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DANCE MUSIC PLAYS | 0:00:06 | 0:00:07 | |
# You smile at me | 0:00:18 | 0:00:21 | |
# Tell me to share it with everyone. # | 0:00:21 | 0:00:23 | |
It has been crazy preparing for Nationals. | 0:00:23 | 0:00:26 | |
We've been trying to stay positive but things aren't good. | 0:00:26 | 0:00:30 | |
We started with 12 dancers but lost Daniel. | 0:00:33 | 0:00:36 | |
I've decided that, unless I have the solo at Nationals, I have to leave. | 0:00:36 | 0:00:41 | |
Then, we're definitely going to miss you here. | 0:00:41 | 0:00:44 | |
So, then we were down to 11 dancers. | 0:00:44 | 0:00:47 | |
And things just kept getting worse. | 0:00:47 | 0:00:49 | |
Beth kissed me. I didn't kiss Beth. | 0:00:55 | 0:00:57 | |
We're over. | 0:00:57 | 0:00:58 | |
I was thinking about our relationship and our break-up. | 0:01:00 | 0:01:03 | |
and I'm not down with it. | 0:01:03 | 0:01:05 | |
I'm getting you back. | 0:01:05 | 0:01:07 | |
We'll see. | 0:01:08 | 0:01:10 | |
'We're not back together but... | 0:01:10 | 0:01:13 | |
'We're talking again | 0:01:13 | 0:01:15 | |
'and we're trying to fix things.' | 0:01:15 | 0:01:16 | |
'But the relationship drama didn't stop there. | 0:01:18 | 0:01:21 | |
'I came to the studio to get my old girlfriend Michelle back.' | 0:01:23 | 0:01:27 | |
I haven't seen you in so long. | 0:01:27 | 0:01:29 | |
I've fallen for someone else. | 0:01:29 | 0:01:30 | |
So, Hunter and I came up with a plan to break them up. | 0:01:32 | 0:01:35 | |
And lucky for us, it worked. | 0:01:35 | 0:01:37 | |
So, you're breaking up with me? | 0:01:37 | 0:01:40 | |
Yeah, I guess we're done. | 0:01:40 | 0:01:43 | |
But... | 0:01:43 | 0:01:44 | |
It didn't matter, because Hunter and I kind of fell for each other. | 0:01:44 | 0:01:48 | |
# It makes me want to go dancing | 0:01:51 | 0:01:54 | |
# Take me away from this insanity... # | 0:01:54 | 0:01:56 | |
But all the drama was too much for Michelle. | 0:01:56 | 0:01:59 | |
I just don't know if I'm feeling | 0:02:00 | 0:02:04 | |
like dance is the right thing for me any more. | 0:02:04 | 0:02:06 | |
It's going to be the hardest decision of your life. | 0:02:06 | 0:02:09 | |
I just want you to know that the studio | 0:02:09 | 0:02:10 | |
will always be here for you. | 0:02:10 | 0:02:12 | |
I know. | 0:02:12 | 0:02:13 | |
And now, we're down to ten dancers. | 0:02:14 | 0:02:17 | |
If we lose one more, we can't go to Nationals. | 0:02:17 | 0:02:19 | |
And guess what. | 0:02:22 | 0:02:23 | |
I'm here to make sure they don't. | 0:02:23 | 0:02:25 | |
Amanda might not want us to get to Nationals, | 0:02:29 | 0:02:32 | |
but I'm going to make sure we do. | 0:02:32 | 0:02:34 | |
Amanda's a double agent. | 0:02:34 | 0:02:36 | |
She's only at The Next Step to take it down from the inside. | 0:02:36 | 0:02:39 | |
'We didn't have enough evidence to bring to Kate so, | 0:02:39 | 0:02:41 | |
'we came up with our own plan.' | 0:02:41 | 0:02:43 | |
You know the expression, | 0:02:43 | 0:02:44 | |
"Keep your friends close but your enemies closer"? | 0:02:44 | 0:02:47 | |
-Yes. -By being close to her, | 0:02:47 | 0:02:49 | |
we can take her down. | 0:02:49 | 0:02:50 | |
