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13 Bannerman Road is where Sarah Jane Smith lives. | 0:00:02 | 0:00:03 | |
And it's home to things way beyond your imagination. | 0:00:03 | 0:00:07 | |
There's an extraterrestrial super computer in the wall, | 0:00:07 | 0:00:11 | |
a genetically engineered boy genius in the attic, | 0:00:11 | 0:00:13 | |
a schoolgirl investigator across the road, | 0:00:13 | 0:00:17 | |
and a whole universe of adventure right here on the doorstep. | 0:00:17 | 0:00:21 | |
-Ready? -Always. | 0:00:26 | 0:00:30 | |
See you later, then. | 0:00:58 | 0:00:59 | |
Yeah, see you, Mum, have a good evening. | 0:00:59 | 0:01:01 | |
You too! Bye, K9. | 0:01:01 | 0:01:03 | |
Enjoy your evening, Mistress. | 0:01:03 | 0:01:06 | |
Yeah. | 0:01:06 | 0:01:07 | |
Mr Smith, I need you quickly and quietly. | 0:01:12 | 0:01:14 | |
Quickly and quietly. | 0:01:14 | 0:01:17 | |
She's off again! | 0:01:22 | 0:01:23 | |
-Right, we're coming over. -What is she up to? | 0:01:29 | 0:01:31 | |
-How can I help you, Luke? -Activate tracking device, Mr Smith. | 0:01:32 | 0:01:35 | |
Aerial satellite scan. | 0:01:35 | 0:01:37 | |
BEEPING So, what was her story this time? | 0:01:41 | 0:01:45 | |
She says she's going to a meeting at the town hall | 0:01:45 | 0:01:48 | |
about a motorway extension. | 0:01:48 | 0:01:50 | |
Mistress's exact words - "You never know, Luke, there could be a story in it." | 0:01:50 | 0:01:54 | |
Her excuses are getting lamer and lamer. | 0:01:54 | 0:01:57 | |
Affirmative. Veracity level 12%. | 0:01:57 | 0:02:00 | |
Why is she lying to us? | 0:02:00 | 0:02:04 | |
She's heading into town. | 0:02:04 | 0:02:05 | |
Query. Am I to understand you are using my tracking system to spy on Sarah Jane? | 0:02:05 | 0:02:11 | |
It's the fifth time she's done this in a month. | 0:02:11 | 0:02:13 | |
-We've gotta find out what she's doing. -She goes off on | 0:02:13 | 0:02:15 | |
her own, all mysterious, what if she gets in trouble? | 0:02:15 | 0:02:18 | |
This is highly irregular behaviour. | 0:02:18 | 0:02:20 | |
Do not exceed your function, Mr Smith. | 0:02:20 | 0:02:23 | |
Your opinion has not been asked for. | 0:02:23 | 0:02:25 | |
That told you! Good dog! | 0:02:25 | 0:02:27 | |
-Affirmative, Master Clyde. -She's stopped. | 0:02:27 | 0:02:30 | |
-Nowhere near the town hall. -There, she was lying, knew it. | 0:02:30 | 0:02:34 | |
-ELECTRONIC SWOOSHING -Whoa! Must stop doing that. | 0:02:35 | 0:02:40 | |
Right. | 0:02:46 | 0:02:47 | |
Scan for alien activity in that area, K9. | 0:02:52 | 0:02:55 | |
Negative for alien activity, Master Clyde. | 0:02:58 | 0:03:01 | |
I am perfectly able to complete that function, Clyde. | 0:03:01 | 0:03:04 | |
There's no need to consult the dog. | 0:03:04 | 0:03:06 | |
Sticks and stones. | 0:03:06 | 0:03:08 | |
So what now, then? We follow her down there? | 0:03:08 | 0:03:11 | |
Come on. Two minutes to the next bus. | 0:03:15 | 0:03:17 | |
And you two, play nicely. | 0:03:19 | 0:03:21 | |
"Play nicely," instruction to human children, conduct recreation in | 0:03:21 | 0:03:26 | |
-socially compatible mode. -Oh, be quiet. | 0:03:26 | 0:03:28 | |
There's the car, but where's Mum? | 0:03:31 | 0:03:33 | |
No sign of any aliens either. | 0:03:36 | 0:03:38 | |
No! | 0:03:41 | 0:03:42 | |
I did not just see that. | 0:03:42 | 0:03:45 | |
Careful! | 0:03:45 | 0:03:47 | |
