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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
I don't want to see you in my studio again. | 0:00:03 | 0:00:05 | |
Me crying because Lucien was yelling at me - | 0:00:05 | 0:00:07 | |
fake. | 0:00:07 | 0:00:09 | |
The only reason why I'm at the Next Step - | 0:00:09 | 0:00:11 | |
is to make sure they do not make it to Nationals. | 0:00:11 | 0:00:15 | |
I go in and I see him kissing Beth. | 0:00:16 | 0:00:18 | |
What?! | 0:00:18 | 0:00:19 | |
Did you kiss Beth or did Beth kiss you? | 0:00:19 | 0:00:22 | |
Technically she kissed me, man. | 0:00:22 | 0:00:23 | |
Oh, so you're good, man, you got nothing to worry about. | 0:00:23 | 0:00:26 | |
He's in trouble. | 0:00:26 | 0:00:27 | |
James, you ruined something really special. | 0:00:27 | 0:00:30 | |
# And I want it more | 0:00:34 | 0:00:36 | |
# Than anyone else | 0:00:36 | 0:00:39 | |
# You're so beautiful tonight | 0:00:39 | 0:00:43 | |
# We're gonna dream we're gonna see the stars. # | 0:00:43 | 0:00:46 | |
Right now, James and I are just kind of going through our Nationals duet, | 0:00:46 | 0:00:50 | |
and it's not going so well. | 0:00:50 | 0:00:53 | |
# For me to make your heart break. # | 0:00:55 | 0:00:57 | |
Me and James are just not on the same page. | 0:00:57 | 0:01:00 | |
Our chemistry's just not there. | 0:01:00 | 0:01:02 | |
Chemistry is so important in partner work | 0:01:02 | 0:01:04 | |
because you have to trust each other, | 0:01:04 | 0:01:06 | |
and if there's no connection and no chemistry | 0:01:06 | 0:01:08 | |
it's just not going to work. | 0:01:08 | 0:01:09 | |
# Don't wanna make your heart break | 0:01:09 | 0:01:11 | |
# Oh, oh, oh | 0:01:11 | 0:01:13 | |
# Oh, oh, oh | 0:01:13 | 0:01:16 | |
# Don't wanna make your heart break... # | 0:01:16 | 0:01:18 | |
At this point I'm very worried about the duet. | 0:01:18 | 0:01:21 | |
Normally James and Riley work so well together | 0:01:21 | 0:01:23 | |
and have such great chemistry, | 0:01:23 | 0:01:25 | |
but it's just falling apart in front of our eyes. | 0:01:25 | 0:01:28 | |
I'm feeling very, very upset with James right now. | 0:01:31 | 0:01:35 | |
I mean, there's just all this anger built up inside of me, | 0:01:35 | 0:01:38 | |
and I feel like this dance is really the only chance for me | 0:01:38 | 0:01:41 | |
to physically show him how I feel. | 0:01:41 | 0:01:43 | |
She's not even looking at me. | 0:01:47 | 0:01:49 | |
It's kind of like there's no connection whatsoever. | 0:01:49 | 0:01:51 | |
Actually, it's the opposite of connection, we're repelling. | 0:01:51 | 0:01:54 | |
# I think you should know | 0:01:57 | 0:01:59 | |
# It's only for show | 0:01:59 | 0:02:02 | |
# Don't wanna... # | 0:02:02 | 0:02:03 | |
The song says don't want to make your heart break. | 0:02:03 | 0:02:07 | |
In real life, he kind of did make my heart break. | 0:02:07 | 0:02:10 | |
# Don't wanna make your heart break | 0:02:10 | 0:02:12 | |
# Don't wanna break your heart | 0:02:12 | 0:02:14 | |
# Don't wanna break your heart | 0:02:13 | 0:02:15 | |
# Don't wanna break your heart | 0:02:15 | 0:02:17 | |
# Don't wanna make your heart break. # | 0:02:17 | 0:02:20 | |
We'll pick this up tonight at rehearsal. | 0:02:23 | 0:02:25 | |
Got it. | 0:02:25 | 0:02:26 | |
# We | 0:02:29 | 0:02:31 | |
# We are gonna show the world | 0:02:31 | 0:02:35 | |
# Everything we're made of | 0:02:35 | 0:02:39 | |
# We're gonna tear the roof off this place | 0:02:39 | 0:02:47 | |
# Stand up. # | 0:02:52 | 0:02:53 | |
Hi everyone, my name's Thalia | 0:03:09 | 0:03:11 | |