'I had to make the team hate me...' | 0:02:50 | 0:02:52 | |
You are no longer the dance captain. | 0:02:52 | 0:02:55 | |
'..so that Amanda would think I wanted to join her.' | 0:02:55 | 0:02:57 | |
But I don't know if our plan is even going to work. | 0:03:00 | 0:03:03 | |
Everything is on the line right now. | 0:03:11 | 0:03:13 | |
My friendships, | 0:03:14 | 0:03:16 | |
The Next Step's chance at Nationals, | 0:03:16 | 0:03:19 | |
It all comes down | 0:03:21 | 0:03:23 | |
to this. | 0:03:23 | 0:03:25 | |
# We, we are gonna show the world | 0:03:25 | 0:03:29 | |
# Everything we're made of | 0:03:30 | 0:03:34 | |
# We're gonna tear the roof off this place... # | 0:03:34 | 0:03:41 | |
Stand up! | 0:03:47 | 0:03:49 | |
-'Emily! -Is that really how you treat your sister? | 0:04:16 | 0:04:19 | |
'You need to settle down. You're taking it way too far. | 0:04:20 | 0:04:23 | |
'Nationals is right around the corner and you go back | 0:04:26 | 0:04:29 | |
'to old Emily? You know what? You're no longer the dance captain.' | 0:04:29 | 0:04:32 | |
So, | 0:04:36 | 0:04:38 | |
I guess everyone hates you. | 0:04:38 | 0:04:41 | |
Now that everyone hates Emily, | 0:04:41 | 0:04:43 | |
it should be really easy to convince her to leave The Next Step. | 0:04:43 | 0:04:47 | |
And that means that you'll be leaving? | 0:04:50 | 0:04:53 | |
Leaving? | 0:04:53 | 0:04:55 | |
I'm not going anywhere. | 0:04:55 | 0:04:58 | |
Cos I know about your plan. | 0:04:59 | 0:05:01 | |
What plan might this be? | 0:05:03 | 0:05:05 | |
Oh, you know, the one where you're still at Elite. | 0:05:05 | 0:05:10 | |
You're here undercover | 0:05:10 | 0:05:13 | |
to try to bring down The Next Step from the inside. | 0:05:13 | 0:05:16 | |
Does that plan ring any bells? | 0:05:18 | 0:05:20 | |
'I'm shocked that Emily knows about my plan. | 0:05:21 | 0:05:25 | |
'I don't... I don't know what she wants.' | 0:05:25 | 0:05:27 | |
I don't know what she's going to do, if she's going to tell, | 0:05:27 | 0:05:30 | |
if she's going to get me kicked out. | 0:05:30 | 0:05:32 | |
I don't know. | 0:05:34 | 0:05:35 | |
What are you going to do about it? | 0:05:35 | 0:05:38 | |
It's not like anyone would believe you now. | 0:05:38 | 0:05:41 | |
That's the thing. | 0:05:41 | 0:05:43 | |
I don't plan to tell anyone. | 0:05:43 | 0:05:46 | |
Under one condition, of course. | 0:05:47 | 0:05:50 | |
You let me help bring down The Next Step. | 0:05:52 | 0:05:55 | |
'I don't really know what game she's playing with me right now.' | 0:05:58 | 0:06:01 | |
This changes everything. | 0:06:01 | 0:06:03 | |
Here we go! 5, 6, 7, 8... | 0:06:15 | 0:06:18 | |
Right now, we're working on the semifinals routine for Nationals. | 0:06:18 | 0:06:21 | |
..2, 3, 4, 5, 6 - hold on! | 0:06:21 | 0:06:24 | |
Everyone, arms need to be the same. | 0:06:24 | 0:06:26 | |
Again... 6, 7, 8. Go 1, 2, 3 - hold on! | 0:06:26 | 0:06:29 | |
James, why is your leg so low? | 0:06:30 | 0:06:32 | |
It's like here. | 0:06:32 | 0:06:33 | |
Everyone else's is up a lot higher. | 0:06:33 | 0:06:35 | |
You need to match the group. | 0:06:35 | 0:06:36 | |
Rehearsal is going badly. | 0:06:36 | 0:06:39 | |
'And Emily's not here because' | 0:06:39 | 0:06:42 | |
