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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
-ANNOUNCER: -Life of Dance! | 0:00:03 | 0:00:06 | |
Life of Dance will be moving on to the finals | 0:00:06 | 0:00:09 | |
here at the Absolute Dance National Championships. | 0:00:09 | 0:00:13 | |
'The dance is going amazing. We have this. | 0:00:13 | 0:00:16 | |
'We're going to win.' | 0:00:16 | 0:00:17 | |
SHE WINCES | 0:00:17 | 0:00:18 | |
CHEERING | 0:00:18 | 0:00:20 | |
You all right? | 0:00:20 | 0:00:21 | |
I don't think I'm going to be able to dance. | 0:00:23 | 0:00:25 | |
We're going up against Life of Dance. | 0:00:25 | 0:00:27 | |
And we have an injured dancer. | 0:00:27 | 0:00:29 | |
We need ten dancers for the next round. | 0:00:29 | 0:00:31 | |
Goodbye, Nationals. | 0:00:31 | 0:00:32 | |
I'm just testing my knee to see if I can put any pressure on it. | 0:00:43 | 0:00:47 | |
To see if there's any way I can dance, any way I can... | 0:00:47 | 0:00:50 | |
not let my team down. | 0:00:50 | 0:00:52 | |
'I have to have some sense of hope that Emily's going to be OK.' | 0:00:53 | 0:00:56 | |
But... | 0:00:56 | 0:00:58 | |
..I don't know if it's going to happen. | 0:00:59 | 0:01:01 | |
Ooh! | 0:01:03 | 0:01:04 | |
Em! Don't do that! | 0:01:06 | 0:01:08 | |
You can't put pressure on your knee right now. You need to rest. | 0:01:08 | 0:01:11 | |
'This is everything I've worked for. I gave up... | 0:01:11 | 0:01:15 | |
everything. | 0:01:15 | 0:01:17 | |
And this happens? | 0:01:17 | 0:01:18 | |
I just can't believe this is happening right now. | 0:01:20 | 0:01:22 | |
Emily's knee looks really bad. | 0:01:22 | 0:01:25 | |
I don't know how she's going to be able | 0:01:25 | 0:01:27 | |
to compete in the Finals against L.O.D. | 0:01:27 | 0:01:29 | |
This is everything we ever worked for! | 0:01:29 | 0:01:33 | |
Riley, this is Nationals! | 0:01:35 | 0:01:37 | |
'Kate said that the physiotherapist' | 0:01:37 | 0:01:39 | |
might be able to treat Emily's knee. | 0:01:39 | 0:01:41 | |
But, if she doesn't stay off it, | 0:01:41 | 0:01:43 | |
there's no way that's she's going to be able to dance. | 0:01:43 | 0:01:46 | |
You need to focus on yourself right now. | 0:01:46 | 0:01:48 | |
I just... | 0:01:48 | 0:01:50 | |
Come on. Let's go. | 0:01:50 | 0:01:51 | |
EMILY SIGHS | 0:01:53 | 0:01:54 | |
I can't believe this happened to her. | 0:01:54 | 0:01:56 | |
She doesn't deserve it. | 0:01:58 | 0:01:59 | |
The team doesn't deserve it. | 0:01:59 | 0:02:01 | |
Yeah, they do. | 0:02:01 | 0:02:02 | |
I don't know if Emily's going to be able to dance in the Finals, | 0:02:04 | 0:02:08 | |
but if she can't... | 0:02:08 | 0:02:10 | |
then The Next Step has to forfeit. | 0:02:10 | 0:02:11 | |
Interesting. | 0:02:54 | 0:02:56 | |
What's "interesting"? | 0:02:56 | 0:02:57 | |
It's just, the energy is very interesting. | 0:02:57 | 0:03:00 | |
'Phoebe is trying some...' | 0:03:00 | 0:03:03 | |
weird healing process. | 0:03:03 | 0:03:05 | |
'I'm just trying to energetically' | 0:03:05 | 0:03:08 | |
straighten out the ligaments, | 0:03:08 | 0:03:09 | |
because I can feel that they're strained. | 0:03:09 | 0:03:11 | |
I have no idea what she's doing, but if it works, | 0:03:11 | 0:03:14 | |
more power to her. | 0:03:14 | 0:03:15 | |
Do I think it'll work? | 0:03:15 | 0:03:17 | |
