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Previously on The Next Step... | 0:00:00 | 0:00:02 | |
Meet me at the airport. | 0:00:02 | 0:00:03 | |
Bring your passport and pack for a couple of days. | 0:00:03 | 0:00:05 | |
Going away with Alfie is a big step... | 0:00:05 | 0:00:09 | |
huge. | 0:00:09 | 0:00:10 | |
I'm really sorry, Your Highness. | 0:00:10 | 0:00:12 | |
She's not coming, is she? How could she do this to me? | 0:00:12 | 0:00:14 | |
I don't know how Riley got here, and I don't care. | 0:00:18 | 0:00:20 | |
And now I know I can win this thing. | 0:00:20 | 0:00:22 | |
The winner is... | 0:00:25 | 0:00:27 | |
The Next Step! | 0:00:27 | 0:00:28 | |
We won Bangers and Mashups, the international hip-hop competition! | 0:00:30 | 0:00:35 | |
That is insane! | 0:00:35 | 0:00:36 | |
I had no idea I was going end up in England when I woke up yesterday. | 0:00:47 | 0:00:51 | |
But I followed my heart, and it led me to James. | 0:00:51 | 0:00:54 | |
After Riley and I broke up, I never thought I'd see her again, | 0:01:02 | 0:01:05 | |
until she showed up in London. | 0:01:05 | 0:01:07 | |
And you know what? It was perfect. | 0:01:07 | 0:01:09 | |
I can't believe I ever doubted my love for James. | 0:01:16 | 0:01:19 | |
Dancing with him right now, | 0:01:19 | 0:01:21 | |
it's clear how much I love him and he loves me. | 0:01:21 | 0:01:24 | |
There's so much I want to say to you. | 0:01:34 | 0:01:36 | |
Stop. | 0:01:38 | 0:01:39 | |
You're here, that's enough. | 0:01:40 | 0:01:42 | |
OK, just one thing. I love you. | 0:01:43 | 0:01:46 | |
I know. | 0:01:48 | 0:01:50 | |
I love you, too. | 0:01:50 | 0:01:51 | |
One, three, five, seven, fast. | 0:02:30 | 0:02:34 | |
Right now, I'm leading A-Troupe in some conditioning exercises. | 0:02:34 | 0:02:37 | |
Michelle and I have kinda been in charge since Riley went on her trip. | 0:02:37 | 0:02:40 | |
PHONE BUZZES | 0:02:40 | 0:02:42 | |
-Three. -Looks like Amanda and I won't be | 0:02:42 | 0:02:43 | |
holding down the fort for much longer. | 0:02:43 | 0:02:45 | |
I can't wait to see the look on people's faces | 0:02:45 | 0:02:47 | |
when they see who's back. | 0:02:47 | 0:02:49 | |
OK. No, they're not. | 0:02:52 | 0:02:56 | |
Hey guys, um, come on. | 0:02:56 | 0:02:58 | |
What's going on? | 0:02:58 | 0:03:00 | |
Sorry that I left, but I had some business to take care of. | 0:03:00 | 0:03:03 | |
Good to see you guys back together. | 0:03:03 | 0:03:05 | |
I was a little nervous to see how | 0:03:05 | 0:03:06 | |
everyone would react, | 0:03:06 | 0:03:08 | |
but they're all happy for us. | 0:03:08 | 0:03:10 | |
Except for one person. | 0:03:10 | 0:03:12 | |
Who's not here. | 0:03:12 | 0:03:14 | |
Um, where's, where's Alfie? | 0:03:14 | 0:03:16 | |
Is there something you're not telling me, Michelle? | 0:03:20 | 0:03:23 | |
Well, he hasn't been here in a couple of days. | 0:03:23 | 0:03:26 | |
Maybe he's sick or something. | 0:03:26 | 0:03:29 | |
Alfie picked a good day to be sick. | 0:03:29 | 0:03:30 | |
