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Previously on The Next Step... | 0:00:02 | 0:00:03 | |
LaTroy, I'm sorry. | 0:00:03 | 0:00:04 | |
I'm sorry too. | 0:00:04 | 0:00:06 | |
'That little conversation was a little awkward,' | 0:00:06 | 0:00:08 | |
but at least it's a start. | 0:00:08 | 0:00:09 | |
I can't stop thinking about him. | 0:00:10 | 0:00:12 | |
I want to spend time with him. | 0:00:12 | 0:00:14 | |
I'm not breaking up with you. | 0:00:15 | 0:00:16 | |
'I know I have to do what's right for me.' | 0:00:16 | 0:00:19 | |
I just wish it didn't mean hurting everyone I care about. | 0:00:19 | 0:00:22 | |
The Next Step will not be dancing at the qualifier. | 0:00:22 | 0:00:25 | |
Riley's job is to get us to Regionals. | 0:00:26 | 0:00:28 | |
This never would have happened if Ms Kate was in charge. | 0:00:28 | 0:00:31 | |
You know, I don't really think things are going well enough here | 0:00:31 | 0:00:35 | |
for you to be sitting down, Riley. | 0:00:35 | 0:00:37 | |
If ever there was a time when I needed my sister, it's right now. | 0:00:37 | 0:00:41 | |
A little bird told me that Riley was having a hard time | 0:00:50 | 0:00:52 | |
at the studio. | 0:00:52 | 0:00:54 | |
I'm here to help my sister get back on track. | 0:00:54 | 0:00:57 | |
What are you doing here? What about university? | 0:00:57 | 0:00:59 | |
I mean, how did you know that I needed you? | 0:00:59 | 0:01:01 | |
Zip it, sister. | 0:01:01 | 0:01:02 | |
I'm obviously here to help you focus on what's most important - | 0:01:02 | 0:01:06 | |
getting A-Troupe to Regionals. | 0:01:06 | 0:01:09 | |
Yeah, it's just things are so complicated right now. | 0:01:10 | 0:01:14 | |
I did a terrible thing. I kissed another guy. | 0:01:15 | 0:01:18 | |
Alfie. He's a prince. | 0:01:18 | 0:01:19 | |
Not a prince as in a great guy, he's, like, an actual prince. | 0:01:19 | 0:01:22 | |
But that's not the point. | 0:01:22 | 0:01:23 | |
The point is that I don't know what's happening with James. | 0:01:23 | 0:01:25 | |
-Our relationship is just a mess and I have no idea how to fix it. -Hi. | 0:01:25 | 0:01:28 | |
OK, that is a lot of new information. | 0:01:30 | 0:01:32 | |
You have more important things to focus on. | 0:01:32 | 0:01:37 | |
Riley should be talking about dance, dance, dance. | 0:01:37 | 0:01:39 | |
But all I'm hearing is boys, boys, boys. | 0:01:39 | 0:01:42 | |
You are a little bit of a mess right now, | 0:01:42 | 0:01:44 | |
so you need to give me the power to make some hard decisions. | 0:01:44 | 0:01:48 | |
Whatever I say goes, got it? | 0:01:48 | 0:01:52 | |
Whatever you say? | 0:01:52 | 0:01:53 | |
Yes or no, Riley? | 0:01:54 | 0:01:56 | |
OK, let's do it. | 0:01:58 | 0:01:59 | |
Let's do whatever it takes to get the studio to Regionals. | 0:01:59 | 0:02:03 | |
That is the right decision, and I know you won't regret it. | 0:02:03 | 0:02:07 | |
I hope not. | 0:02:07 | 0:02:09 | |
If I'm going to put my trust in anyone, it's going to be Emily. | 0:02:09 | 0:02:12 | |
And besides, things couldn't get any worse, right? | 0:02:12 | 0:02:15 | |
