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Previously on The Next Step... | 0:00:02 | 0:00:04 | |
All 20 quests done! | 0:00:04 | 0:00:05 | |
I'm your knight in shining armour, and we're back together! | 0:00:05 | 0:00:09 | |
Whoo! | 0:00:09 | 0:00:11 | |
'Out of the corner of my eye, I see West putting money in books. | 0:00:11 | 0:00:16 | |
'I mean, it's a little weird, but...' | 0:00:16 | 0:00:18 | |
it's a side of him I've never seen before. | 0:00:18 | 0:00:21 | |
Michelle! Are you coming home to The Next Step? | 0:00:22 | 0:00:26 | |
-Well, I guess so! -CHEERING | 0:00:26 | 0:00:29 | |
So...we're back together. | 0:00:39 | 0:00:41 | |
Yeah. | 0:00:42 | 0:00:44 | |
-Thank you. -Thanks, man. | 0:00:44 | 0:00:46 | |
'This is the first time really talking and hanging out | 0:00:46 | 0:00:50 | |
'since when we got back together, so...' | 0:00:50 | 0:00:52 | |
We're still kind of out of sync, I guess. | 0:00:52 | 0:00:56 | |
I feel like we're looking for things to talk about. | 0:00:56 | 0:01:00 | |
Nothing's just coming up naturally. | 0:01:00 | 0:01:02 | |
It's kind of awkward right now. | 0:01:02 | 0:01:03 | |
-Hey, guys. How's it going? -Hey. | 0:01:03 | 0:01:07 | |
I got you guys these two movie tickets | 0:01:07 | 0:01:09 | |
in honour of you guys getting back together. | 0:01:09 | 0:01:12 | |
'West hands us these movie tickets' | 0:01:12 | 0:01:14 | |
that, um...are, like, a couple of weeks expired. | 0:01:14 | 0:01:19 | |
-Thank you. -Yeah, no problem, man! I got them a couple weeks ago, | 0:01:19 | 0:01:22 | |
cos I didn't think it'd take you guys that long | 0:01:22 | 0:01:24 | |
to figure out your issues. | 0:01:24 | 0:01:26 | |
'It's still nice.' | 0:01:28 | 0:01:29 | |
You know, I guess it's just the thought that counts. | 0:01:29 | 0:01:32 | |
-Hi, lovebirds. -Hi, guys. | 0:01:32 | 0:01:35 | |
OK, so since you guys are back together, | 0:01:35 | 0:01:37 | |
we want to give you your duet back. | 0:01:37 | 0:01:39 | |
Thank goodness James and Riley are back together. | 0:01:39 | 0:01:42 | |
This was always their duet. | 0:01:42 | 0:01:44 | |
No, you guys already have it. | 0:01:44 | 0:01:45 | |
-Just keep it. -Yeah, you won it fair and square. | 0:01:45 | 0:01:47 | |
OK, seriously, you have to take it back. | 0:01:47 | 0:01:49 | |
We have to do what's best for the team, and that's you guys. | 0:01:49 | 0:01:52 | |
And I mean, you guys have way more chemistry | 0:01:52 | 0:01:55 | |
-than we ever will, so... -Yeah! -HE LAUGHS | 0:01:55 | 0:01:57 | |
All right, if you insist, I guess. | 0:01:57 | 0:01:59 | |
-Thank you. -You're welcome. | 0:01:59 | 0:02:01 | |
Good luck! And don't mess it up, OK? | 0:02:01 | 0:02:03 | |
-We'll try! -LAUGHTER | 0:02:03 | 0:02:05 | |
When Giselle and Thalia... tell us that | 0:02:05 | 0:02:07 | |
me and James had a better connection than they do... | 0:02:07 | 0:02:11 | |
'I'm not really so sure if that's true right now. | 0:02:11 | 0:02:14 | |
'I just hope James and I find a way to get our connection back.' | 0:02:14 | 0:02:17 | |
# We...we are gonna show the world | 0:02:18 | 0:02:24 | |
# Everything we're made of | 0:02:24 | 0:02:28 | |
# We're gonna tear the roof | 0:02:28 | 0:02:30 | |
# Off this pla-a-ace! | 0:02:30 | 0:02:36 | |
# Stand up! # | 0:02:41 | 0:02:42 | |
Go one, two, three, four, five, six, seven, eight. And two, three... | 0:03:01 | 0:03:07 | |