Oh, my God. | 0:03:52 | 0:03:55 | |
Oh, no, they're not gonna... | 0:03:55 | 0:03:57 | |
Oh, people are eating! | 0:03:57 | 0:03:59 | |
Wow. Just wow! | 0:04:07 | 0:04:10 | |
Nobody over 22 should be doing that in public - actually at all! | 0:04:10 | 0:04:15 | |
Shut up, Clyde. Oh, that's brilliant, she's got herself a man. | 0:04:15 | 0:04:19 | |
-What are we gonna say? -We're not gonna say anything! | 0:04:19 | 0:04:22 | |
She wants it kept a secret, so we never saw that and we don't know. | 0:04:22 | 0:04:26 | |
Luke? | 0:04:27 | 0:04:29 | |
Yeah. | 0:04:29 | 0:04:30 | |
And we thought she was hunting aliens. | 0:04:30 | 0:04:33 | |
He looked really posh, I bet he's called Henry or... | 0:04:37 | 0:04:40 | |
She's coming! FOOTSTEPS APPROACH | 0:04:40 | 0:04:42 | |
What are you all doing up here? | 0:04:44 | 0:04:46 | |
Well, the exams are coming up, so we've gotta work. | 0:04:46 | 0:04:49 | |
Luke's helping us revise. | 0:04:49 | 0:04:52 | |
Did you have a good evening? | 0:04:53 | 0:04:56 | |
Yeah, how was the, er...meeting? | 0:04:56 | 0:04:58 | |
Nothing special. | 0:04:58 | 0:05:00 | |
-Why is Mr Smith still out? -'Information. | 0:05:00 | 0:05:03 | |
-'Sarah Jane's car is now parked outside the house.' -What? Mr Smith! | 0:05:03 | 0:05:08 | |
'Oh, hello, Sarah Jane, I have been tracking your position | 0:05:08 | 0:05:11 | |
-'as instructed by Luke.' -Big mouth! You did that on purpose! | 0:05:11 | 0:05:14 | |
K9, what have they been doing? | 0:05:14 | 0:05:16 | |
'I have been instructed to withhold information.' | 0:05:16 | 0:05:19 | |
What was your exact instruction? | 0:05:19 | 0:05:22 | |
'Mistress Rani instructed me not to relay the information that you | 0:05:22 | 0:05:26 | |
-'were followed to your assignation.' -The gob on you! | 0:05:26 | 0:05:29 | |
-You've been spying on me? -We were worried. | 0:05:29 | 0:05:32 | |
When you've kept something secret before, it's always been a disaster. | 0:05:32 | 0:05:35 | |
Does that give you the right to poke into my private business? | 0:05:35 | 0:05:38 | |
Oh, I was about to tell you anyway. | 0:05:41 | 0:05:43 | |
So who's the lucky fella, then? | 0:05:45 | 0:05:46 | |
His name is Peter Dalton, and | 0:05:48 | 0:05:49 | |
yes, he's very lucky and rather marvellous. | 0:05:49 | 0:05:52 | |
Ooh! Where did you meet him? | 0:05:52 | 0:05:55 | |
Oh, no, that's all, end of discussion. | 0:05:55 | 0:05:57 | |
You two, home. Luke, bed, I'll be in to say good night. | 0:05:57 | 0:05:59 | |
Go on! Off, off! | 0:05:59 | 0:06:02 | |
Sweet dreams. | 0:06:02 | 0:06:04 | |
I should be angry. Why am I not angry? | 0:06:11 | 0:06:14 | |
'Mistress, I detect you are experiencing | 0:06:14 | 0:06:17 | |
'a heightened emotional state. | 0:06:17 | 0:06:19 | |
'Alpha waves high, heartbeat fast, increased serotonin.' | 0:06:19 | 0:06:24 | |
Oh, K9, always the romantic. | 0:06:24 | 0:06:27 | |
Affirmative. | 0:06:27 | 0:06:29 | |
Honestly, I was about to tell you. I think. | 0:06:34 | 0:06:39 | |
I'm not exactly an expert in matters of the heart. | 0:06:39 | 0:06:43 | |
Neither am I. | 0:06:43 | 0:06:45 | |
I thought something was bound to go wrong, with my track record, | 0:06:45 | 0:06:49 | |
and...it keeps getting better. | 0:06:49 | 0:06:52 | |
I didn't know you had those sort of feelings. | 0:06:52 | 0:06:54 | |
