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Noah, there is greatness in you. | 0:00:04 | 0:00:06 | |
I can see it. | 0:00:06 | 0:00:08 | |
I kind of realise now I'm good enough to be in A-Troupe. | 0:00:08 | 0:00:10 | |
I deserve to be here. | 0:00:10 | 0:00:11 | |
I'm so sorry about what happened today. | 0:00:11 | 0:00:14 | |
-I know it means a lot to you. -Do you? | 0:00:14 | 0:00:17 | |
Do you realise I got kicked off of A-Troupe | 0:00:17 | 0:00:19 | |
and I've been trying to prove myself since? | 0:00:19 | 0:00:21 | |
And you messed this up for me. | 0:00:21 | 0:00:22 | |
-Hi. -Can I speak to you? | 0:00:22 | 0:00:25 | |
Yes. | 0:00:25 | 0:00:26 | |
I just feel like, because of everything that I've missed, | 0:00:26 | 0:00:29 | |
it's bound to be that I'm going to be an alternate. | 0:00:29 | 0:00:33 | |
RHYTHMIC MUSIC PLAYS | 0:00:40 | 0:00:43 | |
Right now, we're rehearsing this dance | 0:00:48 | 0:00:51 | |
and all we kind of know is that it's a two to seven person routine. | 0:00:51 | 0:00:55 | |
We know there's a twist coming, but we have no idea what it is. | 0:00:55 | 0:00:58 | |
# Ooh, lights | 0:00:58 | 0:01:00 | |
# Camera | 0:01:00 | 0:01:02 | |
# Action | 0:01:02 | 0:01:03 | |
# Refraction | 0:01:03 | 0:01:05 | |
# Lights... # | 0:01:05 | 0:01:06 | |
Since I've been having such a hard time with my parents' divorce, | 0:01:06 | 0:01:09 | |
I've missed a lot of dance practices. | 0:01:09 | 0:01:11 | |
# We go back and forth... # | 0:01:11 | 0:01:13 | |
Normally, alternates aren't in any dances for Internationals, | 0:01:13 | 0:01:16 | |
but Kate put me in this one dance, | 0:01:16 | 0:01:19 | |
even though I don't do anything - I sit in a chair as a prop. | 0:01:19 | 0:01:22 | |
I feel so useless on that prop. | 0:01:35 | 0:01:37 | |
I mean, everyone is dancing their hardest | 0:01:39 | 0:01:40 | |
and I feel like I'm just there. | 0:01:40 | 0:01:42 | |
And that's not who I am. | 0:01:42 | 0:01:43 | |
OK, that was good. | 0:01:51 | 0:01:53 | |
I know everyone is pretty much over me crying all the time | 0:01:54 | 0:01:57 | |
and being upset about my parents, but... | 0:01:57 | 0:01:59 | |
..I can't help it. | 0:02:01 | 0:02:02 | |
I know Michelle is going through a lot right now, | 0:02:04 | 0:02:06 | |
but this is Internationals. | 0:02:06 | 0:02:08 | |
She needs to have her head in the game throughout this whole thing. | 0:02:08 | 0:02:11 | |
I used to be dance captain. I used to be in charge. | 0:02:11 | 0:02:14 | |
I have way too much going on in my life for me to be focused | 0:02:14 | 0:02:17 | |
on Internationals and I know no-one understands that. | 0:02:17 | 0:02:20 | |
# We...we are gonna show the world | 0:02:20 | 0:02:26 | |
# Everything we're made of | 0:02:26 | 0:02:30 | |
# We're going to tear the roof off this place | 0:02:30 | 0:02:38 | |
# Stand up! # | 0:02:43 | 0:02:44 | |
Someone should go talk to her. | 0:03:02 | 0:03:04 | |
Ever since Michelle has come back from Madison, | 0:03:04 | 0:03:06 | |
