Browse content similar to Welcome to Miami. Check below for episodes and series from the same categories and more!
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-'Previously...' -Internationals is in Miami! | 0:00:02 | 0:00:04 | |
CHEERING | 0:00:04 | 0:00:06 | |
'We started as this small studio that went to Regionals... | 0:00:06 | 0:00:09 | |
and now look at us. | 0:00:09 | 0:00:10 | |
So, did I miss anything? | 0:00:10 | 0:00:12 | |
James quit the band after he and Riley got in a fight about it. | 0:00:12 | 0:00:14 | |
The fight was also about Ella. You know Ella, right? | 0:00:14 | 0:00:16 | |
What are you guys talking about? | 0:00:16 | 0:00:18 | |
How you would never mess with me. | 0:00:18 | 0:00:20 | |
Of course I would. | 0:00:20 | 0:00:22 | |
I'm from a rival team. | 0:00:22 | 0:00:23 | |
Eldon and Thalia aren't talking. He's only at 24 pirouettes - or 25. | 0:00:23 | 0:00:27 | |
I made you a map of all the sweet spots in the studio, | 0:00:27 | 0:00:30 | |
in the music room and some outside, as well. | 0:00:30 | 0:00:33 | |
Thank you. That's so sweet. | 0:00:33 | 0:00:34 | |
-..and Michelle... Kate made her an alternate. -Wait. | 0:00:34 | 0:00:37 | |
Michelle's an alternate? | 0:00:37 | 0:00:39 | |
Yeah. So I guess you really didn't miss much. | 0:00:39 | 0:00:42 | |
'I guess a lot HAS happened since I've been gone.' | 0:00:42 | 0:00:44 | |
LAUGHTER AND CHATTER | 0:01:02 | 0:01:05 | |
'It feels so amazing that we've finally arrived in Miami | 0:01:05 | 0:01:08 | |
'for Internationals.' | 0:01:08 | 0:01:11 | |
I can't believe this day has finally come. | 0:01:11 | 0:01:14 | |
'We're at the Internationals venue to register. | 0:01:14 | 0:01:17 | |
'And just seeing all the different flags and teams | 0:01:17 | 0:01:20 | |
'from around the world is just...' | 0:01:20 | 0:01:22 | |
making it all the more real. | 0:01:22 | 0:01:24 | |
Oh, my gosh, we're finally here! | 0:01:24 | 0:01:26 | |
'I'm so happy to be here.' | 0:01:26 | 0:01:29 | |
'This is going to be incredible.' | 0:01:29 | 0:01:31 | |
Oh, my goodness! | 0:01:31 | 0:01:33 | |
This is going to be | 0:01:33 | 0:01:35 | |
a life-changing experience. | 0:01:35 | 0:01:38 | |
-Bonjour. -Bonjour. | 0:01:38 | 0:01:39 | |
Dzien dobry! | 0:01:41 | 0:01:42 | |
I've been so excited for Internationals that I taught myself | 0:01:42 | 0:01:45 | |
how to say hello in 55 languages. | 0:01:45 | 0:01:47 | |
Ciao, bella! Buongiorno! | 0:01:47 | 0:01:50 | |
SHE RESPONDS IN ITALIAN | 0:01:50 | 0:01:53 | |
'My girlfriend... | 0:01:53 | 0:01:54 | |
'Well, my almost-girlfriend' | 0:01:54 | 0:01:56 | |
is a genius. | 0:01:56 | 0:01:57 | |
SPEAKS ITALIAN | 0:01:57 | 0:01:59 | |
'This Italian dancer is being really friendly, | 0:01:59 | 0:02:01 | |
but I have no idea what she's saying | 0:02:01 | 0:02:03 | |
and it's starting to make me really nervous. | 0:02:03 | 0:02:05 | |
SPEAKS ITALIAN | 0:02:05 | 0:02:07 | |
-CONFUSEDLY: -OK. Ciao. | 0:02:09 | 0:02:11 | |
Maybe I shouldn't have learned hello in so many languages. | 0:02:12 | 0:02:16 | |
-OK. -OK. -Thank you. -Bye. | 0:02:16 | 0:02:17 | |
Hey, guys. Guess what? | 0:02:19 | 0:02:21 | |
Apparently, all the North American studios register tomorrow. | 0:02:21 | 0:02:24 | |
Which means we get an extra day off. | 0:02:24 | 0:02:26 | |
