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Previously on the Next Step... | 0:00:02 | 0:00:03 | |
So, I was wondering, do you want to go on a date later? | 0:00:03 | 0:00:05 | |
Um, believe it or not, | 0:00:05 | 0:00:07 | |
Beth is actually making me laugh. It feels good to laugh | 0:00:07 | 0:00:10 | |
because I've been through so much drama lately. | 0:00:10 | 0:00:12 | |
I started working with Hunter so I could get Eldon back. | 0:00:14 | 0:00:17 | |
But I'm not thinking about Eldon right now. | 0:00:17 | 0:00:19 | |
All I can think about is Hunter. | 0:00:19 | 0:00:22 | |
I don't want to see you in my studio again. | 0:00:22 | 0:00:24 | |
Me crying because Lucien was yelling at me - | 0:00:24 | 0:00:26 | |
fake. | 0:00:26 | 0:00:28 | |
The only reason why I'm at The Next Step | 0:00:28 | 0:00:31 | |
is to make sure that they do not make it to Nationals. | 0:00:31 | 0:00:35 | |
Oh, my gosh, Michelle. You have to see my new puppy, Shipley. | 0:00:43 | 0:00:47 | |
Right now, Amanda and I are just at Culture Shock. | 0:00:47 | 0:00:50 | |
We're hanging out and she's showing me pictures of her puppy. | 0:00:50 | 0:00:53 | |
Oh, my gosh, that face is precious! | 0:00:53 | 0:00:55 | |
The reason why I'm showing Michelle pictures of my new puppy is I want | 0:00:55 | 0:00:58 | |
her to find the dance battle video between Eldon and Hunter. | 0:00:58 | 0:01:02 | |
Look who decided to show up. | 0:01:02 | 0:01:03 | |
What's this? | 0:01:03 | 0:01:04 | |
Oh, Michelle, don't watch that. | 0:01:04 | 0:01:09 | |
I come across this video of Eldon and Hunter. | 0:01:09 | 0:01:11 | |
I'm going to watch the video. I don't care what Amanda says. | 0:01:11 | 0:01:14 | |
Looks like my plan's working. | 0:01:14 | 0:01:15 | |
'We got to go over the rules. | 0:01:15 | 0:01:17 | |
'Whoever loses backs off of Michelle. | 0:01:17 | 0:01:20 | |
'And we can never speak of this battle.' | 0:01:20 | 0:01:23 | |
What? | 0:01:23 | 0:01:24 | |
I don't know if this is a joke, but it's not funny. | 0:01:24 | 0:01:28 | |
Michelle, I didn't mean for you to see that. | 0:01:35 | 0:01:38 | |
I don't understand. What's this video even about? | 0:01:38 | 0:01:41 | |
Why are they dancing? | 0:01:41 | 0:01:42 | |
You. | 0:01:42 | 0:01:44 | |
Whoever won, you were their prize. | 0:01:44 | 0:01:47 | |
I never understood why Eldon was acting so weird and ignoring me. | 0:01:47 | 0:01:51 | |
It all makes sense now. | 0:01:51 | 0:01:53 | |
Well, can you send the video to me, please? | 0:01:53 | 0:01:55 | |
I mean, I guess, but you cannot show anyone. | 0:01:56 | 0:01:59 | |
I know. I won't. | 0:01:59 | 0:02:01 | |
Don't worry, Amanda. | 0:02:01 | 0:02:02 | |
'There's no way Michelle's going to be able to keep this a secret.' | 0:02:02 | 0:02:06 | |
It's finally time to start messing with The Next Step. | 0:02:06 | 0:02:10 | |
# We... we're gonna show the world | 0:02:10 | 0:02:15 | |
# Everything we're made of | 0:02:15 | 0:02:19 | |
# We're gonna tear the roof off this place | 0:02:19 | 0:02:24 | |
# Stand up! # | 0:02:32 | 0:02:34 | |
Phoebe called us in to watch this | 0:02:54 | 0:02:56 | |
very strange performance. | 0:02:56 | 0:02:59 | |