and today I'm going to do a little improv skit for you. | 0:03:11 | 0:03:13 | |
It's open mic at Culture Shock | 0:03:13 | 0:03:15 | |
and I'm really excited to do my performance. | 0:03:15 | 0:03:17 | |
But to make it a little harder on myself | 0:03:17 | 0:03:19 | |
I'm going to do it in a country accent, | 0:03:19 | 0:03:20 | |
and I'm going to need two very pretty volunteers. | 0:03:20 | 0:03:22 | |
When I was little I would pretend to be this girl named Gertrude | 0:03:22 | 0:03:25 | |
and talk in a country accent - so I decided to bring her back. | 0:03:25 | 0:03:28 | |
-COUNTRY ACCENT: -It's time for me to do the dishes. | 0:03:28 | 0:03:30 | |
All right, I am cleaning the dishes, | 0:03:30 | 0:03:32 | |
the doorbell rang, I need to walk to the door. | 0:03:32 | 0:03:36 | |
Thalia's performance is hilarious. | 0:03:36 | 0:03:38 | |
She's pretty talented. | 0:03:38 | 0:03:40 | |
-THEY CHEER -Aw, thank you! | 0:03:40 | 0:03:41 | |
Round of applause for our pretty, pretty volunteers. | 0:03:41 | 0:03:44 | |
Thank you, ladies, thank you so much. | 0:03:44 | 0:03:45 | |
We're going to take a short break and we'll be right back. | 0:03:45 | 0:03:48 | |
I need to talk to Emily about what's happening with James. | 0:03:48 | 0:03:51 | |
I mean, she's always made me feel better about this kind of stuff. | 0:03:51 | 0:03:55 | |
I don't know what to do about James. | 0:03:55 | 0:03:57 | |
I can't be with him, I can't work with him - | 0:03:57 | 0:03:59 | |
but I can't stop thinking about him. | 0:03:59 | 0:04:01 | |
Well, why don't you just try thinking about someone else? | 0:04:01 | 0:04:05 | |
You mean, like, go for someone new? | 0:04:05 | 0:04:07 | |
Yeah, I mean, it's not unheard of - it's called a rebound. | 0:04:07 | 0:04:10 | |
I know Emily's trying to help | 0:04:10 | 0:04:12 | |
by telling me to move on, and it's a good idea, | 0:04:12 | 0:04:15 | |
but I honestly don't think I can. | 0:04:15 | 0:04:18 | |
-Thanks anyways. -OK. | 0:04:18 | 0:04:20 | |
-Agh! -James, hey! | 0:04:25 | 0:04:26 | |
What's up, yo? | 0:04:26 | 0:04:28 | |
I brought you your favourite juice. | 0:04:28 | 0:04:30 | |
-Oh... -Grape. -Grape. | 0:04:30 | 0:04:32 | |
I hate grape juice. | 0:04:32 | 0:04:34 | |
-I was wondering, do you want to go on a date later? -Um... | 0:04:34 | 0:04:37 | |
Because I was talking to my mom and she already told me | 0:04:37 | 0:04:39 | |
that she could drive us for about seven. | 0:04:39 | 0:04:42 | |
Seeing Beth and James together | 0:04:42 | 0:04:44 | |
just kind of shows me that James has moved on. | 0:04:44 | 0:04:47 | |
So, maybe I need to move on, too. | 0:04:47 | 0:04:50 | |
I'm ready to move on. | 0:04:51 | 0:04:52 | |
I think you're making the right decision. | 0:04:52 | 0:04:54 | |
Can we switch places, please? | 0:04:54 | 0:04:56 | |
I just want you to know | 0:04:56 | 0:04:57 | |
I don't really like being part of your scheme. | 0:04:57 | 0:05:00 | |
Ooh. | 0:05:00 | 0:05:01 | |
Oh... | 0:05:01 | 0:05:02 | |
Ooh. | 0:05:03 | 0:05:05 | |
It's really embarrassing, and it's on Hunter, | 0:05:05 | 0:05:07 | |
and - you know, it's embarrassing. | 0:05:07 | 0:05:11 | |
Don't worry about it. | 0:05:11 | 0:05:12 | |
This literally happens every time I eat spaghetti. | 0:05:12 | 0:05:15 | |
-I have an idea. -Yeah? | 0:05:15 | 0:05:16 | |
The costume closet has spare shirts so I'm just going to take you there. | 0:05:16 | 0:05:19 | |
I will pay for that hat, because I ruined it. | 0:05:19 | 0:05:22 | |
I can't really promise anything | 0:05:28 | 0:05:29 | |
but there should be one in the costume cupboard. | 0:05:29 | 0:05:32 | |
