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Previously on The Next Step... | 0:00:02 | 0:00:04 | |
-They're so in sync. -Yup. | 0:00:04 | 0:00:06 | |
I feel like no-one wants to go up against LOD because | 0:00:06 | 0:00:08 | |
as soon as you face them, you know you're going home. | 0:00:08 | 0:00:11 | |
The Next Step! | 0:00:12 | 0:00:14 | |
I'm so happy that I won. | 0:00:15 | 0:00:17 | |
This means that our whole team gets to perform | 0:00:17 | 0:00:19 | |
in the semifinals round. | 0:00:19 | 0:00:20 | |
# Oh | 0:00:23 | 0:00:25 | |
# If I beg and I plead | 0:00:25 | 0:00:26 | |
# Will you stay by me? # | 0:00:26 | 0:00:29 | |
Attention, all groups competing this afternoon must report back to the... | 0:00:31 | 0:00:35 | |
Whoo-hoo. | 0:00:35 | 0:00:37 | |
Right now, we're on an empty stage rehearsing | 0:00:37 | 0:00:39 | |
our routine for the semifinals. | 0:00:39 | 0:00:41 | |
Since Michelle won the fourth round, | 0:00:41 | 0:00:43 | |
we will be competing against Joanne Chapman's. | 0:00:43 | 0:00:45 | |
I'm getting kind of nervous because Joanne Chapman's is really good. | 0:00:45 | 0:00:49 | |
They're really clean and really up to date with their style. | 0:00:49 | 0:00:53 | |
But I am still happy we don't have to go up against LOD... | 0:00:53 | 0:00:57 | |
yet. | 0:00:57 | 0:00:59 | |
As I'm warming up on stage, I look over and I see Thalia | 0:01:04 | 0:01:08 | |
kind of walking around, just looking at the floor. | 0:01:08 | 0:01:11 | |
Thalia...what are you doing? | 0:01:11 | 0:01:14 | |
I'm looking for the sweet spot. | 0:01:14 | 0:01:16 | |
A sweet spot is a place that really gives me good energy. | 0:01:16 | 0:01:18 | |
It is a place that feels like magic | 0:01:18 | 0:01:21 | |
and where someone can be really comfortable. | 0:01:21 | 0:01:23 | |
Ah, see? I knew it. | 0:01:23 | 0:01:26 | |
Actually, I found a sweet spot in my solo. | 0:01:26 | 0:01:30 | |
Right here. | 0:01:30 | 0:01:31 | |
-Over here? -Right here, nope. | 0:01:31 | 0:01:33 | |
Over here? | 0:01:33 | 0:01:34 | |
No, no, no, no, no. | 0:01:34 | 0:01:36 | |
Over here. | 0:01:36 | 0:01:37 | |
Right there. | 0:01:40 | 0:01:42 | |
This feels good. | 0:01:44 | 0:01:45 | |
It's our secret, though. | 0:01:45 | 0:01:47 | |
OK. | 0:01:48 | 0:01:49 | |
Hey, guys. | 0:01:49 | 0:01:50 | |
Just so you know, we have around ten more minutes on the stage, | 0:01:50 | 0:01:54 | |
so, uh, make sure you're in the zone, all right? | 0:01:54 | 0:01:57 | |
The team does look good, | 0:01:57 | 0:01:59 | |
but I don't know if it's good enough to beat the other three. | 0:01:59 | 0:02:02 | |
Hey, what's up? | 0:02:04 | 0:02:05 | |
Hey! How are you? | 0:02:05 | 0:02:06 | |
Good, good. | 0:02:06 | 0:02:08 | |
So, you know, I've been... | 0:02:08 | 0:02:09 | |
I've been doing some big thinking. | 0:02:09 | 0:02:12 | |
And what big thoughts have you been having? | 0:02:12 | 0:02:14 | |
Well... | 0:02:14 | 0:02:16 | |
I think we should go on a date. | 0:02:16 | 0:02:18 | |
What?! | 0:02:19 | 0:02:20 | |