-MICHELLE: -'We're rehearsing the semifinals routine. | 0:03:07 | 0:03:09 | |
'I don't know it that well,' | 0:03:09 | 0:03:10 | |
-so I'm just kinda catching up. -And one, two... Nice. | 0:03:10 | 0:03:14 | |
-Legs are down. -Sorry. -..four, five, six, seven, eight, and... | 0:03:14 | 0:03:17 | |
'It feels so good to be back on the team. | 0:03:17 | 0:03:19 | |
'I honestly missed them so much, and...' | 0:03:19 | 0:03:22 | |
I just can't wait to go to Nationals. | 0:03:22 | 0:03:24 | |
Three, four, five, six, seven, eight. Good, pause. | 0:03:24 | 0:03:28 | |
-Awesome. That's good, you've got the hang of it. -OK. -Great. | 0:03:28 | 0:03:31 | |
Um, you guys keep going. | 0:03:31 | 0:03:32 | |
Michelle, can we talk in my office super quickly? | 0:03:32 | 0:03:35 | |
-Oh, yeah, sure! -Great, thanks. Keep going, guys! | 0:03:35 | 0:03:37 | |
'I'm a little nervous when Kate calls me into her office.' | 0:03:37 | 0:03:40 | |
Um, it probably has something to do with me leaving, | 0:03:40 | 0:03:43 | |
but I hope we can put that behind us. | 0:03:43 | 0:03:46 | |
-What's up? -First of all, I want to say | 0:03:46 | 0:03:48 | |
how great it is to have you back. We're so happy. | 0:03:48 | 0:03:51 | |
-Thanks. -I just wanted to make sure you still feel comfortable | 0:03:51 | 0:03:53 | |
having the female solo for Nationals. | 0:03:53 | 0:03:55 | |
I actually don't know about doing the solo. | 0:03:57 | 0:03:59 | |
I mean, I'm sure someone else deserves it more than I do. | 0:03:59 | 0:04:01 | |
I've been gone for a while. | 0:04:01 | 0:04:02 | |
Even though Michelle spent some time away from The Next Step, | 0:04:02 | 0:04:05 | |
she still deserves the solo. | 0:04:05 | 0:04:07 | |
Look, Michelle... | 0:04:08 | 0:04:10 | |
You're one of the best dancers here at The Next Step. | 0:04:13 | 0:04:15 | |
We all want you to have this solo. You deserve it more than anyone. | 0:04:15 | 0:04:18 | |
We're counting on you. | 0:04:21 | 0:04:22 | |
LAUGHTER OUTSIDE | 0:04:22 | 0:04:24 | |
I'll do the solo, but I'll need some time to work it out in the studio. | 0:04:25 | 0:04:29 | |
Not a problem. You can have the studio this afternoon to rehearse. | 0:04:29 | 0:04:33 | |
Awesome. OK. | 0:04:33 | 0:04:34 | |
'I'm kinda nervous about coming up with a solo for Nationals, | 0:04:34 | 0:04:37 | |
'just because it's around the corner.' | 0:04:37 | 0:04:40 | |
So I hope I can pull it off. | 0:04:40 | 0:04:41 | |
OK, so there's this big...tarantula, | 0:04:47 | 0:04:51 | |
and it just rested really gently on a branch. | 0:04:51 | 0:04:55 | |
No, no, no, on a beehive, and a swarm of bees flew out. | 0:04:55 | 0:04:58 | |
Big bees, OK? And I was trying to get away | 0:04:58 | 0:05:00 | |
and they flew right into my nose. | 0:05:00 | 0:05:02 | |
And it just flew out my ear, out my ear, and it just... | 0:05:02 | 0:05:07 | |
Ah! What? No! | 0:05:07 | 0:05:09 | |
I kinda elbowed it, and I had to grab it from the top of... | 0:05:09 | 0:05:14 | |
-Hey! -Sorry to break your concentration, | 0:05:14 | 0:05:16 | |
but what are you doing? | 0:05:16 | 0:05:18 | |