-CHEERING -I'm just going to figure out | 0:02:26 | 0:02:28 | |
where our dressing rooms are. I'll be right back. | 0:02:28 | 0:02:31 | |
Guys, I really want to do a tour of Miami. | 0:02:31 | 0:02:34 | |
I found one that goes to Drake's house. I'm dying to go. | 0:02:34 | 0:02:36 | |
I think those are kind of expensive, no? | 0:02:36 | 0:02:38 | |
Well, lucky for you guys, it's free | 0:02:38 | 0:02:40 | |
because I'll take you on one myself. | 0:02:40 | 0:02:42 | |
Why do I want to give a tour of Miami? | 0:02:42 | 0:02:44 | |
Because Miami has everything. | 0:02:44 | 0:02:46 | |
It has oceans. It has nightlife. | 0:02:46 | 0:02:49 | |
Day life. Afternoon life. | 0:02:49 | 0:02:50 | |
It's beautiful. | 0:02:50 | 0:02:52 | |
It's a beautiful place. | 0:02:52 | 0:02:53 | |
-Hey! -Hey. Oh, my gosh! | 0:02:57 | 0:03:00 | |
Seeing Ella is really awesome | 0:03:00 | 0:03:02 | |
just because I haven't seen her in, like, a week, but... | 0:03:02 | 0:03:05 | |
it seems like forever just because we spent every day together | 0:03:05 | 0:03:07 | |
when she was back at The Next Step. | 0:03:07 | 0:03:09 | |
My team just finished registering and I have the rest of the day off | 0:03:09 | 0:03:12 | |
so I was wondering if you wanted to come with me | 0:03:12 | 0:03:15 | |
to this authentic Cuban restaurant I found online. My treat. | 0:03:15 | 0:03:18 | |
Free food? I'm in. | 0:03:18 | 0:03:20 | |
Cool. Great. | 0:03:20 | 0:03:21 | |
Just give me a second. | 0:03:21 | 0:03:22 | |
Uh, James. | 0:03:22 | 0:03:23 | |
I'm going to go to lunch with Ella, so I will see you later? | 0:03:23 | 0:03:27 | |
-Right now? -Yeah. | 0:03:27 | 0:03:28 | |
-All right. -OK. Bye. | 0:03:28 | 0:03:30 | |
I was supposed to spend the day with James... | 0:03:30 | 0:03:32 | |
but there'll be plenty of time for that. | 0:03:32 | 0:03:34 | |
I never get to see Ella, | 0:03:34 | 0:03:35 | |
so it will be fun to spend time with her. | 0:03:35 | 0:03:37 | |
I didn't know I was going to have to schedule Riley-time. | 0:03:37 | 0:03:41 | |
You know I don't like to schedule. | 0:03:41 | 0:03:43 | |
Ella researched this Cuban restaurant | 0:04:25 | 0:04:27 | |
and she decided to take me there for lunch today. | 0:04:27 | 0:04:29 | |
I have never tasted Cuban food | 0:04:30 | 0:04:32 | |
that is this delicious. | 0:04:32 | 0:04:34 | |
It's really awesome. | 0:04:34 | 0:04:36 | |
OK. So far, I've had dim sum in Beijing, | 0:04:36 | 0:04:39 | |
and I've overdosed on croissants in Paris. | 0:04:39 | 0:04:41 | |
Wow. You've entered Internationals a lot! | 0:04:41 | 0:04:43 | |
It's been so much fun spending time with her, | 0:04:43 | 0:04:45 | |
and we still have the rest of the day to do stuff, so... | 0:04:45 | 0:04:48 | |
I'm excited. | 0:04:48 | 0:04:49 | |
I forgot my wallet. | 0:04:53 | 0:04:54 | |
-What? -Can you spot me? Please. | 0:04:55 | 0:04:58 | |
Um, no, not really. | 0:04:58 | 0:04:59 | |
I didn't bring anything. | 0:04:59 | 0:05:00 | |
You said lunch was on you today. | 0:05:00 | 0:05:02 | |
That's fine. I'll just run back and get it. | 0:05:02 | 0:05:04 | |
Uh, no, no, no. I can run back... | 0:05:04 | 0:05:06 | |
-No, I run faster. -No, you don't. -I do. You run like a turtle. | 0:05:06 | 0:05:08 | |
-No. Maybe I should go. -It's my treat. I'm paying. | 0:05:08 | 0:05:11 | |
-I'll run back and go and get it. -It's cool, I... | 0:05:11 | 0:05:13 | |
