I guess. | 0:00:12 | 0:00:13 | |
Now that she might lose her captaincy to a new girl... | 0:00:13 | 0:00:16 | |
I mean, what is going on? | 0:00:16 | 0:00:19 | |
This is MY captaincy at stake! So from the top. | 0:00:19 | 0:00:22 | |
I feel like she's way too threatened by Michelle. | 0:00:22 | 0:00:24 | |
The E Girl rules are very simple. Number one... | 0:00:24 | 0:00:26 | |
An E Girl always has another E Girl's back. | 0:00:26 | 0:00:29 | |
I'm pretty angry. | 0:00:30 | 0:00:31 | |
Stephanie's tanking it. | 0:00:31 | 0:00:33 | |
Stephanie throwing the dance is not cool. | 0:00:33 | 0:00:35 | |
Emily should have won fairly. | 0:00:35 | 0:00:37 | |
That was so not cool what you did to Michelle. | 0:00:37 | 0:00:39 | |
I have never stood up to my sister before. | 0:00:39 | 0:00:41 | |
Are you even an E Girl any more? | 0:00:41 | 0:00:42 | |
Attention, dancers! Attention, please. | 0:00:55 | 0:00:57 | |
Some exciting news. It looks like we are going to be | 0:00:57 | 0:01:00 | |
competing at a local dance competition this weekend. | 0:01:00 | 0:01:03 | |
CHEERING | 0:01:03 | 0:01:04 | |
We're going to a small competition this weekend. It's almost like | 0:01:04 | 0:01:08 | |
rehearsal for regionals. | 0:01:08 | 0:01:10 | |
We get to scope out the competition of, like, | 0:01:10 | 0:01:12 | |
the other studios around the area. | 0:01:12 | 0:01:13 | |
It'll give us a chance to go out | 0:01:13 | 0:01:16 | |
and get used to being on stage again. | 0:01:16 | 0:01:18 | |
We're going to switch it up a bit, | 0:01:18 | 0:01:20 | |
and I'm going to change the line positions. | 0:01:20 | 0:01:23 | |
You'll perform for Chris and I and then I'll make the decision. | 0:01:23 | 0:01:27 | |
I don't know what Kate is trying to pull right now, but there is | 0:01:27 | 0:01:29 | |
no way I'm letting her take this responsibility away from me. | 0:01:29 | 0:01:32 | |
I AM the dance captain. | 0:01:32 | 0:01:35 | |
# We... | 0:01:35 | 0:01:37 | |
# We're going to show the world | 0:01:37 | 0:01:41 | |
# Everything we're made of | 0:01:41 | 0:01:44 | |
# We're going to tear the roof off this place. | 0:01:44 | 0:01:47 | |
# Stand up. # | 0:01:57 | 0:01:58 | |
The dance positions are usually made up by the dance captain | 0:02:13 | 0:02:15 | |
and the dance captain is me, right? | 0:02:15 | 0:02:18 | |
It's true, Emily, but I just feel like there's a lot of tension | 0:02:18 | 0:02:21 | |
in the air, and it's probably best if the positions come | 0:02:21 | 0:02:24 | |
from Chris and I. | 0:02:24 | 0:02:25 | |
How are the dancers supposed to trust me, | 0:02:25 | 0:02:27 | |
or even respect me, | 0:02:27 | 0:02:29 | |
if you keep taking away my responsibilities | 0:02:29 | 0:02:31 | |
as dance captain? | 0:02:31 | 0:02:33 | |
Emily is dance captain, and I think it's up to me | 0:02:33 | 0:02:35 | |
and Kate to just let her do what she needs to do. | 0:02:35 | 0:02:37 | |
She knows what she's doing, and I know she wants to win. | 0:02:37 | 0:02:40 | |
OK, fine. You can set the dance positions. | 0:02:40 | 0:02:43 | |