If he saw Riley and James holding hands, it would break his heart. | 0:03:30 | 0:03:35 | |
OK. Um, I'll call him later and deal with that, but for now, Piper, | 0:03:35 | 0:03:40 | |
could I talk to you in my office alone? | 0:03:40 | 0:03:42 | |
Now that James and I are back together, | 0:03:42 | 0:03:43 | |
I need to fix all the problems I made along the way, | 0:03:43 | 0:03:46 | |
starting with Piper. | 0:03:46 | 0:03:47 | |
I owe her an apology. | 0:03:48 | 0:03:50 | |
You can sit. | 0:03:57 | 0:03:58 | |
I just wanted to apologise. | 0:04:01 | 0:04:04 | |
I know I ruined our relationship. | 0:04:04 | 0:04:06 | |
You have every right to be mad at me. | 0:04:06 | 0:04:08 | |
You trusted me, and I let you down. | 0:04:08 | 0:04:10 | |
And I am so sorry for that. | 0:04:12 | 0:04:14 | |
What I did to James was not fair. | 0:04:14 | 0:04:16 | |
Can I interrupt you for a minute? | 0:04:16 | 0:04:18 | |
Yes. | 0:04:18 | 0:04:19 | |
You don't have to say any of this. | 0:04:22 | 0:04:24 | |
I forgive you. | 0:04:25 | 0:04:26 | |
As long as James is happy, I'm happy, | 0:04:28 | 0:04:30 | |
and James is always happiest when he's with you. | 0:04:30 | 0:04:33 | |
You and me, we're like sisters, and we always will be. | 0:04:35 | 0:04:38 | |
I'm really happy to hear you say that. | 0:04:41 | 0:04:43 | |
Can I have a hug? | 0:04:44 | 0:04:45 | |
I would feel terrible if Piper hadn't forgiven me. | 0:04:47 | 0:04:49 | |
She's my little sister and I'm glad to have her back. | 0:04:51 | 0:04:54 | |
Eyes on me, eyes on me. | 0:04:59 | 0:05:00 | |
OK, that was better, man, that was better. Peace, bro. | 0:05:02 | 0:05:04 | |
Right now, we're supposed to be rehearsing our small group | 0:05:04 | 0:05:07 | |
routine for regionals, but that's a little hard to do without Alfie. | 0:05:07 | 0:05:10 | |
That was good, that was good. | 0:05:10 | 0:05:12 | |
Hey, guys, so I have a bit of a surprise for you. | 0:05:12 | 0:05:15 | |
I thought I'd bring in some choreographers | 0:05:15 | 0:05:17 | |
to help you with your routine. | 0:05:17 | 0:05:18 | |
-Cool. Who? -Well... | 0:05:18 | 0:05:20 | |
HE IMITATES FANFARE | 0:05:20 | 0:05:21 | |
Hey! | 0:05:23 | 0:05:24 | |
These guys just won basically the | 0:05:24 | 0:05:27 | |
biggest hip-hop competition in the entire world. | 0:05:27 | 0:05:30 | |
We couldn't ask for better choreographers. | 0:05:30 | 0:05:32 | |
Oh, and the pose. | 0:05:32 | 0:05:34 | |
This isn't just any trophy. | 0:05:34 | 0:05:37 | |
This is a British trophy, and it deserves a grand entrance. | 0:05:37 | 0:05:41 | |
Yeah, it's pretty sweet, isn't it? | 0:05:41 | 0:05:43 | |
-Whoa! Oh, my... -I almost had a heart attack. | 0:05:43 | 0:05:47 | |
OK, no touching or breathing around the trophy. | 0:05:47 | 0:05:50 | |
As a matter of fact, back it up. | 0:05:50 | 0:05:51 | |
-Back it up. -Back it up. | 0:05:51 | 0:05:52 | |
I thought West and Eldon helping with this routine was a no-brainer, | 0:05:52 | 0:05:56 | |
but that was before they won that trophy | 0:05:56 | 0:05:58 | |
and it went straight to their heads. | 0:05:58 | 0:06:00 | |
