Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
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So, what is the point of skateboarding? | 0:00:07 | 0:00:09 | |
It's skateboarding, it's fun, | 0:00:09 | 0:00:12 | |
it just is! | 0:00:12 | 0:00:14 | |
-Careful! -So... Clyde fights Slitheens and Gorgons, | 0:00:16 | 0:00:20 | |
and that's OK with you, but a bit of skateboarding and whoa! | 0:00:20 | 0:00:24 | |
I know! Oh, shame on me. | 0:00:24 | 0:00:26 | |
I've changed, since I met you lot, I've gone all mumsy. | 0:00:26 | 0:00:29 | |
Change for the better. | 0:00:29 | 0:00:31 | |
Remember that day we first moved in? Talk about frosty! | 0:00:31 | 0:00:34 | |
-I was not! -Yes, you were! | 0:00:34 | 0:00:36 | |
No, you've got it all wrong. | 0:00:37 | 0:00:39 | |
You've got to bend your legs. | 0:00:39 | 0:00:41 | |
That's how you get the biggest pop. | 0:00:41 | 0:00:43 | |
OK, and you would know exactly what? | 0:00:43 | 0:00:46 | |
Well, as it happens... | 0:00:46 | 0:00:49 | |
..King of the Concrete, Romford 1992. | 0:00:51 | 0:00:53 | |
-Yeah, right. -Oh, no, here we go. | 0:00:53 | 0:00:55 | |
And he's still got it! | 0:01:03 | 0:01:05 | |
But you're old! | 0:01:05 | 0:01:06 | |
Gotta get pictures of this. | 0:01:08 | 0:01:10 | |
Cheese, smile. | 0:01:10 | 0:01:12 | |
-No, I'll take them.. -No, you get in. | 0:01:14 | 0:01:16 | |
Loose tracks. | 0:01:16 | 0:01:18 | |
One, two, three, smile! | 0:01:18 | 0:01:21 | |
Sarah Jane, let's get one of you on your own. | 0:01:22 | 0:01:24 | |
Just a minute, ready. | 0:01:24 | 0:01:26 | |
One, two... | 0:01:26 | 0:01:28 | |
-What's up? -Somebody just walked over my grave. | 0:01:30 | 0:01:35 | |
-Oh, come on, quick. -OK, ready, smile! | 0:01:38 | 0:01:41 | |
-That's it. -Right, come on, let's go home. | 0:01:41 | 0:01:44 | |
So why did you give it up? | 0:02:06 | 0:02:08 | |
-Ah, you can't make a living out of a skateboard. -Actually, Mum said. | 0:02:08 | 0:02:11 | |
Yeah, well, now she's gone maybe I'll get my board down... | 0:02:11 | 0:02:15 | |
Please say you're joking. | 0:02:15 | 0:02:16 | |
-I'm good, why can't I? -Even if you are good, | 0:02:16 | 0:02:19 | |
Mr Jackson, you're still too old for a skateboard, sorry! See ya! | 0:02:19 | 0:02:23 | |
Bend your knees. | 0:02:24 | 0:02:26 | |
OK, let's get some tea on. | 0:02:26 | 0:02:28 | |
I'll be a minute, Luke borrowed a text book and I need it back. | 0:02:28 | 0:02:31 | |
I dunno, what goes on over there? | 0:02:31 | 0:02:33 | |
What d'you mean? Nothing. | 0:02:33 | 0:02:34 | |
I reckon you're having secret parties without me. | 0:02:34 | 0:02:37 | |
Hurry up, then! | 0:02:37 | 0:02:39 | |
Mr Smith, I need you. | 0:02:40 | 0:02:43 | |
'Hello, Sarah Jane.' | 0:02:50 | 0:02:52 | |
Report the position of Meteor K67, please. | 0:02:52 | 0:02:55 | |
Meteor K67, ascension of 20 hours, 13 minutes and 42 seconds. | 0:02:55 | 0:03:00 | |
Declination of minus 22 degrees, V Magnitude brightening from 11 to 3.3 | 0:03:00 | 0:03:05 | |
with a sky motion of 11.3 degrees. | 0:03:05 | 0:03:07 | |
It's heading for the Earth. The authorities can't see it. | 0:03:07 | 0:03:10 | |