Seriously, just stall and order another dessert. Be back soon. | 0:05:13 | 0:05:16 | |
Promise. See you in a bit. | 0:05:16 | 0:05:17 | |
Sorry! | 0:05:17 | 0:05:19 | |
'Great. Yeah. Just leave me here. | 0:05:19 | 0:05:21 | |
'All alone. With no wallet. | 0:05:21 | 0:05:23 | |
'No money. | 0:05:23 | 0:05:25 | |
'And, you know, no way to pay, at all.' | 0:05:25 | 0:05:27 | |
Thanks, Ella. | 0:05:27 | 0:05:29 | |
Yes. Whoo! | 0:05:42 | 0:05:44 | |
We're finally here. | 0:05:44 | 0:05:46 | |
We're at the Miami Beach. | 0:05:46 | 0:05:48 | |
I'm so excited to get a tour of Miami. I've never been here. | 0:05:48 | 0:05:51 | |
It's so hot outside, the sand is just seeping between my toes... | 0:05:51 | 0:05:54 | |
and the water is amazing. | 0:05:54 | 0:05:55 | |
OK. I'm finally free. | 0:05:55 | 0:05:57 | |
Wait! What is this for? | 0:05:57 | 0:06:00 | |
Well, if you must know, | 0:06:00 | 0:06:02 | |
this is Pacific Ocean water. | 0:06:02 | 0:06:04 | |
-My uncle North North gave it to me. -Wait! Pause! | 0:06:04 | 0:06:06 | |
-Your last name's North? -Yeah. | 0:06:06 | 0:06:09 | |
So that means your name is West North? | 0:06:09 | 0:06:12 | |
Well, if you include my middle name, it's West East North. | 0:06:12 | 0:06:15 | |
OK! So what happened to South? | 0:06:15 | 0:06:17 | |
-That's my mom. -Yeah. | 0:06:17 | 0:06:19 | |
'I have this bottle of water' | 0:06:19 | 0:06:20 | |
that my uncle sent me from the Pacific Ocean. | 0:06:20 | 0:06:23 | |
And I'm going to dump it into the Atlantic Ocean and see what happens. | 0:06:23 | 0:06:26 | |
-I don't know if it'll cause a nuclear reaction, or... -Probably. | 0:06:26 | 0:06:29 | |
-..something... -Nothing'll happen. -..but let's try it out. All right? | 0:06:29 | 0:06:32 | |
-This is bizarre. -Are you ready for this? -It's water. | 0:06:32 | 0:06:35 | |
This has never been done before in history, | 0:06:35 | 0:06:37 | |
-and I'm about to do it now. OK? -Good. | 0:06:37 | 0:06:40 | |
-Ready? -Yes. -Do it, it's water(!) | 0:06:40 | 0:06:43 | |
Cool. | 0:06:48 | 0:06:49 | |
So I pour the Pacific Ocean water into the Atlantic... | 0:06:49 | 0:06:51 | |
and nothing happens. | 0:06:51 | 0:06:54 | |
Which is perfect because water is water | 0:06:54 | 0:06:57 | |
and...I think I just proved that. | 0:06:57 | 0:06:59 | |
Nothing happened. Cos it's water. | 0:06:59 | 0:07:00 | |
Next up on this tour is.... | 0:07:00 | 0:07:03 | |
HE LAUGHS | 0:07:03 | 0:07:05 | |
-West! -Wait! -What? | 0:07:05 | 0:07:06 | |
# This is Miami! # | 0:07:13 | 0:07:15 | |
Muchas gracias. | 0:07:15 | 0:07:17 | |
Oh, actually, can I get another one of those tres leches? | 0:07:17 | 0:07:20 | |
Another tres leches? For sure. | 0:07:20 | 0:07:21 | |
-Another one for her, as well. -Two tres leches. -Mm-hm. Thank you. | 0:07:21 | 0:07:24 | |
-I'll be right back. -OK. Thanks. -They're really good. -Mm. | 0:07:24 | 0:07:27 | |
'I've been waiting for Ella for, like, 20 minutes now.' | 0:07:27 | 0:07:31 | |
And I just... I really don't know where she is. | 0:07:31 | 0:07:34 | |
RINGTONE | 0:07:34 | 0:07:36 | |
Hello. | 0:07:36 | 0:07:37 | |
'Hi, Riley. I won't be able to make it. Sorry.' | 0:07:37 | 0:07:40 | |
-What? -'My team booked space in the auditorium for my solo, | 0:07:40 | 0:07:43 | |
'so I have to take it. | 0:07:43 | 0:07:45 | |
