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I've been so excited for Internationals | 0:00:03 | 0:00:06 | |
that I taught myself how to say "hello" in 55 languages. | 0:00:06 | 0:00:09 | |
Now that we are officially registered, | 0:00:09 | 0:00:11 | |
it looks like the male solos are first. | 0:00:11 | 0:00:13 | |
No-one gets eliminated in these rounds. | 0:00:13 | 0:00:16 | |
But whoever wins gains a five point advantage, moving forward. | 0:00:16 | 0:00:19 | |
Good luck. | 0:00:19 | 0:00:21 | |
She's doing my choreography. | 0:00:23 | 0:00:26 | |
She cheated, and she still won. | 0:00:26 | 0:00:29 | |
How is that fair? | 0:00:29 | 0:00:30 | |
Right now, we're entering the auditorium, | 0:00:42 | 0:00:45 | |
because each team gets to practise on stage. | 0:00:45 | 0:00:48 | |
Now, Poland is there - | 0:00:48 | 0:00:50 | |
and their dance is absolutely incredible. | 0:00:50 | 0:00:54 | |
They're all boys. | 0:00:54 | 0:00:55 | |
I've never seen so many male dancers in my life. | 0:00:55 | 0:00:58 | |
This Polish team is so impressive. | 0:01:02 | 0:01:05 | |
I've never seen anything like them before. | 0:01:05 | 0:01:08 | |
If I wasn't intimidated before, I sure am now. | 0:01:08 | 0:01:11 | |
I'm watching the Poland team right now and they're all really good, | 0:01:18 | 0:01:21 | |
but I noticed the Poland soloist. | 0:01:21 | 0:01:24 | |
And as I watch him, I realise he's definitely big competition. | 0:01:24 | 0:01:28 | |
I'm going to keep my eye out for him. | 0:01:28 | 0:01:31 | |
Did they win last year? | 0:01:32 | 0:01:33 | |
Actually, they didn't make it past the second round. | 0:01:33 | 0:01:36 | |
MUSIC: Stand Up by Jessica Lee and Kit Knows | 0:01:43 | 0:01:46 | |
Oh, look. Giselle's coming. | 0:02:23 | 0:02:24 | |
Hey, guys! | 0:02:24 | 0:02:25 | |
'At Internationals, all the dance captains of each team' | 0:02:25 | 0:02:29 | |
meet with the Internationals board | 0:02:29 | 0:02:31 | |
to hear what the next challenge is going to be. | 0:02:31 | 0:02:33 | |
'You never know what to expect,' | 0:02:33 | 0:02:36 | |
so you have to be ready for anything at any time. | 0:02:36 | 0:02:39 | |
-Hey! -Hey. OK. So, what's the first round? | 0:02:39 | 0:02:41 | |
OK, basically, they're putting four dancers from different nations | 0:02:41 | 0:02:44 | |
onto one team, so you have to learn how to work together. | 0:02:44 | 0:02:47 | |
The thing is, there's 40 teams and only the top four advance. | 0:02:47 | 0:02:51 | |
Wow. | 0:02:52 | 0:02:53 | |
'There are 160 countries, and by the end of today,' | 0:02:53 | 0:02:56 | |
they'll be whittled down to 16. | 0:02:56 | 0:02:58 | |
Well, do we know who the best fit is from our studio? | 0:02:58 | 0:03:01 | |
Well, we get to choose. | 0:03:01 | 0:03:03 | |
OK, so did they give any hints as to who would be best? | 0:03:03 | 0:03:06 | |
Speaking other languages is important. | 0:03:06 | 0:03:08 | |
Thalia, how many ways can you say hello? | 0:03:08 | 0:03:10 | |
55 - well, 56, because I taught myself Swedish this morning. | 0:03:10 | 0:03:14 | |
You speak 56 languages? I speak one. | 0:03:14 | 0:03:17 | |
So, no to West, yes to Thalia. | 0:03:17 | 0:03:20 | |
OK, your team is going to be waiting up there. | 0:03:20 | 0:03:22 | |
-Let's go. -Good luck! | 0:03:22 | 0:03:24 | |
She never fails to impress me. | 0:03:24 | 0:03:26 | |
THEY SPEAK POLISH | 0:03:36 | 0:03:39 | |
