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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
So, ready for number seven? | 0:00:03 | 0:00:05 | |
I'm slowly getting through all the tasks that Riley has given me. | 0:00:05 | 0:00:09 | |
What are you doing here? | 0:00:09 | 0:00:10 | |
I came to watch, of course. | 0:00:10 | 0:00:12 | |
I have a feeling that Michelle might be missing us just a little bit. | 0:00:12 | 0:00:17 | |
I found the costumes. THEY CHEER | 0:00:17 | 0:00:20 | |
West finds the costumes in the garbage, | 0:00:20 | 0:00:22 | |
but Emily was supposed to be guarding the foyer | 0:00:22 | 0:00:25 | |
so no-one else would look there and find them. | 0:00:25 | 0:00:27 | |
I'm going to get to the bottom of it. | 0:00:27 | 0:00:29 | |
Hey, how's the list going with James? | 0:00:37 | 0:00:41 | |
Um, actually really well. | 0:00:41 | 0:00:42 | |
I mean, he's taking it seriously which never happens. | 0:00:42 | 0:00:45 | |
Yeah. That is a first. He's so cute. | 0:00:45 | 0:00:48 | |
Riley. | 0:00:48 | 0:00:49 | |
Speak of the devil. | 0:00:51 | 0:00:52 | |
'I've been working my way through Riley's list, | 0:00:52 | 0:00:55 | |
'and I'm so close to the end.' | 0:00:55 | 0:00:56 | |
But I need to talk to her about the next one. | 0:00:56 | 0:00:58 | |
What's up? | 0:00:58 | 0:00:59 | |
I don't want to do number nine, do you want to switch that? | 0:01:02 | 0:01:05 | |
You've had your learner's permit forever. | 0:01:05 | 0:01:07 | |
Don't you want to take me on a real date in a car instead of a bus? | 0:01:07 | 0:01:11 | |
Man, I don't need my license, my mom can drive us. | 0:01:11 | 0:01:14 | |
It's ridiculous. | 0:01:14 | 0:01:15 | |
HE SIGHS | 0:01:15 | 0:01:18 | |
Fine, I'll get my driver's license. | 0:01:18 | 0:01:20 | |
Fine. | 0:01:20 | 0:01:21 | |
So, you want to hang out? | 0:01:23 | 0:01:24 | |
The list isn't done, sorry. | 0:01:24 | 0:01:27 | |
Oh, yeah, you would. OK, cool. | 0:01:27 | 0:01:29 | |
Well, see you later then. | 0:01:29 | 0:01:31 | |
'Honestly, I'm pretty sick of the bus.' | 0:01:31 | 0:01:34 | |
So it'd be nice if he got his driver's license. | 0:01:34 | 0:01:37 | |
# We | 0:01:37 | 0:01:40 | |
# We're gonna show the world | 0:01:40 | 0:01:44 | |
# Everything we're made of | 0:01:44 | 0:01:47 | |
# We're gonna tear the roof off this place | 0:01:47 | 0:01:53 | |
# Stand up! # | 0:02:00 | 0:02:01 | |
'I told Riley that I was going to get my driver's license, | 0:02:16 | 0:02:18 | |
'so right now I'm just waiting' | 0:02:18 | 0:02:20 | |
for the driver instructor to get here. | 0:02:20 | 0:02:22 | |
Off the car! | 0:02:22 | 0:02:23 | |
You will not touch the vehicle until you are ready | 0:02:25 | 0:02:28 | |
to touch the vehicle. Do you understand? | 0:02:28 | 0:02:30 | |
Morning, everyone. | 0:02:30 | 0:02:32 | |
You will notice that I said "morning" | 0:02:32 | 0:02:34 | |
without a good or bad in front of it. | 0:02:34 | 0:02:36 | |
That is because I consider emotions frivolous. Fall in behind me! | 0:02:36 | 0:02:40 | |
The driver instructor kind of looks super stressed out and, like, | 0:02:40 | 0:02:43 | |
wound up real tight. | 0:02:43 | 0:02:44 | |
So, I guess we're going to have to see how this goes. | 0:02:44 | 0:02:46 | |
It is important when you are on the road in any circumstance | 0:02:46 | 0:02:51 | |
you want at least two full car lengths in front of you | 0:02:51 | 0:02:53 | |
to the car that you are following. | 0:02:53 | 0:02:55 | |
You, what did I just say? | 0:02:55 | 0:02:57 | |
I didn't know this was a math class. Ugh. | 0:02:57 | 0:03:01 | |
Um... I have no idea, maybe I should just take the bus. | 0:03:01 | 0:03:06 | |