'Sorry. Bye.' | 0:07:45 | 0:07:47 | |
Dos tres leches. | 0:07:47 | 0:07:49 | |
Yes. Thank you. | 0:07:49 | 0:07:51 | |
You are very welcome. Enjoy it. | 0:07:51 | 0:07:53 | |
Uh, yeah. Can I also actually get a menu? | 0:07:53 | 0:07:55 | |
I'm starting to get a little hungry again. | 0:07:55 | 0:07:57 | |
Sure. Like...after dessert? | 0:07:57 | 0:07:59 | |
Yes. Yeah. | 0:07:59 | 0:08:00 | |
Of course. I'll be back. | 0:08:00 | 0:08:02 | |
Thank you. | 0:08:02 | 0:08:03 | |
'Only way I can think of stalling is to order more food, so...' | 0:08:04 | 0:08:09 | |
hopefully, I'll figure out a way to get out of this. | 0:08:09 | 0:08:11 | |
Can you pick a restaurant? We've been out here way too long. | 0:08:11 | 0:08:15 | |
Naw, man. A mediocre restaurant | 0:08:15 | 0:08:16 | |
with a mediocre sweet spot's not good enough. | 0:08:16 | 0:08:19 | |
'Me and James are kind of' | 0:08:19 | 0:08:21 | |
scouting the area for possible | 0:08:21 | 0:08:23 | |
date options for me and Thalia. | 0:08:23 | 0:08:25 | |
James, you don't understand. | 0:08:25 | 0:08:27 | |
The sweet spot has to be | 0:08:27 | 0:08:29 | |
-the most important part. -RINGTONE | 0:08:29 | 0:08:31 | |
Wait a sec... This is perfect. | 0:08:31 | 0:08:34 | |
If this was a restaurant right here, | 0:08:34 | 0:08:36 | |
-it would be perfect. -HE SNIFFS | 0:08:36 | 0:08:38 | |
-Or a picnic. -No. No. No. No. You cannot eat here. Definitely not. | 0:08:38 | 0:08:42 | |
Plus, Riley is in some sort of trouble. | 0:08:42 | 0:08:44 | |
-Stuck in a restaurant or something, I got to get going. -W-Whoa! | 0:08:44 | 0:08:47 | |
What's more important here? | 0:08:47 | 0:08:50 | |
My future love life or some "problem" that Riley has? | 0:08:50 | 0:08:54 | |
'I don't respond to Riley's text right away...' | 0:08:56 | 0:08:58 | |
Sure, that's true. | 0:08:58 | 0:08:59 | |
-..because I got a lot on my hands right now with Eldon. -Moving on. | 0:08:59 | 0:09:03 | |
'I've been here now for a very long time. | 0:09:07 | 0:09:10 | |
'I've eaten everything on the menu' and I can definitely tell | 0:09:10 | 0:09:14 | |
'the waiter is starting to get very suspicious.' | 0:09:14 | 0:09:17 | |
So, I'm trying to text James but he's not replying. | 0:09:17 | 0:09:21 | |
SPEAKS SPANISH | 0:09:21 | 0:09:23 | |
You seem to have quite the appetite. | 0:09:34 | 0:09:37 | |
Yeah. Really hungry today. | 0:09:37 | 0:09:40 | |
I've never seen someone eat so many dishes at the same time. | 0:09:40 | 0:09:43 | |
Yeah. I'm a dancer. | 0:09:43 | 0:09:45 | |
So it just goes right through me. | 0:09:45 | 0:09:47 | |
Not RIGHT through me. It's... | 0:09:47 | 0:09:50 | |
It's a metabolism thing. | 0:09:50 | 0:09:51 | |
My original plan to order more food to stall, um, is kind of backfiring | 0:09:51 | 0:09:56 | |
because it's just making the bill get bigger and bigger. | 0:09:56 | 0:10:00 | |
This lovely couple here | 0:10:00 | 0:10:02 | |
have been waiting for this table for over an hour. | 0:10:02 | 0:10:05 | |
So, um... What's going on? | 0:10:05 | 0:10:06 | |
'I have to come clean.' | 0:10:06 | 0:10:08 | |
The manager is getting really annoyed, | 0:10:08 | 0:10:10 | |
so I have to just spill the beans. | 0:10:10 | 0:10:12 | |
OK. My friend that was here earlier was supposed to pay for this. | 0:10:12 | 0:10:16 | |