It's cold, OK? We need to hurry this up. | 0:05:32 | 0:05:34 | |
Maybe you shouldn't be so clumsy. | 0:05:34 | 0:05:35 | |
I think there's a shirt in here. Yeah, right here. | 0:05:35 | 0:05:38 | |
This is your size - | 0:05:40 | 0:05:41 | |
make sure it's clean. | 0:05:41 | 0:05:43 | |
-OK. -Thanks. | 0:05:43 | 0:05:45 | |
Make sure you don't let the door close. | 0:05:45 | 0:05:47 | |
The door to the costume closet can't close, | 0:05:49 | 0:05:51 | |
because there's no handle on our side. | 0:05:51 | 0:05:54 | |
Why is it locked? | 0:05:54 | 0:05:55 | |
It's just always how it's been - | 0:05:55 | 0:05:57 | |
I forgot you were new. | 0:05:57 | 0:06:00 | |
Sorry, Emily. | 0:06:00 | 0:06:02 | |
My bad. | 0:06:02 | 0:06:03 | |
Well, at least I have a clean shirt. | 0:06:03 | 0:06:05 | |
# I left to flee the fight | 0:06:14 | 0:06:17 | |
# Came back to stop the war... # | 0:06:17 | 0:06:19 | |
So, Riley... You know, like, we're both James's exes now. | 0:06:19 | 0:06:24 | |
Oh, yeah. | 0:06:24 | 0:06:25 | |
I'm at Culture Shock talking to Riley - | 0:06:25 | 0:06:28 | |
pretending to be her friend. | 0:06:28 | 0:06:29 | |
I really can't let anyone know that I'm still at Elite. | 0:06:29 | 0:06:32 | |
-Hey, guys. -Oh, hey! -Hey. -Hey. | 0:06:32 | 0:06:34 | |
What are you guys talking about? | 0:06:34 | 0:06:36 | |
We're kind of trying to search out possible boyfriend candidates. | 0:06:36 | 0:06:39 | |
-Ooh! -That's exciting. -Get it! | 0:06:39 | 0:06:41 | |
I don't really feel like moving on, but... | 0:06:41 | 0:06:45 | |
I mean, James has already done that, | 0:06:45 | 0:06:48 | |
so it can't hurt to see what's out there. | 0:06:48 | 0:06:50 | |
What about Charlie? | 0:06:50 | 0:06:51 | |
# ..right beside | 0:06:51 | 0:06:53 | |
# Yeah, you don't mind cos I'm always there | 0:06:53 | 0:06:56 | |
# Right behind... # | 0:06:56 | 0:06:57 | |
-He's cute AND he can play the guitar. -Right? | 0:06:57 | 0:07:00 | |
-I think you should give it a shot. -Yeah. | 0:07:00 | 0:07:02 | |
I feel like they might be good for each other. | 0:07:02 | 0:07:05 | |
He's cool, and Riley's cool, too. | 0:07:05 | 0:07:07 | |
OK. | 0:07:07 | 0:07:08 | |
-Awesome. -All right. | 0:07:08 | 0:07:11 | |
Let's do it. | 0:07:11 | 0:07:13 | |
KNOCKING AT DOOR | 0:07:18 | 0:07:19 | |
Hey, have you, uh, found a way out yet? | 0:07:19 | 0:07:21 | |
No, because if I did, it would just be you alone in here, OK? | 0:07:22 | 0:07:29 | |
I'm trying to get out of here - | 0:07:29 | 0:07:31 | |
unlike some people. | 0:07:31 | 0:07:33 | |
Ahem... Hunter. | 0:07:33 | 0:07:35 | |
Do you have your phone? | 0:07:35 | 0:07:36 | |
Of course I have my phone - I never leave without my phone. | 0:07:36 | 0:07:38 | |
-Well, we could use your phone to text people, you know? -Nice. | 0:07:38 | 0:07:42 | |
I am relieved Hunter has a phone. | 0:07:42 | 0:07:44 | |
I mean, it would have been great if he pulled it out a little earlier. | 0:07:44 | 0:07:47 | |
There's no bars. | 0:07:47 | 0:07:49 | |
No, there's no bars anywhere. | 0:07:49 | 0:07:51 | |
I should have expected it, you know? | 0:07:51 | 0:07:53 | |
I'm not that lucky. | 0:07:53 | 0:07:54 | |
If I had my phone it would have five bars. | 0:07:54 | 0:07:57 | |
It would have six bars in this situation. | 0:07:57 | 0:07:59 | |
First of all, six bars - you can't even have six bars. | 0:07:59 | 0:08:02 | |
First of all, get a new carrier. | 0:08:02 | 0:08:03 | |
First of all, enough with the first of alls | 0:08:03 | 0:08:05 | |
cos I'm kind of lost on where we are with the first of alls, | 0:08:05 | 0:08:07 | |