-Remember our main objective. -Do what's best for the team. | 0:02:43 | 0:02:46 | |
Ms Kate, I always do what's best for MY team. | 0:02:46 | 0:02:49 | |
So, I heard you were choreographing for J Troupe. | 0:02:57 | 0:03:00 | |
-What's up with that? -I'm going to work with them later on. | 0:03:00 | 0:03:03 | |
Dan just joined A Troupe and already he wants to choreograph? | 0:03:03 | 0:03:06 | |
The E Girls can't let him have that much power. | 0:03:06 | 0:03:09 | |
-You know I did that before? -No. | 0:03:09 | 0:03:11 | |
Yeah, you know what they're like? (They're crazy.) | 0:03:11 | 0:03:14 | |
-No... -But you'll be fine. You'll be fine. You'll be fine. | 0:03:14 | 0:03:17 | |
Well, no, what do you mean? | 0:03:17 | 0:03:19 | |
E Girl rule number 46: | 0:03:19 | 0:03:21 | |
Never let anyone else in A Troupe look too good. | 0:03:21 | 0:03:23 | |
You're tense now. I can sense it. | 0:03:23 | 0:03:25 | |
-Well, you've got me all nervous! -They'll sense that. | 0:03:25 | 0:03:27 | |
They'll sniff it out. Have fun. OK. | 0:03:27 | 0:03:29 | |
-Be fun. Don't be like this. Like a robot, like... -OK. -OK. | 0:03:29 | 0:03:33 | |
I'm a little shaken up. | 0:03:33 | 0:03:35 | |
If they rattled her up, they're going to tear me apart. | 0:03:35 | 0:03:38 | |
All right, everybody! Are you ready? | 0:03:38 | 0:03:41 | |
The order is, Chloe, Tiffany, Daniel, Eldon, James, | 0:03:41 | 0:03:44 | |
Stephanie, Riley, Michelle, then West. | 0:03:44 | 0:03:46 | |
I'm holding auditions for the dance placements | 0:03:46 | 0:03:48 | |
for this weekend's competition. | 0:03:48 | 0:03:50 | |
# Hey, you, what do you say? | 0:03:50 | 0:03:52 | |
# I been thinking about you since yesterday. # | 0:03:52 | 0:03:54 | |
She just has to earn her place, though. You know? She's new. | 0:03:54 | 0:03:57 | |
Dance placement is an indicator for the hierarchy in the dance studio. | 0:03:57 | 0:04:00 | |
The only thing I wish is she'd put more technical | 0:04:02 | 0:04:05 | |
things in her routine. | 0:04:05 | 0:04:06 | |
Oh! That was sick. That was really cool. | 0:04:11 | 0:04:13 | |
If you were placed in the front row, it basically means that | 0:04:13 | 0:04:15 | |
you're one of the strongest dancers. | 0:04:15 | 0:04:18 | |
And if you're in the back, it's kind of like a diss. | 0:04:18 | 0:04:21 | |
I'm pretty confident that I'm going to be in the front row. | 0:04:23 | 0:04:26 | |
Not only am I Emily's best friend, | 0:04:26 | 0:04:28 | |
I'm also one of the best dancers in the troupe. | 0:04:28 | 0:04:30 | |
# And I run cos my world keeps crumbling | 0:04:30 | 0:04:33 | |
# And the gloves in my hand keep thundering | 0:04:33 | 0:04:35 | |
# But I know one day is all I need | 0:04:35 | 0:04:37 | |
# All I know is you can't get next to me. # | 0:04:37 | 0:04:40 | |
But let's, er... | 0:04:40 | 0:04:41 | |
Let's take some points off of that really creepy look. | 0:04:41 | 0:04:44 | |
Nice. Nice. | 0:04:50 | 0:04:52 | |
Oh. | 0:04:55 | 0:04:56 | |
I am dancing terribly. I'm forgetting everything. | 0:04:58 | 0:05:02 | |
I've never danced this bad before in my life. | 0:05:02 | 0:05:05 | |