her head is just not in A-Troupe. | 0:03:06 | 0:03:08 | |
It's all over the place. | 0:03:08 | 0:03:09 | |
Oh...fine. I'll go. | 0:03:09 | 0:03:12 | |
MICHELLE SNIFFS | 0:03:15 | 0:03:17 | |
What's wrong? | 0:03:20 | 0:03:21 | |
You don't see what was wrong? | 0:03:23 | 0:03:24 | |
No. I don't. | 0:03:26 | 0:03:27 | |
I look useless up there. | 0:03:28 | 0:03:31 | |
I was Miss National Soloist. | 0:03:31 | 0:03:32 | |
I know. | 0:03:36 | 0:03:37 | |
Now look where I am. I'm an alternate. | 0:03:37 | 0:03:41 | |
You're still Miss National Soloist. | 0:03:41 | 0:03:42 | |
No-one can take that away from you. | 0:03:42 | 0:03:45 | |
You just fell a little short this year. That's...that's OK. | 0:03:45 | 0:03:51 | |
Internationals is right around the corner. | 0:03:51 | 0:03:54 | |
You have to be strong. | 0:03:54 | 0:03:55 | |
So I'm going to get you a water. | 0:03:55 | 0:03:58 | |
When I get back, you have to be OK, cos we have to rehearse. OK? | 0:04:00 | 0:04:06 | |
My strategy right now is I'm going to give her 90 seconds. | 0:04:08 | 0:04:11 | |
She's going to let it all out. | 0:04:11 | 0:04:13 | |
Then hopefully, we can get back to rehearsal. | 0:04:13 | 0:04:15 | |
Miss Kate is helping me work | 0:04:33 | 0:04:35 | |
on my Internationals solo and just trying to get me ready, | 0:04:35 | 0:04:38 | |
and everything seems to be going great. | 0:04:38 | 0:04:40 | |
Hold it. Hold it. Hold it. Hold it! Good. OK. We'll get there. | 0:04:40 | 0:04:44 | |
But I think just that little change will make a big difference. | 0:04:44 | 0:04:47 | |
I enter the music room to rehearse and I see Kate coaching Eldon. | 0:04:47 | 0:04:51 | |
I'm not really sure what's going on. But I want to find out. | 0:04:51 | 0:04:54 | |
-Then handspring, handspring, full. -Sold. I am so excited for the solo. | 0:04:54 | 0:04:58 | |
-It's going to be awesome. -I can't wait. | 0:04:58 | 0:05:00 | |
Hey, uh...what's going on? | 0:05:00 | 0:05:02 | |
I'm just rehearsing my Internationals solo. | 0:05:02 | 0:05:05 | |
I didn't know there were solos. | 0:05:05 | 0:05:06 | |
Yeah. Eldon is going to represent The Next Step | 0:05:06 | 0:05:08 | |
-for the Mr International Soloist title. -Yeah. | 0:05:08 | 0:05:12 | |
Did you hold auditions for this? | 0:05:12 | 0:05:13 | |
No. I didn't need to. I knew Eldon was the best choice. | 0:05:13 | 0:05:16 | |
We have to go into this competition with as much of an advantage | 0:05:16 | 0:05:20 | |
as we can and Eldon is the best dancer to do that. | 0:05:20 | 0:05:22 | |
I didn't really get to show Kate that maybe I'm worthy enough | 0:05:22 | 0:05:25 | |
to be a soloist at Internationals. | 0:05:25 | 0:05:27 | |
Well, I would have at least liked to try. | 0:05:27 | 0:05:30 | |
Oh. Are you saying you think you are as good a dancer as Eldon? | 0:05:30 | 0:05:34 | |
Don't go there, bud. | 0:05:36 | 0:05:38 | |
Yeah. That's why I'm standing here before you. | 0:05:38 | 0:05:40 | |
Hey, Miss Kate. | 0:05:40 | 0:05:42 | |