Yeah. | 0:02:20 | 0:02:21 | |
I mean, I'm shocked! It's out of nowhere. | 0:02:21 | 0:02:24 | |
I mean, I guess we have been hanging out a lot lately | 0:02:24 | 0:02:26 | |
and I don't hate the idea of dating him. | 0:02:26 | 0:02:29 | |
West, we are two hours away | 0:02:29 | 0:02:33 | |
from dancing in the semifinals at Nationals... | 0:02:33 | 0:02:37 | |
..and you think that you would take me on a date? | 0:02:38 | 0:02:40 | |
You know, we've been spending a lot of time recently | 0:02:40 | 0:02:42 | |
and, you know, I'm having a good time | 0:02:42 | 0:02:45 | |
and I want to continue to have good times with her. | 0:02:45 | 0:02:48 | |
You're ridiculous! | 0:02:48 | 0:02:50 | |
Well, you won't really know how ridiculous I am | 0:02:50 | 0:02:52 | |
until you agree to go on a date with me. | 0:02:52 | 0:02:56 | |
-All right? -Go rehearse! | 0:02:56 | 0:02:58 | |
So, that's...that's a yes, right? All right, cool, sweet! | 0:02:58 | 0:03:01 | |
We need to focus. We have worked so hard to make it | 0:03:04 | 0:03:07 | |
to the final four | 0:03:07 | 0:03:09 | |
and I don't want anything to get in the way of that. | 0:03:09 | 0:03:12 | |
# We | 0:03:12 | 0:03:14 | |
# We are gonna show the world | 0:03:14 | 0:03:19 | |
# Everything we're made of | 0:03:19 | 0:03:22 | |
# We're gonna tear the roof off this place | 0:03:22 | 0:03:30 | |
# Stand up! # | 0:03:35 | 0:03:36 | |
Last year at Nationals, CDC was bounced in the fourth round. | 0:04:08 | 0:04:11 | |
This year? You could say mission accomplished. | 0:04:11 | 0:04:14 | |
They are in the final four, but they are in tough. | 0:04:14 | 0:04:18 | |
Yep, and they are up against Life Of Dance | 0:04:18 | 0:04:20 | |
And, you know, right now for CDC... | 0:04:20 | 0:04:22 | |
it's life or death. | 0:04:22 | 0:04:25 | |
-Guys. -Hey. | 0:04:46 | 0:04:48 | |
How are they doing? | 0:04:48 | 0:04:49 | |
Um...they're amazing. | 0:04:49 | 0:04:51 | |
CDC is actually a lot like The Next Step. | 0:04:58 | 0:05:01 | |
We're both in the semifinals for the first time and we're both | 0:05:01 | 0:05:04 | |
going up against groups that made it to the finals last year. | 0:05:04 | 0:05:08 | |
Their storyline I think is what pushes it | 0:05:15 | 0:05:18 | |
really over the edge. | 0:05:18 | 0:05:19 | |
They have a Charlie Chaplin character who | 0:05:19 | 0:05:21 | |
starts off really happy and he gives flowers to all | 0:05:21 | 0:05:24 | |
the other characters who are kind of sad. | 0:05:24 | 0:05:28 | |
And it... | 0:05:28 | 0:05:29 | |
It's really cool because it's a contemporary number | 0:05:29 | 0:05:32 | |
but it's to this old comedian. | 0:05:32 | 0:05:34 | |
Probably one of the most creative pieces | 0:05:34 | 0:05:35 | |
I've seen at Nationals. | 0:05:35 | 0:05:37 | |
He's just trying to make everybody happy | 0:06:11 | 0:06:13 | |
so he gives people these flowers to make them happy, | 0:06:13 | 0:06:15 | |
and by the end he runs out of flowers, so he becomes sad himself. | 0:06:15 | 0:06:19 | |
CHEERING AND APPLAUSE | 0:06:29 | 0:06:31 | |