# We | 0:02:15 | 0:02:17 | |
# We're gonna show the world | 0:02:17 | 0:02:21 | |
# Everything we're made of | 0:02:21 | 0:02:25 | |
# We're gonna tear the roof off this place | 0:02:25 | 0:02:33 | |
# Stand up! # | 0:02:38 | 0:02:39 | |
Today is my first day back at the studio | 0:02:54 | 0:02:55 | |
after getting out of the hospital | 0:02:55 | 0:02:57 | |
and it feels like coming home. | 0:02:57 | 0:02:59 | |
I missed everything about it. | 0:02:59 | 0:03:01 | |
Noah. | 0:03:01 | 0:03:03 | |
Hey, what's going on? | 0:03:03 | 0:03:05 | |
-Good to see you, man. -I'm so proud of Noah. | 0:03:05 | 0:03:07 | |
He fought through his injury | 0:03:07 | 0:03:09 | |
and now he's back with his dance family where he belongs. | 0:03:09 | 0:03:11 | |
OK, everybody listen up. | 0:03:14 | 0:03:15 | |
Everybody. | 0:03:17 | 0:03:18 | |
EMILY CLEARS HER THROAT | 0:03:18 | 0:03:19 | |
'I know everybody is excited to see Noah, | 0:03:19 | 0:03:21 | |
'but we've got to get down to business.' | 0:03:21 | 0:03:23 | |
With Emily's help, we're going to get A-Troupe back on track. | 0:03:23 | 0:03:26 | |
Thank you. | 0:03:26 | 0:03:28 | |
OK, so I would like to introduce all of you to my older sister, Emily. | 0:03:28 | 0:03:32 | |
She was a former dance captain here at The Next Step | 0:03:32 | 0:03:34 | |
and she's going to be helping out, | 0:03:34 | 0:03:35 | |
so if she tells you something, listen to her. | 0:03:35 | 0:03:38 | |
It's time for the team to start focusing on Regionals. | 0:03:38 | 0:03:41 | |
But we haven't even qualified for Regionals yet. | 0:03:41 | 0:03:43 | |
Well, all the other teams who have qualified for Regionals | 0:03:43 | 0:03:46 | |
are already working on those dances, | 0:03:46 | 0:03:48 | |
so do you want to be the team that starts from behind or...? | 0:03:48 | 0:03:52 | |
Right, so when do we start, then? | 0:03:52 | 0:03:55 | |
I will be choosing all of the dancers who will be performing | 0:03:55 | 0:03:57 | |
in each of the routines. | 0:03:57 | 0:03:58 | |
There'll be no more auditions for all of the spots. | 0:03:58 | 0:04:01 | |
OK, Michelle, you will be doing the solo. | 0:04:01 | 0:04:03 | |
As Miss National Soloist for two consecutive years, | 0:04:03 | 0:04:06 | |
-I think you deserve it. -Thank you. | 0:04:06 | 0:04:08 | |
Riley, remember, you don't have to justify your decision. | 0:04:08 | 0:04:10 | |
-You just have to tell them what we decided. -OK. | 0:04:10 | 0:04:13 | |
And for the four-person routine that will be performing | 0:04:13 | 0:04:15 | |
once we win the solo round, I have chosen | 0:04:15 | 0:04:17 | |
Cassie, Piper, Sloane and Skylar. | 0:04:17 | 0:04:20 | |
'I'm in the quartet? | 0:04:20 | 0:04:21 | |
'This is amazing.' | 0:04:21 | 0:04:22 | |
I can't wait to dance at Regionals. | 0:04:22 | 0:04:24 | |
For the trio, I have decided on Michelle, Amanda and Amy. | 0:04:24 | 0:04:28 | |
'It's my first year on A-Troupe' | 0:04:28 | 0:04:29 | |
and Riley just assigned me one of THE most important dances. | 0:04:29 | 0:04:33 | |
