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You know what? I've worked with Craig David, yeah? | 3:29:38 | 3:29:40 | |
I've worked with Ella Eyre, I've worked with Calum Scott, | 3:29:40 | 3:29:43 | |
I think I know a thing or two about the music business! | 3:29:43 | 3:29:46 | |
So, right now, it's time for a collaboration. | 3:29:46 | 3:29:48 | |
# This is the... This is the... | 3:29:48 | 3:29:50 | |
-# One! -GUNSHOT | 3:29:50 | 3:29:51 | |
TRUMPET FANFARE | 3:29:51 | 3:29:52 | |
FART | 3:29:52 | 3:29:54 | |
THEME TUNE | 3:29:54 | 3:29:55 | |
# This is The Playlist! # | 3:30:07 | 3:30:09 | |
Welcome to the Jonas Blue playlist. | 3:30:09 | 3:30:11 | |
-She's Lauren. -He is Jonas Blue, friend of The Playlist. | 3:30:11 | 3:30:14 | |
Now, since we last saw you, you have had another birthday. | 3:30:14 | 3:30:17 | |
-I have had another birthday. -You've had two platinum singles. | 3:30:17 | 3:30:19 | |
-Yep. -And you've sold over a million records of your single Mama. | 3:30:19 | 3:30:24 | |
# Hey, mama, don't stress your mind | 3:30:24 | 3:30:26 | |
# We coming home tonight... # | 3:30:26 | 3:30:28 | |
-I mean, you've had quite the year, my friend. -It's been a busy year. | 3:30:28 | 3:30:31 | |
Yeah. And... I don't know what I'm saying now. | 3:30:31 | 3:30:34 | |
SHE SQUEALS | 3:30:34 | 3:30:35 | |
I want to know more, please. | 3:30:35 | 3:30:36 | |
Well, we're going to check out the 20 second Jonas Blue download. | 3:30:36 | 3:30:40 | |
He's had over a billion views online. | 3:30:40 | 3:30:43 | |
He's worked with Raye, JP Cooper, and Ellie Goulding. | 3:30:43 | 3:30:47 | |
# Hey Mama... # | 3:30:47 | 3:30:48 | |
And he's even hosted his very own Playlist. | 3:30:48 | 3:30:52 | |
# If we could go back... # | 3:30:52 | 3:30:53 | |
Back for more, this week's Playlist host is... | 3:30:53 | 3:30:56 | |
Jonas Blue! CHEERING | 3:30:56 | 3:30:58 | |
Yeah! | 3:30:58 | 3:30:59 | |
-OK, Jonas, you are all about the collaboration. -Yes. | 3:31:00 | 3:31:03 | |
So, I've been thinking, right, why don't we combine, like, | 3:31:03 | 3:31:07 | |
my amazing voice | 3:31:07 | 3:31:08 | |
with your awesome, like, produceriness, | 3:31:08 | 3:31:11 | |
and make some music, yeah? | 3:31:11 | 3:31:13 | |
-I mean, this doesn't sound... -Ah, cool! | 3:31:13 | 3:31:15 | |
Let's just do the beat, shall we? Hit the beat! | 3:31:15 | 3:31:17 | |
SYNCOPATED DRUMBEAT Yeah! | 3:31:17 | 3:31:18 | |
-What you saying? Yeah. -Feeling this. | 3:31:18 | 3:31:20 | |
-Yeah? You feeling it? -It's good, this is good. | 3:31:20 | 3:31:22 | |
What about if I throw in in a bit of this? | 3:31:22 | 3:31:24 | |
WOOF | 3:31:24 | 3:31:25 | |
-WOOFING -That works. | 3:31:26 | 3:31:28 | |
Oh, missed it... MOO | 3:31:28 | 3:31:29 | |
Ooh, there's a cow! | 3:31:29 | 3:31:30 | |
LAUGHTER Oh, who knew? | 3:31:30 | 3:31:32 | |
Who knew there was a cow in there? | 3:31:32 | 3:31:33 | |
WOOFS | 3:31:33 | 3:31:35 | |
Go on, press that little dog one. | 3:31:35 | 3:31:36 | |
WOOFING | 3:31:36 | 3:31:37 | |
What do you think? Next single? | 3:31:37 | 3:31:39 | |
It could work. | 3:31:40 | 3:31:41 | |
MOO | 3:31:42 | 3:31:43 | |
So, whilst Lauren gets on with that, | 3:31:43 | 3:31:45 | |
we're going to go over to Radio One's Greg James. | 3:31:45 | 3:31:48 | |
Greg, please help me out. | 3:31:48 | 3:31:50 | |
Er, Jonas, | 3:31:50 | 3:31:51 | |
if you wanted some sick beats, | 3:31:51 | 3:31:53 | |
you really should have come to me. | 3:31:53 | 3:31:55 | |
-EDM DROP -This is one example. | 3:31:56 | 3:31:58 | |
