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Previously on The Next Step... | 0:00:02 | 0:00:04 | |
Do-do-do-do! | 0:00:04 | 0:00:05 | |
Our plan is to break up Eldon and Michelle | 0:00:05 | 0:00:08 | |
by making them jealous. | 0:00:08 | 0:00:09 | |
Can you just tell me what's going on? | 0:00:09 | 0:00:12 | |
Yeah. I guess we're done. | 0:00:12 | 0:00:14 | |
So you're breaking up with me? | 0:00:14 | 0:00:16 | |
Things were going so well between us. | 0:00:16 | 0:00:18 | |
I'm really upset that Eldon broke up with me. | 0:00:18 | 0:00:21 | |
J-Troupe kids... | 0:00:24 | 0:00:26 | |
Where did they come from? They're insane! | 0:00:26 | 0:00:28 | |
If I was your boyfriend, I'd just want to spend every | 0:00:28 | 0:00:32 | |
minute of every hour talking with you, laughing with you. | 0:00:32 | 0:00:36 | |
DANCE MUSIC PLAYS | 0:00:47 | 0:00:50 | |
I'm Richelle, and I'm from J-Troupe. | 0:00:52 | 0:00:54 | |
I started off with gymnastics and then I actually saw | 0:00:54 | 0:00:58 | |
one of my friends start dancing and I thought I would try it. | 0:00:58 | 0:01:00 | |
I'm Gabi, and I'm in J-Troupe. | 0:01:02 | 0:01:04 | |
I dance because it's the best way to express yourself at any time, | 0:01:04 | 0:01:08 | |
no matter what emotion. | 0:01:08 | 0:01:10 | |
Right now we're just warming up for J-Troupe rehearsal | 0:01:10 | 0:01:13 | |
and Kate walks in with my little sister. | 0:01:13 | 0:01:15 | |
That doesn't make sense cos she doesn't dance here. | 0:01:15 | 0:01:18 | |
Becca, what are you doing here? | 0:01:18 | 0:01:21 | |
Uh, your sister's here because she's interested in joining J-Troupe. | 0:01:21 | 0:01:24 | |
J-Troupe? | 0:01:24 | 0:01:25 | |
Gabi and Becca are sisters. | 0:01:25 | 0:01:27 | |
Gabi has been with us here at The Next Step Dance Studio | 0:01:27 | 0:01:29 | |
for a few years now. | 0:01:29 | 0:01:31 | |
But I think Becca has a lot of natural talent and | 0:01:31 | 0:01:34 | |
could be a bit of a threat to Gabi. | 0:01:34 | 0:01:36 | |
Since The Next Step won Regionals, a lot of kids and their parents | 0:01:36 | 0:01:38 | |
are very interested in joining the studio. | 0:01:38 | 0:01:40 | |
So what does that mean? | 0:01:40 | 0:01:42 | |
Well, it means everyone will still be able to continue | 0:01:42 | 0:01:44 | |
dancing here but I am going to have to hold auditions for J-Troupe. | 0:01:44 | 0:01:47 | |
-What? -Auditions? -That's ridiculous! | 0:01:47 | 0:01:49 | |
I'm not happy that I have to do the J-Troupe auditions. | 0:01:49 | 0:01:52 | |
Now that there's auditions, we all might lose our spot on J-Troupe. | 0:01:52 | 0:01:55 | |
I've been here for so long and I don't think it's fair | 0:01:55 | 0:01:57 | |
that I have to audition. | 0:01:57 | 0:01:58 | |
End of discussion. Keep warming up. | 0:01:58 | 0:02:01 | |
We need to make sure we have the best of the best in J. | 0:02:01 | 0:02:03 | |
We'll have to wait and see who has what it takes. | 0:02:03 | 0:02:06 | |
# We | 0:02:06 | 0:02:08 | |
# We're gonna show the world | 0:02:08 | 0:02:12 | |
# Everything we're made of | 0:02:12 | 0:02:16 | |
# We're gonna tear the roof off this place | 0:02:16 | 0:02:23 | |
# Stand up! # | 0:02:29 | 0:02:30 | |
Right now I'm just going to break some pretty amazing | 0:02:47 | 0:02:50 | |
news to Hunter. | 0:02:50 | 0:02:51 | |
-Tell me, what's up? -Guess. | 0:02:51 | 0:02:53 | |
-I really want you to try and guess. -OK, um... -Nope. | 0:02:53 | 0:02:56 | |
-No, you're not going to guess. -OK. What? Just tell me what it is. | 0:02:56 | 0:03:00 | |