Maybe you should take the bus, | 0:03:06 | 0:03:07 | |
but what happens if that bus driver passes out | 0:03:07 | 0:03:09 | |
because they go into anaphylactic shock? | 0:03:09 | 0:03:11 | |
Then who's going to drive the bus? You're the only one on the bus. | 0:03:11 | 0:03:14 | |
How many lengths? | 0:03:15 | 0:03:17 | |
One? I don't know. | 0:03:21 | 0:03:22 | |
You're mine. You don't realise it now, but you are mine. | 0:03:22 | 0:03:25 | |
Tomorrow, when you get behind the wheel, | 0:03:25 | 0:03:28 | |
I will personally be administering your examination, and I can't wait. | 0:03:28 | 0:03:31 | |
Tomorrow, you will be mine, you will be my fresh meat. | 0:03:31 | 0:03:35 | |
I will put you in this car and I will cook you. | 0:03:35 | 0:03:37 | |
I will cook you with rules and regulations | 0:03:37 | 0:03:39 | |
until you emerge a well-done steak of driving excellence. | 0:03:39 | 0:03:42 | |
Yeah, uh, there's no way that I'm passing this. | 0:03:42 | 0:03:46 | |
Nope, no way. | 0:03:46 | 0:03:47 | |
'I brought in the Irish dancers to help Giselle | 0:04:02 | 0:04:04 | |
'and Thalia with their duet, they just needed a little bit' | 0:04:04 | 0:04:07 | |
of a push and a different influence, | 0:04:07 | 0:04:08 | |
so I think the Irish dancers will help. | 0:04:08 | 0:04:10 | |
'Chloe's friends performed this Irish dance' | 0:04:15 | 0:04:18 | |
and it's so amazing. I mean, it's my roots. | 0:04:18 | 0:04:22 | |
I think Chloe brought the Irish dancers in so that we could | 0:04:25 | 0:04:28 | |
really see their timing and unison. They're really together | 0:04:28 | 0:04:31 | |
and it's really important to be together as a team. | 0:04:31 | 0:04:34 | |
CHEERING AND APPLAUSE | 0:04:41 | 0:04:45 | |
They were so together, crazy together. | 0:04:45 | 0:04:47 | |
So together, it's just like tapping but harder. | 0:04:47 | 0:04:49 | |
Way harder. | 0:04:49 | 0:04:50 | |
A little bit. | 0:04:50 | 0:04:52 | |
That's how clean we have to be if we're going to win Nationals. | 0:04:52 | 0:04:55 | |
-Definitely. -Yeah, that's for sure. | 0:04:55 | 0:04:56 | |
Speaking of Nationals, have you talked to Michelle recently? | 0:04:56 | 0:04:59 | |
She's taking improv classes and she's on the debate team. | 0:04:59 | 0:05:02 | |
-She's just trying to fill up all her time. -Yeah. | 0:05:02 | 0:05:05 | |
Which means she's doing everything she can to avoid dance. | 0:05:05 | 0:05:07 | |
How many things is Michelle going to do before she realises she is | 0:05:07 | 0:05:12 | |
way more passionate about dance than any of those other things? | 0:05:12 | 0:05:15 | |
So, what I want you to do today is just interpret | 0:05:15 | 0:05:18 | |
the tree for yourselves. | 0:05:18 | 0:05:20 | |
'Right now, I'm just in art class painting | 0:05:20 | 0:05:22 | |
'and it's going pretty well,' | 0:05:22 | 0:05:23 | |
but I'm still trying to find something that I love | 0:05:23 | 0:05:26 | |
as much as I love dance. | 0:05:26 | 0:05:27 | |
OK, keeping in mind the contours and the shadows. | 0:05:27 | 0:05:30 | |
Oh, uh, you painted broccoli. | 0:05:30 | 0:05:33 | |
No, it's a tree, just like this one. | 0:05:33 | 0:05:35 | |
Mm, that's broccoli. But keep working on that. OK. | 0:05:35 | 0:05:39 | |
Love the colours you guys are using here. | 0:05:39 | 0:05:42 | |
Keep working on that. | 0:05:42 | 0:05:43 | |
-Hey, West. -Oh, hey, Amanda. -Hey. | 0:05:51 | 0:05:54 | |
How's this hat look on me? | 0:05:54 | 0:05:56 | |
I don't know if it's really West. | 0:05:56 | 0:05:59 | |
Well, it is western. | 0:05:59 | 0:06:01 | |
What about this hat? | 0:06:01 | 0:06:02 | |
Yeah, you know, that looks pretty good. You should get it. | 0:06:04 | 0:06:07 | |