Riley usually gets nervous. She's very shy. | 0:05:05 | 0:05:08 | |
But she's an amazing dancer and I know she'll be OK. | 0:05:08 | 0:05:11 | |
Good job! Whoo! Go, Riley! | 0:05:13 | 0:05:15 | |
Back row, here I come. | 0:05:15 | 0:05:16 | |
All right. Michelle, let's go. | 0:05:18 | 0:05:20 | |
# ..In the big, blue sky... # | 0:05:22 | 0:05:25 | |
She's not footing that turn. | 0:05:25 | 0:05:26 | |
# I'm ready to try if you want it | 0:05:26 | 0:05:29 | |
# Don't worry, I'll catch you when you're falling... # | 0:05:29 | 0:05:31 | |
-That jump could've been higher. -It was really high. | 0:05:31 | 0:05:34 | |
Could have been higher. | 0:05:34 | 0:05:36 | |
# I'm waiting, I'm waiting... # | 0:05:36 | 0:05:38 | |
I'm pulling out some of my best tricks, and I really hope | 0:05:38 | 0:05:41 | |
that Emily and Stephanie are impressed. | 0:05:41 | 0:05:44 | |
Oh, another flip. | 0:05:44 | 0:05:45 | |
All right. Can we gather around? | 0:05:49 | 0:05:51 | |
Michelle is unreal. She is so good. | 0:05:51 | 0:05:55 | |
I think she's going to be in the front row, if not front and centre. | 0:05:55 | 0:05:58 | |
Everyone, attention! | 0:05:58 | 0:06:00 | |
I'm going to go run this by Kate and Chris, | 0:06:00 | 0:06:02 | |
get their opinion on it and see if they think it's fair. | 0:06:02 | 0:06:06 | |
You know, I'm not really sure where I'm going to be placed in the dance. | 0:06:06 | 0:06:09 | |
I know that I'm new here and that I have to earn my spot. | 0:06:09 | 0:06:12 | |
-Excuse me. -Hey. -Hey, how are you? | 0:06:12 | 0:06:15 | |
I want the dancers to think that we're getting Kate and Chris' input | 0:06:15 | 0:06:18 | |
for dance placements. But we're not. | 0:06:18 | 0:06:20 | |
Actually, what I came to talk to you about is there's a light... | 0:06:20 | 0:06:25 | |
somewhere out there that's just done. | 0:06:25 | 0:06:27 | |
It's completely gone out. | 0:06:27 | 0:06:29 | |
OK. Do you know which one it is? | 0:06:29 | 0:06:30 | |
-They're pointing. -Or is it? | 0:06:30 | 0:06:33 | |
I'm happy that Emily is going to Kate | 0:06:33 | 0:06:34 | |
and Chris about the line placements, cos I know that it will be | 0:06:34 | 0:06:37 | |
a fair decision and an unbiased decision. | 0:06:37 | 0:06:39 | |
-Got that, Chris? -Yeah, safety is important. | 0:06:39 | 0:06:41 | |
Yeah, safety is 110% important. | 0:06:41 | 0:06:44 | |
Safety is super important. | 0:06:44 | 0:06:46 | |
I'm glad they came to me about the light bulb, although I've | 0:06:46 | 0:06:49 | |
never seen them so concerned about the condition of the studio. | 0:06:49 | 0:06:52 | |
# You know you want to dance | 0:06:52 | 0:06:55 | |
# Just take a chance. # | 0:06:55 | 0:06:56 | |
All right everybody. | 0:06:59 | 0:07:01 | |
Attention! I have in my hands our line positions. | 0:07:01 | 0:07:04 | |
Back it up, and I'll tell you what they are. | 0:07:04 | 0:07:06 | |
Stephanie, you're here. | 0:07:06 | 0:07:09 | |
Me being in the front is no surprise, really, to me. | 0:07:09 | 0:07:12 | |
I mean, I work hard and I'm a great dancer and I'm Emily's best friend. | 0:07:12 | 0:07:16 | |