He's doing all these crazy moves, and I don't know, it's kinda weird. | 0:03:08 | 0:03:12 | |
I don't know if we'd do this at Nationals. | 0:03:14 | 0:03:17 | |
You can't help but not laugh at it. | 0:03:22 | 0:03:23 | |
What kind of dancing is that? | 0:03:29 | 0:03:31 | |
He kinda, like, slides across the floor | 0:03:34 | 0:03:37 | |
but he's also using his arms and he gets really into it. | 0:03:37 | 0:03:40 | |
Parts of his face are, like, moving in opposite directions. | 0:03:44 | 0:03:48 | |
I don't even know if this style of dance | 0:03:53 | 0:03:56 | |
is a style. | 0:03:56 | 0:03:57 | |
It's just kind of, like, | 0:03:59 | 0:04:02 | |
"made up a dance in my bedroom" kind of dancing. | 0:04:02 | 0:04:04 | |
It must be some kind of modern dance cos it's definitely not an old dance. | 0:04:05 | 0:04:10 | |
If you did that 100 years ago, they'd call you a witch | 0:04:10 | 0:04:12 | |
and they'd burn you. | 0:04:12 | 0:04:14 | |
I'm not really sure what Phoebe's trying to get across here. | 0:04:14 | 0:04:19 | |
HE MIMICS SLOW-MOTION SPEECH | 0:04:19 | 0:04:23 | |
Bravo! Bravo, Winston. Give him a round of applause, everyone. | 0:04:23 | 0:04:28 | |
Big round of applause. | 0:04:28 | 0:04:30 | |
Um, so I guess maybe you guys are wondering why | 0:04:30 | 0:04:34 | |
-I brought Winston here today. -Kinda. | 0:04:34 | 0:04:36 | |
'I'm hoping that they'll get some insight into' | 0:04:36 | 0:04:39 | |
the fact that dancing doesn't have to be serious. | 0:04:39 | 0:04:42 | |
There is an element that is serious, but they can also have fun with it. | 0:04:42 | 0:04:45 | |
You guys are serious competitive dancers and you're amazing. | 0:04:45 | 0:04:50 | |
But I don't want you to forget that sense of fun and play and wonder. | 0:04:50 | 0:04:58 | |
It's really important as a dancer | 0:04:58 | 0:05:00 | |
to constantly be pushing yourself creatively | 0:05:00 | 0:05:02 | |
and to be trying new things. | 0:05:02 | 0:05:04 | |
And sometimes, just tapping into that inner child is the best way. | 0:05:04 | 0:05:09 | |
So we're going to do a 24-hour challenge, OK? | 0:05:09 | 0:05:12 | |
You guys - James, Noah and Camille - you're going to make up the music. | 0:05:12 | 0:05:15 | |
Chloe, Giselle and Becca, | 0:05:15 | 0:05:18 | |
-you guys are going to make up the choreography for their music. -Oh! | 0:05:18 | 0:05:21 | |
OK? | 0:05:21 | 0:05:23 | |
I've never actually got to work with anyone in J-Troupe, so I think it's | 0:05:23 | 0:05:26 | |
going to be a great experience for all of us. | 0:05:26 | 0:05:27 | |
-You guys ready? -Yes! -Off to the music room! | 0:05:27 | 0:05:30 | |
Now. | 0:05:30 | 0:05:31 | |
We only have 24 hours to get this together, | 0:05:31 | 0:05:34 | |
so we have to get working. | 0:05:34 | 0:05:35 | |
Let's get out of here! | 0:05:35 | 0:05:37 | |
-Hey, Eldon! -Hey. | 0:05:37 | 0:05:39 | |
Eldon! | 0:05:47 | 0:05:48 | |
I just wanted to inform you that I know about the dance battle. | 0:05:50 | 0:05:53 | |
Um, what are you talking about? | 0:05:53 | 0:05:56 | |
What am I talking about. Really? | 0:05:56 | 0:05:58 | |
Big surprise, Eldon. You can't talk to me. | 0:05:58 | 0:06:00 | |
It's not like you've ever done that before. | 0:06:00 | 0:06:02 | |