VARIOUS LANGUAGES SPOKEN | 0:03:39 | 0:03:43 | |
'Kate and I are entering the area | 0:03:47 | 0:03:49 | |
'where I'm meeting the rest of my team-mates and I'm so nervous.' | 0:03:49 | 0:03:52 | |
It's intimidating to walk in and hear all different languages. | 0:03:52 | 0:03:56 | |
Thalia, don't be nervous. You've got it. I totally trust you... | 0:04:00 | 0:04:03 | |
Hold on. The Polish team is talking about us. | 0:04:03 | 0:04:06 | |
-Sorry, you speak Polish? -Yeah. My mom's Polish. | 0:04:06 | 0:04:09 | |
When I learn that Thalia knows Polish, | 0:04:09 | 0:04:11 | |
I'm surprised she didn't mention that earlier. | 0:04:11 | 0:04:13 | |
I overhear this guy talking to his coach | 0:04:13 | 0:04:15 | |
and how he's never heard of The Next Step | 0:04:15 | 0:04:17 | |
and that we must be so weak, if he's never heard of us - | 0:04:17 | 0:04:20 | |
'and that he hopes we are not going to bring his team down.' | 0:04:20 | 0:04:24 | |
-Did you just burn them? -Uh-huh. -Yes. | 0:04:30 | 0:04:32 | |
I wonder how Thalia is doing? | 0:04:43 | 0:04:45 | |
Oh, she's probably doing just fine. She knows 56 languages. | 0:04:45 | 0:04:48 | |
No, she knows how to say "hello" in 56 languages. | 0:04:48 | 0:04:51 | |
-What's this about? -Probably an interview with Ella. | 0:04:51 | 0:04:54 | |
Come on. | 0:04:55 | 0:04:57 | |
Hi! | 0:04:57 | 0:04:58 | |
-Are you kidding me? -What? | 0:04:58 | 0:05:00 | |
'After what happened with Ella and I,' | 0:05:00 | 0:05:03 | |
I've learned my lesson. | 0:05:03 | 0:05:05 | |
I just don't want anything to do with her any more. | 0:05:05 | 0:05:08 | |
Come on, Riley. I said when it comes to competition, I'm serious. | 0:05:08 | 0:05:12 | |
Riley just needs to understand that you can't trust anyone. | 0:05:12 | 0:05:15 | |
And you need to do anything to win. | 0:05:15 | 0:05:17 | |
Being competitive is one thing, | 0:05:17 | 0:05:19 | |
but stealing someone's choreography is something else entirely. | 0:05:19 | 0:05:24 | |
You want to think of this as a game? Fine. | 0:05:24 | 0:05:27 | |
I am going to beat you. | 0:05:27 | 0:05:30 | |
You may have won the solo round, but you are not taking home that trophy. | 0:05:30 | 0:05:33 | |
And not only is my team going to win, | 0:05:33 | 0:05:35 | |
but we're going to do it without stooping to your level. | 0:05:35 | 0:05:38 | |
I'm sorry you're seeing it that way. That's too bad. | 0:05:38 | 0:05:41 | |
Ella, they're ready to interview Miss International Soloist. | 0:05:41 | 0:05:45 | |
You should probably go do that interview you didn't earn. | 0:05:45 | 0:05:47 | |
Oh, that's a good idea(!) | 0:05:47 | 0:05:49 | |
'When Ella is called away | 0:05:49 | 0:05:50 | |
'for the Miss International Soloist interview,' | 0:05:50 | 0:05:53 | |
it just makes me so angry and frustrated. | 0:05:53 | 0:05:56 | |
And joining us live here in the foyer | 0:05:56 | 0:05:58 | |
is Miss International Soloist Ella, from Summerford. | 0:05:58 | 0:06:01 | |
Ella, that solo was absolutely brilliant. | 0:06:01 | 0:06:03 | |
Tell us, how did you come up with that choreography? | 0:06:03 | 0:06:06 | |
It was when I was on the exchange program with The Next Step. | 0:06:06 | 0:06:09 | |
They gave me the inspiration to come up with that solo... | 0:06:09 | 0:06:12 | |
'Ella won that competition with my solo.' | 0:06:12 | 0:06:15 | |
I'm now wondering, if I had the chance to perform that... | 0:06:15 | 0:06:19 | |
