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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
CHEERING | 0:00:03 | 0:00:04 | |
We won Regionals! | 0:00:04 | 0:00:06 | |
Nationals, here we come, baby! | 0:00:06 | 0:00:08 | |
I want to be with Michelle. I'm sorry. | 0:00:08 | 0:00:10 | |
-I'm taking a co-owner position at Superstar Dance Academy. -What? | 0:00:12 | 0:00:15 | |
'Now that I don't have a head choreographer' | 0:00:15 | 0:00:17 | |
I don't know what I'm going to do. | 0:00:17 | 0:00:19 | |
Between Regionals and Nationals, | 0:00:19 | 0:00:21 | |
you guys are allowed to change up your dance team. | 0:00:21 | 0:00:23 | |
We did it at my old studio. It's called The Challenge. | 0:00:23 | 0:00:25 | |
Dancers from other studios that lost Regionals | 0:00:25 | 0:00:27 | |
try to get on a winning team. | 0:00:27 | 0:00:28 | |
This is going to change everything. | 0:00:28 | 0:00:31 | |
'As I enter the studio to get ready for our first day of rehearsals, | 0:00:57 | 0:01:01 | |
'I see this...' | 0:01:01 | 0:01:03 | |
matured woman. | 0:01:03 | 0:01:05 | |
'We're kind of confused, and I look at everyone else | 0:01:06 | 0:01:09 | |
'and everyone else has the same expression' | 0:01:09 | 0:01:12 | |
and I'm not really sure what's going on right now. | 0:01:12 | 0:01:14 | |
'She was actually pretty good, technically, and you can tell she's' | 0:01:18 | 0:01:22 | |
had a bit of yoga training, too. | 0:01:22 | 0:01:24 | |
Ziva. | 0:01:30 | 0:01:32 | |
Ziva. | 0:01:32 | 0:01:34 | |
Ziva. Ziva. | 0:01:34 | 0:01:35 | |
'I think she's so weird.' | 0:01:35 | 0:01:36 | |
I think that she's weirder than West. Now, that is weird. | 0:01:36 | 0:01:40 | |
What are you guys doing? Why aren't you guys warming up? | 0:01:40 | 0:01:43 | |
Because we're watching this old lady dance. | 0:01:43 | 0:01:45 | |
You know what? (I think she's possessed. I don't know.) | 0:01:45 | 0:01:48 | |
She's not old and she's not possessed. She's my sister. | 0:01:48 | 0:01:51 | |
-Oh! -Phoebe! | 0:01:51 | 0:01:53 | |
Oh, Phoebe's Kate's sister. | 0:01:53 | 0:01:56 | |
Kate is so high-strung and serious | 0:01:56 | 0:01:59 | |
and, that her sister is the complete opposite, | 0:01:59 | 0:02:01 | |
I just think it's so funny. | 0:02:01 | 0:02:03 | |
-She is going to be our new head choreographer. -Namaste. | 0:02:03 | 0:02:07 | |
'Once Chris left, I had to think quick' | 0:02:07 | 0:02:10 | |
and the first person that popped into my head was my sister, Phoebe. | 0:02:10 | 0:02:13 | |
Thank you so much for coming to our rescue. You're really saving us. | 0:02:13 | 0:02:16 | |
No problem. I save things all the time. | 0:02:16 | 0:02:19 | |
When I got your call, I was actually saving dolphins | 0:02:19 | 0:02:21 | |
and I was like, "You know what? | 0:02:21 | 0:02:22 | |
"There's enough people here saving the dolphins. | 0:02:22 | 0:02:25 | |
"I need to save my sister because I love you." | 0:02:25 | 0:02:27 | |
And I will grow to love each and every one of you, I'm sure, | 0:02:27 | 0:02:30 | |
but probably not as much as I love dolphins. So... | 0:02:30 | 0:02:35 | |
So, now that we have met Phoebe officially, | 0:02:36 | 0:02:40 | |
I want to talk about The Challenge. | 0:02:40 | 0:02:43 | |
'The Challenge is something that is open to studios' | 0:02:43 | 0:02:46 | |
who have made it to Nationals. | 0:02:46 | 0:02:48 | |
