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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
CHEERING | 0:00:03 | 0:00:04 | |
Elite snuck into another Regionals and won. | 0:00:04 | 0:00:06 | |
Which means they're coming to Nationals. | 0:00:06 | 0:00:08 | |
Elite getting into Nationals is just the beginning. | 0:00:08 | 0:00:12 | |
The Next Step's not going to know what hit them. | 0:00:12 | 0:00:14 | |
When did things get so complicated? I thought we had everything? | 0:00:14 | 0:00:18 | |
We both know how it got so complicated. | 0:00:18 | 0:00:20 | |
I know you saw me kiss Emily. | 0:00:22 | 0:00:24 | |
-I just want to know if you want to be with her. -Yeah. | 0:00:24 | 0:00:28 | |
So, what happens if you don't really love dance any more? | 0:00:28 | 0:00:32 | |
It's going to be the hardest decision of your life. | 0:00:32 | 0:00:36 | |
The Next Step really did make me feel like it was my family. | 0:00:36 | 0:00:41 | |
But I don't think it is any more. | 0:00:43 | 0:00:46 | |
Leaving the studio is a lot harder than I thought it would be. | 0:00:56 | 0:01:01 | |
I thought I could just come into the studio and pack up my stuff | 0:01:01 | 0:01:05 | |
and say goodbye, but it's kind of hard for me to face everyone. | 0:01:05 | 0:01:09 | |
Just because I know everyone is going to be really upset that I'm leaving. | 0:01:09 | 0:01:13 | |
When I see Michelle, I just... | 0:01:13 | 0:01:15 | |
It just really makes me sad. | 0:01:17 | 0:01:19 | |
There are a lot of memories that I've created here with all the people | 0:01:19 | 0:01:24 | |
and I'm going to miss it. | 0:01:24 | 0:01:27 | |
But I think I need to say goodbye. | 0:01:27 | 0:01:30 | |
I'm sorry I didn't come by earlier, I just... I kind of chickened out. | 0:01:32 | 0:01:36 | |
I just want you to know that the studio will always be here for you. | 0:01:38 | 0:01:41 | |
I know. | 0:01:44 | 0:01:45 | |
-Would you mind locking up on the way out? -Yeah, it's no problem. -OK. | 0:01:46 | 0:01:50 | |
-Bye, Michelle. -Bye, Miss Kate. | 0:01:52 | 0:01:53 | |
The studio is really where I kind of fell in love with dance. | 0:01:57 | 0:02:00 | |
And it's sad to think that I don't love it any more. | 0:02:02 | 0:02:04 | |
I mean, just everything... | 0:02:08 | 0:02:11 | |
Everything changed over these past few months and I can't go back. | 0:02:11 | 0:02:16 | |
# We, we're going to show the world | 0:02:31 | 0:02:37 | |
# Everything we're made of | 0:02:37 | 0:02:41 | |
# We're going to tear the roof off this place! # | 0:02:41 | 0:02:48 | |
Stand up! | 0:02:54 | 0:02:55 | |
All right, everyone gather round for a second, please. | 0:03:12 | 0:03:14 | |
I have some bad news, unfortunately. | 0:03:16 | 0:03:18 | |
-Michelle has left The Next Step. -What?! -She left? | 0:03:20 | 0:03:23 | |
After talking to Michelle, I thought she would take my advice | 0:03:23 | 0:03:27 | |
but I guess the drama got to her. | 0:03:27 | 0:03:29 | |
I can't help but think that it's my fault. I feel like I drove her away. | 0:03:29 | 0:03:33 | |
Which means that we only have ten dancers left on our Nationals team. | 0:03:33 | 0:03:37 | |
Having only ten dancers is bad because if we have one dancer | 0:03:37 | 0:03:43 | |
that gets injured or can't dance for whatever reason, | 0:03:43 | 0:03:46 | |
then we can't dance at all. We're done. | 0:03:46 | 0:03:50 | |
-So, how's it going? -It's good. | 0:03:57 | 0:03:59 | |
I mean, I haven't really done anything yet | 0:03:59 | 0:04:01 | |
and the studio is already falling apart. | 0:04:01 | 0:04:03 | |
I mean, Daniel left on his own | 0:04:03 | 0:04:06 | |