she needs to isolate herself right now from the rest of the team | 0:06:42 | 0:06:45 | |
in order to help her plan in taking down Amanda. | 0:06:45 | 0:06:48 | |
Good. 1, 2, 3, 4, 5... | 0:06:49 | 0:06:51 | |
'She was our dance captain and now she's just slacking completely.' | 0:06:51 | 0:06:55 | |
Does Emily even want to be on this team any more? | 0:06:55 | 0:06:58 | |
'I don't really know what to think of Emily.' | 0:06:58 | 0:07:00 | |
It just doesn't seem like she would want to be friends with me | 0:07:00 | 0:07:03 | |
and help me take down her studio. | 0:07:03 | 0:07:05 | |
Good. 1, 2, 3, 4, 5, 6, 7, 8. | 0:07:05 | 0:07:09 | |
OK, we clearly need to work on that spacing there at the end. | 0:07:09 | 0:07:13 | |
-But take a few minutes to go over that, OK? -OK. | 0:07:13 | 0:07:15 | |
THEY APPLAUD | 0:07:15 | 0:07:17 | |
'Everyone hates Emily right now. | 0:07:17 | 0:07:18 | |
'And I know it's for the good of the team but...' | 0:07:18 | 0:07:21 | |
It's just hard to see it. | 0:07:21 | 0:07:24 | |
Look who's late. | 0:07:29 | 0:07:30 | |
She's been missing rehearsals, walking in late, | 0:07:30 | 0:07:33 | |
isolating herself from everyone. | 0:07:33 | 0:07:35 | |
I really don't even think she wants to be here. | 0:07:35 | 0:07:37 | |
Seriously, I've lost all respect for her. | 0:07:37 | 0:07:39 | |
She's just back to her old Emily ways. | 0:07:39 | 0:07:42 | |
What do you do? | 0:07:42 | 0:07:44 | |
She seems pretty intent about making everyone hate her. | 0:07:45 | 0:07:48 | |
But I'm still not convinced that she's on my side. | 0:07:48 | 0:07:51 | |
Hey, Chloe! What's up? | 0:08:00 | 0:08:02 | |
'I walk over to Riley because I just want to see where we're at.' | 0:08:02 | 0:08:06 | |
Um, what are you doing? | 0:08:06 | 0:08:08 | |
'When Riley pushes my arm away,' | 0:08:08 | 0:08:09 | |
honestly, it's a little bit of a blockade. | 0:08:09 | 0:08:11 | |
But I'm seeing past that. | 0:08:11 | 0:08:13 | |
Very soon that arm will be accepted. | 0:08:13 | 0:08:16 | |
Watch. | 0:08:16 | 0:08:17 | |
See, I never said we were getting back together. | 0:08:17 | 0:08:19 | |
I said, "Maybe, might think about the idea of getting back together." | 0:08:19 | 0:08:24 | |
What? Well, what can I do? | 0:08:24 | 0:08:25 | |
After everything that happened with Beth and James, | 0:08:25 | 0:08:28 | |
he needs to prove that I can trust him again. | 0:08:28 | 0:08:31 | |
-I've got an idea. -What? | 0:08:31 | 0:08:33 | |
Make a list. | 0:08:33 | 0:08:35 | |
A list? | 0:08:35 | 0:08:36 | |
Put anything you want on it and I will do it. | 0:08:36 | 0:08:39 | |
Really? Anything? | 0:08:39 | 0:08:41 | |
Anything. | 0:08:41 | 0:08:42 | |
-Anything? -Anything. | 0:08:42 | 0:08:44 | |
-Anything at all? -Anything. | 0:08:44 | 0:08:47 | |
And once I complete it, we're back together. | 0:08:47 | 0:08:50 | |
-OK. -Down? -Yeah. | 0:08:50 | 0:08:52 | |
Shake on it. | 0:08:52 | 0:08:53 | |
I think it's a good idea. | 0:08:53 | 0:08:55 | |
I mean, | 0:08:55 | 0:08:57 | |
this'll definitely be interesting. | 0:08:57 | 0:09:00 | |
All right, so, first thing on the list, um, | 0:09:00 | 0:09:02 | |
break up with Beth. | 0:09:02 | 0:09:04 | |