-but I just moved here... -Again, not... | 0:08:07 | 0:08:09 | |
You're not going to judge me if we're having... | 0:08:09 | 0:08:11 | |
-What? -It's, like, wavering. -You're going to get up on there? | 0:08:11 | 0:08:14 | |
-Look how old that looks, that's going to break. -It's fine. | 0:08:14 | 0:08:16 | |
-No, it's not fine. -Well, we have a bar, so it's pretty fine. | 0:08:16 | 0:08:19 | |
Oh, OK. | 0:08:19 | 0:08:20 | |
See? I told you I'd find a bar. | 0:08:20 | 0:08:22 | |
That's two bars - that's two bars. | 0:08:22 | 0:08:23 | |
-It's better there, I'm just going to... -Oh, nice. | 0:08:23 | 0:08:26 | |
She puts her hand on my shoulder, using me as support. | 0:08:26 | 0:08:28 | |
I'm just going to lean on Hunter. Hopefully he'll support me. | 0:08:28 | 0:08:30 | |
-You getting more bars? -Just almost there, almost... | 0:08:30 | 0:08:33 | |
-Almost working? Oh, it's working... -Oh! | 0:08:33 | 0:08:34 | |
So, our faces are this close to each other | 0:08:36 | 0:08:38 | |
and I'm starting to think there was a moment there. | 0:08:38 | 0:08:40 | |
Did the text go through? | 0:08:40 | 0:08:42 | |
The text, um... | 0:08:42 | 0:08:43 | |
-No. -It didn't go through? | 0:08:45 | 0:08:47 | |
No, it didn't go through. | 0:08:47 | 0:08:49 | |
There's... | 0:08:49 | 0:08:50 | |
There's nothing between Hunter and me. No. | 0:08:50 | 0:08:53 | |
HE SIGHS | 0:09:01 | 0:09:02 | |
I'm stressed about being locked in the costume closet. | 0:09:02 | 0:09:05 | |
I don't really like small spaces, and it's dusty and it's... | 0:09:05 | 0:09:08 | |
It's a stressful situation, OK? | 0:09:08 | 0:09:10 | |
DANCE MUSIC PLAYS | 0:09:10 | 0:09:11 | |
What is that awful noise? | 0:09:11 | 0:09:14 | |
When I hear that song playing, | 0:09:15 | 0:09:19 | |
I just know it's a bad day. | 0:09:19 | 0:09:20 | |
That song plays when I'm having the worst days. | 0:09:20 | 0:09:23 | |
This song's the best, what are you talking about? | 0:09:23 | 0:09:26 | |
I only have one song on my phone and I love that song. | 0:09:26 | 0:09:29 | |
I never get sick and tired of it. | 0:09:29 | 0:09:30 | |
Everything bad happens to me when this song is playing. | 0:09:30 | 0:09:33 | |
When I was driving in my car | 0:09:33 | 0:09:34 | |
a bird pooped on me - right through the window! | 0:09:34 | 0:09:37 | |
Emily, to get pooped on by a bird is good luck. | 0:09:37 | 0:09:40 | |
How is it good luck to be pooped on by a bird? | 0:09:40 | 0:09:42 | |
That's common knowledge. | 0:09:42 | 0:09:43 | |
A bird pooping on you is definitely not good luck. | 0:09:43 | 0:09:45 | |
It's pretty much the opposite. | 0:09:45 | 0:09:47 | |
I'm pretty sure it's the definition of bad luck. | 0:09:47 | 0:09:49 | |
No, it's the definition of good luck, | 0:09:49 | 0:09:51 | |
I mean, that's what my grandma tells me. | 0:09:51 | 0:09:53 | |
Right. | 0:09:53 | 0:09:55 | |
Does your grandma also tell you you're smart? | 0:09:55 | 0:09:57 | |
She does, every day - she calls me up. | 0:09:57 | 0:09:59 | |
Can we just turn this off? | 0:09:59 | 0:10:00 | |
She's abrasive. | 0:10:00 | 0:10:02 | |
She's annoying. She's in-your-face... | 0:10:02 | 0:10:05 | |
But despite that... | 0:10:05 | 0:10:07 | |
I really like her. | 0:10:07 | 0:10:08 | |
Off. | 0:10:08 | 0:10:10 | |
I don't even know why you need this - it doesn't work. | 0:10:10 | 0:10:13 | |
I like to just look at it sometimes. | 0:10:13 | 0:10:16 | |
# Oh, you know that I need it... # | 0:10:16 | 0:10:21 | |
# ..right behind | 0:10:21 | 0:10:22 | |
# Yeah, you don't mind if we stop and stare | 0:10:22 | 0:10:26 | |
# Girl, you're moving so beautiful. # | 0:10:26 | 0:10:32 | |
APPLAUSE | 0:10:33 | 0:10:35 | |