No. | 0:03:17 | 0:03:19 | |
Probably not. | 0:03:19 | 0:03:20 | |
I can sense the pain. | 0:03:20 | 0:03:22 | |
Can you feel that? | 0:03:22 | 0:03:23 | |
Ow! | 0:03:23 | 0:03:25 | |
We're still trying to get the physiotherapist in here. | 0:03:25 | 0:03:27 | |
'I mean, dancers perform hurt all the time.' | 0:03:27 | 0:03:29 | |
There must be something he can do to help Emily | 0:03:29 | 0:03:31 | |
get through the final performance. | 0:03:31 | 0:03:33 | |
-I wish there was something we could do. -Yeah, you know, like... | 0:03:33 | 0:03:36 | |
'Today is the day of the finals, | 0:03:36 | 0:03:38 | |
'and we don't know whether or not we'll be able to compete,' | 0:03:38 | 0:03:40 | |
so, we're just waiting to find out whether or not Emily's OK. | 0:03:40 | 0:03:43 | |
-How long are they...? -I wish I had, like, | 0:03:43 | 0:03:45 | |
physiotherapist hands or something. | 0:03:45 | 0:03:46 | |
So, how's her knee? | 0:03:46 | 0:03:48 | |
Not good. At all. | 0:03:48 | 0:03:51 | |
Where on earth is this physiotherapist? | 0:03:51 | 0:03:53 | |
-Yo, Hunter. -Yeah? -Let's go find him. | 0:03:53 | 0:03:54 | |
-OK. We'll leave right now. -Thank you. -It doesn't look good for Emily, | 0:03:54 | 0:03:58 | |
so if Eldon and I can go quickly get a physiotherapist, | 0:03:58 | 0:04:00 | |
that's what we're going to do. | 0:04:00 | 0:04:01 | |
We'll be right back. | 0:04:01 | 0:04:02 | |
'Hunter seems to have a really good sense of direction. | 0:04:02 | 0:04:05 | |
'Even when he head slides,' | 0:04:05 | 0:04:06 | |
he seems to know where he's going, | 0:04:06 | 0:04:09 | |
so, he'll be able to navigate towards the physiotherapist. | 0:04:09 | 0:04:13 | |
-COMMENTATOR: -It's the last day of the Nationals competition | 0:04:23 | 0:04:25 | |
and we have the final dance-off | 0:04:25 | 0:04:27 | |
between The Next Step and Life of Dance coming up. | 0:04:27 | 0:04:30 | |
You know, this whole competition is about that big kahuna, | 0:04:30 | 0:04:33 | |
the National title, but we've got some small hardware to give out | 0:04:33 | 0:04:36 | |
for all the categories we've seen so far. | 0:04:36 | 0:04:38 | |
So, let's have another round of applause for our male soloists. | 0:04:38 | 0:04:41 | |
APPLAUSE AND CHEERING | 0:04:41 | 0:04:43 | |
Fantastic! | 0:04:46 | 0:04:47 | |
Great job, guys. | 0:04:47 | 0:04:48 | |
You know, Chuck, winning the top award in your category is | 0:04:48 | 0:04:51 | |
so important for these dancers. | 0:04:51 | 0:04:53 | |
And it's fantastic to see them get the recognition they deserve. | 0:04:53 | 0:04:57 | |
'The awards ceremony is basically just | 0:04:57 | 0:04:59 | |
'when they award the top three dances of each category. | 0:04:59 | 0:05:02 | |
'So, they have...' | 0:05:02 | 0:05:03 | |
Mr National Soloist, Miss National Soloist, | 0:05:03 | 0:05:05 | |
Best Duet and Best Small Group. | 0:05:05 | 0:05:08 | |
'The Nationals Awards are based on individual scores. | 0:05:08 | 0:05:10 | |
'So even if you didn't win your round' | 0:05:10 | 0:05:12 | |
you may have scored high enough to take home a trophy. | 0:05:12 | 0:05:15 | |
-APPLAUSE -All right, we are on to | 0:05:15 | 0:05:17 | |
our Miss Nationals Soloist award. | 0:05:17 | 0:05:19 | |
And so, the three female soloists with the highest | 0:05:19 | 0:05:22 | |
scores in the competition are... | 0:05:22 | 0:05:24 | |