Yeah, I've been trying to break up with Beth for, like, two weeks. | 0:09:06 | 0:09:09 | |
Well, keep trying. | 0:09:09 | 0:09:11 | |
'This whole time,' | 0:09:11 | 0:09:12 | |
all I've ever wanted is for James to fight for me. | 0:09:12 | 0:09:15 | |
And now, this list gives him | 0:09:15 | 0:09:17 | |
a chance to prove that he does want to fight for me. | 0:09:17 | 0:09:21 | |
And I'm also going to make it as hard as possible. | 0:09:21 | 0:09:23 | |
So, me and my friends were at rock climbing this weekend, | 0:09:29 | 0:09:31 | |
and I look down to say hi to my friends, | 0:09:31 | 0:09:33 | |
-and I noticed how high I was. -Oh, no. | 0:09:33 | 0:09:35 | |
I started shaking, and I couldn't go any more. | 0:09:35 | 0:09:37 | |
'Since leaving the studio, things have been really good.' | 0:09:37 | 0:09:40 | |
And, right now I'm just hanging out with a couple of my friends. | 0:09:40 | 0:09:42 | |
..and then this guy had to lower me down... | 0:09:42 | 0:09:44 | |
PHONE VIBRATES | 0:09:44 | 0:09:45 | |
..and it was so embarrassing cos, all my friends were there. | 0:09:45 | 0:09:48 | |
Aren't you going to answer that? | 0:09:48 | 0:09:50 | |
Uh, no. It's not really important. | 0:09:50 | 0:09:53 | |
'The Next Step is calling me' | 0:09:53 | 0:09:55 | |
but I'm not really interested in talking right now. | 0:09:55 | 0:09:57 | |
I mean, I'm at school so... | 0:09:57 | 0:09:59 | |
'Hey, it's Michelle. Sorry I couldn't make it to the phone... | 0:09:59 | 0:10:02 | |
Answering machine. | 0:10:02 | 0:10:04 | |
'Leave a message after the beep.' | 0:10:04 | 0:10:06 | |
Hi, Michelle, it's Kate calling. | 0:10:06 | 0:10:08 | |
How are you? Just checking in. | 0:10:08 | 0:10:10 | |
'We've all been trying to get her back but' | 0:10:10 | 0:10:13 | |
she just doesn't seem to have time for anyone at the studio any more. | 0:10:13 | 0:10:16 | |
Feel free to swing by any time, even if it's just for a visit. | 0:10:16 | 0:10:18 | |
Bye. | 0:10:18 | 0:10:20 | |
-No answer? -No answer. | 0:10:22 | 0:10:24 | |
At this point, I'm not sure if Michelle will come back. | 0:10:24 | 0:10:27 | |
Amanda... | 0:10:31 | 0:10:33 | |
When Emily approaches me, obviously I know what she wants to talk about. | 0:10:33 | 0:10:36 | |
..have you thought about our conversation? | 0:10:36 | 0:10:38 | |
'I don't have an answer yet but, her knowing that I'm still at Elite' | 0:10:38 | 0:10:43 | |
is putting a lot of pressure on me. | 0:10:43 | 0:10:45 | |
Have I thought about our conversation? Yeah. | 0:10:45 | 0:10:48 | |
And? | 0:10:50 | 0:10:52 | |
And I can't trust you. | 0:10:52 | 0:10:54 | |
'When Amanda says she doesn't know if she can trust me,' | 0:10:54 | 0:10:57 | |
it's my job to make it seems like she can, | 0:10:57 | 0:10:58 | |
and I'll do anything to prove that. | 0:10:58 | 0:11:01 | |
What can I do to make you trust me? | 0:11:01 | 0:11:03 | |
-Really? -Really. | 0:11:05 | 0:11:07 | |
'If she really wants this,' | 0:11:07 | 0:11:09 | |
then I'll find a way for her to prove herself. | 0:11:09 | 0:11:12 | |
# When I see you watching me I lose my mind | 0:11:16 | 0:11:19 | |
# Only wanna stop it just to hit rewind. # | 0:11:19 | 0:11:23 | |
Hey, sweetie. | 0:11:29 | 0:11:32 | |
Hey, what's up? | 0:11:32 | 0:11:33 | |