Have you got the chart, Greg? | 3:31:58 | 3:31:59 | |
Come on. | 3:31:59 | 3:32:00 | |
COLLECTION OF RANDOM SAMPLES | 3:32:00 | 3:32:04 | |
There's another one. | 3:32:05 | 3:32:06 | |
And... | 3:32:08 | 3:32:09 | |
..for my finale... | 3:32:09 | 3:32:10 | |
LIGHT SCREAMO | 3:32:11 | 3:32:14 | |
Anyway, enough of this. Let's do the chart. | 3:32:14 | 3:32:17 | |
# Put your arms all around it | 3:32:17 | 3:32:18 | |
# Take it now that you've found it... # | 3:32:18 | 3:32:20 | |
-Ten. -This is Mabel and Kojo Funds, | 3:32:20 | 3:32:23 | |
Finders Keepers. | 3:32:23 | 3:32:24 | |
# It's finders keepers. | 3:32:24 | 3:32:26 | |
# Put your arms all around it | 3:32:26 | 3:32:27 | |
# Take it now that you found it... # | 3:32:27 | 3:32:30 | |
-Nine. -Zayn picked up the EMA for Best Look this week. | 3:32:32 | 3:32:36 | |
This is his song with Sia, | 3:32:36 | 3:32:37 | |
it's called Dusk Till Dawn. | 3:32:37 | 3:32:38 | |
# My guy, he's got the Frisbee... # | 3:32:40 | 3:32:42 | |
-Eight. -Brand-new into the Top 10 this week, | 3:32:42 | 3:32:45 | |
it's Big Shaq with Man's Not Hot. | 3:32:45 | 3:32:48 | |
# Hold tight, my girl Whitney | 3:32:48 | 3:32:50 | |
# I'm on the road doing 10 toes | 3:32:50 | 3:32:52 | |
# Like my toes. # | 3:32:52 | 3:32:53 | |
# So high... # | 3:32:53 | 3:32:55 | |
-Seven. -The king of rap is back, | 3:32:55 | 3:32:57 | |
this time teaming up with the Queen B. | 3:32:57 | 3:32:59 | |
It's Eminem and Beyonce, Walk On Water. | 3:32:59 | 3:33:02 | |
# You looked a mess... # | 3:33:03 | 3:33:05 | |
-Six. -Despite breaking both of his arms, Ed Sheeran has made a recovery | 3:33:05 | 3:33:10 | |
and is back touring in Southeast Asia this week. | 3:33:10 | 3:33:13 | |
This is Perfect. | 3:33:13 | 3:33:14 | |
# Perfect. # | 3:33:14 | 3:33:15 | |
# I found peace... # | 3:33:17 | 3:33:19 | |
-Five. -Marshmello's got one of his other tracks, | 3:33:19 | 3:33:21 | |
the one with Selena Gomez, as one of your Playlist choices this week. | 3:33:21 | 3:33:24 | |
This is his other one with Khalid, | 3:33:24 | 3:33:26 | |
it's called Silence. | 3:33:26 | 3:33:27 | |
# Silent for so long... # | 3:33:27 | 3:33:29 | |
-Four. -One of your playlists choices this week from Sam Smith, | 3:33:33 | 3:33:37 | |
but will he have voted for it? We'll be finding out very soon. | 3:33:37 | 3:33:40 | |
This is Too Good At Goodbyes. | 3:33:40 | 3:33:42 | |
# Goodbye | 3:33:42 | 3:33:43 | |
# I'm way too good at goodbyes... # | 3:33:43 | 3:33:45 | |
# Switching whips I pull up in the 'Cedes... # | 3:33:47 | 3:33:50 | |
-Three. -Post Malone and 21 Savage, | 3:33:50 | 3:33:53 | |
this is Rockstar. | 3:33:53 | 3:33:54 | |
It sold over a million copies in America, this. | 3:33:54 | 3:33:56 | |
# Going so hard... # | 3:33:56 | 3:33:58 | |
# Take me anywhere. | 3:34:00 | 3:34:01 | |
-Two. -Rita Ora wowed everybody | 3:34:01 | 3:34:04 | |
when she presented the EMAs in her bath towel. | 3:34:04 | 3:34:06 | |
This is Anywhere. | 3:34:06 | 3:34:08 | |
# Half of my heart is in Havana... # | 3:34:12 | 3:34:14 | |
-One. -If you missed Camila Cabello | 3:34:14 | 3:34:15 | |
teaching Jack a little Spanish last week, | 3:34:15 | 3:34:18 | |
you can catch up on The Playlist Sessions right now. | 3:34:18 | 3:34:21 | |
This is Camila Cabello with Young Thug. It's Havana. | 3:34:21 | 3:34:23 | |