Um, can I talk to you about something? | 0:06:08 | 0:06:11 | |
It's kind of bugging me. | 0:06:11 | 0:06:12 | |
It never made sense that West found the costumes that I threw away. | 0:06:12 | 0:06:16 | |
I need to know if Emily helped him. | 0:06:16 | 0:06:18 | |
I was just wondering how you actually found the costumes. | 0:06:18 | 0:06:22 | |
You know, I already told you guys. | 0:06:22 | 0:06:24 | |
I was just channelling my inner raccoon, you know, | 0:06:24 | 0:06:27 | |
and it was just there at the garbage. | 0:06:27 | 0:06:29 | |
But I'm confused, wasn't Emily looking over there? | 0:06:29 | 0:06:33 | |
Yeah, you know, I think I recall her saying something about the garbage | 0:06:33 | 0:06:37 | |
but I don't remember. | 0:06:37 | 0:06:39 | |
So she did say something to you? | 0:06:39 | 0:06:41 | |
Yeah. | 0:06:43 | 0:06:44 | |
I knew it. I knew Emily set me up and I knew I couldn't trust her. | 0:06:45 | 0:06:50 | |
Are you OK? | 0:06:59 | 0:07:01 | |
Yeah. | 0:07:01 | 0:07:02 | |
Are you nervous? | 0:07:03 | 0:07:04 | |
No, I'm-I'm-I'm fine. | 0:07:04 | 0:07:07 | |
Oh, my goodness, James is actually nervous. | 0:07:07 | 0:07:09 | |
OK, you should've seen the instructor. OK? He was strict! | 0:07:09 | 0:07:12 | |
And he didn't like me. | 0:07:12 | 0:07:13 | |
He was putting his finger in my face like this. | 0:07:13 | 0:07:15 | |
Don't lean on the car, he's not going to like that. | 0:07:15 | 0:07:18 | |
OK, you know what? You just need to calm down. | 0:07:18 | 0:07:21 | |
Be your normal charming self and you'll be fine. | 0:07:21 | 0:07:23 | |
Um, no, that's what got me in trouble last time. | 0:07:23 | 0:07:25 | |
OK, how about this? | 0:07:25 | 0:07:27 | |
If you pass your test then I will pay for you | 0:07:27 | 0:07:30 | |
to take me to the drive-in movies. | 0:07:30 | 0:07:32 | |
Whenever James is nervous, | 0:07:32 | 0:07:34 | |
I know that a little motivation goes a long way. | 0:07:34 | 0:07:37 | |
Shake on it. | 0:07:37 | 0:07:39 | |
OK, listen, listen. Kids, kids, kids. | 0:07:39 | 0:07:41 | |
-It's almost time, so just stay calm. -OK. Yeah. | 0:07:41 | 0:07:44 | |
Stay focused. | 0:07:44 | 0:07:45 | |
Remember, where did I tell you to keep your hands? | 0:07:45 | 0:07:48 | |
To myself. | 0:07:48 | 0:07:49 | |
10 and 2, James, keep your hands at 10 and 2. | 0:07:50 | 0:07:53 | |
-Right. 10 and 2, 10 and 2. Yeah, yeah, yeah. -Right, OK. | 0:07:53 | 0:07:56 | |
It's going to be fine, you practised really hard. It's going to go well. | 0:07:56 | 0:07:59 | |
-Yeah. -You've just got to, you know, remember what you were doing, relax. | 0:07:59 | 0:08:02 | |
-Don't worry about it. -Don't even worry about it. | 0:08:02 | 0:08:04 | |
-I know I got it. -Is that the guy? -Yeah, this is him. | 0:08:04 | 0:08:07 | |
-He looks nice. -Chill out. | 0:08:07 | 0:08:09 | |
You failed. | 0:08:09 | 0:08:10 | |
It is now illegal for you to operate this motor vehicle. | 0:08:10 | 0:08:13 | |
Please leave your keys in the cup-holder. | 0:08:13 | 0:08:17 | |
-Hey, meat, you remember me from yesterday? -Yeah. | 0:08:17 | 0:08:19 | |
I was the nightmare you had during the day while you were still awake? | 0:08:19 | 0:08:23 | |
-Yeah, man. -Is this your mother? | 0:08:23 | 0:08:24 | |
-Uh, this is my mom and this is my girlfr... -Uh, friend. | 0:08:24 | 0:08:26 | |
Yeah, for now. | 0:08:26 | 0:08:28 | |
It's not a great idea to nauseate me before I administer the exam. | 0:08:28 | 0:08:31 | |
-I banish you. -Uh... | 0:08:32 | 0:08:34 | |
-Should we leave? -You already should be gone, I've banished you. -OK... | 0:08:34 | 0:08:38 | |
