Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
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Hey, you! Stay there. Stop! | 0:00:15 | 0:00:20 | |
Get after him! | 0:00:20 | 0:00:21 | |
Shout at him, brilliant! | 0:00:21 | 0:00:22 | |
Found anything? | 0:00:25 | 0:00:26 | |
BEEPING Got it! In there. | 0:00:26 | 0:00:29 | |
Stop! Please, I can help you! | 0:00:30 | 0:00:33 | |
Please! | 0:00:37 | 0:00:39 | |
It's OK, you're safe, you're safe. | 0:00:41 | 0:00:45 | |
A time fissure. | 0:00:47 | 0:00:48 | |
We're staring into time. It's beautiful. | 0:00:48 | 0:00:53 | |
That poor boy must have ended up here. | 0:00:53 | 0:00:55 | |
It's happened before. Missing people, lost in time. | 0:00:55 | 0:00:59 | |
But if we stepped through there, we could travel in time. | 0:00:59 | 0:01:03 | |
-Amazing! -Uh-uh. | 0:01:03 | 0:01:05 | |
It's not safe. | 0:01:05 | 0:01:07 | |
We'll send the kid back home. Then I'll use the Converter | 0:01:07 | 0:01:10 | |
to reduce the energy ratio and close the gap, I hope. | 0:01:10 | 0:01:13 | |
Like a time puncture repair kit? | 0:01:13 | 0:01:15 | |
Yeah. Exactly like. | 0:01:15 | 0:01:19 | |
Sarah Jane! We got him! | 0:01:19 | 0:01:20 | |
What's going on? | 0:01:20 | 0:01:22 | |
-Don't worry, everything's going to be all right. -Hello. | 0:01:22 | 0:01:25 | |
What's your name? | 0:01:25 | 0:01:26 | |
Oscar. Who are you lot? | 0:01:26 | 0:01:28 | |
-Where am I? -Don't worry about that. | 0:01:28 | 0:01:30 | |
You're going home, Oscar. | 0:01:30 | 0:01:33 | |
Just step through. You'll be safe. There's nothing to be scared of. | 0:01:34 | 0:01:39 | |
Go through. I promise you'll be safe. | 0:01:39 | 0:01:41 | |
No. I'm scared. | 0:01:41 | 0:01:43 | |
Luke. | 0:01:44 | 0:01:46 | |
Come on. It's all going to be fine. I promise you. | 0:01:46 | 0:01:51 | |
Back in two ticks. | 0:01:52 | 0:01:54 | |
And this is home, yes? | 0:02:02 | 0:02:04 | |
Yes. I was just going for a walk. | 0:02:04 | 0:02:06 | |
Suddenly I was in that strange place. | 0:02:06 | 0:02:10 | |
Forget it ever happened. Forget me. | 0:02:10 | 0:02:12 | |
OK? | 0:02:12 | 0:02:13 | |
No, it can't be. | 0:02:20 | 0:02:22 | |
What's the name of that place? | 0:02:22 | 0:02:25 | |
Foxgrove. It's where I live. | 0:02:25 | 0:02:27 | |
-What year is this? Please. Tell me. The date. -It's 1951. July 1951. | 0:02:27 | 0:02:33 | |
No. | 0:02:33 | 0:02:36 | |
Go, go, go! | 0:02:37 | 0:02:38 | |
No. | 0:02:41 | 0:02:44 | |
Oh, no, you don't, Sarah Jane Smith. | 0:02:44 | 0:02:47 | |
Did I do it properly, sir? | 0:02:58 | 0:03:00 | |
You did it beautifully. | 0:03:00 | 0:03:03 | |
Soon I will do battle once more with Sarah Jane Smith. | 0:03:03 | 0:03:09 | |
She will return here. | 0:03:09 | 0:03:12 | |
The one time and place that she cannot resist. | 0:03:12 | 0:03:17 | |
And this time, the triumph shall be mine! | 0:03:17 | 0:03:22 | |
EVIL LAUGH | 0:03:22 | 0:03:24 | |
How did it go? | 0:03:40 | 0:03:41 | |
Fine. Just fine. I sent Oscar home. | 0:03:41 | 0:03:44 | |
What about you? How are you? | 0:03:44 | 0:03:46 | |
-Fine. Why shouldn't I be? -What's on the other side? | 0:03:46 | 0:03:49 | |
-What was it like? Did you see anything? -Nothing much. | 0:03:49 | 0:03:52 | |
This place used to be countryside. | 0:03:52 | 0:03:54 | |
Right. Better close it up. | 0:03:54 | 0:03:56 | |
We could go through there, into another time. | 0:03:56 | 0:03:59 | |
We might never get the chance again. | 0:03:59 | 0:04:02 | |
Can't we just have a look? | 0:04:02 | 0:04:04 | |