She said it was her treat but then she forgot her wallet and I didn't | 0:10:16 | 0:10:18 | |
bring anything to pay for this, so she decided to go get her wallet... | 0:10:18 | 0:10:22 | |
I give you two options. | 0:10:25 | 0:10:26 | |
One, you can work off this... bill here, | 0:10:26 | 0:10:30 | |
by serving some tables... | 0:10:30 | 0:10:34 | |
What's my second option? | 0:10:35 | 0:10:37 | |
I can call the police, if you prefer. | 0:10:37 | 0:10:40 | |
Where's my apron? | 0:10:42 | 0:10:43 | |
-Good choice. -OK. | 0:10:43 | 0:10:45 | |
I prefer not to be arrested in Miami, | 0:10:45 | 0:10:48 | |
so...looks like I'm going to be a waitress. | 0:10:48 | 0:10:50 | |
-Found a sweet spot yet? -Nope. | 0:11:02 | 0:11:03 | |
'Right now I'm with Eldon trying to look for a place' | 0:11:03 | 0:11:06 | |
that he can take Thalia on a date | 0:11:06 | 0:11:08 | |
in anticipation of him to hit 30 pirouettes. | 0:11:08 | 0:11:10 | |
What? It's not sweet enough? | 0:11:10 | 0:11:12 | |
No, James. It's not. | 0:11:12 | 0:11:14 | |
That's why I'm still looking. | 0:11:14 | 0:11:16 | |
Eldon, anywhere on the grass will work. Thalia won't mind. | 0:11:16 | 0:11:19 | |
'This spot is great.' | 0:11:19 | 0:11:21 | |
For me. | 0:11:21 | 0:11:23 | |
Not Thalia. She would hate it. | 0:11:23 | 0:11:25 | |
I'm done. | 0:11:25 | 0:11:27 | |
Yes...! OK. All right. | 0:11:41 | 0:11:43 | |
You see why your dress is not wrinkled? | 0:11:43 | 0:11:46 | |
That's the humidity. | 0:11:46 | 0:11:48 | |
-You see how your hair is all pouffy? -Yeah. | 0:11:48 | 0:11:50 | |
That's the humidity. | 0:11:50 | 0:11:52 | |
Right now we're just standing here, taking in the humidity. | 0:11:52 | 0:11:57 | |
West, it's Miami - we know it's humid. | 0:11:57 | 0:11:59 | |
Put them up. OK? | 0:12:01 | 0:12:03 | |
We're in Miami. | 0:12:03 | 0:12:04 | |
I learned all my stuff about Miami from.... | 0:12:04 | 0:12:07 | |
everywhere. From the internet. From newspapers. | 0:12:07 | 0:12:10 | |
From back of a cereal box. | 0:12:10 | 0:12:11 | |
You can literally learn anything from anywhere at any time. | 0:12:11 | 0:12:16 | |
I want us to stand here and I want us to feel the hu... | 0:12:16 | 0:12:18 | |
Sorry. | 0:12:18 | 0:12:20 | |
I want you guys to stand here and feel the humidity. | 0:12:20 | 0:12:23 | |
That's Vitamin D. Humidi-D. | 0:12:23 | 0:12:25 | |
-It rhymes. -I get it. -Yeah. | 0:12:25 | 0:12:28 | |
Yeah, no, I feel it. | 0:12:28 | 0:12:30 | |
Now, let's go. | 0:12:30 | 0:12:32 | |
Uh, do we have to keep our arms up? | 0:12:32 | 0:12:34 | |
Er... | 0:12:34 | 0:12:36 | |
-yeah, why not? Let's go. -(Giselle...?!) | 0:12:36 | 0:12:39 | |
Sorry. | 0:12:39 | 0:12:40 | |
# This is Miami! # | 0:12:44 | 0:12:46 | |
Hi! | 0:12:48 | 0:12:49 | |
'I have been forced to work as a waitress' | 0:12:49 | 0:12:51 | |
in order to pay off the bill that Ella left me with. | 0:12:51 | 0:12:55 | |
Specials! | 0:12:55 | 0:12:56 | |
You guys want to know the specials? | 0:12:56 | 0:12:58 | |
(Just a sec.) OK... | 0:12:58 | 0:12:59 | |
So, um, I wish I wrote that down. | 0:12:59 | 0:13:01 | |
'Being a waitress is a lot' | 0:13:01 | 0:13:04 | |
harder than I thought. | 0:13:04 | 0:13:05 | |
Just because a lot of the menu items are in Spanish. | 0:13:05 | 0:13:09 | |
And I don't speak Spanish. | 0:13:09 | 0:13:11 | |