Men were interested before, | 0:06:54 | 0:06:57 | |
but then I'd think, "How can a relationship go anywhere with my bizarre life?" | 0:06:57 | 0:07:01 | |
-Where did you meet him? -In a shoe shop. | 0:07:06 | 0:07:09 | |
We just got talking, and he gave me his phone number. | 0:07:09 | 0:07:12 | |
-I didn't know people of your age did that kind of thing. -Cheek! | 0:07:12 | 0:07:15 | |
I wasn't going to call him, but then... | 0:07:15 | 0:07:17 | |
I bumped into him again, and it got me thinking. | 0:07:17 | 0:07:21 | |
I cut myself off from people for all those years. | 0:07:21 | 0:07:24 | |
How could anyone like me, with what I know, what I do, ever have proper friends? | 0:07:24 | 0:07:28 | |
But then I got you, and Maria and Clyde and Rani, | 0:07:28 | 0:07:33 | |
and things changed, and perhaps they're changing on this front. | 0:07:33 | 0:07:37 | |
You look really happy. | 0:07:37 | 0:07:38 | |
But there's still the big problem, isn't there? | 0:07:38 | 0:07:42 | |
I can't suddenly spring it all on Peter. | 0:07:42 | 0:07:45 | |
"Oh, by the way, I used to go travelling through space and | 0:07:45 | 0:07:49 | |
"time in a phone box with a Time Lord." | 0:07:49 | 0:07:51 | |
"My son was created as part of an experiment by the Bane." | 0:07:51 | 0:07:54 | |
-"I've got a talking computer and a robot dog." -"Oh, by the way, | 0:07:54 | 0:07:58 | |
"my lipstick, it's deadly." | 0:07:58 | 0:08:00 | |
But I do want you to meet him. | 0:08:03 | 0:08:06 | |
Can we just keep all the madness quiet for a bit longer? | 0:08:06 | 0:08:09 | |
See how things go. | 0:08:09 | 0:08:11 | |
And whatever happens, we're OK, you and me? | 0:08:15 | 0:08:19 | |
Good night. | 0:08:21 | 0:08:22 | |
METALLIC THRUMMING | 0:08:30 | 0:08:33 | |
-I hope I look OK. -'OK, adequate but unremarkable quality.' | 0:08:53 | 0:08:58 | |
I don't know how I'm supposed to react. | 0:08:58 | 0:09:00 | |
What am I supposed to call him? | 0:09:00 | 0:09:02 | |
Peter, Mr Dalton? | 0:09:03 | 0:09:05 | |
Dad? | 0:09:07 | 0:09:10 | |
What if I don't even like him? | 0:09:10 | 0:09:11 | |
'Regret I do not have the answer to these questions, Master Luke. | 0:09:11 | 0:09:16 | |
'Suggest consult another human being.' | 0:09:16 | 0:09:18 | |
Come on, Luke, he'll be here any moment. Chop-chop! | 0:09:18 | 0:09:22 | |
Right. | 0:09:24 | 0:09:25 | |
-Stay quiet, K9. He mustn't find out about you, got it? -'Understood.' | 0:09:25 | 0:09:30 | |
Oi! Clyde! What are you doing here? | 0:09:37 | 0:09:40 | |
I think I left my phone charger in the attic. | 0:09:40 | 0:09:44 | |
-Oh, yeah? -All right, I want a good old look at the mystery man. | 0:09:44 | 0:09:47 | |
Hold on, so do I! | 0:09:47 | 0:09:49 | |
Thanks. | 0:09:50 | 0:09:52 | |
Oh, hi, Sarah Jane! | 0:10:00 | 0:10:01 | |
-Is that your new man? -What are you doing here? | 0:10:01 | 0:10:04 | |
Erm...well... YELPING FROM INSIDE BOX | 0:10:04 | 0:10:07 | |
Hello, there! These are for you. | 0:10:07 | 0:10:10 | |
-Oh, thank you. -Everything all right? | 0:10:10 | 0:10:12 | |
Oh, thanks for looking after that for me. | 0:10:12 | 0:10:15 | |
Come on, Clyde. | 0:10:15 | 0:10:16 | |
But... Hello. | 0:10:16 | 0:10:20 | |
Peter, they're lovely - thank you! | 0:10:20 | 0:10:23 | |
-Are you sure everything's all right? -Yes. | 0:10:23 | 0:10:25 | |
Oh, they're beautiful. | 0:10:25 | 0:10:27 | |
Is that Sarah's man arriving? | 0:10:27 | 0:10:29 | |