Well, I'm looking forward to seeing what you guys come up with. | 0:06:00 | 0:06:03 | |
-Have fun. -All right. | 0:06:03 | 0:06:05 | |
-OK. -It's gonna be awesome. -OK, so I want to know what... | 0:06:05 | 0:06:08 | |
Ah! Oh, my... | 0:06:08 | 0:06:09 | |
She just took the trophy. | 0:06:11 | 0:06:13 | |
You know what? It was distracting us anyway, | 0:06:13 | 0:06:15 | |
it's probably better that she takes it. | 0:06:15 | 0:06:17 | |
Eldon and I are here to see what these newbies got. | 0:06:17 | 0:06:20 | |
If these guys are on A-Troupe, that means they're good. | 0:06:20 | 0:06:23 | |
I'm pretty sure whatever choreo they put together | 0:06:23 | 0:06:25 | |
is already really strong. | 0:06:25 | 0:06:26 | |
DANCE MUSIC | 0:06:26 | 0:06:31 | |
Woo! | 0:06:41 | 0:06:42 | |
# Some people get famous. # | 0:06:42 | 0:06:44 | |
We're a little off balance without Alfie right now, | 0:06:44 | 0:06:47 | |
but West and Eldon are professionals. | 0:06:47 | 0:06:49 | |
They'll be able to see past that. | 0:06:49 | 0:06:50 | |
# Sometimes in the spotlight... # | 0:06:50 | 0:06:53 | |
See, their choreography's good, | 0:06:53 | 0:06:55 | |
but I don't know if it's ready for regionals. | 0:06:55 | 0:06:56 | |
Yeah, they're not maximising their talents. | 0:06:56 | 0:06:58 | |
Yeah, that's where we come in. | 0:06:58 | 0:07:00 | |
Yeah, bro. | 0:07:00 | 0:07:01 | |
They're in sync, but they're not really gelling. | 0:07:09 | 0:07:12 | |
If they want to be a regionals-winning team, | 0:07:12 | 0:07:14 | |
they're going to have to learn how to be more connected. | 0:07:14 | 0:07:17 | |
MUSIC CONTINUES | 0:07:17 | 0:07:20 | |
Oh! | 0:07:28 | 0:07:30 | |
OK. That was really good, guys. | 0:07:30 | 0:07:32 | |
-Yeah, good job. -Really good. | 0:07:32 | 0:07:34 | |
But you have a lot of hard work ahead of you. | 0:07:34 | 0:07:37 | |
Yeah, the choreography's good, | 0:07:37 | 0:07:39 | |
but I don't think everything is at the level for regionals yet. | 0:07:39 | 0:07:43 | |
And that's where we come in. | 0:07:43 | 0:07:44 | |
We feel like we need to add something | 0:07:44 | 0:07:46 | |
to make this a regionals-winning routine, | 0:07:46 | 0:07:49 | |
so we're going to talk that over and figure out what that is, | 0:07:49 | 0:07:52 | |
and then we'll get started. Cool? | 0:07:52 | 0:07:53 | |
-Sounds good. -Cool. All right, sweet. | 0:07:53 | 0:07:55 | |
OK. | 0:07:55 | 0:07:56 | |
I'm sure whatever West and Eldon add | 0:07:56 | 0:07:58 | |
is going to make the dance that much better. | 0:07:58 | 0:08:00 | |
I'm dreading making this call. | 0:08:02 | 0:08:03 | |
But I stood Alfie up at the airport | 0:08:05 | 0:08:07 | |
and he deserves to know why. | 0:08:07 | 0:08:08 | |
PHONE RINGS | 0:08:09 | 0:08:11 | |
PHONE RINGS | 0:08:16 | 0:08:18 | |
Hello. | 0:08:31 | 0:08:33 | |
'Hey, Alfie.' | 0:08:33 | 0:08:35 | |
Hey, Riley. | 0:08:36 | 0:08:37 | |
I'm so sorry I left you at the airport. | 0:08:42 | 0:08:45 | |
'Are you OK?' | 0:08:47 | 0:08:48 | |
I'm fine. | 0:08:51 | 0:08:52 | |