-Michelle and Eldon... -Done? -Officially. | 0:03:00 | 0:03:03 | |
-Done? -Over. | 0:03:03 | 0:03:04 | |
Yes! | 0:03:04 | 0:03:05 | |
Oh, my... Yes! Yes! | 0:03:05 | 0:03:07 | |
OK, how did you find this out? | 0:03:07 | 0:03:08 | |
I have my sources. | 0:03:08 | 0:03:10 | |
Well done. Look at you. | 0:03:10 | 0:03:12 | |
This is the best news I've heard all day. | 0:03:12 | 0:03:14 | |
Obviously the plan is going well. | 0:03:14 | 0:03:15 | |
I mean, the first part has been achieved, so now it's just on to the | 0:03:15 | 0:03:19 | |
second part, where we, uh, | 0:03:19 | 0:03:21 | |
I guess get back with our significant others. | 0:03:21 | 0:03:23 | |
I have to go prepare for J-Troupe auditions now. | 0:03:23 | 0:03:25 | |
I don't even know how I'm going to do it because I'm so excited! | 0:03:25 | 0:03:28 | |
You're teaching them? | 0:03:28 | 0:03:29 | |
Yeah. Well, I'm doing our auditions. | 0:03:29 | 0:03:31 | |
Check it out. Why don't I | 0:03:31 | 0:03:32 | |
help you run J-Troupe auditions? | 0:03:32 | 0:03:35 | |
No, no, no, Michelle walks by, she sees me and you teaching them, | 0:03:35 | 0:03:39 | |
she will get so jealous. | 0:03:39 | 0:03:40 | |
And you know what? Michelle always wants what I have. | 0:03:40 | 0:03:43 | |
Hey. | 0:03:43 | 0:03:46 | |
Oh, hey, guys. | 0:03:46 | 0:03:48 | |
-Hey, Michelle. -Hi. | 0:03:48 | 0:03:49 | |
When I come into Culture Shock | 0:03:49 | 0:03:51 | |
and I see Emily and Hunter together again, I mean, | 0:03:51 | 0:03:55 | |
they're spending a lot of time together and it's kind of weird. | 0:03:55 | 0:03:58 | |
What are you talking about? | 0:03:58 | 0:04:00 | |
We are just talking about how I was going to help Emily | 0:04:00 | 0:04:03 | |
run J-Troupe auditions. | 0:04:03 | 0:04:05 | |
Oh. Shouldn't you and I be running J-Troupe auditions? | 0:04:06 | 0:04:10 | |
I mean, we are co-captains, I don't know if you knew that. | 0:04:10 | 0:04:12 | |
Well, you know, Hunter's just such an amazing dancer and we work | 0:04:12 | 0:04:16 | |
so well together. | 0:04:16 | 0:04:18 | |
You work so well together? I'm glad to hear that. | 0:04:18 | 0:04:20 | |
Right, Hunter? | 0:04:20 | 0:04:21 | |
-It's true, yeah. We have a good time together. -Yeah. | 0:04:21 | 0:04:23 | |
Well, enjoy. See you later. | 0:04:23 | 0:04:26 | |
I'm not jealous of Emily and Hunter. | 0:04:26 | 0:04:28 | |
I mean, they're friends, they're nothing more. | 0:04:28 | 0:04:31 | |
So I don't know what there is to be jealous about. | 0:04:31 | 0:04:34 | |
And either way, even if they were more than friends, it's whatever. | 0:04:34 | 0:04:39 | |
# All eyes on you and you don't know what to do | 0:04:39 | 0:04:42 | |
# But we're all... Yeah, we're all... Yeah, we're all here for you | 0:04:42 | 0:04:46 | |
# Hey! # | 0:04:46 | 0:04:48 | |
So, Miss Kate today was late to jazz class | 0:04:48 | 0:04:50 | |
because she forgot her car keys. | 0:04:50 | 0:04:52 | |
She had to take the bus to the studio. | 0:04:52 | 0:04:53 | |
-Oh, my gosh! -I know! -That's why she was so agitated. -Yeah. | 0:04:53 | 0:04:56 | |
I was like, "What's up with her?" | 0:04:56 | 0:04:57 | |
I know, all night she was like, | 0:04:57 | 0:04:59 | |
"Oh, my gosh, oh, my gosh, oh, my gosh!" | 0:04:59 | 0:05:00 | |
PS - isn't it ridiculous that we have to audition for J-Troupe? | 0:05:00 | 0:05:03 | |
It makes no sense. | 0:05:03 | 0:05:05 | |
We've all been here for years, why now do we have to audition? | 0:05:05 | 0:05:07 | |