You shouldn't be here once you're banished, that's what that means. | 0:08:38 | 0:08:41 | |
I thought James was joking | 0:08:41 | 0:08:43 | |
when he said that the driving instructor was a little bit crazy, | 0:08:43 | 0:08:47 | |
but, yeah, he's probably the scariest person I've ever seen. | 0:08:47 | 0:08:51 | |
I want you to apply the lessons that you learned yesterday in order to... | 0:08:51 | 0:08:54 | |
Are you standing on the yellow line? | 0:08:54 | 0:08:57 | |
BOTH: Yeah. | 0:08:57 | 0:08:58 | |
Step back! | 0:08:58 | 0:09:00 | |
One further, please! | 0:09:00 | 0:09:02 | |
Excellent. | 0:09:02 | 0:09:04 | |
We're going to begin by examining the exterior of our vehicle | 0:09:04 | 0:09:07 | |
as we went through yesterday. | 0:09:07 | 0:09:09 | |
'With this driving instructor...' | 0:09:09 | 0:09:10 | |
I don't think James is passing this test. | 0:09:10 | 0:09:13 | |
Kick the tyre and tell me how much PSI exactly is in that tyre. | 0:09:13 | 0:09:16 | |
-Kick it? -Kick it, kick it with your foot and tell me | 0:09:16 | 0:09:18 | |
how much pressure per square inch is in that tyre! | 0:09:18 | 0:09:21 | |
The whole front of my foot is, like, bruised. | 0:09:23 | 0:09:25 | |
I kicked it so hard. | 0:09:25 | 0:09:27 | |
Doesn't he know I have to dance on these feet and, like, | 0:09:27 | 0:09:29 | |
I have to go back to dance now and try to turn on this bruised foot. | 0:09:29 | 0:09:32 | |
-RILEY LAUGHS -Was that funny? | 0:09:32 | 0:09:34 | |
Was that a funny joke he made? | 0:09:34 | 0:09:35 | |
Not funny, no, not funny. | 0:09:35 | 0:09:38 | |
Kidding. I mean, not kidding, just all serious. | 0:09:38 | 0:09:41 | |
Good afternoon, everyone. | 0:09:51 | 0:09:53 | |
Right now I'm just at school and I'm at debate practice, | 0:09:53 | 0:09:56 | |
and even though I'm on the sub team, I think I'm doing well. | 0:09:56 | 0:10:00 | |
I'm going to go watch Michelle's debate club practice today | 0:10:00 | 0:10:03 | |
because I really need to feel her out and see if she's liking it. | 0:10:03 | 0:10:05 | |
Gas-powered cars are the leading caused of greenhouse | 0:10:05 | 0:10:08 | |
emissions that lead to the warming of our planet. | 0:10:08 | 0:10:11 | |
Michelle's doing really well. She's a really good debater. | 0:10:11 | 0:10:14 | |
-Exceptional job, Michelle. -Thank you. | 0:10:14 | 0:10:17 | |
Remember everyone, the debate starts tonight at 8pm. | 0:10:17 | 0:10:20 | |
-Michelle, you were amazing. -Really? | 0:10:21 | 0:10:24 | |
-You did such a good job, yes! -Thank you. | 0:10:24 | 0:10:26 | |
-You're welcome. -I was so nervous, I didn't think I did good at all. | 0:10:26 | 0:10:30 | |
I know it's nerve-racking, | 0:10:30 | 0:10:31 | |
but how good does it feel when you're up there? | 0:10:31 | 0:10:33 | |
-Pretty good. -OK, so I have bad news and I have good news. | 0:10:33 | 0:10:36 | |
-You know Cleo from the team? -Yeah. | 0:10:36 | 0:10:38 | |
She sprained her oesophagus or something | 0:10:38 | 0:10:41 | |
and she's not able to make the debate tonight. | 0:10:41 | 0:10:43 | |
But the good news is I was hoping that you would step in for her. | 0:10:43 | 0:10:46 | |
Me? Really? You want me on the team? | 0:10:46 | 0:10:49 | |
We want you on the team. | 0:10:49 | 0:10:51 | |
Yeah, I would love to. That sounds amazing. Thank you. | 0:10:51 | 0:10:54 | |
-Awesome. OK, welcome to the team. -Thank you. | 0:10:54 | 0:10:58 | |
We have to do something or else we're going to lose her. | 0:10:58 | 0:11:01 | |
OK, I was hoping this was something that you were going | 0:11:01 | 0:11:03 | |
to notice, your turn signal has been on since we left the lot. | 0:11:03 | 0:11:07 | |
So let's get that off. | 0:11:07 | 0:11:09 | |