You can re-audition to come up with a new group of 12 dancers to compete. | 0:02:48 | 0:02:54 | |
But two of the 12 dancers are alternates, | 0:02:54 | 0:02:56 | |
so, really, only ten people will be competing. | 0:02:56 | 0:02:58 | |
I don't mind some competition. | 0:02:58 | 0:03:00 | |
No, I think we should stick to this team. | 0:03:00 | 0:03:02 | |
'I thought that we would just bring in one alternate from B Troupe | 0:03:02 | 0:03:05 | |
'or something but it's insane' | 0:03:05 | 0:03:06 | |
that Kate's just opening it up to all the dancers in the world. | 0:03:06 | 0:03:10 | |
Actually, Michelle and I discussed it and we thought | 0:03:10 | 0:03:12 | |
it would be a good idea to go ahead and do The Challenge. | 0:03:12 | 0:03:14 | |
If we do The Challenge, guys, we'll have the best National team, | 0:03:14 | 0:03:18 | |
and I know how competitive Nationals is. | 0:03:18 | 0:03:20 | |
OK, so, all in favour of The Challenge, please raise your hand. | 0:03:20 | 0:03:24 | |
OK, I guess we're doing The Challenge. | 0:03:25 | 0:03:28 | |
I will send word out to all of the studios to let them know | 0:03:28 | 0:03:30 | |
that The Next Step is holding auditions. | 0:03:30 | 0:03:32 | |
I just love Challenges. I remember my first Challenge. | 0:03:32 | 0:03:36 | |
I got cut. | 0:03:36 | 0:03:37 | |
Phoebe got cut? | 0:03:41 | 0:03:42 | |
It's kind of a shock that even great dancers can get cut. | 0:03:42 | 0:03:46 | |
Maybe this Challenge isn't such a good idea after all. | 0:03:46 | 0:03:49 | |
-Hey, girl! -OK. -Honestly? | 0:04:31 | 0:04:34 | |
Me, Michelle, James and Riley are at the mall | 0:04:34 | 0:04:36 | |
and, as we walk towards the staircase, | 0:04:36 | 0:04:38 | |
we see Lucien yelling at Amanda. | 0:04:38 | 0:04:40 | |
I'm the choreographer! I got them there! | 0:04:40 | 0:04:42 | |
-Is that Lucien? -Your job was to make sure everyone's ready to win! | 0:04:42 | 0:04:45 | |
You're the dance captain! | 0:04:45 | 0:04:47 | |
-Can I not just have another shot? -No, you can't have another shot. | 0:04:47 | 0:04:52 | |
Matter of fact, I don't even want you on our team. What am I thinking? | 0:04:52 | 0:04:55 | |
I don't want to see you in my studio again! | 0:04:55 | 0:04:58 | |
'I can't believe how mean Lucien is being to Amanda.' | 0:04:58 | 0:05:01 | |
It's not fair. No-one should be treated that way. | 0:05:01 | 0:05:04 | |
-Maybe like three and four? -That's good, yeah. | 0:05:17 | 0:05:21 | |
-And, then, a big kick. -Nice. | 0:05:21 | 0:05:23 | |
'Phoebe wanted to run her choreography' | 0:05:23 | 0:05:25 | |
for The Challenge by me, just because I'm a dance captain. | 0:05:25 | 0:05:27 | |
-It's like a rebound. One and two. -One and two. | 0:05:27 | 0:05:30 | |
'It needs to highlight the dancers that should be there' | 0:05:30 | 0:05:34 | |
and show us the ones that shouldn't. | 0:05:34 | 0:05:36 | |
PHONE RINGS | 0:05:36 | 0:05:37 | |
-Oh! I'm going to go get that. -Sure. | 0:05:37 | 0:05:39 | |
-OK. Thanks, Emily. -You're welcome, Phoebe. | 0:05:39 | 0:05:42 | |
-Hey! -Hey. | 0:05:50 | 0:05:51 | |
The auditions for A Troup aren't till later, actually. | 0:05:51 | 0:05:55 | |
Oh, I know. I was just... I'm actually here looking for someone. | 0:05:55 | 0:05:58 | |
I'm Hunter, by the way. | 0:05:58 | 0:05:59 | |
-Oh, I'm Emily. Nice to meet you. -Hi. -I'm the dance captain here. | 0:05:59 | 0:06:02 | |
Wow. He's cute. | 0:06:02 | 0:06:04 | |