Nothing. | 0:11:33 | 0:11:34 | |
'When Beth approaches me, I just think, "Now's my chance.' | 0:11:34 | 0:11:37 | |
"I need to do whatever I have to do to break it off with her. | 0:11:37 | 0:11:40 | |
"I'm just getting it done. Right now." | 0:11:40 | 0:11:43 | |
-Um, we need to talk. -Ooooh! I love to talk. | 0:11:43 | 0:11:46 | |
-No. Um, we need to -break up. OK. | 0:11:46 | 0:11:49 | |
OK? | 0:11:52 | 0:11:53 | |
Yeah. Cool. | 0:11:53 | 0:11:55 | |
OK. Cool. | 0:11:55 | 0:11:56 | |
Good on you, Beth. She took it well. | 0:11:56 | 0:11:59 | |
Um... | 0:11:59 | 0:12:01 | |
Did you not hear what I said? | 0:12:01 | 0:12:02 | |
Yeah, we're broken up. | 0:12:02 | 0:12:06 | |
Yeah, let me make this as clear as possible. | 0:12:06 | 0:12:09 | |
I love Riley. | 0:12:09 | 0:12:11 | |
And I love you. | 0:12:11 | 0:12:13 | |
SHE GIGGLES | 0:12:13 | 0:12:15 | |
We can never, ever, | 0:12:15 | 0:12:18 | |
ever be together. | 0:12:18 | 0:12:21 | |
You're so funny! | 0:12:21 | 0:12:22 | |
What? Did you not hear...? | 0:12:22 | 0:12:25 | |
SHE CHUCKLES | 0:12:25 | 0:12:26 | |
The best couples break up all the time. | 0:12:26 | 0:12:28 | |
'Will I ever be able to break up with Beth?' | 0:12:31 | 0:12:34 | |
You know what, I thought I could. | 0:12:34 | 0:12:36 | |
And it's not looking so good right now. | 0:12:36 | 0:12:39 | |
OK, I have to go. | 0:12:39 | 0:12:41 | |
Where are you going? | 0:12:41 | 0:12:44 | |
Bye, sweetie. | 0:12:44 | 0:12:45 | |
Breaking up with Beth is | 0:12:45 | 0:12:47 | |
number one on Riley's list. | 0:12:47 | 0:12:50 | |
One. | 0:12:50 | 0:12:51 | |
I'm at Michelle's school because she never called Miss Kate back. | 0:12:58 | 0:13:01 | |
So, I'm here trying to talk to her in person. | 0:13:01 | 0:13:04 | |
-Hey, Chloe. -Hey, did you get my text? | 0:13:05 | 0:13:07 | |
Yeah, I did. What did you want to talk to me about? | 0:13:07 | 0:13:09 | |
I really think you should call Kate back. | 0:13:09 | 0:13:11 | |
She's called you a bunch of times and I just think you should call her. | 0:13:11 | 0:13:14 | |
If she just listens to what Miss Kate has to say, | 0:13:14 | 0:13:18 | |
maybe Miss Kate can convince her | 0:13:18 | 0:13:20 | |
and bring her back into the studio. | 0:13:20 | 0:13:22 | |
You know what, I've thought about it and I don't need to call her. | 0:13:22 | 0:13:25 | |
She knows what's up. | 0:13:25 | 0:13:26 | |
I know. But I just want to make sure you're happy. | 0:13:26 | 0:13:29 | |
I am happy. I'm totally fine, I swear. | 0:13:29 | 0:13:31 | |
-Are you sure? -Yeah, I promise. | 0:13:31 | 0:13:33 | |
We just don't feel like a family without you. | 0:13:33 | 0:13:35 | |
So, could you at least think about calling Kate back? | 0:13:35 | 0:13:37 | |
BELL RINGS | 0:13:37 | 0:13:39 | |
Maybe. I'll think about it. | 0:13:39 | 0:13:41 | |
'I don't know if Michelle's going to come back.' | 0:13:41 | 0:13:43 | |
As much as we all tried to talk to her, | 0:13:43 | 0:13:45 | |
I think this is just something that she needs to decide on her own. | 0:13:45 | 0:13:49 | |
# All eyes on you and you don't know what to do | 0:13:49 | 0:13:52 | |
# But we're all, yeah, we're all, yeah, we're all here for you | 0:13:52 | 0:13:55 | |
# Hey! # | 0:13:55 | 0:13:57 | |
-Did you see that look Amanda gave me when I walked in? -Yes! | 0:13:57 | 0:14:00 | |