Lexi from L.O.D. | 0:05:25 | 0:05:27 | |
APPLAUSE AND CHEERING | 0:05:27 | 0:05:29 | |
She is such an exquisite technical dancer, Chuck, | 0:05:29 | 0:05:32 | |
like all of the ladies in this group. | 0:05:32 | 0:05:34 | |
APPLAUSE AND CHEERING | 0:05:36 | 0:05:37 | |
Michelle from The Next Step is defending her title | 0:05:39 | 0:05:41 | |
of Miss Nationals Soloist from last year. | 0:05:41 | 0:05:44 | |
It would be quite remarkable to see her win two years in a row, Chuck. | 0:05:45 | 0:05:49 | |
APPLAUSE | 0:05:49 | 0:05:51 | |
Amanda from Elite Dance Academy was eliminated by Michelle | 0:05:56 | 0:05:59 | |
in the fourth round, but her score was still high enough | 0:05:59 | 0:06:01 | |
to get her into the top three, Tre. | 0:06:01 | 0:06:04 | |
And in third place is... | 0:06:08 | 0:06:10 | |
Amanda from Elite Dance Academy. | 0:06:13 | 0:06:15 | |
APPLAUSE AND CHEERING | 0:06:15 | 0:06:17 | |
'I'm really happy that I got third place. | 0:06:17 | 0:06:19 | |
'I mean, last year I got fifth. | 0:06:19 | 0:06:21 | |
'So, even though I lost to Michelle,' | 0:06:21 | 0:06:23 | |
I'm still improving. | 0:06:23 | 0:06:24 | |
I heard Emily's injury is pretty bad. | 0:06:24 | 0:06:26 | |
Looks like you guys are running out of time. | 0:06:26 | 0:06:28 | |
Well, as a friend of mine would say, "Don't even worry about it." | 0:06:28 | 0:06:32 | |
And in second place, Miss National Soloist goes to... | 0:06:32 | 0:06:35 | |
Lexi from Life of Dance. | 0:06:36 | 0:06:37 | |
APPLAUSE AND CHEERING | 0:06:37 | 0:06:39 | |
'I'm so excited, because that means that Michelle won first, | 0:06:40 | 0:06:43 | |
'which also means that she is' | 0:06:43 | 0:06:44 | |
Miss National Soloist two years in a row. | 0:06:44 | 0:06:47 | |
APPLAUSE AND CHEERING | 0:06:47 | 0:06:48 | |
Michelle, how's Emily's injury, anyway? | 0:06:48 | 0:06:51 | |
Why do you even care? | 0:06:51 | 0:06:54 | |
And our Miss National Soloist Award for the second year in a row... | 0:06:54 | 0:06:58 | |
Michelle from The Next Step. | 0:06:58 | 0:07:00 | |
APPLAUSE AND CHEERING | 0:07:00 | 0:07:02 | |
Well, it has been 14 years since we have seen | 0:07:02 | 0:07:05 | |
someone win back-to-back titles in female solo. | 0:07:05 | 0:07:09 | |
Well, that has been put to bed, because | 0:07:10 | 0:07:13 | |
we have a back-to-back winner at this year's championship. | 0:07:13 | 0:07:16 | |
Yes, Michelle. You better work, girl. | 0:07:16 | 0:07:19 | |
Good going. | 0:07:22 | 0:07:24 | |
You really did it. Great. | 0:07:24 | 0:07:26 | |
Lucien and the rest of the Elite team | 0:07:26 | 0:07:29 | |
don't give me the time of day. | 0:07:29 | 0:07:31 | |
Especially when I need their support the most. | 0:07:32 | 0:07:35 | |
Urgh! | 0:07:45 | 0:07:46 | |
I thought we would find the physiotherapist by now, | 0:07:46 | 0:07:48 | |
but we're still looking. | 0:07:48 | 0:07:50 | |
It doesn't seem like Hunter has a very good sense of direction. | 0:07:50 | 0:07:54 | |
I really want to be at Nationals, | 0:07:54 | 0:07:55 | |
but I'm really mad we missed that football game today. | 0:07:55 | 0:07:58 | |
Pffft! Yo, you're going to trip | 0:07:58 | 0:08:00 | |
when I tell you what I'm listening to right now. | 0:08:00 | 0:08:02 | |
-What? -I'm listening to the football game. | 0:08:02 | 0:08:04 | |
Man, give me that! | 0:08:04 | 0:08:06 | |