I know, and your sister thinks she can just come in and, like, | 0:05:07 | 0:05:10 | |
be in J-Troupe? | 0:05:10 | 0:05:11 | |
But you know what? | 0:05:11 | 0:05:13 | |
I am kind of worried about her. Like, what if she gets her hopes up, | 0:05:13 | 0:05:15 | |
auditions for J-Troupe, and then she gets cut? | 0:05:15 | 0:05:18 | |
She's going to be heartbroken. | 0:05:18 | 0:05:20 | |
And not only is it going to affect her, | 0:05:20 | 0:05:22 | |
it's going to affect my entire family. | 0:05:22 | 0:05:23 | |
That's what dance is - you make it and sometimes you don't. | 0:05:23 | 0:05:26 | |
Well, maybe someone should go talk to Miss Kate to make sure | 0:05:26 | 0:05:28 | |
all of the J-Troupers are safe. | 0:05:28 | 0:05:30 | |
Oh, yeah, sure, I'll do it. Yeah, I'll do it. | 0:05:30 | 0:05:32 | |
Can you make sure that Becca gets a spot too? | 0:05:32 | 0:05:33 | |
I mean, I'm her sister, I wouldn't want her to be upset or anything. | 0:05:33 | 0:05:36 | |
Yeah, for sure. | 0:05:36 | 0:05:37 | |
I offer to talk to Miss Kate because if I want to be dance captain | 0:05:37 | 0:05:40 | |
one day, I have to prove to my team that I can lead it. | 0:05:40 | 0:05:43 | |
-So I think we're going to start with, like, a big jump. -Yeah. | 0:05:44 | 0:05:47 | |
And end in that, but I don't know how to get out after that. | 0:05:47 | 0:05:50 | |
Hunter and I are just working out | 0:05:50 | 0:05:52 | |
the choreography for the J-Troupe auditions. | 0:05:52 | 0:05:54 | |
We're trying to make it hard, but also so that they're comfortable | 0:05:54 | 0:05:57 | |
with it and we're able to see what they're actually like as dancers. | 0:05:57 | 0:06:00 | |
-Step, turn. -Turn. | 0:06:00 | 0:06:02 | |
-Down. -Open, one, two, three, four. | 0:06:02 | 0:06:04 | |
Oh, that's sassy. | 0:06:04 | 0:06:06 | |
Thank you. I'm a sassy gal. | 0:06:06 | 0:06:08 | |
Emily has been probably the nicest to me | 0:06:08 | 0:06:10 | |
since I've joined the Next Step Studio. | 0:06:10 | 0:06:12 | |
She's really looked out for me and I just appreciate her being around. | 0:06:12 | 0:06:15 | |
Did you do something different with your hair? | 0:06:15 | 0:06:17 | |
No, can we... Just do the choreography! | 0:06:17 | 0:06:19 | |
-Where's your headband? -It's gone. -You got rid of the headband. | 0:06:19 | 0:06:21 | |
-Got rid of it. -It looks good. -Thank you. | 0:06:21 | 0:06:23 | |
I really do like working with Hunter. | 0:06:23 | 0:06:25 | |
I feel like we have a solid foundation just because of our | 0:06:25 | 0:06:28 | |
past planning abilities, and he makes me laugh. | 0:06:28 | 0:06:30 | |
Oh. | 0:06:40 | 0:06:41 | |
-Oh! -Hi, Miss Kate. -Hi, Richelle. Uh, what's up? | 0:06:41 | 0:06:45 | |
I have some really bad news. | 0:06:45 | 0:06:47 | |
If you hold auditions for J-Troupe, | 0:06:47 | 0:06:49 | |
then the whole group is threatening to leave the studio. | 0:06:49 | 0:06:51 | |
They want guaranteed spots on the team. | 0:06:51 | 0:06:54 | |
-CHUCKLING: Really? -Yeah. | 0:06:54 | 0:06:56 | |
OK, how about we make a compromise? | 0:06:56 | 0:06:58 | |
Sure, how about three spots guaranteed? | 0:06:58 | 0:07:00 | |
-Oh, so you're bargaining with me now? -Yes. | 0:07:00 | 0:07:02 | |
What do you have to offer? | 0:07:02 | 0:07:04 | |
-Um... -Normally when you bargain with someone, you offer the other | 0:07:04 | 0:07:07 | |
person something. | 0:07:07 | 0:07:08 | |
I don't have anything. | 0:07:08 | 0:07:10 | |
That's called a bluff... | 0:07:10 | 0:07:13 | |