Uh, well, you know, I'm pretty much imitating people's voices. | 0:05:18 | 0:05:22 | |
It's like I'm dubbing their dialogue. | 0:05:22 | 0:05:25 | |
-It's pretty fun. -For Thalia and Giselle? | 0:05:25 | 0:05:27 | |
'When West tells me that he's dubbing people's conversations...' | 0:05:27 | 0:05:31 | |
I mean, it doesn't really get weirder than that, does it? | 0:05:31 | 0:05:33 | |
Why don't you just ask them what they're saying? | 0:05:33 | 0:05:36 | |
Cos I don't really care about what they're saying, | 0:05:36 | 0:05:38 | |
I'm more interested in, you know, imagining what they're saying. | 0:05:38 | 0:05:41 | |
-Oh. -Yeah! Well, why don't you sit down and try? | 0:05:41 | 0:05:44 | |
I mean, I'm a little intrigued. I've never seen anyone do that before. | 0:05:45 | 0:05:50 | |
-OK. -Come on. | 0:05:50 | 0:05:51 | |
All right. Take it away. | 0:05:52 | 0:05:54 | |
For who? | 0:05:54 | 0:05:56 | |
OK. You'll be Thalia, and I'll be Giselle, OK? And go. | 0:05:56 | 0:06:00 | |
When I was... doing the robot, I was crazy. | 0:06:00 | 0:06:04 | |
They were moving as if they were like robots. | 0:06:04 | 0:06:09 | |
-Actually, they were dinosaurs. -Yes! -Big, ferocious dinosaurs! | 0:06:09 | 0:06:12 | |
'At first, I was a little nervous dubbing voices.' | 0:06:12 | 0:06:15 | |
I just knew it was for fun | 0:06:15 | 0:06:16 | |
and I stopped trying so hard and just kinda let myself laugh. | 0:06:16 | 0:06:20 | |
-OK. Let's go from that part, then. -Yeah. | 0:06:29 | 0:06:31 | |
-Isn't it the other side? -No, you're on this side of me. -Oh, OK. Ready? | 0:06:31 | 0:06:35 | |
OK, but you have to make sure | 0:06:37 | 0:06:39 | |
-you lift me up. -OK. Try it again, try it again. | 0:06:39 | 0:06:40 | |
'Right now, me and James are trying to put together...' | 0:06:40 | 0:06:43 | |
a duet for Nationals. | 0:06:43 | 0:06:44 | |
-Too far forward, too far forward! -OK. | 0:06:45 | 0:06:47 | |
'It's not going well, and...' | 0:06:49 | 0:06:50 | |
SHE SIGHS: ..I guess we're just not as in sync as we used to be. | 0:06:50 | 0:06:54 | |
-OK, how am I taking you? -How is this? | 0:06:54 | 0:06:56 | |
-Is it like that? -Like this? | 0:06:57 | 0:06:59 | |
-You come... -No. | 0:06:59 | 0:07:00 | |
Can you come over? OK. Uh, nope. | 0:07:00 | 0:07:04 | |
-Yeah, that's not working. -Don't you go over the front? | 0:07:04 | 0:07:06 | |
-You have to go over the front. -No, I don't... -Try it again. | 0:07:06 | 0:07:09 | |
-Can we just try something else, maybe? -What? -I don't know. | 0:07:09 | 0:07:12 | |
'For some reason, we can't get it.' | 0:07:12 | 0:07:14 | |
It's like, for some reason, she's not trusting me or something, | 0:07:14 | 0:07:19 | |
I don't know, but we just can't execute any of these lifts. | 0:07:19 | 0:07:21 | |
-No, no. -OK... -That's awkward. | 0:07:23 | 0:07:24 | |
-That's really awkward. Try that again. -Maybe if we take a break. | 0:07:26 | 0:07:29 | |
-A break? -Yeah, like take five, recollect ourselves, | 0:07:29 | 0:07:32 | |
-and then try again later. -All right, let's do it. | 0:07:32 | 0:07:35 | |
Oh, you meant, like, by yourself. | 0:07:38 | 0:07:40 | |
'I can tell that we're both just not...' | 0:07:41 | 0:07:44 | |
working well together right now and I just need some time | 0:07:44 | 0:07:48 | |