When you turned your turn signal off, you turned the hazard | 0:11:09 | 0:11:12 | |
lights on, which usually I would agree with | 0:11:12 | 0:11:14 | |
because you are a hazard, but technically you shouldn't have | 0:11:14 | 0:11:16 | |
them on when you're going with the flow of traffic so get those off. | 0:11:16 | 0:11:20 | |
Yeah, no, hot, cold, hot, cold, hot! | 0:11:20 | 0:11:22 | |
On fire, you did it, great! | 0:11:22 | 0:11:23 | |
That's one thing we've done correct today. | 0:11:23 | 0:11:26 | |
OK, that was a stop sign, that was just a stop sign, | 0:11:26 | 0:11:29 | |
do you remember that one? | 0:11:29 | 0:11:30 | |
It says...it's the most obvious of the signs. | 0:11:30 | 0:11:32 | |
It says stop, I have to mark that down immediately. | 0:11:32 | 0:11:35 | |
OK, that totally wasn't a stop sign. | 0:11:35 | 0:11:38 | |
What is he talking about? | 0:11:38 | 0:11:40 | |
I left a box here that says "the worst" and I check it when | 0:11:40 | 0:11:43 | |
someone's the worst, so I'm going to put a checkmark in that box. | 0:11:43 | 0:11:47 | |
-What? -I'm going to double-check that box, actually. | 0:11:47 | 0:11:49 | |
Two checks for the worst. | 0:11:49 | 0:11:51 | |
I may not be the best driver, but I'm definitely not the worst driver. | 0:11:51 | 0:11:55 | |
You going to cry? | 0:11:55 | 0:11:56 | |
-No. -It seems like you're going to cry. | 0:11:57 | 0:11:59 | |
It seems like one of those times when you ask someone | 0:11:59 | 0:12:02 | |
if they're going to cry and they say no, you ask them one more time... | 0:12:02 | 0:12:05 | |
waterworks, Niagara Falls. | 0:12:05 | 0:12:06 | |
I'm a little choked up in my throat area, OK? | 0:12:06 | 0:12:08 | |
But I'm not going to cry. | 0:12:08 | 0:12:09 | |
Do you ever feel like crying, man? | 0:12:09 | 0:12:11 | |
Yeah, all the time. | 0:12:11 | 0:12:12 | |
I am constantly on the verge of tears but I don't | 0:12:12 | 0:12:15 | |
because I'm a man and I have different outlets. | 0:12:15 | 0:12:17 | |
Like what, man? Let it out, I'm not judging. | 0:12:19 | 0:12:21 | |
I enjoy music, you know, that's one way I channel it. | 0:12:21 | 0:12:25 | |
-Music? -Yeah, do you want to hear a tune? | 0:12:25 | 0:12:28 | |
JAUNTY MUSIC PLAYS | 0:12:28 | 0:12:33 | |
Uh, there's no words, man. | 0:12:33 | 0:12:34 | |
# It's such a beautiful day | 0:12:34 | 0:12:37 | |
# It brings a tear to my eye | 0:12:37 | 0:12:41 | |
# And a wise man once told me | 0:12:41 | 0:12:43 | |
# That it's OK for a man to cry | 0:12:43 | 0:12:46 | |
# Oh, boo-hoo-hoo-hoo ha-ha-ha | 0:12:47 | 0:12:51 | |
# Ah-ah-ah boo-hoo-hoo-hoo | 0:12:51 | 0:12:53 | |
# We're in a school zone | 0:12:53 | 0:12:54 | |
# Boo-hoo-hoo ha-ha-ha | 0:12:54 | 0:12:58 | |
# Boo-hoo ha-ho. # | 0:12:58 | 0:12:59 | |
Why is he singing right now? Why is he singing? | 0:13:00 | 0:13:04 | |
I'm trying not to laugh... | 0:13:04 | 0:13:07 | |
but he's just singing and it's terrible. | 0:13:07 | 0:13:10 | |
# You can cry, don't have to try | 0:13:10 | 0:13:12 | |
# Don't have to run and dry your eyes | 0:13:12 | 0:13:14 | |
# It doesn't matter if you're five | 0:13:14 | 0:13:16 | |
# Or even if you're 35 | 0:13:16 | 0:13:17 | |
# Too many feelings too ignore | 0:13:17 | 0:13:19 | |
# Just find a room and slam that door | 0:13:19 | 0:13:20 | |
# Then snuggle up down on the floor | 0:13:20 | 0:13:22 | |
# Now, ooh, going to cry some more | 0:13:22 | 0:13:24 | |
# Now boo-hoo-hoo ha-ha ha-ha-ha | 0:13:24 | 0:13:27 | |
-BOTH: # Boo-hoo-hoo -Let it out | 0:13:27 | 0:13:30 | |
-# Boo-hoo-hoo-hoo -T-t-t-ten and two | 0:13:30 | 0:13:34 | |
-# Boo-hoo-hoo-hoo -You got to stop now | 0:13:34 | 0:13:37 | |