..then maybe I could have won. | 0:06:20 | 0:06:21 | |
'The rest of B-Troupe and I' | 0:06:28 | 0:06:29 | |
really want to feel connected to Internationals. | 0:06:29 | 0:06:32 | |
'We had this idea to create a leaderboard.' | 0:06:32 | 0:06:35 | |
And it would keep track of how all the teams are doing. | 0:06:35 | 0:06:37 | |
-Camille, that looks so good. -Thank you. You guys like the purple? | 0:06:37 | 0:06:40 | |
PHONE RINGS C's calling. | 0:06:40 | 0:06:42 | |
'Hey, Sky. How are you?' | 0:06:44 | 0:06:45 | |
I'm good. How's everything going at Internationals? | 0:06:45 | 0:06:48 | |
Incredible. Internationals is amazing. | 0:06:48 | 0:06:50 | |
'It's also a little intimidating.' | 0:06:50 | 0:06:52 | |
Imagine Nationals, but ten times bigger. | 0:06:52 | 0:06:55 | |
'So, what are you guys up to?' | 0:06:55 | 0:06:56 | |
-Look - ta-da! -Check it out. | 0:06:56 | 0:06:59 | |
We've already given England and Sweden the five point advantages | 0:06:59 | 0:07:02 | |
for winning Mr and Miss International Soloist. | 0:07:02 | 0:07:04 | |
'You really had to remind me of that?' | 0:07:04 | 0:07:06 | |
Oops! Sorry. | 0:07:06 | 0:07:08 | |
Yeah, that's OK. But I should probably get back. | 0:07:08 | 0:07:11 | |
OK. Well, good luck. | 0:07:11 | 0:07:13 | |
-'Thanks.' -B-TROUPE: Bye! | 0:07:13 | 0:07:14 | |
'It's really nice that B-Troupe cares this much about A-Troupe.' | 0:07:15 | 0:07:18 | |
You can see that we're really a family. | 0:07:18 | 0:07:21 | |
'Right now, we're rehearsing the two to seven person dance, | 0:07:27 | 0:07:30 | |
'because if Thalia gets through her round,' | 0:07:30 | 0:07:32 | |
then we're up next. | 0:07:32 | 0:07:34 | |
'I honestly don't know why Stephanie is marking right now.' | 0:07:37 | 0:07:40 | |
'We are about to perform this in the next round. | 0:07:40 | 0:07:43 | |
'When you mark your routine, | 0:07:43 | 0:07:45 | |
'you don't get the same overall experience.' | 0:07:45 | 0:07:47 | |
Your body needs to know what it's doing. | 0:07:47 | 0:07:50 | |
OK, Steph - why are you marking? | 0:07:51 | 0:07:53 | |
Um, I just think that it's important for me to save my energy. | 0:07:54 | 0:07:58 | |
I mean, I want to save it all for the stage. | 0:07:58 | 0:08:00 | |
"Save your energy"? While everyone else is doing it full out? | 0:08:00 | 0:08:03 | |
I don't think I had a big enough breakfast, to be honest. | 0:08:03 | 0:08:06 | |
My stomach kind of feels weird. Yeah, I'm feeling a little fainty. | 0:08:06 | 0:08:09 | |
'She didn't eat enough today? Like, what?' | 0:08:09 | 0:08:12 | |
You should be on top of your game every single day of Internationals. | 0:08:12 | 0:08:15 | |
This is not a joke. | 0:08:15 | 0:08:17 | |
OK. Why don't you go and get some food and water and come back, OK? | 0:08:17 | 0:08:21 | |
OK, thanks, guys. | 0:08:21 | 0:08:22 | |
'Right now, I'm extremely frustrated with Steph. | 0:08:24 | 0:08:26 | |
'This is where she wanted to be.' | 0:08:26 | 0:08:28 | |
Be here, if you're going to be here. | 0:08:28 | 0:08:30 | |
-What are we going to do? -We cannot have her in our routine | 0:08:35 | 0:08:38 | |
if she's going to be marking it like that. | 0:08:38 | 0:08:40 | |
We should think about replacing her. | 0:08:40 | 0:08:41 | |
-Whoa... -We're already in Miami. There's no more prep time. | 0:08:41 | 0:08:44 | |
There's no more time for her to make up for it. | 0:08:44 | 0:08:46 | |