to think things through and then, we can try again later. | 0:07:48 | 0:07:52 | |
It's not working and I'm worried about it never working again. | 0:07:52 | 0:07:56 | |
HORNS HONK | 0:07:59 | 0:08:01 | |
'Right now, I'm just trying to work through my solo. | 0:08:14 | 0:08:16 | |
'I'm kinda nervous about pulling this off, | 0:08:16 | 0:08:18 | |
'because it's so sudden, jumping back into dance,' | 0:08:18 | 0:08:21 | |
but I hope I can do it. | 0:08:21 | 0:08:22 | |
-Oh, hey! -Hey. Sorry, I didn't mean to disturb you. | 0:08:26 | 0:08:30 | |
Oh, no, you didn't, I was just, er, working out choreo in here. | 0:08:30 | 0:08:33 | |
-You can stay, if you want, though. I don't really mind. -All right. | 0:08:33 | 0:08:35 | |
'I get kinda nervous when Eldon walks into the studio.' | 0:08:35 | 0:08:38 | |
I haven't really talked to him in a while, so I hope this goes well. | 0:08:39 | 0:08:43 | |
How's it going? How's the solo? | 0:08:43 | 0:08:46 | |
It's OK. | 0:08:47 | 0:08:48 | |
-Yeah? -Yeah, I'm still a little bit nervous about it. I just... | 0:08:48 | 0:08:52 | |
-I'm kinda lacking confidence. -Yeah? Well, let me see some of it. | 0:08:53 | 0:08:57 | |
OK, hold on. | 0:09:08 | 0:09:10 | |
First of all, for the beginning, I feel like you should face the back. | 0:09:10 | 0:09:14 | |
-OK. -Face the back, and do, like, a different pose with your arms | 0:09:14 | 0:09:17 | |
-or something, to make it a little more interesting. -OK. | 0:09:17 | 0:09:20 | |
'As I'm watching Michelle practise her solo,' | 0:09:20 | 0:09:23 | |
she just doesn't seem to have the confidence that she used to have. | 0:09:23 | 0:09:27 | |
It's been a while since I danced in front of someone, | 0:09:27 | 0:09:31 | |
so I just kinda feel uncomfortable. | 0:09:31 | 0:09:33 | |
Yeah! Yeah, that's so much better. | 0:09:34 | 0:09:36 | |
'It's perfect that Eldon's helping me with my choreography.' | 0:09:39 | 0:09:42 | |
It's exactly what I needed. | 0:09:42 | 0:09:43 | |
OK, now, this time, try to look up a little more. | 0:09:43 | 0:09:48 | |
-OK. -Come on. You got it, you got it. | 0:09:48 | 0:09:50 | |
'Eldon and I have been through a lot, but now that he's helping me | 0:09:52 | 0:09:55 | |
'with my choreography, it does make me feel like he's put' | 0:09:55 | 0:09:58 | |
our rough times in the past. | 0:09:58 | 0:10:00 | |
-You don't know what you're talking about. -Come on, it's classical! | 0:10:06 | 0:10:08 | |
-Well, I hate classic music. -No, I mean, look, it's Bach! | 0:10:08 | 0:10:11 | |
-You gotta love it. -It's not Bach. It's not Bach! -Yes, it is! | 0:10:11 | 0:10:14 | |
-You don't even know what you're talking about. -Come on! -Goodbye! | 0:10:14 | 0:10:17 | |
THEY LAUGH | 0:10:17 | 0:10:19 | |
'Hanging out with West is so fun.' | 0:10:19 | 0:10:22 | |
He gets into everything he does, he gives everything 110%. | 0:10:22 | 0:10:27 | |
So, um, who do you want to do next? I think this one could be good. | 0:10:27 | 0:10:30 | |
Um, you know, I want to do your thing. | 0:10:30 | 0:10:32 | |
-What? -Your thing. What's your thing? | 0:10:32 | 0:10:36 | |
I don't... I don't really have a thing. | 0:10:36 | 0:10:39 | |
When West asked what my thing is, I'm kinda confused. I mean... | 0:10:39 | 0:10:44 | |
