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Previously on The Next Step... | 0:00:02 | 0:00:04 | |
Hopefully, seeing everyone here will remind Michelle | 0:00:04 | 0:00:06 | |
that she belongs at The Next Step. | 0:00:06 | 0:00:08 | |
Michelle, we're leaving for dinner now. I'll wait for you outside. | 0:00:08 | 0:00:11 | |
Wasn't she incredible? | 0:00:11 | 0:00:12 | |
See you later. | 0:00:12 | 0:00:14 | |
I'm kind of over dance. | 0:00:14 | 0:00:15 | |
I've kind of fallen in love with something else. | 0:00:15 | 0:00:18 | |
Dorothy is just experiencing heart pains, what do we do? | 0:00:18 | 0:00:22 | |
Once I've done this class, I've done the list. | 0:00:22 | 0:00:24 | |
I've done the list. | 0:00:24 | 0:00:26 | |
-I need to go. -What? | 0:00:26 | 0:00:28 | |
Emily needs me. | 0:00:28 | 0:00:30 | |
Someone stole the Nationals money. | 0:00:30 | 0:00:32 | |
Chloe, in my office now. | 0:00:32 | 0:00:36 | |
She didn't take the money, | 0:00:36 | 0:00:38 | |
Amanda did. | 0:00:38 | 0:00:39 | |
The money's not in my bag, | 0:00:39 | 0:00:41 | |
because I had a feeling Emily was going to frame me. | 0:00:41 | 0:00:43 | |
14 years at The Next Step and this is how it ends. | 0:00:43 | 0:00:46 | |
Now that my plan is set in motion, | 0:00:46 | 0:00:48 | |
The Next Step will see that their dream of going to Nationals | 0:00:48 | 0:00:51 | |
will disappear before their eyes. | 0:00:51 | 0:00:53 | |
Em, I got your text. What's wrong? | 0:01:04 | 0:01:06 | |
I don't know what the text was about, | 0:01:06 | 0:01:08 | |
so I just need to make sure everything's OK. | 0:01:08 | 0:01:11 | |
Um... | 0:01:11 | 0:01:12 | |
I'm suspended - and I may be kicked out of The Next Step. | 0:01:13 | 0:01:17 | |
Whoa, whoa, whoa, why did this happen? | 0:01:18 | 0:01:20 | |
My plan backfired. Amanda was onto us all along. | 0:01:21 | 0:01:25 | |
We did all this for nothing. | 0:01:25 | 0:01:26 | |
After all of Emily's hard work, | 0:01:26 | 0:01:29 | |
and everything that she had to go through... | 0:01:29 | 0:01:31 | |
It just doesn't make sense. | 0:01:33 | 0:01:35 | |
Maybe I can talk to Kate, you know? | 0:01:35 | 0:01:38 | |
Get her to change her mind. | 0:01:38 | 0:01:40 | |
Riley, no-one's going to believe me | 0:01:40 | 0:01:42 | |
and they're not going to want to believe you, OK? | 0:01:42 | 0:01:44 | |
It's over, it's done. | 0:01:44 | 0:01:46 | |
No, Em. It can't be done. You can't just give up like that. | 0:01:46 | 0:01:49 | |
You know, maybe I'll talk to Chloe, get us some insight. | 0:01:51 | 0:01:54 | |
-All right, you can try. -Hug, please? | 0:01:54 | 0:01:56 | |
Emily tried to take this whole plan on by herself, | 0:01:57 | 0:02:01 | |
but now it's time for me to step in. | 0:02:01 | 0:02:03 | |
I come to the Culture Shock because I need to talk to Chloe | 0:02:13 | 0:02:16 | |
about what's been going down. | 0:02:16 | 0:02:18 | |
I heard what happened, | 0:02:18 | 0:02:20 | |
I can't believe it. | 0:02:20 | 0:02:21 | |
Neither can I. Something about it just seems so wrong. | 0:02:21 | 0:02:25 | |
More like fishy. | 0:02:25 | 0:02:26 | |
I do think there's something suspicious going on. | 0:02:26 | 0:02:29 | |
Things aren't adding up. | 0:02:29 | 0:02:30 | |
We'll figure something out, hopefully... | 0:02:30 | 0:02:32 | |