Thanks. | 0:10:35 | 0:10:36 | |
-OK, so go. -You should go flirt with him, go. | 0:10:39 | 0:10:41 | |
-OK - wish me luck. -Go! | 0:10:41 | 0:10:42 | |
I've never really had to flirt with boys before. | 0:10:42 | 0:10:46 | |
OK, uh, one problem. I don't know how to flirt. | 0:10:46 | 0:10:48 | |
Stop being so nervous. | 0:10:48 | 0:10:50 | |
Do you know me at all? I'm always nervous! | 0:10:50 | 0:10:52 | |
Be yourself - act natural. | 0:10:52 | 0:10:53 | |
Right, now you're being a little be awkward. | 0:10:53 | 0:10:55 | |
You just gotta be cool, you know, like sittin'. | 0:10:55 | 0:10:57 | |
Like James. You gotta be cool like James. | 0:10:57 | 0:10:59 | |
-Yeah. -Like James. -Wait, you want me to be my ex-boyfriend | 0:10:59 | 0:11:01 | |
-while I'm trying to get a new boyfriend? -Yes, exactly. | 0:11:01 | 0:11:04 | |
-Just - girl version. Work it, twerk it, go. -Go. | 0:11:04 | 0:11:06 | |
No, not like that. | 0:11:07 | 0:11:08 | |
You guys, what... | 0:11:08 | 0:11:10 | |
OK... | 0:11:10 | 0:11:11 | |
I think the girls' advice is great - | 0:11:11 | 0:11:13 | |
I mean, if I play it cool, then it might work. | 0:11:13 | 0:11:15 | |
I mean, it works for James, | 0:11:15 | 0:11:16 | |
so, why not me? | 0:11:16 | 0:11:17 | |
Sup? | 0:11:19 | 0:11:20 | |
Are you, uh, are you feeling OK? | 0:11:22 | 0:11:24 | |
Pfft, don't even worry about it. | 0:11:24 | 0:11:27 | |
OK, I won't. | 0:11:27 | 0:11:28 | |
Charlie probably thinks I'm crazy - | 0:11:28 | 0:11:32 | |
so it's not exactly the direction I was going for. | 0:11:32 | 0:11:35 | |
-Give me a minute. -Yeah. | 0:11:35 | 0:11:37 | |
-That did not work at all. -Yeah, you think? | 0:11:38 | 0:11:40 | |
-OK, listen to me, touch his arm. -OK... | 0:11:40 | 0:11:42 | |
Make sure he knows that you're interested in him. | 0:11:42 | 0:11:44 | |
-Ask him questions about his life or something. -OK. | 0:11:44 | 0:11:46 | |
Also, be cute, flip your hair. | 0:11:46 | 0:11:48 | |
-Touch it, play with it. -OK. -Like, twirl it. | 0:11:48 | 0:11:50 | |
-OK. -And then, like, you gotta, like, bat the eyelashes. | 0:11:50 | 0:11:52 | |
But not squinty. No, no. | 0:11:52 | 0:11:54 | |
Oh, you'll be fine. Go work it. | 0:11:54 | 0:11:55 | |
Go, go. | 0:11:55 | 0:11:57 | |
Playing it cool | 0:11:57 | 0:11:58 | |
is a little bit harder than I thought. | 0:11:58 | 0:12:01 | |
So, how are you? | 0:12:01 | 0:12:04 | |
I'm... | 0:12:04 | 0:12:06 | |
Riley is officially the worst flirter on the planet. | 0:12:06 | 0:12:09 | |
Ugh, it's not going very well. | 0:12:09 | 0:12:11 | |
Um... | 0:12:12 | 0:12:14 | |
Listen, do you want to go out tonight? | 0:12:14 | 0:12:16 | |
-I'd love to. -Good. | 0:12:16 | 0:12:19 | |
I hear, um, Charlie ask Riley out. | 0:12:19 | 0:12:21 | |
I just didn't expect her to be moving on this quickly. | 0:12:21 | 0:12:24 | |
But I have duet practice tonight. | 0:12:24 | 0:12:27 | |
I really do want to go out with Charlie, | 0:12:27 | 0:12:29 | |
but I have rehearsal with James tonight. | 0:12:29 | 0:12:31 | |
OK, that's cool. Um... | 0:12:34 | 0:12:37 | |
Some other time, maybe? | 0:12:37 | 0:12:38 | |
Yeah, for sure. | 0:12:38 | 0:12:40 | |
-OK, sweet. See you later. -See ya. | 0:12:40 | 0:12:43 | |
Oh, my gosh! | 0:12:43 | 0:12:45 | |
Good, I'm so proud! | 0:12:45 | 0:12:46 | |
Charlie must really have a thing for Riley | 0:12:46 | 0:12:48 | |
if he's still willing to take her out on a date | 0:12:48 | 0:12:50 | |
after that circus performance. | 0:12:50 | 0:12:52 | |