it's not really a question you hear every day. | 0:10:44 | 0:10:47 | |
And, to be honest, I don't even know if I have a thing. | 0:10:47 | 0:10:49 | |
I think everyone has a thing, Emily. | 0:10:49 | 0:10:53 | |
-No, I... -Hey, Emily. Sorry to interrupt. | 0:10:53 | 0:10:55 | |
-Can I talk to you for a minute? -Yeah, yeah, of course. | 0:10:55 | 0:10:58 | |
-Er...I'll get back to you on it. -Yeah, think about it! | 0:10:58 | 0:11:02 | |
'Emily's my sister, and...' | 0:11:02 | 0:11:04 | |
she's always been there for me whenever something's wrong, | 0:11:04 | 0:11:07 | |
so I just wanted her opinion on this whole situation. | 0:11:07 | 0:11:12 | |
-What's up? -I've just been feeling | 0:11:12 | 0:11:13 | |
-like I can't reconnect with James any more. -Er, what do you mean? | 0:11:13 | 0:11:17 | |
Ever since we got back together, it's like we lost the chemistry. | 0:11:17 | 0:11:22 | |
Riley and James's problem is that they overthink things. | 0:11:22 | 0:11:25 | |
If they just took a breath and relaxed, | 0:11:25 | 0:11:27 | |
their problems would work themselves out. | 0:11:27 | 0:11:29 | |
Well, maybe you're expecting too much right off the bat, I mean... | 0:11:29 | 0:11:34 | |
just especially with dancing, it's so intimate and so connected. | 0:11:34 | 0:11:38 | |
I mean, maybe you both are just a little scared? | 0:11:38 | 0:11:41 | |
I guess so. It's just... | 0:11:41 | 0:11:43 | |
I don't know, I just wanted things back to the way they were. | 0:11:43 | 0:11:47 | |
Well, why don't you do something nice for James? | 0:11:47 | 0:11:50 | |
He did a whole list of things for you, you know he cares. | 0:11:50 | 0:11:53 | |
-Maybe he doesn't know if you care. -'I think it's a great idea...' | 0:11:53 | 0:11:56 | |
to do something for James. | 0:11:56 | 0:11:58 | |
He's done so much for me, and...I just need to show him | 0:11:58 | 0:12:03 | |
that I care about him just as much as he cares about me. | 0:12:03 | 0:12:06 | |
# Oh, the same day Same routine... # | 0:12:07 | 0:12:12 | |
'Right now, I'm just watching Eldon work through his solo.' | 0:12:12 | 0:12:15 | |
He's doing great. | 0:12:15 | 0:12:16 | |
All right. | 0:12:18 | 0:12:20 | |
We know that you can trick and do all that crazy stuff, | 0:12:20 | 0:12:23 | |
but what's your storyline? | 0:12:23 | 0:12:25 | |
'When you have a concept for your dance,' | 0:12:25 | 0:12:26 | |
it kind of takes your dance to the next level, | 0:12:26 | 0:12:28 | |
because it's a lot easier to work through | 0:12:28 | 0:12:30 | |
and a lot easier to express yourself. | 0:12:30 | 0:12:33 | |
Er...I don't really have one. | 0:12:33 | 0:12:35 | |
You don't have a concept or idea? | 0:12:36 | 0:12:39 | |
-You're just dancing? -Yeah. | 0:12:39 | 0:12:41 | |
I don't know, I just found the song | 0:12:41 | 0:12:43 | |
and I liked it, so I just started and...yeah. | 0:12:43 | 0:12:46 | |
'I'm surprised Eldon doesn't have a concept for his dance.' | 0:12:46 | 0:12:48 | |
The song is called Oxygen, so there's a lot to work with there. | 0:12:48 | 0:12:52 | |
Since you're dealing with the concept of "oxygen"... | 0:12:52 | 0:12:56 | |
um, I feel like the oxygen could start in your right hand, | 0:12:56 | 0:13:00 | |
and, at first, it's taking control of your whole body, | 0:13:00 | 0:13:03 | |