And for the duet, it will go to Richelle and Noah. | 0:04:33 | 0:04:36 | |
I feel absolutely amazing that Riley chose me for the Regional duet | 0:04:37 | 0:04:40 | |
and I'm just going to show her that she can count on me. | 0:04:40 | 0:04:43 | |
And for the small group, I have chosen Alfie, Noah, Henry, | 0:04:43 | 0:04:46 | |
Sloane and Skylar. | 0:04:46 | 0:04:47 | |
Now, Alfie and Piper, | 0:04:50 | 0:04:52 | |
I need you not to focus on your Regional routines just yet. | 0:04:52 | 0:04:55 | |
All your attention has to be on that qualifier. | 0:04:55 | 0:04:58 | |
I will do just that. | 0:04:58 | 0:04:59 | |
Ever since I walked in on Riley and Alfie kissing, | 0:05:01 | 0:05:04 | |
working on the qualifier duet is impossible. | 0:05:04 | 0:05:07 | |
I've got to say you were right. | 0:05:07 | 0:05:09 | |
It's kind of what I do. | 0:05:09 | 0:05:10 | |
After LaTroy and I apologised to each other, | 0:05:21 | 0:05:23 | |
I realise I have a problem. | 0:05:23 | 0:05:25 | |
As much as I hate to admit it, | 0:05:25 | 0:05:27 | |
there's nobody that knows LaTroy better than Amy right now, | 0:05:27 | 0:05:29 | |
and she's the only one who can help me figure this out. | 0:05:29 | 0:05:32 | |
What's wrong? | 0:05:32 | 0:05:33 | |
I think I'm ready to be best friends with LaTroy again, | 0:05:33 | 0:05:36 | |
but I'm not sure how he feels. | 0:05:36 | 0:05:37 | |
What do I do? | 0:05:37 | 0:05:38 | |
Well, why don't you just text him right now? | 0:05:38 | 0:05:40 | |
'Sloane and LaTroy were best friends and I hate seeing them like this.' | 0:05:40 | 0:05:45 | |
OK, here goes nothing. | 0:05:45 | 0:05:47 | |
PHONE VIBRATES | 0:05:50 | 0:05:51 | |
Sloane just texted me. | 0:05:54 | 0:05:55 | |
Sloane and I were friends and then we weren't friends | 0:05:55 | 0:05:59 | |
and now we're somewhere in the middle. | 0:05:59 | 0:06:01 | |
PHONE CHIRPS | 0:06:01 | 0:06:03 | |
So, what did he say? | 0:06:03 | 0:06:05 | |
I said, "Hey, what's up?" | 0:06:05 | 0:06:07 | |
And he said, "Not much." | 0:06:07 | 0:06:10 | |
This isn't going to work. I don't want to talk to LaTroy like this. | 0:06:10 | 0:06:13 | |
I want to have an open conversation with him like he does with you. | 0:06:13 | 0:06:16 | |
Well, actually, I have a great idea. | 0:06:16 | 0:06:19 | |
Meet me back here after my trio rehearsal. | 0:06:19 | 0:06:22 | |
I think I know how I can help Sloane and LaTroy work through | 0:06:22 | 0:06:24 | |
their communication breakdown. | 0:06:24 | 0:06:26 | |
I just want to say thank you | 0:06:26 | 0:06:28 | |
for doing everything that you've done to help me out. | 0:06:28 | 0:06:31 | |
'I'm feeling so much better about everything.' | 0:06:31 | 0:06:33 | |
One day of Emily and the studio is back on track. | 0:06:33 | 0:06:37 | |
Riley...I have something very difficult to tell you. | 0:06:37 | 0:06:41 | |
What? | 0:06:41 | 0:06:43 | |
You need to break up with James. | 0:06:44 | 0:06:47 | |
What?! | 0:06:47 | 0:06:49 | |
OK, no, you are way out of line, OK? | 0:06:49 | 0:06:52 | |
What does my relationship with James have to do with the team? | 0:06:52 | 0:06:55 | |