-Oh, that was awful. -How are things going with her? | 0:14:00 | 0:14:04 | |
I mean, OK. I just, I don't really have a concrete plan. | 0:14:04 | 0:14:07 | |
'I've done everything I can think of' | 0:14:07 | 0:14:09 | |
to make Amanda let me in on her plan. | 0:14:09 | 0:14:12 | |
But it's just not working. | 0:14:12 | 0:14:13 | |
-Do you have any ideas, or...? -Uh, well. | 0:14:13 | 0:14:16 | |
Not really and... Well, Riley, even if I did, | 0:14:16 | 0:14:18 | |
I wouldn't tell you. | 0:14:18 | 0:14:20 | |
I just kinda want to keep you as far removed | 0:14:20 | 0:14:21 | |
-from the situation as possible. -Makes sense. | 0:14:21 | 0:14:24 | |
I have my date with Hunter so, I guess I'll see you later. | 0:14:24 | 0:14:28 | |
Yeah. | 0:14:28 | 0:14:31 | |
HE SIGHS | 0:14:31 | 0:14:34 | |
OK, she's gone. Phew. | 0:14:34 | 0:14:37 | |
So, what's up? | 0:14:37 | 0:14:38 | |
Just chilling. | 0:14:38 | 0:14:41 | |
So, listen, uh... | 0:14:41 | 0:14:42 | |
I'm having a hard time with Beth. | 0:14:43 | 0:14:45 | |
Believe it or not, I've tried to break up with her several times... | 0:14:45 | 0:14:49 | |
Mm-hmm. | 0:14:49 | 0:14:50 | |
..and she's not taking the hint. | 0:14:50 | 0:14:51 | |
Really? | 0:14:51 | 0:14:53 | |
Yeah, so, do you think, just for the time being, | 0:14:53 | 0:14:55 | |
I could, like, push it off and work on something else. | 0:14:55 | 0:14:58 | |
Are you sure you want to do that? | 0:14:58 | 0:14:59 | |
I mean, you can't even get number one done, | 0:14:59 | 0:15:01 | |
We should probably just scrap the whole thing. | 0:15:01 | 0:15:03 | |
Please, Riley. I will get number one done. | 0:15:03 | 0:15:06 | |
I just need to work on the harder ones first. | 0:15:06 | 0:15:08 | |
-Just kill them off... -OK, OK. Here. | 0:15:08 | 0:15:11 | |
-You told me to make you a list, I made you one. -This is the list? -Yeah. | 0:15:13 | 0:15:16 | |
I'm definitely pumped to see the list. | 0:15:16 | 0:15:18 | |
cos I know all of it's going to be easy. | 0:15:18 | 0:15:20 | |
Ah, OK. 20. Feeling big, aren't ya? | 0:15:20 | 0:15:22 | |
-Yeah. -Yeah, OK. | 0:15:22 | 0:15:25 | |
Uh, I hope you're joking about number seven. | 0:15:26 | 0:15:30 | |
That's a joke, right? | 0:15:30 | 0:15:32 | |
No, it's for real. | 0:15:32 | 0:15:34 | |
Am I regretting that I came up with the idea of the list? | 0:15:34 | 0:15:38 | |
Don't tell Riley but, yeah, kind of. | 0:15:38 | 0:15:40 | |
Are you having second thoughts, or... | 0:15:40 | 0:15:42 | |
Cos we can just, you know, cut the whole thing. | 0:15:42 | 0:15:44 | |
No! You know, I'll do it. | 0:15:44 | 0:15:45 | |
Even though it might involve me having to get a passport. | 0:15:45 | 0:15:48 | |
You know, it's life-threatening but, no, yeah, I'll do it. | 0:15:48 | 0:15:50 | |
Some of them are nearly impossible. | 0:15:50 | 0:15:54 | |
'If James wants to win me back then it has to be done.' | 0:15:54 | 0:15:56 | |
All right, so since you couldn't get number one done, | 0:15:56 | 0:15:59 | |
I guess we can move on to number two? | 0:15:59 | 0:16:01 | |
Yeah, I guess so. | 0:16:02 | 0:16:04 | |