It's coming right through a radar blind spot. | 0:03:10 | 0:03:13 | |
Of course, why didn't I realise that? | 0:03:13 | 0:03:15 | |
Well, if it hits us, bang, end of the world. | 0:03:15 | 0:03:17 | |
-You're being a bit calm! -Oh, there's no need to worry. | 0:03:17 | 0:03:21 | |
When it's in range, Mr Smith will create a magnetic pulse, | 0:03:21 | 0:03:24 | |
and bounce the meteor back out into space. All in a day's work. | 0:03:24 | 0:03:28 | |
You're gonna save the world, and no-one even knows about it. | 0:03:28 | 0:03:31 | |
No, I like it better that way. | 0:03:31 | 0:03:34 | |
Mr Smith, how long do we have? | 0:03:34 | 0:03:36 | |
'The meteor will be in range of the magnetic pulse at 2.45pm tomorrow. | 0:03:36 | 0:03:41 | |
'All systems are prepared.' | 0:03:41 | 0:03:42 | |
You see? No worries. | 0:03:42 | 0:03:44 | |
I know, but you can't help thinking if it wasn't for Sarah Jane, | 0:03:44 | 0:03:48 | |
we'd all be dead! | 0:03:48 | 0:03:49 | |
Luke, go put the kettle on, I'm parched. | 0:03:49 | 0:03:51 | |
-Be down in a sec. -Sure. | 0:03:51 | 0:03:53 | |
See you later, Maria. | 0:03:53 | 0:03:55 | |
Just wanted a word in private. | 0:03:56 | 0:03:59 | |
-This is for you. -Wow! | 0:04:12 | 0:04:17 | |
It's beautiful. | 0:04:19 | 0:04:21 | |
Where'd you get it? | 0:04:21 | 0:04:22 | |
Remember that Verron soothsayer we helped fly home the other week? | 0:04:22 | 0:04:26 | |
It's from him. | 0:04:26 | 0:04:28 | |
What's it for? | 0:04:28 | 0:04:30 | |
I don't know. | 0:04:30 | 0:04:32 | |
He said, "Remember." Just, "Remember." Whatever that means. | 0:04:32 | 0:04:37 | |
So why are you giving it to me? | 0:04:37 | 0:04:40 | |
He said, "Give it to the person you trust the most." | 0:04:40 | 0:04:45 | |
And that's you. | 0:04:45 | 0:04:47 | |
It's probably best not to tell Luke that bit. | 0:04:47 | 0:04:49 | |
-What's in it? -Have a look. | 0:04:52 | 0:04:54 | |
How do you open it? It's impossible. | 0:04:58 | 0:05:01 | |
-Which you knew. -I tried. Mr Smith says there's nothing in it. | 0:05:03 | 0:05:08 | |
Just a puzzle box | 0:05:08 | 0:05:11 | |
and I forgot about it till this afternoon, | 0:05:11 | 0:05:14 | |
but there, it's yours. | 0:05:14 | 0:05:16 | |
Thank you. | 0:05:17 | 0:05:19 | |
Pop over tomorrow, let me know how you get on. | 0:05:19 | 0:05:22 | |
Plus we can bash that meteor! | 0:05:22 | 0:05:24 | |
Oh, should be fun! | 0:05:24 | 0:05:26 | |
METAL SLIDES | 0:05:32 | 0:05:33 | |
Yes! That must be it. | 0:05:33 | 0:05:36 | |
Maria! Turn that telly off, you should be asleep! Maria! | 0:05:36 | 0:05:39 | |
Yes! | 0:06:05 | 0:06:07 | |
Is that it, then? | 0:06:10 | 0:06:11 | |
ECHOEY VOICES | 0:06:48 | 0:06:50 | |
Dad! | 0:06:52 | 0:06:53 | |
-What's the matter, what's the matter? -I'm fine. | 0:06:56 | 0:06:59 | |
-You sure? -Yeah, it was just a bad dream. | 0:06:59 | 0:07:02 | |
Fine, night-night. | 0:07:02 | 0:07:05 | |
Morning. | 0:07:23 | 0:07:25 | |
-You OK now? -Yeah. | 0:07:25 | 0:07:27 | |
Look what I got down from the loft. | 0:07:29 | 0:07:31 | |
Oh, no. Dad! | 0:07:31 | 0:07:33 | |