I can see that this is wrecking you. | 0:06:56 | 0:06:58 | |
You're beating yourself up over what you've done, | 0:06:58 | 0:07:01 | |
and keeping James in limbo like this is just making things worse. | 0:07:01 | 0:07:04 | |
Riley needs to press the reset button and just start again. | 0:07:04 | 0:07:09 | |
She's not being fair to James and she's not being fair to herself. | 0:07:09 | 0:07:12 | |
Look, sometimes you have to just cut things off | 0:07:12 | 0:07:14 | |
when they are not working. It's better to just let it go | 0:07:14 | 0:07:17 | |
than just struggle to try and make it work. | 0:07:17 | 0:07:19 | |
Do you agree? | 0:07:20 | 0:07:21 | |
I guess so. | 0:07:21 | 0:07:23 | |
And then when your mind is clear, | 0:07:23 | 0:07:25 | |
you can focus on what comes next, right? | 0:07:25 | 0:07:27 | |
Right. | 0:07:29 | 0:07:31 | |
Emily just perfectly summed up | 0:07:31 | 0:07:33 | |
everything I've been feeling recently, | 0:07:33 | 0:07:35 | |
'but breaking up with James can't be the solution. | 0:07:35 | 0:07:38 | |
'Can it?' | 0:07:39 | 0:07:40 | |
'While Riley is thinking about the James situation, | 0:07:49 | 0:07:51 | |
'I have other matters to attend to. | 0:07:51 | 0:07:53 | |
'Amanda dating Noah. | 0:07:53 | 0:07:55 | |
'Noah dating Amanda? | 0:07:55 | 0:07:57 | |
'When?' | 0:07:57 | 0:07:58 | |
Why? | 0:07:58 | 0:07:59 | |
I did not come here to ask questions about your relationship, | 0:07:59 | 0:08:02 | |
though make no mistake, I have questions. | 0:08:02 | 0:08:06 | |
Many questions. | 0:08:06 | 0:08:08 | |
A lot has changed since Emily's left, | 0:08:08 | 0:08:10 | |
and I can understand why she'd be a little bit confused | 0:08:10 | 0:08:12 | |
about my relationship with Noah. | 0:08:12 | 0:08:14 | |
It's kind of funny, actually. | 0:08:14 | 0:08:15 | |
No, I actually came to check in with you. | 0:08:15 | 0:08:17 | |
Riley and I assigned you a lot of dances for Regionals, | 0:08:17 | 0:08:20 | |
and I just wanted to make sure you're up to the task. | 0:08:20 | 0:08:22 | |
'The last time I saw Noah, | 0:08:22 | 0:08:24 | |
'he wasn't much taller than my waist | 0:08:24 | 0:08:25 | |
'and now he's just getting over a back injury.' | 0:08:25 | 0:08:28 | |
I need to know if he's ready or not. | 0:08:28 | 0:08:31 | |
You're worried I can't handle it | 0:08:31 | 0:08:32 | |
because you still think I'm little shrimpy J-Troupe Noah. | 0:08:32 | 0:08:35 | |
The whole world thinks that, Noah. | 0:08:35 | 0:08:37 | |
-Really? -NOAH SCOFFS | 0:08:37 | 0:08:38 | |
-No. -Really? OK. | 0:08:38 | 0:08:41 | |
Excuse me. | 0:08:41 | 0:08:42 | |
Do you think this guy looks shrimpy? | 0:08:42 | 0:08:45 | |
-Yes. -Good answer. | 0:08:45 | 0:08:46 | |
-What? -Sorry, it was just really cute. | 0:08:50 | 0:08:52 | |
-Her or me? -Both. | 0:08:52 | 0:08:54 | |
I wasn't even flexing. | 0:08:54 | 0:08:56 | |
Anyway... | 0:08:56 | 0:08:57 | |
Emily's got nothing to worry about. | 0:08:57 | 0:08:59 | |
My doctors gave me the all clear, so I'm good to go. | 0:08:59 | 0:09:02 | |