I'm like, "Bro, come on, man. Help a brother out." | 0:08:06 | 0:08:09 | |
There's no reason we can't listen to the football game | 0:08:09 | 0:08:11 | |
and look for the physiotherapist at the same time. | 0:08:11 | 0:08:14 | |
-Yes! -Second down, dude. -Yes! | 0:08:14 | 0:08:16 | |
PHONE RINGS | 0:08:16 | 0:08:18 | |
Oh, guys, Riley just texted me. | 0:08:18 | 0:08:20 | |
Michelle won Miss National Soloist. | 0:08:20 | 0:08:22 | |
-What? Seriously? -Nice! Yes! -Oh, my gosh! | 0:08:22 | 0:08:26 | |
That's great. | 0:08:26 | 0:08:27 | |
'I don't know what happened to those boys, | 0:08:27 | 0:08:29 | |
'but when you want something done,' | 0:08:29 | 0:08:30 | |
you've got to do it yourself. | 0:08:30 | 0:08:32 | |
I went to go get the physiotherapist. | 0:08:32 | 0:08:34 | |
-This is Emily. -Hi. -Hi, Emily. Sorry about your luck. | 0:08:34 | 0:08:38 | |
'When he arrives, I'm a little nervous. | 0:08:38 | 0:08:39 | |
'I mean, my knee is really tender' | 0:08:39 | 0:08:41 | |
and it hurts a lot. | 0:08:41 | 0:08:43 | |
And on a scale from one to ten, one being very little pain, | 0:08:43 | 0:08:46 | |
ten being excruciating pain, how would you say this is right now? | 0:08:46 | 0:08:49 | |
-I'd give it...I'd give it a 15. -A 15, OK. | 0:08:49 | 0:08:51 | |
I'm just going to pop you right here... | 0:08:51 | 0:08:53 | |
SHE WINCES Yeah, is that where you'd say | 0:08:53 | 0:08:55 | |
-the most pain is? -Yeah. -OK. -So, how is it? | 0:08:55 | 0:08:57 | |
I'll let you know in a couple of minutes, OK? | 0:08:57 | 0:08:59 | |
'I really hope the physiotherapist can do something for the pain,' | 0:08:59 | 0:09:03 | |
cos I just want to dance in the finals. | 0:09:03 | 0:09:05 | |
We are now getting ready for our National Duet award. | 0:09:07 | 0:09:09 | |
Can I have our National Duet nominees on stage, please? | 0:09:09 | 0:09:12 | |
APPLAUSE AND CHEERING | 0:09:12 | 0:09:14 | |
The finalists for the Duet award are... | 0:09:15 | 0:09:18 | |
The Joanne Chapman School of Dance. | 0:09:18 | 0:09:20 | |
They are a fantastic troupe, Chuck, | 0:09:21 | 0:09:23 | |
and were eliminated just yesterday in the semifinals by The Next Step. | 0:09:23 | 0:09:28 | |
And, of course, we have Life of Dance, | 0:09:34 | 0:09:36 | |
who are now three for three, | 0:09:36 | 0:09:38 | |
with nominations in every category so far. | 0:09:38 | 0:09:40 | |
Though, as a huge romantic... SHE LAUGHS | 0:09:44 | 0:09:47 | |
..I have to say that my personal favourite came from The Next Step. | 0:09:47 | 0:09:51 | |
But we'll have to see what the judges think. | 0:09:51 | 0:09:54 | |
APPLAUSE AND CHEERING | 0:09:54 | 0:09:56 | |
This is the first time that James and I did a duet at Nationals, | 0:09:59 | 0:10:02 | |
so to be a finalist in the Duet awards is just incredible. | 0:10:02 | 0:10:07 | |
And in third place, National Duet goes to... | 0:10:07 | 0:10:10 | |
Joanne Chapman. | 0:10:10 | 0:10:11 | |
APPLAUSE AND CHEERING | 0:10:11 | 0:10:13 | |
'Eldon, West, Hunter and I are also up for the Small Group award.' | 0:10:13 | 0:10:16 | |
I'm pretty confident about that, too. | 0:10:16 | 0:10:18 | |
APPLAUSE AND CHEERING | 0:10:18 | 0:10:19 | |
And in second place... | 0:10:19 | 0:10:21 | |
the Next Step. | 0:10:21 | 0:10:22 | |
-Yeah! -APPLAUSE AND CHEERING | 0:10:22 | 0:10:25 | |