and it didn't go very well. | 0:07:13 | 0:07:15 | |
Listen, Richelle, I totally appreciate how keen you are, | 0:07:15 | 0:07:18 | |
but everyone has to audition for J-Troupe. | 0:07:18 | 0:07:20 | |
If they're the best, they'll make it in. | 0:07:20 | 0:07:22 | |
How about the best two? | 0:07:22 | 0:07:24 | |
Good luck. | 0:07:24 | 0:07:25 | |
Nice try, Richelle. | 0:07:27 | 0:07:29 | |
One day you'll be a great negotiator, | 0:07:29 | 0:07:31 | |
you're just not quite there yet. | 0:07:31 | 0:07:33 | |
Five, six, seven, eight. | 0:07:38 | 0:07:40 | |
Big jump, do the feet, hit, hit, one, and strong. | 0:07:40 | 0:07:44 | |
Good. That was really good. Now from that... | 0:07:44 | 0:07:47 | |
I came to J-Troupe auditions because I feel like as co-captain | 0:07:47 | 0:07:49 | |
it's my responsibility to be there. | 0:07:49 | 0:07:51 | |
You're going to do a big prepare and spin, | 0:07:51 | 0:07:54 | |
and you're going to pull your leg right to your nose. | 0:07:54 | 0:07:56 | |
Right now I'm at the J-Troupe auditions | 0:07:56 | 0:07:58 | |
just to see, like, the new talent to see if anyone can turn really well, | 0:07:58 | 0:08:02 | |
maybe a 'new Eldon'. | 0:08:02 | 0:08:03 | |
Grab your leg and pull up right up to your nose. | 0:08:04 | 0:08:07 | |
Do you have that, everybody? Good. | 0:08:07 | 0:08:09 | |
Hey. | 0:08:09 | 0:08:10 | |
Hey. | 0:08:10 | 0:08:11 | |
It's kind of weird that, you know, my ex-boyfriend and your | 0:08:12 | 0:08:15 | |
ex-girlfriend are working so well together. It's kind of awkward. | 0:08:15 | 0:08:18 | |
I wonder if he feels as weird as I do. | 0:08:18 | 0:08:20 | |
When Michelle brings up Hunter, | 0:08:20 | 0:08:23 | |
I mean, that's the last thing I want to hear. | 0:08:23 | 0:08:25 | |
We just broke up and I don't want her coming up to me | 0:08:25 | 0:08:28 | |
and talking to me about her ex. | 0:08:28 | 0:08:30 | |
Doesn't it bother you at all? Or... | 0:08:30 | 0:08:32 | |
No, not really. | 0:08:34 | 0:08:36 | |
Should it bother me? | 0:08:37 | 0:08:38 | |
Um... I guess not. | 0:08:41 | 0:08:43 | |
Eldon saying that it doesn't bother him that Emily | 0:08:46 | 0:08:49 | |
and Hunter are working so well together | 0:08:49 | 0:08:50 | |
kind of makes me realise that, you know, I still | 0:08:50 | 0:08:54 | |
feel like there's something there between me and Hunter, but... | 0:08:54 | 0:08:57 | |
it's really nothing major. | 0:08:57 | 0:08:59 | |
Breaking up with Michelle was probably the hardest thing | 0:08:59 | 0:09:02 | |
I've had to do, but there's just too much going on right now. | 0:09:02 | 0:09:05 | |
Nationals is right around the corner, Hunter is...Hunter. | 0:09:05 | 0:09:10 | |
All right, five minute break. | 0:09:10 | 0:09:12 | |
If you want to get some water or stretch, | 0:09:12 | 0:09:14 | |
if you have questions, don't be afraid to ask, OK? | 0:09:14 | 0:09:17 | |
I think I'm doing well when I'm dancing for the audition, | 0:09:17 | 0:09:19 | |
but I am pretty nervous. | 0:09:19 | 0:09:21 | |
Are you still mad that I'm here? | 0:09:21 | 0:09:23 | |
No, I'm not mad that you're here. I was just surprised earlier. | 0:09:23 | 0:09:26 | |
But I just want to say, are you nervous? | 0:09:26 | 0:09:28 | |
My stomach kind of hurts. | 0:09:28 | 0:09:29 | |
-Did you eat before you got here? -No. | 0:09:29 | 0:09:31 | |
-I have an apple in my bag. -I can't eat now. | 0:09:31 | 0:09:33 | |
Well, do you need help with the choreography? | 0:09:33 | 0:09:35 | |
Just after the jump, how do you get into the pas de bourree? | 0:09:35 | 0:09:38 | |