There's so much I need to say to you, but I want to say it in person. | 0:08:54 | 0:08:57 | |
When are you coming back to the studio? Tomorrow, the day after? | 0:08:57 | 0:09:00 | |
I'm not coming back. | 0:09:00 | 0:09:01 | |
What? | 0:09:03 | 0:09:04 | |
I'm done. I've left for good. | 0:09:05 | 0:09:08 | |
I'm in Switzerland. | 0:09:09 | 0:09:11 | |
I've got to go. | 0:09:12 | 0:09:13 | |
Bye. | 0:09:15 | 0:09:16 | |
Alfie left because of me. | 0:09:22 | 0:09:23 | |
Without him, we might not win regionals. | 0:09:25 | 0:09:27 | |
My personal drama could cost us everything. | 0:09:27 | 0:09:30 | |
Riley asked Eldon and I to help out | 0:09:40 | 0:09:42 | |
with the small group for the regionals routine. | 0:09:42 | 0:09:45 | |
After a little brainstorming, I know exactly what we need to do. | 0:09:45 | 0:09:49 | |
-OK! -All right, everybody. | 0:09:50 | 0:09:54 | |
-Everybody. -Everybody. | 0:09:54 | 0:09:56 | |
Everyone, let's sit in a circle. | 0:09:56 | 0:09:59 | |
I'm not sure how sitting on the floor has anything to do with | 0:09:59 | 0:10:03 | |
choreography, but I'm new to being dance captain, so what do I know? | 0:10:03 | 0:10:08 | |
All right, hold hands. | 0:10:08 | 0:10:09 | |
Don't you think this is kind of a | 0:10:11 | 0:10:12 | |
weird starting position for hip-hop routine? | 0:10:12 | 0:10:15 | |
Yeah, see, we're not dancing just yet. | 0:10:15 | 0:10:17 | |
Everybody at regionals is going to be great dancers, | 0:10:17 | 0:10:20 | |
but in order for you guys to win | 0:10:20 | 0:10:21 | |
you have to do something different. | 0:10:21 | 0:10:23 | |
If you want to be the best at regionals, | 0:10:23 | 0:10:26 | |
you've got to be totally connected. | 0:10:26 | 0:10:28 | |
What's the most important part about dance? | 0:10:28 | 0:10:30 | |
It's all about what is going on upstairs. | 0:10:30 | 0:10:33 | |
You are going to need to know how to read each other's minds. | 0:10:35 | 0:10:37 | |
West is talking next level stuff here and I absolutely love it. | 0:10:37 | 0:10:42 | |
That's impossible. Nobody can read minds like that. | 0:10:42 | 0:10:44 | |
Really? Then how do I know that Eldon is hungry? | 0:10:44 | 0:10:48 | |
-That's easy. Eldon is hungry all the time. -True. | 0:10:48 | 0:10:50 | |
How do I know that he is hungry for a tuna salad and some fr... | 0:10:50 | 0:10:56 | |
No, no, curly fries? | 0:10:56 | 0:10:58 | |
-Right on the money. -See? | 0:10:58 | 0:10:59 | |
I've never seen anything like it. | 0:10:59 | 0:11:01 | |
It's like West and Eldon are the same person. | 0:11:01 | 0:11:04 | |
And this connection, it doesn't only | 0:11:04 | 0:11:06 | |
apply to your best friends, all right? | 0:11:06 | 0:11:08 | |
Noah, how do I know that you are thinking about kissing Amanda? | 0:11:08 | 0:11:12 | |
And Sloan, | 0:11:12 | 0:11:14 | |
you are thinking about that recent video that you just filmed with Jude | 0:11:14 | 0:11:18 | |
-that just went viral. -Nice! | 0:11:18 | 0:11:19 | |
-Hey, congratulations! -Thanks. | 0:11:19 | 0:11:22 | |