What, so I'm too old, am I? | 0:07:33 | 0:07:35 | |
Just don't use it anywhere near me. | 0:07:35 | 0:07:37 | |
Where'd you get those plants from? | 0:07:38 | 0:07:40 | |
Eh? From Andrea, housewarming present, don't you remember? | 0:07:40 | 0:07:44 | |
Wait a minute - Andrea. There you go. | 0:07:44 | 0:07:46 | |
-Don't forget to sign her birthday card. -What d'you mean? | 0:07:46 | 0:07:50 | |
Who's Andrea? | 0:07:50 | 0:07:52 | |
Don't be daft, just sign it. | 0:07:52 | 0:07:53 | |
OK. If you say so. | 0:07:53 | 0:07:55 | |
I'm going over the road to see Luke. | 0:07:57 | 0:07:59 | |
-Luke? -Yeah, Luke. -Oh, yeah? Luke's a lad from school, is he? | 0:07:59 | 0:08:03 | |
Shut up. What's wrong with you this morning? | 0:08:03 | 0:08:06 | |
# Da-na-na-na! Na-na-na-na! Jing-jing-jing-jing! # | 0:08:08 | 0:08:12 | |
RINGS DOORBELL | 0:08:12 | 0:08:14 | |
Hello, love, you're early. | 0:08:17 | 0:08:19 | |
Where's my birthday card, then? | 0:08:19 | 0:08:21 | |
Oh, I was only joking. | 0:08:21 | 0:08:24 | |
Sorry, is Sarah Jane there? | 0:08:24 | 0:08:26 | |
-Say again? -Sarah Jane. -One of your mates from school, is that? | 0:08:26 | 0:08:30 | |
No, Sarah Jane. This is her house. | 0:08:30 | 0:08:34 | |
Maria, love, I like a laugh but it's only half-nine in the morning. | 0:08:34 | 0:08:38 | |
I didn't stop working till gone three. | 0:08:38 | 0:08:40 | |
Once I start painting, I can't stop. | 0:08:40 | 0:08:43 | |
Try me again a bit later, eh? | 0:08:43 | 0:08:44 | |
You can help me with the party, sandwiches won't butter themselves. | 0:08:44 | 0:08:48 | |
-Is Luke there? -Who? | 0:08:48 | 0:08:50 | |
You all right, love? | 0:08:53 | 0:08:55 | |
Maria? | 0:08:55 | 0:08:57 | |
Dad, something really weird is going on. | 0:09:02 | 0:09:04 | |
-There's this woman over in Sarah Jane's house. -Sorry? | 0:09:04 | 0:09:07 | |
I knocked on the door and there's this woman stood there. | 0:09:07 | 0:09:11 | |
-Hold on. What door? -Sarah Jane's house. Number thirteen! | 0:09:11 | 0:09:14 | |
-Andrea's? -What? | 0:09:14 | 0:09:16 | |
Who's Sarah Jane? | 0:09:16 | 0:09:18 | |
Right, OK, you can stop it now, it's freaking me out. | 0:09:18 | 0:09:22 | |
I'm just not getting you. Sarah Jane? | 0:09:22 | 0:09:24 | |
-Sarah Jane Smith, our neighbour? -No-one here called Sarah Jane, | 0:09:24 | 0:09:28 | |
-not that I've met, anyway. -Course you have! Stop it! | 0:09:28 | 0:09:32 | |
Right, I'll show you. | 0:09:34 | 0:09:36 | |
Look, Sarah Jane is definitely in the photos. | 0:09:36 | 0:09:40 | |
What? Where's Luke? | 0:09:43 | 0:09:47 | |
And who... Why is SHE there? | 0:09:48 | 0:09:51 | |
I'm sorry, I don't know any Sarah Janes and don't know any Lukes. | 0:09:52 | 0:09:57 | |
What's wrong? | 0:09:57 | 0:09:59 | |
Where's Sarah Jane's number gone? | 0:09:59 | 0:10:02 | |
No Luke, no Clyde... | 0:10:04 | 0:10:05 | |
Clyde. 07700 900 792. | 0:10:08 | 0:10:15 | |
-Hey, who's that? -Clyde! It's Maria. | 0:10:16 | 0:10:18 | |
-Who? -Me, Maria! -Maria Jackson? | 0:10:18 | 0:10:21 | |
Clyde, get over here. Sarah Jane's vanished! | 0:10:21 | 0:10:23 | |