I'm more than up for it. | 0:09:02 | 0:09:04 | |
You know what? I'm feeling stronger every day. | 0:09:04 | 0:09:07 | |
In fact, I feel like I can compete tomorrow if I had to. | 0:09:07 | 0:09:09 | |
-Really? -Yeah. | 0:09:09 | 0:09:11 | |
I've been doing a lot of physio to get back in shape | 0:09:11 | 0:09:13 | |
-and I'm feeling good. -Glad to hear it. | 0:09:13 | 0:09:15 | |
Now I have other things to attend to. | 0:09:15 | 0:09:17 | |
Glad to have you back, Em. You're really getting things done. | 0:09:17 | 0:09:20 | |
I'm pretty awesome that way. | 0:09:20 | 0:09:22 | |
'Now that I've answered the Noah question,' | 0:09:22 | 0:09:24 | |
I can focus on the other problem. | 0:09:24 | 0:09:26 | |
What is going on with that qualifier duet? | 0:09:26 | 0:09:29 | |
One, two, three, four... | 0:09:37 | 0:09:39 | |
'I can't face what Emily has told me to do, | 0:09:39 | 0:09:41 | |
'so I'm going to see how the trio is doing.' | 0:09:41 | 0:09:44 | |
..six, seven, eight. One, two... | 0:09:44 | 0:09:46 | |
That looks great, guys. | 0:09:46 | 0:09:47 | |
-I'll be right back. -OK. | 0:09:49 | 0:09:50 | |
Hey, so how are you doing now that Emily is back in the picture? | 0:09:53 | 0:09:57 | |
Well, Emily's methods are a little bit Draconian, | 0:09:57 | 0:10:00 | |
but she's got the nerve to make the hard decisions. | 0:10:00 | 0:10:04 | |
I just don't understand how she knew that the studio was in trouble. | 0:10:04 | 0:10:07 | |
I certainly didn't tell her. | 0:10:07 | 0:10:09 | |
I know. | 0:10:09 | 0:10:11 | |
I did. | 0:10:11 | 0:10:12 | |
Wait, you did? | 0:10:12 | 0:10:14 | |
I know you're going through a lot with the whole Alfie/James situation | 0:10:14 | 0:10:17 | |
so I thought you could use some help. | 0:10:17 | 0:10:20 | |
'If Michelle felt she had to call Emily in' | 0:10:20 | 0:10:22 | |
then maybe Emily's right. | 0:10:22 | 0:10:24 | |
Maybe my drama with James really is affecting the studio. | 0:10:24 | 0:10:27 | |
-For this to work, you've got to be able to trust me. -Trust? | 0:10:31 | 0:10:33 | |
-Let's take five. -Yeah. | 0:10:35 | 0:10:38 | |
Piper, can we please talk about this? | 0:10:38 | 0:10:40 | |
Let's not and say we did. | 0:10:40 | 0:10:42 | |
What can I do to make things right? | 0:10:44 | 0:10:46 | |
Go back in time and don't kiss Riley. | 0:10:46 | 0:10:49 | |
You don't understand. | 0:10:49 | 0:10:50 | |
-Look, maybe one day... -Give me a break. | 0:10:52 | 0:10:54 | |
You broke my brother's heart. | 0:10:54 | 0:10:57 | |
What don't you get? | 0:10:57 | 0:10:59 | |
It's not that simple. | 0:10:59 | 0:11:00 | |
I can't do this. | 0:11:00 | 0:11:01 | |
-What about rehearsal? -Forget it! | 0:11:04 | 0:11:06 | |
'Something is going on between Piper and Alfie.' | 0:11:13 | 0:11:16 | |
If I'm going to fix this duet, I need to figure out what it is. | 0:11:16 | 0:11:19 | |
So I guess rehearsal's over, then? | 0:11:19 | 0:11:21 | |
We decided to take a break. | 0:11:22 | 0:11:24 | |
Well, she looked pretty upset when I passed her. | 0:11:26 | 0:11:29 | |
