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Previously on The Next Step... | 0:00:02 | 0:00:04 | |
-Make a list. -A list? | 0:00:04 | 0:00:06 | |
Put anything you want on it and I will do it. | 0:00:06 | 0:00:09 | |
And once I complete it, we're back together. | 0:00:09 | 0:00:12 | |
'I entered the studio because I know Emily and Riley are in there, | 0:00:12 | 0:00:15 | |
'and I felt like' | 0:00:15 | 0:00:16 | |
I should probably get number ten - Get to know Emily - off the list. | 0:00:16 | 0:00:19 | |
Costumes? | 0:00:19 | 0:00:20 | |
'Our National costumes are being delivered today' | 0:00:20 | 0:00:23 | |
and I have to make sure they're put in a safe place. | 0:00:23 | 0:00:25 | |
'I want Hunter and Emily to break up... | 0:00:27 | 0:00:30 | |
'so that she can prove her loyalty to me.' | 0:00:30 | 0:00:32 | |
CAPOEIRA MUSIC PLAYS | 0:00:41 | 0:00:44 | |
'I decided to bring in the capoeira troupe to perform for the Next Step.' | 0:00:52 | 0:00:56 | |
You know, because the kids have all brought in some really | 0:00:56 | 0:00:58 | |
exciting dance troupes, and I figured it was my turn. | 0:00:58 | 0:01:01 | |
The capoeira dancers were actually really cool. | 0:01:11 | 0:01:13 | |
You know, I really enjoyed the style. | 0:01:13 | 0:01:15 | |
Um, it's like a mix of... | 0:01:15 | 0:01:17 | |
martial arts, dancing and tricking, as well. | 0:01:17 | 0:01:20 | |
'So there's a lot of acrobatic moves and it kind of looks | 0:01:33 | 0:01:35 | |
'like they're always, like, dodging each other's movements. | 0:01:35 | 0:01:38 | |
'They stay really low to the ground' | 0:01:38 | 0:01:40 | |
and it's really different. I've never seen anything like it. | 0:01:40 | 0:01:43 | |
'They're doing tricks that West, Eldon and I' | 0:01:54 | 0:01:57 | |
haven't seen before, so we're definitely getting inspired by them. | 0:01:57 | 0:02:00 | |
So, I heard the costumes came in. | 0:02:05 | 0:02:08 | |
Yeah. James and I put them away yesterday. | 0:02:08 | 0:02:10 | |
So, I thought you should know that I've decided to let you join me, | 0:02:11 | 0:02:15 | |
and that means that you're going to help me steal those costumes. | 0:02:15 | 0:02:19 | |
OK. | 0:02:19 | 0:02:20 | |
Good. | 0:02:20 | 0:02:22 | |
I had to break up with Hunter, | 0:02:22 | 0:02:23 | |
isolate myself from all my friends, just to get Amanda to trust me. | 0:02:23 | 0:02:28 | |
It's finally happening. | 0:02:28 | 0:02:30 | |
# We | 0:02:31 | 0:02:33 | |
# We're gonna show the world | 0:02:33 | 0:02:37 | |
# Everything we're made of | 0:02:37 | 0:02:41 | |
# We're gonna tear the roof off this place | 0:02:41 | 0:02:47 | |
# Stand up! # | 0:02:54 | 0:02:56 | |
'I'm just checking in to see how James is doing' | 0:03:12 | 0:03:14 | |
on his quest to win me back. | 0:03:14 | 0:03:16 | |
So, you ready for number seven? | 0:03:17 | 0:03:20 | |
I'm slowly getting through all the tasks that Riley has given me. | 0:03:20 | 0:03:24 | |
So far I've got one, two, ten, four, and eleven. | 0:03:24 | 0:03:28 | |
It's a pretty long list. | 0:03:28 | 0:03:30 | |
No. | 0:03:30 | 0:03:32 | |
I did book the appointment with my doctor to get the malaria pills, | 0:03:32 | 0:03:35 | |
but not until next Thursday. | 0:03:35 | 0:03:37 | |
Oh, I figured you'd say that so I got you number eight. | 0:03:37 | 0:03:40 | |