Sorry. You said you were looking for someone? | 0:06:04 | 0:06:06 | |
Yeah, I'm looking for my girlfriend. | 0:06:06 | 0:06:09 | |
Maybe you know her. | 0:06:09 | 0:06:10 | |
Her name's Michelle. | 0:06:10 | 0:06:12 | |
Clearly, the fates are conspiring against me. | 0:06:15 | 0:06:19 | |
I really should stop getting my hopes up. | 0:06:19 | 0:06:21 | |
Michelle with the long hair that flips it everywhere | 0:06:21 | 0:06:24 | |
-like it's an accessory? -Yeah. No, that sounds like her. | 0:06:24 | 0:06:27 | |
Your girlfriend? | 0:06:27 | 0:06:28 | |
Michelle and I grew up in the same dance studio together. | 0:06:28 | 0:06:31 | |
Ever since we were kids, we've always been duet partners. | 0:06:31 | 0:06:33 | |
Right before she left, we started talking | 0:06:33 | 0:06:35 | |
about our feelings towards each other but nothing was ever established | 0:06:35 | 0:06:39 | |
because her dad and her whole family got transferred. | 0:06:39 | 0:06:41 | |
But, now that my mom also got transferred, | 0:06:41 | 0:06:43 | |
I'm hoping to rekindle what we had. | 0:06:43 | 0:06:45 | |
So, Michelle doesn't know you're here? | 0:06:45 | 0:06:46 | |
No, she has no clue. | 0:06:46 | 0:06:48 | |
A little plan starts to form in my mind. | 0:06:48 | 0:06:51 | |
Actually, I'm going to help you out. | 0:06:51 | 0:06:53 | |
There's this place called the Culture Shock. | 0:06:53 | 0:06:55 | |
It's in the same building just right downstairs, | 0:06:55 | 0:06:58 | |
and all the dancers kind of hang out and mingle there, | 0:06:58 | 0:07:00 | |
so it would be great for you to go, you know, surprise her. | 0:07:00 | 0:07:02 | |
In my perfect world, they fall madly in love, | 0:07:02 | 0:07:06 | |
they go back to Wisconsin and they stay there. | 0:07:06 | 0:07:09 | |
Forever. | 0:07:09 | 0:07:10 | |
-Thank you, Emily. -Yeah. Thank you, Hunter. | 0:07:10 | 0:07:13 | |
Thank you very much. | 0:07:13 | 0:07:15 | |
I can't wait to see the look on Michelle's face. | 0:07:17 | 0:07:19 | |
Dinner at your house yesterday was hilarious. | 0:07:23 | 0:07:26 | |
I don't know how you got my brothers to act that way, | 0:07:26 | 0:07:28 | |
but they were, like, on their best behaviour. | 0:07:28 | 0:07:30 | |
-Really? -Yeah. -Why? | 0:07:30 | 0:07:32 | |
Like, I've never seen them use an actual, like, knife and fork. | 0:07:32 | 0:07:35 | |
-I should probably come over more often, then. -Yeah, you should. | 0:07:35 | 0:07:38 | |
-Hi, guys. Look at you love birds. -Mich-Eldon. -You guys are so cute. | 0:07:38 | 0:07:43 | |
I think this is the happiest I've ever been. | 0:07:43 | 0:07:45 | |
Oh! | 0:07:46 | 0:07:49 | |
This is the happiest moment I've ever been in in my life. | 0:07:49 | 0:07:53 | |
I mean, I think that's kind of corny, but... | 0:07:53 | 0:07:55 | |
Honestly, I'm happy for them. | 0:07:55 | 0:07:56 | |
It's going to be a really good day. | 0:07:56 | 0:07:58 | |
-Next Step's going to represent, though. -Of course. -For sure. | 0:07:58 | 0:08:00 | |
Obviously. Miss Kate knows. | 0:08:00 | 0:08:03 | |
-Yo! -What? | 0:08:03 | 0:08:05 | |
'She is such a hater on The Next Step, | 0:08:07 | 0:08:09 | |
'and for her to just walk in here' | 0:08:09 | 0:08:11 | |
and think everything's fine is just... I don't even know. | 0:08:11 | 0:08:14 | |
-Right. -What is she doing here and who invited her? | 0:08:14 | 0:08:18 | |
I did. | 0:08:18 | 0:08:20 | |