# Havana | 3:34:23 | 3:34:25 | |
# My heart is in Havana | 3:34:25 | 3:34:27 | |
# Havana, ooh, na-na | 3:34:27 | 3:34:28 | |
# Jeffery | 3:34:28 | 3:34:29 | |
# Just graduated, fresh on campus, mm | 3:34:29 | 3:34:32 | |
# Fresh out East Atlanta with no manners, damn | 3:34:33 | 3:34:37 | |
# Fresh out East Atlanta | 3:34:37 | 3:34:38 | |
# Bump on her bumper like a traffic jam... # | 3:34:38 | 3:34:41 | |
Well, there you go. | 3:34:41 | 3:34:42 | |
PIANO PLAYING | 3:34:42 | 3:34:46 | |
That's... That's it from me! | 3:34:46 | 3:34:48 | |
We'll do more chart next week. | 3:34:48 | 3:34:50 | |
CANNED CHEERS | 3:34:51 | 3:34:52 | |
Aah! | 3:34:54 | 3:34:55 | |
Thank you, Greg. See you next week. | 3:34:55 | 3:34:57 | |
Right, Jonas, I have laid down some absolutely sick beats, yeah, | 3:34:57 | 3:35:00 | |
we'll do the tune next, eh? | 3:35:00 | 3:35:02 | |
Yeah, I can...hardly wait for that, thanks, Lauren. | 3:35:02 | 3:35:05 | |
Before we do, we're going to go through some of your fine choices | 3:35:05 | 3:35:08 | |
from this week on The Playlist. | 3:35:08 | 3:35:09 | |
First up we have Wolves, Selena Gomez and Marshmello, | 3:35:09 | 3:35:13 | |
Personal, The Vamps and Maggie Lindemann, | 3:35:13 | 3:35:15 | |
and that's right, it's Havana, ooh na-na, with Camila Cabello. | 3:35:15 | 3:35:19 | |
Most Girls - Hailee Steinfeld, | 3:35:19 | 3:35:21 | |
Too Good At Goodbyes - Sam Smith, | 3:35:21 | 3:35:23 | |
and, yes, it's Anywhere with Rita Ora. | 3:35:23 | 3:35:26 | |
Some great options, but, right now, let's find out who's in third place. | 3:35:26 | 3:35:30 | |
Yeah, in third place on my playlist voted by you this week is... | 3:35:30 | 3:35:34 | |
Personal - The Vamps and Maggie Lindemann. | 3:35:34 | 3:35:37 | |
Yes! Great choice! | 3:35:37 | 3:35:39 | |
-Good tune, isn't it? -Love it, absolutely amazing. | 3:35:39 | 3:35:41 | |
# Don't take it personal | 3:35:41 | 3:35:43 | |
# But personally | 3:35:43 | 3:35:44 | |
# I think you'd be better with somebody like me | 3:35:44 | 3:35:47 | |
# But worst of all | 3:35:47 | 3:35:48 | |
# You don't even see | 3:35:48 | 3:35:49 | |
# You don't even see | 3:35:49 | 3:35:50 | |
# Girl, don't take it personal | 3:35:50 | 3:35:53 | |
# But personally | 3:35:53 | 3:35:54 | |
# I think you'd be better with somebody like me | 3:35:54 | 3:35:56 | |
# But worst of all | 3:35:56 | 3:35:58 | |
# You don't even see | 3:35:58 | 3:35:59 | |
# You don't even see | 3:35:59 | 3:36:00 | |
# Girl, don't take it personal | 3:36:00 | 3:36:02 | |
# But personally | 3:36:02 | 3:36:04 | |
# I think you'd be better with somebody like me | 3:36:04 | 3:36:06 | |
# But worst of all | 3:36:06 | 3:36:07 | |
# You don't even see You don't even see | 3:36:07 | 3:36:10 | |
# Girl, don't take it personal | 3:36:10 | 3:36:12 | |
# But personally | 3:36:12 | 3:36:13 | |
# I think you'd be better with somebody like me | 3:36:13 | 3:36:15 | |
# But worst of all You don't even see | 3:36:15 | 3:36:18 | |
# You don't even see, girl | 3:36:18 | 3:36:20 | |
# You know how much I love it when you call me out | 3:36:20 | 3:36:23 | |
# You see it in my eyes | 3:36:25 | 3:36:26 | |
# The way they follow you around | 3:36:26 | 3:36:28 | |
# Cos, yeah, I like the way you dance | 3:36:29 | 3:36:32 | |
# You know I do | 3:36:32 | 3:36:34 | |
# Yeah, I do | 3:36:34 | 3:36:35 | |
# Cos that's just you | 3:36:36 | 3:36:38 | |
# I'm sick and tired of being friends | 3:36:39 | 3:36:41 | |
# I'm sick and tired of being there | 3:36:41 | 3:36:44 | |
# And I know if I never tried | 3:36:44 | 3:36:46 | |
# I'll be sick and tired of being sick and tired | 3:36:46 | 3:36:48 | |
# Girl, don't take it