Oh, yeah, that's easy. OK, so when you plie, you jump, | 0:09:38 | 0:09:41 | |
-and then you land in coupe turned out. -OK. | 0:09:41 | 0:09:43 | |
And then you go back, side, front, and then it'll be easy to end here. | 0:09:43 | 0:09:46 | |
So just try that. So, five, six, seven, eight. | 0:09:46 | 0:09:49 | |
-Da, da, da. -Hey, Emily, what's on your hand? | 0:09:57 | 0:10:00 | |
-Wait, let me see it real quick. -Oh! | 0:10:00 | 0:10:03 | |
-Hi. -Hey. | 0:10:03 | 0:10:05 | |
Hunter flirting with Emily is so typical Hunter. | 0:10:05 | 0:10:07 | |
I mean, I don't even know why he's doing that. | 0:10:07 | 0:10:10 | |
I noticed Michelle watching | 0:10:10 | 0:10:11 | |
so I swing Emily around, get into the dip. | 0:10:11 | 0:10:14 | |
I just don't even want to see it. I'm out of there. | 0:10:15 | 0:10:18 | |
Our plan is working perfectly. | 0:10:18 | 0:10:20 | |
Hey, Eldon. | 0:10:21 | 0:10:22 | |
I was just wondering if I could talk to you for a minute? | 0:10:22 | 0:10:25 | |
I'm approaching Eldon because | 0:10:25 | 0:10:26 | |
I just want to make sure that everything's cool between us. | 0:10:26 | 0:10:28 | |
I feel like if I can't date him, | 0:10:28 | 0:10:30 | |
that I at least want to be friends with him. | 0:10:30 | 0:10:32 | |
Uh, I thought we settled everything. | 0:10:32 | 0:10:34 | |
Oh, no, we did. | 0:10:34 | 0:10:36 | |
Um, I just wanted to let you know that I'm going to focus on Nationals | 0:10:36 | 0:10:39 | |
like you are, and just taking more time to think through stuff. | 0:10:39 | 0:10:42 | |
That's great. | 0:10:44 | 0:10:45 | |
Yeah, it's really good, actually. | 0:10:45 | 0:10:47 | |
And, uh, I also wanted to ask you if we could be friends? | 0:10:47 | 0:10:51 | |
I don't really know what to say because I still have really strong | 0:10:53 | 0:10:56 | |
feelings for her and I don't know if I can just be friends right now. | 0:10:56 | 0:11:00 | |
I can't say that I'm completely over Eldon. | 0:11:00 | 0:11:03 | |
I still like him a lot, but I know he doesn't feel that way about me. | 0:11:03 | 0:11:07 | |
So... | 0:11:07 | 0:11:08 | |
I need to move on. | 0:11:10 | 0:11:12 | |
It'll take some time, but, yeah, sure. | 0:11:13 | 0:11:17 | |
OK, I just hope it doesn't take too long | 0:11:17 | 0:11:19 | |
cos I could use a really good friend like you. | 0:11:19 | 0:11:21 | |
When Eldon tells me that we can be friends just eventually, | 0:11:21 | 0:11:24 | |
it leaves me wondering - why eventually? | 0:11:24 | 0:11:26 | |
Can't we just be friends, like, right now? | 0:11:26 | 0:11:28 | |
All right, can I have group one on the floor, please? Group one. | 0:11:36 | 0:11:40 | |
OK, so just to let you know how this works, | 0:11:40 | 0:11:42 | |
we're going to have two groups. | 0:11:42 | 0:11:44 | |
The J-Troupe auditions work in two parts. | 0:11:44 | 0:11:46 | |
First, we split them into two groups and we do the choreography. | 0:11:46 | 0:11:48 | |
And then they have these things called feature spots, which is | 0:11:48 | 0:11:51 | |
what they choreograph to show us their best moves. | 0:11:51 | 0:11:53 | |
You're going to throw your spins, your tricks, | 0:11:53 | 0:11:55 | |
every jump you have, OK? | 0:11:55 | 0:11:57 | |
I was a little upset when Becca didn't tell me | 0:12:03 | 0:12:05 | |
that she was auditioning, but I understand now. | 0:12:05 | 0:12:09 | |
MUSIC PLAYS | 0:12:09 | 0:12:11 | |
My name is Josh and I'm auditioning for J-Troupe. | 0:12:14 | 0:12:17 | |
