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Previously... | 0:00:02 | 0:00:03 | |
-It's too late... -Look, Riley. I messed up. | 0:00:03 | 0:00:06 | |
But I'm going to get you back. | 0:00:06 | 0:00:08 | |
'All I wanted was to hear him say that he was going to' | 0:00:08 | 0:00:10 | |
fight for me. And then he did. | 0:00:10 | 0:00:13 | |
Lately I've been kind of feeling like | 0:00:13 | 0:00:15 | |
The Next Step isn't really for me any more. | 0:00:15 | 0:00:17 | |
I have some bad news, unfortunately. Michelle has left The Next Step. | 0:00:17 | 0:00:21 | |
The studio's pretty much tearing itself apart. | 0:00:23 | 0:00:25 | |
Perfect. | 0:00:25 | 0:00:26 | |
'I was at the mall and overheard the fact that Amanda's here to | 0:00:26 | 0:00:29 | |
'bring down The Next Step.' | 0:00:29 | 0:00:30 | |
You are no longer the dance captain. | 0:00:30 | 0:00:32 | |
'So I told Riley and we came up with a plan to let me | 0:00:32 | 0:00:35 | |
'go undercover to try and bring down Amanda.' | 0:00:35 | 0:00:37 | |
-I can't trust you. -What can I do to make you trust me? | 0:00:37 | 0:00:40 | |
'I hope this plan will work, because otherwise The Next Step' | 0:00:40 | 0:00:43 | |
is not going to nationals. | 0:00:43 | 0:00:45 | |
OK, I have some exciting news. | 0:00:52 | 0:00:54 | |
So there's this really prestigious trio competition coming up soon | 0:00:54 | 0:00:57 | |
and we have officially been invited to compete. | 0:00:57 | 0:01:00 | |
-ALL: -Oh! -Yeah! | 0:01:00 | 0:01:01 | |
'This trio competition is a very big deal.' | 0:01:01 | 0:01:05 | |
A lot of the studios that are going to nationals will be there as well, | 0:01:05 | 0:01:07 | |
so it's a good way for us to kind of take a look at our competition. | 0:01:07 | 0:01:10 | |
It's such an honour | 0:01:10 | 0:01:11 | |
because they only ever ask the best teams to come in. | 0:01:11 | 0:01:14 | |
But the catch is everyone has to choreograph to the same song | 0:01:14 | 0:01:18 | |
and there are no costumes allowed. | 0:01:18 | 0:01:19 | |
-What? -I know. | 0:01:19 | 0:01:21 | |
These rules are set out so that | 0:01:21 | 0:01:23 | |
the judges are able to see who the most creative dance team is. | 0:01:23 | 0:01:26 | |
But it's going to be an amazing practice for nationals, | 0:01:26 | 0:01:28 | |
so I think it should be Giselle, Amanda, and Thalia who compete. | 0:01:28 | 0:01:31 | |
-I'm down. -Yes. -Yeah. | 0:01:31 | 0:01:33 | |
APPLAUSE | 0:01:33 | 0:01:34 | |
I'm really excited Miss Kate chose us | 0:01:34 | 0:01:36 | |
to compete in the trio competition. | 0:01:36 | 0:01:38 | |
This is the very first time The Next Step has even been | 0:01:38 | 0:01:41 | |
invited to one of these, and I get to compete? | 0:01:41 | 0:01:43 | |
That's awesome! | 0:01:43 | 0:01:45 | |
'Selected studios can bring as many trios as they want, | 0:01:45 | 0:01:48 | |
'so I'm also bringing a trio from J-Troupe.' | 0:01:48 | 0:01:51 | |
-All right, Amanda - why don't you get everyone warmed up? -All right. | 0:01:51 | 0:01:54 | |
Let's go. | 0:01:54 | 0:01:55 | |
I know Elite's going to be at that trio competition, and it's going to | 0:01:55 | 0:01:58 | |
be really weird dancing against your own team. | 0:01:58 | 0:02:00 | |
Either way I'm going to win. | 0:02:00 | 0:02:02 | |
'I'm entering late just to, you know, keep isolating | 0:02:46 | 0:02:49 | |
'myself from the group. | 0:02:49 | 0:02:50 | |
'It's getting pretty important that Amanda sees | 0:02:50 | 0:02:53 | |