Skylar, you are thinking about a... rogue bee? | 0:11:22 | 0:11:26 | |
-It was rugby, but still amazing. -Rugby, all right. | 0:11:26 | 0:11:31 | |
Henry. | 0:11:31 | 0:11:32 | |
Henry, you are thinking about what I'm thinking about. | 0:11:35 | 0:11:39 | |
It's kind of like a thought loop, it's really freaky. | 0:11:39 | 0:11:42 | |
OK, so you mean we're going to be able to do that? | 0:11:42 | 0:11:44 | |
One day. One day, young grasshopper. | 0:11:44 | 0:11:47 | |
-OK. -Now, let's get to work. | 0:11:47 | 0:11:50 | |
We don't have enough time to teach these guys how to read minds today, | 0:11:50 | 0:11:53 | |
but being aware of the connection is the first step. | 0:11:53 | 0:11:56 | |
Alfie's gone, Amanda, gone. | 0:12:05 | 0:12:07 | |
-He moved back to Switzerland. -He didn't really move back. | 0:12:07 | 0:12:10 | |
He has a castle there. | 0:12:10 | 0:12:11 | |
I only told three people about Alfie being a prince, | 0:12:11 | 0:12:14 | |
and Amanda is one of them. | 0:12:14 | 0:12:15 | |
So I know I can trust her with this. | 0:12:15 | 0:12:17 | |
Whatever, that's beside the point. | 0:12:17 | 0:12:19 | |
The point is he's not going to be here with us for regionals. | 0:12:19 | 0:12:22 | |
And it's all my fault. I messed everything up. | 0:12:22 | 0:12:24 | |
OK. Whoa, whoa! We still have time to figure things out. | 0:12:24 | 0:12:26 | |
Alfie was our featured dancer in the regional routine, Amanda. | 0:12:26 | 0:12:30 | |
The whole dance is structured around him, | 0:12:30 | 0:12:32 | |
and even if that wasn't an issue, | 0:12:32 | 0:12:34 | |
we are still down one dancer without him. | 0:12:34 | 0:12:36 | |
OK, Riley, we can just adjust the regionals dance | 0:12:36 | 0:12:38 | |
to fit the dancers that we have left. | 0:12:38 | 0:12:40 | |
And even without him we still have enough dancers to go to regionals. | 0:12:40 | 0:12:43 | |
Don't worry about it, we'll be fine. | 0:12:43 | 0:12:46 | |
I know what Amanda is saying makes sense, | 0:12:46 | 0:12:49 | |
but it's not making me feel any better. | 0:12:49 | 0:12:51 | |
I'm sorry to burden you with this. | 0:12:51 | 0:12:53 | |
Normally I'd talk to James about it. | 0:12:53 | 0:12:55 | |
You did not just say that. | 0:12:55 | 0:12:57 | |
Never in a million years could you ever talk to James about this. | 0:12:57 | 0:13:01 | |
Do you think James wants to sit here and listen to you blab on | 0:13:01 | 0:13:04 | |
about Prince Alfie? No. | 0:13:04 | 0:13:06 | |
I would never ever talk to Noah about one of my ex-boyfriends. | 0:13:06 | 0:13:10 | |
Keeping this from James feels like a lie, | 0:13:10 | 0:13:13 | |
and I don't want to restart our relationship on a lie. | 0:13:13 | 0:13:16 | |
Now that you guys have a connection, | 0:13:16 | 0:13:18 | |
it's good to now carve out the story. | 0:13:18 | 0:13:20 | |
Exactly. What can you bring from | 0:13:20 | 0:13:22 | |
your personal lives in to the dance to make it better? | 0:13:22 | 0:13:25 | |
A dance routine is like a lasagne. | 0:13:25 | 0:13:27 | |
Dancers, music, choreo, energy. | 0:13:28 | 0:13:32 | |