I started dancing through my parents. | 0:12:17 | 0:12:18 | |
They own their own dance studio. | 0:12:18 | 0:12:20 | |
And once I started getting better, they sent me to the best - | 0:12:20 | 0:12:23 | |
The Next Step. | 0:12:23 | 0:12:24 | |
At first, I got into dance because of Gabi, but now I do it for me. | 0:12:28 | 0:12:33 | |
We do fight a lot, but she is my older sister and I do love her. | 0:12:33 | 0:12:37 | |
DANCE MUSIC PLAYS | 0:12:41 | 0:12:44 | |
Hi, I'm Noah and I'm from J-Troupe. | 0:12:48 | 0:12:50 | |
I dance because I truly love it. | 0:12:57 | 0:12:59 | |
It is a hard question to answer because I can | 0:12:59 | 0:13:01 | |
never really find the right words to explain it. | 0:13:01 | 0:13:04 | |
It's like a fire inside and, you know, there's nothing like it. | 0:13:04 | 0:13:07 | |
I dance because it gives me freedom. | 0:13:12 | 0:13:15 | |
When I'm down or I'm upset at something, | 0:13:15 | 0:13:17 | |
I can just dance and everything just goes away. | 0:13:17 | 0:13:20 | |
Hi, I'm Camille, I'm a J-Trouper. | 0:13:21 | 0:13:23 | |
Getting into dance was probably just watching TV shows | 0:13:23 | 0:13:27 | |
and then seeing all of these amazing dancers. | 0:13:27 | 0:13:29 | |
And I'm like, "Hey, I want to do that. That's what I want to do." | 0:13:29 | 0:13:32 | |
The J-Troupers are surpassing all my expectations. | 0:13:41 | 0:13:44 | |
You know, there's a few quirks here and there that we can iron out, | 0:13:44 | 0:13:46 | |
but that's what the auditions are for, right? | 0:13:46 | 0:13:49 | |
These are J-Troupe dancers. | 0:13:49 | 0:13:50 | |
The tricks they're throwing out are unreal. | 0:13:50 | 0:13:52 | |
By the time they get to A-Troupe, | 0:13:52 | 0:13:54 | |
they're going to be at the top of the game. | 0:13:54 | 0:13:56 | |
My favourite J-Troupe auditionee is Richelle. | 0:14:02 | 0:14:04 | |
She's technically on point, | 0:14:04 | 0:14:06 | |
she knows the choreography, and also she reminds me of myself. | 0:14:06 | 0:14:09 | |
So, not that I'm playing favourites... | 0:14:09 | 0:14:11 | |
CHEERING | 0:14:11 | 0:14:13 | |
All right, group two, well done. | 0:14:15 | 0:14:17 | |
Hunter and I are going to go deliberate with Kate | 0:14:17 | 0:14:19 | |
and we'll get back to you, OK? | 0:14:19 | 0:14:20 | |
-Great job, guys. -All right. Good job, guys. | 0:14:20 | 0:14:23 | |
OK, does anybody have any questions or...? | 0:14:30 | 0:14:32 | |
How do you do that thing on your head? | 0:14:32 | 0:14:34 | |
Oh, the head slide? You have to make sure your hair is just right, | 0:14:34 | 0:14:37 | |
otherwise it's going to catch fire and... | 0:14:37 | 0:14:39 | |
-You also lose a few brain cells, OK? -Don't listen to her. | 0:14:39 | 0:14:41 | |
Listen up! First off, I think we need to give Emily and Hunter | 0:14:41 | 0:14:44 | |
a big round of applause for running the audition. | 0:14:44 | 0:14:47 | |
OK, I have the list of who made it into J-Troupe. | 0:14:49 | 0:14:53 | |
I am very nervous, but I'm especially nervous for Becca | 0:14:53 | 0:14:56 | |
because this is her first time doing anything like this. | 0:14:56 | 0:14:59 | |
You guys all did so amazing. | 0:14:59 | 0:15:01 | |
You brought so much energy into the room, and I can tell | 0:15:01 | 0:15:04 | |
we have a few shining stars in this group, that's for sure. | 0:15:04 | 0:15:07 | |
And remember, if you didn't make it this year, there's always next year. | 0:15:07 | 0:15:10 | |
Good luck. | 0:15:10 | 0:15:11 | |
I am so nervous right now. This means everything to me | 0:15:13 | 0:15:16 | |