'I really don't want to be here.' | 0:02:53 | 0:02:54 | |
'Emily - late once again. | 0:02:54 | 0:02:57 | |
'Nationals is right around the corner.' | 0:02:57 | 0:02:59 | |
I don't understand what she doesn't get about that. | 0:02:59 | 0:03:02 | |
'When Hunter approaches me, I know that he's going to be like,' | 0:03:05 | 0:03:08 | |
"Why are you late? What's going on?" because he's so caring. | 0:03:08 | 0:03:11 | |
How are you doing? | 0:03:11 | 0:03:12 | |
I'm great. | 0:03:12 | 0:03:14 | |
'But I just have to stick to the plan. I mean, I really like Hunter,' | 0:03:14 | 0:03:17 | |
but I have to save the studio. | 0:03:17 | 0:03:19 | |
You're a little bit late. | 0:03:19 | 0:03:21 | |
Look, I...just don't really want to be around anyone right now | 0:03:22 | 0:03:26 | |
and I'm pretty sure they don't want to be around me, so... | 0:03:26 | 0:03:28 | |
If the rest of the group wants to leave out Emily, | 0:03:28 | 0:03:31 | |
whatever, I don't care. | 0:03:31 | 0:03:32 | |
I'm here for her and she's been there for me, so... | 0:03:32 | 0:03:35 | |
I'm not really anyone's favourite either right now. | 0:03:35 | 0:03:38 | |
The thing is, Hunter, you could be. I mean, you're funny, you're smart, | 0:03:38 | 0:03:43 | |
why don't you just try with the guys? | 0:03:43 | 0:03:46 | |
Yeah. No, I think it's about time I do. | 0:03:46 | 0:03:49 | |
'I'll admit I was a bit arrogant coming into The Next Step, | 0:03:49 | 0:03:52 | |
'and I realise that I've done wrong and I've hurt Eldon, but' | 0:03:52 | 0:03:55 | |
I want to make it up to him. | 0:03:55 | 0:03:57 | |
I want to make up to all of the boys, actually. | 0:03:57 | 0:04:00 | |
Just keep going. Five, six, seven, eight - and one... | 0:04:04 | 0:04:07 | |
'Right now I'm in the music room rehearsing J-Troupe for their trio.' | 0:04:07 | 0:04:10 | |
It's really important for J-Troupe to be at this competition, because | 0:04:10 | 0:04:14 | |
they need to start getting used to performing on a stage, | 0:04:14 | 0:04:16 | |
for an audience. And one, two...good. | 0:04:16 | 0:04:18 | |
Make sure on that part you guys need to stay really connected, OK? | 0:04:18 | 0:04:21 | |
It's about being a partnership and working together. Good. Again. | 0:04:21 | 0:04:24 | |
Five, six, seven... | 0:04:24 | 0:04:26 | |
Hi, ladies. What can I help you with? | 0:04:26 | 0:04:28 | |
What's going on in here? | 0:04:28 | 0:04:30 | |
The Next Step has been asked to compete at a trio competition, | 0:04:30 | 0:04:33 | |
so I've asked Josh, Richelle, and Becca to represent J-Troupe. | 0:04:33 | 0:04:36 | |
Ah. Oh. OK. | 0:04:36 | 0:04:38 | |
Yeah. OK, come on, guys. Let's huddle up. | 0:04:38 | 0:04:40 | |
Why is Becca doing a trio competition instead of me? | 0:04:40 | 0:04:44 | |
I have no idea. | 0:04:44 | 0:04:45 | |
I'm more experienced. I'm a better dancer. | 0:04:45 | 0:04:48 | |
Why would Miss Kate choose her? | 0:04:48 | 0:04:50 | |
That should be you, not Becca. | 0:04:50 | 0:04:53 | |
Come on, let's go. | 0:04:53 | 0:04:54 | |
'I'm very surprised that Miss Kate put Becca in' | 0:04:54 | 0:04:57 | |
instead of me, especially since Becca is so new to J-Troupe | 0:04:57 | 0:05:00 | |
and she's way in over her head. | 0:05:00 | 0:05:02 | |
OK. All right. Ready? | 0:05:12 | 0:05:15 | |
Hey! Oh, yes! | 0:05:15 | 0:05:18 | |
-Hey, yo, you know that list? -Yeah? -I'm working on it right now. | 0:05:18 | 0:05:21 | |