We need to have someone who is going to dance full out, right now. | 0:08:46 | 0:08:49 | |
I don't think it's right that we cut Stephanie out of the routine, | 0:08:49 | 0:08:52 | |
because I know she's an amazing dancer. I know she can pull through. | 0:08:52 | 0:08:55 | |
I feel she's going through something right now and I need to talk to her. | 0:08:55 | 0:08:58 | |
Listen, before we think about replacing her, | 0:08:58 | 0:09:01 | |
why don't I just talk to her? | 0:09:01 | 0:09:02 | |
Well, then, you let her know this isn't B-Troupe any more. | 0:09:02 | 0:09:05 | |
Oh, I'll let her know. See you guys later. | 0:09:05 | 0:09:08 | |
Good luck. | 0:09:08 | 0:09:09 | |
The Polish dancer is telling me that he can speak French. | 0:09:22 | 0:09:25 | |
So, he can talk to the French dancer. This is going to be really helpful. | 0:09:25 | 0:09:29 | |
OK. So, France and Vietnam can speak together | 0:09:38 | 0:09:40 | |
and France and Poland can speak together | 0:09:40 | 0:09:43 | |
and I can speak Polish, so we should be fine. | 0:09:43 | 0:09:45 | |
Perfect! | 0:09:45 | 0:09:46 | |
'It seems to be going really well,' | 0:09:48 | 0:09:50 | |
even though I have no idea what they are saying. | 0:09:50 | 0:09:52 | |
Ah, excellente! Fabuloso! | 0:09:52 | 0:09:54 | |
Uh, don't worry. It's OK. | 0:09:58 | 0:09:59 | |
Well, we've already seen our fair share of dance, | 0:10:11 | 0:10:14 | |
but we're welcoming you | 0:10:14 | 0:10:16 | |
to the official opening round of this competition. | 0:10:16 | 0:10:19 | |
I'm Chuck Anderson and I'm alongside Ashley Leggat. | 0:10:19 | 0:10:23 | |
She brings a fair bit of knowledge of the dance world | 0:10:23 | 0:10:26 | |
to the table here and I've been having fun picking your brain. | 0:10:26 | 0:10:28 | |
I've been having fun with you too, Chuck. | 0:10:28 | 0:10:30 | |
Of course, I'm so excited. And now, things are really turning up. | 0:10:30 | 0:10:33 | |
It's the first elimination round. This is where the drama begins. | 0:10:33 | 0:10:37 | |
This is the multi-country, four person part of this competition. | 0:10:37 | 0:10:43 | |
And this is where it gets really nutty, | 0:10:43 | 0:10:45 | |
because we're going to go down from 160 countries to just 16. | 0:10:45 | 0:10:49 | |
That means only the top four groups of four will be moving on. | 0:10:49 | 0:10:53 | |
First is a group that is represented by the following countries... | 0:10:55 | 0:10:59 | |
They're off to a great start. | 0:11:08 | 0:11:09 | |
The other teams better be ready for some stiff competition. | 0:11:09 | 0:11:13 | |
THEY SPEAK VARIOUS LANGUAGES | 0:11:15 | 0:11:18 | |
Right now, we're just working through some choreography | 0:11:24 | 0:11:27 | |
and it's going really well. | 0:11:27 | 0:11:28 | |
Everyone's kind of contributing their own ideas | 0:11:28 | 0:11:30 | |
and their own dance style | 0:11:30 | 0:11:32 | |
and it's making the choreography really unique and really different. | 0:11:32 | 0:11:36 | |
What are you doing? We have rehearsal right now. | 0:11:37 | 0:11:41 | |
Do you think this nail polish would look good on me? | 0:11:41 | 0:11:44 | |
Is that a no? | 0:11:45 | 0:11:46 | |
'I find Stephanie reading a magazine and I'm so annoyed,' | 0:11:46 | 0:11:49 | |
because she needs to be in rehearsal, right now. | 0:11:49 | 0:11:52 | |
What are you doing? | 0:11:52 | 0:11:53 | |