Would you like me to teach young Noah over here | 0:05:42 | 0:05:45 | |
a little bit of a lesson? | 0:05:45 | 0:05:47 | |
Maybe you'll learn something from me. | 0:05:47 | 0:05:49 | |
Oh. He's got an attitude. | 0:05:49 | 0:05:51 | |
-I think that's a fantastic idea. -All right. -Get to it, gentlemen. | 0:05:51 | 0:05:54 | |
All right, J-Troupe. Let's go. | 0:05:54 | 0:05:56 | |
I'm not J-Troupe any more. | 0:05:56 | 0:05:58 | |
I'm A-Troupe. | 0:05:58 | 0:05:59 | |
By the end of today, there's no way | 0:05:59 | 0:06:02 | |
Noah is going to think he's as good as I am. | 0:06:02 | 0:06:05 | |
So how are you feeling? | 0:06:05 | 0:06:07 | |
Better, I guess. | 0:06:07 | 0:06:08 | |
'I've been sitting with Michelle' | 0:06:08 | 0:06:10 | |
for a while now. and she seems to be calming down. | 0:06:10 | 0:06:12 | |
I think we're on the right track. | 0:06:12 | 0:06:13 | |
I felt so, like, useless. I hate feeling like that. | 0:06:13 | 0:06:17 | |
I know. You're not useless. And I'm always here for you. | 0:06:17 | 0:06:20 | |
'I appreciate Stephanie's help right now.' | 0:06:20 | 0:06:22 | |
And I actually feel like most of the crying is out of my system. | 0:06:22 | 0:06:26 | |
Hey! Uh, sorry. Am I interrupting anything? | 0:06:26 | 0:06:30 | |
No. We were just going to leave. | 0:06:30 | 0:06:31 | |
OK. Cool. I actually need the place to rehearse | 0:06:31 | 0:06:34 | |
because Miss Kate just told me | 0:06:34 | 0:06:35 | |
that I'm going to be the new female soloist for Internationals. | 0:06:35 | 0:06:39 | |
-(Oh...) -RILEY CLEARS THROAT | 0:06:39 | 0:06:41 | |
But you know, Michelle, you would have gotten it too | 0:06:41 | 0:06:43 | |
if your parents didn't... | 0:06:43 | 0:06:45 | |
Uh, Riley, you need to go. Thank you. | 0:06:45 | 0:06:47 | |
'And back to square one.' | 0:06:47 | 0:06:48 | |
Whoops. | 0:06:48 | 0:06:49 | |
I'm so excited to go to Miami. It's coming up so soon. | 0:06:55 | 0:06:58 | |
So soon. Internationals! | 0:06:58 | 0:07:00 | |
'I'm just hanging out with Max and West before rehearsals. | 0:07:00 | 0:07:02 | |
We're talking about Miami | 0:07:02 | 0:07:03 | |
and how excited we are for Internationals. | 0:07:03 | 0:07:05 | |
I'm trying to go to the Everglades. How awesome would that be? | 0:07:05 | 0:07:08 | |
You know, the Everglades are actually the only place | 0:07:08 | 0:07:10 | |
where crocodiles and alligators exist side by side. | 0:07:10 | 0:07:13 | |
Hold on. What's the difference? | 0:07:13 | 0:07:15 | |
Well, alligators have rounder snouts. | 0:07:15 | 0:07:17 | |
JAMES BELCHES | 0:07:17 | 0:07:18 | |
-That was gross. -That was weak. | 0:07:18 | 0:07:20 | |
MAX BELCHES | 0:07:20 | 0:07:22 | |
Not bad. MAX BELCHES AGAIN | 0:07:22 | 0:07:23 | |
OK. Not bad. What? Do you not know how to burp or something? | 0:07:23 | 0:07:26 | |
No. I don't know how to burp on command. | 0:07:26 | 0:07:28 | |
-Like, who does that? -What? Men. | 0:07:28 | 0:07:30 | |
I am appalled that West does not know how to burp. | 0:07:30 | 0:07:33 | |
Who doesn't know how to burp? | 0:07:33 | 0:07:35 | |