James asked me to put together a list of things for him | 0:05:21 | 0:05:23 | |
to do to try and win me back. | 0:05:23 | 0:05:26 | |
-So, are you ready for number seven? -No, not yet. | 0:05:26 | 0:05:28 | |
I've been researching it. I'm getting ready for some | 0:05:28 | 0:05:30 | |
-high-altitude hiking. -Yeah? -Mentally preparing for number seven. | 0:05:30 | 0:05:33 | |
You don't even want to know what number seven is. | 0:05:33 | 0:05:38 | |
-Right now I'm working on number 11, actually. -Number 11? -Yeah. | 0:05:38 | 0:05:41 | |
Number 11 is that he has to make up a move named after me. | 0:05:41 | 0:05:46 | |
-I've already got the name, actually. -What is it? | 0:05:46 | 0:05:49 | |
Don't worry about it. It's a surprise. | 0:05:49 | 0:05:51 | |
OK, well, then, when you, you know, figure it out, let me know. | 0:05:51 | 0:05:54 | |
Try. | 0:05:54 | 0:05:55 | |
'Honestly, I thought for sure James would have given up, but' | 0:05:55 | 0:05:59 | |
seeing that he's so committed and determined to get this done, | 0:05:59 | 0:06:03 | |
it's just really nice to see. | 0:06:03 | 0:06:06 | |
Oh. | 0:06:06 | 0:06:08 | |
Yo, what's good, guys? | 0:06:08 | 0:06:10 | |
What's up, man? | 0:06:11 | 0:06:13 | |
I feel like I've done a lot of wrong to the guys, especially Eldon, | 0:06:13 | 0:06:16 | |
but I feel like it's time to mend that relationship up. | 0:06:16 | 0:06:19 | |
You guys, I want to be boys with all of you. | 0:06:19 | 0:06:21 | |
I feel like we can all get along. | 0:06:21 | 0:06:22 | |
I'm not OK with Hunter, because, first of all, | 0:06:22 | 0:06:25 | |
he ruined my relationship with Michelle. Second of all, he stole | 0:06:25 | 0:06:30 | |
my nationals solo. | 0:06:30 | 0:06:32 | |
And those were the two biggest things in my life. | 0:06:32 | 0:06:35 | |
What can I do to make it up to you guys? | 0:06:35 | 0:06:37 | |
'After what he did to Eldon,' | 0:06:37 | 0:06:38 | |
there's no way that we're going to forgive him. | 0:06:38 | 0:06:40 | |
Yeah, I don't... I don't think there's really any... Hold on! | 0:06:40 | 0:06:44 | |
Yo, why don't we... Why don't you teach me that head slide move thing? | 0:06:44 | 0:06:46 | |
-What? -Yo. -Yeah! | 0:06:46 | 0:06:48 | |
Bro, you're such a sell-out. | 0:06:48 | 0:06:50 | |
I don't even want to talk about West forgiving Hunter. He's so...random. | 0:06:50 | 0:06:53 | |
Are you kidding? You're just going to do that? You're just going to... | 0:06:53 | 0:06:56 | |
For a head slide? | 0:06:56 | 0:06:57 | |
He just sold himself out, just for one simple head slide? | 0:06:57 | 0:07:00 | |
We could have figured that out on our own. | 0:07:00 | 0:07:02 | |
We didn't need Hunter. | 0:07:02 | 0:07:03 | |
-The head slide? -Yeah. -Yes, dude! -What? | 0:07:03 | 0:07:06 | |
Basically, a lot of people think to do it on the top of your head. | 0:07:06 | 0:07:09 | |
-What? -You want to do it on the front. -Yeah. -Check it out. | 0:07:09 | 0:07:12 | |
Oh! | 0:07:12 | 0:07:13 | |
Oh. That's so sick! | 0:07:13 | 0:07:15 | |
James, I know there's something. | 0:07:15 | 0:07:17 | |
Nothing. Move on. | 0:07:17 | 0:07:18 | |
I don't forgive Hunter cos of what he did to my boy, Eldon. | 0:07:18 | 0:07:21 | |
It's unfortunate that James tells me to move on, | 0:07:21 | 0:07:23 | |
but I'll figure out something. | 0:07:23 | 0:07:26 | |
-Eldon, what can I do, bro? -Nothing. | 0:07:26 | 0:07:28 | |
-Move on like ten people ahead of me. -No, dude, I'm not going to move on. | 0:07:28 | 0:07:31 | |