-Is it the reason you broke up with me? -How do you even know about it? | 0:06:02 | 0:06:05 | |
Does it matter right now? | 0:06:05 | 0:06:06 | |
Just because you lose a stupid battle | 0:06:06 | 0:06:08 | |
doesn't mean you can't date me any more. | 0:06:08 | 0:06:11 | |
The dance battle is the reason why I broke up with Michelle, | 0:06:11 | 0:06:14 | |
but I just need to put her behind me. | 0:06:14 | 0:06:16 | |
And I needed to move forward with dance. | 0:06:16 | 0:06:18 | |
Can't you answer my question? | 0:06:18 | 0:06:19 | |
No, I'm not going to answer your question. Don't ask me again. | 0:06:19 | 0:06:22 | |
He still won't talk to me. | 0:06:22 | 0:06:24 | |
Even now that I know about the dance battle. | 0:06:24 | 0:06:27 | |
I don't know what the problem is. | 0:06:27 | 0:06:29 | |
So I'm going to hit, like, uh... | 0:06:32 | 0:06:33 | |
like a snare. Is that like a good tempo? | 0:06:33 | 0:06:36 | |
-Yeah. -Yeah. -Is that a good tempo for you? Yo. | 0:06:36 | 0:06:39 | |
-Hey, guys. -'The 24-hour challenge is that' | 0:06:39 | 0:06:41 | |
me, Noah and Camille make up a song | 0:06:41 | 0:06:44 | |
that Giselle, Chloe and Becca can dance to. | 0:06:44 | 0:06:46 | |
Have you guys worked on anything? | 0:06:46 | 0:06:47 | |
Yeah, I'll show you. You want to try it? | 0:06:47 | 0:06:50 | |
HEAVY GUITAR RIFF | 0:06:51 | 0:06:52 | |
It's the melody! | 0:06:52 | 0:06:54 | |
Working with James and Camille is fun. | 0:06:56 | 0:06:58 | |
We're all feeding into each other's ideas and | 0:07:00 | 0:07:02 | |
I think it's going to turn out really good. | 0:07:02 | 0:07:05 | |
-And a little bit of like... -Whoo! Hey. Ha-ha. | 0:07:05 | 0:07:08 | |
-Yeah, I like it. -I love it. That's awesome, guys. OK. | 0:07:08 | 0:07:12 | |
Chloe, Becca and I, we connect really well together | 0:07:12 | 0:07:15 | |
and Becca's actually making suggestions, which is really great. | 0:07:15 | 0:07:19 | |
-What if my legs are like slow-motion running? -Cool. | 0:07:19 | 0:07:21 | |
-Becca! -I like it. -Get it, girl! You want to try? | 0:07:21 | 0:07:24 | |
Yeah, let's try. | 0:07:24 | 0:07:26 | |
Five, six, seven, eight. | 0:07:26 | 0:07:28 | |
Rock on! | 0:07:30 | 0:07:32 | |
'All right, we got to go over the rules.' | 0:07:42 | 0:07:44 | |
'And we can never...' | 0:07:44 | 0:07:46 | |
Right now, I'm just watching the dance battle again. | 0:07:48 | 0:07:51 | |
Hi. | 0:07:51 | 0:07:52 | |
Hi. | 0:07:52 | 0:07:53 | |
Cute shoes. | 0:07:53 | 0:07:55 | |
Cute. | 0:07:55 | 0:07:57 | |
Seeing Michelle sitting there looking so down, | 0:07:57 | 0:07:59 | |
it actually kinda gets to me. | 0:07:59 | 0:08:02 | |
-What's wrong with you? -Nothing. It's not a big deal. | 0:08:02 | 0:08:05 | |
Michelle... | 0:08:05 | 0:08:06 | |
me asking you about your personal life is like a lunar eclipse. | 0:08:06 | 0:08:11 | |
It doesn't happen that often and it's kinda magical. | 0:08:11 | 0:08:14 | |
So why don't you just give it a try? | 0:08:14 | 0:08:16 | |
'I don't really want to tell Emily about the dance battle | 0:08:16 | 0:08:18 | |
'because Emily and I are cool right now and we're friends,' | 0:08:18 | 0:08:21 | |