Eldon. | 0:07:16 | 0:07:17 | |
Chloe, back row beside Tiffany. | 0:07:21 | 0:07:22 | |
I'm shocked. I thought I did a little bit better than back row. | 0:07:22 | 0:07:26 | |
I will be here. Riley, you're in the front. | 0:07:26 | 0:07:31 | |
Me in the front row? | 0:07:31 | 0:07:32 | |
Something's going on, because there's no way that that dance | 0:07:32 | 0:07:36 | |
that I just did is front row material. | 0:07:36 | 0:07:38 | |
I put Riley in the front because she's my sister. | 0:07:38 | 0:07:41 | |
I'm going to give her a chance and she deserves it. | 0:07:41 | 0:07:43 | |
I know she's a good dancer and I know she'll work hard. | 0:07:43 | 0:07:46 | |
Michelle, you can stay where you are. Back row. | 0:07:46 | 0:07:50 | |
The fact that Michelle is in the back row really surprises me. | 0:07:50 | 0:07:54 | |
I know that I'm new here and that I have to earn my spot, | 0:07:54 | 0:07:57 | |
so I guess it's OK that I'm in the back. | 0:07:57 | 0:08:00 | |
All right, everybody. I'm going to need you to back it up, | 0:08:12 | 0:08:15 | |
and all I'm looking for now is cleanliness in the arms. | 0:08:15 | 0:08:17 | |
Just be sharp and be there, OK? | 0:08:17 | 0:08:19 | |
I don't know what my sister is up to. | 0:08:19 | 0:08:21 | |
I guess she's maybe a little jealous of Michelle. | 0:08:21 | 0:08:24 | |
All I know is that me and Michelle should definitely be switched. | 0:08:24 | 0:08:28 | |
Being in the front row is throwing me off. | 0:08:34 | 0:08:36 | |
I've never been in the front row before. | 0:08:36 | 0:08:38 | |
I don't see anyone in front of me to, like, follow along with, | 0:08:38 | 0:08:41 | |
so I'm trying to follow my sister. | 0:08:41 | 0:08:43 | |
# So addicted to you | 0:08:43 | 0:08:44 | |
# There's nothing that I won't do | 0:08:46 | 0:08:49 | |
# To feel you | 0:08:49 | 0:08:50 | |
# I'm so addicted to you | 0:08:50 | 0:08:52 | |
# I only really want to | 0:08:53 | 0:08:56 | |
# Be near you. # | 0:08:56 | 0:08:58 | |
I think Riley's really overwhelmed with being in the front row. | 0:08:58 | 0:09:01 | |
It's her first time and I know that feeling, | 0:09:01 | 0:09:04 | |
and I just want my sister to be OK. | 0:09:04 | 0:09:06 | |
What's going on? What's going on? | 0:09:06 | 0:09:07 | |
You're nervous to be in the front row? | 0:09:07 | 0:09:09 | |
Oh, I get it, I get it. | 0:09:09 | 0:09:11 | |
When it was my turn up there, I was so nervous, Ry. | 0:09:11 | 0:09:13 | |
Like, don't worry, OK? You'll get there. | 0:09:13 | 0:09:15 | |
-Well, I just... -You want a break? OK! No, no. | 0:09:15 | 0:09:18 | |
-No, we can give you a break. -But... | 0:09:18 | 0:09:20 | |
Riley, you're my sister. | 0:09:20 | 0:09:22 | |
All right, let's take a break, everyone! | 0:09:22 | 0:09:24 | |
Emily calling a break for me just shows that she's delusional. | 0:09:24 | 0:09:28 | |
She doesn't see that I'm not getting the choreograph | 0:09:28 | 0:09:30 | |
because I shouldn't be in the front row, Michelle should. | 0:09:30 | 0:09:33 | |
Yeah, let's go get some juice! | 0:09:33 | 0:09:35 | |