-# Boo-hoo-hoo-hoo -It was a false alarm | 0:13:37 | 0:13:40 | |
# Boo-hoo-hoo-hoo... # | 0:13:40 | 0:13:42 | |
-I don't know how she likes that. -Dance, debate. | 0:13:48 | 0:13:51 | |
-Hey guys, what are you talking about? -Ds, right? | 0:13:51 | 0:13:53 | |
We're actually talking about Michelle. | 0:13:53 | 0:13:55 | |
I saw her compete in debate club today and she was really good. | 0:13:55 | 0:13:58 | |
-Like, really good. -That doesn't surprise me. | 0:13:58 | 0:14:00 | |
She's always been good at arguing. You know what I'm saying? | 0:14:00 | 0:14:03 | |
Yeah, she's actually competing in another debate tonight and I'm | 0:14:03 | 0:14:06 | |
afraid that if she does well she's not going to come back to dance. | 0:14:06 | 0:14:09 | |
Michelle is a very big asset to the team, | 0:14:09 | 0:14:11 | |
without her it's not the same. | 0:14:11 | 0:14:13 | |
OK, there's no way that she's more passionate about debating | 0:14:13 | 0:14:17 | |
than dance. But we have to convince her of that. | 0:14:17 | 0:14:21 | |
Michelle's been dancing her entire life | 0:14:21 | 0:14:24 | |
and she's been debating for about a week, so... | 0:14:24 | 0:14:27 | |
I have an idea. | 0:14:27 | 0:14:29 | |
What if we show up to the debate tonight | 0:14:29 | 0:14:31 | |
and show her that we're all there to support her, maybe it'll | 0:14:31 | 0:14:34 | |
remind her of how much of a family we are and she'll want to come back. | 0:14:34 | 0:14:37 | |
-Yes. -That's a pretty good idea. -I'm up for that. | 0:14:37 | 0:14:39 | |
-We all have to be there. -Yeah. | 0:14:39 | 0:14:41 | |
-But it's definitely worth a shot. -Why not? | 0:14:41 | 0:14:43 | |
I don't know if it will work but I'm hoping that once | 0:14:43 | 0:14:46 | |
she sees all of us there for her... | 0:14:46 | 0:14:49 | |
she'll want to come back. | 0:14:49 | 0:14:50 | |
# Don't kiss girls who aren't your girlfriend | 0:14:59 | 0:15:02 | |
# Collect them all so you can roll your coins | 0:15:02 | 0:15:06 | |
# No YOLO. # | 0:15:06 | 0:15:07 | |
Yeah, no YOLO, you're getting it. | 0:15:07 | 0:15:10 | |
# No YOLO. # | 0:15:10 | 0:15:11 | |
-Yeah. -OK, so... | 0:15:17 | 0:15:18 | |
Do you want the good news or the bad news first? | 0:15:18 | 0:15:21 | |
I'll save you the trouble, they're the same, you failed. | 0:15:21 | 0:15:24 | |
What? Why? | 0:15:24 | 0:15:26 | |
Uh, your pitch. | 0:15:26 | 0:15:27 | |
It was your pitch. If you're trying to hit a harmony with me | 0:15:27 | 0:15:30 | |
and you're not hitting it at the pitch I need you to, | 0:15:30 | 0:15:32 | |
it's just dissonance, it's ugly. | 0:15:32 | 0:15:34 | |
The pitch of the song, are you kidding? | 0:15:34 | 0:15:36 | |
Yes, the pitch of the song. I wanted you to take that seriously. | 0:15:36 | 0:15:38 | |
That has nothing to do with the driving. | 0:15:38 | 0:15:40 | |
You're right. | 0:15:42 | 0:15:45 | |
You passed. | 0:15:45 | 0:15:46 | |
-I pa... What? -You've earned my respect, | 0:15:46 | 0:15:48 | |
because anyone who can manage to drive around | 0:15:48 | 0:15:50 | |
and do all those turns, and the three point, and the parallel while | 0:15:50 | 0:15:53 | |
they're singing my perfectly crafted songs can drive a car anywhere. | 0:15:53 | 0:15:57 | |
-So, I passed? -You're a heck of a driver. | 0:15:57 | 0:15:59 | |
Yes, man. OK, all right, yeah. | 0:15:59 | 0:16:01 | |
My mom and my girlfriend are just outside, can you do me a favour? | 0:16:03 | 0:16:05 | |
-Yeah. -Listen. | 0:16:05 | 0:16:07 | |
'I'm a little nervous because I don't know how James did.' | 0:16:07 | 0:16:10 | |
I mean, the car's still intact, so that's a good sign. | 0:16:10 | 0:16:14 | |