and it's kinda awkward because I'm talking about her ex-boyfriend. | 0:08:21 | 0:08:25 | |
Well, Eldon and Hunter had a dance battle over me... | 0:08:25 | 0:08:29 | |
I mean, I don't really want Eldon back. | 0:08:29 | 0:08:33 | |
I'm kind of at peace with Michelle. | 0:08:34 | 0:08:36 | |
I don't really want her to be sad any more. | 0:08:36 | 0:08:38 | |
And whoever won the dance battle apparently wins me. | 0:08:38 | 0:08:42 | |
And Hunter won. | 0:08:42 | 0:08:44 | |
I tell Emily about the dance battle cos I know she'll give me | 0:08:44 | 0:08:47 | |
an objective opinion. | 0:08:47 | 0:08:49 | |
Eldon is our male soloist. | 0:08:49 | 0:08:51 | |
If he cracked under pressure in a dance battle, | 0:08:51 | 0:08:53 | |
what is he going to do at Nationals, in front of all those people? | 0:08:53 | 0:08:57 | |
Michelle, are you sure this isn't about you, Hunter and Eldon? | 0:08:57 | 0:09:02 | |
I want to do what's best for the team, honestly. | 0:09:02 | 0:09:05 | |
Well, there's your chance. | 0:09:06 | 0:09:10 | |
You should go talk to her about it. | 0:09:10 | 0:09:11 | |
I really hate to admit this but maybe Michelle has a point. | 0:09:11 | 0:09:15 | |
If Eldon cracked under the pressure of a dance battle, | 0:09:15 | 0:09:18 | |
how is he going to fare at Nationals? | 0:09:18 | 0:09:21 | |
Thanks, Emily. | 0:09:21 | 0:09:22 | |
Good luck, Michelle. | 0:09:22 | 0:09:25 | |
-Miss Kate? -Yeah? | 0:09:25 | 0:09:27 | |
I just need to show you a really important video. | 0:09:27 | 0:09:30 | |
I show Kate the dance battle video, | 0:09:42 | 0:09:44 | |
and she thought we should show the team | 0:09:44 | 0:09:45 | |
before making any final decisions. | 0:09:45 | 0:09:47 | |
'I knew Michelle was going to tell someone' | 0:09:50 | 0:09:52 | |
but I never thought it would Miss Kate. | 0:09:52 | 0:09:55 | |
-Head slide. Head slide. Nice. -Wow. | 0:09:55 | 0:09:58 | |
'The male soloist will determine our feature at Nationals.' | 0:09:58 | 0:10:02 | |
I don't have the ability to make such a big choice on my own. | 0:10:02 | 0:10:06 | |
'I'm sure it wasn't easy for Miss Kate to bring this to the team, but' | 0:10:06 | 0:10:11 | |
this is Nationals we're talking about. | 0:10:11 | 0:10:13 | |
-Hunter, I didn't know you could do that? -Good job. | 0:10:13 | 0:10:16 | |
Watching the video is really embarrassing. | 0:10:16 | 0:10:19 | |
I'm supposed to be the best dancer in this studio, | 0:10:19 | 0:10:22 | |
but this break dancer comes in and beats me. | 0:10:22 | 0:10:25 | |
That was amazing. | 0:10:25 | 0:10:27 | |
Really good. | 0:10:27 | 0:10:30 | |
The same person who brought that video to my attention | 0:10:30 | 0:10:33 | |
actually suggested that Hunter would be the better male soloist. | 0:10:33 | 0:10:36 | |
I think that's something we should decide as a team. | 0:10:36 | 0:10:39 | |
'We already held auditions for who the male soloist was going to be.' | 0:10:39 | 0:10:43 | |
This impromptu dance battle shouldn't decide | 0:10:43 | 0:10:46 | |
whether or not Eldon gets to keep the solo. | 0:10:46 | 0:10:48 | |
Hunter didn't audition. I auditioned. | 0:10:48 | 0:10:51 | |
I got the solo, I should be the one going to Nationals. | 0:10:51 | 0:10:54 | |