and Michelle just quit as well. | 0:04:06 | 0:04:08 | |
So, I mean, they have a lot of drama. | 0:04:08 | 0:04:10 | |
What do I see? Amanda and Lucien. | 0:04:10 | 0:04:14 | |
I have no idea what I'm going to do about this | 0:04:14 | 0:04:16 | |
but I do know I need to talk to Riley. | 0:04:16 | 0:04:19 | |
Can you believe Michelle? She just left The Next Step. | 0:04:28 | 0:04:31 | |
Right before Nationals. | 0:04:31 | 0:04:32 | |
Riley, we have bigger things to worry about, OK? | 0:04:32 | 0:04:34 | |
What's bigger than Michelle leaving the studio? | 0:04:34 | 0:04:37 | |
Amanda's a double agent. | 0:04:37 | 0:04:39 | |
She's still at Elite. | 0:04:39 | 0:04:41 | |
She's only at The Next Step to take it down from the inside. | 0:04:41 | 0:04:45 | |
You know, I'm not one to say I told you so but... I told everyone. | 0:04:45 | 0:04:49 | |
-I can't believe it. -Hello, Riley, hi. We need to come up with a plan. | 0:04:49 | 0:04:54 | |
What should we do? | 0:04:54 | 0:04:55 | |
-Well, the first thing to do is act like everything is OK. -Why? | 0:04:55 | 0:04:59 | |
-Because Amanda is coming over here right now. -And then he just laughed. | 0:04:59 | 0:05:03 | |
-Guys, Miss Kate needs you guys in Studio A. -OK. -Of course. -Yeah. | 0:05:03 | 0:05:07 | |
-No. I... -No, we go. Thanks! | 0:05:07 | 0:05:10 | |
I don't know what we're going to do, but we have to do something. | 0:05:12 | 0:05:16 | |
# How could someone be so low? | 0:05:16 | 0:05:20 | |
# How could you be so low? # | 0:05:20 | 0:05:22 | |
Guys. | 0:05:24 | 0:05:25 | |
Right now I'm talking to the team about finding a new female soloist. | 0:05:25 | 0:05:30 | |
Look, I know it's a hard time right now, | 0:05:30 | 0:05:32 | |
but we need to decide who's going to do the female solo at Nationals. | 0:05:32 | 0:05:35 | |
'I hate that we have to deal with this so soon after Michelle' | 0:05:35 | 0:05:38 | |
has left, but Nationals is coming up and we need a strong female soloist. | 0:05:38 | 0:05:44 | |
-I want the solo. -OK. | 0:05:44 | 0:05:46 | |
I want the solo because that way no-one else is practising a solo | 0:05:46 | 0:05:50 | |
and, when I leave, they won't have a female soloist. | 0:05:50 | 0:05:55 | |
'Miss Kate loves Amanda, so there is no way she'll believe us | 0:05:55 | 0:05:59 | |
'unless we have proof.' | 0:05:59 | 0:06:01 | |
I'd like the solo, too, Miss Kate. | 0:06:01 | 0:06:04 | |
There is no way I am letting Amanda take that solo. | 0:06:04 | 0:06:07 | |
What I would like you two ladies to do is find a song, come up | 0:06:08 | 0:06:11 | |
with a routine and from there I will decide who gets the solo. | 0:06:11 | 0:06:14 | |
-Sounds good. -Thank you. | 0:06:14 | 0:06:16 | |
I'm so impressed with how quickly Riley is thinking. | 0:06:16 | 0:06:19 | |
We still don't have a plan, but we have to get one and fast. | 0:06:19 | 0:06:23 | |
I have come up with a plan to take down Amanda | 0:06:32 | 0:06:35 | |
and I just wanted to tell Emily about it. | 0:06:35 | 0:06:37 | |
OK, you know the expression "keep your friends close | 0:06:37 | 0:06:40 | |
-"but your enemies closer?" -Yes. | 0:06:40 | 0:06:42 | |
Well, if I get everyone at The Next Step to hate me, | 0:06:42 | 0:06:45 | |
then maybe Amanda will understand why I want to join her. | 0:06:45 | 0:06:50 | |
And by being close to her, we can take her down. | 0:06:50 | 0:06:54 | |
If Amanda thinks that I want to take down The Next Step, then maybe | 0:06:54 | 0:06:59 | |
I can join her and figure out her plan so that we can stop it. | 0:06:59 | 0:07:03 | |
It's a good plan. It really is. I'm very proud of you. | 0:07:04 | 0:07:08 | |