That just makes me a more civilised human being. | 0:07:35 | 0:07:37 | |
I'm going to teach you right now. Suck in some air. | 0:07:37 | 0:07:40 | |
Get it into your diaphragm and let it rip. | 0:07:40 | 0:07:42 | |
-OK. -Right now. | 0:07:42 | 0:07:45 | |
WEST GULPS LOUDLY | 0:07:45 | 0:07:46 | |
WEST COUGHS | 0:07:46 | 0:07:47 | |
-OK! -Whoa, whoa, whoa... -You're done man. | 0:07:47 | 0:07:50 | |
You're going to hurt yourself... LOUD BELCHING | 0:07:50 | 0:07:52 | |
I don't think I've ever heard anybody burp that loud. | 0:07:56 | 0:07:59 | |
Round one. Ella. | 0:08:05 | 0:08:07 | |
What just happened? | 0:08:11 | 0:08:12 | |
Whatever it was, she's just challenged us. | 0:08:12 | 0:08:15 | |
You know, Noah, many have tried to take me down. | 0:08:24 | 0:08:27 | |
All have failed. | 0:08:27 | 0:08:29 | |
How many? | 0:08:29 | 0:08:31 | |
I don't know. Like, four or five. | 0:08:31 | 0:08:33 | |
Sorry, who? What are their names? | 0:08:33 | 0:08:35 | |
It was Hunter, Daniel and my brothers. | 0:08:35 | 0:08:39 | |
-Your younger brothers? -Yeah. | 0:08:39 | 0:08:41 | |
Noah thinks he is as good as I am. | 0:08:43 | 0:08:45 | |
I'm going to show him just how wrong he is. | 0:08:45 | 0:08:48 | |
Little does he know, I'm going to keep up. | 0:08:48 | 0:08:50 | |
See the control there? | 0:08:57 | 0:08:59 | |
Let me show you some control. | 0:09:00 | 0:09:02 | |
Everyone in the studio knows Eldon is trying to get to 30 pirouettes. | 0:09:08 | 0:09:12 | |
I thought I'd show him how easy it is. | 0:09:12 | 0:09:13 | |
28, 29, 30. | 0:09:13 | 0:09:16 | |
See that control? | 0:09:17 | 0:09:20 | |
30? ELDON SCOFFS | 0:09:20 | 0:09:22 | |
30. | 0:09:24 | 0:09:25 | |
You know there's a lot more to dance than just pirouettes, bud. | 0:09:25 | 0:09:29 | |
That's not what Thalia said. | 0:09:29 | 0:09:30 | |
That's not funny. | 0:09:32 | 0:09:33 | |
I don't think Eldon realised, but he's got some competition. | 0:09:34 | 0:09:38 | |
All right. Internationals is coming up. | 0:09:48 | 0:09:50 | |
We need to be prepared. You know that movie Rocky? | 0:09:50 | 0:09:52 | |
-Yep. -What did he do? | 0:09:52 | 0:09:53 | |
-He drank eggs. -And how many? | 0:09:53 | 0:09:55 | |
At least six. | 0:09:55 | 0:09:56 | |
-That's two each. -OK. -Let's go. | 0:09:57 | 0:09:59 | |
We need to drink raw eggs | 0:10:00 | 0:10:02 | |
because all the big dogs do it - Rocky did it. | 0:10:02 | 0:10:04 | |
-All right. You guys ready? -I'm Rocky-ready. | 0:10:06 | 0:10:08 | |
Rocky! Let's go. For Internationals. | 0:10:08 | 0:10:10 | |
Uh, hold on. Hold on. There's actually a shell in my glass. | 0:10:10 | 0:10:13 | |
I'm going to need a new glass. | 0:10:13 | 0:10:15 | |
Come on, man. It's dust. You're fine. Let's do this. | 0:10:15 | 0:10:17 | |
Internationals! | 0:10:17 | 0:10:18 | |
OK. Here we go. Ready? | 0:10:18 | 0:10:20 | |
One. Two. Three. | 0:10:20 | 0:10:24 | |
There's definitely a part of me that's having second thoughts. | 0:10:26 | 0:10:29 | |