-Five minutes? -No. I'm sorry, Clyde. | 0:04:04 | 0:04:06 | |
But it's too dangerous. You've seen it in the movies. | 0:04:06 | 0:04:09 | |
You go back you change one tiny thing, it has terrible consequences. | 0:04:09 | 0:04:13 | |
-You've travelled through time in the TARDIS. -With the Doctor, | 0:04:13 | 0:04:16 | |
who knew what he was doing, most of the time. | 0:04:16 | 0:04:19 | |
This is different, and I'm closing it up, forever. | 0:04:19 | 0:04:21 | |
Job done. Let's go home. | 0:04:24 | 0:04:27 | |
-Bye, Sarah Jane. -Yeah. | 0:04:43 | 0:04:45 | |
-See you tomorrow? -Bye, Rani. | 0:04:45 | 0:04:47 | |
-No good at hiding how she feels, is she? -She said she was fine. | 0:04:47 | 0:04:50 | |
She spent the ride back staring, not saying anything. | 0:04:50 | 0:04:53 | |
-Didn't complain when Steve Wright came on. -And played the Hoosiers. | 0:04:53 | 0:04:58 | |
-Something happened when she went back in time. -And it's up to you | 0:04:58 | 0:05:01 | |
to find out the whole story. | 0:05:01 | 0:05:03 | |
Ciao. | 0:05:03 | 0:05:05 | |
The energy spike now registers minimal activity, Sarah Jane. | 0:05:09 | 0:05:13 | |
The fissure is no longer active. | 0:05:13 | 0:05:15 | |
Thank you, Mr Smith. | 0:05:15 | 0:05:17 | |
Can you give me the details of the area over the last century? | 0:05:19 | 0:05:23 | |
In particular, a village called Foxgrove. | 0:05:23 | 0:05:26 | |
The village of Foxgrove was sited here. | 0:05:26 | 0:05:29 | |
It was mainly noted for the ruins of a Cistercian abbey. | 0:05:29 | 0:05:32 | |
The entire village was demolished in 1964 to make way for an A road. | 0:05:32 | 0:05:36 | |
The area now comprises housing on the edges of Broughton New Town. | 0:05:36 | 0:05:40 | |
It's right there. Oh, why didn't I realise? | 0:05:40 | 0:05:44 | |
I'm sorry, Sarah Jane, I don't understand your question. | 0:05:44 | 0:05:48 | |
I was talking to myself. | 0:05:48 | 0:05:49 | |
I see. Sorry I spoke. | 0:05:49 | 0:05:52 | |
Sarah Jane, forgive me, | 0:05:52 | 0:05:53 | |
-but is there anything else I can help you with? -No, thanks. | 0:05:53 | 0:05:56 | |
Are you sure? | 0:05:56 | 0:05:58 | |
Positive! Goodbye for now. | 0:05:58 | 0:06:00 | |
Oh, no, you don't, my girl. | 0:06:20 | 0:06:23 | |
I can't. I mustn't. And I won't! | 0:06:23 | 0:06:27 | |
Mum? What's the matter? | 0:06:27 | 0:06:29 | |
I'm fine. I'm fine! Why is everybody asking me if there's anything wrong? | 0:06:29 | 0:06:34 | |
Rani, you, even the computer. | 0:06:34 | 0:06:36 | |
-I've gotta say, Mum, you're very, very unconvincing. -Oh. | 0:06:36 | 0:06:41 | |
It's that bad? | 0:06:41 | 0:06:43 | |
Oh, Luke. I'm sorry. | 0:06:43 | 0:06:46 | |
Who are they? | 0:06:46 | 0:06:49 | |
Barbara and Eddie Smith. | 0:06:49 | 0:06:51 | |
My mum and dad. | 0:06:52 | 0:06:54 | |
They died when you were just a baby. | 0:06:54 | 0:06:58 | |
What exactly happened? | 0:06:58 | 0:07:00 | |
We lived in a village called Foxgrove, | 0:07:00 | 0:07:03 | |
that's where I was born. | 0:07:03 | 0:07:05 | |
One afternoon in August 1951, they got in their car, drove off. | 0:07:05 | 0:07:09 | |
-And they never came back. -There was an accident? | 0:07:09 | 0:07:12 | |
A tractor had broken down in the lane. | 0:07:12 | 0:07:14 | |
They went straight into it. | 0:07:14 | 0:07:16 | |
You got out OK? | 0:07:18 | 0:07:20 | |
I wasn't with them. They left me behind, in my pram, | 0:07:20 | 0:07:24 | |
at the side of the road. Alone. | 0:07:24 | 0:07:26 | |