Winning second place is still pretty amazing. | 0:10:25 | 0:10:28 | |
I mean, it's still within the top three, | 0:10:28 | 0:10:30 | |
so it is really exciting, but... | 0:10:30 | 0:10:32 | |
we did lose to L.O.D, so that's also a little bit scary. | 0:10:32 | 0:10:36 | |
And your first place National Duet award goes to... | 0:10:36 | 0:10:39 | |
Life of Dance! | 0:10:40 | 0:10:43 | |
APPLAUSE AND CHEERING | 0:10:43 | 0:10:45 | |
'I'm not really surprised. L.O.D is the team to beat.' | 0:10:46 | 0:10:49 | |
-Talk about the eye of the tiger, huh? -Absolutely! | 0:10:51 | 0:10:54 | |
I just hope that Emily's knee heals so that we can face them. | 0:10:54 | 0:10:57 | |
'No updates on Emily.' | 0:11:10 | 0:11:11 | |
We don't know what's going on and I just hope she's OK. | 0:11:11 | 0:11:14 | |
PHONE BEEPS | 0:11:14 | 0:11:16 | |
Another text from Riley - she's looking for you, Eldon and Hunter. | 0:11:16 | 0:11:19 | |
The Small Group awards are about to be presented | 0:11:19 | 0:11:22 | |
and I've got to run to the stage. | 0:11:22 | 0:11:23 | |
So, you guys better go. You're up next. | 0:11:23 | 0:11:25 | |
-Text her back, let her know I'm coming. -OK. | 0:11:25 | 0:11:27 | |
I actually don't know where Eldon and Hunter could be, | 0:11:27 | 0:11:31 | |
cos they went off to find the physiotherapist | 0:11:31 | 0:11:33 | |
and the physiotherapist is in the room. | 0:11:33 | 0:11:36 | |
Dude, honestly, I just hope we find this physiotherapist. | 0:11:36 | 0:11:38 | |
Yo, forget the physio, I just want to get out of here. | 0:11:38 | 0:11:41 | |
We've been lost for so long that I honestly think one of us | 0:11:41 | 0:11:44 | |
is going to have to eat the other to survive. | 0:11:44 | 0:11:47 | |
I'm so hungry, I feel like I'm going to faint. | 0:11:47 | 0:11:49 | |
Can I ask our small groups to take the stage? | 0:11:50 | 0:11:52 | |
Cos we are about to give away the National Small Group awards. | 0:11:52 | 0:11:56 | |
CHEERING AND APPLAUSE | 0:11:56 | 0:11:57 | |
I have no idea where the boys are. | 0:11:57 | 0:11:59 | |
-Where would they be? -I have no idea. | 0:12:01 | 0:12:02 | |
Well, they're announcing them, like, right now. | 0:12:02 | 0:12:05 | |
I'm not sure I can go on alone. | 0:12:05 | 0:12:06 | |
You have to, there's no-one else here! | 0:12:06 | 0:12:08 | |
'Chloe texted me back saying that West was on his way,' | 0:12:08 | 0:12:10 | |
but Eldon and Hunter are nowhere to be found. | 0:12:10 | 0:12:13 | |
Just go on stage for now. | 0:12:13 | 0:12:14 | |
-Are you serious? -Yeah! -Go. | 0:12:14 | 0:12:16 | |
We need someone for our studio. | 0:12:16 | 0:12:17 | |
'Um, it's kind of awkward being on the stage alone | 0:12:19 | 0:12:23 | |
'for the Small Group awards,' | 0:12:23 | 0:12:25 | |
but I guess I'm just repping the team solo. | 0:12:25 | 0:12:28 | |
What if we get stuck here | 0:12:30 | 0:12:31 | |
and we have to, like, survive in the stairwells? | 0:12:31 | 0:12:34 | |
No. Dude, don't say that, man. I'm claustrophobic. | 0:12:34 | 0:12:37 | |
I won't be able to survive here. It smells like pee. | 0:12:37 | 0:12:40 | |
Yo. Dude, do you know how to get out of here? | 0:12:42 | 0:12:44 | |
When we see a guy come through, we get really excited. | 0:12:44 | 0:12:47 | |
Maybe he knows the way out. | 0:12:47 | 0:12:49 | |
-Let's go, let's go. -Yo, dude, dude, dude! | 0:12:49 | 0:12:51 | |