JAMES CLEARS HIS THROAT | 0:10:29 | 0:10:30 | |
Three. | 0:10:30 | 0:10:32 | |
Yeah, this raw eggs thing is...really gross. | 0:10:32 | 0:10:35 | |
-Chickened out. -You didn't. You both did. | 0:10:35 | 0:10:38 | |
The counting confused me. On three or after three? | 0:10:38 | 0:10:41 | |
-On four? -Four? | 0:10:41 | 0:10:43 | |
-OK. Four. -Four. -Four. -On four. -Four. -Four. | 0:10:43 | 0:10:45 | |
-Let's go. -All right. | 0:10:45 | 0:10:46 | |
-Phew! -You guys ready for this? -Let's go. -OK. | 0:10:47 | 0:10:50 | |
-Internationals. -Internationals. -Let's go. | 0:10:50 | 0:10:52 | |
One. Two. Three. | 0:10:52 | 0:10:55 | |
You know what? Come to think about it, | 0:10:55 | 0:10:57 | |
in the movie, with the boxer, he didn't even win. | 0:10:57 | 0:10:59 | |
-He tied. -He tied. We don't want to tie. We want to win. | 0:10:59 | 0:11:01 | |
When Ella drinks the eggs... | 0:11:07 | 0:11:08 | |
All six? Who is this girl? | 0:11:08 | 0:11:11 | |
I've never seen anything like it in my entire life. | 0:11:11 | 0:11:15 | |
Ah... | 0:11:15 | 0:11:16 | |
Round two. Ella. | 0:11:19 | 0:11:21 | |
Why does Ella keep one-upping us? | 0:11:22 | 0:11:24 | |
You know what? If she wants a competition, | 0:11:24 | 0:11:26 | |
she'll get one. | 0:11:26 | 0:11:28 | |
All right. Let's see it. | 0:11:34 | 0:11:36 | |
'He passed the warm-up.' | 0:11:36 | 0:11:38 | |
Now let's see what else he's got. | 0:11:38 | 0:11:40 | |
FAST-PACED MUSIC PLAYS | 0:11:40 | 0:11:44 | |
Eldon thinks he's going to teach me a lesson, | 0:11:44 | 0:11:46 | |
but he has no idea how good I am. | 0:11:46 | 0:11:49 | |
Noah thinks he is as good as I am. | 0:12:09 | 0:12:11 | |
I'm going to show him just how wrong he is. | 0:12:11 | 0:12:13 | |
Right when I thought Eldon was done his last move... | 0:12:15 | 0:12:18 | |
..he kept going and going and going. | 0:12:25 | 0:12:28 | |
And it literally just got better and better and better. | 0:12:33 | 0:12:36 | |
I can't come back from this one. | 0:12:39 | 0:12:41 | |
He's insane. | 0:12:42 | 0:12:43 | |
All right, let's go. What else you got? | 0:12:43 | 0:12:46 | |
-Let's see another one. -Bro, bring it down low. | 0:12:46 | 0:12:50 | |
And you deserve it. | 0:12:50 | 0:12:51 | |
Thanks. | 0:12:51 | 0:12:52 | |
'I'm really proud of Noah. Just seeing what he is today' | 0:12:52 | 0:12:55 | |
is really cool, seeing the progress. | 0:12:55 | 0:12:58 | |
One day, he'll be a really good soloist. | 0:12:58 | 0:13:00 | |
Hi, Mum. | 0:13:07 | 0:13:09 | |
Yeah, I'm fine. They're just, um... | 0:13:09 | 0:13:11 | |
The people here are a little bit weird. | 0:13:11 | 0:13:13 | |
Oh, speaking of weird, there's some weird people coming. | 0:13:13 | 0:13:16 | |
OK. I love you. I'll call you later. Bye. | 0:13:16 | 0:13:19 | |
Hi. | 0:13:21 | 0:13:22 | |
I'm sick and tired of losing competitions | 0:13:22 | 0:13:24 | |
that I didn't even know I was involved in. | 0:13:24 | 0:13:27 | |
-We're here to challenge you. -If you think you can handle it? | 0:13:27 | 0:13:30 | |