I think the break will allow Riley | 0:09:35 | 0:09:36 | |
to calm down, collect herself, and then she'll be perfect. | 0:09:36 | 0:09:41 | |
# I only really want to | 0:09:41 | 0:09:44 | |
# Be near you. # | 0:09:44 | 0:09:45 | |
Hi, boys and girls. I'm Daniel. | 0:09:51 | 0:09:54 | |
After talking to Tiffany, I'm really, really nervous | 0:09:54 | 0:09:57 | |
about working with the J Troupe. | 0:09:57 | 0:09:59 | |
-I'm thinking that today... -You know we speak English, right? | 0:09:59 | 0:10:03 | |
Yeah, sorry. Erm... | 0:10:03 | 0:10:05 | |
I told the J Troupers if they give | 0:10:05 | 0:10:07 | |
Daniel a hard time, they get to dance for A Troupe. | 0:10:07 | 0:10:09 | |
Like this, really fast. | 0:10:09 | 0:10:10 | |
-Um, excuse me? I have a question. -Sure. | 0:10:10 | 0:10:14 | |
Do you even know what you're doing? | 0:10:14 | 0:10:16 | |
You're like, "No, I don't know what I'm doing, help me out." | 0:10:16 | 0:10:19 | |
We're not going to follow along unless you know all of our names. | 0:10:19 | 0:10:23 | |
I don't think I like you. | 0:10:23 | 0:10:25 | |
I didn't think it would be this difficult. | 0:10:25 | 0:10:27 | |
They can't even pick up a few steps. | 0:10:27 | 0:10:28 | |
I'm really, really not sure what I should try to get through to them. | 0:10:28 | 0:10:32 | |
Yo, Riley, Riley. | 0:10:42 | 0:10:44 | |
Can you tell me what tangent is again? | 0:10:44 | 0:10:46 | |
-Sine of a cosine. -Sine of a cosine? -Yeah. | 0:10:46 | 0:10:48 | |
-Hey, I got you something. -OK. | 0:10:50 | 0:10:53 | |
-It's from the top of a mountain. -The top of a mountain? | 0:10:53 | 0:10:56 | |
Like, the top of a mountain. Like, Rocky Mountains. | 0:10:56 | 0:10:59 | |
-Oh, water bottle? -Yeah. | 0:11:01 | 0:11:03 | |
SHE LAUGHS | 0:11:03 | 0:11:04 | |
It's natural spring mountain water. | 0:11:04 | 0:11:06 | |
Mmm, got it. | 0:11:06 | 0:11:08 | |
He's probably the only person at the studio who'll tell me | 0:11:09 | 0:11:12 | |
his honest opinion, and the brutal truth, | 0:11:12 | 0:11:14 | |
which is what I need right now. | 0:11:14 | 0:11:16 | |
-Can I ask you something? -Yeah, sure. | 0:11:17 | 0:11:21 | |
Do you think I should be in the front row? | 0:11:21 | 0:11:24 | |
OK, honestly? | 0:11:27 | 0:11:28 | |
Honestly. | 0:11:30 | 0:11:32 | |
I kind of like the fact that Riley asked for my opinion. | 0:11:32 | 0:11:34 | |
I mean, why come to me? | 0:11:34 | 0:11:36 | |
Seriously, I think Michelle should be in the front row. | 0:11:38 | 0:11:43 | |
-I mean, no offence. -No. I... Thank you for being honest. | 0:11:43 | 0:11:47 | |
I just needed to hear it. | 0:11:47 | 0:11:50 | |
OK. | 0:11:52 | 0:11:53 | |
It kind of hurts a little bit. | 0:11:55 | 0:11:58 | |
I thought, you know, maybe he thought | 0:11:58 | 0:12:00 | |
I should be in the front row. | 0:12:00 | 0:12:01 | |
But it's the truth and that's | 0:12:01 | 0:12:02 | |
what I wanted to hear and it's what I needed to hear. | 0:12:02 | 0:12:04 | |
-OK, guys, so can we take it from the top? -No. | 0:12:14 | 0:12:16 | |
-We're taking it from the top. Hop up, please. -We're bored. | 0:12:16 | 0:12:19 | |