-Are you serious? -Oh, man. -'The door's locked behind him.' | 0:12:54 | 0:12:57 | |
I don't know how he walked through it. | 0:12:57 | 0:12:59 | |
I have a feeling that the guy coming down the stairs was just a mirage. | 0:12:59 | 0:13:03 | |
Hey, guys. | 0:13:06 | 0:13:07 | |
West! You need to be on stage right now. | 0:13:07 | 0:13:09 | |
-Wha...? -Right now! -Go! | 0:13:09 | 0:13:10 | |
-All right, wish us luck. -Yeah, yeah. | 0:13:10 | 0:13:12 | |
- Yo. - Yo. | 0:13:17 | 0:13:18 | |
QUIETLY: Where are Hunter and Eldon? | 0:13:18 | 0:13:19 | |
Dude, I don't like this place. | 0:13:24 | 0:13:25 | |
I don't even think we're in civilisation any more. | 0:13:25 | 0:13:28 | |
-COMMENTATOR: -It looks like we'll have to wait a little bit longer | 0:13:31 | 0:13:34 | |
for the rest of The Next Step's group, Tre. | 0:13:34 | 0:13:36 | |
But, I'm thinking to a person, | 0:13:37 | 0:13:39 | |
they're more concerned with the health and welfare | 0:13:39 | 0:13:41 | |
of one of their star dancers. What do you think? | 0:13:41 | 0:13:43 | |
Absolutely, Chuck. Right now, there's still no news | 0:13:43 | 0:13:46 | |
from The Next Step. | 0:13:46 | 0:13:47 | |
- Why are they not here? - Just smile. | 0:13:47 | 0:13:50 | |
-Bad news. -One of their lead dancers, Emily, she's got an injury. | 0:13:50 | 0:13:55 | |
Now, how are they going to deal with this injury situation? | 0:13:55 | 0:13:59 | |
As I look across the wings, I see Amanda looking at me and Michelle. | 0:13:59 | 0:14:03 | |
Why is Amanda looking at us? | 0:14:03 | 0:14:05 | |
She asked me about Emily's injury. | 0:14:05 | 0:14:07 | |
Why would she do that? | 0:14:07 | 0:14:09 | |
I don't know, but whatever she's up to, it can't be good. She's trouble. | 0:14:09 | 0:14:12 | |
-TRE: -..how easy is it going to be to restructure your dance, | 0:14:14 | 0:14:17 | |
so that the judges don't see | 0:14:17 | 0:14:18 | |
you're trying to hide an injured dancer? | 0:14:18 | 0:14:20 | |
They see right through that. They're very smart. | 0:14:20 | 0:14:23 | |
'Only the look on her face wasn't...' | 0:14:23 | 0:14:25 | |
of a schemer, it was... | 0:14:25 | 0:14:27 | |
It was kind of sad. | 0:14:28 | 0:14:30 | |
-TRE: -We can only pray that she's OK. | 0:14:30 | 0:14:32 | |
-COMMENTATOR: -Well, we'll see how that bodes for The Next Step, | 0:14:32 | 0:14:34 | |
but once again, they've got a really good shot | 0:14:34 | 0:14:37 | |
with that awesome Luther Brown routine in Small Group. | 0:14:37 | 0:14:40 | |
'We're not even talking to each other any more, just two men on a mission. | 0:14:41 | 0:14:45 | |
'I don't expect to survive this.' | 0:14:46 | 0:14:48 | |
If I can find a pen and paper and create my will, | 0:14:48 | 0:14:51 | |
I'll at least die happy. | 0:14:51 | 0:14:53 | |
-COMMENTATOR: -Well, Tre, I don't think we can wait any longer | 0:14:53 | 0:14:55 | |
for them to show up. | 0:14:55 | 0:14:57 | |
We finally found our way to civilisation. | 0:14:57 | 0:15:01 | |
What are we going to do? | 0:15:01 | 0:15:02 | |
I don't know, but they're making our studio look so bad. | 0:15:02 | 0:15:05 | |
How are we going to fix this? | 0:15:05 | 0:15:06 | |
We only have two of them on stage! | 0:15:06 | 0:15:08 | |
Guys, what's wrong? Can we help? | 0:15:08 | 0:15:11 | |
-Uh... -Oh, come! | 0:15:11 | 0:15:12 | |