-Yeah, you are. -No, I owe something to you, man. | 0:07:31 | 0:07:33 | |
Hear me out, I'm going to bake you the best cake, bro. | 0:07:33 | 0:07:35 | |
No, you're not. I don't want a cake. | 0:07:35 | 0:07:37 | |
It's going to be chocolaty, it's going to be creamy, delicious, | 0:07:37 | 0:07:40 | |
I'm going to put two layers. | 0:07:40 | 0:07:42 | |
Wait, you said, er... | 0:07:42 | 0:07:44 | |
chocolate? | 0:07:44 | 0:07:45 | |
Chocolate cake has always been a, er, certain weakness of mine. | 0:07:45 | 0:07:49 | |
How many layers? | 0:07:49 | 0:07:51 | |
I'm going to put two layers in of fudge. | 0:07:51 | 0:07:53 | |
Double layered. Fudge. | 0:07:53 | 0:07:55 | |
-Fudge. -Fudge. | 0:07:55 | 0:07:56 | |
Yeah, it kind of just topped it off. | 0:07:56 | 0:07:58 | |
I'm still not cool with him, but... | 0:07:58 | 0:08:01 | |
that cake sounds really good. | 0:08:01 | 0:08:03 | |
OK, cool, it's done. | 0:08:03 | 0:08:04 | |
This doesn't mean anything. | 0:08:04 | 0:08:06 | |
It's just a cake. | 0:08:06 | 0:08:07 | |
OK, so he's interested. So I got the ball rolling. | 0:08:07 | 0:08:09 | |
I'm going to hammer through this. | 0:08:09 | 0:08:11 | |
-Two layers, though. -You are both sell-outs. | 0:08:11 | 0:08:13 | |
'What? How am I the only one standing for this?' | 0:08:13 | 0:08:16 | |
I definitely thought Eldon would, as well. | 0:08:16 | 0:08:18 | |
Hey, Gaberoonie. Want to go to lunch? | 0:08:27 | 0:08:29 | |
Don't call me Gaberoonie. | 0:08:30 | 0:08:32 | |
-OK. -It's not fair that you're going to the trio competition, | 0:08:33 | 0:08:36 | |
cos I'm a stronger dancer than you. | 0:08:36 | 0:08:37 | |
I don't really know where this is coming from. | 0:08:37 | 0:08:40 | |
Becca's so new to J-Troupe and I've been here for a long time. | 0:08:40 | 0:08:43 | |
I mean, it should be me, for sure. | 0:08:43 | 0:08:45 | |
You're not better than me, Gaberoonie. | 0:08:45 | 0:08:49 | |
Fine. You think that? Then I challenge you to a dance-off. | 0:08:49 | 0:08:52 | |
Miss Kate will judge, | 0:08:52 | 0:08:53 | |
and the best dancer gets to go to the trio competition. | 0:08:53 | 0:08:55 | |
If Gabi wants to compete, then fine, we'll compete. | 0:08:55 | 0:08:58 | |
-Fine. -Fine. -Fine. -Fine. | 0:08:58 | 0:09:00 | |
Fine. | 0:09:03 | 0:09:04 | |
I'm a little bit nervous, because Becca is still strong, | 0:09:04 | 0:09:07 | |
but I know that I can pull this off. | 0:09:07 | 0:09:09 | |
# Let's shut it down | 0:09:18 | 0:09:20 | |
# There on the ground... # | 0:09:21 | 0:09:22 | |
I feel kind of nervous to compete with Gabi | 0:09:24 | 0:09:26 | |
because I know that she's really strong | 0:09:26 | 0:09:28 | |
and I don't know if I'll be able to beat her. | 0:09:28 | 0:09:31 | |
# It's your F-I-R-E burning me | 0:09:31 | 0:09:33 | |
# Trying not to make a scene... # | 0:09:33 | 0:09:34 | |
I'm heading to the music room to battle with Becca | 0:09:34 | 0:09:37 | |
to see who goes to the competition. | 0:09:37 | 0:09:38 | |
# I am your hero Take you in my arms | 0:09:38 | 0:09:41 | |
# I will send away the pain | 0:09:41 | 0:09:44 | |
# I am your saviour Gonna pull you close... # | 0:09:46 | 0:09:49 | |
I had an idea of how good Becca was. | 0:09:49 | 0:09:52 | |
I mean, I've seen her dance with the group and stuff. | 0:09:52 | 0:09:54 | |
But taking a step back and watching her do her solo... | 0:09:54 | 0:09:57 | |
I get the full extent of just how good she is. | 0:09:57 | 0:10:01 | |