and I really want to get in. | 0:15:16 | 0:15:17 | |
Yes! | 0:15:20 | 0:15:21 | |
I am overjoyed when I find out that we both make it in. | 0:15:21 | 0:15:24 | |
When I find out I get into J-Troupe, I'm so excited. | 0:15:24 | 0:15:27 | |
Now I can work my way up into getting to A-Troupe | 0:15:27 | 0:15:29 | |
and being dance captain. | 0:15:29 | 0:15:31 | |
When I find out I made it into J-Troupe, I couldn't believe it. | 0:15:33 | 0:15:36 | |
This is the best thing ever. | 0:15:36 | 0:15:38 | |
Oh, my gosh! I can't believe that just happened. | 0:15:38 | 0:15:41 | |
I'm so excited. | 0:15:41 | 0:15:42 | |
All righty, guys, if you made it, come this way. | 0:15:42 | 0:15:45 | |
Hunter and I have a special surprise for you. | 0:15:47 | 0:15:49 | |
We're going to teach you the J-Troupe handshake. | 0:15:49 | 0:15:52 | |
Now listen, it's only for the J-Troupers, so don't tell anyone! | 0:15:52 | 0:15:55 | |
This is top secret! Check it out. | 0:15:55 | 0:15:57 | |
-BOTH: -Shwoop! J-Troupe! | 0:15:57 | 0:15:59 | |
All right? Everybody got it? | 0:15:59 | 0:16:01 | |
Shwoop! J-Troupe! Locks in. | 0:16:01 | 0:16:04 | |
-ALL: -Shwoop! J-Troupe! | 0:16:04 | 0:16:06 | |
Yeah, good job! Bring it in. | 0:16:06 | 0:16:08 | |
I am really happy with the new J-Troupe. | 0:16:08 | 0:16:11 | |
The future of the Next Step Studio is looking pretty great. | 0:16:11 | 0:16:14 | |
Thanks again for making sure that Becca got a spot on J-Troupe. | 0:16:22 | 0:16:25 | |
-It means a lot. -Yeah. | 0:16:25 | 0:16:27 | |
I think Richelle might be part of the reason she made it in, | 0:16:27 | 0:16:29 | |
but the biggest part is Becca's pure, raw talent. | 0:16:29 | 0:16:32 | |
Yeah, it's really too bad about Andy and Lilly. | 0:16:32 | 0:16:34 | |
Yeah, I'm going to miss them so much. | 0:16:34 | 0:16:36 | |
But by the end of the season we're going to have the best team. | 0:16:36 | 0:16:39 | |
-We're going to be unstoppable. -Yeah. -Yes. | 0:16:39 | 0:16:40 | |
Well, we're so glad you have our backs. | 0:16:40 | 0:16:42 | |
-I'm glad I could do it. But you definitely owe me one. -Yeah. | 0:16:42 | 0:16:45 | |
Richelle, I'm watching you. | 0:16:45 | 0:16:48 | |
Don't make me call your bluff. | 0:16:48 | 0:16:50 | |
-Are you OK? -Yeah. I'm perfectly fine, don't worry. | 0:16:51 | 0:16:54 | |
I'll see you guys later. | 0:16:54 | 0:16:55 | |
When Kate tells me she has her eyes on me, | 0:16:55 | 0:16:57 | |
it gets me nervous because I don't want anyone finding out | 0:16:57 | 0:16:59 | |
that I didn't get them into J-Troupe. | 0:16:59 | 0:17:01 | |
There's a good chance that I underestimated Richelle. | 0:17:01 | 0:17:04 | |
She may be a bigger schemer than I thought. | 0:17:04 | 0:17:06 | |
She's determined to win all the time. | 0:17:06 | 0:17:09 | |
MOBILE PHONE VIBRATES | 0:17:10 | 0:17:12 | |
While I'm cleaning up I hear my phone vibrate and, you know, | 0:17:15 | 0:17:18 | |
I'm a 21st-century girl, I've got to check my phone. | 0:17:18 | 0:17:20 | |
-Hunter? -Yeah? -I'm really sorry. I just have to go. | 0:17:20 | 0:17:23 | |
-It's OK. -Um, Riley sent me an SNS. -An SNS? | 0:17:23 | 0:17:26 | |
Yeah. It means 'sister needs sister'. | 0:17:26 | 0:17:29 | |
OK. See you. | 0:17:29 | 0:17:31 | |
-Hey, Hunter. -Hey, Michelle. | 0:17:32 | 0:17:34 | |
You need help cleaning up, right? | 0:17:34 | 0:17:36 | |
Uh, yeah, that'd be great. Thanks. | 0:17:36 | 0:17:39 | |
I kind of am happy that I get to spend a little bit of time | 0:17:39 | 0:17:42 | |