-Mum, have you got no shame? -At least we were subtle. | 0:10:29 | 0:10:32 | |
-And what is that? -How should I know? | 0:10:32 | 0:10:34 | |
OK. Very good. | 0:10:40 | 0:10:42 | |
Now, this must be Luke. | 0:10:42 | 0:10:44 | |
Nice to meet you, Mr Dalton. | 0:10:44 | 0:10:47 | |
It's Peter, please. I've heard all about you, you're the apple of your mother's eye. | 0:10:47 | 0:10:51 | |
So this is where you live? Amazing place. | 0:10:51 | 0:10:55 | |
YELPING AND GROWLING FROM INSIDE BOX | 0:11:01 | 0:11:03 | |
Blimey, he's quite dishy. | 0:11:04 | 0:11:06 | |
She's done all right for herself. | 0:11:06 | 0:11:08 | |
Cool car. | 0:11:08 | 0:11:10 | |
Mum, come back! | 0:11:10 | 0:11:13 | |
Clyde! | 0:11:13 | 0:11:15 | |
Oh! Hello! Just popping to the shops... Do you want anything? | 0:11:20 | 0:11:24 | |
No, thanks. Peter, this is Gita from over the road. | 0:11:24 | 0:11:29 | |
Oh, Peter and Gita, that's funny! | 0:11:29 | 0:11:31 | |
Gita, nice to meet you. | 0:11:31 | 0:11:33 | |
Pretty flowers. | 0:11:33 | 0:11:35 | |
I run a flower shop, my darling, Bloomin' Lovely on the parade? | 0:11:35 | 0:11:39 | |
You should pop in, I'll give you a discount. I do lovely | 0:11:39 | 0:11:41 | |
-displays for weddings! -Oh, that's quite enough of that, thank you. | 0:11:41 | 0:11:44 | |
Well...I'll be off. | 0:11:48 | 0:11:50 | |
-The shop's that way, Mrs Chandra. -Yes! | 0:11:50 | 0:11:53 | |
Let me just pop these in some water. | 0:11:55 | 0:11:58 | |
-So... -Yes. | 0:12:00 | 0:12:01 | |
OK, he looks all right. | 0:12:01 | 0:12:04 | |
Did that just move again? | 0:12:07 | 0:12:09 | |
What is it? | 0:12:13 | 0:12:14 | |
YELPING AND GROWLING | 0:12:18 | 0:12:21 | |
'Alien activity detected! Alert! | 0:12:22 | 0:12:26 | |
'Activating stair-negotiation hover mode.' | 0:12:32 | 0:12:34 | |
It's alive. | 0:12:34 | 0:12:36 | |
Let's hope it's harmless! | 0:12:36 | 0:12:39 | |
Stop! Stay calm! We're going to help you! | 0:12:43 | 0:12:45 | |
'Mistress, emergency! Alien activity detected!' | 0:12:52 | 0:12:55 | |
K9, shut up! Get back inside, he mustn't see you! | 0:12:55 | 0:12:58 | |
It's all meant to be normal! | 0:12:58 | 0:13:00 | |
-'Alert, Mistress! Previous...' -K9! -'..instructions overridden, danger!' | 0:13:01 | 0:13:04 | |
-Hey, what's that? -Oh, it's mine, it's a toy. | 0:13:04 | 0:13:08 | |
-It comes from Japan, it's a robot dog, K9, get it? -'Alert!' -But it talks. | 0:13:08 | 0:13:12 | |
Yeah, it's got this programme with a few phrases. | 0:13:12 | 0:13:14 | |
'Do not look at me, everything is normal.' | 0:13:14 | 0:13:17 | |
It's a prototype. It always finds its way home. | 0:13:17 | 0:13:19 | |
You know, I would like one of those. | 0:13:19 | 0:13:21 | |
-Let's go. -The toys kids | 0:13:21 | 0:13:22 | |
have nowadays, computers and everything, it's incredible! | 0:13:22 | 0:13:25 | |
Remember that thing with the horse... | 0:13:25 | 0:13:27 | |
YELPING | 0:13:27 | 0:13:30 | |
'Alert! Alert!' | 0:13:30 | 0:13:32 | |
Buckaroo! | 0:13:32 | 0:13:35 | |
What's it doing? YELPING | 0:13:35 | 0:13:36 | |
'Alert! Oi!' | 0:13:40 | 0:13:41 | |
-Let's go. -Yeah, I'm starving. | 0:13:41 | 0:13:44 | |
I thought we'd try the new Italian on the high street. YELPING | 0:13:49 | 0:13:55 | |
Come back here! | 0:13:55 | 0:13:57 | |
I'd really like to go to university, but I think I'd also like to work on | 0:13:59 | 0:14:04 | |