So, then what happened? | 0:12:56 | 0:12:57 | |
-AUSTRALIAN ACCENT: Whoa - you want to know what happened? -Yup. | 0:12:57 | 0:13:00 | |
Great white, Barrier Reef - I'm surfing, | 0:13:00 | 0:13:03 | |
great white swims along, swimming, swimming, | 0:13:03 | 0:13:06 | |
I'm surfing, having a great time. | 0:13:06 | 0:13:07 | |
Great white leaps out of the water, grabs on me arm, he yanks it off. | 0:13:07 | 0:13:10 | |
Yeah, it was insane, right? | 0:13:10 | 0:13:12 | |
That's the face I had when he ripped my arm off. | 0:13:12 | 0:13:14 | |
I'm just thinking, "Oh, no, this isn't good at all." | 0:13:14 | 0:13:17 | |
Even though Hunter is clearly lying - | 0:13:17 | 0:13:19 | |
it's kind of a funny story. | 0:13:19 | 0:13:20 | |
I tickled him under his chin, he let go. Just let go. | 0:13:20 | 0:13:23 | |
I took my arm out, I said, "That's enough of you, shark." | 0:13:23 | 0:13:25 | |
Hit him on the nose a few times. | 0:13:25 | 0:13:27 | |
We've been in the costume closet for hours now. | 0:13:27 | 0:13:29 | |
I'm tired, exhausted, but I want to entertain her. | 0:13:29 | 0:13:31 | |
So, you're bleeding to death... | 0:13:31 | 0:13:33 | |
-Oh, bleeding. -..after a great white shark attack | 0:13:33 | 0:13:36 | |
-in the middle of the Great Barrier Reef. -Right. | 0:13:36 | 0:13:38 | |
And beat him with your detached limb? | 0:13:38 | 0:13:40 | |
Yeah, that's right. This one, exactly. | 0:13:40 | 0:13:42 | |
Which I'm now looking at and looks perfectly fine. | 0:13:42 | 0:13:45 | |
Man... | 0:13:45 | 0:13:46 | |
I don't know why Emily won't believe my story | 0:13:46 | 0:13:49 | |
that a shark ripped off my arm and I got it back. | 0:13:49 | 0:13:52 | |
-VOICEMAIL: -You know who it is, you know what to do. | 0:14:01 | 0:14:03 | |
Hey, James, um, it's Riley. | 0:14:03 | 0:14:05 | |
I'm just wondering if you knew about the rehearsal | 0:14:05 | 0:14:08 | |
we were supposed to have. | 0:14:08 | 0:14:09 | |
I've been waiting for, like, an hour - | 0:14:09 | 0:14:10 | |
if you just let me know if you're even coming. | 0:14:10 | 0:14:13 | |
Bye. | 0:14:13 | 0:14:14 | |
James did know about the rehearsal. | 0:14:14 | 0:14:16 | |
I mean, Kate told us to meet in the studio later that night | 0:14:16 | 0:14:20 | |
so we could rehearse our duet. | 0:14:20 | 0:14:21 | |
But he just didn't show up. | 0:14:22 | 0:14:24 | |
# How could someone be so low? | 0:14:25 | 0:14:30 | |
# How could you be so low? # | 0:14:30 | 0:14:33 | |
So, today in class... | 0:14:34 | 0:14:36 | |
After I saw Charlie ask Riley to go on a date | 0:14:36 | 0:14:40 | |
I honestly didn't think it was that big of a deal | 0:14:40 | 0:14:42 | |
if I went on a date with Beth. | 0:14:42 | 0:14:43 | |
My teacher was talking about this, um, thing called statistics | 0:14:43 | 0:14:47 | |
and, uh... I dunno, I don't really get it, | 0:14:47 | 0:14:52 | |
-but... -You got a little bit of ketchup just right here. | 0:14:52 | 0:14:55 | |
-Below your lip. -Where? -Right here. | 0:14:55 | 0:14:57 | |
Yeah, I realise I'm supposed to be at rehearsal right now, | 0:14:57 | 0:14:59 | |
but honestly I feel like I need to just take some time from the studio. | 0:14:59 | 0:15:04 | |
Here? | 0:15:04 | 0:15:05 | |
No, on your lip. | 0:15:05 | 0:15:07 | |
Is it um...is it here? | 0:15:07 | 0:15:09 | |
No, ha, you just put more ketchup on your face. | 0:15:09 | 0:15:12 | |
Is it here? | 0:15:12 | 0:15:13 | |
Nope. Now you look like a ketchup football player! | 0:15:13 | 0:15:16 | |
Believe it or not, Beth is actually making me laugh - | 0:15:16 | 0:15:18 | |
and it feels good to laugh, | 0:15:18 | 0:15:19 | |