Why would you do that? | 0:08:20 | 0:08:22 | |
Michelle inviting Amanda to The Challenge? | 0:08:22 | 0:08:25 | |
That's drama and that's no good. | 0:08:25 | 0:08:28 | |
I want to help Amanda audition for The Challenge | 0:08:31 | 0:08:33 | |
because I feel really bad for her after what Lucien did to her | 0:08:33 | 0:08:37 | |
in front of everyone at the mall. | 0:08:37 | 0:08:38 | |
-Amanda. -Hi. | 0:08:38 | 0:08:40 | |
I really need to talk to you about auditioning | 0:08:40 | 0:08:42 | |
and I'd rather talk somewhere else. | 0:08:42 | 0:08:44 | |
'When Michelle comes over to me' | 0:08:44 | 0:08:46 | |
I feel a little bit less nervous. | 0:08:46 | 0:08:49 | |
She really makes me feel welcome. | 0:08:49 | 0:08:51 | |
We need to get that under control. | 0:08:53 | 0:08:56 | |
'This girl Emily told me Michelle might be in Culture Shock, | 0:08:56 | 0:08:59 | |
'so I head in there and I'm looking for Michelle' | 0:08:59 | 0:09:02 | |
but I can't find her anywhere. | 0:09:02 | 0:09:04 | |
Hey, guy! You auditioning for The Challenge? | 0:09:04 | 0:09:07 | |
-Yeah. -Yeah? -Yeah, I am. -Sweet. -Hey. | 0:09:07 | 0:09:10 | |
We're from The Next Step. I'm Chloe. | 0:09:10 | 0:09:12 | |
-This is James, Riley, West and Eldon. -Hey guys, I'm Hunter. | 0:09:12 | 0:09:16 | |
Nice to meet you. | 0:09:16 | 0:09:18 | |
Well, Hunter, welcome to Next Step. | 0:09:18 | 0:09:19 | |
-Mi casa est tu casa. -Thanks. | 0:09:19 | 0:09:22 | |
'A nice guy named Eldon introduces himself' | 0:09:22 | 0:09:25 | |
and he seems like a pretty cool guy. | 0:09:25 | 0:09:27 | |
'I'm excited to see what Hunter can bring to the Nationals team.' | 0:09:27 | 0:09:30 | |
After The Challenge, everything could change. | 0:09:30 | 0:09:32 | |
Emily? | 0:09:38 | 0:09:39 | |
I heard about this whole Eldon and Michelle thing | 0:09:39 | 0:09:42 | |
that's happening right now. | 0:09:42 | 0:09:45 | |
Where'd you hear that, Phoebe? | 0:09:45 | 0:09:46 | |
Oh, I don't like to reveal my sources. I don't think that's fair. | 0:09:46 | 0:09:50 | |
Kate told me. | 0:09:50 | 0:09:52 | |
Kate! | 0:09:52 | 0:09:54 | |
Yes. | 0:09:56 | 0:09:57 | |
Anyways, I just want to know, | 0:09:57 | 0:10:00 | |
how are you? | 0:10:00 | 0:10:01 | |
'I am seeing this little girl' | 0:10:01 | 0:10:03 | |
who just wants to be loved | 0:10:03 | 0:10:06 | |
and she has this wall up, | 0:10:06 | 0:10:08 | |
and she puts on this front that she's so strong, | 0:10:08 | 0:10:10 | |
but I can tell that, deep down, she's hurting. | 0:10:10 | 0:10:13 | |
I'm fine. | 0:10:13 | 0:10:14 | |
Your left eye is not saying that you're fine. | 0:10:14 | 0:10:16 | |
-Well, my right eye is. -No, it's not. | 0:10:16 | 0:10:18 | |
Your right eye, actually, is telling me that you need a hug. | 0:10:18 | 0:10:22 | |
-I don't hug. -Yeah, you do. -I don't. | 0:10:22 | 0:10:25 | |
-Maybe you don't, but I'm going to hug you. -No, you're not. | 0:10:25 | 0:10:27 | |
-Yeah, I am. -I'm just... I'm not really a hugger. | 0:10:27 | 0:10:29 | |
I don't like to hug. I... | 0:10:29 | 0:10:31 | |
Shush! Sh-sh-sh-sh. Come here, baby. | 0:10:31 | 0:10:33 | |
Feel free to cry. | 0:10:33 | 0:10:34 | |
You're in a safe place. | 0:10:34 | 0:10:36 | |
# Your smile lights up my world | 0:10:37 | 0:10:41 | |
# I can't believe that you are my girl... # | 0:10:41 | 0:10:45 | |
I'll take you to hot yoga. | 0:10:45 | 0:10:48 | |
-Hey, guys! -Michelle! | 0:10:48 | 0:10:50 | |