That was good. | 0:06:33 | 0:06:34 | |
CDC'S number was really good and I always love creativity | 0:06:34 | 0:06:38 | |
but, for the judges, I don't know if it's clean enough | 0:06:38 | 0:06:42 | |
to beat Life Of Dance. | 0:06:42 | 0:06:43 | |
West. | 0:06:49 | 0:06:50 | |
-Hey. -Hi. Uh... | 0:06:50 | 0:06:52 | |
I have a question... | 0:06:53 | 0:06:55 | |
Yeah, about us...going on a date, right? | 0:06:55 | 0:06:57 | |
-Yeah, that. -Yeah. | 0:06:57 | 0:06:58 | |
I just want to know why someone | 0:06:58 | 0:07:00 | |
like West would even want to date someone like me. | 0:07:00 | 0:07:04 | |
I'm controlling... | 0:07:04 | 0:07:05 | |
You know, she sees herself as controlling, stubborn, mean... | 0:07:05 | 0:07:10 | |
I see the good in her and it's unfortunate that she doesn't. | 0:07:10 | 0:07:14 | |
Emily. I see so much more in you than that. | 0:07:14 | 0:07:18 | |
When West tells me he sees so much more in me, | 0:07:21 | 0:07:25 | |
it makes me believe in myself a little bit more. | 0:07:25 | 0:07:30 | |
CHEERING | 0:07:30 | 0:07:32 | |
# I know you better than you know yourself | 0:07:48 | 0:07:52 | |
# You're trying to tell me... # | 0:07:52 | 0:07:53 | |
LOD's concept for their routine is that one person | 0:07:53 | 0:07:56 | |
breaks free from the group | 0:07:56 | 0:07:58 | |
and the rest of the group tries to bring them back. | 0:07:58 | 0:08:00 | |
It's kind of like LOD itself - | 0:08:02 | 0:08:04 | |
you can never escape. | 0:08:04 | 0:08:05 | |
# You keep yourself locked up in these castle walls | 0:08:05 | 0:08:09 | |
# Where no-one comes to save you till you know who's at fault... # | 0:08:09 | 0:08:13 | |
Their mix of stepping with soundography - | 0:08:13 | 0:08:16 | |
almost perfection, if not perfect. | 0:08:16 | 0:08:18 | |
I feel bad for CDC. | 0:08:21 | 0:08:23 | |
# Oh, you ran to me | 0:08:23 | 0:08:26 | |
# When you broke free | 0:08:26 | 0:08:28 | |
# When you broke free, yeah | 0:08:28 | 0:08:32 | |
# These chains have come unchained | 0:08:32 | 0:08:35 | |
# Now you'll never be the same from today | 0:08:35 | 0:08:38 | |
# And you don't know what to say... # | 0:08:38 | 0:08:41 | |
-Wow! -Yeah! | 0:08:44 | 0:08:45 | |
# To the roots of the forests and the trees | 0:08:47 | 0:08:51 | |
# No-one ever said it was gonna be easy | 0:08:52 | 0:08:57 | |
# You have to believe | 0:08:57 | 0:09:01 | |
# Oh, you ran to me | 0:09:01 | 0:09:04 | |
# When you broke free | 0:09:04 | 0:09:06 | |
# When you broke free, yeah... # | 0:09:06 | 0:09:10 | |
Everything they do is so precise, so sharp and so together - | 0:09:10 | 0:09:13 | |
they're seriously like an army. | 0:09:13 | 0:09:15 | |
A dance troupe army. | 0:09:15 | 0:09:18 | |
# Don't know what to say, don't know what to say | 0:09:18 | 0:09:21 | |
# Keep on shining through | 0:09:24 | 0:09:27 | |
# Don't let anybody see | 0:09:28 | 0:09:32 | |
# Only you know the truth | 0:09:32 | 0:09:36 | |
# But while you're here | 0:09:36 | 0:09:39 | |
# You cannot undo. # | 0:09:39 | 0:09:43 | |
CHEERING AND APPLAUSE | 0:09:43 | 0:09:45 | |