-Is B troupe going to any competitions this year? -Shh! | 0:02:32 | 0:02:35 | |
Uh, yeah, a small one, but nothing like Nationals. | 0:02:35 | 0:02:37 | |
Makes sense. What do you want? | 0:02:37 | 0:02:39 | |
This whole situation seems really suspicious to me. | 0:02:39 | 0:02:42 | |
Emily would not take that money. | 0:02:42 | 0:02:44 | |
I need to figure out what Amanda is up to. | 0:02:46 | 0:02:48 | |
Why does it look like a kid drew all over your money? | 0:02:50 | 0:02:53 | |
Whatever, don't worry about it. | 0:02:53 | 0:02:55 | |
-OK. Thanks. -No problem. | 0:02:55 | 0:02:57 | |
When Stephanie comments on Amanda having drawing on her money, | 0:02:58 | 0:03:01 | |
all of a sudden, everything clicks. | 0:03:01 | 0:03:04 | |
-Did you see that? -No, what? -There was a drawing on her money. | 0:03:04 | 0:03:07 | |
-OK. -Margie drew it, Amanda took the money | 0:03:07 | 0:03:09 | |
and I know how to prove it, come here. | 0:03:09 | 0:03:12 | |
She's taken the money, | 0:03:12 | 0:03:13 | |
it's clearly the money that Margie drew on, | 0:03:13 | 0:03:15 | |
I know what's going on and I know how I can prove it. | 0:03:15 | 0:03:18 | |
Hi, we need that 5 bill that that girl just gave, | 0:03:18 | 0:03:21 | |
we can give you change. | 0:03:21 | 0:03:23 | |
I don't know how Chloe can prove Amanda stole the money, | 0:03:23 | 0:03:26 | |
but it's our only hope right now, so I pray it works. | 0:03:26 | 0:03:30 | |
MUSIC: Stand Up by Jessica Lee Kit Knows | 0:03:31 | 0:03:35 | |
-Oh, Amanda. -Hey, guys. -Why don't you come join us? | 0:04:14 | 0:04:16 | |
-There she is. -Right here. | 0:04:16 | 0:04:18 | |
Yeah, come on in, Amanda. | 0:04:18 | 0:04:20 | |
So, I walk into Studio A | 0:04:20 | 0:04:22 | |
and I see Emily there and I know something's up. | 0:04:22 | 0:04:25 | |
Why is she here? | 0:04:25 | 0:04:27 | |
Oh, uh, Riley, Chloe... | 0:04:27 | 0:04:29 | |
why don't you repeat that story that you just told us? | 0:04:29 | 0:04:32 | |
-Yeah. -We'd love to hear it again. | 0:04:32 | 0:04:34 | |
I am so ready for her to go down. | 0:04:34 | 0:04:37 | |
She's about to get what she deserves | 0:04:37 | 0:04:39 | |
and what's been coming to her for the longest time. | 0:04:39 | 0:04:42 | |
Well, it's actually kind of funny. I was in Culture Shock, | 0:04:42 | 0:04:45 | |
trying to see if Chloe was OK after everything that happened | 0:04:45 | 0:04:48 | |
and I saw you and Stephanie walk in to order a couple of juices. | 0:04:48 | 0:04:52 | |
And you paid for those juices with the bill | 0:04:52 | 0:04:54 | |
I know came from the lockbox. | 0:04:54 | 0:04:56 | |
I know Amanda stole the money, | 0:04:56 | 0:04:58 | |
because she paid for the juice at Culture Shock | 0:04:58 | 0:05:00 | |
with a bill with Margie's drawing on it. | 0:05:00 | 0:05:03 | |
So, Amanda, you stole the money. | 0:05:03 | 0:05:05 | |
Busted! | 0:05:05 | 0:05:07 | |
What is going on, Amanda? | 0:05:07 | 0:05:08 | |
I'm still at Elite. | 0:05:08 | 0:05:10 | |
-I knew it. -In fact, I'm dance captain at Elite. | 0:05:12 | 0:05:15 | |
And the only reason I came here was to make sure The Next Step | 0:05:15 | 0:05:18 | |
didn't make it to Nationals. | 0:05:18 | 0:05:20 | |
And I think I've done my job, | 0:05:21 | 0:05:23 | |
since there's only nine of you. | 0:05:23 | 0:05:25 | |
But anyways, have fun. | 0:05:28 | 0:05:31 | |