Did you, uh, see anyone interesting in Culture Shock? | 0:10:50 | 0:10:55 | |
'I'm hoping she's here to tell everyone' | 0:10:55 | 0:10:57 | |
that her and Eldon broke up and she's going back to Wisconsin. | 0:10:57 | 0:11:00 | |
That's my ultimate dream. | 0:11:00 | 0:11:02 | |
Actually, I did. | 0:11:02 | 0:11:03 | |
It's Amanda. | 0:11:07 | 0:11:09 | |
And then I'm just super confused. | 0:11:09 | 0:11:11 | |
Look, Emily, I really want it to be OK that I audition for A Troupe. | 0:11:11 | 0:11:14 | |
EMILY SCOFFS | 0:11:14 | 0:11:16 | |
'I want to find a new place to dance, | 0:11:16 | 0:11:17 | |
'where we can dance as a family' | 0:11:17 | 0:11:19 | |
and not be treated unfairly. | 0:11:19 | 0:11:22 | |
Emily, look, you know what it's like to be dance captain | 0:11:22 | 0:11:25 | |
and you end up doing things that you're not exactly proud of. | 0:11:25 | 0:11:27 | |
Everyone deserves a second chance. | 0:11:27 | 0:11:29 | |
-KATE: -'She was dance captain at' | 0:11:29 | 0:11:31 | |
one of the most amazing studios in the region. | 0:11:31 | 0:11:34 | |
She could bring a lot to the A Troupe. | 0:11:34 | 0:11:35 | |
I really just want to dance. | 0:11:35 | 0:11:37 | |
I think that's a great idea, | 0:11:37 | 0:11:39 | |
and we would be pleased to have you audition, Amanda. | 0:11:39 | 0:11:41 | |
'At the end of the day, you have to look at the talent' | 0:11:41 | 0:11:43 | |
and Amanda's got it. | 0:11:43 | 0:11:45 | |
Thank you. Thank you, thank you. | 0:11:45 | 0:11:46 | |
PHOEBE: 'I'm all about free love' | 0:11:46 | 0:11:48 | |
and I think everyone should just be allowed to audition. | 0:11:48 | 0:11:51 | |
Clearly, the three of you already have your heart set on this, | 0:11:51 | 0:11:54 | |
so I'm not going to stand in the way. | 0:11:54 | 0:11:57 | |
'If the three of them want Amanda to audition,' | 0:11:57 | 0:11:59 | |
I'm just going to have to make sure she doesn't get in. | 0:11:59 | 0:12:02 | |
-I'm just going to go get ready, OK? -OK. | 0:12:02 | 0:12:04 | |
I'm going on record right now, saying this is a bad idea. | 0:12:04 | 0:12:09 | |
# Let's shut it down | 0:12:22 | 0:12:25 | |
# There on the ground | 0:12:26 | 0:12:30 | |
# We run this town, town... # | 0:12:30 | 0:12:32 | |
-ELDON: -'Right now we're just warming up in Studio A,' | 0:12:32 | 0:12:34 | |
just getting ready for the challenge. | 0:12:34 | 0:12:36 | |
# I am your hero, take you in my arms | 0:12:36 | 0:12:39 | |
# I will send away the pain... # | 0:12:39 | 0:12:43 | |
-RILEY: -'I am very nervous for these auditions,' | 0:12:43 | 0:12:46 | |
probably more than the auditions for the Regionals team. | 0:12:46 | 0:12:49 | |
This audition is much different and much harder | 0:12:49 | 0:12:52 | |
because all of the best dancers in the region are coming to audition. | 0:12:52 | 0:12:55 | |
# I am your saviour, gonna hold you close | 0:12:58 | 0:13:01 | |
# As you dance the night away... # | 0:13:01 | 0:13:04 | |
-CHLOE: -'There's a few J Troupers, which is really cool' | 0:13:04 | 0:13:06 | |
and they're amazing. | 0:13:06 | 0:13:08 | |
-WEST: -'I'm so excited to see all the people that showed up to audition. | 0:13:08 | 0:13:11 | |
'I mean, so much talent, so much energy.' | 0:13:11 | 0:13:14 | |
Unless they're better than me and I get cut. | 0:13:14 | 0:13:17 | |
Then, I won't be so excited. | 0:13:17 | 0:13:19 | |