Did Life Of Dance wrap up another trip to the finals | 0:09:48 | 0:09:52 | |
here at the Absolute Dance National Championships? | 0:09:52 | 0:09:55 | |
We're about to find out. | 0:09:55 | 0:09:56 | |
CDC had a great story to their routine | 0:09:57 | 0:09:59 | |
but LOD all around are just better dancers. | 0:09:59 | 0:10:02 | |
And if you're judging just on dance, then LOD is the clear winner. | 0:10:02 | 0:10:07 | |
The first of two dance troupes in the finals is... | 0:10:07 | 0:10:11 | |
Life Of Dance! | 0:10:11 | 0:10:13 | |
And so, for a fourth consecutive year, | 0:10:13 | 0:10:18 | |
Life Of Dance will be moving on to the finals | 0:10:18 | 0:10:21 | |
here at the Absolute Dance National Championships. | 0:10:21 | 0:10:25 | |
It's amazing that we've come this far, but if we win | 0:10:25 | 0:10:28 | |
the semifinals, we're going to have to compete | 0:10:28 | 0:10:30 | |
against Life Of Dance. | 0:10:30 | 0:10:32 | |
And to beat Life Of Dance... | 0:10:32 | 0:10:34 | |
we're going to have to pull a miracle. | 0:10:34 | 0:10:37 | |
# Unsinkable | 0:10:37 | 0:10:41 | |
# Unsinkable. # | 0:10:41 | 0:10:45 | |
Well, Life Of Dance is off to the final, | 0:10:46 | 0:10:49 | |
but we've got ourselves quite a confrontation in moments | 0:10:49 | 0:10:52 | |
as Joanne Chapman gets set to take on The Next Step. | 0:10:52 | 0:10:54 | |
-Got to go all or nothing. -I know. This is it, man. | 0:10:54 | 0:10:56 | |
I know, this is it. | 0:10:56 | 0:10:57 | |
Last year, they lost in the finals. | 0:10:57 | 0:11:00 | |
This year, they're coming back | 0:11:00 | 0:11:02 | |
for a rematch against Life Of Dance, so they've got some fire. | 0:11:02 | 0:11:04 | |
And they're about to take the stage right here | 0:11:04 | 0:11:07 | |
at the Absolute Dance National Championships. | 0:11:07 | 0:11:09 | |
We should honour them with our presence. | 0:11:09 | 0:11:12 | |
# Darling, I'm lost | 0:11:28 | 0:11:29 | |
# Adrift in the dark... # | 0:11:32 | 0:11:34 | |
The story behind Joanne Chapman's dance is a little dark, | 0:11:38 | 0:11:41 | |
but in kind of a beautiful way. | 0:11:41 | 0:11:43 | |
# So let in the light... # | 0:11:47 | 0:11:49 | |
This girl who sees a letter explaining to her | 0:11:49 | 0:11:52 | |
that someone she cares about has left. | 0:11:52 | 0:11:54 | |
From then on, the darkness - which is all the dancers | 0:11:54 | 0:11:57 | |
in the dark costumes - kind of consume her. | 0:11:57 | 0:11:59 | |
They're just so emotional | 0:12:02 | 0:12:05 | |
and so invested in what they're doing, | 0:12:05 | 0:12:07 | |
even I'm getting goose bumps watching it. | 0:12:07 | 0:12:09 | |
# In the darkest place | 0:12:10 | 0:12:13 | |
# My reflection | 0:12:17 | 0:12:18 | |
# Shows only your face | 0:12:20 | 0:12:24 | |
# Something is found... # | 0:12:26 | 0:12:29 | |
Psst. Emily. Come on. | 0:12:31 | 0:12:33 | |
I pulled Emily aside because | 0:12:35 | 0:12:37 | |
I've been doing a lot of thinking about | 0:12:37 | 0:12:39 | |
