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Previously on... | 0:00:02 | 0:00:03 | |
Your team is disqualified, my team is going to regionals. | 0:00:03 | 0:00:06 | |
You don't have the power to disqualify me. | 0:00:06 | 0:00:08 | |
I know exactly who should be going to regionals. | 0:00:08 | 0:00:10 | |
Nobody. | 0:00:10 | 0:00:11 | |
This drama between Michelle and Emily just doesn't stop. | 0:00:11 | 0:00:14 | |
You want to go behind Michelle and Emily's backs, | 0:00:14 | 0:00:17 | |
choreograph a secret dance | 0:00:17 | 0:00:18 | |
and if we fail we'll all get kicked out of the studio forever? | 0:00:18 | 0:00:21 | |
I'm in. | 0:00:22 | 0:00:23 | |
I was able to get you an addition at Gemini. | 0:00:23 | 0:00:26 | |
What? | 0:00:26 | 0:00:27 | |
I worked so hard to unite East and West, | 0:00:27 | 0:00:30 | |
I don't know what I'm going to do now. | 0:00:30 | 0:00:32 | |
Wait, did you say Emily broke her ankle? | 0:00:39 | 0:00:41 | |
Yeah, you're actually going to have to take her to emergency. | 0:00:41 | 0:00:43 | |
I need to figure out what's going on. | 0:00:43 | 0:00:45 | |
I can't believe this is happening. | 0:00:45 | 0:00:46 | |
Emily. | 0:00:46 | 0:00:47 | |
What are you doing here? | 0:00:47 | 0:00:48 | |
I'm very busy, you have to leave. | 0:00:48 | 0:00:50 | |
Your ankle isn't broken. | 0:00:50 | 0:00:51 | |
No, what are you talking about? | 0:00:51 | 0:00:53 | |
-Ozzy said that... -Ozzy? | 0:00:53 | 0:00:54 | |
Wait, what did you do? | 0:00:54 | 0:00:55 | |
What are you doing? Open the door. | 0:00:55 | 0:00:57 | |
We dancers have some big plans and we can't have | 0:00:57 | 0:01:00 | |
Michelle and Emily interfering. | 0:01:00 | 0:01:02 | |
-Why are you doing that? -Ozzy! | 0:01:02 | 0:01:04 | |
Ozzy is in big trouble right now. | 0:01:04 | 0:01:06 | |
I can't believe he would do this. | 0:01:06 | 0:01:08 | |
Come back! | 0:01:08 | 0:01:09 | |
THEY SCREAM AND SHOUT | 0:01:11 | 0:01:12 | |
Being locked in this office with Michelle actually feels | 0:01:12 | 0:01:15 | |
like one of my worst nightmares. | 0:01:15 | 0:01:16 | |
I cannot see how we will both make it out of this unscathed. | 0:01:16 | 0:01:21 | |
# We | 0:01:21 | 0:01:23 | |
# We're gonna show the world | 0:01:23 | 0:01:24 | |
# Everything we're made of | 0:01:27 | 0:01:30 | |
# We're gonna tear the roof off this place | 0:01:30 | 0:01:38 | |
# Stand up! # | 0:01:44 | 0:01:45 | |
Right now we are just waiting for Amy to arrive | 0:02:05 | 0:02:07 | |
so we can start our first | 0:02:07 | 0:02:09 | |
rehearsal as a merged team. | 0:02:09 | 0:02:10 | |
Uniting East and West? | 0:02:12 | 0:02:13 | |
I don't know if we can pull this off. | 0:02:13 | 0:02:15 | |
But I hope so. | 0:02:15 | 0:02:17 | |
If we want to convince Miss Kate we deserve to go to regionals, | 0:02:17 | 0:02:20 | |
we have a lot of work to do. | 0:02:20 | 0:02:23 | |
Has Amy texted you yet? | 0:02:23 | 0:02:24 | |
Have you heard anything? | 0:02:24 | 0:02:25 | |
I texted her earlier, I'll go check. | 0:02:25 | 0:02:27 | |
Please. | 0:02:27 | 0:02:28 | |
It was Amy and I that came up with this whole idea | 0:02:28 | 0:02:31 | |
and I want her to be here, | 0:02:31 | 0:02:33 | |
but I don't know where she is. | 0:02:33 | 0:02:35 | |
Hey, you can't bring your phone to the studio. | 0:02:35 | 0:02:37 | |
Of course I can. | 0:02:37 | 0:02:38 | |
It's Studio A, not Studio One. | 0:02:38 | 0:02:40 | |
Get used to it, buddy. Your whole world is about to change. | 0:02:40 | 0:02:43 | |
I can't go to regionals | 0:02:43 | 0:02:44 | |
because of my brother's hockey. | 0:02:44 | 0:02:45 | |
But I'm going to do everything I can | 0:02:45 | 0:02:46 | |
to help the teams merge. | 0:02:46 | 0:02:48 | |