-my own projects. -MOBILE RINGS | 0:14:04 | 0:14:06 | |
Better get this. | 0:14:06 | 0:14:08 | |
Sorry. Rani? | 0:14:08 | 0:14:12 | |
There you go, my son! | 0:14:12 | 0:14:15 | |
-We've got it! But what is it? -Travast Polong. Not evil, just trouble. | 0:14:15 | 0:14:20 | |
I saw him on eBay, the seller had no idea what he was. | 0:14:20 | 0:14:23 | |
It turns out he was in his dormant cycle. | 0:14:23 | 0:14:25 | |
He would choose today to wake up! | 0:14:25 | 0:14:27 | |
-Get Mr Smith to open up a link to Polongus and they'll transmat him home. -Already on it. | 0:14:27 | 0:14:31 | |
'Polongus receiving now. | 0:14:33 | 0:14:35 | |
'Earth transmitting now.' | 0:14:35 | 0:14:38 | |
Problem solved. You have fun, right? | 0:14:38 | 0:14:43 | |
But Mum always has a way of getting things out of you. | 0:14:47 | 0:14:50 | |
It must be being a journalist, she has to know everything. | 0:14:50 | 0:14:53 | |
Yes, that is so true! | 0:14:53 | 0:14:56 | |
-Watch this. -You boys OK? | 0:14:57 | 0:15:02 | |
Oh, yes, yes, Luke and I were just discussing, erm... | 0:15:02 | 0:15:06 | |
Oh, never mind, it's not important. | 0:15:06 | 0:15:08 | |
Oh, no, go on, what? | 0:15:08 | 0:15:11 | |
Oh, don't worry about it, Mum, it was nothing. | 0:15:11 | 0:15:13 | |
No, no, go on, what were you talking about? Tell me. Come on. | 0:15:13 | 0:15:17 | |
What's so funny? | 0:15:19 | 0:15:22 | |
-What? -Nothing! | 0:15:22 | 0:15:24 | |
-What are you doing? -Just being nosy. | 0:15:29 | 0:15:31 | |
Looking up Peter's gaffe. | 0:15:31 | 0:15:33 | |
120 Christchurch Walk, W4. | 0:15:33 | 0:15:37 | |
Nice place! | 0:15:37 | 0:15:38 | |
That's weird. There's a "For sale" sign. | 0:15:42 | 0:15:44 | |
And newspapers in the windows, it looks empty. | 0:15:44 | 0:15:48 | |
That picture could have been taken months back. | 0:15:48 | 0:15:50 | |
No, no, look, it says three weeks ago. | 0:15:50 | 0:15:53 | |
-I'll ask Sarah Jane. -But Luke told me that she'd never been to his place. | 0:15:53 | 0:15:58 | |
-Let's go round there. -Are you joking? | 0:16:00 | 0:16:03 | |
-We'll just have a look. -Oh, Clyde, Peter is not an alien! | 0:16:03 | 0:16:09 | |
I know! | 0:16:09 | 0:16:11 | |
K9 scanned him, but Sarah Jane's loaded, right? | 0:16:11 | 0:16:13 | |
This money from her aunt, the house, what if he wants to get his hands on it? | 0:16:13 | 0:16:19 | |
He's a partner in a law firm, he earns thousands. | 0:16:19 | 0:16:22 | |
I know why you're doing this. You don't want things to change. | 0:16:22 | 0:16:25 | |
Neither do I. | 0:16:25 | 0:16:28 | |
But Sarah Jane's happy, isn't that important? | 0:16:28 | 0:16:30 | |
Yeah. | 0:16:30 | 0:16:32 | |
And I want her to stay happy. | 0:16:32 | 0:16:34 | |
Come on. | 0:16:34 | 0:16:35 | |
I don't quite know how to say this. | 0:16:41 | 0:16:43 | |
-What's the matter? -Well...nothing's the matter, that's it. | 0:16:43 | 0:16:49 | |
Sarah Jane, I love you. | 0:16:49 | 0:16:52 | |
Good, because the funny thing is...I love you too. | 0:16:54 | 0:16:58 | |
Come on. | 0:16:59 | 0:17:00 | |
What? This place is creepy. | 0:17:03 | 0:17:06 | |
-It's freezing. -We got the right address, didn't we? -Of course we did. | 0:17:07 | 0:17:11 | |
Look at this place. I knew it, lair of the living dead! | 0:17:14 | 0:17:18 | |