Do you understand that the team is this far away from replacing you? | 0:11:53 | 0:11:57 | |
Maybe that's not such a bad thing. | 0:11:57 | 0:12:00 | |
That's so cute... | 0:12:00 | 0:12:02 | |
Is it? | 0:12:03 | 0:12:05 | |
-OK, that was five dollars. -I don't care. | 0:12:05 | 0:12:08 | |
You've worked way too hard to not compete with us. | 0:12:08 | 0:12:11 | |
'I really wanted to do this and I really wanted to be here. | 0:12:11 | 0:12:15 | |
'But the pressure of Internationals is just getting to me. | 0:12:15 | 0:12:18 | |
'I don't want to let anybody down.' | 0:12:18 | 0:12:19 | |
And I'm really scared and I don't want to do it. | 0:12:19 | 0:12:22 | |
I mean, what happens after this round? | 0:12:22 | 0:12:24 | |
And if we make it to semifinals? And then semifinals, | 0:12:24 | 0:12:26 | |
and I mess up the whole dance and I make a mistake | 0:12:26 | 0:12:28 | |
and everybody's going right and I'm going left, | 0:12:28 | 0:12:30 | |
or I fall and I hurt myself and I mess up everything | 0:12:30 | 0:12:33 | |
and everybody regrets they let me back from B-Troupe into A-Troupe... | 0:12:33 | 0:12:36 | |
I just don't want to let anybody down and I feel like | 0:12:36 | 0:12:38 | |
I'm going to let everybody down. | 0:12:38 | 0:12:40 | |
Maybe if I just stay up here, then I don't have to do it. | 0:12:40 | 0:12:42 | |
-You guys can go without me - replace me. -I get it now. | 0:12:42 | 0:12:45 | |
You don't think you deserve to be here with everyone. | 0:12:46 | 0:12:49 | |
I get it. | 0:12:49 | 0:12:50 | |
'I guess Michelle's right.' | 0:12:55 | 0:12:56 | |
I don't feel like I deserve to be here. | 0:12:56 | 0:12:59 | |
Do you think this team is just carrying you? | 0:12:59 | 0:13:02 | |
Like, we let you back on the team as a favour? | 0:13:02 | 0:13:04 | |
No, you deserve to be here. | 0:13:04 | 0:13:06 | |
Now, look at me and say, "I deserve to be here." | 0:13:06 | 0:13:09 | |
I deserve to be here. | 0:13:13 | 0:13:14 | |
Sorry, what? | 0:13:14 | 0:13:16 | |
I deserve to be here. | 0:13:16 | 0:13:18 | |
No, This is how you do it. | 0:13:18 | 0:13:20 | |
Hi, everyone! | 0:13:20 | 0:13:21 | |
We're at Internationals and I deserve to be here. | 0:13:21 | 0:13:24 | |
So does my friend Stephanie, but she won't say it. | 0:13:24 | 0:13:26 | |
I don't know - should you say it out loud? | 0:13:26 | 0:13:28 | |
Oh, my. Seriously? You're going to make me say it? | 0:13:28 | 0:13:31 | |
Say it, right now. | 0:13:31 | 0:13:33 | |
Hi, guys. I'm here at Internationals, | 0:13:37 | 0:13:40 | |
because I deserve to be here. | 0:13:40 | 0:13:42 | |
Sorry, I can't... I can't even hear you, sorry. | 0:13:42 | 0:13:45 | |
I deserve to be here at Internationals! | 0:13:45 | 0:13:48 | |
Good. | 0:13:48 | 0:13:49 | |
All right. I think we can go now. | 0:13:50 | 0:13:52 | |
I really didn't think I was cut out for the Internationals team. | 0:13:52 | 0:13:55 | |
But after speaking to Michelle... | 0:13:55 | 0:13:57 | |
She really believes in me and she's so supportive of me. | 0:13:57 | 0:14:01 | |
Maybe I am ready for this. | 0:14:01 | 0:14:02 | |
Right now, our team is just taking a break from rehearsal | 0:14:11 | 0:14:14 | |
and I'm hanging out with Bartek. He's actually a really cool guy. | 0:14:14 | 0:14:17 | |
'I came to check up on how rehearsals were going' | 0:14:27 | 0:14:29 | |
and I see Thalia's talking to the Polish soloist. | 0:14:29 | 0:14:33 | |