-She text you back? -No. I texted her | 0:02:48 | 0:02:49 | |
and she hasn't answered back. | 0:02:49 | 0:02:51 | |
So, what about we just start | 0:02:51 | 0:02:52 | |
and she'll just join in after. | 0:02:52 | 0:02:54 | |
Hey, guys. | 0:02:54 | 0:02:55 | |
Who's going to run the rehearsal today? | 0:02:55 | 0:02:57 | |
Well, now that we're merging East and West, | 0:02:57 | 0:02:59 | |
I think the dance captain | 0:02:59 | 0:03:00 | |
should lead the rehearsal. | 0:03:00 | 0:03:01 | |
What do you think, Richelle? | 0:03:02 | 0:03:03 | |
Since Amy still isn't here, | 0:03:03 | 0:03:06 | |
I guess as dance captains, | 0:03:06 | 0:03:08 | |
Piper and I should start this rehearsal. | 0:03:08 | 0:03:10 | |
OK. | 0:03:10 | 0:03:11 | |
I feel really good about the collaboration, | 0:03:11 | 0:03:13 | |
but Amy's not here | 0:03:13 | 0:03:15 | |
and I don't know where she is. | 0:03:15 | 0:03:16 | |
Look, until someone rescues me | 0:03:18 | 0:03:21 | |
from this awful situation, | 0:03:21 | 0:03:22 | |
I'm going to divide the room. | 0:03:22 | 0:03:24 | |
So you will stay on your side... | 0:03:24 | 0:03:27 | |
I... | 0:03:27 | 0:03:30 | |
..will stay on mine. | 0:03:30 | 0:03:32 | |
You're not serious, are you? | 0:03:32 | 0:03:33 | |
Tape? | 0:03:33 | 0:03:34 | |
Emily has completely lost her mind. | 0:03:34 | 0:03:36 | |
Dividing the room? | 0:03:36 | 0:03:38 | |
I'm not five years old. | 0:03:38 | 0:03:39 | |
You really can't trust me to stay on my side of the room?! | 0:03:39 | 0:03:41 | |
You're ridiculous. | 0:03:41 | 0:03:42 | |
You're the reason we're in this entire situation. | 0:03:42 | 0:03:45 | |
Here we go again, everything is my fault, isn't it? | 0:03:45 | 0:03:47 | |
-Everything. -Well, if you hadn't... | 0:03:47 | 0:03:49 | |
..if you hadn't started your own studio, | 0:03:49 | 0:03:51 | |
Miss Kate would have never had to cancel regionals | 0:03:51 | 0:03:54 | |
and we wouldn't be locked in this office together. | 0:03:54 | 0:03:56 | |
If you hadn't cut some of the most amazing dancers, | 0:03:56 | 0:03:59 | |
I would not have had to start my own team. | 0:03:59 | 0:04:01 | |
Miss Kate would have never cancelled regionals, | 0:04:01 | 0:04:03 | |
and we would not be in this situation. | 0:04:03 | 0:04:04 | |
That's a bit of a stretch. | 0:04:06 | 0:04:08 | |
Just pass me my tea please. | 0:04:11 | 0:04:13 | |
This? | 0:04:13 | 0:04:14 | |
It's on my side of the room. | 0:04:16 | 0:04:18 | |
Sorry. | 0:04:18 | 0:04:19 | |
I don't know how I'm going to make it through this day. | 0:04:19 | 0:04:22 | |
It's for your mouth. | 0:04:28 | 0:04:30 | |
Let me know if you need a bigger piece. | 0:04:30 | 0:04:32 | |
Five, six, seven, eight. | 0:04:41 | 0:04:42 | |
Go one, two, three and four. And five, six, seven, eight... | 0:04:42 | 0:04:45 | |
-NOAH: -Right now, Richelle is taking us | 0:04:45 | 0:04:47 | |
through some of the choreography and doing it | 0:04:47 | 0:04:49 | |
over and over and over again to make sure it's crispy clear. | 0:04:49 | 0:04:53 | |
I mean, at first it was hard to kind of | 0:04:53 | 0:04:55 | |
include all of the groovy and then more of the technique, | 0:04:55 | 0:04:58 | |
but now we're kind of mixing in | 0:04:58 | 0:04:59 | |
and it's becoming pretty awesome actually. | 0:04:59 | 0:05:02 | |
It feels amazing to be rehearsing again. | 0:05:02 | 0:05:04 | |
And this Troupe is insane. | 0:05:04 | 0:05:06 | |
The TNS West dancers bring a really fun vibe to our team. | 0:05:06 | 0:05:09 | |
Just the contrast of contemporary and hip-hop works well together. | 0:05:09 | 0:05:12 | |
I love working with TNS East because they're technical dancers | 0:05:12 | 0:05:16 | |