and then, by the end, your oxygen is all throughout your body. | 0:13:03 | 0:13:06 | |
'Michelle has some really good advice.' | 0:13:06 | 0:13:09 | |
I never really thought of doing that before, but, when she says it, | 0:13:09 | 0:13:13 | |
it all kind of makes sense, especially with the song. | 0:13:13 | 0:13:15 | |
You can, like, take one last breath at the end of the dance. | 0:13:15 | 0:13:18 | |
Like just stand at the end of the stage, and just look, and just go... | 0:13:18 | 0:13:22 | |
SHE INHALES AND EXHALES DEEPLY | 0:13:22 | 0:13:24 | |
-..to really show your concept. What do you think? -Whoa! | 0:13:24 | 0:13:27 | |
-I just got goose bumps. -Yeah? -That's really cool. -Oh! OK. | 0:13:27 | 0:13:31 | |
'Eldon and I get along really well.' | 0:13:31 | 0:13:33 | |
We just...connect, and we know how to help each other. | 0:13:33 | 0:13:36 | |
-Thank you. -No problem. | 0:13:36 | 0:13:38 | |
-Yeah, it's been really good rehearsals lately. -Yeah. | 0:13:44 | 0:13:47 | |
But, um, why are we... why are we in a mall? | 0:13:47 | 0:13:51 | |
Well, you said you wanted to see my thing. | 0:13:51 | 0:13:53 | |
And I'm about to show you. | 0:13:53 | 0:13:55 | |
Come on! | 0:13:55 | 0:13:56 | |
'My thing is that I return things.' | 0:13:56 | 0:13:58 | |
I return coats, scarves, shoes, make-up, jewellery. | 0:13:58 | 0:14:04 | |
If you buy it for me, I'm going to return it. | 0:14:04 | 0:14:07 | |
-Hi. -Hey, how's it going? | 0:14:07 | 0:14:09 | |
I'm actually just here to return this scarf. | 0:14:09 | 0:14:11 | |
My aunt got it for me, and, as you can see, just not my colour. | 0:14:11 | 0:14:16 | |
OK, yeah, I just need your receipt. | 0:14:17 | 0:14:20 | |
Ooh, sorry about that, but I don't have one. | 0:14:20 | 0:14:23 | |
-Ooh, sorry about that, then, I can't take it. -Why not? | 0:14:23 | 0:14:26 | |
Store policy. You need a receipt. | 0:14:26 | 0:14:28 | |
Actually, it's not. | 0:14:28 | 0:14:29 | |
Your store policy is to give store credit | 0:14:29 | 0:14:31 | |
when someone returns an item without a receipt. | 0:14:31 | 0:14:33 | |
'There is an art to returning things.' | 0:14:33 | 0:14:36 | |
And, sometimes, you gotta be a little tough to make it happen. | 0:14:36 | 0:14:40 | |
-Stuff like this just affects me... -Look, she's crying and everything! | 0:14:40 | 0:14:43 | |
Come on, her aunt got this scarf for her and... | 0:14:43 | 0:14:45 | |
When West steps up to help me, I'm pretty excited. | 0:14:45 | 0:14:47 | |
I mean, I've never done this with a partner, so we'll see how it goes. | 0:14:47 | 0:14:51 | |
You know, um, she's new to this whole creativity thing. | 0:14:51 | 0:14:55 | |
You know, you gotta walk before you can run. | 0:14:55 | 0:14:57 | |
-She'll flip and you've a nice scarf! -I'm affected by the scarf I wear... | 0:14:57 | 0:15:01 | |
-Scarf person to a scarf person... -..and I can't focus... -OK, OK! | 0:15:01 | 0:15:06 | |
-I'll do store credit. -Oh, perfect! -OK! -It's under Emily. | 0:15:06 | 0:15:10 | |
'I wasn't really too sure...' | 0:15:10 | 0:15:12 | |
about Emily's "thing", but I mean, it turned out to be pretty fun. | 0:15:12 | 0:15:17 | |
Can we hurry this up, please? Thanks. | 0:15:17 | 0:15:19 | |