# And you got yours | 0:10:03 | 0:10:07 | |
# But let's go alone... # | 0:10:07 | 0:10:09 | |
Your sister's really good. | 0:10:09 | 0:10:11 | |
Yeah, she is. | 0:10:11 | 0:10:13 | |
'She is better than me, and she should go.' | 0:10:13 | 0:10:16 | |
I mean, you can't stop someone that good. | 0:10:16 | 0:10:18 | |
# I will send away the pain... # | 0:10:18 | 0:10:20 | |
Where are you going? | 0:10:20 | 0:10:23 | |
I can't take this away from her. | 0:10:23 | 0:10:25 | |
# As we dance the night away. # | 0:10:25 | 0:10:28 | |
I go to Culture Shock just because I do miss my dance friends. | 0:10:39 | 0:10:42 | |
It's been a while since I've seen them | 0:10:42 | 0:10:44 | |
and I just kind of want to catch up. | 0:10:44 | 0:10:46 | |
-Hey. -Hey! -Hey! | 0:10:46 | 0:10:47 | |
Can I sit here? | 0:10:47 | 0:10:48 | |
Of course! How are you? | 0:10:48 | 0:10:51 | |
I'm good. How are you guys? | 0:10:51 | 0:10:53 | |
Good. How's school and stuff? | 0:10:53 | 0:10:55 | |
Er, I joined the painting class at my school. | 0:10:55 | 0:10:58 | |
-That's cool. -Cool. -Thalia knows about it. | 0:10:58 | 0:11:00 | |
Yeah, no painting for me. | 0:11:00 | 0:11:02 | |
'I think Michelle showing up to Culture Shock' | 0:11:02 | 0:11:04 | |
really means that she does miss us. | 0:11:04 | 0:11:06 | |
I mean, that's what I would have done if I missed my friends. | 0:11:06 | 0:11:09 | |
Yeah, I mean, I'm pretty good at painting stick figures | 0:11:09 | 0:11:12 | |
-if that's what you consider good. -Impressive(!) -So, you're not good. | 0:11:12 | 0:11:15 | |
So, I'm not good. | 0:11:15 | 0:11:16 | |
Hanging out with the girls is a lot easier than I thought it would be. | 0:11:16 | 0:11:19 | |
I was kind of nervous going into it. | 0:11:19 | 0:11:21 | |
They're totally accepting and I love hanging out with them. | 0:11:21 | 0:11:23 | |
How's the studio? | 0:11:23 | 0:11:25 | |
It's...you know. | 0:11:25 | 0:11:26 | |
It's going well, but we're sad that you're gone | 0:11:26 | 0:11:30 | |
and we wish you were on the team. | 0:11:30 | 0:11:32 | |
-Yeah. -Yeah. | 0:11:32 | 0:11:33 | |
We also just gave up the national solo spot to Amanda. | 0:11:33 | 0:11:38 | |
We had to. The nationals is right around the corner. | 0:11:38 | 0:11:42 | |
Yeah, that's... | 0:11:42 | 0:11:43 | |
'It's kind of disappointing,' | 0:11:43 | 0:11:44 | |
hearing that they already filled the female soloist spot. | 0:11:44 | 0:11:47 | |
-It's nothing personal. -Yeah. | 0:11:47 | 0:11:49 | |
I get it. I understand, guys. It's fine. | 0:11:49 | 0:11:52 | |
Sorry, guys, but I have to go. | 0:11:52 | 0:11:55 | |
-OK. -See you later. -See you. -Bye. | 0:11:55 | 0:11:58 | |
They've already moved on, and it's just hard for me to accept that. | 0:11:58 | 0:12:02 | |
'I think Michelle was kind of taken back | 0:12:02 | 0:12:04 | |
'that we'd already found a replacement for her.' | 0:12:04 | 0:12:07 | |
We had to, though. | 0:12:07 | 0:12:08 | |
Nationals is coming up, so we need a soloist. | 0:12:08 | 0:12:11 | |
Right now, I'm just in the music room | 0:12:17 | 0:12:18 | |
trying to create a move for Riley - it's part of the list. | 0:12:18 | 0:12:22 | |
James! | 0:12:28 | 0:12:30 | |
-Hey! -Hey. | 0:12:32 | 0:12:33 | |
'Lately, I've just been trying to break up with Beth' | 0:12:33 | 0:12:36 | |
and she is NOT getting the hint. | 0:12:36 | 0:12:38 | |
-What's up? -Er, I'm just working on a move right now. | 0:12:38 | 0:12:41 | |
-Really? -Yeah. -Can I see? | 0:12:41 | 0:12:42 | |