and having this combined group of | 0:05:16 | 0:05:17 | |
different, unique dancers is just incredible. | 0:05:17 | 0:05:20 | |
Good. Is our arm going to come up before shh | 0:05:21 | 0:05:23 | |
or does it go straight up? | 0:05:23 | 0:05:24 | |
-No, it just goes straight. -It's straight. | 0:05:24 | 0:05:26 | |
I think the merged troop | 0:05:26 | 0:05:27 | |
is going really well. | 0:05:27 | 0:05:29 | |
But, I have got something that will make | 0:05:29 | 0:05:31 | |
the dance better. | 0:05:31 | 0:05:32 | |
You know what? | 0:05:32 | 0:05:33 | |
Guys, guys. | 0:05:33 | 0:05:34 | |
I have a brilliant idea. | 0:05:34 | 0:05:37 | |
You might want to prepare yourselves for this. | 0:05:37 | 0:05:39 | |
Ozzy has something to say. | 0:05:39 | 0:05:40 | |
We don't have time for jokes right now. | 0:05:40 | 0:05:42 | |
It has to be 100% serious. | 0:05:42 | 0:05:44 | |
I think we should create a human chain so we can lock it down. | 0:05:44 | 0:05:48 | |
-OK... -Chain style. | 0:05:48 | 0:05:50 | |
Locking it down chain style? | 0:05:50 | 0:05:52 | |
What does that even mean? | 0:05:52 | 0:05:53 | |
Ozzy's idea of linking arms, that's amazing. | 0:05:53 | 0:05:57 | |
This move will show that both teams are coming together as one. | 0:05:57 | 0:06:00 | |
No-one's listening to him though. | 0:06:00 | 0:06:02 | |
OK, OK, hang on, hang on. So if we all get into a line, right? | 0:06:02 | 0:06:05 | |
And then we all just... | 0:06:05 | 0:06:06 | |
Bop, bop, bop. | 0:06:06 | 0:06:09 | |
It would look so sick if we got that. Oh, yeah. | 0:06:09 | 0:06:12 | |
-Yeah, that's such a good idea. -That's a great idea. -Hold on. | 0:06:12 | 0:06:14 | |
Josh is saying the exact same idea I had | 0:06:14 | 0:06:17 | |
and they love it. | 0:06:17 | 0:06:18 | |
What's up with that? | 0:06:18 | 0:06:20 | |
I feel for Ozzy. | 0:06:20 | 0:06:21 | |
I mean, he's trying, but no-one's taking them seriously. | 0:06:21 | 0:06:24 | |
OK, guys, get back to your spaces. | 0:06:24 | 0:06:26 | |
Amy's not here. | 0:06:26 | 0:06:28 | |
Why is there a space there? | 0:06:28 | 0:06:29 | |
We need to put a dancer in her spot. | 0:06:29 | 0:06:32 | |
Look, Richelle, I hate to admit it, | 0:06:32 | 0:06:34 | |
but I think we need to re-choreograph. | 0:06:34 | 0:06:36 | |
We need to have a backup so we need | 0:06:36 | 0:06:38 | |
to change some choreo and spacing. | 0:06:38 | 0:06:40 | |
Emily and Michelle could come out of Studio One any second. | 0:06:40 | 0:06:43 | |
If we start to change this dance, it could become a mess. | 0:06:43 | 0:06:46 | |
I don't, I don't think we should risk it. | 0:06:46 | 0:06:48 | |
-There's your girl. -OK. -Hey. | 0:06:50 | 0:06:52 | |
OK, from the top. | 0:06:52 | 0:06:54 | |
Where have you been? | 0:06:54 | 0:06:56 | |
I think I had food poisoning or something this morning. | 0:06:56 | 0:06:59 | |
-I'm better now. -OK. | 0:06:59 | 0:07:01 | |
Well, there's a spot open for you, so get practising. | 0:07:01 | 0:07:04 | |
I'm really worried, | 0:07:05 | 0:07:07 | |
I just finished my audition at the Geminis | 0:07:07 | 0:07:09 | |
and it went really well. | 0:07:09 | 0:07:11 | |
If I get in, | 0:07:11 | 0:07:12 | |
my mom will definitely make me leave The Next Step. | 0:07:12 | 0:07:15 | |
I'm going to check up on Ozzy right now | 0:07:31 | 0:07:32 | |
because it seems like something's up. | 0:07:32 | 0:07:34 | |
When we were in rehearsal, | 0:07:34 | 0:07:36 | |
he actually gave a really good idea | 0:07:36 | 0:07:37 | |
and nobody seemed to really listen to him. | 0:07:37 | 0:07:40 | |
You all good, bro? | 0:07:40 | 0:07:41 | |
Noah, how come no-one takes me seriously? | 0:07:42 | 0:07:45 | |
Yeah, I noticed that. | 0:07:45 | 0:07:47 | |