They must have had a reason. | 0:07:26 | 0:07:28 | |
To leave a three-month-old baby on its own? | 0:07:28 | 0:07:31 | |
So your Aunt Lavinia brought you up? | 0:07:32 | 0:07:35 | |
Dad's sister, the family genius. | 0:07:35 | 0:07:38 | |
She did the best she could. But she was so busy. | 0:07:38 | 0:07:40 | |
Never in one place long enough to lick a stamp. | 0:07:40 | 0:07:43 | |
She always said my mum and dad were the best parents in the world. | 0:07:43 | 0:07:48 | |
But I couldn't help thinking, was she covering up for them? | 0:07:48 | 0:07:51 | |
Because that day they just upped and left their baby alone. | 0:07:51 | 0:07:55 | |
Left me behind. | 0:07:55 | 0:07:56 | |
Where were they going in the car? | 0:07:56 | 0:07:59 | |
Nobody knew. They just took off. | 0:07:59 | 0:08:01 | |
I've never told anybody this. | 0:08:03 | 0:08:07 | |
Not even the Doctor. | 0:08:07 | 0:08:08 | |
All these years I tried to forget, to pretend it didn't matter. | 0:08:08 | 0:08:13 | |
And then today we found that time fissure. | 0:08:13 | 0:08:15 | |
It leads right there, to Foxgrove, | 0:08:15 | 0:08:19 | |
July 1951, a month before they died. | 0:08:19 | 0:08:22 | |
I actually saw the village. | 0:08:22 | 0:08:24 | |
My mum and dad, they're down there. | 0:08:26 | 0:08:28 | |
You want to go back. | 0:08:28 | 0:08:30 | |
Well, why not? Just for a moment, just to see them? | 0:08:30 | 0:08:34 | |
I can't! Stepping back in time, into your own past, is so dangerous. | 0:08:36 | 0:08:42 | |
And think about it. It's all too convenient. | 0:08:43 | 0:08:47 | |
-It could be a trap. -Or a coincidence. | 0:08:47 | 0:08:50 | |
No. It must be a trap. | 0:08:50 | 0:08:54 | |
Which is another reason for not going. | 0:08:54 | 0:08:56 | |
Somebody's been very clever. | 0:08:56 | 0:08:58 | |
But not clever enough. | 0:08:58 | 0:08:59 | |
They've put the idea in my head. Put the bait on the hook. | 0:08:59 | 0:09:03 | |
This one's not biting. I'm strong enough to say no. | 0:09:03 | 0:09:05 | |
I must be out of my mind. | 0:09:37 | 0:09:39 | |
Mum? | 0:09:50 | 0:09:52 | |
I know where you're going. | 0:09:52 | 0:09:53 | |
-And I'm coming with you. -No, I won't let you risk it. | 0:09:53 | 0:09:56 | |
-I just want to make sure you're all right. -Oh, Luke. | 0:09:56 | 0:09:59 | |
Not a school night either, is it? | 0:10:02 | 0:10:05 | |
Straight there, straight back and we won't tell anybody. | 0:10:05 | 0:10:09 | |
-Where d'you get the clothes? -Back of my wardrobe. | 0:10:09 | 0:10:13 | |
-Simple, classic, it'll do the job. -You used to wear that? | 0:10:13 | 0:10:16 | |
-Seriously? -Listen, kid, the '50s came back in the '70s. | 0:10:18 | 0:10:22 | |
I remember when this was quite the thing. | 0:10:22 | 0:10:25 | |
I can still change my mind. I can still walk away. | 0:10:36 | 0:10:39 | |
I could meet myself as a baby, that's so dangerous. | 0:10:41 | 0:10:44 | |
If I touched her there could be a huge explosion. | 0:10:44 | 0:10:47 | |
But you know that, so you won't. | 0:10:47 | 0:10:48 | |
It's your choice. | 0:10:48 | 0:10:49 | |
It's only dangerous to go back in time if you change something, | 0:10:49 | 0:10:53 | |
and you're not going to. | 0:10:53 | 0:10:55 | |
-What would you do? -I'd go. | 0:10:55 | 0:10:57 | |
Any normal person would. | 0:10:57 | 0:10:58 | |
I think even I'm normal enough to know that. | 0:10:58 | 0:11:01 | |
And if it is a trap, this is the only way to find out who's behind it. | 0:11:01 | 0:11:05 | |