There's this one dish and it's called... | 0:13:11 | 0:13:14 | |
can-el-lee..? | 0:13:14 | 0:13:16 | |
And it's, erm, rice | 0:13:16 | 0:13:19 | |
with...with octopus on it. | 0:13:19 | 0:13:21 | |
'Keeping track of more than one table is really hard.' | 0:13:21 | 0:13:25 | |
And it's a little bit hard to communicate that to the customers. | 0:13:25 | 0:13:28 | |
-SHARPLY: -I'll get to you when I get to you! | 0:13:28 | 0:13:30 | |
But, you know, I think they're getting it. A little. | 0:13:30 | 0:13:34 | |
Eldon, we have been to 100 different restaurants. | 0:13:34 | 0:13:37 | |
Can you please just choose one already. | 0:13:37 | 0:13:39 | |
I'll know when it's right. As soon as I see it, I'll know. | 0:13:39 | 0:13:43 | |
You don't know Thalia like I do. | 0:13:43 | 0:13:44 | |
And Riley keeps texting me. | 0:13:46 | 0:13:47 | |
James isn't really being helpful at all. | 0:13:47 | 0:13:49 | |
All he really wants to do is go and save Riley, but... | 0:13:49 | 0:13:53 | |
What's important here, James? | 0:13:53 | 0:13:54 | |
Thalia! | 0:13:54 | 0:13:56 | |
-At one point I have to deal with that. -At one point... | 0:13:56 | 0:13:58 | |
I need a love life. | 0:13:58 | 0:14:00 | |
And what happened to Ella? Ella was with Riley. | 0:14:00 | 0:14:02 | |
-Can't she deal with that? -Yeah! | 0:14:02 | 0:14:04 | |
-Yo, I thought so, too! Naw! You know what? No. -Yeah. | 0:14:04 | 0:14:07 | |
You know what, Riley? | 0:14:07 | 0:14:08 | |
This is what you get for bailing on me to hang out with Ella. | 0:14:08 | 0:14:11 | |
Put your leg down man. Can't both be sitting out here like this. | 0:14:11 | 0:14:15 | |
Put YOUR leg down. | 0:14:15 | 0:14:17 | |
I was like this from the top. | 0:14:17 | 0:14:19 | |
If those chips are still here, they're not on table 7. | 0:14:25 | 0:14:28 | |
-That's where they need to go! -Manny? -Yeah! | 0:14:28 | 0:14:31 | |
New waitress? | 0:14:31 | 0:14:32 | |
Probably not very good. | 0:14:32 | 0:14:34 | |
She's working off some of that appetite she had. | 0:14:34 | 0:14:37 | |
All right. Do you know what a baker's dozen is? | 0:14:37 | 0:14:40 | |
-13? -That's... | 0:14:40 | 0:14:41 | |
Right! Why do they call it that?! | 0:14:41 | 0:14:43 | |
Erm, back in the olden days, | 0:14:43 | 0:14:45 | |
bakers used to give their customers an extra one to make 'em feel good. | 0:14:45 | 0:14:48 | |
LOUDLY: That is also correct! I like the new girl. | 0:14:48 | 0:14:50 | |
Not used to that! | 0:14:50 | 0:14:53 | |
The chef seems a little eccentric. | 0:14:53 | 0:14:56 | |
And it's just a lot of stress, right now. | 0:14:56 | 0:15:00 | |
-What do you need. -Erm... | 0:15:00 | 0:15:02 | |
Two pen-ya-yas... | 0:15:02 | 0:15:05 | |
and another empeen-yal-la? | 0:15:05 | 0:15:09 | |
OK... ANTHONY! | 0:15:09 | 0:15:11 | |
We need two empanadas | 0:15:11 | 0:15:13 | |
and two carne asadas. | 0:15:13 | 0:15:15 | |
Your Spanish is the worst. | 0:15:15 | 0:15:17 | |
Gracias. | 0:15:17 | 0:15:19 | |
We have been walking down Ocean Drive | 0:15:21 | 0:15:23 | |
for the majority of the afternoon now, | 0:15:23 | 0:15:25 | |
and you have yet to pick a restaurant. | 0:15:25 | 0:15:27 | |
Any place would've worked - | 0:15:27 | 0:15:29 | |
first place would've worked, second place would've worked. Ninth place! | 0:15:29 | 0:15:32 | |
It doesn't matter where you go, man, | 0:15:32 | 0:15:34 | |