How come when Josh pitches an idea, | 0:07:47 | 0:07:48 | |
everybody thinks it's great? | 0:07:48 | 0:07:50 | |
When I say the exact same thing, | 0:07:50 | 0:07:52 | |
everybody thinks it's a joke?! | 0:07:52 | 0:07:54 | |
Well, sometimes you | 0:07:54 | 0:07:56 | |
come across a little bit silly. | 0:07:56 | 0:07:58 | |
I can't help it, that's just the way I am. | 0:07:58 | 0:07:59 | |
Hey, I get it. But, | 0:07:59 | 0:08:01 | |
if you're silly and joking around all the time, | 0:08:01 | 0:08:04 | |
nobody will ever take you seriously. | 0:08:04 | 0:08:06 | |
I feel for Ozzy, | 0:08:06 | 0:08:07 | |
cos when I was in J-Troupe, | 0:08:07 | 0:08:08 | |
I mean I was young and no-one really listened to me. | 0:08:08 | 0:08:11 | |
But, he's got to know that things will get better. | 0:08:11 | 0:08:14 | |
He's just got to keep trying. | 0:08:14 | 0:08:15 | |
They want serious, | 0:08:15 | 0:08:17 | |
I'll give them serious. | 0:08:17 | 0:08:19 | |
Thanks, man. | 0:08:19 | 0:08:20 | |
Hey, any time, bro. | 0:08:20 | 0:08:23 | |
TNS East has a nice locker room. | 0:08:23 | 0:08:25 | |
Maybe if the merge works out, | 0:08:25 | 0:08:27 | |
I can get one of these lockers. | 0:08:27 | 0:08:29 | |
I guarantee it. You know what? | 0:08:29 | 0:08:32 | |
Let's get back in there and you show them what you've got. | 0:08:32 | 0:08:34 | |
-All right. Let's go. -Let's do it, bro. | 0:08:34 | 0:08:36 | |
I'm so hungry. | 0:08:46 | 0:08:47 | |
I need to eat something. | 0:08:47 | 0:08:49 | |
Well, I have this plate of crackers. | 0:08:50 | 0:08:52 | |
Can I have one? | 0:08:52 | 0:08:53 | |
No. They're on my side of the room. | 0:08:53 | 0:08:55 | |
It looks like Emily isn't going to try to make nice. | 0:08:58 | 0:09:01 | |
So, I guess it's up to me. | 0:09:01 | 0:09:03 | |
Emily, remember when WE won regionals? | 0:09:03 | 0:09:06 | |
That was such a huge moment for The Next Step. | 0:09:06 | 0:09:08 | |
That's like where it all began. | 0:09:08 | 0:09:10 | |
That's the day Eldon told me | 0:09:10 | 0:09:12 | |
he wanted to be with you instead of me, | 0:09:12 | 0:09:13 | |
so I actually danced that routine | 0:09:13 | 0:09:15 | |
with a broken heart. | 0:09:15 | 0:09:16 | |
OK. | 0:09:18 | 0:09:20 | |
Have we ever had any good moments with each other? | 0:09:20 | 0:09:23 | |
In this friendship? | 0:09:23 | 0:09:24 | |
Friendship? | 0:09:24 | 0:09:26 | |
We're not friends. | 0:09:26 | 0:09:27 | |
You know, my life was pretty great | 0:09:29 | 0:09:30 | |
before you walked into Studio A. | 0:09:30 | 0:09:32 | |
That's because you decided to hate me the moment | 0:09:32 | 0:09:34 | |
I walked into Studio A. | 0:09:34 | 0:09:35 | |
I just knew you were trouble the second I saw you. | 0:09:35 | 0:09:38 | |
Seriously, why have you always had it out for me? | 0:09:38 | 0:09:40 | |
I've done nothing to you. | 0:09:40 | 0:09:42 | |
I'm upset with Michelle | 0:09:42 | 0:09:44 | |
because she ruins everything | 0:09:44 | 0:09:47 | |
and then doesn't even | 0:09:47 | 0:09:48 | |
feel the need to apologise. | 0:09:48 | 0:09:50 | |
You know, your life comes so easy to you. | 0:09:51 | 0:09:54 | |
I worked really hard to make it | 0:09:55 | 0:09:57 | |
from J-Troupe to B-Troupe to A-Troupe. | 0:09:57 | 0:09:59 | |
And you just waltzed in, | 0:09:59 | 0:10:00 | |
barely auditioned | 0:10:00 | 0:10:02 | |
and made the team. | 0:10:02 | 0:10:04 | |
You wanted a team | 0:10:04 | 0:10:05 | |
so Miss Kate gave you a team. | 0:10:05 | 0:10:07 | |
Do you even know how many hoops | 0:10:08 | 0:10:10 | |
I had to jump through | 0:10:10 | 0:10:11 | |
to become studio head? | 0:10:11 | 0:10:13 | |
I've worked really hard | 0:10:14 | 0:10:16 | |
for everything I had. | 0:10:16 | 0:10:19 | |