But you? Nobody is going to hate you. | 0:07:08 | 0:07:12 | |
Riley's plan won't work with her in the centre of it. | 0:07:12 | 0:07:15 | |
Because no-one is going to believe her. | 0:07:15 | 0:07:17 | |
I'm the one that should go undercover with Amanda. | 0:07:17 | 0:07:20 | |
Are you sure? I mean, you just got everyone to like you again. | 0:07:20 | 0:07:23 | |
Look, what other option do we have? | 0:07:23 | 0:07:25 | |
-I guess you're right. -I always am. | 0:07:27 | 0:07:30 | |
-So, plan? -Plan. | 0:07:32 | 0:07:34 | |
Let's go take her down. | 0:07:38 | 0:07:39 | |
It does kind of make more sense for Emily to go undercover but I don't | 0:07:41 | 0:07:45 | |
know, I mean, I just don't want her to put herself in that situation. | 0:07:45 | 0:07:51 | |
# So this is how it ends... # | 0:08:05 | 0:08:08 | |
I'm just working on my solo for the audition. | 0:08:11 | 0:08:13 | |
I chose the same song as Riley | 0:08:16 | 0:08:18 | |
because, when she sees me dance to it first, it will throw her off | 0:08:18 | 0:08:23 | |
her game and she won't win. | 0:08:23 | 0:08:26 | |
# And all the talk of worlds we have to conquer... # | 0:08:29 | 0:08:33 | |
I want it to be perfect. I'm going to make sure that I get that solo. | 0:08:33 | 0:08:38 | |
'When I see James enter, I decide to let him stay. | 0:08:41 | 0:08:45 | |
'There is something I have to tell him.' | 0:08:45 | 0:08:47 | |
# Don't take enemies for friends | 0:08:50 | 0:08:53 | |
# When the war is over | 0:09:06 | 0:09:09 | |
# When the war is over... # | 0:09:09 | 0:09:13 | |
She's really putting her heart into this dance, and I can tell. | 0:09:13 | 0:09:17 | |
And I just want to watch her dance. | 0:09:17 | 0:09:19 | |
# When the war is over | 0:09:20 | 0:09:24 | |
# When the war is the over... # | 0:09:24 | 0:09:26 | |
'I am a little nervous. | 0:09:26 | 0:09:28 | |
'I mean, me and Emily kind of have this plan' | 0:09:28 | 0:09:31 | |
and I just hope that it'll work. | 0:09:31 | 0:09:33 | |
SHE BREATHES HEAVILY | 0:09:35 | 0:09:37 | |
You're good. | 0:09:37 | 0:09:38 | |
Thank you. It still needs a bit of work. | 0:09:40 | 0:09:43 | |
Nah, you're perfect. | 0:09:43 | 0:09:45 | |
What? | 0:09:47 | 0:09:49 | |
The dance. The dance is perfect. | 0:09:49 | 0:09:51 | |
Thank you. | 0:09:54 | 0:09:55 | |
Honestly, I think you have that solo in the bag. | 0:09:59 | 0:10:02 | |
I miss James more than he will ever know. | 0:10:05 | 0:10:09 | |
'But I tell him that I'm too nervous for him to come to my audition. | 0:10:09 | 0:10:13 | |
'The truth is, I can't have him interfere with the plan | 0:10:13 | 0:10:16 | |
'Emily and I have.' | 0:10:16 | 0:10:18 | |
Yeah, actually, I have to go. | 0:10:18 | 0:10:20 | |
'I'm avoiding Riley's audition because she told me | 0:10:41 | 0:10:45 | |
'she was too nervous to have me there. | 0:10:45 | 0:10:47 | |
'I know she's lying to me, I know that's not why. | 0:10:47 | 0:10:50 | |
'She just doesn't want me around any more.' | 0:10:50 | 0:10:54 | |
-Hey. -Hey, what's up? | 0:10:54 | 0:10:56 | |
-Can I sit down? -Sure. | 0:10:56 | 0:10:59 | |
I thought you were supposed to be in Studio A today? | 0:10:59 | 0:11:01 | |
-I didn't see you. -No, I'm kind of avoiding Studio A right now. | 0:11:01 | 0:11:04 | |
-Because Riley and Amanda are competing. -That's great! | 0:11:04 | 0:11:10 | |
We can spend all day together. I have nothing but time. | 0:11:10 | 0:11:13 | |
I was kind of thinking that maybe I could have some alone time. | 0:11:13 | 0:11:16 | |
Oh, why don't you have your alone time over there | 0:11:16 | 0:11:21 | |