-How nervous are you for today? -I'm really nervous. -Yeah. | 0:13:19 | 0:13:21 | |
-There's so many good dancers. -I know. | 0:13:21 | 0:13:23 | |
I'm really worried my spot could be taken. | 0:13:23 | 0:13:25 | |
There's so many good dancers here | 0:13:25 | 0:13:27 | |
and so many different styles of people. | 0:13:27 | 0:13:29 | |
And it's our first year in A Troupe, so that's why I'm even more nervous. | 0:13:29 | 0:13:32 | |
Yeah. | 0:13:32 | 0:13:33 | |
-Giselle. -Yeah? -Look at her. | 0:13:39 | 0:13:41 | |
-Do you know who that is? -No. -What studio is she from? | 0:13:41 | 0:13:45 | |
I don't know. | 0:13:45 | 0:13:47 | |
Are you OK? | 0:13:47 | 0:13:48 | |
She's trying to psyche me out. | 0:13:48 | 0:13:50 | |
-How? -She waved at me. | 0:13:50 | 0:13:52 | |
'I'm kind of surprised how nervous Daniel is.' | 0:13:52 | 0:13:55 | |
I mean, he usually isn't like this. | 0:13:55 | 0:13:57 | |
'This girl who's warming up next to me looks really good.' | 0:13:57 | 0:14:01 | |
She could take my spot or Giselle's spot and we don't want that. | 0:14:01 | 0:14:03 | |
Listen, one thing I learned from last year is | 0:14:03 | 0:14:05 | |
you need to focus on yourself. Don't worry about anybody else. | 0:14:05 | 0:14:09 | |
-Or, I just have to make sure I look better than her, right? -Or that. | 0:14:09 | 0:14:12 | |
# I am your hero, take you in my arms | 0:14:14 | 0:14:17 | |
# As you dance the night away. # | 0:14:17 | 0:14:21 | |
All right, you guys. | 0:14:21 | 0:14:22 | |
Welcome to the auditions for the Nationals Troupe. | 0:14:22 | 0:14:25 | |
CHEERING | 0:14:25 | 0:14:28 | |
We have some amazing dancers here in this room. | 0:14:28 | 0:14:31 | |
Jake. | 0:14:31 | 0:14:32 | |
CHEERING | 0:14:32 | 0:14:33 | |
'He puts a lot of videos on the internet and they are amazing.' | 0:14:33 | 0:14:36 | |
He may be better than some of our guys. | 0:14:36 | 0:14:38 | |
We have Cass. | 0:14:38 | 0:14:39 | |
CHEERING | 0:14:39 | 0:14:41 | |
I saw Morgan in here somewhere... | 0:14:41 | 0:14:43 | |
Oh, there. Yes. | 0:14:43 | 0:14:45 | |
Morgan and Cass, they're really great dancers and they're really strong. | 0:14:45 | 0:14:48 | |
I can't wait to see them audition. | 0:14:48 | 0:14:49 | |
And of course the beautiful Miss Talia. | 0:14:49 | 0:14:52 | |
'Talia I do know of, because her studio actually went' | 0:14:53 | 0:14:56 | |
to Nationals a few years back. You know, that could come in handy. | 0:14:56 | 0:14:59 | |
And some of you may remember Amanda from Elite. | 0:14:59 | 0:15:04 | |
Come on, guys. Yes. | 0:15:04 | 0:15:06 | |
'I find it ridiculous that Amanda gets to audition.' | 0:15:06 | 0:15:08 | |
I mean, really, do we need more drama around here? | 0:15:08 | 0:15:11 | |
Great. OK, I would love to explain to you | 0:15:11 | 0:15:13 | |
how this audition is going to run. | 0:15:13 | 0:15:14 | |
First, everyone will perform their solos. | 0:15:14 | 0:15:17 | |
From there, we will narrow it down to 20 dancers. | 0:15:17 | 0:15:20 | |
Those 20 dancers will then return tomorrow | 0:15:20 | 0:15:22 | |
to the next round of auditions. | 0:15:22 | 0:15:24 | |
Which is the choreo round. | 0:15:24 | 0:15:25 | |
-Exactly, it's going to be tough. -Really tough. | 0:15:25 | 0:15:28 | |
Because from there, we will choose the 12 dancers | 0:15:28 | 0:15:30 | |
that will make up our Nationals team. | 0:15:30 | 0:15:32 | |