So can you imagine if you | 0:10:20 | 0:10:22 | |
had a you in your life? | 0:10:22 | 0:10:24 | |
Michelle just doesn't get it. | 0:10:24 | 0:10:27 | |
And the thing is, she never will. | 0:10:27 | 0:10:29 | |
Because she's always going to be Michelle. | 0:10:29 | 0:10:32 | |
Even that stupid mug ended up on your side of the room. | 0:10:33 | 0:10:36 | |
In my own office. | 0:10:36 | 0:10:38 | |
I never really thought of it from Emily's perspective. | 0:10:39 | 0:10:43 | |
But, if I were to put myself in Emily's shoes, | 0:10:43 | 0:10:46 | |
I guess I now see where she's coming from. | 0:10:46 | 0:10:49 | |
Now it all makes sense. | 0:10:49 | 0:10:50 | |
Here. | 0:10:55 | 0:10:57 | |
It's cold. | 0:11:03 | 0:11:05 | |
Five, six, seven, eight. | 0:11:09 | 0:11:11 | |
Hold, one, two, three, four. | 0:11:11 | 0:11:13 | |
Good, use that plie, Zara. | 0:11:13 | 0:11:16 | |
Great, great, Zara. | 0:11:16 | 0:11:19 | |
Everyone is working hard and the dance is pretty good. | 0:11:19 | 0:11:21 | |
But pretty good isn't enough. | 0:11:21 | 0:11:24 | |
The stakes are super high | 0:11:24 | 0:11:25 | |
and we need to bring our best. | 0:11:25 | 0:11:27 | |
OK. Stop. | 0:11:27 | 0:11:29 | |
Sorry. | 0:11:29 | 0:11:30 | |
The dance isn't really looking bad, | 0:11:30 | 0:11:32 | |
I just, I think it needs something. | 0:11:32 | 0:11:35 | |
Something that Miss Kate hasn't seen before. | 0:11:35 | 0:11:37 | |
Yeah, something special. | 0:11:37 | 0:11:39 | |
I have an idea. | 0:11:39 | 0:11:40 | |
-JACQUIE: -Here we go again. | 0:11:40 | 0:11:42 | |
Ozzy pitching another silly idea. | 0:11:42 | 0:11:44 | |
I can't deal with this right now. | 0:11:44 | 0:11:46 | |
Ozzy, we don't have time for jokes right now. | 0:11:46 | 0:11:48 | |
Richelle, this isn't a joke. | 0:11:48 | 0:11:49 | |
A-Troupe is about to meet | 0:11:49 | 0:11:51 | |
Mr Serious. | 0:11:51 | 0:11:53 | |
I think Amy and Henry should do an acro and B-Boy mashup. | 0:11:53 | 0:11:56 | |
-Yeah. -Yeah. | 0:11:56 | 0:11:59 | |
That's actually an incredible idea. | 0:11:59 | 0:12:00 | |
Yeah, that's exactly what this dance needs. | 0:12:00 | 0:12:03 | |
I'm impressed. | 0:12:03 | 0:12:04 | |
I think that this idea is going to work. | 0:12:04 | 0:12:07 | |
-Good job, Ozzy. -Yo, Ozzy, that's sick. | 0:12:07 | 0:12:09 | |
Pretty great. | 0:12:09 | 0:12:10 | |
I like your moves, Oz. | 0:12:11 | 0:12:13 | |
I know it. | 0:12:13 | 0:12:15 | |
-And he's back. -OK... | 0:12:15 | 0:12:17 | |
Ozzy McSerious. | 0:12:17 | 0:12:19 | |
Five, six, seven, eight. | 0:12:19 | 0:12:21 | |
Go one, two, three, and four, and five. | 0:12:21 | 0:12:23 | |
This plan actually seems to be working. | 0:12:23 | 0:12:25 | |
I can't wait to show Miss Kate. | 0:12:26 | 0:12:29 | |
We have given up any hope of being rescued at all. | 0:12:35 | 0:12:38 | |
Emily is now picking at the lock | 0:12:38 | 0:12:40 | |
which is not going to work. | 0:12:40 | 0:12:41 | |
We're doomed. | 0:12:41 | 0:12:43 | |
ARGH. | 0:12:43 | 0:12:44 | |
You know, if you do this, | 0:12:46 | 0:12:48 | |
it would probably just pop right open. | 0:12:48 | 0:12:50 | |
I really have no patience for Emily's comments any more. | 0:12:51 | 0:12:54 | |
I'm done with this. | 0:12:54 | 0:12:56 | |
You know what, Emily? | 0:12:56 | 0:12:57 | |
You have no idea what I have gone through. | 0:12:59 | 0:13:02 | |
I moved away from all of my friends | 0:13:02 | 0:13:04 | |
to come to The Next Step, | 0:13:04 | 0:13:06 | |
only for my parents to get divorced | 0:13:06 | 0:13:07 | |
which was the hardest thing of my entire life. | 0:13:07 | 0:13:10 | |
You've had the support of your family this entire time, | 0:13:11 | 0:13:14 | |
including your sister Riley. | 0:13:14 | 0:13:15 | |