Number eight is a mystery quest. | 0:03:40 | 0:03:42 | |
All right. | 0:03:42 | 0:03:43 | |
Yeah, you might need some help with this one. | 0:03:43 | 0:03:46 | |
Good luck. | 0:03:47 | 0:03:49 | |
'This is not too difficult for someone who is good at math,' | 0:03:49 | 0:03:54 | |
but James isn't, so... | 0:03:54 | 0:03:56 | |
I just wish him luck. | 0:03:56 | 0:03:58 | |
# I'll follow you | 0:03:58 | 0:04:01 | |
# To the ocean | 0:04:02 | 0:04:04 | |
# I see from a distance but you're disappearing | 0:04:04 | 0:04:07 | |
# Beneath the crashing waves. # | 0:04:07 | 0:04:09 | |
All right, Riley gave me number eight. Let's see what it is. | 0:04:12 | 0:04:15 | |
I don't even know what it is, I've been waiting for you all. | 0:04:15 | 0:04:18 | |
OK. I think it's like a riddle or something. OK. | 0:04:20 | 0:04:23 | |
"A fox, a bag of grain, and a chicken have to cross a river..." | 0:04:23 | 0:04:28 | |
You have to get them each across to one side of the river, | 0:04:28 | 0:04:31 | |
but you could only take one thing in the boat at a time. | 0:04:31 | 0:04:36 | |
The chicken can't be with the grain, or it will eat it. | 0:04:36 | 0:04:38 | |
And the fox can't be left with the chicken, or it will eat the chicken. | 0:04:38 | 0:04:42 | |
This riddle is going to be a breeze. | 0:04:42 | 0:04:44 | |
I mean, how hard is it to take a chicken, a fox, | 0:04:44 | 0:04:47 | |
and a sack of grain across the river? | 0:04:47 | 0:04:49 | |
-Is that it? That's all she left? -That's it? | 0:04:49 | 0:04:53 | |
-Not a chocolate, nothing? -This is going to be so easy, man. | 0:04:53 | 0:04:55 | |
With all four of us. | 0:04:55 | 0:04:57 | |
What if... Does the chicken have to be alive or can I eat it? | 0:04:57 | 0:05:00 | |
Dude, all three of them have to be on the other side, | 0:05:00 | 0:05:04 | |
so they have to be alive. | 0:05:04 | 0:05:06 | |
-If you're hungry... -So we can eat it after? | 0:05:06 | 0:05:08 | |
I got my boys with me, so we got this. Let's do it! | 0:05:08 | 0:05:11 | |
'Amanda and I were going to sneak into Kate's office to steal | 0:05:18 | 0:05:21 | |
'the key to the costume closet, but...' | 0:05:21 | 0:05:23 | |
we weren't expecting to see Phoebe. | 0:05:23 | 0:05:25 | |
So, how we going to get the key now? | 0:05:25 | 0:05:27 | |
Well, uh, since Phoebe's there, | 0:05:27 | 0:05:28 | |
why don't we just come back tomorrow or, like, next week? | 0:05:28 | 0:05:31 | |
No. Follow me. | 0:05:31 | 0:05:33 | |
-Hi, Phoebe. -Hi! | 0:05:36 | 0:05:39 | |
I was wondering if you could show me a yoga position. | 0:05:39 | 0:05:42 | |
I think it's called child's pose. | 0:05:42 | 0:05:44 | |
-Oh, my goodness, I would love to show you... -Not me. | 0:05:44 | 0:05:48 | |
..both the pose. | 0:05:48 | 0:05:49 | |
I would love to show you both. | 0:05:49 | 0:05:51 | |
'I'm so happy.' | 0:05:51 | 0:05:54 | |
I'm, like, bursting with joy inside. | 0:05:54 | 0:05:56 | |
Finally, one of these kids wants to connect with me. | 0:05:56 | 0:05:59 | |
It's actually a rather simple pose. | 0:05:59 | 0:06:01 | |
-This is it, Amanda. -That's great. | 0:06:05 | 0:06:07 | |
'I feel...' | 0:06:07 | 0:06:08 | |
I feel pretty bad about stealing the key. | 0:06:08 | 0:06:10 | |
I mean, stealing is the worst thing you could ever do. | 0:06:10 | 0:06:13 | |
OK, thanks, Phoebe. I appreciate it. | 0:06:13 | 0:06:15 | |