because I've been through so much drama lately. | 0:15:19 | 0:15:22 | |
-Oh, don't smear it. -THEY LAUGH | 0:15:22 | 0:15:25 | |
I'm putting some on you. | 0:15:25 | 0:15:27 | |
-No, you're not. -Yeah, I am. | 0:15:27 | 0:15:28 | |
-No, you're not. -Yeah, I am. -Do not put... | 0:15:28 | 0:15:30 | |
Yeah. Yup, wait... | 0:15:30 | 0:15:31 | |
Did you actually just put ketchup on my face?! | 0:15:31 | 0:15:33 | |
Wait, wait - a little more. | 0:15:33 | 0:15:35 | |
No. Stop, Beth! | 0:15:35 | 0:15:37 | |
Stop... | 0:15:37 | 0:15:38 | |
I don't want ketchup on my face. | 0:15:38 | 0:15:41 | |
Now we match. | 0:15:41 | 0:15:42 | |
No. | 0:15:42 | 0:15:43 | |
Mm-hm. PHONE RINGS | 0:15:43 | 0:15:44 | |
Did I get it all off? | 0:15:44 | 0:15:47 | |
-Do I have any more? -No. | 0:15:47 | 0:15:49 | |
It kind of hurts that James would just stand me up for our rehearsal - | 0:15:55 | 0:15:58 | |
and not to mention what that does to the team. | 0:15:58 | 0:16:01 | |
He knows that our duet is struggling and we need to rehearse it. | 0:16:01 | 0:16:06 | |
Still on your face. | 0:16:06 | 0:16:07 | |
Where? | 0:16:07 | 0:16:09 | |
Let me show you. | 0:16:09 | 0:16:11 | |
I need to get this ketchup off my face, though - | 0:16:15 | 0:16:17 | |
you actually just put it all over my face. | 0:16:17 | 0:16:20 | |
I need to get over James once and for all. | 0:16:31 | 0:16:33 | |
Hey, Charlie, uh, it's Riley. | 0:16:33 | 0:16:35 | |
-Hey, how's it going? -Um, I'm good, how are you? | 0:16:35 | 0:16:38 | |
-I'm good. -Um, are you still free tonight? -Yep. | 0:16:38 | 0:16:43 | |
-OK, all right, I'll see you then. -OK. -Bye. | 0:16:43 | 0:16:46 | |
# Oh, the same day | 0:16:53 | 0:16:55 | |
# Same thing... # | 0:16:55 | 0:16:57 | |
So, how are things going with Michelle? | 0:16:59 | 0:17:02 | |
Not bad. | 0:17:02 | 0:17:03 | |
Moving a little slower than I hoped they would, but it'll get there. | 0:17:03 | 0:17:07 | |
That's good. | 0:17:07 | 0:17:08 | |
I ask Hunter about Michelle | 0:17:08 | 0:17:10 | |
because we have a plan for them to get back together, | 0:17:10 | 0:17:14 | |
and, uh, we're going to see it through. | 0:17:14 | 0:17:16 | |
How are things with Eldon? | 0:17:16 | 0:17:18 | |
Um... | 0:17:18 | 0:17:20 | |
I mean, they're the same. | 0:17:20 | 0:17:21 | |
Nothing's really changed, except... | 0:17:21 | 0:17:24 | |
Except me, I guess. | 0:17:24 | 0:17:27 | |
I just don't know if I like him like I used to, I guess. | 0:17:27 | 0:17:31 | |
You know that's not your fault. | 0:17:31 | 0:17:32 | |
I mean, it just doesn't seem like | 0:17:32 | 0:17:34 | |
he knows how to make a relationship last. | 0:17:34 | 0:17:36 | |
You know what I'm saying? | 0:17:36 | 0:17:37 | |
Yeah, I guess no-one's really ever accused Eldon of that. | 0:17:37 | 0:17:40 | |
I confide in Hunter because, you know, we were in this plan together, | 0:17:40 | 0:17:44 | |
but my circumstances have changed. | 0:17:44 | 0:17:46 | |
I think it's fair that he knows that. | 0:17:46 | 0:17:48 | |
It's obviously not you. | 0:17:48 | 0:17:50 | |
Cos you're cool. | 0:17:50 | 0:17:52 | |
Thanks! | 0:17:52 | 0:17:53 | |
Even in these pants? | 0:17:53 | 0:17:56 | |
Especially in those pants. | 0:17:56 | 0:17:58 | |
I know. | 0:17:58 | 0:17:59 | |
It was really comforting to hear Hunter say that it wasn't my fault, | 0:17:59 | 0:18:03 | |
because even I kind of thought it was my fault. | 0:18:03 | 0:18:05 | |
I mean, I'm a hard person to be around. | 0:18:05 | 0:18:08 | |
I know I can be really stubborn. | 0:18:08 | 0:18:10 | |