it's who you're with. | 0:15:34 | 0:15:35 | |
I have endured many very, VERY angry text messages from Riley. | 0:15:35 | 0:15:40 | |
So, you know what? | 0:15:40 | 0:15:42 | |
I'm actually done with this. | 0:15:42 | 0:15:44 | |
And I'm going to go deal with that because she is right in there. | 0:15:44 | 0:15:47 | |
But, hey, bud. We had a great day. | 0:15:47 | 0:15:49 | |
Well, we tried. You know what? We did have a great day. | 0:15:49 | 0:15:52 | |
-No, we didn't. -It was awesome. So much fun, James. | 0:15:52 | 0:15:55 | |
All right, so this is called Windwood Walls, | 0:16:08 | 0:16:11 | |
in the graffiti district of Miami. | 0:16:11 | 0:16:13 | |
Miami is known for graffiti. | 0:16:13 | 0:16:15 | |
And since graffiti and tagging was considered a crime in other places, | 0:16:15 | 0:16:19 | |
here it's considered art. | 0:16:19 | 0:16:21 | |
Artists from all across the world are able to come here | 0:16:21 | 0:16:24 | |
and demonstrate their art. | 0:16:24 | 0:16:25 | |
So now West is taking us to a bunch of these graffiti walls and... | 0:16:25 | 0:16:29 | |
the art is just so beautiful. | 0:16:29 | 0:16:31 | |
The graffiti is amazing. | 0:16:31 | 0:16:33 | |
I mean, obviously these people are really talented and it looks cool. | 0:16:33 | 0:16:37 | |
As you can see here, there's a big S, a big K | 0:16:37 | 0:16:39 | |
which stands for South Side Kings. | 0:16:39 | 0:16:42 | |
He's an artist who does stuff all over the place. But... moving on. | 0:16:42 | 0:16:45 | |
Don't mind the bite marks. | 0:16:54 | 0:16:55 | |
OK. | 0:16:55 | 0:16:57 | |
Hi! There you go. | 0:16:57 | 0:16:59 | |
Oh, wait. These are switched. | 0:17:00 | 0:17:02 | |
James! Eldon! | 0:17:04 | 0:17:05 | |
Yo. What is with your apron? | 0:17:06 | 0:17:09 | |
'When I see Riley as a waitress' | 0:17:09 | 0:17:11 | |
I'm confused. I've no idea what she's doing as a waitress. | 0:17:11 | 0:17:14 | |
How did she just get the job all of a sudden? | 0:17:14 | 0:17:16 | |
Well, Ella and I ate 88 worth of food. Most of it was me. | 0:17:16 | 0:17:21 | |
As I didn't bring anything, I had to work it off in tips. | 0:17:21 | 0:17:23 | |
And I've gotten it down to 87. | 0:17:23 | 0:17:26 | |
OK! So you need 87 from me, | 0:17:26 | 0:17:29 | |
or else your life continues to be miserable as a waitress. | 0:17:29 | 0:17:33 | |
Yeah. | 0:17:34 | 0:17:35 | |
Table for two. | 0:17:35 | 0:17:37 | |
-Right there. -Yeah. -What? | 0:17:37 | 0:17:39 | |
-Miss, if we could start off with some waters. -Yeah. -And some menus. | 0:17:39 | 0:17:43 | |
-SHE SIGHS -I'll get them back for this. | 0:17:43 | 0:17:45 | |
# This is Miami. # | 0:17:54 | 0:17:56 | |
Please... Please, tip me big. | 0:17:59 | 0:18:01 | |
OK. | 0:18:03 | 0:18:04 | |
Riley...they just sat down. | 0:18:04 | 0:18:06 | |
You cannot ask them to tip you. | 0:18:06 | 0:18:08 | |
'Riley is a terrible waitress.' | 0:18:08 | 0:18:09 | |
Very stressed out, um, all the time. | 0:18:09 | 0:18:12 | |
This is probably going to be one of the highlights of our trip to Miami. | 0:18:12 | 0:18:15 | |
I have done everything you asked me to do. | 0:18:15 | 0:18:18 | |
I've been the best server that I've ever been in my entire career. | 0:18:18 | 0:18:21 | |
Could you please just pay me my tip. | 0:18:21 | 0:18:24 | |