Read September 4th, 2003. | 0:16:04 | 0:16:07 | |
-Happily. -Oh, no, no, no. Not now. | 0:16:07 | 0:16:09 | |
Um, in Culture Shock. | 0:16:09 | 0:16:10 | |
In front of everyone. | 0:16:10 | 0:16:12 | |
Out loud, as if it was your own diary. | 0:16:12 | 0:16:14 | |
'If James is willing to read my diary,' | 0:16:16 | 0:16:20 | |
as if it's his own, in front of everyone? | 0:16:20 | 0:16:22 | |
Then it'll show that he's committed. | 0:16:22 | 0:16:24 | |
I'm in Culture Shock because after Chloe talked to Michelle at school, | 0:16:37 | 0:16:41 | |
she called back and agreed to meet me. | 0:16:41 | 0:16:43 | |
But she's 15 minutes late already. | 0:16:43 | 0:16:45 | |
I'm starting to wonder if she's even going to show up. | 0:16:45 | 0:16:48 | |
Oh, Miss Kate. | 0:16:50 | 0:16:51 | |
I see you've come here to see me completely humiliate myself. | 0:16:51 | 0:16:54 | |
What? I'm supposed to be meeting Michelle here. | 0:16:54 | 0:16:57 | |
But, yeah, I would love to see you humiliate yourself. | 0:16:57 | 0:17:00 | |
Oh, thanks! | 0:17:00 | 0:17:02 | |
'I have no idea what James is talking about.' | 0:17:02 | 0:17:05 | |
But knowing him, it's probably going to be something very entertaining. | 0:17:05 | 0:17:08 | |
Excuse me, everyone, um... | 0:17:08 | 0:17:10 | |
'Seeing James preparing himself to read my diary,' | 0:17:12 | 0:17:15 | |
it's honestly very sweet. | 0:17:15 | 0:17:17 | |
I want to read an entry from my, uh...diary. | 0:17:17 | 0:17:22 | |
THEY GIGGLE | 0:17:22 | 0:17:24 | |
'James has a diary?!' | 0:17:27 | 0:17:28 | |
That is funny. | 0:17:29 | 0:17:32 | |
"Dear Diary, I hate Kelsey. | 0:17:32 | 0:17:35 | |
"Today, I was playing with my new doll | 0:17:35 | 0:17:38 | |
"and I got it for my birthday from my mommy." | 0:17:38 | 0:17:40 | |
Aw, that doll. I used to love that doll. | 0:17:40 | 0:17:43 | |
"I put her down to talk to Laura, but when I came back, | 0:17:43 | 0:17:46 | |
"Kelsey took the doll and was putting it next to her doll." | 0:17:46 | 0:17:50 | |
I'm actually shocked. | 0:17:50 | 0:17:51 | |
You know, I'm learning something new about him today. | 0:17:51 | 0:17:54 | |
"But her doll was gross and it had mud on it. | 0:17:54 | 0:17:57 | |
"I told Kelsey to give it back. | 0:17:57 | 0:17:59 | |
"She said, 'No Way, Jose.' | 0:17:59 | 0:18:01 | |
"So, I started to cry." | 0:18:01 | 0:18:03 | |
"I don't know why I'm so silly sometimes. | 0:18:06 | 0:18:10 | |
"I ran out of the bathroom and hit Bobby G. | 0:18:10 | 0:18:12 | |
"Bobby's SO cute!" | 0:18:15 | 0:18:16 | |
THEY GIGGLE | 0:18:16 | 0:18:19 | |
'Who's Bobby G?' | 0:18:19 | 0:18:20 | |
I mean, how come he hasn't introduced him to us? | 0:18:20 | 0:18:24 | |
Bobby G was cute. | 0:18:24 | 0:18:25 | |
Too bad he was my boyfriend in second grade. | 0:18:25 | 0:18:28 | |
"Kelsey took the dolls to the bathroom | 0:18:28 | 0:18:30 | |
"because she said they were dirty. | 0:18:30 | 0:18:32 | |
"But only her doll was dirty..." | 0:18:32 | 0:18:35 | |
'After talking to Chloe, I realised I should hear Miss Kate out. | 0:18:35 | 0:18:39 | |
'But, I walk in and I see everyone, | 0:18:39 | 0:18:42 | |
'and it just reminds me of all the drama. | 0:18:42 | 0:18:45 | |