I'm pretty sure I can handle it. What did you have in mind? | 0:13:30 | 0:13:34 | |
-Sporting event. -You pick the sport. We will pulverise you. | 0:13:34 | 0:13:36 | |
She can choose anything she wants. | 0:13:36 | 0:13:39 | |
We're experts in everything. | 0:13:39 | 0:13:41 | |
OK. Football. | 0:13:41 | 0:13:43 | |
-Well, that's great, because Max here is a football legend. -Yeah. | 0:13:43 | 0:13:47 | |
-OK. -Peace out. | 0:13:47 | 0:13:49 | |
We'll see you on the field. | 0:13:52 | 0:13:54 | |
SLOW PIANO INTRO PLAYS | 0:14:17 | 0:14:21 | |
After battling back and forth | 0:14:25 | 0:14:27 | |
all day, trying to outdo each other, me and Noah realised that | 0:14:27 | 0:14:31 | |
we're really similar and choreographing something together | 0:14:31 | 0:14:34 | |
might be a lot better than just trying to beat each other | 0:14:34 | 0:14:37 | |
so we choreographed a duet. | 0:14:37 | 0:14:38 | |
I'm doing the duet with Eldon and... | 0:14:42 | 0:14:44 | |
Everything is just awesome. He's amazing, you know, | 0:14:44 | 0:14:47 | |
and I've just learned so much from him, | 0:14:47 | 0:14:49 | |
he's just an amazing inspiration to me. | 0:14:49 | 0:14:51 | |
# Watch my problems get washed away | 0:14:51 | 0:14:54 | |
# Washed away | 0:14:54 | 0:14:56 | |
# Oh... # | 0:14:56 | 0:14:58 | |
Eldon is a better dancer than me | 0:14:58 | 0:14:59 | |
but that doesn't mean I'm going to stop now. | 0:14:59 | 0:15:01 | |
I'm going to get to his level. | 0:15:01 | 0:15:03 | |
# All I need is just a little | 0:15:03 | 0:15:06 | |
# Ooh | 0:15:06 | 0:15:07 | |
# All I need is just a little bit of oxygen | 0:15:07 | 0:15:10 | |
# Oh, same place, same routine | 0:15:25 | 0:15:29 | |
# All I need is just a little bit of oxygen | 0:15:32 | 0:15:38 | |
# All I need is just a little bit of oxygen... # | 0:15:38 | 0:15:43 | |
'I underestimated Noah a lot. | 0:15:43 | 0:15:45 | |
'I knew he was really good, | 0:15:45 | 0:15:47 | |
'but I didn't know he could do all the things I saw today.' | 0:15:47 | 0:15:51 | |
He's a really great asset to our team. | 0:15:51 | 0:15:53 | |
Honestly, I underestimated you. | 0:15:53 | 0:15:56 | |
You know, I've been looking up to you for years, | 0:15:56 | 0:15:58 | |
ever since I was in J-Troupe. | 0:15:58 | 0:15:59 | |
Thanks, man. You know what? | 0:15:59 | 0:16:02 | |
I wouldn't worry about missing out on being soloist. | 0:16:02 | 0:16:04 | |
So you're stepping down? | 0:16:04 | 0:16:06 | |
You wish...but next year's solo is yours. | 0:16:06 | 0:16:10 | |
Of course. Appreciate it. | 0:16:12 | 0:16:14 | |
'I don't know if I'll have a solo next year' | 0:16:14 | 0:16:16 | |
but it's really nice to hear that from Eldon | 0:16:16 | 0:16:18 | |
cos it means he believes in me. | 0:16:18 | 0:16:20 | |
-Ella's going down. -You know what? | 0:16:25 | 0:16:27 | |
She doesn't know who she's messing with. | 0:16:27 | 0:16:29 | |
She's probably too scared to show up. | 0:16:29 | 0:16:30 | |
She's probably sipping on some tea right now. | 0:16:30 | 0:16:33 | |