-I've got more. -That's fine, we're good. -OK, bye. | 0:06:15 | 0:06:19 | |
-Lovely to see you girls. -You too. | 0:06:19 | 0:06:21 | |
I just hope I can figure out how to stop this. | 0:06:21 | 0:06:24 | |
Eldon, man, put your chicken tag on. | 0:06:29 | 0:06:31 | |
I don't know who the chicken is if you don't have your nametag on. | 0:06:31 | 0:06:34 | |
'Right now, I just thought maybe we should layout this riddle, | 0:06:34 | 0:06:37 | |
'so that we could' | 0:06:37 | 0:06:38 | |
get it done quicker. So I made a river. | 0:06:38 | 0:06:41 | |
'We've got nametags on, each playing a character.' | 0:06:41 | 0:06:44 | |
We're just working out the riddle. | 0:06:44 | 0:06:45 | |
OK, we've tried chicken off the top, | 0:06:45 | 0:06:48 | |
so I don't care, let's try grain. | 0:06:48 | 0:06:51 | |
-OK. -Maybe there's something we're not seeing. | 0:06:51 | 0:06:53 | |
'Honestly, I think I'm doing quite well on Riley's list. So far...' | 0:06:53 | 0:06:57 | |
I've been getting them done pretty quickly. | 0:06:57 | 0:06:59 | |
Although I'm not going to lie, it's a lot of work. | 0:06:59 | 0:07:01 | |
No, man, this isn't going to work. | 0:07:01 | 0:07:03 | |
I'm the fox, he's the chicken, fox eats the chicken. | 0:07:03 | 0:07:06 | |
-Ah, let's go back. -Come on, let's get in the boat. | 0:07:06 | 0:07:09 | |
Back to this side. | 0:07:09 | 0:07:11 | |
OK, Chicken, get in the boat. | 0:07:13 | 0:07:15 | |
-All right. -Let's go. Get in the boat. | 0:07:15 | 0:07:18 | |
I'm just tired of this. I thought this was going to be easy. | 0:07:18 | 0:07:20 | |
-I know, man. -OK, hop out. OK, now what? | 0:07:20 | 0:07:22 | |
-Um... Grain, get in the boat. -All right. | 0:07:22 | 0:07:25 | |
OK, hop out. OK, we're all good, yeah? | 0:07:29 | 0:07:33 | |
Yeah, this is looking good! | 0:07:33 | 0:07:35 | |
If he gets in... | 0:07:35 | 0:07:37 | |
Oh, James, are you serious right now? Look at this. | 0:07:37 | 0:07:39 | |
Ohh. | 0:07:39 | 0:07:41 | |
I'm the grain, and he's the chicken, | 0:07:41 | 0:07:43 | |
and he could eat me if I'm over here. | 0:07:43 | 0:07:45 | |
It's a lot harder than we initially thought. | 0:07:45 | 0:07:49 | |
Eldon keeps eating me. | 0:07:49 | 0:07:52 | |
But, what, if I were to bring the fox over there, | 0:07:52 | 0:07:54 | |
the fox would have eaten the chicken. | 0:07:54 | 0:07:55 | |
The chicken is causing havoc on all of our lives right now. | 0:07:55 | 0:07:58 | |
Why don't you teach the chicken martial arts? | 0:07:58 | 0:08:00 | |
-There we go! -So it can defend itself. | 0:08:00 | 0:08:02 | |
I think that's a brilliant idea cos then | 0:08:02 | 0:08:04 | |
Chicken wouldn't get eaten by the fox. | 0:08:04 | 0:08:06 | |
You can't teach a chicken how to do martial arts. | 0:08:06 | 0:08:08 | |
Especially against a fox. | 0:08:08 | 0:08:10 | |
Uh, yeah, I've seen fighting chickens. I've seen it. | 0:08:10 | 0:08:12 | |
The martial arts idea is ridiculous. Teaching a chicken martial arts? | 0:08:12 | 0:08:17 | |
We can't teach the animals anything. | 0:08:17 | 0:08:20 | |
They have to stay how they are. | 0:08:20 | 0:08:22 | |
Everybody on this side of the river bank. Let's go. | 0:08:22 | 0:08:26 | |
I'm not going to lie to you, it's going pretty bad right now. | 0:08:26 | 0:08:28 | |
It's definitely a hard riddle, but we got to keep trying. | 0:08:28 | 0:08:31 | |