Maria Jackson from school? | 0:10:23 | 0:10:25 | |
-Yeah! -Er, why are you phoning me? | 0:10:25 | 0:10:27 | |
-I didn't give you my number. Who gave you my number? -Clyde. Tell me. | 0:10:27 | 0:10:31 | |
-Is Luke with you? -Luke? -We were out yesterday, skateboarding. | 0:10:31 | 0:10:35 | |
I bumped into YOU at the skate park. No-one called Luke. | 0:10:35 | 0:10:38 | |
Luke Smith. | 0:10:38 | 0:10:41 | |
Please, tell me you're all having a joke. | 0:10:41 | 0:10:44 | |
Was it Sarah Jane's idea? | 0:10:44 | 0:10:45 | |
Say again? | 0:10:45 | 0:10:47 | |
Do you know Sarah Jane? | 0:10:47 | 0:10:49 | |
Look, if you wanna ask me out, just ask me out. | 0:10:49 | 0:10:52 | |
-I can fit you in next Thursday. -Oh, no, Clyde. | 0:10:52 | 0:10:56 | |
-The meteor! -The what? | 0:10:56 | 0:10:58 | |
-There's a huge meteor heading for Earth! -Oh, is there now? | 0:10:58 | 0:11:01 | |
Only Sarah Jane can stop it, and she's vanished! | 0:11:01 | 0:11:04 | |
What are you talking about, you nutter? | 0:11:04 | 0:11:07 | |
Laters, I'm busy. | 0:11:07 | 0:11:08 | |
Hello, love. I've surfaced! Come on, lot's to do. | 0:11:14 | 0:11:17 | |
Whatever. | 0:11:17 | 0:11:19 | |
But it's...different. | 0:11:30 | 0:11:32 | |
Well, it's a bit of a mess, | 0:11:32 | 0:11:34 | |
but I'm gonna clean it up before people come round. | 0:11:34 | 0:11:38 | |
I can't help it if I'm so popular, the birthday girl! | 0:11:38 | 0:11:42 | |
Maria? | 0:11:44 | 0:11:46 | |
Hang on, love, where are you going? | 0:11:46 | 0:11:49 | |
Hi, sorry, is Maria over here? It's just she was a bit upset. | 0:11:49 | 0:11:52 | |
-Yeah, just taken off up there. -What? | 0:11:52 | 0:11:54 | |
Maria! | 0:11:54 | 0:11:56 | |
-D'you know what's going on? -Not a clue. | 0:11:56 | 0:11:59 | |
-Where is she? -I don't know who you're talking about, love. | 0:12:10 | 0:12:14 | |
-Sarah Jane Smith! -Never heard of her. | 0:12:14 | 0:12:17 | |
Maria, come on, I think you and me should just go back to the house. | 0:12:17 | 0:12:21 | |
But Sarah Jane lives here! | 0:12:21 | 0:12:23 | |
In this house! With her son Luke! | 0:12:23 | 0:12:25 | |
Where are they? | 0:12:25 | 0:12:28 | |
Mr Smith! I need you! | 0:12:28 | 0:12:30 | |
Mr Smith! | 0:12:33 | 0:12:34 | |
Sweetheart... | 0:12:34 | 0:12:37 | |
There is no Mr Smith. | 0:12:37 | 0:12:39 | |
There's no Sarah Jane. | 0:12:39 | 0:12:41 | |
No Smiths at all. | 0:12:41 | 0:12:43 | |
-Dad... -We're going home. Come on. | 0:12:45 | 0:12:48 | |
Sorry about this. | 0:12:48 | 0:12:50 | |
Sarah Jane Smith. | 0:12:55 | 0:12:59 | |
OK. So, yesterday evening, what did we do? | 0:13:02 | 0:13:07 | |
Right, I picked you up from school, we walked home, went to the park. | 0:13:07 | 0:13:12 | |
-We went with Andrea? -No, she was just passing by. | 0:13:12 | 0:13:14 | |
We bumped into a lad from school - Clyde. | 0:13:14 | 0:13:17 | |
-Who I don't know... -You know him vaguely, in some of your classes. | 0:13:17 | 0:13:21 | |
And you showed off your skateboarding to him? | 0:13:21 | 0:13:25 | |
And you were cringing, thanks. | 0:13:25 | 0:13:26 | |