-How about we go through with music? That's fun. -We have. | 0:12:19 | 0:12:22 | |
These kids are rotten. | 0:12:22 | 0:12:23 | |
They are not listening to me at all, and it's really, really hard. | 0:12:23 | 0:12:27 | |
Please get up. I just want to make your dance the best it can be. | 0:12:27 | 0:12:29 | |
-It's not me on stage, it's you. -Thank gosh it's not you on stage. | 0:12:29 | 0:12:32 | |
LAUGHTER | 0:12:32 | 0:12:33 | |
All right, J Troupe, get up! Rehearsal starts now, get up. | 0:12:33 | 0:12:37 | |
Get up! | 0:12:37 | 0:12:39 | |
I'm coming into Studio B because I can tell Daniel's had enough. | 0:12:39 | 0:12:42 | |
There's no way he's going to want to choreograph our J Troupe again. | 0:12:42 | 0:12:45 | |
One and two, and three, and four, and five, and six. | 0:12:45 | 0:12:47 | |
We'll work on that part later. | 0:12:47 | 0:12:49 | |
One, two, three, four... | 0:12:49 | 0:12:51 | |
Ever since Tiffany walked in, the J Troupers are really motivated, | 0:12:51 | 0:12:54 | |
and I think this routine is going to be really good. | 0:12:54 | 0:12:57 | |
I made Daniel's life miserable and now he loves me. | 0:12:57 | 0:13:00 | |
I'm such an E Girl. | 0:13:00 | 0:13:01 | |
-Kate? -Hey, Riley, what's up? | 0:13:04 | 0:13:06 | |
Hi. Um, erm...I just wanted to get your thoughts on something. | 0:13:06 | 0:13:09 | |
Sure. | 0:13:09 | 0:13:10 | |
Emily got Kate's approval on the line order, | 0:13:10 | 0:13:13 | |
so I just wanted to figure out why she put me in the front row. | 0:13:13 | 0:13:17 | |
I didn't. I didn't approve the line-up. | 0:13:17 | 0:13:19 | |
I don't know why Riley thought I approved the line-up. | 0:13:19 | 0:13:22 | |
Emily never spoke to me about any of this. | 0:13:22 | 0:13:25 | |
I thought she came in and talked to you about it. | 0:13:25 | 0:13:27 | |
She made that decision on her own. | 0:13:27 | 0:13:29 | |
Like, if you click it, it gives you options. | 0:13:36 | 0:13:39 | |
The thing is that I didn't do that the last time so... | 0:13:39 | 0:13:41 | |
Em, can we talk? | 0:13:41 | 0:13:42 | |
Well, it's E Girls, like, sit and talk. | 0:13:44 | 0:13:47 | |
As sisters, though. Like, just alone. | 0:13:47 | 0:13:49 | |
Oh, sister thing. OK, I'll be back. | 0:13:49 | 0:13:51 | |
I talked to Kate. She told me she had no input in the line order. | 0:13:55 | 0:13:59 | |
And you didn't even confront her about it? | 0:13:59 | 0:14:01 | |
Well, no. I thought it was a good order. | 0:14:01 | 0:14:03 | |
I just think me and Michelle should be switched. | 0:14:03 | 0:14:06 | |
Well, I disagree. | 0:14:06 | 0:14:08 | |
I think she needs to earn her place, just like everybody else did. | 0:14:08 | 0:14:10 | |
-OK. She deserves to be in the front row. -Riley. | 0:14:10 | 0:14:13 | |
-I just want what's best for the team. -Riley! | 0:14:13 | 0:14:16 | |
Here I am doing her a favour and she wants to rebuff it? | 0:14:16 | 0:14:18 | |
Well, I guess that's the last time I do anything for her. | 0:14:18 | 0:14:21 | |
I'm sticking up for you. Maybe have a little faith in me, OK? | 0:14:21 | 0:14:24 | |