and I'll have my alone time over here? | 0:11:21 | 0:11:23 | |
And then it's kind of like double alone time. | 0:11:23 | 0:11:28 | |
What? | 0:11:28 | 0:11:29 | |
Anyway, so, I'm at the mall today and I'm with all the girls and... | 0:11:29 | 0:11:33 | |
-Hold up, Beth. -Shh! | 0:11:33 | 0:11:36 | |
-I'm having my alone time. -Who are you talking to then? | 0:11:36 | 0:11:40 | |
-Myself. Come on. Anyway, so... -Listen, Beth. | 0:11:40 | 0:11:45 | |
You have your alone time, I got to go. | 0:11:45 | 0:11:47 | |
Bye, James! | 0:11:50 | 0:11:52 | |
'The solo additions are just about to start and Emily' | 0:11:53 | 0:11:56 | |
and I are just going over the details of our plan. | 0:11:56 | 0:11:58 | |
All right, you guys. | 0:11:58 | 0:12:00 | |
It's time to see who is going to be the female solo at Nationals. | 0:12:00 | 0:12:04 | |
So, let's get right to these solos. | 0:12:04 | 0:12:06 | |
Amanda, you spoke to me earlier about going first, so let's hop up. | 0:12:06 | 0:12:10 | |
Whoo! Go, Amanda! | 0:12:10 | 0:12:12 | |
'I'm a little shocked to hear my song.' | 0:12:24 | 0:12:27 | |
But I guess it doesn't surprise me that Amanda would do this. | 0:12:27 | 0:12:31 | |
Amanda's solo is actually really good. | 0:12:37 | 0:12:40 | |
'I was not expecting that, she has this whole new style' | 0:12:40 | 0:12:44 | |
that she's bringing to the table and it looks really good. | 0:12:44 | 0:12:47 | |
'Our plan is for me to mess up my solo | 0:12:47 | 0:12:50 | |
'and have Emily call me out on it.' | 0:12:50 | 0:12:53 | |
And then I'm going to run out of the room upset | 0:12:53 | 0:12:55 | |
and hopefully everyone will stand up for me and turn on Emily. | 0:12:55 | 0:13:00 | |
We can't go to Kate until we get some proof. | 0:13:00 | 0:13:03 | |
# Don't take enemies for friends. # | 0:13:03 | 0:13:06 | |
'As Amanda's dancing, I have to admit that I'm not really watching her.' | 0:13:15 | 0:13:19 | |
I'm more or less bracing myself for what I have to do next. | 0:13:19 | 0:13:23 | |
CHEERING | 0:13:29 | 0:13:30 | |
'It's nerve-racking because who would want to try' | 0:13:30 | 0:13:34 | |
and make all your best friends hate you? | 0:13:34 | 0:13:36 | |
All right, Riley, let's see what you've got. | 0:13:38 | 0:13:41 | |
THEY CHEER | 0:13:41 | 0:13:43 | |
You got it, girl! | 0:13:43 | 0:13:45 | |
# So this is how it ends | 0:13:54 | 0:13:56 | |
# No worlds left to avenge | 0:14:01 | 0:14:04 | |
'I start my audition and after dancing a little bit | 0:14:10 | 0:14:13 | |
'I give Emily the signal.' | 0:14:13 | 0:14:15 | |
Oh, is that a jump? Get it together. | 0:14:20 | 0:14:23 | |
This is embarrassing, Riley. Riley! | 0:14:23 | 0:14:27 | |
'I start calling her out, I have to tell that she's awful | 0:14:27 | 0:14:30 | |
'and that she can't dance and that she's embarrassing' | 0:14:30 | 0:14:33 | |
and pretty much things I would never say to my sister. | 0:14:33 | 0:14:36 | |
You're going to fall on the National stage. | 0:14:38 | 0:14:40 | |
-You're going to fall on the National stage. -Riley, keep going. | 0:14:40 | 0:14:43 | |
-What are you doing? -What am I doing?! What you doing?! | 0:14:43 | 0:14:46 | |
What is this? This is a mess! | 0:14:46 | 0:14:48 | |
'I see Riley's face and I see that she's hurt by this,' | 0:14:48 | 0:14:52 | |
so I just feel the need to step in. | 0:14:52 | 0:14:54 | |
Emily, you need to settle down, you're taking it way too far. | 0:14:54 | 0:14:57 | |
-And you need to sit down. -You made me do that. | 0:14:57 | 0:15:00 | |
You're going to blame this DISASTER on me? | 0:15:00 | 0:15:02 | |