But see, this last layer, the top layer is the most important layer. | 0:13:32 | 0:13:36 | |
That's the story and that makes a lasagne. | 0:13:36 | 0:13:39 | |
I'm dating Amanda. | 0:13:41 | 0:13:42 | |
Well I'm not dating anybody, I'm just not feeling it. | 0:13:42 | 0:13:45 | |
I have feelings for someone, | 0:13:45 | 0:13:46 | |
but I had to put them aside for the sake of our friendship. | 0:13:46 | 0:13:49 | |
I have a boyfriend. | 0:13:49 | 0:13:50 | |
-What? -What? Since when? | 0:13:50 | 0:13:51 | |
-You have a boyfriend? -Whoa! | 0:13:51 | 0:13:54 | |
I never brought up my boyfriend | 0:13:54 | 0:13:56 | |
because some of us leave our relationship drama | 0:13:56 | 0:13:58 | |
outside of the studio. | 0:13:58 | 0:14:00 | |
What's with all this relationship talk? | 0:14:00 | 0:14:02 | |
Is that all you guys are thinking about? | 0:14:02 | 0:14:04 | |
I'm dating Talia. | 0:14:04 | 0:14:06 | |
Eldon, you're not helping. | 0:14:06 | 0:14:08 | |
-Sorry. -What's going on with all this boyfriend, girlfriend talk? | 0:14:08 | 0:14:12 | |
These guys should know that the only relationship that matters is | 0:14:12 | 0:14:15 | |
the relationship with your fellow dancers. | 0:14:15 | 0:14:18 | |
Henry, Noah, Sloan, Skylar. | 0:14:18 | 0:14:21 | |
You guys aren't now the new bros of A-Troupe, all right? | 0:14:21 | 0:14:24 | |
With you guys being the new bros, | 0:14:24 | 0:14:25 | |
it's important for you guys to learn the rules, OK? | 0:14:25 | 0:14:28 | |
The rules are that bros come first before anything, all right? | 0:14:28 | 0:14:32 | |
Before romance, before video games, even before dance. | 0:14:32 | 0:14:36 | |
-OK, I have a question. -Yes. | 0:14:36 | 0:14:37 | |
-I'm not a bro. -Me neither. | 0:14:37 | 0:14:39 | |
Anybody can be bros. | 0:14:39 | 0:14:40 | |
Boys can be bros, girls could be bros, if horses could talk, | 0:14:40 | 0:14:43 | |
horses would be bros too. | 0:14:43 | 0:14:45 | |
Bro-dom is about friendship. | 0:14:46 | 0:14:48 | |
It's kind of like a 0% club. | 0:14:48 | 0:14:50 | |
-Yeah, whatever that is. -Why don't we make the dance about that? | 0:14:50 | 0:14:53 | |
Being there for your friends when they need you. | 0:14:53 | 0:14:56 | |
No, no. I don't think so. | 0:14:56 | 0:14:58 | |
I think the dance should be about | 0:14:58 | 0:14:59 | |
being there for your friends when they need you. | 0:14:59 | 0:15:02 | |
-What? -Dude! That's really smart actually. | 0:15:02 | 0:15:04 | |
Brilliant, genius! | 0:15:04 | 0:15:06 | |
My brain is working. | 0:15:06 | 0:15:09 | |
The wheels up here, they're just... | 0:15:09 | 0:15:11 | |
Always. 24/7. | 0:15:11 | 0:15:12 | |
No, no, 24/8. | 0:15:12 | 0:15:14 | |
An extra day in the week for my brain to work. | 0:15:14 | 0:15:16 | |
Extra. Extra work. | 0:15:16 | 0:15:18 | |
Extra! I didn't even know that was possible. | 0:15:18 | 0:15:20 | |
I can tell that they're starting to get it. | 0:15:20 | 0:15:22 | |
Once Eldon and I are done with them, | 0:15:22 | 0:15:24 | |