I'm actually trying to, like, create a new move. | 0:12:42 | 0:12:45 | |
Why? | 0:12:45 | 0:12:46 | |
For Riley. | 0:12:46 | 0:12:48 | |
But we're together. | 0:12:48 | 0:12:49 | |
'This is my golden opportunity to help James.' | 0:12:49 | 0:12:51 | |
I feel like we could be good friends... | 0:12:51 | 0:12:53 | |
bros, even. | 0:12:53 | 0:12:55 | |
-Actually... -Hey, Beth. Guess what? | 0:12:55 | 0:12:58 | |
They're giving out free juices in the Culture Shock. | 0:12:58 | 0:13:01 | |
But do they have blueberry? | 0:13:01 | 0:13:02 | |
Yes, let's go. | 0:13:02 | 0:13:04 | |
I'll be back, OK? | 0:13:04 | 0:13:05 | |
How did he do that? | 0:13:07 | 0:13:10 | |
I didn't think taking Beth away from me was possible. | 0:13:10 | 0:13:13 | |
Somehow he did it. | 0:13:14 | 0:13:16 | |
-Miss Kate? -Hi, ladies. | 0:13:28 | 0:13:30 | |
I just came to tell you... | 0:13:30 | 0:13:31 | |
I don't want to challenge Becca in the dance-off any more. | 0:13:31 | 0:13:34 | |
I know, Becca told me. | 0:13:34 | 0:13:36 | |
What do you mean? | 0:13:36 | 0:13:37 | |
Becca told me about the annual fishing trip | 0:13:37 | 0:13:39 | |
with her and her father. | 0:13:39 | 0:13:40 | |
It's the same weekend as the trio competition, | 0:13:40 | 0:13:42 | |
so she won't be able to make it. | 0:13:42 | 0:13:44 | |
Oh. | 0:13:44 | 0:13:45 | |
'I'm surprised and confused' | 0:13:45 | 0:13:46 | |
when Kate tells me that Becca already talked to her. | 0:13:46 | 0:13:49 | |
I mean, my dad would never take us fishing, he's afraid of fish. | 0:13:49 | 0:13:52 | |
Which means that you'll be in the trio now. | 0:13:52 | 0:13:55 | |
Oh, OK. Thanks. | 0:13:55 | 0:13:56 | |
No problem. | 0:13:56 | 0:13:58 | |
When Kate tells me I'm in the trio now, | 0:13:58 | 0:14:00 | |
I know it's not the right decision. | 0:14:00 | 0:14:03 | |
Becca has an annual fishing trip with your dad? | 0:14:03 | 0:14:05 | |
No. | 0:14:05 | 0:14:07 | |
Maybe she did it so you could go to the competition instead of her. | 0:14:07 | 0:14:10 | |
Yeah, I guess. | 0:14:10 | 0:14:12 | |
I have to talk to Becca. | 0:14:12 | 0:14:13 | |
-Look at this. -Oh, yeah. | 0:14:23 | 0:14:24 | |
-Isn't this so cool? -Yeah, that's pretty cool. | 0:14:24 | 0:14:26 | |
'So, right now I'm buying Beth a drink' | 0:14:26 | 0:14:28 | |
just to get her away from James. | 0:14:28 | 0:14:30 | |
And look at that, too. | 0:14:31 | 0:14:33 | |
-Yeah. -That's something. | 0:14:33 | 0:14:35 | |
I wish I could put my leg behind my head like that, though. | 0:14:35 | 0:14:37 | |
-Oh, yeah, I'm sure it'll get there. -Can you do that? | 0:14:37 | 0:14:40 | |
-No. -No? Do you think you'll try? | 0:14:40 | 0:14:43 | |
-No. -No? What about that? We should try that. | 0:14:43 | 0:14:46 | |
I'm kind of busy, though. | 0:14:46 | 0:14:48 | |
-Oh, hey, excuse me for a second. -Sorry, Beth. | 0:14:48 | 0:14:51 | |
-Hey. -Hey. -Thanks for saving me back there. | 0:14:52 | 0:14:55 | |
I just wanted to come check how it's going with the boys. | 0:14:55 | 0:14:57 | |
Yeah, no, it's going well. West is my boy, he's on my side. | 0:14:57 | 0:15:00 | |
But I'm still kind of working on James and Eldon. | 0:15:00 | 0:15:02 | |
Ah, hence hanging out with Beth. | 0:15:02 | 0:15:04 | |
Exactly, yeah. Hopefully it'll be worth it. | 0:15:04 | 0:15:06 | |
Yeah, I was about to say, it would be really bad. | 0:15:06 | 0:15:09 | |
Imagine you... | 0:15:09 | 0:15:10 | |
-Could you imagine? -You did it all for nothing! | 0:15:12 | 0:15:14 | |