We all know how good Hunter is, and we all know how good Eldon is. | 0:10:54 | 0:10:56 | |
Or should I say, how much better Eldon is. | 0:10:56 | 0:10:58 | |
James is right, they're both amazing. | 0:10:58 | 0:11:01 | |
I guess the only way to settle this is by a vote. | 0:11:01 | 0:11:03 | |
That is, of course, Hunter, if you want the solo. | 0:11:03 | 0:11:05 | |
Of course. | 0:11:05 | 0:11:07 | |
OK. | 0:11:07 | 0:11:09 | |
'Of course I want the male solo at Nationals.' | 0:11:09 | 0:11:12 | |
It's clear I won the dance battle, so I think I should get the solo. | 0:11:12 | 0:11:15 | |
This is a tough decision, so I want to give you guys some | 0:11:15 | 0:11:17 | |
time to think it through, and we'll vote later on today. | 0:11:17 | 0:11:21 | |
Thank you. | 0:11:21 | 0:11:22 | |
I know what Eldon can do. | 0:11:24 | 0:11:26 | |
He's one of the best dancers we have. | 0:11:26 | 0:11:28 | |
Don't worry about it, bro. You got this. | 0:11:28 | 0:11:30 | |
'Everybody knows Eldon is amazing.' | 0:11:30 | 0:11:32 | |
And that's my boy. I'm going to support him. | 0:11:32 | 0:11:34 | |
Hunter is by far the better dancer in this dance battle. | 0:11:34 | 0:11:36 | |
This is perfect. | 0:11:36 | 0:11:37 | |
With this much in-fighting, they don't stand a chance. | 0:11:37 | 0:11:41 | |
So, what do you think? | 0:11:41 | 0:11:43 | |
Well, everything that's happened between Eldon and I make sense now. | 0:11:43 | 0:11:46 | |
Who do you think brought it to Kate? | 0:11:46 | 0:11:48 | |
I did. | 0:11:48 | 0:11:49 | |
I can't believe Michelle would do this to me. | 0:11:51 | 0:11:53 | |
This solo is the most important thing to me | 0:11:53 | 0:11:56 | |
and I never would have done anything like that to her. | 0:11:56 | 0:11:59 | |
Are you serious? | 0:11:59 | 0:12:01 | |
I kind of regret bringing the video to Kate | 0:12:03 | 0:12:06 | |
because I think it might've messed things up between Eldon and I. | 0:12:06 | 0:12:09 | |
Bringing the video to Kate may have hurt Eldon, | 0:12:09 | 0:12:12 | |
but honestly, it was what's best for the team. | 0:12:12 | 0:12:16 | |
What do we do about this whole Hunter-Eldon dance battle situation? | 0:12:22 | 0:12:26 | |
I don't even see the situation, to be honest. | 0:12:26 | 0:12:29 | |
Hunter obviously is the better dancer. | 0:12:29 | 0:12:31 | |
-But Eldon's our friend, Em. -Yeah, we got to back him up. | 0:12:31 | 0:12:34 | |
He's not my friend. Why would I back him up? | 0:12:34 | 0:12:36 | |
Guys, honestly, you saw the video. | 0:12:36 | 0:12:37 | |
Obviously, Hunter is the better dancer. He won fair and square. | 0:12:37 | 0:12:40 | |
Stirring the pot is too easy. | 0:12:40 | 0:12:42 | |
The only thing I really have to worry about, is acting like I care. | 0:12:42 | 0:12:45 | |
Yeah, but maybe he just had an off day. We all have off days. | 0:12:45 | 0:12:49 | |
Yeah, what if there's an off day at Nationals? | 0:12:49 | 0:12:51 | |
Is that something we need to be worrying about? | 0:12:51 | 0:12:53 | |
Guys, I think it's just going to be a tough decision, | 0:12:53 | 0:12:55 | |
-so I think we just need to take some time and think about it on our own. -Yeah. | 0:12:55 | 0:12:59 | |