what she said. You know, why I like her. | 0:12:39 | 0:12:41 | |
I think I have an answer. | 0:12:41 | 0:12:44 | |
A book. | 0:12:44 | 0:12:45 | |
Yeah. | 0:12:45 | 0:12:47 | |
I'm... I'm sorry, I don't get it. | 0:12:47 | 0:12:50 | |
Open it up to the page I marked. | 0:12:50 | 0:12:52 | |
-Fire fairies? -Yeah. | 0:12:55 | 0:12:58 | |
They're in charge of volcanoes, lava, fireworks, the sun, | 0:12:58 | 0:13:01 | |
and they're very fierce and loyal. | 0:13:01 | 0:13:04 | |
But once you get their friendship, anything is possible. | 0:13:04 | 0:13:07 | |
I know you think you're difficult | 0:13:08 | 0:13:10 | |
and hard to be around, | 0:13:10 | 0:13:12 | |
but I see you as a fire fairy. | 0:13:12 | 0:13:14 | |
When West tells me I'm a fire fairy, | 0:13:16 | 0:13:18 | |
it's honestly one of the nicest things | 0:13:18 | 0:13:20 | |
that anyone has ever said to me. | 0:13:20 | 0:13:22 | |
So, uh, am I winning you over? | 0:13:22 | 0:13:24 | |
We'll see how you dance! | 0:13:26 | 0:13:28 | |
That's a yes. | 0:13:33 | 0:13:35 | |
# I spilled someone's blood | 0:13:35 | 0:13:37 | |
# I broke someone's heart again | 0:13:40 | 0:13:43 | |
# Someone you knew | 0:13:45 | 0:13:47 | |
# You're looking at him, my friend... # | 0:13:50 | 0:13:55 | |
-This is it! This is it. -Ready, ready, ready. | 0:13:55 | 0:13:57 | |
Yes, yes, yes, yes. | 0:13:57 | 0:13:58 | |
This will be the first time that a lot of us | 0:14:02 | 0:14:04 | |
have stepped out onto that national stage | 0:14:04 | 0:14:06 | |
and now it's time for everyone | 0:14:06 | 0:14:07 | |
to come together as a team and make it to the final round. | 0:14:07 | 0:14:11 | |
# Here we are | 0:14:11 | 0:14:13 | |
# In the darkest place | 0:14:13 | 0:14:17 | |
# To keep from forgetting | 0:14:19 | 0:14:21 | |
# I picture your face... # | 0:14:23 | 0:14:27 | |
I look around and I see my team-mates | 0:14:27 | 0:14:29 | |
and I just know that we're going to do really well. | 0:14:29 | 0:14:32 | |
# While we count the cost... # | 0:14:32 | 0:14:36 | |
We all have each others' backs | 0:14:38 | 0:14:40 | |
and I know that we would all do anything for this team. | 0:14:40 | 0:14:43 | |
# So I curse you | 0:14:43 | 0:14:45 | |
# My vampire heart | 0:14:45 | 0:14:49 | |
# For letting me love you | 0:14:54 | 0:14:57 | |
# From the start. # | 0:15:00 | 0:15:02 | |
CHEERING AND APPLAUSE | 0:15:02 | 0:15:04 | |
I can tell you one thing - | 0:15:11 | 0:15:12 | |
these dancers do not want to go home. | 0:15:12 | 0:15:14 | |
The Next Step is off in the wings. | 0:15:14 | 0:15:16 | |
Looking at what they just saw, | 0:15:16 | 0:15:18 | |
that is quite a performance to have to ratchet it up to. | 0:15:18 | 0:15:21 | |
It is the time. | 0:15:21 | 0:15:23 | |
Time to perform. | 0:15:23 | 0:15:24 | |
All right, West, set us up, brah! | 0:15:24 | 0:15:26 | |
It's finally time for us to go out on that stage and do what we do. | 0:15:26 | 0:15:29 | |
Let's do it! You got this, let's go! | 0:15:29 | 0:15:32 | |
It's time for the team to come together, it's time for us | 0:15:32 | 0:15:34 | |