That sounds like a good, rational reason I can give myself, anyway. | 0:11:05 | 0:11:10 | |
-There you go. -Thank you. | 0:11:11 | 0:11:14 | |
You know something? You're brilliant. | 0:11:16 | 0:11:18 | |
The fissure should stay open for about an hour, | 0:11:23 | 0:11:25 | |
but I'll be back before then. | 0:11:25 | 0:11:27 | |
Mum, it's closing. | 0:11:30 | 0:11:32 | |
No! Mum! | 0:11:32 | 0:11:34 | |
-Yes! The trap is closing! -EVIL LAUGH | 0:11:37 | 0:11:41 | |
Luke! What on earth are you doing? | 0:11:44 | 0:11:46 | |
I had to come, it was closing up, I had no choice! | 0:11:46 | 0:11:49 | |
-It's gone! Mum. -Don't panic. Give me the Converter. It's OK. | 0:11:49 | 0:11:53 | |
Time fissures, they can be erratic. | 0:11:53 | 0:11:56 | |
But it's still active, I can open it again, we can get back. | 0:11:56 | 0:11:59 | |
We're back in time. | 0:11:59 | 0:12:02 | |
1951. | 0:12:02 | 0:12:04 | |
It's incredible. It's daytime. | 0:12:05 | 0:12:08 | |
That's time travel. | 0:12:08 | 0:12:10 | |
Jet lag you wouldn't believe. | 0:12:10 | 0:12:12 | |
The village. | 0:12:12 | 0:12:14 | |
You should go back. | 0:12:14 | 0:12:16 | |
Mind you, every time I use this, it weakens the link. | 0:12:16 | 0:12:20 | |
Well, now you're here, you might as well come with me. | 0:12:20 | 0:12:23 | |
Is that OK? | 0:12:23 | 0:12:24 | |
You're part of the family too, aren't you? | 0:12:24 | 0:12:27 | |
She did it! | 0:12:27 | 0:12:29 | |
Come on! | 0:12:33 | 0:12:34 | |
Luke! | 0:12:37 | 0:12:38 | |
Lukey-boy! | 0:12:42 | 0:12:43 | |
Rani! | 0:12:50 | 0:12:52 | |
-Rani! -Mum, it's a Saturday! | 0:12:53 | 0:12:57 | |
You've got a visitor. | 0:12:57 | 0:12:59 | |
What? | 0:12:59 | 0:13:01 | |
I'm having a lie-in! | 0:13:01 | 0:13:03 | |
Can't keep trouble away. Good job your dad didn't see him. | 0:13:03 | 0:13:06 | |
Their phones are off. | 0:13:08 | 0:13:10 | |
And me and Luke are meeting up. | 0:13:10 | 0:13:12 | |
He never ever forgets. | 0:13:12 | 0:13:15 | |
I tell you, my Clydey-sense is tingling. | 0:13:15 | 0:13:18 | |
-They might've just gone out. -Or what if Sarah Jane's been grabbed? | 0:13:18 | 0:13:21 | |
Right. We'll make a list of all her enemies. | 0:13:21 | 0:13:24 | |
Great idea. Shouldn't take us more than 15 years! Mr Smith, I need you! | 0:13:24 | 0:13:29 | |
Where are Sarah Jane and Luke? | 0:13:35 | 0:13:37 | |
I have no information. | 0:13:37 | 0:13:38 | |
Come on, did she say where they've gone? | 0:13:38 | 0:13:41 | |
No, Rani. She did not. | 0:13:41 | 0:13:43 | |
See! That's weird. | 0:13:43 | 0:13:44 | |
What if it's aliens? | 0:13:44 | 0:13:46 | |
They've been abducted. They could be being probed right now. | 0:13:46 | 0:13:49 | |
There are no signs of alien activity. In fact... | 0:13:49 | 0:13:52 | |
In fact what? Spit it out. | 0:13:52 | 0:13:54 | |
It is not my function to venture opinion. | 0:13:54 | 0:13:57 | |
Or to prognosticate the behaviour of humans. | 0:13:57 | 0:14:00 | |
But I have a theory about where they've gone, or rather, when. | 0:14:00 | 0:14:03 | |
Uh-oh. Didn't like how that sentence ended up. | 0:14:03 | 0:14:07 | |
Mr Smith, give us your theory. | 0:14:07 | 0:14:10 | |
Sarah Jane was born in the village of Foxgrove. | 0:14:10 | 0:14:12 | |
She lived there as a baby, | 0:14:12 | 0:14:14 | |
-at the exact period to which the fissure leads. -Her mum and dad! | 0:14:14 | 0:14:18 | |
They were alive then. She's gone back to see them. | 0:14:18 | 0:14:21 | |
Whoa. Obvious trap! | 0:14:21 | 0:14:23 | |
Like if it was you, you wouldn't go? | 0:14:23 | 0:14:25 | |