'Things with Hunter are amazing.' | 0:15:14 | 0:15:16 | |
We just really like spending time together. | 0:15:16 | 0:15:19 | |
We make each other laugh. | 0:15:19 | 0:15:21 | |
-Hey. -Hey. | 0:15:21 | 0:15:23 | |
You want to sit? | 0:15:23 | 0:15:24 | |
Yeah. | 0:15:24 | 0:15:27 | |
'If Emily wants to prove herself,' | 0:15:27 | 0:15:29 | |
I think I know how she can. | 0:15:29 | 0:15:31 | |
'Don't get too close to Hunter, Emily...' | 0:15:33 | 0:15:36 | |
cos you're going to break his heart. | 0:15:36 | 0:15:38 | |
Right now, I am just waiting for James to come to Studio A | 0:15:48 | 0:15:50 | |
because he told me to meet him here. | 0:15:50 | 0:15:52 | |
James has always been one to surprise me. | 0:15:58 | 0:16:00 | |
OK... | 0:16:00 | 0:16:02 | |
Number 11... | 0:16:06 | 0:16:09 | |
comin' at ya. | 0:16:09 | 0:16:10 | |
I like the move. It's actually kind of cool. | 0:16:15 | 0:16:18 | |
Of course she likes it. She loves it. | 0:16:18 | 0:16:20 | |
And what do you call that? | 0:16:20 | 0:16:22 | |
Hm, the Riley Roll Up. | 0:16:22 | 0:16:24 | |
-Oh, I see what you did, there. -Mm-hmm. -I like it. | 0:16:24 | 0:16:28 | |
He took one of my quirks, which was rolling up my shorts, | 0:16:28 | 0:16:31 | |
and made it a dance move. | 0:16:31 | 0:16:33 | |
Do you happen to have a pen | 0:16:33 | 0:16:34 | |
so I can cross the "Move named after you" off the list? | 0:16:34 | 0:16:38 | |
Not on me, no. | 0:16:38 | 0:16:41 | |
Good thing I learned some magic in anticipation for number seven, | 0:16:41 | 0:16:45 | |
which, by the way, I'm allergic to squid... | 0:16:45 | 0:16:48 | |
could be a problem down the road. | 0:16:48 | 0:16:50 | |
Er, I noticed that number one, "Break up with Beth", | 0:16:50 | 0:16:52 | |
was still on there. | 0:16:52 | 0:16:55 | |
'I'm pretty sure we can't get back together' | 0:16:55 | 0:16:57 | |
until he breaks up with Beth. | 0:16:57 | 0:16:59 | |
So perceptive. | 0:17:01 | 0:17:02 | |
-Mm-hmm. -Mmm. -Yeah. | 0:17:02 | 0:17:04 | |
I'll have you know I'm working hard on getting that one crossed off. | 0:17:04 | 0:17:07 | |
I've got to go, bye. | 0:17:07 | 0:17:09 | |
'There has to be a way for me to break up with Beth' | 0:17:09 | 0:17:11 | |
without accepting Hunter's help. There has to be. | 0:17:11 | 0:17:14 | |
Becca, we need to talk. | 0:17:24 | 0:17:26 | |
'I need to talk to Becca about what has been going on.' | 0:17:26 | 0:17:29 | |
I was wrong and I need her to know that. | 0:17:29 | 0:17:32 | |
Why did you tell Miss Kate | 0:17:32 | 0:17:33 | |
that you're going on a fishing trip with Dad? | 0:17:33 | 0:17:35 | |
Because I know that you want to go to the competition. | 0:17:35 | 0:17:37 | |
You really should go. | 0:17:37 | 0:17:39 | |
Becca, I'm your older sister and I really want to look out for you. | 0:17:39 | 0:17:43 | |
You're so talented, you should totally be in this trio. | 0:17:43 | 0:17:46 | |
I could always go next year. | 0:17:46 | 0:17:48 | |
The truth is... | 0:17:52 | 0:17:54 | |
..you're a better dancer than I am, Becca. | 0:17:55 | 0:17:57 | |
'I feel proud of myself because, coming from her, | 0:17:57 | 0:18:00 | |
'it means a lot to me' | 0:18:00 | 0:18:01 | |
that she says that I'm a better dancer because I know | 0:18:01 | 0:18:04 | |
that she's really good and I know that she meant it. | 0:18:04 | 0:18:06 | |
You're going to go so far. | 0:18:06 | 0:18:08 | |
I don't want to stop that. | 0:18:08 | 0:18:10 | |