Yes, and we have Emily and Michelle helping us | 0:15:32 | 0:15:35 | |
to decide which dancers will make it through. | 0:15:35 | 0:15:37 | |
Yo, I haven't seen you in so long. | 0:15:38 | 0:15:40 | |
Wait, you two know each other? | 0:15:40 | 0:15:42 | |
Yeah. She's my girlfriend. | 0:15:42 | 0:15:44 | |
-EMILY: -'I am in love with this new love triangle.' | 0:15:48 | 0:15:51 | |
Do you know triangles are one of the strongest shapes? | 0:15:51 | 0:15:54 | |
Fun fact for you. | 0:15:54 | 0:15:56 | |
This is not good. | 0:15:56 | 0:15:58 | |
# I don't truly know what I would do without you... # | 0:16:04 | 0:16:08 | |
-ELDON: -'Hunter says Michelle is HIS girlfriend?' | 0:16:10 | 0:16:13 | |
What's going on? | 0:16:13 | 0:16:15 | |
Miss Kate, can I please borrow your office for two minutes? | 0:16:15 | 0:16:18 | |
Please. Go ahead. | 0:16:18 | 0:16:20 | |
Whoa...dry. | 0:16:20 | 0:16:22 | |
'I really need to talk to Hunter.' | 0:16:22 | 0:16:24 | |
Especially in private, | 0:16:24 | 0:16:25 | |
because he has no idea what's going on in my life now. | 0:16:25 | 0:16:28 | |
We're going to start soon, so how about everyone warms up | 0:16:28 | 0:16:30 | |
and gets ready, OK? | 0:16:30 | 0:16:32 | |
So, first Michelle takes Emily's boyfriend, | 0:16:32 | 0:16:34 | |
but she already has another boyfriend? | 0:16:34 | 0:16:36 | |
This girl needs to slow down. | 0:16:36 | 0:16:38 | |
Well, it's great to see you. | 0:16:38 | 0:16:40 | |
Yeah, it's great to see you, too, but what are you doing up here? | 0:16:40 | 0:16:43 | |
I mean, my dad said that your family wouldn't be up here | 0:16:43 | 0:16:46 | |
for another month. | 0:16:46 | 0:16:47 | |
'Him and I have a lot of history, and we danced together when' | 0:16:47 | 0:16:51 | |
we were really little in Madison | 0:16:51 | 0:16:53 | |
and then we kind of liked each other before I left, | 0:16:53 | 0:16:55 | |
but I just, I don't really know why he's here. | 0:16:55 | 0:16:58 | |
I wanted to surprise you. | 0:16:58 | 0:17:00 | |
I thought now I'm up here, we can dance together just like old times. | 0:17:00 | 0:17:03 | |
And we can pick things up where we left off in Madison. | 0:17:03 | 0:17:07 | |
'When it comes to Michelle, all I know is' | 0:17:07 | 0:17:09 | |
that I want to be with her. | 0:17:09 | 0:17:11 | |
So, how you holding up about... | 0:17:11 | 0:17:14 | |
that? | 0:17:14 | 0:17:16 | |
-I'm all right. I'm just stunned. -Yeah. Well... | 0:17:16 | 0:17:20 | |
'If I lost Michelle, I'd...' | 0:17:20 | 0:17:22 | |
I don't know what I would do. | 0:17:22 | 0:17:24 | |
I don't know if I could handle seeing her every day. | 0:17:24 | 0:17:26 | |
I'd just be lost. | 0:17:26 | 0:17:29 | |
-EMILY: -'Michelle and Hunter have been in the office a really long time. | 0:17:29 | 0:17:33 | |
'That clearly means that there might be some feelings there' | 0:17:33 | 0:17:36 | |
and maybe Michelle can go for Hunter and back off Eldon. | 0:17:36 | 0:17:39 | |
I thought that when I moved here, | 0:17:39 | 0:17:41 | |
you'd kind of get the hint that I'd be moving on in my life. | 0:17:41 | 0:17:46 | |
'I am really surprised that Hunter thinks of me as his girlfriend' | 0:17:46 | 0:17:50 | |
after all of this time. I mean, it's been a really long time. | 0:17:50 | 0:17:53 | |
But now that I'm here, we can start our relationship back up again. | 0:17:53 | 0:17:57 | |
'Michelle and I never officially dated, | 0:17:57 | 0:17:59 | |