they're going to be a force to be reckoned with. | 0:15:24 | 0:15:26 | |
# You can disappear. # | 0:15:30 | 0:15:32 | |
Five, six, seven, eight. | 0:15:32 | 0:15:34 | |
Boom... Boom. | 0:15:34 | 0:15:36 | |
Down, and...pose. | 0:15:36 | 0:15:39 | |
Hey, OK! | 0:15:39 | 0:15:40 | |
I know our approach is really out there, | 0:15:40 | 0:15:42 | |
but these guys embraced it. | 0:15:42 | 0:15:44 | |
I'm proud of them. They've come a long way in just one day. | 0:15:44 | 0:15:48 | |
Now that we have handed the bro-torch to you guys, | 0:15:48 | 0:15:52 | |
there is one more thing to this ritual. | 0:15:52 | 0:15:54 | |
What's that? | 0:15:54 | 0:15:55 | |
What is it? | 0:15:55 | 0:15:56 | |
We have to dance. | 0:16:01 | 0:16:02 | |
OK, show us the moves you did at the competition. | 0:16:02 | 0:16:05 | |
-Yes! -Whoa! -OK, sweet. | 0:16:05 | 0:16:08 | |
MUSIC STARTS | 0:16:08 | 0:16:10 | |
What? | 0:16:17 | 0:16:19 | |
Hey! | 0:16:19 | 0:16:20 | |
Whoa! | 0:16:22 | 0:16:23 | |
No wonder these guys are two of the best in the world. | 0:16:26 | 0:16:28 | |
Everything they do is on point. | 0:16:28 | 0:16:30 | |
Hey! | 0:16:30 | 0:16:32 | |
West is a crazy inspiration to me. | 0:16:37 | 0:16:39 | |
I'm dying to show him what I've learned. | 0:16:39 | 0:16:41 | |
And, besides, I can't let him have all the fun. | 0:16:41 | 0:16:43 | |
Oh! | 0:16:47 | 0:16:48 | |
Whoa! Hey! | 0:16:49 | 0:16:50 | |
Hey! | 0:16:52 | 0:16:54 | |
I can't believe I'm dancing with these guys again. | 0:16:56 | 0:16:59 | |
It's so cool to have them back. | 0:16:59 | 0:17:01 | |
It's just like old times. | 0:17:01 | 0:17:02 | |
That was great, you guys, but I actually have some bad news. | 0:17:05 | 0:17:08 | |
Alfie was one of the dancers in the small group, | 0:17:08 | 0:17:11 | |
and his team mates deserve to know he's not coming back. | 0:17:11 | 0:17:14 | |
Alfie will not be returning to The Next Step. | 0:17:15 | 0:17:18 | |
-What? -We've done all this work, what do you mean? | 0:17:18 | 0:17:21 | |
Well, Alfie is not coming back, | 0:17:21 | 0:17:23 | |
because...he's a prince. | 0:17:23 | 0:17:26 | |
-What? -You've got to be kidding me. | 0:17:26 | 0:17:28 | |
He has royal business in Switzerland. | 0:17:28 | 0:17:31 | |
Wait, what? A prince? | 0:17:31 | 0:17:34 | |
I knew it. He had prince written all over him. | 0:17:34 | 0:17:37 | |
All this time one of my best friends was a prince and he never told me. | 0:17:37 | 0:17:42 | |
How could he keep that a secret for so long? | 0:17:42 | 0:17:44 | |
I was sworn to secrecy while he was in this country, but it's all true. | 0:17:44 | 0:17:48 | |
Well, what are we going to do? | 0:17:48 | 0:17:49 | |
Thanks to West and Eldon, we have a sick piece | 0:17:49 | 0:17:51 | |
and Alfie is supposed to be in it. | 0:17:51 | 0:17:53 | |
Great, now the whole team is panicking. | 0:17:53 | 0:17:56 | |
James would know exactly how to handle this, | 0:17:56 | 0:17:58 | |
but I cannot risk losing him again. | 0:17:58 | 0:18:00 | |
Amanda told me not to talk to James about Alfie, | 0:18:09 | 0:18:11 | |