personal | 3:36:48 | 3:36:50 | |
# But personally | 3:36:50 | 3:36:52 | |
# I think you'd be better with somebody like me | 3:36:52 | 3:36:54 | |
# But worst of all | 3:36:54 | 3:36:55 | |
# You don't even see You don't even see | 3:36:55 | 3:36:58 | |
# Girl, don't take it personal | 3:36:58 | 3:37:00 | |
# But personally | 3:37:00 | 3:37:01 | |
# I think you'd be better with somebody like me | 3:37:01 | 3:37:03 | |
# But worst of all... # | 3:37:03 | 3:37:05 | |
A great choice in third place. Now, Jonas, are you up for a challenge? | 3:37:05 | 3:37:08 | |
I'm always up for a challenge. | 3:37:08 | 3:37:10 | |
OK, then tell me what is the name of your new single? | 3:37:10 | 3:37:13 | |
We Could Go Back. | 3:37:13 | 3:37:14 | |
Now, we could go back, Jonas, we could go back. | 3:37:14 | 3:37:16 | |
Or we could play this. | 3:37:16 | 3:37:17 | |
Jonas, you ARE going back, and so are these tunes. | 3:37:22 | 3:37:25 | |
Yes, we are playing them backwards, | 3:37:25 | 3:37:27 | |
and you've got to guess what they are | 3:37:27 | 3:37:29 | |
when we play them forwards. Do you see what we've done? | 3:37:29 | 3:37:32 | |
I see it. Let's do it. | 3:37:32 | 3:37:33 | |
Let's get 60 seconds on the clock... And here's the first one. | 3:37:33 | 3:37:36 | |
What do you think it is, Jonas? | 3:37:39 | 3:37:40 | |
That's Raye. And I think that's You Don't Know Me with Jax Jones. | 3:37:40 | 3:37:44 | |
Let's see if you're right. | 3:37:44 | 3:37:45 | |
PING! Yeah! | 3:37:45 | 3:37:47 | |
# Ooh, na-na, yeah | 3:37:47 | 3:37:49 | |
# Don't act like you know me... # | 3:37:49 | 3:37:51 | |
OK, number two. Here we go. | 3:37:51 | 3:37:53 | |
MALE VOICE AND DISTORTION | 3:37:53 | 3:37:55 | |
Oh, I know who it is. I know who it is. | 3:37:55 | 3:37:58 | |
You do, you do. | 3:37:58 | 3:37:59 | |
Is it...? Is it Luis Fonsi? | 3:37:59 | 3:38:02 | |
PING! Yes! Correct! | 3:38:02 | 3:38:05 | |
# Despacito | 3:38:05 | 3:38:07 | |
# Quiero respirar tu cuello despacito... # | 3:38:07 | 3:38:09 | |
OK, number three. Here we go. | 3:38:09 | 3:38:11 | |
MALE VOICE AND DISTORTION | 3:38:11 | 3:38:13 | |
-You know this, immediately. -Oh. Yeah, I mean, it's the main man - | 3:38:13 | 3:38:16 | |
Ed Sheeran, Shape Of You. | 3:38:16 | 3:38:17 | |
PING! Do you know what? | 3:38:17 | 3:38:18 | |
You cannot deny his skills in the music realm, everybody. | 3:38:18 | 3:38:21 | |
# ..something brand new | 3:38:21 | 3:38:23 | |
# I'm in love with the shape of you... # | 3:38:23 | 3:38:25 | |
Number four. | 3:38:25 | 3:38:26 | |
FEMALE VOICE AND DISTORTION | 3:38:26 | 3:38:27 | |
I don't know what it is. | 3:38:27 | 3:38:29 | |
-I mean, it's Havana - "Ooh, na, na." -PING! | 3:38:29 | 3:38:30 | |
# Half of my heart is in Havana Ooh, na, na... # | 3:38:30 | 3:38:34 | |
OK, next one, go! | 3:38:34 | 3:38:35 | |
VOICES AND DISTORTION | 3:38:35 | 3:38:38 | |
Focus is slowly... | 3:38:38 | 3:38:39 | |
I feel like this is Zayn and Sia, with Dusk Till Dawn. | 3:38:39 | 3:38:42 | |
PING! | 3:38:42 | 3:38:43 | |
# But you'll never be alone | 3:38:45 | 3:38:48 | |
# I'll be with you from dusk till dawn... # | 3:38:48 | 3:38:50 | |
Next one. Just play, go. | 3:38:50 | 3:38:52 | |
FEMALE VOICE AND DISTORTION | 3:38:52 | 3:38:54 | |
Come on! | 3:38:54 | 3:38:56 | |
Why are you looking around for help? Cheat! Cheat! Little cheat! | 3:38:56 | 3:38:59 | |
I have no idea what this is. | 3:38:59 | 3:39:01 | |
BUZZER No, we'll have to call it. | 3:39:01 | 3:39:03 | |
What was it? | 3:39:03 | 3:39:04 | |