We're just waiting on the field for Ella and...I cannot wait | 0:16:33 | 0:16:36 | |
for her to arrive. | 0:16:36 | 0:16:37 | |
The challenge is to kick a football between the goalposts. | 0:16:37 | 0:16:40 | |
Two, three, four, five... | 0:16:40 | 0:16:42 | |
-That's a soccer ball. -You ready? | 0:16:46 | 0:16:47 | |
-Let's do this. -This is North America, OK? | 0:16:49 | 0:16:52 | |
We play real football here. | 0:16:52 | 0:16:54 | |
'A soccer ball to a football challenge?' | 0:16:54 | 0:16:56 | |
Oh...she's so out of her league. | 0:16:56 | 0:17:00 | |
I just think they're really ridiculous. | 0:17:00 | 0:17:02 | |
They're taking it so seriously. | 0:17:02 | 0:17:04 | |
-Hey - you can do this. Right? -You can do this! | 0:17:04 | 0:17:08 | |
Max is the best kicker I know. | 0:17:08 | 0:17:10 | |
-Let's go, Max. -On my whistle - let's go. | 0:17:10 | 0:17:13 | |
We go on my whistle. | 0:17:13 | 0:17:15 | |
WHISTLE BLOWS | 0:17:15 | 0:17:17 | |
Whoo! Let's go! | 0:17:17 | 0:17:18 | |
My turn. | 0:17:22 | 0:17:23 | |
When Max misses, I'm appalled. | 0:17:23 | 0:17:25 | |
What is he doing? | 0:17:25 | 0:17:27 | |
That's all right. | 0:17:27 | 0:17:28 | |
-Ella! Ella! -You know how to do this? | 0:17:29 | 0:17:32 | |
You OK with this? | 0:17:32 | 0:17:33 | |
You're going to miss! | 0:17:33 | 0:17:34 | |
Here we go - on my whistle. | 0:17:34 | 0:17:36 | |
Right. I should have done that. | 0:17:38 | 0:17:39 | |
Wow. Testing the wind now. All right. | 0:17:39 | 0:17:42 | |
What? How is she good at this too? | 0:17:49 | 0:17:51 | |
She literally showed up with a soccer ball. | 0:17:51 | 0:17:54 | |
Ella's hobbies must be dance, burping, drinking raw eggs | 0:17:54 | 0:17:59 | |
and football. | 0:17:59 | 0:18:00 | |
Round three - Ella. | 0:18:00 | 0:18:03 | |
'I've got four older brothers.' | 0:18:05 | 0:18:06 | |
Where do you think I learned all this stuff? | 0:18:06 | 0:18:08 | |
Put the ball on the tee. | 0:18:08 | 0:18:10 | |
James is going to get this. Watch this. | 0:18:10 | 0:18:12 | |
-You good? -Know what? I give up. | 0:18:14 | 0:18:16 | |
I don't care. I give up. | 0:18:16 | 0:18:18 | |
I don't know how I'm going to get over this. | 0:18:30 | 0:18:33 | |
I just don't even feel a part of this team any more. | 0:18:33 | 0:18:35 | |
I don't feel like I belong. | 0:18:35 | 0:18:37 | |
So I enter into Studio A and I see Michelle sitting there. | 0:18:40 | 0:18:43 | |
I really do care about her. | 0:18:43 | 0:18:45 | |
She's really important to me and the team. | 0:18:45 | 0:18:48 | |
'And I need to help her get through this.' | 0:18:48 | 0:18:50 | |
-Hi. -Hey. -How are you feeling? -All right. | 0:18:50 | 0:18:55 | |
-I'm going to help you. -Why are you being so nice to me? | 0:18:55 | 0:18:58 | |
It's probably because I care, | 0:19:00 | 0:19:01 | |
but you and I know I'm never going to admit to that. | 0:19:01 | 0:19:04 | |
So let's just say I'm getting your head in the game for Internationals. | 0:19:04 | 0:19:08 | |