They're down to nine dancers. | 0:05:31 | 0:05:33 | |
Michelle's not coming back. | 0:05:34 | 0:05:36 | |
I can't believe Amanda did this to us. | 0:05:36 | 0:05:39 | |
She was part of our family. | 0:05:39 | 0:05:41 | |
Man, that's low. Really low. | 0:05:41 | 0:05:44 | |
So, hold on, wait... | 0:05:44 | 0:05:46 | |
Emily, you knew Amanda was a double agent? | 0:05:46 | 0:05:49 | |
Of course I did. | 0:05:49 | 0:05:51 | |
All the awful stuff I've done? | 0:05:51 | 0:05:53 | |
I would never steal the money, or rip on Riley, or rip on any of you! | 0:05:53 | 0:05:57 | |
But I couldn't tell you guys until I had proof. | 0:05:57 | 0:05:59 | |
Em, we're really sorry. | 0:05:59 | 0:06:01 | |
Yeah, we're all sorry. | 0:06:01 | 0:06:02 | |
-Well, you should be! -LAUGHTER | 0:06:04 | 0:06:05 | |
I don't even know what to say right now. | 0:06:05 | 0:06:08 | |
I just feel so bad for Emily. | 0:06:08 | 0:06:11 | |
I've been pretty hard on Emily and she didn't really deserve it. | 0:06:11 | 0:06:14 | |
I feel weights lifted off my shoulder. | 0:06:14 | 0:06:18 | |
I feel amazing. | 0:06:18 | 0:06:20 | |
This is probably one of the best days of my entire life. | 0:06:20 | 0:06:23 | |
Right now, we're all just sitting in Studio A | 0:06:32 | 0:06:35 | |
and just kind of realising | 0:06:35 | 0:06:38 | |
that we don't have enough dancers to go to Nationals. | 0:06:38 | 0:06:41 | |
How about we do a warm-up? You know, get ready for rehearsal? | 0:06:41 | 0:06:46 | |
I'm just not feeling it. | 0:06:46 | 0:06:48 | |
What's the point? | 0:06:48 | 0:06:49 | |
The group's feeling down. We've worked really hard for this | 0:06:49 | 0:06:52 | |
and we won't even get a chance to dance there now. | 0:06:52 | 0:06:54 | |
I feel like doing a sad flip. | 0:06:54 | 0:06:56 | |
I'm so sad, I can't even do a sad flip. | 0:07:02 | 0:07:04 | |
Hm, you like that? Nice pulse, bud. | 0:07:08 | 0:07:11 | |
Not! Looking a little pale, might want to fix that. Yo. | 0:07:11 | 0:07:15 | |
All 20 quests done, I'm your knight in shining armour and we're... | 0:07:18 | 0:07:22 | |
back together! Come in for a hug. | 0:07:22 | 0:07:24 | |
What's the matter? What? | 0:07:25 | 0:07:27 | |
Hey, any cut, any sprain, any bruise, I'm your man! | 0:07:27 | 0:07:29 | |
Yo, you need CPR, bro? | 0:07:29 | 0:07:31 | |
I'm so pumped, because I finished the list, | 0:07:31 | 0:07:33 | |
I got my first aid certificate, now I'm back with Riley. | 0:07:33 | 0:07:36 | |
Whoo! | 0:07:36 | 0:07:37 | |
Whoo! | 0:07:37 | 0:07:38 | |
Whoo! | 0:07:38 | 0:07:39 | |
You like that? | 0:07:39 | 0:07:41 | |
Amanda just left the studio, so we only have nine dancers. | 0:07:41 | 0:07:43 | |
It's so upsetting to hear that there's only nine dancers | 0:07:43 | 0:07:46 | |
and now we can't go to Nationals. | 0:07:46 | 0:07:47 | |
I mean, my mood went from up here to here. | 0:07:47 | 0:07:50 | |
The worst timing for that, all I wanted to do was celebrate. | 0:07:50 | 0:07:54 | |
James, can you be serious for once in your life? | 0:07:56 | 0:07:59 | |
That could've caused a contusion, all right? | 0:08:00 | 0:08:03 | |
A contusion, James? Come on, maybe a paper cut. | 0:08:03 | 0:08:06 | |
Not only do we only have nine dancers, | 0:08:06 | 0:08:09 | |
but now we have no female soloist or small group. | 0:08:09 | 0:08:13 | |