It's a very passionate dance and it stirs up a lot of emotion. | 0:11:29 | 0:11:34 | |
That's cute. | 0:11:34 | 0:11:36 | |
And those lines might work on my sister, | 0:11:36 | 0:11:38 | |
but they definitely don't work on me. | 0:11:38 | 0:11:41 | |
So how about you just tell me the truth | 0:11:41 | 0:11:44 | |
and let me know what's wrong with this duet? | 0:11:44 | 0:11:46 | |
Piper's mad at me because of my feelings for Riley. | 0:11:51 | 0:11:53 | |
So Piper knows about the kiss? | 0:11:57 | 0:12:00 | |
Yeah, she saw it. | 0:12:00 | 0:12:01 | |
Things are a lot worse than I thought. | 0:12:04 | 0:12:06 | |
You know, it's fine. I can make this work. | 0:12:06 | 0:12:08 | |
OK. | 0:12:16 | 0:12:17 | |
Oh, one last thing. | 0:12:19 | 0:12:20 | |
Alfie... | 0:12:22 | 0:12:23 | |
..you know I would do anything to protect Riley, right? | 0:12:24 | 0:12:29 | |
Mm-hmm. | 0:12:29 | 0:12:31 | |
Good. | 0:12:31 | 0:12:32 | |
Me too, Emily. | 0:12:34 | 0:12:36 | |
Me too. | 0:12:37 | 0:12:38 | |
This is so not going to work, Amy. | 0:12:42 | 0:12:43 | |
It totally is. OK. | 0:12:43 | 0:12:46 | |
Are you sure you want me to text him from your phone | 0:12:48 | 0:12:51 | |
and pretend to be you? | 0:12:51 | 0:12:53 | |
Well, yeah, it's the only way you and LaTroy | 0:12:53 | 0:12:55 | |
can have an honest conversation. | 0:12:55 | 0:12:57 | |
If he thinks he's talking to me, | 0:12:57 | 0:12:58 | |
he won't feel awkward or uncomfortable. | 0:12:58 | 0:13:00 | |
He'll tell you what he's really thinking. | 0:13:00 | 0:13:02 | |
OK. | 0:13:03 | 0:13:05 | |
Amy texts me and tells me that she talked to Sloane | 0:13:08 | 0:13:10 | |
and that Sloane wants to be friends again. | 0:13:10 | 0:13:14 | |
You know what? Me too. | 0:13:14 | 0:13:17 | |
PHONE CHIRPS | 0:13:17 | 0:13:18 | |
"Tell Sloane when I see her again, | 0:13:18 | 0:13:20 | |
"I know we'll be back to being best friends." | 0:13:20 | 0:13:22 | |
-You done? -Yeah, I learned everything I needed to know. | 0:13:25 | 0:13:28 | |
Thank you. | 0:13:28 | 0:13:29 | |
"That's sick"? | 0:13:30 | 0:13:32 | |
Since when does Amy say... | 0:13:32 | 0:13:34 | |
Ah, OK. | 0:13:37 | 0:13:39 | |
I text "Amy" back. | 0:13:39 | 0:13:41 | |
"Tell Sloane that when I see her again, | 0:13:41 | 0:13:43 | |
"I'm going to give her a huge hug." | 0:13:43 | 0:13:45 | |
I saw you blow out of rehearsals back there. | 0:14:00 | 0:14:03 | |
Care to explain? | 0:14:03 | 0:14:05 | |
I just need a break for the day. I'll be right back at it tomorrow. | 0:14:05 | 0:14:08 | |
Tomorrow? | 0:14:08 | 0:14:10 | |
Piper, do you think that they'll delay qualifiers a day for you too? | 0:14:10 | 0:14:14 | |
I have it under control. | 0:14:14 | 0:14:15 | |
Look, it's clear that you don't, OK? | 0:14:15 | 0:14:18 | |
Why don't you just explain to me what's going on? | 0:14:18 | 0:14:20 | |
Here's what's up. | 0:14:22 | 0:14:24 | |
I saw Alfie kiss Riley | 0:14:24 | 0:14:26 | |
and then Riley broke my brother's heart. | 0:14:26 | 0:14:28 | |
Look, it's clear that there's a problem with the duet, | 0:14:28 | 0:14:31 | |