And just having someone tell me that everything wasn't on me... | 0:18:10 | 0:18:16 | |
it was nice. | 0:18:16 | 0:18:17 | |
# Hurricane | 0:18:17 | 0:18:21 | |
# Going through my brain | 0:18:21 | 0:18:22 | |
# I can't explain. # | 0:18:22 | 0:18:24 | |
I was just about to head home for the night | 0:18:29 | 0:18:32 | |
and then I got an SOS text | 0:18:32 | 0:18:33 | |
from Hunter saying that he was stuck in the closet with Emily. | 0:18:33 | 0:18:37 | |
That can't be good. | 0:18:37 | 0:18:38 | |
Hey, um, why don't we put that song back on? | 0:18:43 | 0:18:45 | |
I thought you didn't like it? | 0:18:45 | 0:18:46 | |
Well, you know, you gotta be open to trying new things. | 0:18:46 | 0:18:49 | |
It was a pretty heavy moment, | 0:18:49 | 0:18:50 | |
so maybe just lightening the mood and having some fun will, uh, | 0:18:50 | 0:18:53 | |
kind of let us get out of that zone. | 0:18:53 | 0:18:56 | |
Ole! DANCE MUSIC PLAYS | 0:18:56 | 0:18:57 | |
Woo! | 0:18:57 | 0:18:58 | |
-Senor. -Your hand. | 0:18:58 | 0:19:00 | |
And cha-cha. | 0:19:02 | 0:19:04 | |
-Oh, a spin. -Oh, a spin and a dip. | 0:19:08 | 0:19:10 | |
Yeah. My wig, no! | 0:19:10 | 0:19:12 | |
OK, yo, this thing is way too baggy right now. | 0:19:12 | 0:19:14 | |
Hey, guys. | 0:19:14 | 0:19:15 | |
Hey! Hello? Hi. | 0:19:15 | 0:19:18 | |
-Oh, hey, Michelle. -Yeah, you guys left the key in the door | 0:19:18 | 0:19:21 | |
so you guys pretty much were locked in. | 0:19:21 | 0:19:23 | |
We've been in here for so long and you saved us. | 0:19:23 | 0:19:26 | |
Oh, Michelle, my saviour. | 0:19:26 | 0:19:28 | |
Um, I just left my stuff in Culture Shock a while back. | 0:19:28 | 0:19:32 | |
-We've been locked in here for so long. -Oh, yeah? Why? | 0:19:32 | 0:19:34 | |
I started working with Hunter so I could get Eldon back. | 0:19:34 | 0:19:37 | |
But I'm not thinking about Eldon right now - | 0:19:37 | 0:19:40 | |
all I can think about is Hunter. | 0:19:40 | 0:19:43 | |
Yeah, so I noticed you're drinking coffee there. | 0:19:51 | 0:19:54 | |
Yeah. | 0:19:54 | 0:19:55 | |
Uh, coffee's not the greatest for you. | 0:19:55 | 0:19:58 | |
I am on a date with Charlie. | 0:19:58 | 0:20:00 | |
It's not going too well. | 0:20:00 | 0:20:03 | |
So, you work out a lot, then? | 0:20:03 | 0:20:04 | |
Not too much. Maybe, like, probably 100-200 push-ups an hour. | 0:20:04 | 0:20:09 | |
-Generally. -Wow. | 0:20:09 | 0:20:11 | |
He's very... | 0:20:11 | 0:20:13 | |
space-heady and, uh, not always there. | 0:20:13 | 0:20:16 | |
Any other hobbies other than working out? | 0:20:16 | 0:20:20 | |
Yeah, I read a lot, I read a lot. Yeah. | 0:20:20 | 0:20:21 | |
Oh, really? Like what? | 0:20:21 | 0:20:23 | |
Um, fitness magazines. | 0:20:23 | 0:20:25 | |
Charlie...is kind of like the male version of Beth - | 0:20:25 | 0:20:29 | |
and I am not interested in dating Beth. | 0:20:29 | 0:20:33 | |
So, what's your biggest fitness tip? | 0:20:33 | 0:20:36 | |
Um... | 0:20:36 | 0:20:38 | |
Don't drink coffee. | 0:20:38 | 0:20:39 | |
Yeah. | 0:20:42 | 0:20:44 | |
OK. | 0:20:44 | 0:20:45 | |
This is not getting my mind off James. | 0:20:45 | 0:20:48 | |
If anything... | 0:20:48 | 0:20:49 | |
Show me where it is! | 0:20:49 | 0:20:50 | |
..it's making me miss him more. | 0:20:50 | 0:20:52 | |
# We | 0:20:57 | 0:21:00 | |
# We are gonna show the world | 0:21:00 | 0:21:03 | |
# Everything we're made of | 0:21:03 | 0:21:06 | |
# We're gonna tear the roof off this place | 0:21:06 | 0:21:14 | |
# You can never fade us out | 0:21:14 | 0:21:18 | |
# Don't even ask the DJ | 0:21:18 | 0:21:21 | |
# Everybody knows we own this land. # | 0:21:21 | 0:21:27 |