Yeah, I'm just really nervous about this vote. | 0:13:01 | 0:13:03 | |
I feel like no-one's going to vote for me. | 0:13:03 | 0:13:05 | |
Dude, you have nothing to worry about. | 0:13:05 | 0:13:07 | |
Everybody knows you had an off day. | 0:13:07 | 0:13:09 | |
Plus, you're the best dancer in the studio, hands down! | 0:13:09 | 0:13:12 | |
Down! | 0:13:12 | 0:13:13 | |
-James. -Yo. -We kinda got to get going. | 0:13:13 | 0:13:16 | |
While they get to do their 24-hour challenge, | 0:13:16 | 0:13:19 | |
I'm stuck here waiting to learn my fate. | 0:13:19 | 0:13:22 | |
It's the worst. | 0:13:22 | 0:13:23 | |
Five, six, seven, eight. | 0:13:29 | 0:13:32 | |
-That's all we have so far. -Oh, that's it. | 0:13:46 | 0:13:47 | |
Still a work in progress, you know. | 0:13:47 | 0:13:49 | |
OK. Yeah, well, maybe we should try it again. | 0:13:49 | 0:13:52 | |
Wait, no. | 0:13:52 | 0:13:54 | |
What's going on with the A-Troupe vote? | 0:13:54 | 0:13:56 | |
That's A-Troupe drama, I don't know if you want to know. | 0:13:56 | 0:13:59 | |
Don't worry about it. | 0:13:59 | 0:14:00 | |
-Obviously, Eldon's going to win. -I agree. Eldon's absolutely insane. | 0:14:00 | 0:14:04 | |
I think it's hilarious that | 0:14:04 | 0:14:05 | |
the J-Troupers are weighing in their vote and choosing who | 0:14:05 | 0:14:08 | |
they think should win the National solo. | 0:14:08 | 0:14:10 | |
I think Hunter should get it cos he's the cutest. Come on. | 0:14:10 | 0:14:14 | |
"I think Hunter should win | 0:14:14 | 0:14:16 | |
"cos he's so cute." | 0:14:16 | 0:14:18 | |
It's funny, cos he's hideous. It's hilarious. | 0:14:18 | 0:14:21 | |
That's funny. | 0:14:23 | 0:14:25 | |
-Hey, guys. We're doing the vote now. -Now? | 0:14:25 | 0:14:28 | |
-OK, we'll catch you guys later. See ya. -Bye. | 0:14:29 | 0:14:32 | |
Eldon, good luck, man. | 0:14:32 | 0:14:33 | |
Thanks, I'm going to need it. | 0:14:33 | 0:14:35 | |
You good, bro? | 0:14:35 | 0:14:36 | |
Yeah, I just I don't know, | 0:14:36 | 0:14:38 | |
-I'm a little nervous and my stomache kinda feels weird. -Yeah. | 0:14:38 | 0:14:41 | |
Right now, | 0:14:41 | 0:14:43 | |
I'm more nervous than I've ever been. | 0:14:43 | 0:14:45 | |
You got it, bro. | 0:14:45 | 0:14:47 | |
My National solo is the one thing I have left. | 0:14:47 | 0:14:51 | |
And now it could all be taken away. | 0:14:51 | 0:14:53 | |
-You should go. The A-Troupe's going to vote and... -Yeah. -Yeah. | 0:14:55 | 0:14:59 | |
OK, bye. | 0:14:59 | 0:15:01 | |
That was weird. | 0:15:01 | 0:15:03 | |
OK, guys, you've had some time to think about it. | 0:15:07 | 0:15:10 | |
Now we need to decide if we're going to do an open or a closed vote. | 0:15:10 | 0:15:13 | |
-Open. -Hold up, what's the difference between open and closed? | 0:15:13 | 0:15:16 | |
An open vote is where we all see who everyone's voting for. | 0:15:16 | 0:15:18 | |
-A closed vote is where we can't. -Thanks, babe. | 0:15:18 | 0:15:21 | |
Do not call me babe. | 0:15:21 | 0:15:23 | |
I call Riley babe because I know that it will annoy her. | 0:15:23 | 0:15:25 | |
It's obviously irritating, which is exactly what he wants. | 0:15:25 | 0:15:28 | |