Hurry up. | 0:08:41 | 0:08:43 | |
'I don't know if I'm going to let Emily join me officially.' | 0:08:43 | 0:08:47 | |
I think I have to see what lengths she'll go to first. | 0:08:47 | 0:08:50 | |
'I really don't want to do this,' | 0:08:51 | 0:08:53 | |
but I don't have enough proof to expose Amanda yet. | 0:08:53 | 0:08:56 | |
-OK, here. -Thanks. | 0:08:58 | 0:09:00 | |
-Uh... -So we shred them. | 0:09:04 | 0:09:07 | |
When Amanda suggests shredding the costumes, | 0:09:07 | 0:09:09 | |
I swear my heart stops. | 0:09:09 | 0:09:12 | |
I can't let that happen. | 0:09:12 | 0:09:13 | |
If we don't have costumes, we can't go to Nationals. | 0:09:13 | 0:09:16 | |
No, that'll take too long. | 0:09:16 | 0:09:18 | |
Um... Let's hide them in the garbage? | 0:09:18 | 0:09:21 | |
The garbage? | 0:09:21 | 0:09:22 | |
Yeah, I saw it in a heist movie, and I know a back way out, so follow me. | 0:09:22 | 0:09:25 | |
'Once they're hidden, I can somehow get them back' | 0:09:25 | 0:09:27 | |
into the costume closet and make sure they're safe again. | 0:09:27 | 0:09:30 | |
'Kate kicked us out of Studio A, so we're in the music room | 0:09:30 | 0:09:33 | |
'trying to figure out the riddle.' | 0:09:33 | 0:09:35 | |
Yeah, it won't work. You just said what if the fox is invisible. | 0:09:35 | 0:09:38 | |
OK, wait, wait, wait. Everything's there. | 0:09:38 | 0:09:40 | |
-You're standing... -It's not part of the riddle. | 0:09:40 | 0:09:42 | |
-There has to be a way around this. -We're thinking about this all wrong. | 0:09:42 | 0:09:45 | |
We're not farm boys, we are city boys. | 0:09:45 | 0:09:47 | |
We have to switch our items. | 0:09:47 | 0:09:51 | |
Personally, I think switching the names will really help because | 0:09:51 | 0:09:55 | |
these are all, like, farm animals that they were talking about | 0:09:55 | 0:09:58 | |
so switching it to, like, the city scene | 0:09:58 | 0:10:00 | |
will definitely help us. | 0:10:00 | 0:10:02 | |
Like a raccoon. | 0:10:02 | 0:10:04 | |
A raccoon is a city animal. | 0:10:04 | 0:10:05 | |
-I know. -That's why he said it. | 0:10:05 | 0:10:08 | |
Anyway, sorry. | 0:10:08 | 0:10:09 | |
OK, we have a raccoon, and then what else? Come on. | 0:10:09 | 0:10:13 | |
-Oh, like, a sandwich. -Sandwich. Raccoon, sandwich. | 0:10:13 | 0:10:15 | |
A raccoon would eat a sandwich. | 0:10:15 | 0:10:17 | |
So we have a raccoon. | 0:10:17 | 0:10:19 | |
Yo, wait, time out. I'm the sandwich, just so everyone knows. | 0:10:19 | 0:10:21 | |
-Uh, no. -You're the sandwich, that's fine. | 0:10:21 | 0:10:23 | |
I think I should be the sandwich. I mean, I'm pretty edible. | 0:10:23 | 0:10:26 | |
No, OK, but listen. I'm the chicken and chicken sandwiches are the best. | 0:10:26 | 0:10:29 | |
'I mean, I appreciate them brainstorming different ideas,' | 0:10:29 | 0:10:32 | |
but if we could just focus on the real riddle more, | 0:10:32 | 0:10:36 | |
that would be greatly appreciated. | 0:10:36 | 0:10:38 | |
Who cares who the sandwich is. We'll figure it out later. | 0:10:38 | 0:10:41 | |
We need a third object. | 0:10:41 | 0:10:42 | |
Yes, who cares who the sandwich is. I'm the sandwich. | 0:10:42 | 0:10:44 | |
Uh, the city. Think of the city. Um... | 0:10:44 | 0:10:47 | |
-Yo, money. -Yeah, money. A bag of money. | 0:10:47 | 0:10:49 | |
Yeah, there we go. | 0:10:49 | 0:10:51 | |