So when did I meet Andrea? | 0:13:26 | 0:13:29 | |
Look. | 0:13:30 | 0:13:31 | |
That's us outside, the day we moved in. | 0:13:33 | 0:13:36 | |
Andrea came over and gave us a hand. | 0:13:36 | 0:13:38 | |
But Sarah Jane was there, that's when we met her, | 0:13:38 | 0:13:43 | |
and she was all frosty, you've got to remember that. | 0:13:43 | 0:13:47 | |
You said so. Frosty. | 0:13:47 | 0:13:49 | |
No, just Andrea. And she was lovely. | 0:13:49 | 0:13:53 | |
Invited us over, straight away. | 0:13:53 | 0:13:55 | |
She's always having parties, lives life to the full, does Andrea. | 0:13:55 | 0:13:59 | |
-But I don't remember any of that. -Maybe you should get some sleep. | 0:13:59 | 0:14:02 | |
Nice little kip, then maybe you'll feel better, yeah? | 0:14:02 | 0:14:05 | |
You want me to forget Sarah Jane. | 0:14:06 | 0:14:08 | |
There is no Sarah Jane. | 0:14:08 | 0:14:10 | |
I mean, come on, this meteor thing, destroying the Earth, | 0:14:10 | 0:14:13 | |
it's just a...bit silly, isn't it? | 0:14:13 | 0:14:15 | |
But... | 0:14:15 | 0:14:17 | |
I can see it all so clearly. | 0:14:17 | 0:14:20 | |
Sarah Jane was so real to me. | 0:14:20 | 0:14:22 | |
All the things we did, all the incredible things we saw. | 0:14:23 | 0:14:27 | |
Something happened last night, and Sarah Jane vanished. | 0:14:27 | 0:14:32 | |
Nobody remembers... But I do. | 0:14:32 | 0:14:35 | |
And somehow, when everything changed, I got protected. | 0:14:35 | 0:14:41 | |
I'm telling you, Dad, I'm right. | 0:14:41 | 0:14:43 | |
And I'm gonna show you! | 0:14:45 | 0:14:46 | |
Sarah Jane Smith, solicitors, | 0:14:46 | 0:14:49 | |
Sarah Jane Smith, Guernsey Women's Football... | 0:14:49 | 0:14:53 | |
There must be something. | 0:14:53 | 0:14:55 | |
I don't think there will be. | 0:14:55 | 0:14:56 | |
Hang on. "My poems by Carla Morgan for Sarah Jane Smith. | 0:14:58 | 0:15:03 | |
"For Sarah Jane Smith, who left us 13th July 1964." | 0:15:03 | 0:15:09 | |
-The woman that wrote this, she's the same age as Sarah Jane. -So? | 0:15:09 | 0:15:13 | |
1964. | 0:15:13 | 0:15:15 | |
Have they got newspapers in the library, old newspapers? | 0:15:15 | 0:15:19 | |
Should have, yeah. | 0:15:19 | 0:15:20 | |
Come on, then, off to the library! | 0:15:20 | 0:15:22 | |
Right, what have we got? | 0:15:31 | 0:15:33 | |
"Schoolgirl Sarah Jane Smith, 13, | 0:15:33 | 0:15:35 | |
"died after falling from the edge of Westport Pier yesterday | 0:15:35 | 0:15:39 | |
"in a tragic accident." | 0:15:39 | 0:15:41 | |
It's just the same name, darling. | 0:15:41 | 0:15:43 | |
-"A second girl, Andrea Yates, is being treated for shock..." -What? | 0:15:43 | 0:15:47 | |
-That's our Andrea, from across the road, she's Andrea Yates. -You see? | 0:15:47 | 0:15:51 | |
I'm not lying, there's a connection! | 0:15:51 | 0:15:54 | |
Did Andrea tell you about this accident? | 0:15:54 | 0:15:56 | |
-Is that how you know the name? -Why would I do that? | 0:15:56 | 0:15:59 | |
I'm telling the truth. | 0:15:59 | 0:16:01 | |
'Maria!' | 0:16:01 | 0:16:02 | |
Dad, did you see that? | 0:16:05 | 0:16:08 | |
The names, they swapped over! | 0:16:08 | 0:16:10 | |