New Rules, Dua Lipa. | 3:39:04 | 3:39:05 | |
-Wow. -OK, well, you've let yourself down, love. | 3:39:05 | 3:39:07 | |
But it's all right. Next one. MALE VOICE AND DISTORTION | 3:39:07 | 3:39:10 | |
-Sounds good in reverse. -It's good, actually. | 3:39:10 | 3:39:11 | |
You should play it, like, backwards more often. Yeah. | 3:39:11 | 3:39:14 | |
-Jonas Blue, Mama. -PING! | 3:39:14 | 3:39:16 | |
# Hey, mama, we gonna be all right | 3:39:16 | 3:39:18 | |
# Dry those eyes... # | 3:39:18 | 3:39:20 | |
MALE VOICE AND DISTORTION | 3:39:20 | 3:39:21 | |
Oh... | 3:39:21 | 3:39:23 | |
THEY SING BACKWARDS | 3:39:23 | 3:39:26 | |
-Sam Smith, Too Good At Goodbyes. -PING! | 3:39:26 | 3:39:27 | |
Yes! He's good! He's good. | 3:39:27 | 3:39:29 | |
# I'm never gonna let you close to me | 3:39:29 | 3:39:32 | |
# Even though you mean the most to me... # | 3:39:32 | 3:39:34 | |
-Amazing! How do you think you did? -I think I did pretty good. | 3:39:34 | 3:39:37 | |
-But I got one wrong. -Are you really disappointed with that? | 3:39:37 | 3:39:40 | |
I am really disappointed, yeah. I'm a perfectionist, so... | 3:39:40 | 3:39:42 | |
-You should go home and have a good, hard think about today. -Yeah... | 3:39:42 | 3:39:45 | |
Right, Jonas, our collaboration is looking good. | 3:39:50 | 3:39:53 | |
We have laid down some... I'm going to call them phat beats. | 3:39:53 | 3:39:56 | |
But now I need a bit of melody, OK, so we're just going to hit... | 3:39:56 | 3:39:59 | |
BEAT STARTS Hit that, yeah. | 3:39:59 | 3:40:00 | |
There it is. There it is. | 3:40:00 | 3:40:01 | |
There was a little pause in it, but we're there now. | 3:40:01 | 3:40:04 | |
MELODY STARTS Oh! | 3:40:04 | 3:40:06 | |
-You pressed that really well as well. -I know! | 3:40:06 | 3:40:07 | |
The way you did that was really just... | 3:40:07 | 3:40:09 | |
Well timed, that was, wasn't it? Well, go now! | 3:40:09 | 3:40:11 | |
# Hey, mama, don't stress your mind... # | 3:40:11 | 3:40:14 | |
SHE GASPS | 3:40:14 | 3:40:15 | |
Woof! Woof! | 3:40:15 | 3:40:17 | |
Just a little bit of it. Just to keep things, you know, light. | 3:40:17 | 3:40:21 | |
-Moo! -Time for some real music now. | 3:40:21 | 3:40:23 | |
It's time to find out who you voted for on my Playlist, | 3:40:23 | 3:40:26 | |
and here's second place. | 3:40:26 | 3:40:27 | |
Your second choice on this week's Playlist is... | 3:40:27 | 3:40:30 | |
# We're too good at goodbyes. | 3:40:33 | 3:40:36 | |
# I'll just sing my lullaby... # | 3:40:36 | 3:40:38 | |
SHE LAUGHS | 3:40:38 | 3:40:40 | |
# I'm never going to let you close to me | 3:40:40 | 3:40:43 | |
# Even though you mean the most to me | 3:40:43 | 3:40:45 | |
# Cos every time I open up, it hurts | 3:40:45 | 3:40:49 | |
# So I'm never going to get too close to you | 3:40:50 | 3:40:53 | |
# Even when I mean the most to you | 3:40:53 | 3:40:56 | |
# In case you go and leave me in the dirt | 3:40:56 | 3:40:59 | |
# But every time you hurt me The less that I cry | 3:40:59 | 3:41:05 | |
# And every time you leave me The quicker these tears dry | 3:41:05 | 3:41:10 | |
# And every time you walk out The less I love you | 3:41:10 | 3:41:15 | |
# Baby, we don't stand a chance It's sad but it's true | 3:41:15 | 3:41:20 | |
# I'm way too good at goodbyes | 3:41:20 | 3:41:22 | |
# I'm way too good at goodbyes | 3:41:22 | 3:41:25 | |
# I'm way too good at goodbyes | 3:41:25 | 3:41:27 | |
# I'm way too good at goodbyes | 3:41:27 | 3:41:30 | |
# I know you're thinking I'm heartless | 3:41:32 | 3:41:36 | |
# I know you're thinking I'm cold | 3:41:38 | 3:41:43 | |
# I'm just protecting my innocence | 3:41:43 | 3:41:47 | |
# I'm just protecting my soul | 3:41:48 | 3:41:53 | |
# I'm never going to let you close to me | 3:41:53 | 3:41:56 | |
# Even though you mean the most to me | 3:41:56 | 3:41:58 | |
# Cos every time I open up It hurts... # | 3:41:58 | 3:42:03 | |
A great second choice there, you guys. | 3:42:03 | 3:42:05 | |