I have no idea how we're going to be ready in time. | 0:08:14 | 0:08:17 | |
So, how'd it go? | 0:08:33 | 0:08:34 | |
It's done. Everything's done. | 0:08:34 | 0:08:38 | |
The Next Step is down to nine dancers? | 0:08:38 | 0:08:40 | |
Nine dancers, Michelle's not coming back... | 0:08:40 | 0:08:43 | |
They can't go to Nationals. | 0:08:43 | 0:08:46 | |
-That's what happens when you mess with Elite. -Yeah. | 0:08:46 | 0:08:48 | |
-Good work, Amanda. -Thanks. | 0:08:48 | 0:08:50 | |
If we win Nationals, it's going to be thanks to you. | 0:08:50 | 0:08:52 | |
-Welcome back, Captain. -Thanks. | 0:08:53 | 0:08:56 | |
It feels great to be back at Elite. | 0:08:58 | 0:09:00 | |
I missed my family a lot. | 0:09:00 | 0:09:02 | |
OK, let's go. | 0:09:02 | 0:09:04 | |
SHE PLAYS NOTE ON PIANO | 0:09:05 | 0:09:06 | |
I really can't believe things ended this way with Amanda. | 0:09:06 | 0:09:09 | |
I mean, even though she was exposed, she still won. | 0:09:09 | 0:09:12 | |
We are down to nine dancers. | 0:09:12 | 0:09:15 | |
SHE PLAYS DOOM-LADEN NOTES | 0:09:18 | 0:09:21 | |
What's wrong? | 0:09:27 | 0:09:29 | |
It's just... I isolate myself from the team, I dump Hunter, | 0:09:29 | 0:09:32 | |
and almost get Chloe and myself kicked out of the studio. | 0:09:32 | 0:09:36 | |
And Amanda still comes out on top? | 0:09:36 | 0:09:38 | |
Hearing Emily just give up is just not acceptable. | 0:09:38 | 0:09:43 | |
We're going to Nationals, OK? | 0:09:43 | 0:09:44 | |
And we're going to win, and we're going to do it as a team. | 0:09:44 | 0:09:48 | |
We have to get through this. | 0:09:48 | 0:09:49 | |
And besides, I might have a knight in shining armour that can help us. | 0:09:51 | 0:09:55 | |
-Really? -I'll explain on the way. -OK. | 0:09:55 | 0:09:58 | |
Yes, I understand. Thank you. | 0:10:08 | 0:10:10 | |
What's going on with Miss Kate? | 0:10:12 | 0:10:14 | |
She's been on the phone for a really long time. | 0:10:14 | 0:10:16 | |
As me and Emily enter Studio A, | 0:10:16 | 0:10:19 | |
we see Miss Kate and she does not look happy. | 0:10:19 | 0:10:21 | |
Someone called the Nationals board | 0:10:22 | 0:10:25 | |
and told them that we only have nine dancers, | 0:10:25 | 0:10:27 | |
which means if we don't get one of our dancers back, | 0:10:27 | 0:10:30 | |
we have to forfeit. | 0:10:30 | 0:10:31 | |
Hm, I wonder who that could've been(!) | 0:10:33 | 0:10:35 | |
Most likely Amanda and Elite. | 0:10:35 | 0:10:37 | |
Yeah. Probably. | 0:10:37 | 0:10:39 | |
This has her name written all over it. | 0:10:39 | 0:10:42 | |
-Hey, James, can I talk to you for a minute? -Yeah. | 0:10:42 | 0:10:46 | |
I want to talk to James, because I know he can help me. | 0:10:46 | 0:10:50 | |
What's up? | 0:10:50 | 0:10:51 | |
So, I know you completed the list and I'm really thankful for that, | 0:10:51 | 0:10:55 | |
but there's one more thing I need you to do. | 0:10:55 | 0:10:58 | |
-What's that? -Get Michelle back. | 0:10:58 | 0:11:00 | |
When Riley asked me to get Michelle back, | 0:11:00 | 0:11:02 | |
I think this is good for the team | 0:11:02 | 0:11:04 | |
and overall, it's for Riley. | 0:11:04 | 0:11:06 | |
You got it. | 0:11:06 | 0:11:07 | |
Hey yo, I got an idea. We're getting Michelle back. | 0:11:10 | 0:11:12 | |
Huddle up, let's go! | 0:11:12 | 0:11:14 | |
Great job. | 0:11:23 | 0:11:25 | |