That could work. | 0:10:51 | 0:10:53 | |
-It works. -A raccoon, sandwich and a bag of money. | 0:10:53 | 0:10:55 | |
But a sandwich doesn't eat money. | 0:10:55 | 0:10:57 | |
No, but it cost money. | 0:10:57 | 0:10:59 | |
Exactly. Oh, yes. | 0:10:59 | 0:11:02 | |
That's a good one. | 0:11:02 | 0:11:04 | |
OK, now I guess it's raccoon, money and sandwich. | 0:11:04 | 0:11:07 | |
I mean, if that's what it takes to get them to focus, whatever, | 0:11:07 | 0:11:10 | |
change the things. | 0:11:10 | 0:11:12 | |
# Go, go, shake it, go | 0:11:15 | 0:11:19 | |
# Go, go, shake it, go | 0:11:19 | 0:11:22 | |
# Go, go, shake it, go | 0:11:22 | 0:11:25 | |
# Go, go, shake it, go. # | 0:11:25 | 0:11:28 | |
I have had enough of the chicken, and the fox, and the grain. | 0:11:29 | 0:11:33 | |
'I've come into the music room to get the costumes for Nationals | 0:11:33 | 0:11:35 | |
'and I see the boys are still working on their riddle. | 0:11:35 | 0:11:38 | |
'Honestly, I don't have time for this.' | 0:11:38 | 0:11:40 | |
Where are the costumes? | 0:11:43 | 0:11:45 | |
We put them right here. | 0:11:45 | 0:11:46 | |
James, they're not there. Where are the costumes? | 0:11:47 | 0:11:50 | |
I put the costumes there, I swear. | 0:11:50 | 0:11:51 | |
If we don't have the costumes, we can't go to Nationals. | 0:11:51 | 0:11:54 | |
I promise you, me and Emily put the costumes there. | 0:11:54 | 0:11:56 | |
-OK, so you and Emily received the costumes, right? -Yes. | 0:11:56 | 0:11:59 | |
-OK, let's go find Emily. -OK. | 0:11:59 | 0:12:00 | |
'You walk into Nationals without costumes,' | 0:12:02 | 0:12:05 | |
you automatically get points taken off. | 0:12:05 | 0:12:07 | |
If you have points taken off before you've even hit the stage, | 0:12:07 | 0:12:10 | |
you're done for. | 0:12:10 | 0:12:11 | |
Emily. Office, now. | 0:12:14 | 0:12:17 | |
'When Kate calls me into the office, I'm a little nervous. I mean...' | 0:12:17 | 0:12:22 | |
It could be about the costumes, it could be about something else. | 0:12:22 | 0:12:25 | |
I just know it's not good. | 0:12:25 | 0:12:26 | |
Do you remember anything suspicious happening | 0:12:26 | 0:12:29 | |
-when the costumes were delivered? -No. | 0:12:29 | 0:12:30 | |
I'm not asking you, I'm asking Emily. | 0:12:30 | 0:12:33 | |
Uh, when they were delivered, no. | 0:12:33 | 0:12:35 | |
I really didn't want James to be dragged into this. | 0:12:35 | 0:12:38 | |
I completely forgot he was with me when we put the costumes away. | 0:12:38 | 0:12:41 | |
And you're positive you dropped them off in the costume closet? | 0:12:41 | 0:12:44 | |
Yes, we put them right where I showed you. | 0:12:44 | 0:12:46 | |
I definitely put the costumes there, and Emily knows it. | 0:12:46 | 0:12:49 | |
So, I just want to make sure everybody knows | 0:12:49 | 0:12:51 | |
I put the costumes there. | 0:12:51 | 0:12:53 | |
We're going to have to tell the other dancers. | 0:12:53 | 0:12:55 | |
OK. | 0:12:55 | 0:12:56 | |
'I can't call Amanda out yet.' | 0:12:58 | 0:13:00 | |
No-one believes me about anything. | 0:13:00 | 0:13:02 | |
And besides, my first priority is getting those costumes back. | 0:13:02 | 0:13:06 | |
Guys, I have some bad news. | 0:13:09 | 0:13:11 | |
What is it? | 0:13:12 | 0:13:13 | |
What's going on? | 0:13:13 | 0:13:15 | |
-The costumes are missing. They're gone. -What? | 0:13:15 | 0:13:17 | |