I think I know what I have to do, | 0:14:27 | 0:14:29 | |
I just don't know if I can pull it off. | 0:14:29 | 0:14:32 | |
# Your smile | 0:14:33 | 0:14:35 | |
# Lights up my world | 0:14:35 | 0:14:36 | |
# I can't believe you are my girl. # | 0:14:36 | 0:14:39 | |
-Yo. -Hey. -How's it going? | 0:14:41 | 0:14:43 | |
Not so good. I mean, you were right. | 0:14:45 | 0:14:47 | |
I don't deserve to be in the front row. | 0:14:47 | 0:14:50 | |
But the funny thing is, Emily made the lines up by herself. | 0:14:50 | 0:14:54 | |
Kate had nothing to do with it. | 0:14:54 | 0:14:57 | |
I'm not surprised. | 0:14:57 | 0:14:58 | |
I know that Kate would have never approved that dance line-up. | 0:14:58 | 0:15:01 | |
-I don't know. I kind of have an idea. -Do it. | 0:15:01 | 0:15:04 | |
It's kind of dangerous, what I'm thinking about doing, | 0:15:04 | 0:15:08 | |
so I don't know how it's going to work out. | 0:15:08 | 0:15:11 | |
I have no idea what Riley has in mind, | 0:15:11 | 0:15:14 | |
but I think she should do it. I think she should follow her heart. | 0:15:14 | 0:15:17 | |
All right, everybody, let's take our positions. | 0:15:19 | 0:15:21 | |
You should be warm by now. | 0:15:21 | 0:15:22 | |
Wait. | 0:15:27 | 0:15:29 | |
Stay in the front. | 0:15:29 | 0:15:30 | |
In this moment, I am standing up to my sister | 0:15:34 | 0:15:37 | |
and doing what's right. | 0:15:37 | 0:15:39 | |
Clearly she's trying to embarrass me in front of the whole troupe. | 0:15:39 | 0:15:43 | |
What are you doing? | 0:15:44 | 0:15:45 | |
What's right. | 0:15:45 | 0:15:47 | |
Kate had nothing to do with these line placements. | 0:15:49 | 0:15:51 | |
Emily did this all on her own. | 0:15:51 | 0:15:53 | |
And I clearly do not deserve to be in the front row, Michelle does. | 0:15:53 | 0:15:57 | |
How dare Riley call me in front of everybody! | 0:15:57 | 0:16:00 | |
Not only is she an E Girl, but she's MY sister. | 0:16:00 | 0:16:03 | |
I am really not pleased in being caught in the middle of Riley | 0:16:03 | 0:16:07 | |
and Emily. That's not my position to take. | 0:16:07 | 0:16:10 | |
Do you all agree with me? | 0:16:10 | 0:16:11 | |
Yeah. | 0:16:13 | 0:16:15 | |
When Riley stands up to her sister, it's surprising, | 0:16:15 | 0:16:17 | |
because no-one's ever stood up to Emily like that. | 0:16:17 | 0:16:20 | |
Yeah. | 0:16:20 | 0:16:21 | |
Yeah. | 0:16:23 | 0:16:24 | |
I applaud her, cos that was the right thing to do, | 0:16:24 | 0:16:26 | |
you know, for the team. | 0:16:26 | 0:16:28 | |
Sorry, sis, you're outvoted. | 0:16:28 | 0:16:29 | |
OK, that's fine. | 0:16:29 | 0:16:32 | |
I know in a few days she'll turn her focus to something else, | 0:16:32 | 0:16:36 | |
and she'll see my side of things eventually. | 0:16:36 | 0:16:39 | |
So, I'm in the front? | 0:16:39 | 0:16:41 | |
Yes. | 0:16:43 | 0:16:44 | |
OK, dancers, we have a lot of work to do on this dance still, OK? | 0:16:45 | 0:16:49 | |
We need to pick up the energy big time. | 0:16:49 | 0:16:51 | |
Good job on moving Michelle to the front. | 0:16:51 | 0:16:52 | |