You've really improved since last class. | 0:11:25 | 0:11:27 | |
I really love what you're doing here with the shadowing. | 0:11:27 | 0:11:29 | |
Right now, I'm in art class, and it's going great. | 0:11:29 | 0:11:32 | |
I feel like I've improved so much. | 0:11:32 | 0:11:34 | |
And I guess it goes to show that there is life after dance. | 0:11:34 | 0:11:37 | |
Yo, what's up, Michelle? We need to talk. | 0:11:37 | 0:11:39 | |
Right now? I'm in the middle of a class. | 0:11:39 | 0:11:41 | |
Yeah, so what? It's important. It's about you rejoining the team. | 0:11:41 | 0:11:44 | |
I already told the team that I wasn't coming back. | 0:11:44 | 0:11:46 | |
Are you in my class? | 0:11:46 | 0:11:47 | |
No, I don't go here. | 0:11:47 | 0:11:49 | |
-No, you'd better get to your own then, you can't be here. -OK, OK. | 0:11:49 | 0:11:52 | |
So, I'll catch you around lunch? | 0:11:54 | 0:11:55 | |
-Where? -Just right over there, out front. Peace. | 0:11:55 | 0:11:58 | |
OK, bye. | 0:11:58 | 0:12:00 | |
Whatever James is planning, it's not going to work. | 0:12:00 | 0:12:02 | |
I'm not coming back to The Next Step. | 0:12:02 | 0:12:04 | |
I'm reading my book and out of the corner of my eye, | 0:12:20 | 0:12:23 | |
I see West putting money in books. | 0:12:23 | 0:12:25 | |
-Hey. -Hey. | 0:12:28 | 0:12:29 | |
What are you doing? | 0:12:29 | 0:12:31 | |
You know, I'm just doing my hobby, just doing a bit of reading. | 0:12:31 | 0:12:34 | |
How is putting money in books a hobby? | 0:12:34 | 0:12:37 | |
-Oh, you noticed that? -I did. | 0:12:38 | 0:12:40 | |
Everybody needs a bit of magic. | 0:12:43 | 0:12:44 | |
When people buy the book, they're going to get home and see the money. | 0:12:44 | 0:12:47 | |
It brightens up their days. | 0:12:47 | 0:12:49 | |
It doesn't necessarily change their lives, | 0:12:49 | 0:12:51 | |
but it does bring a bit of hope. | 0:12:51 | 0:12:53 | |
When I find out that West puts money in books... | 0:12:53 | 0:12:57 | |
I mean, it's a little weird, | 0:12:57 | 0:12:59 | |
but it's a side of him I've never seen before. | 0:12:59 | 0:13:02 | |
Why don't you open up your book? | 0:13:02 | 0:13:03 | |
Hey... | 0:13:08 | 0:13:09 | |
Magic. | 0:13:09 | 0:13:11 | |
And what you did to try and save the team | 0:13:11 | 0:13:13 | |
was a bit of magic in itself, too. | 0:13:13 | 0:13:15 | |
-Thanks. -No problem. | 0:13:16 | 0:13:18 | |
All right, we should probably head out. Everyone's waiting for us. | 0:13:18 | 0:13:21 | |
-Yeah, I'll see you there. -All right. | 0:13:21 | 0:13:23 | |
I think I may have underestimated West. | 0:13:25 | 0:13:28 | |
I have to say, there's a lot more to him than I thought. | 0:13:28 | 0:13:31 | |
No worries for buying you that pizza, don't worry about it. | 0:13:36 | 0:13:39 | |
Thanks. | 0:13:39 | 0:13:40 | |
So, we're down to nine people now, kind of unfortunate. | 0:13:40 | 0:13:43 | |
That's a drag. | 0:13:43 | 0:13:45 | |
Mm-hmm. | 0:13:45 | 0:13:47 | |
I mean, not to put any pressure on you, | 0:13:48 | 0:13:51 | |
but we're kind of needing you for well... | 0:13:51 | 0:13:54 | |
Pretty much all of the dances. | 0:13:54 | 0:13:56 | |
Yeah, I know. | 0:13:59 | 0:14:00 | |
Why'd you leave The Next Step, Michelle? | 0:14:01 | 0:14:03 | |
I'm not really prepared to talk to you about it. | 0:14:04 | 0:14:09 | |