There could be a million reasons for this. I dunno, | 0:17:18 | 0:17:20 | |
he's got everything in storage. | 0:17:20 | 0:17:22 | |
Oh, yeah? | 0:17:22 | 0:17:24 | |
Will you marry me? | 0:17:32 | 0:17:33 | |
Oh, it's beautiful. | 0:17:33 | 0:17:36 | |
Peter, I love you! | 0:17:36 | 0:17:38 | |
Which means...? | 0:17:38 | 0:17:40 | |
-Yes, of course. Yes, yes, yes! -APPLAUSE | 0:17:40 | 0:17:44 | |
A perfect fit. | 0:17:57 | 0:17:58 | |
Here they come. Hey, I've just been telling Luke. | 0:18:05 | 0:18:09 | |
I've got some big news. | 0:18:09 | 0:18:11 | |
Wonderful news! | 0:18:11 | 0:18:14 | |
Peter and I, we're getting married. | 0:18:14 | 0:18:17 | |
What? | 0:18:17 | 0:18:20 | |
Well, you don't have to look so pleased. | 0:18:20 | 0:18:22 | |
I know it's a bit of a shock, but Peter's got it all planned. | 0:18:22 | 0:18:24 | |
I bet he has. | 0:18:24 | 0:18:26 | |
-What do you mean? -Sarah Jane, we went round to Peter's house. | 0:18:26 | 0:18:31 | |
-You did what? -There's nothing there. It's empty. | 0:18:31 | 0:18:34 | |
What? What do you mean? | 0:18:34 | 0:18:37 | |
Mum? | 0:18:37 | 0:18:39 | |
I know it's empty. He doesn't really live there. | 0:18:43 | 0:18:46 | |
His firm got him a flat in London nearer the office. | 0:18:46 | 0:18:51 | |
And you've been there? | 0:18:51 | 0:18:52 | |
Plenty of times. | 0:18:52 | 0:18:55 | |
Oh, I should be angry with you breaking in there. | 0:18:55 | 0:18:59 | |
It's what I'd do, isn't it? | 0:19:01 | 0:19:04 | |
Oh, look at you, I've made you all so suspicious. | 0:19:04 | 0:19:06 | |
But this is a happy thing, and I want you all to be part of it. | 0:19:06 | 0:19:10 | |
It isn't the end of the world. | 0:19:10 | 0:19:13 | |
So thanks, but there's no need to sneak around or worry about | 0:19:13 | 0:19:15 | |
-anything. -So when's the wedding? | 0:19:15 | 0:19:19 | |
End of next week! | 0:19:19 | 0:19:21 | |
-Next week?! -Well, at my age, why wait? | 0:19:21 | 0:19:23 | |
You what? That's mad! | 0:19:23 | 0:19:26 | |
Peter had it all on standby, a nice hotel in the country. | 0:19:26 | 0:19:29 | |
You're all invited and you, Luke, you can give me away. | 0:19:29 | 0:19:33 | |
Do I have to do a speech? | 0:19:33 | 0:19:35 | |
-'I will help, Master Luke.' -It'll be full of robot jokes, will it? | 0:19:35 | 0:19:39 | |
Don't you think it's a bit fast? | 0:19:39 | 0:19:41 | |
Oh, you're telling me, I've got so much to arrange, a lot of changes. | 0:19:41 | 0:19:45 | |
'Sarah Jane, anomaly detected.' | 0:19:45 | 0:19:47 | |
That reminds me. First big change. | 0:19:47 | 0:19:50 | |
Mr Smith, commence deactivation program. | 0:19:50 | 0:19:53 | |
'But, Sarah Jane, I have detected an impulse registering...' | 0:19:53 | 0:19:55 | |
Initiate total deactivation, Mr Smith. Protocol five! | 0:19:55 | 0:20:00 | |
'Complying. Goodbye, Sarah Jane.' | 0:20:00 | 0:20:03 | |
No, Sarah Jane! He was trying to tell us something! | 0:20:03 | 0:20:06 | |
The world can look after itself. | 0:20:06 | 0:20:08 | |
I'm busy with something normal for a change, and I don't want anything, | 0:20:08 | 0:20:12 | |
any of this getting in the way. | 0:20:12 | 0:20:15 | |
You haven't told Peter about...our thing, what we do? | 0:20:15 | 0:20:20 | |
Why should I? Perhaps I never will, perhaps that's the solution. | 0:20:20 | 0:20:24 | |
I don't like this. | 0:20:24 | 0:20:26 | |