Now, everybody wants a little bit of Say What? | 3:42:05 | 3:42:08 | |
And that is not just music stars, no, | 3:42:08 | 3:42:10 | |
that even includes the cast of Paddington 2. | 3:42:10 | 3:42:13 | |
So this is what happened | 3:42:13 | 3:42:14 | |
when we stuck a pair of Say What? headphones on Hugh Bonneville. | 3:42:14 | 3:42:18 | |
-ALL: -Hi, we're the cast of Paddington 2, | 3:42:18 | 3:42:21 | |
and we're about to play... | 3:42:21 | 3:42:23 | |
Can you bear-ly hear us? Get it? | 3:42:29 | 3:42:32 | |
Paddington 2 in 22 words. | 3:42:32 | 3:42:33 | |
-Paddington who? -Paddington 2. | 3:42:33 | 3:42:36 | |
-Paddington... -In 22 words. | 3:42:36 | 3:42:38 | |
-22 Windsor..? -BOTH: Words. | 3:42:38 | 3:42:40 | |
-Windsor Gardens? -Words. -What? | 3:42:40 | 3:42:42 | |
-Words. -22 words. 22 words. -Go! | 3:42:42 | 3:42:44 | |
Paddington 2 is a film about our hero | 3:42:44 | 3:42:50 | |
trying to buy a present for his Aunt Lucy's 100th birthday. | 3:42:50 | 3:42:55 | |
That can't be more than 22. Was it? | 3:42:56 | 3:42:58 | |
This is breaking and entering! | 3:42:58 | 3:43:00 | |
I haven't broken anything. | 3:43:00 | 3:43:02 | |
What was the most spectacular scene to shoot? | 3:43:02 | 3:43:05 | |
-What was the... -Most spectacular...? | 3:43:05 | 3:43:08 | |
-Peppermint? -Spectacular. | 3:43:08 | 3:43:11 | |
-Elastic. Spectacular? Spectacular. -Yeah. | 3:43:11 | 3:43:13 | |
-Spectacular what? -Scene. -Scene. -To shoot. -To moo? -To shoot. | 3:43:13 | 3:43:17 | |
To shoot? Spectacular scene to shoot? | 3:43:17 | 3:43:19 | |
The most spectacular scene to shoot was the sequence towards the end, | 3:43:19 | 3:43:22 | |
which is the climax of the film involving a train. | 3:43:22 | 3:43:24 | |
HORN TOOTS | 3:43:24 | 3:43:26 | |
ARGH! | 3:43:27 | 3:43:29 | |
-Can you tell us Paddington's secret marmalade recipe? -What? | 3:43:29 | 3:43:33 | |
BOTH: Marmalade recipe. | 3:43:34 | 3:43:36 | |
Marmalade recipe? | 3:43:36 | 3:43:37 | |
Er, no, because it's secret. | 3:43:37 | 3:43:39 | |
If you liked that, you can see the whole thing on the CBBC website. | 3:43:44 | 3:43:48 | |
Now, Jonas Blue, I've got a quessie for you - | 3:43:48 | 3:43:50 | |
do you ever get mistaken for, like, somebody really famous? | 3:43:50 | 3:43:53 | |
-No. -What, nobody at all? -Never. | 3:43:53 | 3:43:55 | |
What, nobody at all in the entire world? | 3:43:55 | 3:43:58 | |
I've never, ever had it, no. | 3:43:58 | 3:43:59 | |
Not even, like, a Jonas brother? | 3:43:59 | 3:44:02 | |
OK, maybe I might have had that. | 3:44:02 | 3:44:03 | |
There we go then. That's why we're playing Jonas Blue Or Jonas Brother? | 3:44:03 | 3:44:07 | |
Jonas Blue, it's an easy game. | 3:44:11 | 3:44:13 | |
All you've got to do is guess | 3:44:13 | 3:44:14 | |
whether this is a picture of... | 3:44:14 | 3:44:16 | |
-BOTH: -..Jonas Blue... | 3:44:16 | 3:44:18 | |
-..or a Jonas brother. Do you see what we've done there today? -I see. | 3:44:18 | 3:44:21 | |
OK, ready, here's your first one. | 3:44:21 | 3:44:22 | |
-Let's do it. -Who is this? | 3:44:22 | 3:44:24 | |