'It's a little overwhelming and I know I can't handle this, | 0:18:45 | 0:18:49 | |
'so I back out.' | 0:18:49 | 0:18:51 | |
I'm not going back to The Next Step. | 0:18:51 | 0:18:54 | |
'Hunter and I are great.' | 0:18:54 | 0:18:56 | |
I mean, he's one of the only good things in my life right now. | 0:18:56 | 0:19:00 | |
"Kelsey came out of the bathroom with the dolls | 0:19:00 | 0:19:02 | |
"and tried to give me mine back, but I said..." | 0:19:02 | 0:19:04 | |
'I see Emily and Hunter talking at the bar | 0:19:04 | 0:19:08 | |
'and I realise she really likes him. | 0:19:08 | 0:19:12 | |
'I'm going to find a way to use this.' | 0:19:12 | 0:19:14 | |
"..and me and Bobby went and played handball | 0:19:14 | 0:19:16 | |
"and it was the best day ever." | 0:19:16 | 0:19:19 | |
James. X O X O. | 0:19:19 | 0:19:23 | |
APPLAUSE | 0:19:23 | 0:19:26 | |
Phenomenal! | 0:19:26 | 0:19:27 | |
'By the end of it, I feel great.' | 0:19:30 | 0:19:31 | |
First task, done. | 0:19:31 | 0:19:33 | |
Thank you. | 0:19:33 | 0:19:35 | |
'Knowing that he's willing to do all of this for me is' | 0:19:35 | 0:19:37 | |
really hopeful. | 0:19:37 | 0:19:40 | |
# You say you wanna wanna give it a chance | 0:19:40 | 0:19:41 | |
# You're gonna give it a chance. # | 0:19:41 | 0:19:45 | |
I'm just packing up for the day and then James enters. | 0:19:47 | 0:19:50 | |
And I'm happy to see him. | 0:19:50 | 0:19:52 | |
What's up? | 0:19:56 | 0:19:58 | |
Not much. | 0:19:58 | 0:19:59 | |
Thought you might want this back. | 0:19:59 | 0:20:01 | |
Yeah. | 0:20:01 | 0:20:02 | |
-You did a good job, by the way. -Thank you. | 0:20:02 | 0:20:04 | |
I was impressed. | 0:20:04 | 0:20:05 | |
Feels good when Riley tells me I've read the diary well. | 0:20:05 | 0:20:08 | |
Feels really good. | 0:20:08 | 0:20:09 | |
Actually, I was meaning to tell you, after the performance, | 0:20:09 | 0:20:12 | |
I actually read a couple of pages. | 0:20:12 | 0:20:16 | |
How many? | 0:20:16 | 0:20:18 | |
Ah, well, the whole thing. | 0:20:18 | 0:20:21 | |
Yeah, I read the whole thing. | 0:20:21 | 0:20:23 | |
The whole diary was great. | 0:20:23 | 0:20:26 | |
The whole thing? | 0:20:26 | 0:20:28 | |
Yeah. I especially love this one entry... | 0:20:28 | 0:20:30 | |
June 10th, was it? What one was it? | 0:20:30 | 0:20:32 | |
"Whole day playing house." Um, oh! | 0:20:34 | 0:20:37 | |
Here it is. Yeah! | 0:20:37 | 0:20:39 | |
"A new boy came to the studio today. | 0:20:39 | 0:20:42 | |
"He's a little goofy but he's cute. | 0:20:42 | 0:20:45 | |
"He's really cute." | 0:20:45 | 0:20:47 | |
That's me. | 0:20:47 | 0:20:49 | |
"We'll see. Wink face." | 0:20:49 | 0:20:50 | |
-Yeah. -"Goodbye." | 0:20:50 | 0:20:52 | |
-I didn't write that about you. -Oh, yeah? | 0:20:52 | 0:20:54 | |
I wrote that about Eldon. | 0:20:54 | 0:20:56 | |
Oh, Eldon, right? | 0:20:56 | 0:20:57 | |
That's weird because Eldon joined two years before me. | 0:20:57 | 0:21:01 | |
# We, we are gonna show the world | 0:21:06 | 0:21:12 | |
# Everything we're made of | 0:21:12 | 0:21:15 | |
# We're gonna tear the roof off this place | 0:21:15 | 0:21:20 | |
# You, you can never fade us out | 0:21:20 | 0:21:25 | |
# Don't even ask the DJ... # | 0:21:25 | 0:21:29 |