Information. Energy pulse detected. | 0:14:25 | 0:14:27 | |
-Energy pulse? Where? -Behind you. | 0:14:27 | 0:14:30 | |
Oh, no. Bad news. | 0:14:32 | 0:14:34 | |
Tell me. | 0:14:34 | 0:14:36 | |
Last year, some really weird stuff went down. | 0:14:36 | 0:14:38 | |
I never got my head round it, but... | 0:14:38 | 0:14:41 | |
some alien thing took Sarah Jane out of time completely, | 0:14:41 | 0:14:44 | |
but Maria could still remember her because she had this box. | 0:14:44 | 0:14:48 | |
It protects you against some other alien - | 0:14:48 | 0:14:51 | |
little midget thing, the Graske. | 0:14:51 | 0:14:53 | |
And, er, bad time things in general. | 0:14:53 | 0:14:56 | |
How does it protect you? | 0:14:56 | 0:14:58 | |
I dunno. With its boxy goodness? | 0:14:58 | 0:15:03 | |
We can remember Sarah Jane and Luke, nothing's changed. | 0:15:03 | 0:15:07 | |
Something's making it flash though. | 0:15:07 | 0:15:09 | |
We've gotta get after them, warn them. | 0:15:09 | 0:15:11 | |
She'll have taken the Converter. | 0:15:11 | 0:15:14 | |
-We can't get through the fissure. -We can try, and that might help us. | 0:15:14 | 0:15:17 | |
It's only half an hour on the train. | 0:15:17 | 0:15:19 | |
Nobody about. | 0:15:25 | 0:15:27 | |
Look. | 0:15:28 | 0:15:30 | |
They must be down there. | 0:15:32 | 0:15:34 | |
Come on then. | 0:15:34 | 0:15:35 | |
Just one look. I just want to see them, that's all. | 0:15:39 | 0:15:42 | |
I know, me too. | 0:15:42 | 0:15:44 | |
But Luke, they abandoned me. What kind of people are they? | 0:15:46 | 0:15:49 | |
-Do I really want to know the answer? -You can't turn back now. | 0:15:49 | 0:15:52 | |
TANNOY: Everybody, could I have your attention, please? | 0:15:56 | 0:15:59 | |
The raffle prizes will be announced at five o'clock sharp! | 0:15:59 | 0:16:04 | |
Thank you! | 0:16:04 | 0:16:05 | |
These people, they look so excited. | 0:16:07 | 0:16:10 | |
It's 1951. They're still on rations after the war. | 0:16:10 | 0:16:14 | |
No mobile phones, no TV. | 0:16:14 | 0:16:17 | |
I see. This is what old people call making your own entertainment. | 0:16:17 | 0:16:22 | |
Sarah Jane! | 0:16:22 | 0:16:24 | |
Look what Mummy's got for you, Sarah Jane. | 0:16:24 | 0:16:27 | |
It's her, my mum. | 0:16:29 | 0:16:31 | |
BABY CRIES | 0:16:31 | 0:16:32 | |
Sarah Jane! | 0:16:33 | 0:16:34 | |
-And that must be... -I know. Me. | 0:16:36 | 0:16:40 | |
Looks like a pretty good mum. | 0:16:44 | 0:16:45 | |
So why did she leave me? | 0:16:45 | 0:16:47 | |
You can hardly go up and ask. | 0:16:47 | 0:16:49 | |
I can if I'm careful. | 0:16:50 | 0:16:52 | |
That wasn't the plan. You wanted to see her, now you have. | 0:16:52 | 0:16:55 | |
Plans change. | 0:16:55 | 0:16:57 | |
It's her. My mum. | 0:16:57 | 0:16:59 | |
-Hello. -Oh, hello. | 0:17:00 | 0:17:03 | |
Sorry. I thought you were... | 0:17:04 | 0:17:06 | |
-I thought you were... I thought I knew you. -Oh, that's all right. | 0:17:06 | 0:17:10 | |
-Lovely baby. -Yeah, thanks, she is. | 0:17:10 | 0:17:14 | |
Come on. Guess how many gobstoppers in there, penny a go. | 0:17:14 | 0:17:18 | |
I'd say it was 676. | 0:17:21 | 0:17:25 | |
You what? What did you say? | 0:17:25 | 0:17:27 | |
676. If you take the cubic volume of the jar in centimetres, | 0:17:27 | 0:17:32 | |
and then divide by the size of each sweet, | 0:17:32 | 0:17:34 | |
-allowing for the spaces in between. -Just put your name down there. | 0:17:34 | 0:17:38 | |
Centimetres? You from abroad? | 0:17:38 | 0:17:41 | |