I have no siblings, I have no-one to turn to. | 0:13:16 | 0:13:19 | |
So don't try and act like you know what I'm going through. | 0:13:21 | 0:13:25 | |
Hearing Michelle lay out for me what she's gone through... | 0:13:25 | 0:13:28 | |
..is surprising because I have | 0:13:30 | 0:13:31 | |
never really thought about it from her point of view. | 0:13:31 | 0:13:35 | |
I realise it might not have been as easy for her | 0:13:35 | 0:13:38 | |
as I originally thought. | 0:13:38 | 0:13:40 | |
I'd offer you a cracker but they're very dry. | 0:13:40 | 0:13:42 | |
It's OK, I'm not hungry anyways. | 0:13:43 | 0:13:45 | |
Do you want help? | 0:13:46 | 0:13:47 | |
Yeah. | 0:13:49 | 0:13:50 | |
You know, | 0:13:56 | 0:13:57 | |
I got locked in a closet one time | 0:13:57 | 0:13:59 | |
and I promised myself | 0:13:59 | 0:14:00 | |
it would never happen again. | 0:14:00 | 0:14:01 | |
Working together with Michelle to unlock the door is... | 0:14:01 | 0:14:05 | |
..an interesting feeling, | 0:14:05 | 0:14:07 | |
but I guess we both do have a common goal, so... | 0:14:07 | 0:14:10 | |
Hopefully it works. | 0:14:10 | 0:14:12 | |
Just push up on three, OK? | 0:14:12 | 0:14:13 | |
One, two, three. | 0:14:13 | 0:14:15 | |
-We got it. -We did it. | 0:14:16 | 0:14:18 | |
Let's go teach those dancers a lesson. | 0:14:20 | 0:14:22 | |
Let's go. | 0:14:22 | 0:14:23 | |
One, two, three and four and five, six, seven, eight. | 0:14:27 | 0:14:31 | |
And one and two and three and four and five... | 0:14:31 | 0:14:33 | |
PHONE BUZZES | 0:14:33 | 0:14:35 | |
..seven and eight. One, two, three and four and five, six, seven, eight | 0:14:35 | 0:14:38 | |
and one and two and three | 0:14:38 | 0:14:39 | |
and four and five, six, seven and eight and one and two... | 0:14:39 | 0:14:42 | |
I just found out that I got in. | 0:14:42 | 0:14:43 | |
That's it. | 0:14:44 | 0:14:46 | |
My mom is going to make me go to the Geminis. | 0:14:46 | 0:14:48 | |
Whether I like it or not. | 0:14:48 | 0:14:50 | |
When I get my hands on my team... | 0:14:58 | 0:15:00 | |
Oh, just wait until I talk to mine... | 0:15:00 | 0:15:02 | |
Emily, Michelle. | 0:15:02 | 0:15:04 | |
-BOTH: -Miss Kate. | 0:15:04 | 0:15:06 | |
What is she doing here? | 0:15:06 | 0:15:07 | |
She's not supposed to be here. | 0:15:07 | 0:15:08 | |
I didn't know she was going to be here. | 0:15:08 | 0:15:10 | |
I have no idea what's happening right now, | 0:15:10 | 0:15:12 | |
but I need to act cool and professional. | 0:15:12 | 0:15:15 | |
-Hi. -Hi. | 0:15:15 | 0:15:16 | |
Hi, guys. | 0:15:16 | 0:15:17 | |
Wow, I'm so happy that | 0:15:17 | 0:15:19 | |
you're together and hanging out again. | 0:15:19 | 0:15:21 | |
-Yeah. -Wow. | 0:15:21 | 0:15:23 | |
I didn't want Emily and Michelle to be here | 0:15:23 | 0:15:25 | |
because the whole plan was | 0:15:25 | 0:15:27 | |
to show Miss Kate that we can work together. And... | 0:15:27 | 0:15:30 | |
..if Michelle and Emily start fighting, | 0:15:30 | 0:15:32 | |
that could ruin everything. | 0:15:32 | 0:15:33 | |
Um, Emily, we were... | 0:15:34 | 0:15:37 | |
..talking with Miss Kate | 0:15:37 | 0:15:39 | |
about yours and Michelle's brilliant idea | 0:15:39 | 0:15:41 | |
to put this whole team together. | 0:15:41 | 0:15:43 | |
DANCERS AGREE | 0:15:43 | 0:15:45 | |
We can't wait to show you two besties | 0:15:45 | 0:15:47 | |
the fruit of your hard work. | 0:15:47 | 0:15:49 | |
-Yeah. -Yeah. -Yeah. | 0:15:49 | 0:15:50 | |
Well, I'm very interested to see this. | 0:15:50 | 0:15:53 | |
-So let's do it. -Great. | 0:15:53 | 0:15:54 | |
This is it. | 0:15:54 | 0:15:55 | |
We just have to show Miss Kate that, | 0:15:55 | 0:15:57 | |
regardless of Michelle and Emily, | 0:15:57 | 0:16:00 | |