with Hunter by myself | 0:17:42 | 0:17:43 | |
because I feel like everyone else is always around us and... | 0:17:43 | 0:17:46 | |
I just...I like talking to him. I like catching up with him. | 0:17:46 | 0:17:49 | |
So, um, funny thought, actually, um... | 0:17:49 | 0:17:53 | |
Do you remember our duet from the old studio? | 0:17:53 | 0:17:56 | |
I bring up | 0:17:56 | 0:17:58 | |
our old duet from the old studio in Madison because I feel like it's | 0:17:58 | 0:18:02 | |
something for us both to talk about | 0:18:02 | 0:18:04 | |
and for both of us to reconnect with. | 0:18:04 | 0:18:06 | |
This duet means so much to me, and for her to bring it up, | 0:18:06 | 0:18:09 | |
clearly it means a lot to her as well. | 0:18:09 | 0:18:12 | |
The question is - do you remember the duet? | 0:18:12 | 0:18:16 | |
Of course I do. | 0:18:16 | 0:18:17 | |
Prove it. | 0:18:17 | 0:18:18 | |
OK, easy. | 0:18:18 | 0:18:21 | |
Hunter thinks that I don't remember the duet, but I really do. | 0:18:21 | 0:18:24 | |
I've always had it in the back of my head. | 0:18:24 | 0:18:26 | |
So, we do the duet. | 0:18:26 | 0:18:29 | |
# If I hold my hand on my heart | 0:18:29 | 0:18:35 | |
# Will you come back to the window? | 0:18:35 | 0:18:40 | |
# If I lay down here on the green, green grass | 0:18:41 | 0:18:47 | |
# Will you stay awake, my signal? | 0:18:47 | 0:18:53 | |
# If you speak, I will stare | 0:18:54 | 0:18:57 | |
# As your breath hangs still in the midnight air | 0:18:57 | 0:19:00 | |
# And try to hang my hat... # | 0:19:00 | 0:19:02 | |
This duet means a lot to me | 0:19:02 | 0:19:04 | |
because it was my first ever boy/girl duet and it was | 0:19:04 | 0:19:07 | |
my first ever big lift with a guy, and it just kind of brings me back | 0:19:07 | 0:19:11 | |
to...to being back home in Madison and it's a great feeling. | 0:19:11 | 0:19:15 | |
# If I lock us here in the valley | 0:19:19 | 0:19:24 | |
# Will you dance on the stage for me alone? # | 0:19:26 | 0:19:30 | |
It's just fun, I'm having a good time. | 0:19:30 | 0:19:32 | |
I can trust him with everything that we're doing. | 0:19:32 | 0:19:35 | |
# When you speak, there's a glare | 0:19:45 | 0:19:48 | |
# Off your breath reflecting in the golden air | 0:19:48 | 0:19:51 | |
# And I'll try my hat before it disappears | 0:19:51 | 0:19:57 | |
# Moving so slow motion | 0:19:57 | 0:20:04 | |
# Move in slow motion | 0:20:04 | 0:20:08 | |
# Slow motion. # | 0:20:10 | 0:20:15 | |
Listen, I've been, uh... | 0:20:17 | 0:20:21 | |
I've been wanting to tell you this for a while now. | 0:20:22 | 0:20:25 | |
I still have feelings for you and I just... I want to... | 0:20:25 | 0:20:30 | |
I can't. | 0:20:30 | 0:20:31 | |
I'm still really emotional about what happened between Eldon and I. | 0:20:36 | 0:20:41 | |
I mean, I want to be his friend, | 0:20:41 | 0:20:42 | |
but deep down I want to be more than that. | 0:20:42 | 0:20:44 | |
But I do still feel something for Hunter. | 0:20:44 | 0:20:47 | |
It's just, I'm so confused and I don't want to... | 0:20:47 | 0:20:51 | |
do anything to hurt anyone. | 0:20:51 | 0:20:52 | |
# We | 0:20:56 | 0:20:58 | |
# We're gonna show the world | 0:20:58 | 0:21:02 | |
# Everything we're made of | 0:21:02 | 0:21:06 | |
# We're gonna tear the roof off | 0:21:06 | 0:21:08 | |
# This place You | 0:21:08 | 0:21:13 | |
# You can never fade us out | 0:21:13 | 0:21:16 | |
# Don't even ask the DJ | 0:21:16 | 0:21:20 | |
# Everybody knows we own this town. # | 0:21:20 | 0:21:25 |