No. We're from London. | 0:17:41 | 0:17:43 | |
-What's she called? -Sarah Jane. | 0:17:43 | 0:17:45 | |
You look like you adore her. | 0:17:47 | 0:17:49 | |
Yeah. | 0:17:49 | 0:17:51 | |
Eddie! | 0:17:51 | 0:17:52 | |
-Made it eventually, then? -Had to leave the car up by the memorial. | 0:17:52 | 0:17:56 | |
Ruddy horsebox parked outside the house. | 0:17:56 | 0:17:58 | |
-Hello. -Hello, strangers! | 0:17:58 | 0:18:00 | |
Welcome to the village fete. Fete worse than death! | 0:18:00 | 0:18:03 | |
You staying over the pub? | 0:18:03 | 0:18:05 | |
No, just passing through. A holiday. | 0:18:05 | 0:18:07 | |
Oh, well, lovely day for it. | 0:18:07 | 0:18:09 | |
-Eddie Smith. -I'm... | 0:18:09 | 0:18:11 | |
I'm Victoria Beckham. | 0:18:11 | 0:18:13 | |
And I'm David Beckham. | 0:18:13 | 0:18:15 | |
-Nice to meet you. -I'm Barbara. | 0:18:15 | 0:18:17 | |
-How's my little darling? She been behaving herself? -Quiet as a lamb. | 0:18:17 | 0:18:22 | |
Beautiful, ain't she? Oh, Mrs King says can you help out in the tent? | 0:18:22 | 0:18:25 | |
They're a bit short-handed. | 0:18:25 | 0:18:27 | |
Go on, I'll mind the stall. | 0:18:27 | 0:18:30 | |
Righty-ho. Bye-bye, bye-bye. | 0:18:30 | 0:18:33 | |
I'll help out - another pair of hands? | 0:18:33 | 0:18:35 | |
-That's all right. -I like to be useful. | 0:18:35 | 0:18:37 | |
Mum, are you sure? We should get back soon. | 0:18:37 | 0:18:39 | |
-I'll only be a moment. -OK. -Meet you back at the square. | 0:18:39 | 0:18:42 | |
How many sweets in the jar? | 0:18:44 | 0:18:45 | |
Come on, lovely prizes, step up. | 0:18:45 | 0:18:49 | |
Thank you so much, Mrs Smith. | 0:19:03 | 0:19:06 | |
We can always rely on you! | 0:19:06 | 0:19:08 | |
That's all right, Mrs King. | 0:19:08 | 0:19:11 | |
Where's Mr Beckham today, then? | 0:19:11 | 0:19:14 | |
-Your husband? -I'm not married. | 0:19:14 | 0:19:16 | |
-But David's your son? -I adopted him. | 0:19:16 | 0:19:18 | |
You can adopt even if you're on your own? I thought you couldn't do that. | 0:19:18 | 0:19:22 | |
-You going to have more kids? -A couple more. | 0:19:22 | 0:19:25 | |
That's always been the plan. | 0:19:25 | 0:19:27 | |
Don't want her growing up on her own, nobody to play with. | 0:19:27 | 0:19:31 | |
Here, I was doing this when I first met Eddie. | 0:19:31 | 0:19:34 | |
In a canteen or something? | 0:19:34 | 0:19:37 | |
The NAAFI, yeah. | 0:19:37 | 0:19:39 | |
Eddie came in every afternoon, three on the dot. | 0:19:39 | 0:19:44 | |
Milky tea and a teacake. | 0:19:44 | 0:19:46 | |
Used to leave me silly notes, "Miss Wilson, be mine." | 0:19:46 | 0:19:51 | |
"Miss Wilson, I adore you." | 0:19:51 | 0:19:53 | |
Then one day, "Miss Wilson, will you be Mrs Smith?" | 0:19:53 | 0:19:57 | |
So I sent one back, "Mr Smith, I will." | 0:19:57 | 0:20:00 | |
We still do it, look. | 0:20:02 | 0:20:05 | |
-You probably think we're soft, Victoria. -I don't. | 0:20:10 | 0:20:13 | |
I think it's lovely. | 0:20:13 | 0:20:15 | |
The fissure is closed. | 0:20:22 | 0:20:24 | |
Try the box. | 0:20:24 | 0:20:26 | |
-What am I supposed to do? -I don't know. Hold it up. | 0:20:26 | 0:20:29 | |
Hocus pocus! | 0:20:32 | 0:20:34 | |
Open sesame! | 0:20:34 | 0:20:37 | |
Oh, I dunno. | 0:20:38 | 0:20:39 | |
Jumanji! | 0:20:39 | 0:20:41 | |
I feel like a right fool. | 0:20:43 | 0:20:46 | |
Look at that! It's going crazy. | 0:20:46 | 0:20:48 | |
It's trying to tell us something. | 0:20:48 | 0:20:51 | |
Watch out, here comes Madam. | 0:20:53 | 0:20:56 | |
Oh! | 0:20:56 | 0:20:57 | |