They seem to be getting along a little too well. | 0:14:33 | 0:14:36 | |
Bartek tells me that a weird guy is staring at me, | 0:14:42 | 0:14:45 | |
but it's just Eldon. | 0:14:45 | 0:14:46 | |
OK. | 0:14:51 | 0:14:52 | |
Well, we're back, Chuck. | 0:15:09 | 0:15:11 | |
Yes, we are, Ashley. 39 dance teams later. | 0:15:11 | 0:15:15 | |
And they are doing a great job. | 0:15:15 | 0:15:17 | |
Well, they'd better be doing a great job, Ashley Leggat, | 0:15:17 | 0:15:19 | |
because this is the penultimate - | 0:15:19 | 0:15:21 | |
the second last team performing in today's incredible competition. | 0:15:21 | 0:15:26 | |
A sort of United Nations of dance has transpired today | 0:15:26 | 0:15:30 | |
and it has been unbelievable. | 0:15:30 | 0:15:32 | |
Right now, Bartek, Minnou, Nan and I are just warming up. | 0:15:36 | 0:15:40 | |
We're about to go on soon. | 0:15:40 | 0:15:41 | |
CHEERING AND APPLAUSE | 0:15:52 | 0:15:54 | |
The members of that group were all speaking the same language - | 0:15:54 | 0:15:58 | |
the language of dance. | 0:15:58 | 0:16:00 | |
You are so right. And it's true. | 0:16:00 | 0:16:02 | |
Dance is the universal language, no matter what your native tongue is. | 0:16:02 | 0:16:05 | |
'Team 39 moves into fourth place with 95 points.' | 0:16:05 | 0:16:07 | |
CHEERING AND APPLAUSE | 0:16:07 | 0:16:10 | |
This is getting exciting, Ashley. | 0:16:10 | 0:16:12 | |
We are about to have our last group perform. | 0:16:12 | 0:16:14 | |
'Me and James come backstage | 0:16:14 | 0:16:16 | |
'to watch some of the routines going on at Internationals.' | 0:16:16 | 0:16:19 | |
Oh, there she is. | 0:16:19 | 0:16:20 | |
Across the wings, I can see Thalia and that Polish guy talking again. | 0:16:20 | 0:16:25 | |
Good job? | 0:16:26 | 0:16:28 | |
-Well done. -Well done. | 0:16:28 | 0:16:29 | |
Are they really still talking to each other? | 0:16:29 | 0:16:31 | |
They had lunch together and they were talking to each other. | 0:16:31 | 0:16:34 | |
I saw them rehearsing together and they're talking to each other. | 0:16:34 | 0:16:36 | |
Now, they're talking to each other again. | 0:16:36 | 0:16:39 | |
Eldon is totally overreacting. He's going to be fine | 0:16:39 | 0:16:42 | |
Dude, they're dancing together. | 0:16:42 | 0:16:44 | |
Of course, they're going to talk to each other. | 0:16:44 | 0:16:46 | |
You just worry about your pirouettes, OK, | 0:16:46 | 0:16:48 | |
and that girl will be all yours. | 0:16:48 | 0:16:50 | |
OK, but, girls only like me because I'm a good dancer | 0:16:50 | 0:16:53 | |
-and he's a good dancer too. -Oh, man... | 0:16:53 | 0:16:56 | |
'Do you not get how serious this is? I lost my coin.' | 0:16:56 | 0:16:59 | |
I lost Mr International Soloist, | 0:16:59 | 0:17:02 | |
and now, it looks like I'm losing Thalia too. | 0:17:02 | 0:17:05 | |
'Our leaderboard is completely up-to-date | 0:17:10 | 0:17:13 | |
'and all the other teams have danced,' | 0:17:13 | 0:17:15 | |
so Thalia's the very last one to go. | 0:17:15 | 0:17:17 | |
TABLET RINGS I think Cierra has an update. | 0:17:17 | 0:17:20 | |
-Hey! -Hey. We filled in the board. What do you think? | 0:17:20 | 0:17:24 | |
That's incredible. | 0:17:24 | 0:17:25 | |
It still makes Internationals look a little confusing, though. | 0:17:25 | 0:17:28 | |
I know. There are so many teams. | 0:17:28 | 0:17:30 | |
Look, Cierra, we got to go. Thalia's performing soon. | 0:17:30 | 0:17:32 | |