we can do this. | 0:16:00 | 0:16:01 | |
And we can be a team. | 0:16:01 | 0:16:02 | |
This better be good. | 0:16:02 | 0:16:03 | |
No, great. | 0:16:03 | 0:16:05 | |
No... | 0:16:05 | 0:16:06 | |
Amazing. | 0:16:06 | 0:16:08 | |
Stand Up is The Next Step's song. | 0:16:15 | 0:16:17 | |
So we're dancing to it to show Miss Kate | 0:16:17 | 0:16:20 | |
that we are the new A-Troupe. | 0:16:20 | 0:16:22 | |
# We | 0:16:22 | 0:16:24 | |
# We are going to show the world... # | 0:16:24 | 0:16:28 | |
Nice. | 0:16:28 | 0:16:29 | |
# Everything we're made of | 0:16:29 | 0:16:32 | |
# We're going to tear the roof off this place | 0:16:32 | 0:16:37 | |
# You | 0:16:37 | 0:16:39 | |
# You can never fade us out | 0:16:39 | 0:16:43 | |
# Don't even ask the DJ | 0:16:43 | 0:16:46 | |
# Everybody knows we own this sound | 0:16:46 | 0:16:52 | |
# Stand up! | 0:16:58 | 0:16:59 | |
# Yeah, yeah, yeah | 0:17:03 | 0:17:06 | |
# So, you say you want to party? | 0:17:06 | 0:17:08 | |
# Say you want to hit the floor? | 0:17:08 | 0:17:09 | |
# Why, well, let's get it started | 0:17:09 | 0:17:11 | |
# Come on, everybody, let's go | 0:17:11 | 0:17:13 | |
# So we got the feeling | 0:17:13 | 0:17:15 | |
# Put your hands to the ceiling | 0:17:15 | 0:17:16 | |
# So we got the feeling | 0:17:16 | 0:17:18 | |
# Put your hands to the ceiling... # | 0:17:18 | 0:17:21 | |
-JACQUIE: -Dancing with everyone makes me feel so joyful. | 0:17:21 | 0:17:24 | |
I couldn't ask for anything better. | 0:17:24 | 0:17:27 | |
# Now rock to the rhythm with a bass and a drum | 0:17:27 | 0:17:29 | |
# Get lost in the rhythm | 0:17:29 | 0:17:31 | |
# Yeah, action, this my scene | 0:17:31 | 0:17:32 | |
# We all got dreams and I'm chasing the one | 0:17:32 | 0:17:34 | |
# You | 0:17:34 | 0:17:36 | |
# You just need a little time... # | 0:17:36 | 0:17:37 | |
The choreo feels great. | 0:17:37 | 0:17:38 | |
I feel like I'm killing it | 0:17:38 | 0:17:40 | |
and everybody else is too. | 0:17:40 | 0:17:41 | |
# To reason with your feelings | 0:17:41 | 0:17:44 | |
# Until you leave them behind | 0:17:44 | 0:17:48 | |
# You | 0:17:48 | 0:17:51 | |
# You will see what's on my side | 0:17:51 | 0:17:55 | |
# And wish it were the weekend | 0:17:55 | 0:17:59 | |
# You could always jump in this sound... # | 0:17:59 | 0:18:00 | |
-AMY: -This dance means everything. | 0:18:00 | 0:18:02 | |
It means that Piper and I were able to | 0:18:02 | 0:18:04 | |
combine both teams and | 0:18:04 | 0:18:06 | |
show Miss Kate that | 0:18:06 | 0:18:08 | |
we all share the same passion. | 0:18:08 | 0:18:10 | |
-# Stand up! -Tell Jess and Vanessa to hit me at the jam | 0:18:10 | 0:18:12 | |
# They both showed up | 0:18:12 | 0:18:13 | |
# Now I'm chilling with my man Oh, wow, this music's so loud | 0:18:13 | 0:18:15 | |
# This party's too packed to move through this crowd... # | 0:18:15 | 0:18:18 | |
-PIPER: -I knew that this merge of | 0:18:18 | 0:18:19 | |
TNS East and TNS West was the right thing to do. | 0:18:19 | 0:18:21 | |
I can feel it. | 0:18:21 | 0:18:22 | |
# Count to ten, I've got a couple moves I could hand you down it goes | 0:18:22 | 0:18:25 | |
-# One step -One step -Two step -Two step | 0:18:25 | 0:18:27 | |
-# Next Step -This step -You step -Let's go | 0:18:27 | 0:18:29 | |
# First me, then what? Who step? Let's go | 0:18:29 | 0:18:30 | |
# That's you What you want to do next? | 0:18:30 | 0:18:32 | |
# Look, keep your body moving with a attitude | 0:18:32 | 0:18:34 | |
# Add a new angle that you know from the avenue | 0:18:34 | 0:18:36 | |
-# Show people your altitude -Jump! | 0:18:36 | 0:18:37 | |