All right. | 0:19:08 | 0:19:10 | |
We're going to desensitise you. | 0:19:10 | 0:19:12 | |
You're not going to feel a thing after this. | 0:19:12 | 0:19:15 | |
-OK. -So you're going to take it from the top | 0:19:15 | 0:19:18 | |
and tell me everything that's wrong. | 0:19:18 | 0:19:20 | |
Number one. | 0:19:20 | 0:19:21 | |
Well, you clearly know that my parents got divorced. | 0:19:23 | 0:19:25 | |
Yeah, that's really a drag. Continue. | 0:19:25 | 0:19:27 | |
-That's not helping. -Just trust me. Go. | 0:19:27 | 0:19:30 | |
You know I'm an alternate for Internationals, | 0:19:31 | 0:19:33 | |
the biggest competition ever. | 0:19:33 | 0:19:35 | |
Mm-hm. That can't feel great. | 0:19:35 | 0:19:38 | |
Obviously not. | 0:19:39 | 0:19:41 | |
You know my mom took the cat to Wisconsin with her. | 0:19:41 | 0:19:45 | |
Yeah. | 0:19:47 | 0:19:48 | |
Bet you miss him. What's his name? | 0:19:50 | 0:19:52 | |
-Tiggy. -That's a cute name. | 0:19:53 | 0:19:55 | |
Yeah, I know. | 0:19:55 | 0:19:57 | |
Everyone has been pitying Michelle, walking on eggshells around her | 0:19:57 | 0:20:00 | |
and not actually dealing with the problem here. | 0:20:00 | 0:20:02 | |
You also have to sit on the throne in the dance the whole time | 0:20:02 | 0:20:05 | |
while the rest of us are dancing in front of you. | 0:20:05 | 0:20:07 | |
Can't really see you back there. | 0:20:07 | 0:20:09 | |
Yeah, thanks for reminding me, Stephanie. | 0:20:09 | 0:20:11 | |
I need to show her that she can get through this, she's strong enough | 0:20:11 | 0:20:14 | |
and remind her that everything is going to be OK. | 0:20:14 | 0:20:16 | |
I don't understand what you are trying to do. | 0:20:16 | 0:20:19 | |
I'm trying to get you to just get over it. | 0:20:19 | 0:20:21 | |
Let it all out. | 0:20:21 | 0:20:23 | |
Feel what you have to feel and stop dwelling on it. | 0:20:23 | 0:20:26 | |
That's it. | 0:20:26 | 0:20:28 | |
-All right. -We have to move forward. | 0:20:28 | 0:20:30 | |
So take a deep breath in. | 0:20:30 | 0:20:31 | |
How do you feel? | 0:20:33 | 0:20:35 | |
Somehow, I feel better. | 0:20:35 | 0:20:36 | |
Ready for this? | 0:20:38 | 0:20:40 | |
STEPHANIE GIGGLES | 0:20:40 | 0:20:41 | |
Come on. | 0:20:42 | 0:20:44 | |
-It's all going to be OK. -Thank you. | 0:20:44 | 0:20:48 | |
-It's late. Can we leave? -Yeah. Let's go. -Thank you. | 0:20:48 | 0:20:50 | |
I feel like Stephanie just really made me realise | 0:20:50 | 0:20:53 | |
that I have to get over this. | 0:20:53 | 0:20:54 | |
I'm a strong person. I can get through it. | 0:20:54 | 0:20:57 | |
I finally feel like there is a light at the end of this tunnel. | 0:20:57 | 0:21:00 | |
# We...we are going to show the world | 0:21:04 | 0:21:10 | |
# Everything we're made of | 0:21:10 | 0:21:14 | |
# We're gonna tear the roof off this place | 0:21:14 | 0:21:19 | |
# Oh | 0:21:19 | 0:21:21 | |
# You can never fade us out | 0:21:21 | 0:21:24 | |
# Don't even ask the DJ | 0:21:24 | 0:21:28 | |
# Everybody knows we own this house. # | 0:21:28 | 0:21:33 |