so in your opinion, what is causing the problem? | 0:14:31 | 0:14:35 | |
The problem's Alfie. | 0:14:35 | 0:14:37 | |
If I was dancing with Michelle or somebody, | 0:14:37 | 0:14:40 | |
we would be so ready. | 0:14:40 | 0:14:42 | |
I can't dance with Alfie. | 0:14:44 | 0:14:46 | |
OK. | 0:14:47 | 0:14:48 | |
Look, Piper, I think I have all the information I need. | 0:14:48 | 0:14:51 | |
I'm going to talk to Riley and we're going to get this all sorted out. | 0:14:51 | 0:14:55 | |
Emily, thanks for hearing me out. | 0:14:57 | 0:15:00 | |
If you could get Alfie off the duet, | 0:15:00 | 0:15:02 | |
I think everyone will be a lot happier. | 0:15:02 | 0:15:05 | |
After talking to Piper, one thing has become abundantly clear. | 0:15:05 | 0:15:09 | |
This duet will never work, especially with these two dancers. | 0:15:09 | 0:15:12 | |
We need to talk about the qualifiers duet. | 0:15:26 | 0:15:28 | |
What about the qualifier duet? | 0:15:28 | 0:15:30 | |
Well, for a start, | 0:15:30 | 0:15:31 | |
you paired some dude that you have a crush on | 0:15:31 | 0:15:34 | |
with your boyfriend's little sister | 0:15:34 | 0:15:36 | |
and then dropped an atomic bomb on the entire situation. | 0:15:36 | 0:15:40 | |
And for some reason you still think this duet is going to work. | 0:15:40 | 0:15:44 | |
So it's all my fault? | 0:15:44 | 0:15:46 | |
That duet is not going to win at qualifiers, | 0:15:46 | 0:15:49 | |
therefore we need to replace one of them. | 0:15:49 | 0:15:51 | |
No, no, Em, it is way too close to the qualifier to make any changes. | 0:15:52 | 0:15:57 | |
Riley, I spoke with Piper and I spoke with Alfie. | 0:15:57 | 0:16:00 | |
There is no way they are going to be ready. | 0:16:00 | 0:16:02 | |
'Riley has to face the facts.' | 0:16:02 | 0:16:04 | |
Piper and Alfie - never going to work. | 0:16:04 | 0:16:07 | |
If this duet doesn't win at qualifiers, | 0:16:10 | 0:16:12 | |
The Next Step does not go to Regionals, | 0:16:12 | 0:16:14 | |
and we have gone from a team that won Internationals... | 0:16:14 | 0:16:19 | |
to a team that wins nothing at all. | 0:16:19 | 0:16:20 | |
On your watch. | 0:16:22 | 0:16:23 | |
Don't you see, Riley? | 0:16:23 | 0:16:25 | |
The situation with James is clouding your judgment. | 0:16:25 | 0:16:27 | |
You have to do something about it. | 0:16:27 | 0:16:29 | |
Wake up, what is your reluctance? | 0:16:29 | 0:16:31 | |
OK, I'll think about it. | 0:16:31 | 0:16:33 | |
'Breaking up with James is the last thing I want to do...' | 0:16:33 | 0:16:37 | |
..but Emily's right. I have to do what's best for the team. | 0:16:38 | 0:16:41 | |
I'm here because someone has to deal with the qualifier duet. | 0:16:50 | 0:16:53 | |
I don't think Riley can do it, so I will. | 0:16:53 | 0:16:55 | |
Piper, close the door. | 0:16:58 | 0:16:59 | |
'When Emily asks to meet me,' | 0:17:00 | 0:17:03 | |
it can only mean one thing. | 0:17:03 | 0:17:05 | |
Payback time for Alfie. | 0:17:05 | 0:17:06 | |
So, have you kicked Alfie off the duet yet? | 0:17:08 | 0:17:10 | |