Look at her. So peaceful. What's she thinking? | 0:21:01 | 0:21:05 | |
Thinking about her tea, I reckon. | 0:21:05 | 0:21:08 | |
Eddie thinks she's gonna turn out like his sister, | 0:21:08 | 0:21:11 | |
-the brain of Britain. -I'm sure she'll turn out fine. | 0:21:11 | 0:21:15 | |
You wonder sometimes, though, don't you, Victoria? | 0:21:15 | 0:21:18 | |
What kind of world is she gonna grow up in? | 0:21:18 | 0:21:21 | |
Russians, and the Yanks. Letting off H bombs left, right and centre. | 0:21:21 | 0:21:26 | |
All these men with big ideas on how to live your life. | 0:21:26 | 0:21:30 | |
I think the future will be better than that. | 0:21:30 | 0:21:33 | |
Well, that's why we moved out here. | 0:21:33 | 0:21:35 | |
You see, our generation, we had all the upheaval, the danger. | 0:21:35 | 0:21:38 | |
But Sarah Jane's gonna have a better life. | 0:21:38 | 0:21:41 | |
She's the best little girl in the world. | 0:21:41 | 0:21:44 | |
We'll always be there for you, won't we, darling? | 0:21:44 | 0:21:47 | |
I'd better go. | 0:21:47 | 0:21:50 | |
It was nice meeting you. | 0:21:50 | 0:21:52 | |
No, it was incredible. Goodbye. | 0:21:52 | 0:21:56 | |
She's a funny one. | 0:21:59 | 0:22:00 | |
Mum, it's time to go home. | 0:22:14 | 0:22:18 | |
-Now. -Yes. I'll never know why they left me that day. | 0:22:18 | 0:22:21 | |
But I do know that they loved me. | 0:22:21 | 0:22:24 | |
I thought I'd take this back to show Clyde and Rani. | 0:22:28 | 0:22:32 | |
A souvenir, if that's OK? | 0:22:32 | 0:22:34 | |
Why not? | 0:22:34 | 0:22:35 | |
No. | 0:22:36 | 0:22:37 | |
No, it can't be. | 0:22:40 | 0:22:42 | |
What's the matter? Mum? | 0:22:42 | 0:22:44 | |
Today's date. August the 18th. | 0:22:44 | 0:22:46 | |
It's the day they died. | 0:22:46 | 0:22:48 | |
The boy, Oscar. He told you it was July. | 0:22:48 | 0:22:51 | |
-Why would he lie? -They drive off today. They leave me today. | 0:22:51 | 0:22:54 | |
-This afternoon. Now. -We've got to go back home. | 0:22:54 | 0:22:58 | |
There! That's the car. | 0:23:00 | 0:23:01 | |
My dad said, you heard him, he parked it by the memorial. | 0:23:01 | 0:23:06 | |
We're going home, now. | 0:23:07 | 0:23:09 | |
I could save them with the sonic. | 0:23:09 | 0:23:12 | |
I could put the car out of action. | 0:23:12 | 0:23:14 | |
Then, wherever they were going, they'd never leave. | 0:23:14 | 0:23:17 | |
But it's a fixed point in time. | 0:23:17 | 0:23:19 | |
-We know it happened. -But why? | 0:23:19 | 0:23:21 | |
Why them? It's so unfair! | 0:23:21 | 0:23:23 | |
You know you can't do it. | 0:23:23 | 0:23:25 | |
Luke, I have saved the lives of so many people. | 0:23:25 | 0:23:27 | |
People I didn't even know. I don't know. Miners on Peladon, | 0:23:27 | 0:23:31 | |
all the people drinking Bubbleshock, without a second thought. | 0:23:31 | 0:23:34 | |
But this is my mum and dad. | 0:23:34 | 0:23:35 | |
You know you're not meant to. | 0:23:35 | 0:23:37 | |
Why? Why can't I? Why shouldn't I save them too? | 0:23:37 | 0:23:39 | |
What about the way you were brought up? | 0:23:39 | 0:23:42 | |
If you changed it, then what if you never meet the Doctor? | 0:23:42 | 0:23:45 | |
What if you never meet me? | 0:23:45 | 0:23:46 | |
I only want to look through the fissure, | 0:23:46 | 0:23:49 | |
see what my life becomes if they survive. | 0:23:49 | 0:23:51 | |
If there's anything wrong, we set it right again. | 0:23:51 | 0:23:54 | |
Unless this is the trap! | 0:23:54 | 0:23:55 | |