-Why not vote on whether or not to have an open or closed vote? -ALL: What?! | 0:15:28 | 0:15:33 | |
What? | 0:15:33 | 0:15:34 | |
And will that vote be open or closed? | 0:15:34 | 0:15:36 | |
Oh, yeah, that's right. | 0:15:36 | 0:15:38 | |
'Honestly, can we even come together as a team' | 0:15:38 | 0:15:40 | |
just to decide on how to vote? | 0:15:40 | 0:15:42 | |
OK, we're going to do an open vote. | 0:15:42 | 0:15:44 | |
That way everyone can see where everyone else stands. OK. | 0:15:44 | 0:15:48 | |
Those who think Hunter should be the male National soloist, | 0:15:48 | 0:15:51 | |
raise your hands. | 0:15:51 | 0:15:53 | |
'Guess who I'm voting for?' | 0:15:53 | 0:15:55 | |
Whatever causes the most trouble. | 0:15:55 | 0:15:57 | |
'I just hope my friends realise' | 0:15:57 | 0:15:59 | |
I am the better dancer, and they back me up. | 0:15:59 | 0:16:02 | |
I vote for Hunter. | 0:16:03 | 0:16:05 | |
He's the better dancer. And I want to dance at Nationals. | 0:16:05 | 0:16:09 | |
It's as simple as that. | 0:16:09 | 0:16:10 | |
I vote for Hunter because he won the dance battle. | 0:16:10 | 0:16:12 | |
I don't let my emotions cloud my decisions. | 0:16:12 | 0:16:15 | |
There's only five votes for Hunter. | 0:16:15 | 0:16:16 | |
Looks like Eldon gets to keep his solo after all. | 0:16:16 | 0:16:19 | |
-My boy. -Yes! | 0:16:19 | 0:16:20 | |
I'm so relieved that my friends pulled through for me. | 0:16:20 | 0:16:23 | |
Four, five. | 0:16:23 | 0:16:25 | |
Six. Six for Hunter. | 0:16:27 | 0:16:31 | |
It's official. Hunter, you are the new male soloist. | 0:16:33 | 0:16:37 | |
'Michelle probably voted against me because I broke up with her. | 0:16:39 | 0:16:42 | |
'She can't possibly think Hunter is a better dancer than I am.' | 0:16:42 | 0:16:46 | |
You all right, man? | 0:16:46 | 0:16:47 | |
I can't believe neither of you voted for Eldon. | 0:17:00 | 0:17:03 | |
It was best for the team. | 0:17:03 | 0:17:04 | |
Exactly. | 0:17:04 | 0:17:05 | |
Oh, really? Best for the team? | 0:17:05 | 0:17:07 | |
Or for you? | 0:17:07 | 0:17:08 | |
-What? -Just ignore him. | 0:17:11 | 0:17:13 | |
'I confront Riley and Michelle' | 0:17:13 | 0:17:15 | |
because it's pathetic they wouldn't vote for Eldon. | 0:17:15 | 0:17:17 | |
Why does James even care? | 0:17:17 | 0:17:19 | |
If I want to vote for Hunter, I'll vote for Hunter. | 0:17:19 | 0:17:21 | |
-I think the plan's working. -Yeah, it seems to be going well. | 0:17:21 | 0:17:24 | |
-I mean, she voted for me, so... -Uh-huh. I saw. | 0:17:24 | 0:17:27 | |
I agreed to help Hunter get Michelle back. | 0:17:27 | 0:17:29 | |
But now that the plan is actually working | 0:17:29 | 0:17:31 | |
I can't say I'm too happy about it. | 0:17:31 | 0:17:34 | |
Do you think that means she likes me? Michelle. | 0:17:34 | 0:17:36 | |
Yep? | 0:17:36 | 0:17:37 | |
I wanted to say, thank you for voting for me. | 0:17:37 | 0:17:40 | |
Oh, I mean, you're welcome. It's not really that big of a deal. | 0:17:40 | 0:17:42 | |
I mean, you totally deserve it. | 0:17:42 | 0:17:44 | |
'When I started this whole plan, it was to get Eldon back. | 0:17:44 | 0:17:47 | |
'But I don't want Eldon back. I want Hunter.' | 0:17:47 | 0:17:50 | |
All right, my little lotus flowers, | 0:18:01 | 0:18:02 | |