'but I just always felt like I could just tell her anything. | 0:17:59 | 0:18:02 | |
'We've helped each other out through tough times' | 0:18:02 | 0:18:04 | |
and that's what I cherish most about her. | 0:18:04 | 0:18:07 | |
I've fallen for someone else. | 0:18:07 | 0:18:09 | |
And I can't help how I feel about Eldon. | 0:18:11 | 0:18:14 | |
'I'm just confused right now. | 0:18:14 | 0:18:16 | |
'I thought we had a thing back in Madison together' | 0:18:16 | 0:18:19 | |
and I can't believe she doesn't feel the same way. | 0:18:19 | 0:18:21 | |
I'm sorry, it's just the way that it is. | 0:18:21 | 0:18:24 | |
# Kicking in slow-ooh motion | 0:18:24 | 0:18:29 | |
# In slow-ooh motion... # | 0:18:31 | 0:18:35 | |
So, how'd that go? | 0:18:43 | 0:18:44 | |
How do you know this guy? | 0:18:44 | 0:18:45 | |
I heard you and Eldon used to date... | 0:18:45 | 0:18:48 | |
He's from Wisconsin. | 0:18:48 | 0:18:50 | |
Is that it? Anything else? | 0:18:51 | 0:18:54 | |
There's something she's not telling me and that's not OK with me. | 0:18:54 | 0:18:57 | |
I can't really talk about it right now. | 0:18:57 | 0:18:59 | |
Can you just focus on auditions? | 0:18:59 | 0:19:01 | |
Sure. | 0:19:02 | 0:19:04 | |
'At first I didn't think Hunter would be a threat to me, | 0:19:04 | 0:19:07 | |
'but now that' | 0:19:07 | 0:19:08 | |
he's kind of messing with me and Michelle, | 0:19:08 | 0:19:10 | |
I think he actually might be a little bit of a threat. | 0:19:10 | 0:19:13 | |
-Hey, James. -What's up? | 0:19:14 | 0:19:17 | |
Um, I'm actually kind of worried about this whole Emily, Michelle | 0:19:17 | 0:19:20 | |
and Eldon drama, and now there's Hunter drama, too. | 0:19:20 | 0:19:23 | |
Yeah, I know. Think about if Amanda makes it in. | 0:19:23 | 0:19:25 | |
You know how much more drama she's going to make? | 0:19:25 | 0:19:28 | |
Yeah. Maybe The Challenge was a bad idea. | 0:19:28 | 0:19:30 | |
'If we didn't do The Challenge, Amanda wouldn't be here, | 0:19:30 | 0:19:34 | |
'Hunter wouldn't be here, and' | 0:19:34 | 0:19:37 | |
everything would just be the way it was. | 0:19:37 | 0:19:39 | |
Hey, ladies. Excuse me. Emily. | 0:19:39 | 0:19:41 | |
'Eldon actually told me in Culture Shock that he used to date Emily.' | 0:19:41 | 0:19:46 | |
I figured out a way to get Michelle back but I need Emily's help. | 0:19:46 | 0:19:50 | |
Well, what's your plan? | 0:19:50 | 0:19:52 | |
My plan is based off of jealousy. | 0:19:52 | 0:19:54 | |
See, Michelle gets jealous super-easy, so with Emily's help, | 0:19:54 | 0:19:57 | |
'I'll be able to make Michelle realise she wants me back.' | 0:19:57 | 0:20:00 | |
'Hunter's plan is amazingly devious.' | 0:20:00 | 0:20:04 | |
And I really respect that. | 0:20:04 | 0:20:06 | |
You want Eldon back, right? | 0:20:06 | 0:20:07 | |
Yeah. | 0:20:12 | 0:20:13 | |
And I want Michelle back. So, let's help each other. | 0:20:13 | 0:20:17 | |
'I really do want Michelle and Eldon to break up' | 0:20:17 | 0:20:19 | |
but I know from experience | 0:20:19 | 0:20:21 | |
that causing drama isn't the best thing to do, | 0:20:21 | 0:20:25 | |
so I'm going to have to see if it's worth it. | 0:20:25 | 0:20:29 | |
You on board? | 0:20:29 | 0:20:31 | |
'I don't think I'd be able to do it by myself. | 0:20:31 | 0:20:34 | |
'If Emily and I work together...' | 0:20:34 | 0:20:37 | |
Michelle and Eldon don't stand a chance. | 0:20:37 | 0:20:40 |