but it's all I can think about, | 0:18:11 | 0:18:13 | |
so I'm just sitting here trying to pretend like nothing is wrong. | 0:18:13 | 0:18:16 | |
Pretty sure it's not working. | 0:18:16 | 0:18:18 | |
It's definitely not working. | 0:18:18 | 0:18:19 | |
What's wrong with you? | 0:18:21 | 0:18:23 | |
Me? Nothing. | 0:18:23 | 0:18:24 | |
-Nothing is wrong with me. -OK, Riley, I know you pretty well by now. | 0:18:24 | 0:18:27 | |
Whenever you make that face there's something wrong. | 0:18:27 | 0:18:31 | |
I am totally fine. | 0:18:31 | 0:18:33 | |
And you always make that one to cover it up. | 0:18:33 | 0:18:35 | |
I can't believe Riley has forgotten my powers of persuasion. | 0:18:38 | 0:18:42 | |
She needs a little refresher. | 0:18:42 | 0:18:44 | |
Oh, no! He's giving me the look. | 0:18:46 | 0:18:48 | |
I can never say no to the look. | 0:18:48 | 0:18:50 | |
I can see it. | 0:18:53 | 0:18:55 | |
-See what? -Whatever's going on with you. | 0:18:55 | 0:18:58 | |
You can tell me. | 0:18:59 | 0:19:00 | |
I really want to tell you because I could really use your advice, but... | 0:19:03 | 0:19:06 | |
But nothing, spill it. | 0:19:06 | 0:19:08 | |
Spill it! | 0:19:08 | 0:19:10 | |
-HIGH PITCHED VOICE: -Spill it, spill it. | 0:19:11 | 0:19:14 | |
I want to talk to you about Alfie. | 0:19:14 | 0:19:16 | |
Him. | 0:19:26 | 0:19:27 | |
-Yeah. -You want to talk about Alfie? | 0:19:29 | 0:19:32 | |
Yes. | 0:19:33 | 0:19:34 | |
Well, I did ask. | 0:19:39 | 0:19:40 | |
Look, I know he's the last person you want to talk about right now. | 0:19:42 | 0:19:46 | |
Talking about HIM is not going to be fun, | 0:19:46 | 0:19:49 | |
but Riley needs me there for her, so that's where I'll be. | 0:19:49 | 0:19:53 | |
Let's talk about it. | 0:19:53 | 0:19:55 | |
OK. Well... | 0:19:58 | 0:19:59 | |
..he left us, like for good. | 0:20:01 | 0:20:02 | |
As in, he's not going to be dancing with us at regionals, | 0:20:02 | 0:20:05 | |
but he's our strongest dancer so I have to find someone to replace him, | 0:20:05 | 0:20:07 | |
but what if we can't win without him? | 0:20:07 | 0:20:09 | |
What if we lose regionals, | 0:20:09 | 0:20:11 | |
and it's all because of me and my stupid personal drama? | 0:20:11 | 0:20:14 | |
First off, never blame yourself for hurting the team. | 0:20:15 | 0:20:17 | |
If anyone is hurting the team it's him for leaving. | 0:20:17 | 0:20:20 | |
What are we going to do without him? | 0:20:22 | 0:20:25 | |
Look, everyone on A-Troupe is here because they're great. | 0:20:25 | 0:20:28 | |
Sure, Alfie was good. | 0:20:28 | 0:20:30 | |
So is every other person. | 0:20:30 | 0:20:31 | |
You got this, I know it. | 0:20:38 | 0:20:39 | |
I love you. | 0:20:42 | 0:20:43 | |
Thank you for being there. | 0:20:43 | 0:20:44 | |
I'll always be here. | 0:20:46 | 0:20:47 | |
Just never be afraid to ask. | 0:20:50 | 0:20:51 | |
I should have never doubted that I | 0:20:51 | 0:20:53 | |
could talk to James about whatever is bothering me. | 0:20:53 | 0:20:55 | |
James is the best boyfriend. | 0:20:55 | 0:20:57 |