# All night till you're practically done | 0:18:37 | 0:18:39 | |
# We'll be back and let's have some fun | 0:18:39 | 0:18:41 | |
# We | 0:18:41 | 0:18:42 | |
# We are going to show the world | 0:18:42 | 0:18:43 | |
# Show the world | 0:18:43 | 0:18:45 | |
# Everything we're made of... # | 0:18:45 | 0:18:47 | |
-LOLA: -I am so proud of everybody. | 0:18:47 | 0:18:48 | |
I really feel that we're a unified team | 0:18:48 | 0:18:50 | |
and I hope that Miss Kate sees the same thing. | 0:18:50 | 0:18:53 | |
# We... # | 0:18:53 | 0:18:55 | |
-NOAH: -I don't know if this plan is going to work | 0:18:55 | 0:18:57 | |
but I do know that we do fit as a team. | 0:18:57 | 0:19:00 | |
# Everything we're made of | 0:19:00 | 0:19:01 | |
# We're going to tear the roof off this place... # | 0:19:01 | 0:19:03 | |
HENRY: This is what happens when everyone works together. | 0:19:03 | 0:19:06 | |
This is what A-Troupe | 0:19:06 | 0:19:07 | |
is supposed to look like. | 0:19:07 | 0:19:08 | |
ALL: Stand up! | 0:19:15 | 0:19:17 | |
You guys, that was amazing. | 0:19:18 | 0:19:22 | |
Watching our teams dance together, I can't help | 0:19:22 | 0:19:24 | |
but think that Emily and I held back everyone this whole time. | 0:19:24 | 0:19:27 | |
I let my rivalry with Michelle affect the team. | 0:19:27 | 0:19:31 | |
And, once we were both out of the picture, | 0:19:31 | 0:19:33 | |
they had no problem fixing their differences. | 0:19:33 | 0:19:35 | |
I could tell when you were performing that you | 0:19:35 | 0:19:37 | |
remembered why you loved to dance in the first place. | 0:19:37 | 0:19:39 | |
So, does that mean that we can submit a video for Regionals? | 0:19:39 | 0:19:42 | |
Well... | 0:19:42 | 0:19:43 | |
You are my 12 A-Troupe, so... | 0:19:43 | 0:19:46 | |
Yes. | 0:19:46 | 0:19:48 | |
I can't believe it. | 0:19:48 | 0:19:50 | |
Amy and I brought everyone together and our plan worked. | 0:19:50 | 0:19:53 | |
Now, we're unstoppable. | 0:19:53 | 0:19:55 | |
No more TNS East, no more TNS West. | 0:19:55 | 0:19:58 | |
Just The Next Step. | 0:19:58 | 0:20:00 | |
Honestly, thank you guys so much for putting your differences aside. | 0:20:03 | 0:20:06 | |
Clearly, when you work together as a team, | 0:20:06 | 0:20:08 | |
you bring out the best in your dancers. | 0:20:08 | 0:20:10 | |
I'm so excited to see what you're going to do as co-studio heads. | 0:20:10 | 0:20:14 | |
-Thanks. -Thank you. | 0:20:14 | 0:20:15 | |
So, it looks like we'll be working together after all. | 0:20:17 | 0:20:20 | |
Yeah. | 0:20:20 | 0:20:21 | |
It's not going to be easy. | 0:20:21 | 0:20:23 | |
I agree. | 0:20:23 | 0:20:24 | |
But this is something that the team deserves. | 0:20:24 | 0:20:26 | |
If I can survive being in a locked office with Emily... | 0:20:26 | 0:20:30 | |
..I'm pretty sure we can make this work. | 0:20:30 | 0:20:32 | |
It's time for us to come together. | 0:20:32 | 0:20:34 | |
Let's do this. | 0:20:34 | 0:20:36 | |
Co-studio heads. | 0:20:36 | 0:20:38 | |
Co-studio heads. | 0:20:38 | 0:20:39 | |
DANCERS CHEER | 0:20:39 | 0:20:40 | |
-I can't believe it. -I know, I can't believe it either. | 0:20:40 | 0:20:43 | |
Oh, I can't wait to compete with you. | 0:20:43 | 0:20:44 | |
I just realised that | 0:20:44 | 0:20:46 | |
I'm going to be competing | 0:20:46 | 0:20:47 | |
against my friends at Regionals. | 0:20:47 | 0:20:49 | |
This is not good. | 0:20:52 | 0:20:53 | |
# We | 0:20:57 | 0:20:59 | |
# We are going to show the world | 0:20:59 | 0:21:03 | |
# Everything we're made of | 0:21:03 | 0:21:06 | |
# We're going to tear the roof off this place | 0:21:06 | 0:21:11 | |
# You | 0:21:11 | 0:21:13 | |
# You can never fade us out | 0:21:13 | 0:21:17 | |
# Don't even ask the DJ | 0:21:17 | 0:21:21 | |
# Everybody knows we own this sound... # | 0:21:21 | 0:21:26 |