OK, listen. Do you think we should go? | 0:16:16 | 0:16:19 | |
-I guess, the test is over so... -OK, let's go. Come on. | 0:16:19 | 0:16:22 | |
-James. -How did you do? | 0:16:22 | 0:16:24 | |
Well, to use a phrase that is no doubt | 0:16:24 | 0:16:27 | |
familiar to you, your son has failed. | 0:16:27 | 0:16:30 | |
He's one of the worst drivers I have ever seen. | 0:16:30 | 0:16:32 | |
It'll be two years before he's allowed to take the test again. | 0:16:32 | 0:16:35 | |
And in that time, if I see him so much as look at a car, | 0:16:35 | 0:16:38 | |
I will personally box his ears. | 0:16:38 | 0:16:40 | |
Two years? No, he's got to drive himself home. | 0:16:40 | 0:16:42 | |
I've got Zumba class in 20 minutes. | 0:16:42 | 0:16:43 | |
-He's supposed to take me on a date tonight! -What went wrong? | 0:16:43 | 0:16:46 | |
Two years? How are we supposed to wait for two years | 0:16:46 | 0:16:49 | |
for him to get his driver's license? | 0:16:49 | 0:16:50 | |
It's priceless to see Riley's face. | 0:16:50 | 0:16:52 | |
She was just so broken inside, just... | 0:16:52 | 0:16:55 | |
OK, this is a very conscientious driver. | 0:16:55 | 0:16:57 | |
I've been in the car with him, he's checking his blind spot | 0:16:57 | 0:17:00 | |
-all the time, he parallel parks... -THEY LAUGH | 0:17:00 | 0:17:02 | |
What? What is so funny? | 0:17:02 | 0:17:03 | |
I'm sorry, he passed, he passed. We got you. | 0:17:03 | 0:17:05 | |
It was just a classic bit of DMV humour | 0:17:05 | 0:17:07 | |
and it's funny every single time. | 0:17:07 | 0:17:09 | |
I don't think it's funny, mister. | 0:17:09 | 0:17:11 | |
You will later, think about it, you'll have a chuckle fit. | 0:17:11 | 0:17:14 | |
OK, who's next? | 0:17:14 | 0:17:15 | |
James, don't do that! | 0:17:15 | 0:17:17 | |
I got it. | 0:17:17 | 0:17:19 | |
I'm so pumped that I got the driver's license. | 0:17:19 | 0:17:21 | |
Boom, another check off the list. | 0:17:21 | 0:17:23 | |
Welcome, everyone, to tonight's debate. | 0:17:29 | 0:17:32 | |
My name is Yan and I'll be your moderator for this evening. | 0:17:32 | 0:17:35 | |
The resolution is that the House would ban the genetic | 0:17:35 | 0:17:37 | |
modification of food. | 0:17:37 | 0:17:39 | |
I call upon Alison as leader on side proposition. | 0:17:39 | 0:17:43 | |
So, tonight, Alison and I have our debate | 0:17:43 | 0:17:45 | |
and it's about genetically modified foods. | 0:17:45 | 0:17:47 | |
I guess I'm kind of nervous | 0:17:47 | 0:17:49 | |
just because I'm used to dancing in public, | 0:17:49 | 0:17:52 | |
but I'm not used to public speaking. | 0:17:52 | 0:17:55 | |
I'm going to be speaking about the negative socioeconomic impact... | 0:17:55 | 0:17:59 | |
Michelle is definitely happy to see us. | 0:17:59 | 0:18:02 | |
'Hopefully seeing everyone here will remind Michelle' | 0:18:02 | 0:18:05 | |
that she belongs at The Next Step. | 0:18:05 | 0:18:07 | |
..that this House would ban the genetic modification of food | 0:18:07 | 0:18:10 | |
-will and must stand. -APPLAUSE | 0:18:10 | 0:18:13 | |
Thank you. We will now hear from on side opposition. | 0:18:13 | 0:18:16 | |
'I'm excited when I see Michelle. I really miss having her around | 0:18:16 | 0:18:19 | |
'at the studio and just having her as a friend.' | 0:18:19 | 0:18:22 | |
So, it's really great when I see her again. | 0:18:22 | 0:18:24 | |
Showing up at this debate | 0:18:24 | 0:18:26 | |
to try and get Michelle back at the studio, | 0:18:26 | 0:18:29 | |
it's not going to work. | 0:18:29 | 0:18:30 | |
..modification of food must fall. Thank you. | 0:18:30 | 0:18:32 | |
APPLAUSE | 0:18:32 | 0:18:35 | |
I now call upon Michelle on side proposition. | 0:18:35 | 0:18:37 | |