to work together, it's time for us to prove | 0:15:34 | 0:15:37 | |
that we're here to win. | 0:15:37 | 0:15:38 | |
CHEERING | 0:15:47 | 0:15:49 | |
# You can hear the sirens off in the distance... # | 0:15:55 | 0:16:00 | |
The story of the dance basically is | 0:16:03 | 0:16:04 | |
we're all trying to get somewhere but we can't do it alone. | 0:16:04 | 0:16:07 | |
So it's all about teamwork and team chemistry. | 0:16:07 | 0:16:10 | |
# But here with you now | 0:16:10 | 0:16:12 | |
# I'm lost in this moment... # | 0:16:12 | 0:16:14 | |
So, as one person tries to get there, | 0:16:14 | 0:16:16 | |
they can't make it without all of us being there. | 0:16:16 | 0:16:19 | |
So Riley tries to get up and we all go with her | 0:16:22 | 0:16:25 | |
and, as people start moving closer and closer to the edge of the stage, | 0:16:25 | 0:16:28 | |
it's kind of pulling everyone forward. | 0:16:28 | 0:16:31 | |
We can't move on if we don't have everybody. | 0:16:31 | 0:16:34 | |
It's kind of like A-Troupe. | 0:16:35 | 0:16:36 | |
# Unsinkable | 0:16:36 | 0:16:41 | |
# Unsinkable | 0:16:41 | 0:16:43 | |
# Unsinkable | 0:16:43 | 0:16:47 | |
# Unsinkable | 0:16:47 | 0:16:52 | |
# These voices I call in the darkness | 0:16:52 | 0:16:56 | |
# I wanna let out what you hold inside... # | 0:16:59 | 0:17:02 | |
It is a crazy feeling, looking out at the audience | 0:17:07 | 0:17:09 | |
and there's 1,200 people looking right at you. | 0:17:09 | 0:17:13 | |
# What's behind those troubled eyes? | 0:17:13 | 0:17:18 | |
# I count every second that ticks by... # | 0:17:20 | 0:17:25 | |
I'm just kind of overwhelmed with all the amount of support | 0:17:25 | 0:17:28 | |
that we have from the audience. It's just screams and screams | 0:17:28 | 0:17:30 | |
and I can barely hear myself think. | 0:17:30 | 0:17:33 | |
# Unsinkable | 0:17:33 | 0:17:36 | |
# Unsinkable | 0:17:36 | 0:17:39 | |
# Unsinkable | 0:17:39 | 0:17:43 | |
# Unsinkable... # | 0:17:43 | 0:17:46 | |
The dance is going amazing. | 0:17:49 | 0:17:50 | |
I can feel us moving as one, breathing as one... | 0:17:50 | 0:17:54 | |
We have this. We're going to win. | 0:17:54 | 0:17:56 | |
You all right? | 0:18:02 | 0:18:03 | |
APPLAUSE | 0:18:03 | 0:18:05 | |
-Oh, my gosh, I think she's hurt. -What? | 0:18:07 | 0:18:09 | |
Uh, Tre, I was just about to say - | 0:18:12 | 0:18:14 | |
fantastic routine, but I think there may have been an injury. | 0:18:14 | 0:18:17 | |
What did you think? | 0:18:17 | 0:18:18 | |
What's wrong? | 0:18:18 | 0:18:20 | |
Emily, Emily, Emily! | 0:18:20 | 0:18:21 | |
-Come on, come on, come on! -Ow! | 0:18:23 | 0:18:24 | |
What's wrong, what's wrong, what's wrong? | 0:18:24 | 0:18:26 | |
Knowing whether or not we won can wait - | 0:18:26 | 0:18:29 | |
I just want to make sure my sister is fine. | 0:18:29 | 0:18:31 | |
I'm not quite sure what happened. | 0:18:31 | 0:18:32 | |
We'll obviously get those details | 0:18:32 | 0:18:34 | |
as they funnel into us, uh... | 0:18:34 | 0:18:36 | |