-That's me, that's Jonas Blue. -Can you tell that eye, can you? -Yeah. | 3:44:24 | 3:44:27 | |
Let's see if you're right. | 3:44:27 | 3:44:28 | |
Ohh... | 3:44:28 | 3:44:30 | |
PING! Yes! | 3:44:30 | 3:44:31 | |
And what a lovely, fetching jacket, can I just add? | 3:44:31 | 3:44:35 | |
What's that? What is that? | 3:44:35 | 3:44:36 | |
-That's a hand. -Mm. | 3:44:36 | 3:44:37 | |
-With another hand. -Is it your hands? | 3:44:37 | 3:44:39 | |
Let's have a little look. | 3:44:39 | 3:44:41 | |
I'm going to say brother. | 3:44:42 | 3:44:43 | |
Is it a brother hand? | 3:44:43 | 3:44:45 | |
Yes! | 3:44:45 | 3:44:47 | |
Yep. | 3:44:47 | 3:44:49 | |
Music knowledge for you there, guys. | 3:44:49 | 3:44:51 | |
I'm sure this is me. | 3:44:51 | 3:44:53 | |
Yep. Jonas Blue. Yes. | 3:44:53 | 3:44:55 | |
-There's no beardy bit. -Yeah, true. But it's my ear. | 3:44:55 | 3:44:57 | |
Let's see if you're right. | 3:44:57 | 3:44:59 | |
You can tell that ear a mile off. | 3:44:59 | 3:45:01 | |
Yes. It's me and JP. | 3:45:01 | 3:45:02 | |
The JP. The Coop. The JP Coop, friend of this show. | 3:45:02 | 3:45:05 | |
I mean, firstly, what is that? | 3:45:05 | 3:45:08 | |
I mean, that's not me. That's... I don't know. | 3:45:08 | 3:45:10 | |
Is it a neck? | 3:45:10 | 3:45:12 | |
I don't even know if that's... I think that's a brother. | 3:45:12 | 3:45:14 | |
Let's go for a brother and see if you're right. | 3:45:14 | 3:45:17 | |
-Oh, a nose! -Oh, it's the nose! -It's my nose. -It's your nose! | 3:45:17 | 3:45:20 | |
Who knew that your nose looked like a neck? | 3:45:20 | 3:45:23 | |
I thought it looked like a dress. | 3:45:23 | 3:45:25 | |
OK, it is the time that we've all been waiting for. | 3:45:29 | 3:45:31 | |
DRAMATIC MUSIC PLAYS | 3:45:31 | 3:45:33 | |
SHE STUMBLES MUSIC TRAILS OFF | 3:45:33 | 3:45:34 | |
DRAMATIC MUSIC PLAYS It's the big moment, | 3:45:34 | 3:45:36 | |
-the time we have all been waiting for. -Waiting for and voting for. | 3:45:36 | 3:45:39 | |
It is time for the Jonas Blue Playlist winner. | 3:45:39 | 3:45:42 | |
This is who you guys voted for... | 3:45:44 | 3:45:46 | |
As your favourite Playlist choice this week. | 3:45:46 | 3:45:48 | |
-I'm so honoured. -Guys, this is so exciting. | 3:45:48 | 3:45:51 | |
I have been waiting for this moment my whole life. | 3:45:51 | 3:45:53 | |
-Are you ready for this? -I'm so ready. | 3:45:53 | 3:45:55 | |
-Ah! -Go! -Yes! | 3:45:55 | 3:45:57 | |
Your winning Playlist track this week is... | 3:45:57 | 3:46:00 | |
Yes! Havana, what a tune. | 3:46:03 | 3:46:04 | |
BOTH: Na, na, na... | 3:46:04 | 3:46:05 | |
Love it. | 3:46:05 | 3:46:07 | |
Did that at the same time, we didn't even plan that. | 3:46:07 | 3:46:09 | |
# Ooh, na-na | 3:46:09 | 3:46:10 | |
# Hey, hey | 3:46:10 | 3:46:12 | |
# Half of my heart is in Havana, ooh, na-na | 3:46:12 | 3:46:15 | |
# Hey, hey | 3:46:15 | 3:46:16 | |
# He took me back to East Atlanta, na-na-na | 3:46:16 | 3:46:19 | |
# All of my heart is in Havana | 3:46:20 | 3:46:24 | |
# My heart is in Havana | 3:46:24 | 3:46:25 | |
# Havana, ooh, na-na | 3:46:25 | 3:46:28 | |
# Jeffery | 3:46:28 | 3:46:29 | |
# Just graduated, fresh on campus, mm | 3:46:29 | 3:46:32 | |
# Fresh out East Atlanta with no manners, damn | 3:46:33 | 3:46:36 | |
# Fresh out East Atlanta | 3:46:36 | 3:46:38 | |
# Bump on her bumper like a traffic jam | 3:46:38 | 3:46:40 | |
# Hey, I was quick to pay that girl | 3:46:42 | 3:46:44 | |
# Like Uncle Sam | 3:46:44 | 3:46:45 | |
# Here you go, ay | 3:46:45 | 3:46:46 | |
# Back it on me | 3:46:46 | 3:46:48 | |
# Shawty cravin' on me | 3:46:48 | 3:46:49 | |
# Get to diggin' on me, on me | 3:46:49 | 3:46:50 | |
-# She waited on me -Then what? | 3:46:50 | 3:46:52 | |