THEY CHEER | 0:18:37 | 0:18:40 | |
Thank you. Genetically modified foods reduce genetic diversity | 0:18:42 | 0:18:46 | |
of plants and wildlife. Genetic modification triggers | 0:18:46 | 0:18:49 | |
a genetic contamination that is irreversible. | 0:18:49 | 0:18:52 | |
'As much as I hate to admit it,' | 0:18:52 | 0:18:54 | |
Michelle's actually really great at debate. | 0:18:54 | 0:18:56 | |
We, on side proposition, do not believe... | 0:18:56 | 0:18:59 | |
'I mean, of course she's good at this, she's good at everything.' | 0:18:59 | 0:19:02 | |
But I can tell she really enjoys this. | 0:19:02 | 0:19:04 | |
..the environmental impact of GMO foods | 0:19:04 | 0:19:07 | |
and their negative socioeconomic effects. | 0:19:07 | 0:19:09 | |
The resolution before the House today is that this House | 0:19:09 | 0:19:12 | |
would ban the genetically modified foods. | 0:19:12 | 0:19:14 | |
This will and must stand. Thank you. | 0:19:14 | 0:19:17 | |
CHEERING AND APPLAUSE | 0:19:17 | 0:19:20 | |
'That was so amazing! It's definitely the most fun that I've had | 0:19:22 | 0:19:25 | |
'ever since I left the studio.' | 0:19:25 | 0:19:27 | |
All right, the judges have decided | 0:19:27 | 0:19:29 | |
and the winner of tonight's debate is side proposition. | 0:19:29 | 0:19:32 | |
Congratulations. | 0:19:32 | 0:19:33 | |
CHEERING AND APPLAUSE | 0:19:33 | 0:19:37 | |
'After seeing Michelle have so much fun,' | 0:19:39 | 0:19:42 | |
I'm not too sure we're going to be able to convince her to come back. | 0:19:42 | 0:19:45 | |
-Good job. -Good job. | 0:19:47 | 0:19:49 | |
-Michelle! -That was so good. | 0:19:52 | 0:19:54 | |
You're really good at debating. | 0:19:54 | 0:19:55 | |
Yeah, you're really good with your words. | 0:19:55 | 0:19:57 | |
Thanks, guys, but why are you guys here? | 0:19:57 | 0:20:00 | |
I didn't expect you guys to come. | 0:20:00 | 0:20:02 | |
Look, we all came to try to convince you to come back to dance. | 0:20:03 | 0:20:07 | |
We all really want you there, and we really miss you. | 0:20:07 | 0:20:10 | |
-Yeah, we miss you. -We really do. -Yeah. -It's true. | 0:20:10 | 0:20:13 | |
Miss you, girl. | 0:20:14 | 0:20:16 | |
Look, I miss you guys too. | 0:20:16 | 0:20:18 | |
Well, do you want to come hang out with us? | 0:20:18 | 0:20:20 | |
-Yeah, we're going for pizza. -I don't... | 0:20:20 | 0:20:22 | |
Michelle, we're leaving for dinner now, I'll wait for you outside. | 0:20:22 | 0:20:25 | |
Wasn't she incredible? | 0:20:25 | 0:20:26 | |
The debate team really wants me to go for dinner, | 0:20:28 | 0:20:31 | |
but I really appreciate you guys coming. | 0:20:31 | 0:20:33 | |
Come on, pizza's way better than some dinner. | 0:20:33 | 0:20:35 | |
'The team coming to try and get me back is nice and all,' | 0:20:35 | 0:20:39 | |
but they know that I'm not coming back. | 0:20:39 | 0:20:41 | |
I'm sorry, guys, thanks for coming though. See you later. | 0:20:41 | 0:20:45 | |
Bye, guys. | 0:20:45 | 0:20:46 | |
'It's kind of disappointing. I mean, she's moving on and...' | 0:20:48 | 0:20:51 | |
I don't think she's coming back to The Next Step. | 0:20:53 | 0:20:56 | |
'I like debating and I'm kind of over dance.' | 0:20:56 | 0:20:59 | |
I've kind of fallen in love with something else. | 0:20:59 | 0:21:01 | |
# We | 0:21:05 | 0:21:09 | |
# We're gonna show the world | 0:21:09 | 0:21:12 | |
# Everything we're made of | 0:21:12 | 0:21:15 | |
# We're gonna tear the roof off | 0:21:15 | 0:21:17 | |
# This place You | 0:21:17 | 0:21:22 | |
# You can never fade us out | 0:21:22 | 0:21:26 | |
# Don't even ask the DJ | 0:21:26 | 0:21:29 | |
# Everybody knows We own this town. # | 0:21:29 | 0:21:33 |