'To be honest, I'm not really surprised Emily is acting this way.' | 0:15:02 | 0:15:05 | |
I knew it was only a matter of time before her true colours came | 0:15:05 | 0:15:08 | |
out again. | 0:15:08 | 0:15:09 | |
She was probably thrown off, let's just... | 0:15:09 | 0:15:11 | |
She's not even acting like she's on A-Troupe right now. | 0:15:11 | 0:15:13 | |
When Emily starts to yell at Riley, it kind of scares me. | 0:15:13 | 0:15:17 | |
I mean, everyone told me that Emily was over that. | 0:15:17 | 0:15:20 | |
-Em... How could you do this to your own sister? -Sister? | 0:15:20 | 0:15:25 | |
You're an embarrassment. | 0:15:25 | 0:15:27 | |
-Emily! -Is that really how you treat your sister? -Riley, don't go. -Riley! | 0:15:27 | 0:15:31 | |
Riley! Riley! | 0:15:31 | 0:15:32 | |
Emily, what is going on? | 0:15:32 | 0:15:34 | |
I thought Emily was over being this mean person. And then she does this. | 0:15:34 | 0:15:40 | |
To her own sister! | 0:15:40 | 0:15:41 | |
Everyone needs to realise that Emily is just doing it to help her | 0:15:41 | 0:15:44 | |
sister, she knows what's best for Riley, so let her do her thing. | 0:15:44 | 0:15:47 | |
'I know our plan is to get everyone to hate on Emily.' | 0:15:47 | 0:15:50 | |
But this is so much harder to watch than I thought. | 0:15:52 | 0:15:55 | |
You're just going to let her leave like that? | 0:15:55 | 0:15:57 | |
-You should go and help her. -Yeah. -Help her? | 0:15:57 | 0:16:00 | |
-Maybe I should help you pay for your classes. -OK, Emily. That's enough. | 0:16:00 | 0:16:04 | |
'When Emily attacks me, | 0:16:04 | 0:16:06 | |
'it just brings back memories of what she used to do to me.' | 0:16:06 | 0:16:09 | |
How she always used to pick on me. | 0:16:09 | 0:16:11 | |
THEY ALL SHOUT | 0:16:11 | 0:16:13 | |
'When the whole team gets into an argument, | 0:16:13 | 0:16:15 | |
'I literally just stand there and watch.' | 0:16:15 | 0:16:18 | |
Silently I'm loving it because, again, I did nothing | 0:16:18 | 0:16:22 | |
and the team's bringing itself down. | 0:16:22 | 0:16:24 | |
It was only a matter of time before your true colours came out. | 0:16:24 | 0:16:27 | |
It was only a matter of time before I realised that you guys | 0:16:27 | 0:16:30 | |
-just aren't worth it. -Emily! | 0:16:30 | 0:16:32 | |
-Wow. -You are way out of line. What are you doing? | 0:16:32 | 0:16:36 | |
Nationals is right around the corner and you go back to old Emily? | 0:16:36 | 0:16:39 | |
I thought we were past that? | 0:16:39 | 0:16:40 | |
-You know what? You're no longer the dance captain. -Oh. | 0:16:40 | 0:16:43 | |
We should probably think about whether you even deserve | 0:16:43 | 0:16:46 | |
to be here in A-Troupe. | 0:16:46 | 0:16:47 | |
-Exactly. -You know what? Chris was better than you ever were. | 0:16:47 | 0:16:51 | |
Bye! See yourself out the door. | 0:16:53 | 0:16:56 | |
-She's ridiculous. -Wow. -What was that? | 0:16:56 | 0:16:59 | |
'Seeing Riley waiting for me, | 0:17:01 | 0:17:03 | |
'she's the only one who knows what I'm going through. | 0:17:03 | 0:17:06 | |
'The only one who knows that this is all part of our plan.' | 0:17:06 | 0:17:10 | |
-I'm sorry, Em. -It's not your fault. | 0:17:10 | 0:17:12 | |
I'm really surprised with just how quickly all of them turned on me. | 0:17:12 | 0:17:18 | |
'I knew this was going to be hard.' | 0:17:18 | 0:17:20 | |
I didn't think it was going to be this hard. | 0:17:22 | 0:17:25 | |
-Amanda, can I talk to you for a second? -For sure. | 0:17:37 | 0:17:40 | |
Look, I have no idea what I just witnessed. | 0:17:40 | 0:17:43 | |
'I've never actually seen a dance captain yell like that.' | 0:17:43 | 0:17:47 | |