They're not in the closet. | 0:13:17 | 0:13:19 | |
'When Kate realises that the costumes are missing...' | 0:13:19 | 0:13:22 | |
I try and hide the smile on my face. I mean... | 0:13:22 | 0:13:25 | |
Messing with The Next Step just makes me happy. | 0:13:25 | 0:13:28 | |
I don't know why. | 0:13:28 | 0:13:30 | |
Hearing that the costumes have gone missing... | 0:13:30 | 0:13:33 | |
..is the worst possible thing that I could've heard right now. | 0:13:34 | 0:13:37 | |
Who would want to steal our costumes? | 0:13:37 | 0:13:41 | |
Maybe it could be Elite? | 0:13:41 | 0:13:43 | |
I don't... I honestly don't know. | 0:13:43 | 0:13:45 | |
OK, let's not panic. Maybe they've just been misplaced. | 0:13:45 | 0:13:48 | |
We'll all split up all over the studio and look for them. | 0:13:48 | 0:13:50 | |
Good idea, Chloe. So... | 0:13:50 | 0:13:53 | |
You take the foyer and I'll take the change rooms. | 0:13:53 | 0:13:56 | |
I say Emily will look in the foyer, so no-one else will look there | 0:13:56 | 0:13:59 | |
and find the costumes hidden in the garbage. | 0:13:59 | 0:14:02 | |
OK, well, let's go. Go look. | 0:14:02 | 0:14:04 | |
'Emily hasn't really kept me in the loop with everything, but' | 0:14:04 | 0:14:07 | |
I have a feeling that Amanda has something to do with this. | 0:14:07 | 0:14:10 | |
HE SNIFFS | 0:14:15 | 0:14:17 | |
'When I see West, he is acting' | 0:14:21 | 0:14:23 | |
so weird. | 0:14:23 | 0:14:25 | |
But then again, it's West, so it might be normal for him. | 0:14:25 | 0:14:29 | |
Hiss! Back it up. Never pet a raccoon. | 0:14:29 | 0:14:32 | |
What are you doing? | 0:14:32 | 0:14:34 | |
Oh, I'm just channelling my inner raccoon to try | 0:14:34 | 0:14:37 | |
and find the costumes. | 0:14:37 | 0:14:38 | |
When I take on characters like these, | 0:14:38 | 0:14:40 | |
I really like to become a method actor. | 0:14:40 | 0:14:44 | |
You know, I don't like to just do it, I want to live it. | 0:14:44 | 0:14:47 | |
I...I've looked everywhere. | 0:14:47 | 0:14:49 | |
I looked in the music room, in the hallways, and I can't find them. | 0:14:49 | 0:14:53 | |
Hopefully someone else will, so... | 0:14:53 | 0:14:54 | |
'I am extremely worried about the costumes.' | 0:14:54 | 0:14:58 | |
But then it hits me - raccoons like the garbage. | 0:14:58 | 0:15:02 | |
I don't even know what raccoons do. What do they do? | 0:15:02 | 0:15:05 | |
Raccoons go in the garbage. You should go in the garbage. | 0:15:05 | 0:15:08 | |
The garbage! Nice! Good one, Emily. Thanks! | 0:15:08 | 0:15:10 | |
Yeah. Uh, good luck. | 0:15:10 | 0:15:12 | |
I really hope this works. | 0:15:13 | 0:15:15 | |
Or we're sunk. | 0:15:15 | 0:15:17 | |
Any luck? | 0:15:33 | 0:15:35 | |
-ALL: -No. | 0:15:35 | 0:15:36 | |
I can't believe no-one has found the costumes. | 0:15:36 | 0:15:39 | |
I looked everywhere, everyone looked everywhere, | 0:15:39 | 0:15:41 | |
and the costumes are nowhere in sight. | 0:15:41 | 0:15:44 | |
What are we going to do without costumes? | 0:15:44 | 0:15:47 | |
'No-one found the costumes. I guess Emily's hiding spot worked.' | 0:15:47 | 0:15:51 | |
That impresses me. | 0:15:51 | 0:15:53 | |
'I have no idea whether West is going to come through or not,' | 0:15:53 | 0:15:57 | |
so I'm getting really, really worried. | 0:15:57 | 0:15:59 | |
Hey, guys, I found the costumes. | 0:16:00 | 0:16:04 | |