'Maria! Help me, Maria!' | 0:16:10 | 0:16:13 | |
And that's Sarah Jane's voice, | 0:16:13 | 0:16:16 | |
it's her voice, can you hear her? | 0:16:16 | 0:16:18 | |
-You can hear a voice? -Dad, it was her! | 0:16:18 | 0:16:20 | |
Shush! Shush! | 0:16:20 | 0:16:22 | |
Maria, you need to calm down. | 0:16:22 | 0:16:24 | |
-You've seen the evidence! -There is no evidence. | 0:16:24 | 0:16:27 | |
But I've worked it out. | 0:16:27 | 0:16:29 | |
Andrea's done something, and Sarah Jane's gone, | 0:16:29 | 0:16:32 | |
just as that meteor is about to smash into us. | 0:16:32 | 0:16:34 | |
Sweetheart, that's enough. I think I should take you to doctor. | 0:16:34 | 0:16:38 | |
Maybe Andrea did say something about the accident. | 0:16:40 | 0:16:43 | |
-Well, that must be it. -And that nightmare, | 0:16:43 | 0:16:46 | |
perhaps I've got it all mixed up. | 0:16:46 | 0:16:49 | |
I'm really sorry. | 0:16:49 | 0:16:52 | |
Of course I know Andrea. | 0:16:52 | 0:16:54 | |
Maria. | 0:16:54 | 0:16:55 | |
I have been so worried. | 0:16:57 | 0:16:59 | |
-I didn't hear a voice. I was just making that up. -But why, sweetheart? | 0:16:59 | 0:17:04 | |
I dunno, I think I just... | 0:17:04 | 0:17:06 | |
-I wanted some attention. -Is there something wrong at school? | 0:17:06 | 0:17:09 | |
-Have I done something wrong? -No. It's just me. | 0:17:09 | 0:17:13 | |
If there's anything you want to talk about, | 0:17:13 | 0:17:15 | |
-I'll give you all the attention in the world. -Thanks, Dad. | 0:17:15 | 0:17:19 | |
But I think I should go and see Andrea. | 0:17:19 | 0:17:22 | |
I should go and say sorry. | 0:17:22 | 0:17:23 | |
Oh, that's all right, love, there's no need to apologise. | 0:17:23 | 0:17:29 | |
I remember when I was your age, | 0:17:29 | 0:17:30 | |
the thoughts that would come into my head sometimes. | 0:17:30 | 0:17:34 | |
I don't know where I got that name. | 0:17:34 | 0:17:36 | |
Sarah Jane Smith. | 0:17:36 | 0:17:38 | |
Means nothing to me, love. | 0:17:38 | 0:17:40 | |
Positive? | 0:17:40 | 0:17:43 | |
Positive. | 0:17:43 | 0:17:45 | |
But how could you forget? | 0:17:45 | 0:17:47 | |
1964. | 0:17:47 | 0:17:49 | |
School trip. The pier. She fell. | 0:17:49 | 0:17:51 | |
She died. And you were with her. | 0:17:51 | 0:17:55 | |
-What? -You lived, and she died, only that wasn't meant to happen. | 0:17:55 | 0:17:59 | |
The key moment, when everything in the world changed. | 0:18:01 | 0:18:05 | |
-Andrea, help me. -Oh, what happened? Take my hand! | 0:18:05 | 0:18:09 | |
SCREAMING | 0:18:09 | 0:18:11 | |
Get out of my house! | 0:18:14 | 0:18:16 | |
This isn't your house. | 0:18:18 | 0:18:20 | |
This is some kind of time gone wrong, | 0:18:20 | 0:18:22 | |
because in my world, the way things should have been, you died! | 0:18:22 | 0:18:26 | |
Get out! | 0:18:27 | 0:18:28 | |
Enough of this. I'm phoning your dad. Get out! | 0:18:28 | 0:18:31 | |
Just to let you know. | 0:18:31 | 0:18:32 | |
I'm gonna sort things out, I'm gonna work out how time got changed. | 0:18:33 | 0:18:36 | |
I'm gonna find Sarah Jane, and then I'm gonna bring her back, | 0:18:36 | 0:18:41 | |