-What...? -What are you doing? | 0:15:12 | 0:15:14 | |
LAUGHTER | 0:15:14 | 0:15:15 | |
Wait, what? | 0:15:15 | 0:15:17 | |
It's awards right now? | 0:15:17 | 0:15:19 | |
Smile, smile, smile. | 0:15:19 | 0:15:22 | |
AUDIENCE LAUGHS | 0:15:22 | 0:15:23 | |
JAMES: 'They finally show up now.' | 0:15:24 | 0:15:26 | |
They're such meatheads. | 0:15:26 | 0:15:28 | |
Now I don't have to eat Eldon. | 0:15:28 | 0:15:30 | |
-COMMENTATOR: -Our first small group nominee is Elite Dance Academy | 0:15:32 | 0:15:36 | |
who, despite a fourth round elimination, | 0:15:36 | 0:15:38 | |
continued to impress with their second nomination. | 0:15:38 | 0:15:41 | |
And then, of course, we have The Next Step | 0:15:46 | 0:15:48 | |
and that incredible high energy Luther Brown hip-hop routine. | 0:15:48 | 0:15:51 | |
And finally, again, we have Life of Dance, | 0:15:57 | 0:16:00 | |
who are now four for four with nominations in every category. | 0:16:00 | 0:16:05 | |
In third place, Elite Dance Academy. | 0:16:05 | 0:16:09 | |
APPLAUSE | 0:16:09 | 0:16:11 | |
JAMES: 'It's a little intimidating being up against L.O.D again | 0:16:11 | 0:16:14 | |
'for the Small Group award.' | 0:16:14 | 0:16:15 | |
I just hope we can take it this time. | 0:16:16 | 0:16:18 | |
Your second place Small Group award goes to... | 0:16:20 | 0:16:23 | |
..Life of Dance. | 0:16:26 | 0:16:28 | |
APPLAUSE | 0:16:28 | 0:16:31 | |
When L.O.D gets second place, | 0:16:31 | 0:16:33 | |
that means we won. | 0:16:33 | 0:16:35 | |
We actually won first place! | 0:16:35 | 0:16:37 | |
And our first place Small Group National winner - | 0:16:37 | 0:16:40 | |
The Next Step. | 0:16:40 | 0:16:42 | |
CHEERING AND APPLAUSE | 0:16:42 | 0:16:44 | |
-COMMENTATOR: -This is amazing, Tre. | 0:16:44 | 0:16:45 | |
The Next Step are walking away with two honours in the top spot. | 0:16:45 | 0:16:49 | |
-TRE: -I'm sure Life of Dance isn't pleased with these newcomers | 0:16:49 | 0:16:52 | |
having more first place trophies than them, Chuck. | 0:16:52 | 0:16:54 | |
There's a chance that we might actually beat L.O.D in the finals. | 0:16:55 | 0:16:59 | |
If Emily can dance. | 0:17:00 | 0:17:01 | |
And that concludes our Small Group awards, | 0:17:02 | 0:17:05 | |
and we will be back shortly with our finals National winners. | 0:17:05 | 0:17:09 | |
And that big trophy you see right there on our left | 0:17:09 | 0:17:11 | |
is going to be given away to the winner. | 0:17:11 | 0:17:14 | |
CHEERING | 0:17:14 | 0:17:16 | |
# Go, go, shake it, go | 0:17:20 | 0:17:23 | |
# Go, go, shake it, go | 0:17:23 | 0:17:26 | |
# Go, go, shake it, go | 0:17:26 | 0:17:29 | |
# Go, go, shake it, go. # | 0:17:29 | 0:17:33 | |
PHONE BEEPS | 0:17:33 | 0:17:34 | |
Oh, another text from Riley - the boys just won National Small Group. | 0:17:34 | 0:17:38 | |
-Are you serious? -I'm serious! -Oh, my gosh! | 0:17:38 | 0:17:41 | |
-How's she doing? -Not good. | 0:17:43 | 0:17:46 | |
Emily won't be dancing in the finals. | 0:17:46 | 0:17:48 | |
Emily's knee injury is so bad. | 0:17:48 | 0:17:52 | |
There's really nothing we can do about it. | 0:17:52 | 0:17:54 | |
I could accept losing to L.O.D on stage, | 0:17:54 | 0:17:57 | |
but losing because we only have nine dancers? | 0:17:57 | 0:18:00 | |
We worked so hard to get here and it's over just like that. | 0:18:00 | 0:18:04 | |
-Hey. -Hey. | 0:18:24 | 0:18:26 | |