OK, yeah. Just a second. | 0:17:32 | 0:17:34 | |
-Do you want to see this cool thing Skylar made for us? -Sure. | 0:17:34 | 0:17:36 | |
-We all helped. -Hi, Richelle. | 0:17:36 | 0:17:38 | |
Hi. | 0:17:38 | 0:17:40 | |
It's a leaderboard - to track Internationals for The Next Step. | 0:17:40 | 0:17:43 | |
-Impressive, right? -Yeah, it's awesome. | 0:17:43 | 0:17:45 | |
Wait, guys - can you put it back to the board? | 0:17:45 | 0:17:49 | |
Move it to the left a little bit. | 0:17:49 | 0:17:51 | |
'As I look at the leaderboard,' | 0:17:51 | 0:17:53 | |
I notice that the current fourth place team has 95 points. | 0:17:53 | 0:17:55 | |
That means that Thalia's team has to score a total of 96 points. | 0:17:55 | 0:17:59 | |
That's a huge score. | 0:17:59 | 0:18:01 | |
Thalia, you guys have to score over 95 points | 0:18:03 | 0:18:06 | |
to guarantee that we go on to the next round. | 0:18:06 | 0:18:08 | |
-Can you tell them? -Yeah. THALIA SPEAKS POLISH | 0:18:08 | 0:18:11 | |
We have seen some solid performances put forth so far today, Ashley. | 0:18:13 | 0:18:17 | |
We sure have. It's going to take something incredible | 0:18:17 | 0:18:19 | |
to crack that top four and ensure that their groups are moving on. | 0:18:19 | 0:18:22 | |
Hey, yeah. We'll try our best. | 0:18:22 | 0:18:24 | |
-TANNOY: -'We now welcome to the stage our final group.' | 0:18:24 | 0:18:27 | |
'As I take the stage,' | 0:18:27 | 0:18:28 | |
I've never felt this nervous in my life. | 0:18:28 | 0:18:31 | |
If we don't get a 96, we lose and my team is going home. | 0:18:31 | 0:18:35 | |
Bon chance! | 0:18:37 | 0:18:39 | |
This next group is comprised of members from The Next Step, | 0:18:39 | 0:18:43 | |
Poland's Voden Dance Academy, Vietnam and France. | 0:18:43 | 0:18:49 | |
'I am so incredibly stressed out right now.' | 0:19:02 | 0:19:06 | |
I can't even imagine how much pressure Thalia's feeling. | 0:19:06 | 0:19:09 | |
'Our entire future at Internationals rests on her shoulders.' | 0:19:09 | 0:19:13 | |
As the routine goes on, our team is really starting to gel. | 0:19:23 | 0:19:26 | |
I can't believe how far we've come today. | 0:19:26 | 0:19:29 | |
CHEERING | 0:19:37 | 0:19:39 | |
Thalia and the Polish guy are doing really well, dancing together. | 0:19:50 | 0:19:54 | |
I don't want the Polish guy to win, but I want Thalia to win. | 0:19:54 | 0:19:57 | |
These guys look like they are authentically enjoying this. | 0:20:04 | 0:20:08 | |
They absolutely do. | 0:20:08 | 0:20:10 | |
CHEERING AND APPLAUSE | 0:20:15 | 0:20:18 | |
I'm really nervous. We're waiting for our scores. | 0:20:24 | 0:20:27 | |
We're about to find out if we're moving on to the next round, | 0:20:27 | 0:20:30 | |
or if we're being sent home. | 0:20:30 | 0:20:32 | |
-TANNOY: -'Ladies and gentlemen, the final score is... | 0:20:32 | 0:20:35 | |
'96!' | 0:20:35 | 0:20:37 | |
CHEERING AND APPLAUSE | 0:20:37 | 0:20:40 | |
Actually, the reason why this group is so pumped up is, | 0:20:44 | 0:20:47 | |
they know their 96 points will have them moving on to the next round. | 0:20:47 | 0:20:50 | |
This means The Next Step is moving on | 0:20:50 | 0:20:53 | |
and we're one step closer to winning Internationals. | 0:20:53 | 0:20:56 | |
I'm really glad that The Next Step is moving on, | 0:20:56 | 0:20:58 | |
but I'm really not glad that the Polish guy is moving on, too. | 0:20:58 | 0:21:02 |