I know what'll stop you worrying, Clyde. | 0:20:26 | 0:20:29 | |
-You can dog sit for me, you can look after K9. -What? Really? | 0:20:29 | 0:20:33 | |
-What do I say to my mum? -Oh, come on, Clyde Langer, when have you ever | 0:20:33 | 0:20:37 | |
been short of excuses? | 0:20:37 | 0:20:39 | |
Oh, and Rani, keep Saturday free, dress shopping! | 0:20:39 | 0:20:42 | |
-Oh, you're going to make a lovely bridesmaid! -You're on! | 0:20:42 | 0:20:45 | |
And there's that wedding fair. | 0:20:45 | 0:20:47 | |
I know! And your mum can do the flowers - before she asks. | 0:20:47 | 0:20:50 | |
Right, come on, everybody out. | 0:20:51 | 0:20:54 | |
Things to do! | 0:20:54 | 0:20:56 | |
Come on. | 0:20:56 | 0:20:58 | |
K9, walkies! | 0:21:00 | 0:21:02 | |
And goodbye...to all of that. | 0:21:06 | 0:21:08 | |
ECHOING EVIL LAUGHTER | 0:21:16 | 0:21:18 | |
What have you got there? | 0:21:23 | 0:21:24 | |
A message from our friend Maria. | 0:21:24 | 0:21:26 | |
She couldn't make it, she's got exams and her dad's tied up at work. | 0:21:26 | 0:21:29 | |
My mum's at another wedding, | 0:21:29 | 0:21:32 | |
cos this was too short notice, it's all been so fast. | 0:21:32 | 0:21:36 | |
And the Brigadier's her oldest friend, | 0:21:36 | 0:21:39 | |
of course, but he's back in Peru. | 0:21:39 | 0:21:41 | |
Have you got any family coming, Peter? | 0:21:41 | 0:21:43 | |
I'm afraid I'm the only one left, end of the line. | 0:21:43 | 0:21:47 | |
Be back in a sec. | 0:21:47 | 0:21:49 | |
There's something so weird about all this. | 0:21:49 | 0:21:52 | |
You didn't have to come, Clyde. | 0:21:52 | 0:21:53 | |
I wouldn't miss this. What if something happens? | 0:21:53 | 0:21:57 | |
Just because your dad turned out bad doesn't mean mine will. | 0:21:57 | 0:21:59 | |
He's not your dad. | 0:21:59 | 0:22:01 | |
He's going to be. | 0:22:01 | 0:22:03 | |
Don't spoil my mum's day. | 0:22:03 | 0:22:04 | |
Is this it? | 0:22:10 | 0:22:12 | |
That's Emma, does her hair. | 0:22:12 | 0:22:15 | |
Clarissa, used to be her editor. | 0:22:15 | 0:22:18 | |
Oh, that's her accountant, I can't remember his name. | 0:22:18 | 0:22:21 | |
-You must be slipping. -Bit of a sorry turnout. | 0:22:21 | 0:22:24 | |
Well, I suppose that's what happens when you rush to get married. | 0:22:24 | 0:22:28 | |
It is rather peculiar. Marry in haste, repent at leisure, they say. | 0:22:28 | 0:22:32 | |
Trust you to be the voice of doom, Haresh. | 0:22:32 | 0:22:35 | |
Smile! | 0:22:35 | 0:22:37 | |
-Congratulations. -Thank you. | 0:22:37 | 0:22:39 | |
Hello, everybody. Welcome! | 0:22:39 | 0:22:42 | |
It's time, so if you'd like to go in. | 0:22:42 | 0:22:44 | |
So...Peter, where are you heading after | 0:22:51 | 0:22:54 | |
the reception, somewhere exotic? | 0:22:54 | 0:22:56 | |
Afterwards is a surprise. | 0:22:56 | 0:22:58 | |
It can't be any worse than our honeymoon. Total disaster. | 0:23:00 | 0:23:03 | |
Erm...I enjoyed it. | 0:23:03 | 0:23:05 | |
Brussels - there's nothing there! | 0:23:06 | 0:23:08 | |
Mum. | 0:23:52 | 0:23:53 | |
Rani...you look...good. | 0:24:01 | 0:24:03 | |
I look "good"? | 0:24:03 | 0:24:06 | |
You look amazing. Both of you. | 0:24:08 | 0:24:11 | |
Thought you might have gone for the Doctor to give you away. | 0:24:14 | 0:24:17 | |
I need somebody reliable, and I'm so very, very glad it's you. | 0:24:17 | 0:24:22 | |
Besides, where would I send the invite? | 0:24:22 | 0:24:25 | |