I don't want to talk about dance with James, | 0:14:09 | 0:14:11 | |
just because I'm finally moving on in my life | 0:14:11 | 0:14:13 | |
and why would I want to go back? | 0:14:13 | 0:14:15 | |
Fine, we don't have to talk about it. | 0:14:16 | 0:14:18 | |
Can you do me a favour? | 0:14:18 | 0:14:20 | |
Sure. | 0:14:20 | 0:14:21 | |
My mom got me these horrible pants and I really want to return them, | 0:14:21 | 0:14:26 | |
-so maybe you could come to the mall with me... -Debra. | 0:14:26 | 0:14:28 | |
..and help me get something else? | 0:14:28 | 0:14:31 | |
Uh, sure. | 0:14:31 | 0:14:33 | |
Cool. | 0:14:33 | 0:14:35 | |
I know I can't change her mind right here, | 0:14:35 | 0:14:37 | |
but I actually have something planned. | 0:14:37 | 0:14:39 | |
All I need is for her to meet me at the mall. | 0:14:39 | 0:14:41 | |
Right now, I'm just at the mall with James | 0:14:50 | 0:14:52 | |
and he wanted me to come and help him return a pair of pants. | 0:14:52 | 0:14:54 | |
So, where are your pants that you have to return? | 0:14:54 | 0:14:57 | |
Oh, I'm wearing them. | 0:14:57 | 0:14:59 | |
What? | 0:14:59 | 0:15:01 | |
Anyways, how's that debate team going at your school? | 0:15:01 | 0:15:04 | |
It's great. | 0:15:04 | 0:15:06 | |
Not as good as dance, though? | 0:15:06 | 0:15:08 | |
Really, we're going to talk about this again? | 0:15:08 | 0:15:11 | |
Well, I know that you know everybody wants you back. | 0:15:12 | 0:15:15 | |
But more importantly, everybody needs you back. | 0:15:15 | 0:15:18 | |
I know. | 0:15:18 | 0:15:19 | |
Michelle, whatever your issues are, I want to hear them. | 0:15:22 | 0:15:26 | |
I just... I don't think you'll understand. | 0:15:28 | 0:15:31 | |
Michelle, I'm all ears. | 0:15:31 | 0:15:32 | |
If James knows the reason why I left the studio, | 0:15:32 | 0:15:35 | |
then maybe I'll get him off my back. | 0:15:35 | 0:15:38 | |
Honestly, everything that happened | 0:15:38 | 0:15:40 | |
between Emily, Eldon and Hunter and I | 0:15:40 | 0:15:42 | |
has just kind of made me realise | 0:15:42 | 0:15:44 | |
that maybe I don't love dance as much as I used to. | 0:15:44 | 0:15:47 | |
I understand that. | 0:15:50 | 0:15:52 | |
Can I ask you something? | 0:15:53 | 0:15:55 | |
-Yeah. -Is that your only problem? | 0:15:55 | 0:15:57 | |
Yeah, it's my only problem. | 0:15:57 | 0:16:00 | |
So, if I, in some way, could prove to you how much you love dance, | 0:16:00 | 0:16:04 | |
would you come back to The Next Step? | 0:16:04 | 0:16:06 | |
Sure, but I don't know how you're going to do that. | 0:16:06 | 0:16:09 | |
Don't even worry about it. | 0:16:09 | 0:16:10 | |
I think that she just forgot about how much she likes dance. | 0:16:12 | 0:16:16 | |
So my job here is to prove to her how much she loves dance. | 0:16:16 | 0:16:20 | |
DANCE MUSIC PLAYS | 0:16:20 | 0:16:21 | |
Why are these people dancing? | 0:16:23 | 0:16:24 | |
For you! | 0:16:24 | 0:16:26 | |
I have no idea why people are dancing on the escalator. | 0:16:28 | 0:16:31 | |
To me, it just makes no sense. I mean, I'm kind of freaked out. | 0:16:31 | 0:16:34 | |
I've got this whole flash mob planned. | 0:16:50 | 0:16:53 | |
I've got hip-hop guys circling her, | 0:16:53 | 0:16:54 | |
then I have these kids with | 0:16:54 | 0:16:56 | |
"Dance Michelle" printed on the back of their shirts. | 0:16:56 | 0:16:59 | |