Emily is really more of an outcast than I thought. | 0:17:47 | 0:17:50 | |
-Do you want to be dance captain? -I really do. | 0:17:50 | 0:17:54 | |
I think Amanda is the perfect person to be dance captain. | 0:17:54 | 0:17:57 | |
She is strong, she is dedicated. | 0:17:57 | 0:18:00 | |
Dance comes first and she likes to work as a team. | 0:18:00 | 0:18:04 | |
You have no idea how I want to help the team. | 0:18:04 | 0:18:07 | |
# Put your, put your hands up Everybody stand up | 0:18:10 | 0:18:13 | |
# Put your, put your hands up | 0:18:13 | 0:18:14 | |
# You livin' life, what you party like... # | 0:18:14 | 0:18:18 | |
I'm just chilling, hanging out with one of my friends from outside of | 0:18:18 | 0:18:21 | |
the studio and I just like to come here just to flip and trick. | 0:18:21 | 0:18:25 | |
Especially after what happened with Riley. | 0:18:25 | 0:18:27 | |
'I just came to see if James was OK. | 0:18:27 | 0:18:29 | |
'I didn't want his feelings to be hurt just because I told him | 0:18:29 | 0:18:32 | |
'not to come to my audition.' | 0:18:32 | 0:18:35 | |
-Hey, what's up? -I thought I'd find you here. -Yeah. | 0:18:35 | 0:18:38 | |
Honestly, when I see Riley at Parkour Alley, I'm pretty surprised. | 0:18:38 | 0:18:41 | |
-Hey, how did your solo go? -It wasn't meant to be. -Really? | 0:18:41 | 0:18:46 | |
Cos when I watched it, I thought you killed it. | 0:18:46 | 0:18:49 | |
'When Riley comes to Parkour Alley, that's an excuse to talk to me. | 0:18:49 | 0:18:53 | |
'I was wrong, she does want me around.' | 0:18:53 | 0:18:55 | |
She came there. | 0:18:55 | 0:18:57 | |
To open the door for us. That's when I realised once I thought about it. | 0:18:57 | 0:19:00 | |
'Once she opened that door, I stuck my foot in it. | 0:19:00 | 0:19:02 | |
'She can't close that door if my foot's in it. | 0:19:02 | 0:19:05 | |
'I see that as an opportunity.' | 0:19:05 | 0:19:06 | |
I was thinking about our relationship. | 0:19:06 | 0:19:08 | |
And our break-up. | 0:19:08 | 0:19:09 | |
And I'm not down with it. | 0:19:09 | 0:19:11 | |
I'm getting you back. | 0:19:11 | 0:19:13 | |
-You can't get me back, James, it's too late for that. -Yes, I can. | 0:19:14 | 0:19:18 | |
And I will. | 0:19:18 | 0:19:21 | |
-It's too late. -Look, Riley... | 0:19:21 | 0:19:24 | |
I messed up. I'm sorry. | 0:19:24 | 0:19:27 | |
And I'm going to get you back. | 0:19:30 | 0:19:33 | |
'All I wanted through this whole thing' | 0:19:33 | 0:19:36 | |
was to hear him say that he was going to fight for me. | 0:19:36 | 0:19:39 | |
And then he did. | 0:19:41 | 0:19:42 | |
We'll see. | 0:19:46 | 0:19:48 | |
Thanks for coming. | 0:19:50 | 0:19:52 | |
'When Riley says, "We'll see" to me getting her back,' | 0:19:54 | 0:19:58 | |
in my world, that's a yes. | 0:19:58 | 0:20:00 | |
I will get her back. | 0:20:02 | 0:20:04 | |
'I'm in the music room just trying to get my mind off things | 0:20:16 | 0:20:20 | |
'when Amanda comes in.' | 0:20:20 | 0:20:23 | |
So, I guess everyone hates you now. | 0:20:23 | 0:20:25 | |
'Everything is on the line right now.' | 0:20:29 | 0:20:31 | |
My friendships, my relationships, The Next Step's chance at Nationals. | 0:20:33 | 0:20:38 | |
It all comes down to this. | 0:20:39 | 0:20:43 | |
# We, we're going to show the world | 0:20:47 | 0:20:54 | |
# Everything we're made of | 0:20:54 | 0:20:57 | |
# We're going to tear the roof off this place | 0:20:57 | 0:21:04 | |
# You can never fade us out | 0:21:04 | 0:21:07 | |
# Don't even ask to change it | 0:21:07 | 0:21:11 | |
# Everybody knows we own this land. # | 0:21:11 | 0:21:15 |