You did the right thing. | 0:16:52 | 0:16:54 | |
"Good job, on the line placement. Michelle is beside you. Thank you." | 0:16:54 | 0:16:58 | |
-Thanks. -OK, here we go! | 0:16:58 | 0:17:00 | |
One, two, three, four, five, six. | 0:17:00 | 0:17:03 | |
When you're a leader, | 0:17:03 | 0:17:05 | |
you have to lose little battles to win the big war. | 0:17:05 | 0:17:08 | |
So they better be prepared | 0:17:08 | 0:17:09 | |
for when I win that war, because I'm going to remember | 0:17:09 | 0:17:12 | |
what they did to me. | 0:17:12 | 0:17:13 | |
Let's go again. | 0:17:13 | 0:17:14 | |
One, two, three, J Troupe! | 0:17:27 | 0:17:29 | |
OK, so, I choreographed this routine for the J Troupe. | 0:17:29 | 0:17:34 | |
They have a huge competition this weekend. | 0:17:34 | 0:17:36 | |
Shout out to Tiffany for helping me out. | 0:17:36 | 0:17:39 | |
Here they are. Good luck, guys! | 0:17:39 | 0:17:41 | |
CHEERING | 0:17:41 | 0:17:42 | |
DANCE MUSIC | 0:17:42 | 0:17:43 | |
Yeah! | 0:17:54 | 0:17:55 | |
Whoo! | 0:18:06 | 0:18:08 | |
I'm really proud watching the J Troupe. | 0:18:09 | 0:18:11 | |
They are doing the dance awesomely. | 0:18:11 | 0:18:13 | |
CHEERING | 0:18:28 | 0:18:29 | |
My plan to mess with Daniel worked brilliantly, | 0:18:31 | 0:18:34 | |
because he learned his lesson and he thinks the E Girls are great. | 0:18:34 | 0:18:37 | |
I think he's been sufficiently schooled. | 0:18:37 | 0:18:40 | |
CHEERING | 0:18:56 | 0:18:57 | |
That was so good, you guys! So, so good. | 0:18:57 | 0:19:00 | |
I learned two things. One, that choreography is | 0:19:00 | 0:19:02 | |
really hard, and two, that I am never going | 0:19:02 | 0:19:05 | |
to try a stunt like that again. | 0:19:05 | 0:19:07 | |
Yeah, girl, those nails... | 0:19:07 | 0:19:08 | |
-Can we go this weekend? -Yeah! -Awesome. | 0:19:08 | 0:19:11 | |
I'm getting a little nervous, | 0:19:17 | 0:19:18 | |
because I can see the E Girl look in their eyes, and with that look | 0:19:18 | 0:19:23 | |
nothing ever ends well. | 0:19:23 | 0:19:25 | |
What's going on? | 0:19:27 | 0:19:28 | |
Look. | 0:19:30 | 0:19:31 | |
It seems like your interests lie outside of E Girls lately. | 0:19:31 | 0:19:34 | |
-I... -No... | 0:19:34 | 0:19:37 | |
It's not up for discussion. Who wants Riley out of E Girls? | 0:19:37 | 0:19:41 | |
RILEY SCOFFS | 0:19:44 | 0:19:45 | |
She's my own sister, my family, and she just kicked me out. | 0:19:48 | 0:19:54 | |
She violated one of our main rules. We have to have each other's backs. | 0:19:54 | 0:19:58 | |
I did what was right and I got punished for it. | 0:20:03 | 0:20:05 | |
Me and my sister are definitely not going to be the same. | 0:20:05 | 0:20:08 | |
# We... | 0:20:14 | 0:20:16 | |
# We're going to show the world | 0:20:16 | 0:20:20 | |
# Everything we're made of | 0:20:20 | 0:20:24 | |
# We're going to tear the roof off this place | 0:20:24 | 0:20:28 | |
# You... | 0:20:28 | 0:20:31 | |
# You can never fade us out | 0:20:31 | 0:20:35 | |
# Don't even ask the DJ | 0:20:35 | 0:20:38 | |
# Everybody knows we own this house. # | 0:20:38 | 0:20:41 |