I'm so confused with what's going on here. | 0:16:59 | 0:17:02 | |
People are telling me to dance, but I don't want to. | 0:17:02 | 0:17:04 | |
Michelle, check it out! | 0:17:06 | 0:17:07 | |
Go, go! | 0:17:09 | 0:17:10 | |
James keeps saying that all of these dancers are here for me. | 0:17:10 | 0:17:13 | |
I don't get it. | 0:17:13 | 0:17:14 | |
There's hundreds of people here dancing for me. | 0:17:36 | 0:17:39 | |
How did James pull this off? | 0:17:39 | 0:17:40 | |
The salsa dancers are great, their partner work is amazing. | 0:17:49 | 0:17:53 | |
It kind of makes me feel like dancing. | 0:17:53 | 0:17:55 | |
James and I come into this one part of the mall | 0:18:09 | 0:18:11 | |
and there's two people from the National Ballet | 0:18:11 | 0:18:13 | |
and the male dancer starts dancing with me. | 0:18:13 | 0:18:15 | |
I can't believe this is happening right now. | 0:18:15 | 0:18:17 | |
It feels really good. | 0:18:17 | 0:18:19 | |
When I see B Troupe and J troupe, | 0:18:23 | 0:18:25 | |
I realise that this is all for me. | 0:18:25 | 0:18:28 | |
They want me to come back to The Next Step. | 0:18:28 | 0:18:30 | |
And then I see A Troupe. | 0:18:31 | 0:18:32 | |
I love these people. | 0:18:35 | 0:18:37 | |
They mean so much to me. | 0:18:37 | 0:18:39 | |
All these people care about me and they want me to come back to dance. | 0:18:41 | 0:18:44 | |
It's so crazy and magical. | 0:18:46 | 0:18:48 | |
Honestly, the flash mob is so crazy. | 0:19:08 | 0:19:11 | |
It's, um...magic. | 0:19:11 | 0:19:13 | |
CHEERING | 0:19:13 | 0:19:16 | |
Just seeing everything come together like that, | 0:19:16 | 0:19:18 | |
with Michelle standing in the centre - it's a lot of fun. | 0:19:18 | 0:19:21 | |
Everyone's just dancing and having a great time | 0:19:23 | 0:19:25 | |
and they're smiling, and they love it | 0:19:25 | 0:19:27 | |
and that's the reason why I used to dance. | 0:19:27 | 0:19:30 | |
And I can't help but be inspired. | 0:19:30 | 0:19:32 | |
Michelle, are you coming back to The Next Step? | 0:19:43 | 0:19:46 | |
Am I a dancer? | 0:19:48 | 0:19:50 | |
Do I have what it takes to love dance again? | 0:19:50 | 0:19:52 | |
I don't care about all the drama that goes along with dance. | 0:19:54 | 0:19:57 | |
It's what I want to do, because... | 0:19:57 | 0:19:59 | |
..I'm a dancer and I always will be. | 0:20:01 | 0:20:04 | |
Well, I guess so! | 0:20:04 | 0:20:06 | |
CHEERING | 0:20:06 | 0:20:09 | |
I feel so special | 0:20:09 | 0:20:11 | |
and I'm so thankful for this moment. | 0:20:11 | 0:20:14 | |
When Michelle agrees to come back to the studio, it feels so good. | 0:20:14 | 0:20:17 | |
This was the big goal of mine. | 0:20:17 | 0:20:19 | |
But at the same time, | 0:20:19 | 0:20:21 | |
it was almost like I was doing it for Riley. | 0:20:21 | 0:20:23 | |
Hey. So, that's it - I completed all the tasks. | 0:20:25 | 0:20:27 | |
Does that mean we're back together? | 0:20:29 | 0:20:31 | |
Forever, James. | 0:20:31 | 0:20:33 | |
This whole flash mob was organized by James. | 0:20:40 | 0:20:43 | |
The entire thing. | 0:20:43 | 0:20:45 | |
I mean, he put so much effort into this, | 0:20:45 | 0:20:48 | |
it's kind of incredible. | 0:20:48 | 0:20:50 | |
Nationals, here we come. | 0:21:00 | 0:21:02 | |
Subtitles by Ericsson | 0:21:13 | 0:21:16 |