Piper, I will not be kicking Alfie off the duet. | 0:17:11 | 0:17:14 | |
He is willing to try and make it work. | 0:17:14 | 0:17:17 | |
You are not. | 0:17:17 | 0:17:18 | |
Look, I've tried to make it work. | 0:17:18 | 0:17:21 | |
I just can't. | 0:17:21 | 0:17:22 | |
I understand that... | 0:17:23 | 0:17:24 | |
..and that is the reason I will be taking you off the duet. | 0:17:25 | 0:17:28 | |
Me? | 0:17:31 | 0:17:33 | |
You're taking me off the duet? | 0:17:33 | 0:17:35 | |
No, you can't. | 0:17:35 | 0:17:37 | |
It's not that I don't sympathise with your situation, I do... | 0:17:37 | 0:17:41 | |
but Alfie was willing to put aside his personal drama | 0:17:41 | 0:17:45 | |
and dance for the team, something you were unwilling to do. | 0:17:45 | 0:17:50 | |
The team needs someone who's willing to do that. | 0:17:50 | 0:17:54 | |
Fine. Congratulations, Emily. | 0:17:54 | 0:17:56 | |
You just cost the team our last shot at the Regionals. | 0:17:56 | 0:17:59 | |
'I'm sorry for Piper, I am.' | 0:18:01 | 0:18:04 | |
But A-Troupe needs to get to Regionals, | 0:18:04 | 0:18:06 | |
and this was the only way to do it. | 0:18:06 | 0:18:09 | |
You wanted to talk to me? | 0:18:21 | 0:18:22 | |
Yeah, we need to talk. | 0:18:23 | 0:18:25 | |
OK. | 0:18:27 | 0:18:28 | |
I think... | 0:18:30 | 0:18:31 | |
I think that you and I are headed in different directions. | 0:18:33 | 0:18:37 | |
I'm here trying to run the studio | 0:18:39 | 0:18:42 | |
while you're off travelling the world entering hip-hop competitions. | 0:18:42 | 0:18:45 | |
What are you talking about? | 0:18:45 | 0:18:47 | |
Our relationship has become so complicated | 0:18:49 | 0:18:51 | |
that it's now a distraction, | 0:18:51 | 0:18:53 | |
and I need less distraction in my life right now. | 0:18:53 | 0:18:57 | |
You realise you created this distraction when you kissed Alfie? | 0:18:57 | 0:19:01 | |
Is that what this is about? | 0:19:08 | 0:19:09 | |
Do you want to be with him? | 0:19:09 | 0:19:11 | |
So you're breaking up with me, Riley. | 0:19:17 | 0:19:18 | |
Say it. | 0:19:21 | 0:19:22 | |
Yes. | 0:19:25 | 0:19:27 | |
'I had to do this. | 0:19:29 | 0:19:30 | |
'I was hurting James, I was hurting the studio...' | 0:19:32 | 0:19:35 | |
-VOICE BREAKING: -..but seeing his face, | 0:19:37 | 0:19:39 | |
seeing how much pain he is in right now... | 0:19:39 | 0:19:42 | |
..it's almost too much to bear. | 0:19:44 | 0:19:46 | |
VOICE BREAKING: Riley breaks up with me. | 0:19:50 | 0:19:52 | |
Goodbye, Riley. | 0:20:17 | 0:20:18 | |
'I thought James and I would be together forever. | 0:20:33 | 0:20:36 | |
'I can't believe after all this time... | 0:20:42 | 0:20:46 | |
'we're over.' | 0:20:46 | 0:20:47 | |
# We | 0:20:52 | 0:20:55 | |
# We're gonna show the world | 0:20:55 | 0:20:59 | |
# Everything we're made of | 0:20:59 | 0:21:02 | |
# We're gonna tear the roof off this place | 0:21:02 | 0:21:07 | |
# You | 0:21:07 | 0:21:09 | |
# You can never fade us out | 0:21:09 | 0:21:13 | |
# Don't even ask the DJ | 0:21:13 | 0:21:16 | |
# Everybody knows we own this sound. # | 0:21:16 | 0:21:21 |