-Oh, yes! -Oh, my gosh. | 0:16:04 | 0:16:06 | |
I am so relieved. I have never been happier to see him. | 0:16:08 | 0:16:12 | |
Where'd you find them? | 0:16:12 | 0:16:14 | |
I, uh, found them in the trash. | 0:16:14 | 0:16:16 | |
Why were you in the trash? | 0:16:16 | 0:16:18 | |
Who goes through garbage trying to find costumes? | 0:16:18 | 0:16:21 | |
Well, if you must know... | 0:16:21 | 0:16:24 | |
As I was channelling my inner raccoon, | 0:16:24 | 0:16:27 | |
the trash just spoke to me, and voila. | 0:16:27 | 0:16:30 | |
It was just right there, on top of the garbage. | 0:16:30 | 0:16:32 | |
'I mean, I didn't really have to do much except for just be' | 0:16:32 | 0:16:36 | |
a method actor. | 0:16:36 | 0:16:37 | |
So, you climbed in the trash? | 0:16:38 | 0:16:40 | |
Yes, I did. | 0:16:40 | 0:16:41 | |
Who cares where you found them? We have costumes! | 0:16:41 | 0:16:44 | |
THEY CHEER | 0:16:44 | 0:16:46 | |
You need a shower. | 0:16:46 | 0:16:48 | |
Yeah, go wash those hands. | 0:16:48 | 0:16:49 | |
OK, give me these. | 0:16:49 | 0:16:51 | |
These are coming home with me for safe keeping | 0:16:51 | 0:16:54 | |
until we leave for Nationals. | 0:16:54 | 0:16:56 | |
Yeah, you do that. | 0:16:56 | 0:16:58 | |
'West finds the costumes in the garbage, | 0:16:58 | 0:17:01 | |
'but Emily was supposed to be' | 0:17:01 | 0:17:03 | |
guarding the foyer so no-one else would look there and find them. | 0:17:03 | 0:17:06 | |
'I don't get it.' | 0:17:06 | 0:17:07 | |
We're going to Nationals! | 0:17:07 | 0:17:09 | |
'When I saw' | 0:17:09 | 0:17:10 | |
the costumes on top of the garbage, I mean, | 0:17:10 | 0:17:13 | |
at that moment I was a raccoon, but if I was West in that moment - | 0:17:13 | 0:17:17 | |
IF I was West - | 0:17:17 | 0:17:19 | |
I'd probably think, | 0:17:19 | 0:17:21 | |
"Why are the costumes on top of the garbage?" | 0:17:21 | 0:17:23 | |
I mean, was someone trying to throw them out? | 0:17:23 | 0:17:25 | |
Who would throw out brand-new costumes? | 0:17:26 | 0:17:30 | |
I am a little upset because I wasn't able to expose Amanda. | 0:17:30 | 0:17:33 | |
-One, two, three... -ALL: Raccoon! | 0:17:33 | 0:17:36 | |
Yeah! | 0:17:36 | 0:17:37 | |
I guess I'm just going to have to stick with Amanda | 0:17:37 | 0:17:39 | |
a little longer than I had hoped. | 0:17:39 | 0:17:41 | |
So, why did you want me here? | 0:17:55 | 0:17:57 | |
We've been waiting for you. | 0:18:00 | 0:18:01 | |
'We decided to take a very professional approach to it' | 0:18:01 | 0:18:04 | |
'because we want to show her' | 0:18:04 | 0:18:05 | |
how hard we worked on this riddle. | 0:18:05 | 0:18:07 | |
-Hi, Riley. -Hi... | 0:18:07 | 0:18:10 | |
Today, you will be playing the role of the sack of grain. | 0:18:10 | 0:18:13 | |
You know why? | 0:18:13 | 0:18:14 | |
Because we figured out the riddle. | 0:18:15 | 0:18:17 | |
'We asked Riley to play the part of the sack of grain, | 0:18:17 | 0:18:19 | |
'because West, he kind of took the raccoon thing too far,' | 0:18:19 | 0:18:23 | |
so he's out somewhere being a raccoon, literally. | 0:18:23 | 0:18:28 | |
If you may, come with me to the river bank. Follow me. | 0:18:29 | 0:18:32 | |
Gentlemen, please welcome the newly played role | 0:18:34 | 0:18:37 | |
of the sack of grain, replacing West - Riley. | 0:18:37 | 0:18:41 | |