# Shawty cakin' on me | 3:46:52 | 3:46:53 | |
-# Got the bacon on me -Wait up | 3:46:53 | 3:46:55 | |
# This is history in the makin' on me | 3:46:55 | 3:46:57 | |
# On me | 3:46:57 | 3:46:58 | |
# Point blank, close range, that B | 3:46:58 | 3:46:59 | |
# If it cost a million, that's me | 3:46:59 | 3:47:01 | |
# That's me | 3:47:01 | 3:47:02 | |
# I was gettin' moolah, baby | 3:47:02 | 3:47:04 | |
# Havana, ooh na-na | 3:47:04 | 3:47:05 | |
# Hey, hey | 3:47:05 | 3:47:06 | |
# Half of my heart is in Havana | 3:47:06 | 3:47:08 | |
# Ooh na-na | 3:47:08 | 3:47:10 | |
# Hey, hey | 3:47:10 | 3:47:11 | |
# He took me back to East Atlanta, na-na-na | 3:47:11 | 3:47:14 | |
# Oh, no | 3:47:14 | 3:47:16 | |
# All of my heart is in Havana | 3:47:16 | 3:47:18 | |
# My heart is in Havana | 3:47:18 | 3:47:20 | |
# Ay | 3:47:20 | 3:47:21 | |
# Havana, ooh na-na | 3:47:21 | 3:47:23 | |
-# Ooh na-na, oh na-na-na -Oo-ooh | 3:47:23 | 3:47:25 | |
# Take me back, back, back like... # | 3:47:25 | 3:47:27 | |
Congratulations to your playlist winner, Camila Cabello. | 3:47:27 | 3:47:31 | |
# Ooh na-na, oh na-na-na | 3:47:32 | 3:47:34 | |
# Take me back, back, back like. # | 3:47:34 | 3:47:36 | |
Congratulations, a well-deserved winner on this week's Playlist. | 3:47:36 | 3:47:39 | |
Next week, we're going to be joined by Pixie Lott, | 3:47:39 | 3:47:41 | |
who's got some more choices for you. | 3:47:41 | 3:47:44 | |
Hi, guys. | 3:47:44 | 3:47:45 | |
I'm Pixie Lott and I'm going to be on the Playlist this week. | 3:47:45 | 3:47:48 | |
Here are your choices. | 3:47:48 | 3:47:50 | |
# Having your baby | 3:47:52 | 3:47:54 | |
# It's none of your business... # | 3:47:54 | 3:47:56 | |
# Havana, ooh na-na | 3:47:57 | 3:48:00 | |
# Half of my heart is in Havana... # | 3:48:00 | 3:48:02 | |
# But you'll never be alone | 3:48:03 | 3:48:06 | |
# I'll be with you from dusk till dawn... # | 3:48:06 | 3:48:08 | |
# Tryna' do what lovers do, ooh... # | 3:48:10 | 3:48:13 | |
# Dancing in the dark... # | 3:48:14 | 3:48:17 | |
# I've been hoping | 3:48:18 | 3:48:20 | |
# Somebody loves you... # | 3:48:20 | 3:48:22 | |
Those are your choices. Go get voting. Mwah! | 3:48:24 | 3:48:27 | |
This has been the Jonas Blue Playlist, | 3:48:28 | 3:48:30 | |
and what a Playlist it has been. | 3:48:30 | 3:48:31 | |
Now, Jonas, what have you got coming up? | 3:48:31 | 3:48:33 | |
Well, the new single and video of We Could Go Back is out now. | 3:48:33 | 3:48:36 | |
That is so good. Make sure you guys catch that. | 3:48:36 | 3:48:38 | |
Also, head to the CBBC website if you want to catch up on all the | 3:48:38 | 3:48:41 | |
latest comedy videos, if you want to do a little quiz, Jonas Blue. | 3:48:41 | 3:48:44 | |
And to make your vote count. Lauren? | 3:48:44 | 3:48:47 | |
Yes, and to make your vote count, do it. | 3:48:47 | 3:48:49 | |
Right now, though, we've been collaborating all day long. | 3:48:49 | 3:48:52 | |
Are you ready to see the little single that I've made? | 3:48:52 | 3:48:55 | |
We've made. We've made. | 3:48:55 | 3:48:56 | |
Lauren Layfield. | 3:48:56 | 3:48:58 | |
INSTRUMENTAL DANCE MUSIC PLAYS | 3:48:58 | 3:49:00 | |
Jonas Blue. | 3:49:01 | 3:49:03 | |
On this week's Playlist. | 3:49:05 | 3:49:07 | |
-Good tune, isn't it? -Love it. | 3:49:20 | 3:49:22 | |
He loves it. | 3:49:24 | 3:49:25 |