'West is surprisingly good at returning things.' | 0:15:19 | 0:15:22 | |
For a first timer. | 0:15:22 | 0:15:23 | |
I have to say, we make a pretty good team. | 0:15:23 | 0:15:26 | |
West? | 0:15:43 | 0:15:45 | |
'I come to Parker Alley, cos West told me to come here.' | 0:15:45 | 0:15:47 | |
Um, it's kind of late, though, and I don't see him anywhere. | 0:15:47 | 0:15:51 | |
Yo, West? | 0:15:51 | 0:15:52 | |
Hey. | 0:15:57 | 0:15:59 | |
What is this? | 0:15:59 | 0:16:01 | |
So I kind of put together a date for us, | 0:16:01 | 0:16:07 | |
complete with shawarma. | 0:16:07 | 0:16:10 | |
-I haven't had shawarma in so long! -SHE LAUGHS | 0:16:12 | 0:16:15 | |
It's just, after everything you've done for me, | 0:16:15 | 0:16:17 | |
I kind of wanted to do a little something for you. | 0:16:17 | 0:16:19 | |
'I haven't had shawarma in so long because it would remind me' | 0:16:21 | 0:16:23 | |
of that first time I went on the bus with her | 0:16:23 | 0:16:26 | |
and made her get shawarma with me. | 0:16:26 | 0:16:27 | |
I don't know, it was just a memorable moment. | 0:16:27 | 0:16:29 | |
'And now, she's showing me that it meant something to her as well.' | 0:16:29 | 0:16:33 | |
And I love her for that. | 0:16:33 | 0:16:34 | |
DANCE MUSIC PLAYS | 0:16:43 | 0:16:44 | |
'Michelle's rehearsal is going great.' | 0:16:44 | 0:16:47 | |
From the beginning of the day until now, she's improved a lot. | 0:16:47 | 0:16:50 | |
She definitely has a lot of her confidence back. | 0:16:50 | 0:16:53 | |
Nice! | 0:17:00 | 0:17:01 | |
-Is that better? -Yeah, a lot better. | 0:17:01 | 0:17:03 | |
Cos, with that solo, we're getting into the semifinals. | 0:17:03 | 0:17:06 | |
'It's really encouraging knowing that Eldon thinks that my routine' | 0:17:06 | 0:17:09 | |
is going to get us to the semifinals. I hope so. | 0:17:09 | 0:17:13 | |
I wouldn't have been able to do it without you, right? | 0:17:13 | 0:17:15 | |
Please. | 0:17:15 | 0:17:17 | |
I guess you and I are OK now? | 0:17:18 | 0:17:20 | |
-As friends, I mean. -Yeah. | 0:17:21 | 0:17:24 | |
Cool. | 0:17:25 | 0:17:26 | |
-Thanks. -No problem. You know what? | 0:17:28 | 0:17:30 | |
-Let's go to Culture Shock. Drinks on me. -Cool. | 0:17:30 | 0:17:34 | |
'I had a great day with Eldon. | 0:17:34 | 0:17:36 | |
'You know, we got along so well, we helped each other out,' | 0:17:36 | 0:17:39 | |
and it was just great knowing where I stand with him now. | 0:17:39 | 0:17:42 | |
So... | 0:17:48 | 0:17:49 | |
This is nice. | 0:17:51 | 0:17:52 | |
Have you felt a little out of sync lately? | 0:17:56 | 0:17:59 | |
Yeah, I have to admit, kind of. | 0:18:01 | 0:18:03 | |
But I don't think that means we should stop trying. | 0:18:03 | 0:18:07 | |
I think the problem is that we're trying to be who we were, | 0:18:09 | 0:18:12 | |
when we need to be who we are now. | 0:18:12 | 0:18:15 | |
I think that makes total sense. Kind of like a fresh start. | 0:18:18 | 0:18:21 | |
'By start fresh, I mean...' | 0:18:22 | 0:18:24 | |
try our best to forget about the past, | 0:18:24 | 0:18:26 | |
and totally reconnect as if this was day one all over again. | 0:18:26 | 0:18:30 | |
So what was the hardest thing for you to do on the list? | 0:18:30 | 0:18:33 | |
Hardest thing? | 0:18:33 | 0:18:34 | |