-What happened? -My knee. | 0:18:36 | 0:18:37 | |
-Which knee? -What do you mean, your knee? | 0:18:37 | 0:18:39 | |
I think I might have rolled it. | 0:18:39 | 0:18:41 | |
What?! | 0:18:41 | 0:18:43 | |
I landed on my knee wrong. It pops, I feel it. | 0:18:43 | 0:18:46 | |
I can't put any weight on it, I can't put any pressure on it. | 0:18:46 | 0:18:49 | |
Ow! Ow! | 0:18:49 | 0:18:50 | |
Well, if that's the case... | 0:18:50 | 0:18:52 | |
OK, not one, but a few more just ran off. | 0:18:52 | 0:18:54 | |
-You OK? -What's going on? -She hurt her knee. | 0:18:54 | 0:18:57 | |
Try standing on it. | 0:18:57 | 0:18:58 | |
-Careful. -We got you. -Come on, come on, come on. | 0:18:58 | 0:19:01 | |
Ow! | 0:19:01 | 0:19:03 | |
Injury's bad. | 0:19:03 | 0:19:04 | |
She can't put any weight on her knee. | 0:19:04 | 0:19:07 | |
It's not good. | 0:19:07 | 0:19:09 | |
This injury is not good. | 0:19:10 | 0:19:12 | |
It's such a special moment and for something... | 0:19:12 | 0:19:14 | |
Again, we're speculating here... | 0:19:14 | 0:19:15 | |
For something as tragic as an injury to happen | 0:19:15 | 0:19:17 | |
at this juncture of the competition? | 0:19:17 | 0:19:20 | |
-I can't even imagine what that feels like. -Guys, go, go. | 0:19:20 | 0:19:23 | |
Here's the thing - you're allowed to have an alternate. | 0:19:23 | 0:19:26 | |
Uh, however, it appears that The Next Step | 0:19:26 | 0:19:29 | |
doesn't have any alternates left, Chuck. | 0:19:29 | 0:19:31 | |
That's a problem. That is going to be a huge problem. | 0:19:31 | 0:19:34 | |
What recourse for The Next Step | 0:19:34 | 0:19:37 | |
if they do have an injury to one of their team members? | 0:19:37 | 0:19:40 | |
That's a wait-and-see situation. | 0:19:40 | 0:19:42 | |
And the second team moving on to the finals is... | 0:19:42 | 0:19:45 | |
..The Next Step! | 0:19:50 | 0:19:52 | |
We did it! | 0:19:54 | 0:19:55 | |
Wow, yeah. | 0:19:57 | 0:19:58 | |
The Next Step is moving on. Or are they, Tre? | 0:20:01 | 0:20:04 | |
The rules stipulate that you have to have ten dancers compete | 0:20:04 | 0:20:09 | |
and it looks like The Next Step is really up against it here | 0:20:09 | 0:20:12 | |
as they are hoping to move on to the final. | 0:20:12 | 0:20:15 | |
When The Next Step wins, obviously I'm over the moon. | 0:20:16 | 0:20:19 | |
I mean, I can't really show it because of my knee, | 0:20:19 | 0:20:24 | |
but I'm happy I didn't ruin it for them. | 0:20:24 | 0:20:26 | |
Guys... | 0:20:26 | 0:20:28 | |
..I don't think I'm going to be able to dance. | 0:20:29 | 0:20:31 | |
No, don't say that. You can, you can. | 0:20:31 | 0:20:34 | |
You just need rest. | 0:20:34 | 0:20:35 | |
-Right? -You just need rest, that's it. -Guys... | 0:20:35 | 0:20:37 | |
..no. | 0:20:40 | 0:20:41 | |
We're going up against Life Of Dance | 0:20:41 | 0:20:44 | |
and we have an injured dancer. | 0:20:44 | 0:20:45 | |
Tell me how this is going to work out. | 0:20:47 | 0:20:49 | |
I have no idea... | 0:20:50 | 0:20:53 | |
what we're going to do now. | 0:20:53 | 0:20:54 |