and nothing is gonna stop me. | 0:18:41 | 0:18:43 | |
No. | 0:18:49 | 0:18:50 | |
Oh, no. | 0:18:50 | 0:18:52 | |
That day...the pier... | 0:18:58 | 0:19:00 | |
Oh, Sarah! | 0:19:00 | 0:19:03 | |
-MAN'S VOICE: -Remember, Andrea, remember. | 0:19:15 | 0:19:18 | |
Who are you? | 0:19:45 | 0:19:46 | |
Remember. | 0:19:46 | 0:19:48 | |
Remember. | 0:19:49 | 0:19:51 | |
I forgot you. | 0:19:52 | 0:19:54 | |
I forgot what I did that day. | 0:19:56 | 0:19:59 | |
All these years, living this life. | 0:20:01 | 0:20:04 | |
You forgot me, Andrea Yates. | 0:20:04 | 0:20:08 | |
I never forgot you. | 0:20:08 | 0:20:10 | |
The day she died... | 0:20:17 | 0:20:19 | |
..you gave me this box. | 0:20:20 | 0:20:23 | |
My gift. | 0:20:23 | 0:20:24 | |
Why are you calling me now? | 0:20:26 | 0:20:29 | |
Maria Jackson, over the road, | 0:20:29 | 0:20:32 | |
all of a sudden, she keeps going on about Sarah Jane. | 0:20:32 | 0:20:35 | |
She knows. | 0:20:35 | 0:20:38 | |
She knows what I did that day | 0:20:38 | 0:20:43 | |
and she's made me remember. | 0:20:43 | 0:20:45 | |
She's just a child, | 0:20:45 | 0:20:49 | |
nobody will listen. | 0:20:49 | 0:20:51 | |
But I can't bear it. | 0:20:51 | 0:20:53 | |
How could I forget? | 0:20:54 | 0:20:56 | |
What I did. | 0:20:56 | 0:20:58 | |
What we agreed. | 0:20:59 | 0:21:01 | |
Did you make me forget? | 0:21:04 | 0:21:07 | |
Your life is better, is it not? | 0:21:07 | 0:21:10 | |
-Yeah. -What do you want from me? | 0:21:11 | 0:21:14 | |
Change her back the way she was. | 0:21:14 | 0:21:17 | |
The girl over the road, make her forget. | 0:21:17 | 0:21:21 | |
I can't. There is a barrier, she is protected, somehow. | 0:21:21 | 0:21:27 | |
But I can remove her for you. | 0:21:27 | 0:21:30 | |
No! Not killing. | 0:21:30 | 0:21:31 | |
I cannot kill. | 0:21:31 | 0:21:33 | |
But I can stop her from ruining your life. | 0:21:33 | 0:21:37 | |
One night's sleep and you will forget her, | 0:21:37 | 0:21:42 | |
forget me, forget everything, once more. | 0:21:42 | 0:21:46 | |
Remove her where? | 0:21:46 | 0:21:48 | |
This need not concern you. | 0:21:48 | 0:21:51 | |
But I need your agreement. | 0:21:51 | 0:21:53 | |
Do I have your agreement? | 0:21:53 | 0:21:55 | |
-Yes. -It shall be arranged. | 0:21:57 | 0:22:01 | |
But first, Andrea Yates, | 0:22:01 | 0:22:04 | |
you must separate the child | 0:22:04 | 0:22:07 | |
from her father. | 0:22:07 | 0:22:09 | |
'Maria, please help me.' | 0:22:13 | 0:22:15 | |
What can I do? | 0:22:21 | 0:22:22 | |
How do I start? The meteor! I can't do anything to stop it. | 0:22:22 | 0:22:28 | |
Why's it only me that remembers you? | 0:22:28 | 0:22:31 | |
'Maria, please.' | 0:22:31 | 0:22:33 | |
Er, you sure you don't mind giving me a hand? | 0:22:43 | 0:22:45 | |
-No. -It's just I've got this banner, for my birthday. | 0:22:45 | 0:22:48 | |
I want to put it up over the door. Sure you don't mind? | 0:22:49 | 0:22:52 | |
No, it's not a problem, least I can do. | 0:22:52 | 0:22:54 | |
Yes! | 0:23:12 | 0:23:14 | |
I've been so thick. | 0:23:14 | 0:23:17 | |