Probably actually reading the diary. | 0:18:34 | 0:18:36 | |
HE GIGGLES, SHE CLEARS HER THROAT | 0:18:36 | 0:18:38 | |
-"That cute boy from the studio came in today..." -No, you know... | 0:18:38 | 0:18:40 | |
-You know that was Eldon. -Yeah. Definitely. Sorry. | 0:18:40 | 0:18:43 | |
Sorry that I assumed it was me. | 0:18:43 | 0:18:45 | |
'As we start talking about the quest, | 0:18:45 | 0:18:47 | |
'we're starting to get back in sync, and...' | 0:18:47 | 0:18:50 | |
..it feels like it used to. | 0:18:51 | 0:18:52 | |
What was your favourite thing from the list? | 0:18:52 | 0:18:55 | |
-Riley Roll-up. -Riley Roll-up? -Mm-hm. | 0:18:55 | 0:18:58 | |
Hmm. | 0:18:58 | 0:19:00 | |
-What are you doing? -I just wanted to see... | 0:19:00 | 0:19:02 | |
I thought I saw something on the table right here. | 0:19:02 | 0:19:04 | |
COINS RATTLE | 0:19:06 | 0:19:08 | |
-You dropped... you dropped some change. -Yeah! | 0:19:08 | 0:19:11 | |
SHE LAUGHS | 0:19:11 | 0:19:12 | |
It's all good. | 0:19:13 | 0:19:15 | |
'Him doing the Riley Roll-up just kind of | 0:19:15 | 0:19:17 | |
'reminds me of everything that he's done for me and...' | 0:19:17 | 0:19:20 | |
it's just kind of reminding me that I...I trust him again. | 0:19:20 | 0:19:25 | |
Here, a toast. To the new us. | 0:19:25 | 0:19:27 | |
GLASSES CLINK To the new us. | 0:19:27 | 0:19:29 | |
'And honestly, I was a little worried at first | 0:19:29 | 0:19:32 | |
'about our relationship, but now...' | 0:19:32 | 0:19:34 | |
I couldn't be more sure. | 0:19:34 | 0:19:35 | |
Riley, honestly, I think this is exactly what we needed. | 0:19:35 | 0:19:40 | |
-Me too. -I had such a great night. | 0:19:40 | 0:19:43 | |
The date is pretty perfect. It's...it's exactly what we needed | 0:19:43 | 0:19:48 | |
to kind of get back into the groove of things and... | 0:19:48 | 0:19:52 | |
I'm feeling pretty good about us. | 0:19:52 | 0:19:54 | |
Well, it's getting kind of late, we should probably go. | 0:19:54 | 0:19:56 | |
Just one more thing. | 0:19:56 | 0:19:58 | |
-Oh, you want to dance. -Yeah! | 0:20:00 | 0:20:02 | |
# We can be cool | 0:20:05 | 0:20:07 | |
# We can rely on each other too | 0:20:09 | 0:20:12 | |
# We don't reveal all the truths | 0:20:12 | 0:20:16 | |
# We still have fun with each other I know... # | 0:20:16 | 0:20:19 | |
RILEY: 'Dancing with James is...' | 0:20:19 | 0:20:21 | |
It's amazing. | 0:20:23 | 0:20:24 | |
'I've always loved being with him and being so close to him.' | 0:20:24 | 0:20:28 | |
-It's just really nice. -# ..and onto the stage and know | 0:20:30 | 0:20:34 | |
# We were in love | 0:20:34 | 0:20:36 | |
# Love never dies to the point where... | 0:20:37 | 0:20:41 | |
# It can't be grown again | 0:20:41 | 0:20:45 | |
# We have to water it... # | 0:20:45 | 0:20:47 | |
-Now we're official. -# We were in love | 0:20:47 | 0:20:51 | |
# Our love never dies to the point where... # | 0:20:51 | 0:20:56 | |
# We...we're gonna show the world | 0:20:58 | 0:21:03 | |
# Everything we're made of | 0:21:03 | 0:21:07 | |
# We're gonna tear the roof off this place! | 0:21:07 | 0:21:12 | |
# You...you can never fade us out | 0:21:12 | 0:21:17 | |
# Don't even ask the DJ | 0:21:17 | 0:21:21 | |
# Everybody knows we own this land.... # | 0:21:21 | 0:21:24 |