I really want you to go. | 0:18:10 | 0:18:11 | |
Becca should go cos she is truly amazing. | 0:18:11 | 0:18:15 | |
She's so young and she's so talented. | 0:18:15 | 0:18:17 | |
-Really? -Yeah. | 0:18:17 | 0:18:20 | |
-Thanks. -No problem. | 0:18:20 | 0:18:22 | |
'I feel really excited that I get to go to the competition, | 0:18:22 | 0:18:25 | |
'and now that I know that Gabi's not mad at me,' | 0:18:25 | 0:18:27 | |
I feel even better and I'm just really excited to go. | 0:18:27 | 0:18:30 | |
-It was cheesy... -It was sick. | 0:18:36 | 0:18:39 | |
'I'm walking in with this cake that I baked for Eldon.' | 0:18:39 | 0:18:42 | |
Think of it as a truce cake. | 0:18:42 | 0:18:43 | |
Yo, Eldon. | 0:18:43 | 0:18:45 | |
All of a sudden I hear Hunter, so I turn around and there he is | 0:18:45 | 0:18:49 | |
with a double layer chocolate cake. | 0:18:49 | 0:18:51 | |
You actually legit baked me a cake. | 0:18:51 | 0:18:54 | |
I did, man. I told you. | 0:18:54 | 0:18:56 | |
It's kind of hard to believe that he actually made Eldon a cake. | 0:18:56 | 0:18:59 | |
It just shows that he really wants to be a part of the bros, for sure. | 0:18:59 | 0:19:02 | |
Oh, this cake is definitely going to work. | 0:19:02 | 0:19:04 | |
Double layer, chocolate fudge, the real deal. | 0:19:04 | 0:19:07 | |
-Oh, that looks good. -Wow. | 0:19:07 | 0:19:09 | |
'Eldon, you better accept this.' | 0:19:09 | 0:19:12 | |
I mean, dude, that cake looks really good. | 0:19:12 | 0:19:15 | |
-Try it. -It's ridiculous. | 0:19:15 | 0:19:16 | |
Try it. | 0:19:16 | 0:19:18 | |
-It's amazing. -Right? | 0:19:20 | 0:19:22 | |
Yo, so we're boys now, right? | 0:19:22 | 0:19:25 | |
Actually, er, there's one more thing I'm going to need you to do. | 0:19:25 | 0:19:28 | |
-Oh! -Oh! | 0:19:28 | 0:19:30 | |
Yo, you got it in my nose! | 0:19:30 | 0:19:33 | |
'Yes, Eldon! When he shoves the cake in his face, completely deserved' | 0:19:36 | 0:19:41 | |
on Hunter's part, big props to my boy Eldon. That's hilarious! | 0:19:41 | 0:19:44 | |
'If it makes him feel better about me stealing his girlfriend, | 0:19:51 | 0:19:53 | |
then whatever, dude. It's all good. | 0:19:53 | 0:19:56 | |
So now we're good, bro, right? | 0:19:56 | 0:19:58 | |
-Well, actually, there's one more thing. -What? | 0:19:58 | 0:20:01 | |
Er, I want my solo back. | 0:20:01 | 0:20:03 | |
And you better bring it when I challenge you. | 0:20:03 | 0:20:06 | |
You better bring it! | 0:20:06 | 0:20:07 | |
Me and Hunter are pretty cool. We're not exactly cool, though. | 0:20:07 | 0:20:10 | |
I still need to win my solo back. | 0:20:10 | 0:20:12 | |
All right, dude, sounds good. | 0:20:12 | 0:20:14 | |
Yo, check this out. | 0:20:14 | 0:20:16 | |
You've got something on your face! | 0:20:16 | 0:20:17 | |
-Emily? Emily, I want to tell you something... -No! | 0:20:17 | 0:20:21 | |
'I love my clothes and my hair,' | 0:20:21 | 0:20:23 | |
let alone my skin. So he better not touch me. | 0:20:23 | 0:20:26 | |
-All right, I'll see you tonight. -OK. | 0:20:27 | 0:20:30 | |
I'll be right back. | 0:20:30 | 0:20:32 | |
Hey, Emily. I know what you can do to prove yourself. | 0:20:35 | 0:20:38 | |
Really? OK, what is it? | 0:20:38 | 0:20:41 | |
You have to break up with Hunter. | 0:20:42 | 0:20:44 | |
'I've done so much to isolate myself and make everyone hate me.' | 0:20:50 | 0:20:53 | |
'I've given up everything.' | 0:20:56 | 0:20:57 | |
I just don't know if I can give up this, too. | 0:20:59 | 0:21:01 |