Why do we have to think this is something terrible? | 0:23:55 | 0:23:59 | |
What if this is a good thing? | 0:23:59 | 0:24:00 | |
All these years I've put other people first. | 0:24:00 | 0:24:03 | |
There has to be something at the end of it, something for me. | 0:24:03 | 0:24:06 | |
What if this is it? My reward? | 0:24:06 | 0:24:08 | |
-Please. Stop for a moment. Think. -If I do, I'll change my mind. | 0:24:10 | 0:24:13 | |
CLANKING | 0:24:13 | 0:24:15 | |
There, I've disabled the engine. Now they can't go anywhere. | 0:24:17 | 0:24:21 | |
-You always said changing time was so dangerous. -Back to the fissure. Now. | 0:24:21 | 0:24:25 | |
Maybe the whole world will be better. | 0:24:25 | 0:24:27 | |
It's just an experiment. I have to see. | 0:24:27 | 0:24:30 | |
RUMBLING | 0:24:30 | 0:24:32 | |
THUNDER RUMBLES OVERHEAD | 0:24:40 | 0:24:42 | |
Weather's turning. | 0:24:42 | 0:24:44 | |
Forecast said sunny all day. | 0:24:44 | 0:24:46 | |
One day they'll get it right. | 0:24:46 | 0:24:48 | |
But there's no clouds, that's weird. | 0:24:49 | 0:24:52 | |
It's happening. | 0:24:54 | 0:24:57 | |
Time for me to collect my prize! | 0:24:57 | 0:24:59 | |
Why has it turned red? | 0:24:59 | 0:25:01 | |
What? I don't like this at all. | 0:25:04 | 0:25:07 | |
-It's Luke! Luke! -No! | 0:25:12 | 0:25:14 | |
It's not him! It's that kid, Oscar. | 0:25:15 | 0:25:21 | |
Oscar, what's wrong? | 0:25:21 | 0:25:22 | |
Where's Sarah Jane, the lady who helped you? | 0:25:22 | 0:25:25 | |
-So stupid. Humans. -I don't like where that sentence ended up either. | 0:25:25 | 0:25:31 | |
Run! | 0:25:36 | 0:25:37 | |
-Let's split up. -No, think. | 0:25:44 | 0:25:47 | |
It must be the Graske thing, and that'll protect us! | 0:25:47 | 0:25:50 | |
Let's not split up! | 0:25:50 | 0:25:51 | |
Here! | 0:25:58 | 0:26:00 | |
-Something's happening. -Sshh! | 0:26:08 | 0:26:10 | |
Hold on to me! | 0:26:10 | 0:26:11 | |
THEY SCREAM | 0:26:13 | 0:26:15 | |
I can't see anything. | 0:26:22 | 0:26:24 | |
What's happened? | 0:26:24 | 0:26:26 | |
I'm going through. | 0:26:26 | 0:26:28 | |
Wait for me! | 0:26:28 | 0:26:29 | |
This is our time. | 0:26:32 | 0:26:35 | |
Our world. | 0:26:35 | 0:26:38 | |
That's impossible. What's happened to London? | 0:26:38 | 0:26:40 | |
It's been destroyed! | 0:26:40 | 0:26:42 | |
THEY SCREAM | 0:26:42 | 0:26:44 | |
What just happened? Where are we? | 0:26:48 | 0:26:51 | |
EVIL LAUGHTER | 0:26:57 | 0:26:59 | |
Sarah Jane Smith! | 0:26:59 | 0:27:03 | |
Oh, no. Not you. | 0:27:03 | 0:27:05 | |
Mum. What is it? | 0:27:05 | 0:27:07 | |
Where is this place? | 0:27:07 | 0:27:08 | |
This is what you wanted to see. | 0:27:08 | 0:27:12 | |
Earth... | 0:27:12 | 0:27:13 | |
..on the day that you left. | 0:27:13 | 0:27:16 | |
Do you consider your experiment to be a success? | 0:27:16 | 0:27:21 | |
-What have you done? -It was you! | 0:27:21 | 0:27:24 | |
You gave me the power to walk this world. | 0:27:24 | 0:27:27 | |
You gave this planet to the Trickster! | 0:27:27 | 0:27:32 | |
EVIL LAUGHTER | 0:27:32 | 0:27:33 | |
We saw the Trickster in the future. | 0:27:36 | 0:27:39 | |
He hasn't manifested himself yet. That's about to happen here in 1951. | 0:27:39 | 0:27:42 | |
We're in an alternative time line. Our world never existed. | 0:27:42 | 0:27:46 | |
The Trickster walked through the Abbot's gateway, | 0:27:46 | 0:27:49 | |
and sucked the life out of the world. | 0:27:49 | 0:27:51 | |
Too late, I'm growing stronger! | 0:27:51 | 0:27:55 | |
Subtitles by Red Bee Media Ltd | 0:28:06 | 0:28:08 |