Mmmm... My chicken was quite dry. | 0:18:24 | 0:18:27 | |
To me personally, the chicken seemed like it wasn't made with love. | 0:18:27 | 0:18:31 | |
Jeez... OK, Riley. | 0:18:32 | 0:18:35 | |
No need to hit. We'll pay you. | 0:18:35 | 0:18:37 | |
I have had enough of this serving thing. | 0:18:37 | 0:18:40 | |
So I hit him. | 0:18:40 | 0:18:42 | |
-I'm going to keep hitting you...till you pay me my tip. -OK. OK. | 0:18:42 | 0:18:45 | |
Whoa. Wow, Riley...! | 0:18:45 | 0:18:48 | |
Jeez...! | 0:18:48 | 0:18:50 | |
Take it. Take the money. I'll see you at the hotel. | 0:18:50 | 0:18:53 | |
You should learn how to relax. | 0:18:53 | 0:18:55 | |
-SHE SIGHS -OK. | 0:18:56 | 0:18:59 | |
Can I take your order? | 0:18:59 | 0:19:00 | |
Thank you! Ha-ha! | 0:19:03 | 0:19:05 | |
I got the money to pay off my bill. | 0:19:05 | 0:19:08 | |
I got to hit James. | 0:19:08 | 0:19:09 | |
And Eldon decided it was where he wanted to take Thalia on their date, | 0:19:09 | 0:19:13 | |
so Internationals seems to be starting off pretty well. | 0:19:13 | 0:19:17 | |
This is so cool. | 0:19:17 | 0:19:19 | |
OK, I left the best for last. | 0:19:24 | 0:19:27 | |
This piece of artwork really inspired me first time I saw it. | 0:19:27 | 0:19:30 | |
It was done by an artist named Chor Boogie. | 0:19:30 | 0:19:32 | |
He got his first paintbrush in kindergarten | 0:19:32 | 0:19:35 | |
and from that day forward he knew he was going to be an artist. | 0:19:35 | 0:19:38 | |
-Yeah. -I mean, I really love this piece of art | 0:19:38 | 0:19:40 | |
because it's all about love. | 0:19:40 | 0:19:42 | |
See the guy over there and the girl over there - they're all connected. | 0:19:42 | 0:19:45 | |
And they meet up in the middle with love. | 0:19:45 | 0:19:48 | |
The graffiti is amazing, and this one | 0:19:48 | 0:19:51 | |
is by far the most amazing one I've seen. | 0:19:51 | 0:19:54 | |
-I really like that - Chor Boogie. -Hey, Boogie - yeah. | 0:19:55 | 0:19:58 | |
'I've taken everyone on this tour.' | 0:19:58 | 0:20:00 | |
We've had the greatest day | 0:20:00 | 0:20:02 | |
and I just feel like dancing. | 0:20:02 | 0:20:04 | |
You know what? Speaking of boogie... | 0:20:04 | 0:20:05 | |
-You know what that makes me want to do? -Uh-oh. | 0:20:05 | 0:20:08 | |
Get down! | 0:20:08 | 0:20:09 | |
WHOOPS | 0:20:09 | 0:20:11 | |
The tour ended up not being bad, at all. | 0:20:13 | 0:20:16 | |
I'm in Miami with my best friends - yeah... | 0:20:16 | 0:20:18 | |
I'm ready for Internationals. | 0:20:18 | 0:20:20 | |
# This is Miami! # | 0:20:23 | 0:20:25 | |
This has been an incredible day. | 0:20:25 | 0:20:27 | |
How can we not join in? | 0:20:27 | 0:20:29 | |
It's been the most strange tour... | 0:20:29 | 0:20:31 | |
but really, really fun. | 0:20:31 | 0:20:33 | |
And this is a perfect way to end the day. | 0:20:33 | 0:20:35 | |
Why not join in? | 0:20:37 | 0:20:39 | |
We all love dance, and West did an amazing tour. | 0:20:39 | 0:20:42 | |
It's a good distraction before we have to compete at Internationals. | 0:20:42 | 0:20:46 | |
# This is Miami! # | 0:20:51 | 0:20:52 | |
# We... | 0:20:55 | 0:20:58 | |
# We're gonna show the world | 0:20:58 | 0:21:01 | |
# Everything we're made of | 0:21:01 | 0:21:05 | |
# We're gonna tear the roof off this place | 0:21:05 | 0:21:10 | |
# You can never fade us out... # | 0:21:12 | 0:21:16 |