How are you feeling? | 0:18:26 | 0:18:27 | |
I'm great. | 0:18:29 | 0:18:31 | |
'Of course I don't blame Emily. | 0:18:32 | 0:18:33 | |
'It's not her fault that she hurt her knee.' | 0:18:33 | 0:18:36 | |
'Honestly, I...' | 0:18:36 | 0:18:37 | |
I feel sorry for her. | 0:18:38 | 0:18:40 | |
Don't worry about it, Em. OK? We'll figure something out. | 0:18:40 | 0:18:43 | |
You got a plan, Ri? | 0:18:46 | 0:18:48 | |
-VOICE QUAVERING: -Cos if you do, I'd really like to hear it. | 0:18:49 | 0:18:52 | |
You don't have to worry about that. | 0:18:52 | 0:18:53 | |
All you have to worry about is getting better. | 0:18:53 | 0:18:56 | |
But I'm letting everyone down. | 0:18:56 | 0:18:57 | |
No, you're not. It's OK. | 0:18:57 | 0:19:00 | |
Do you have any idea how proud of you we all are? | 0:19:00 | 0:19:02 | |
It's my fault that they're not going to get to dance in finals. | 0:19:02 | 0:19:05 | |
It's my fault that they're not going to get the chance to win. | 0:19:05 | 0:19:08 | |
Look, I love you, but I just need some time, OK? | 0:19:08 | 0:19:11 | |
-Yeah. Yeah, OK. -OK. | 0:19:12 | 0:19:14 | |
Look, guys... | 0:19:26 | 0:19:27 | |
..we need to start thinking about forfeiting. | 0:19:30 | 0:19:32 | |
'There's got to be a different way. | 0:19:32 | 0:19:34 | |
'There's got to be a different way to do this.' | 0:19:34 | 0:19:36 | |
We have worked way too hard to get here. | 0:19:36 | 0:19:38 | |
I know we don't want to, but what other options do we have? | 0:19:38 | 0:19:41 | |
'The rules of Nationals | 0:19:41 | 0:19:42 | |
'are that you have to have a troupe of ten dancers.' | 0:19:42 | 0:19:45 | |
You also have two alternates, but we lost both of our alternates, | 0:19:45 | 0:19:50 | |
so it's just us ten. | 0:19:50 | 0:19:52 | |
And now, with Emily's injury, | 0:19:52 | 0:19:54 | |
we only have nine dancers that can actually compete. | 0:19:54 | 0:19:57 | |
-We can't just forfeit. -We worked so hard! | 0:19:57 | 0:20:00 | |
Kate, I need to know whether your dancer is going to dance or not. | 0:20:01 | 0:20:05 | |
'When Sandra, the Nationals manager, | 0:20:05 | 0:20:07 | |
'comes up to me with the dance captain of L.O.D,' | 0:20:07 | 0:20:09 | |
I know this is it. We've officially run out of time. | 0:20:09 | 0:20:12 | |
She can't dance, which means we don't have a full team. | 0:20:13 | 0:20:18 | |
OK. | 0:20:18 | 0:20:19 | |
All right, so I'll let the judges know that... | 0:20:19 | 0:20:22 | |
that you're not dancing, then. | 0:20:22 | 0:20:23 | |
- Is that correct? - Yeah. | 0:20:23 | 0:20:26 | |
It looks like we have to officially... | 0:20:26 | 0:20:28 | |
Not forfeit. | 0:20:28 | 0:20:30 | |
'When I was at The Next Step, | 0:20:32 | 0:20:33 | |
'Kate submitted my name on the Nationals list.' | 0:20:33 | 0:20:36 | |
That means they have one alternate left. | 0:20:36 | 0:20:39 | |
And it's me. | 0:20:39 | 0:20:41 | |
I will be dancing with The Next Step. | 0:20:41 | 0:20:43 | |
'I don't know why I want to dance for The Next Step. | 0:20:45 | 0:20:48 | |
'Part of me thinks because I just want to get back at Lucien,' | 0:20:48 | 0:20:51 | |
or I've actually grown to like them, | 0:20:51 | 0:20:54 | |
or maybe I just want to be on a winning team. | 0:20:54 | 0:20:56 | |
But, either way, | 0:20:57 | 0:20:59 | |
I want them to dance in the finals. | 0:20:59 | 0:21:01 |