'The riddle was, honestly,' | 0:18:41 | 0:18:44 | |
it was so long. | 0:18:44 | 0:18:45 | |
It took us the whole day and we worked so hard. | 0:18:45 | 0:18:47 | |
Chicken, in the boat, please. | 0:18:47 | 0:18:49 | |
Off the boat. | 0:18:57 | 0:18:59 | |
'It's kind of funny to see James' | 0:18:59 | 0:19:01 | |
take this so seriously | 0:19:01 | 0:19:02 | |
because obviously he never takes anything seriously. | 0:19:02 | 0:19:05 | |
Grain, my sack, in the boat. | 0:19:05 | 0:19:08 | |
I'd appreciate it next time, if you're in the boat, | 0:19:14 | 0:19:16 | |
to rub my shoulders as we cross. | 0:19:16 | 0:19:18 | |
Chicken, in the boat. | 0:19:18 | 0:19:19 | |
Yeah, that's right. He taught a chicken how to row. | 0:19:21 | 0:19:24 | |
Chicken, off the boat. Fox, on the boat. | 0:19:24 | 0:19:28 | |
Hey, hey, hey. Watch yourself. On the boat. | 0:19:28 | 0:19:31 | |
That's right. He taught the fox how to give a massage. | 0:19:31 | 0:19:34 | |
Fox, off the boat. | 0:19:35 | 0:19:36 | |
I'm watching you. | 0:19:38 | 0:19:39 | |
Chicken, on the boat. | 0:19:41 | 0:19:42 | |
Yeah, he taught the chicken how to do both. | 0:19:44 | 0:19:48 | |
Chicken, off the boat. | 0:19:48 | 0:19:49 | |
A little seasick but he'll be all right. | 0:19:50 | 0:19:53 | |
That's it, that's the riddle. | 0:19:53 | 0:19:55 | |
All three of you are on this side. | 0:19:55 | 0:19:57 | |
That mean's you have to cross off number eight. | 0:19:57 | 0:20:00 | |
'Having solved the riddle feels so great' | 0:20:00 | 0:20:02 | |
because it took so long and so much work to solve this riddle, | 0:20:02 | 0:20:07 | |
but it's done, baby, it's done. It feels great. | 0:20:07 | 0:20:10 | |
Honestly, I didn't think it was going to take him this long. | 0:20:10 | 0:20:13 | |
I want a congratulations. Bring it in. | 0:20:13 | 0:20:16 | |
Give me a hug. Ah, watch the water! You have to jump. | 0:20:17 | 0:20:19 | |
-I'm not jumping. -This is deep. The tide is strong. | 0:20:19 | 0:20:22 | |
Riley, jump. | 0:20:22 | 0:20:23 | |
Riley, jump. We worked all day on this. Thank you. | 0:20:23 | 0:20:26 | |
-All right, let's go. -Now can we go? -We have to row. Stay in the boat. | 0:20:27 | 0:20:30 | |
-I don't want you to drown. -Oh, my goodness. | 0:20:30 | 0:20:32 | |
Thanks, guys. | 0:20:32 | 0:20:33 | |
'Honestly, paddling my girl, out of the music room,' | 0:20:33 | 0:20:36 | |
I feel like a boss. | 0:20:36 | 0:20:37 | |
But I had to keep paddling because we're still in the river. | 0:20:37 | 0:20:40 | |
With everything that's been going on with the missing costumes | 0:20:40 | 0:20:42 | |
and the whole Amanda situation, it's nice to know that James is | 0:20:42 | 0:20:46 | |
still there to make me laugh. | 0:20:46 | 0:20:48 | |
How are we going to get back across? | 0:20:48 | 0:20:50 | |
Oh, don't worry about that, Chicken. | 0:20:50 | 0:20:53 | |
See, I'm hungry. | 0:20:53 | 0:20:56 | |
Ahh! | 0:20:59 | 0:21:01 | |
# We | 0:21:05 | 0:21:08 | |
# We're gonna show the world | 0:21:08 | 0:21:11 | |
# Everything we're made of | 0:21:11 | 0:21:15 | |
# We're gonna tear the roof off | 0:21:15 | 0:21:17 | |
# This place | 0:21:17 | 0:21:19 | |
# You | 0:21:19 | 0:21:22 | |
# You can never fade us out | 0:21:22 | 0:21:26 | |
# Don't even ask the DJ | 0:21:26 | 0:21:29 | |
# Everybody knows We own this town. # | 0:21:29 | 0:21:34 |