You see, I've never really gone big on birthdays myself, | 0:23:17 | 0:23:20 | |
I don't like being the centre of attention. | 0:23:20 | 0:23:22 | |
I used to when I was a kid. | 0:23:22 | 0:23:24 | |
I had big birthday parties there, bouncy castles and stuff. | 0:23:24 | 0:23:27 | |
Dad, I've worked it out, it's this box, it protected me. | 0:23:27 | 0:23:31 | |
Dad? | 0:23:33 | 0:23:34 | |
MARIA SCREAMS | 0:23:42 | 0:23:43 | |
Maria? Are you OK? | 0:23:52 | 0:23:55 | |
Maria? | 0:23:56 | 0:23:58 | |
Maria? | 0:24:07 | 0:24:08 | |
Help! > | 0:24:21 | 0:24:24 | |
ECHOEY MUSIC PLAYS | 0:24:52 | 0:24:55 | |
# You really got me now | 0:24:55 | 0:24:56 | |
# You got me so I can't sleep at night... # | 0:24:56 | 0:25:00 | |
Alan! | 0:25:00 | 0:25:01 | |
Alan! | 0:25:03 | 0:25:04 | |
Back door was open. | 0:25:07 | 0:25:09 | |
-You wanna be careful. -What was that? | 0:25:09 | 0:25:12 | |
What was what? Come on, let's go over to Andrea's. | 0:25:12 | 0:25:15 | |
-And what about Maria? -Who? | 0:25:15 | 0:25:17 | |
Ah, don't say you've finally got yourself a new woman. | 0:25:17 | 0:25:21 | |
-Maria was in here, I think she's run off. -Already? | 0:25:21 | 0:25:23 | |
Sensible woman, whoever she is, took me 14 years. | 0:25:23 | 0:25:26 | |
I mean Maria, our Maria! | 0:25:26 | 0:25:28 | |
-What do you mean, ours? -She's our daughter! | 0:25:28 | 0:25:31 | |
Oh, Alan, don't start messing about. | 0:25:31 | 0:25:34 | |
I know you wanted kids, but I never did. | 0:25:34 | 0:25:36 | |
-As if I've got a maternal bone in my body! -Chrissie, stop this now. | 0:25:36 | 0:25:40 | |
-Maria's our daughter! -There is no Maria. Maria doesn't exist! | 0:25:40 | 0:25:45 | |
# Yeah, you really got me now | 0:26:10 | 0:26:12 | |
# You got me so I can't sleep at night... # | 0:26:12 | 0:26:14 | |
What the... | 0:26:22 | 0:26:25 | |
Come on, it'll be a laugh, better than that crummy museum! | 0:26:26 | 0:26:29 | |
-But it's dangerous, they told us not to. -Oh, you're no fun! | 0:26:29 | 0:26:34 | |
Excuse me. | 0:26:34 | 0:26:37 | |
I'm gonna sound mad, but where is this? | 0:26:39 | 0:26:41 | |
You've got a nerve, going out dressed like that. | 0:26:41 | 0:26:44 | |
-Look at her! -Don't be so rude. | 0:26:44 | 0:26:46 | |
-Are you all right? You look a bit lost. -I think I am. | 0:26:46 | 0:26:50 | |
I was in London. I'm Maria Jackson. | 0:26:50 | 0:26:53 | |
Pleased to meet you, Maria. I'm Sarah Jane Smith. | 0:26:53 | 0:26:56 | |
July 13 1964! | 0:27:01 | 0:27:03 | |
Sarah Jane, you've got to believe me, you mustn't go down there. | 0:27:03 | 0:27:07 | |
I took you to aid the coming of darkness, your life was so important | 0:27:07 | 0:27:14 | |
and I found the right moment to snuff it out. | 0:27:14 | 0:27:18 | |
-You were meant to die. -Meant? | 0:27:18 | 0:27:20 | |
Who says I'm meant to die? | 0:27:20 | 0:27:22 | |
I will return when the Earth is no more. | 0:27:22 | 0:27:24 | |
Don't you dare! Don't you dare! | 0:27:24 | 0:27:28 | |
Can you hear it? That's it. | 0:27:28 | 0:27:30 | |
Impact is due in eight minutes. | 0:27:30 | 0:27:32 | |
Subtitles by Red Bee Media Ltd. | 0:27:49 | 0:27:52 |