I'm so excited to see what you've prepared for us. | 0:18:02 | 0:18:06 | |
Are you guys excited? ALL: Yeah! | 0:18:06 | 0:18:09 | |
OK, let's see it. | 0:18:09 | 0:18:11 | |
Right now, we're getting ready to perform our 24-hour challenge | 0:18:15 | 0:18:18 | |
in front of all of A-Troupe. I'm really excited | 0:18:18 | 0:18:21 | |
for everybody to see it. | 0:18:21 | 0:18:23 | |
# You came like a burst in full of rain | 0:18:23 | 0:18:26 | |
# I know if I never see the sun again | 0:18:28 | 0:18:31 | |
# It will be too soon because all the light I live in | 0:18:32 | 0:18:36 | |
# Comes from you and all the love you're giving. # | 0:18:38 | 0:18:43 | |
'The performance is going so well. I can't believe how well.' | 0:18:43 | 0:18:49 | |
With such little time we're doing amazing. | 0:18:49 | 0:18:52 | |
Becca is... she's just so cute. | 0:18:56 | 0:19:00 | |
She's going to be so amazing when she's in A-Troupe. I know it. | 0:19:00 | 0:19:04 | |
# You stole my love, my everything. # | 0:19:04 | 0:19:07 | |
This song is beautiful. | 0:19:07 | 0:19:09 | |
I've seen a lot of Noah's videos on the internet. | 0:19:09 | 0:19:12 | |
He's a really good asset to the studio. | 0:19:12 | 0:19:14 | |
# If I take a step in any direction. # | 0:19:14 | 0:19:17 | |
Working with James and Camille, | 0:19:17 | 0:19:19 | |
and the song writing, | 0:19:19 | 0:19:20 | |
it was just awesome and it turned out really good. | 0:19:20 | 0:19:23 | |
The song turned out really well and performing in front | 0:19:24 | 0:19:28 | |
of A-Troupe is an honour because they're A-Troupe and I'm so excited. | 0:19:28 | 0:19:31 | |
Chloe, Giselle and Becca did an amazing job with the choreo. | 0:19:39 | 0:19:42 | |
It made it that much better. | 0:19:42 | 0:19:44 | |
I learned that we could all get together | 0:19:48 | 0:19:50 | |
and make our own music, and come up with our own choreography | 0:19:50 | 0:19:53 | |
in only 24 hours. | 0:19:53 | 0:19:55 | |
After all the drama of the day, this has been a great way to kind of | 0:19:59 | 0:20:03 | |
wrap it up in a good note. | 0:20:03 | 0:20:05 | |
I don't try and participate in the dancing | 0:20:11 | 0:20:14 | |
and the fun that's happening because I'm not in the mood. | 0:20:14 | 0:20:18 | |
I just lost my solo, I just lost everything and I just, | 0:20:18 | 0:20:21 | |
I just have to leave. | 0:20:21 | 0:20:24 | |
I can't be around these people right now. | 0:20:24 | 0:20:26 | |
I knew that Eldon and I couldn't be in a relationship, but now | 0:20:30 | 0:20:33 | |
I don't even think that we're going to be friends. | 0:20:33 | 0:20:36 | |
# When I hear that whistle beckon | 0:20:36 | 0:20:38 | |
# You and I are born in a second. # | 0:20:38 | 0:20:42 | |
There's no words that can describe the feeling of having the one | 0:20:42 | 0:20:45 | |
thing in your life that makes you happy be taken away. | 0:20:45 | 0:20:48 | |
CHEERING | 0:20:56 | 0:20:57 | |
# We... we're gonna show the world | 0:21:05 | 0:21:11 | |
# Everything we're made of | 0:21:11 | 0:21:15 | |
# We're gonna tear the roof off this place | 0:21:15 | 0:21:20 | |
# You... you can never fade us out... # | 0:21:20 | 0:21:25 |