Metebelis 3? | 0:24:25 | 0:24:26 | |
METALLIC THRUMMING | 0:24:28 | 0:24:31 | |
Look at our Rani! | 0:24:42 | 0:24:44 | |
It only seems like yesterday she was in pigtails. | 0:24:44 | 0:24:46 | |
Sarah looks so happy. | 0:24:57 | 0:24:59 | |
-It's just like a fairy tale. -Pull yourself together. | 0:24:59 | 0:25:04 | |
K9, scan. | 0:25:11 | 0:25:13 | |
'All normal, Master Clyde.' | 0:25:13 | 0:25:16 | |
Yeah, so far. | 0:25:16 | 0:25:18 | |
-You brought the dog? -Well, what did you think | 0:25:18 | 0:25:20 | |
was under there, the wedding cake? | 0:25:20 | 0:25:23 | |
There's something wrong about this. | 0:25:23 | 0:25:25 | |
Good afternoon, everyone, I'm the superintendent registrar. | 0:25:26 | 0:25:31 | |
We are here today to witness the marriage of Sarah Jane Smith and Peter Anthony Dalton. | 0:25:31 | 0:25:36 | |
In each other's company they have found happiness, | 0:25:38 | 0:25:40 | |
fulfilment and love, | 0:25:40 | 0:25:43 | |
and they wish to affirm their relationship with this marriage. | 0:25:43 | 0:25:47 | |
Now, I have to ask this question. | 0:25:47 | 0:25:50 | |
If any person can show just cause or impediment | 0:25:50 | 0:25:53 | |
why they may not be joined together, | 0:25:53 | 0:25:55 | |
let them speak now or forever hold their peace. | 0:25:55 | 0:25:58 | |
METALLIC THRUMMING | 0:25:58 | 0:26:00 | |
-Stop this wedding now! -What?! | 0:26:02 | 0:26:06 | |
-What's going on?! -Who the hell is that? | 0:26:06 | 0:26:08 | |
-I don't believe it. -Who's he? | 0:26:08 | 0:26:10 | |
-'Master!' -I said stop this wedding! | 0:26:10 | 0:26:13 | |
-'Alert! Alert! Danger, Mistress!' -Stop! Get away from him! | 0:26:20 | 0:26:23 | |
No! Peter... | 0:26:23 | 0:26:26 | |
Don't be afraid, Sarah Jane. | 0:26:26 | 0:26:27 | |
-It's the Angel. -The Trickster! | 0:26:27 | 0:26:32 | |
Mum! Mum! | 0:26:32 | 0:26:34 | |
Sarah! Trickster, let her go! | 0:26:37 | 0:26:39 | |
Too late, Time Lord! | 0:26:39 | 0:26:40 | |
You are mine, Sarah Jane Smith. | 0:26:43 | 0:26:47 | |
Mine forever. | 0:26:47 | 0:26:49 | |
Sarah! | 0:26:49 | 0:26:52 | |
Doctor! | 0:26:52 | 0:26:54 | |
Sarah! No! | 0:26:57 | 0:27:00 | |
Mum! Dad! | 0:27:08 | 0:27:10 | |
Hold on! Everyone, hold on! | 0:27:12 | 0:27:14 | |
Luke Smith! | 0:27:20 | 0:27:22 | |
-Doctor? -That's me. | 0:27:22 | 0:27:25 | |
Good to meet you in the flesh! | 0:27:25 | 0:27:27 | |
What happened? | 0:27:27 | 0:27:29 | |
Mum and the Trickster? | 0:27:29 | 0:27:31 | |
Luke, Luke, Luke, Luke, listen, everything will be OK. | 0:27:31 | 0:27:33 | |
I can find Sarah, I can bring her back. I promise. | 0:27:33 | 0:27:36 | |
But I need you to be strong for me, just like you were before. | 0:27:36 | 0:27:40 | |
-I know you can do it! -Who are you? | 0:27:40 | 0:27:44 | |
Hello, Clyde! | 0:27:44 | 0:27:46 | |
And that will be Rani! | 0:27:46 | 0:27:49 | |
What? | 0:27:49 | 0:27:52 | |
How d'you know my name? | 0:27:52 | 0:27:54 | |
-Wait a moment. You must be... it's you, isn't it? -That's me. | 0:27:55 | 0:27:58 | |
-The Doctor! -That's him. | 0:27:58 | 0:28:01 | |
I hope you're as good as Sarah Jane says you are. | 0:28:01 | 0:28:04 | |
Well, you know journalists, always exaggerating. | 0:28:04 | 0:28:08 | |
But, yeah, I'm pretty amazing on a good day. | 0:28:08 | 0:28:11 | |
Master! Query. Where is Mistress Sarah Jane? | 0:28:11 | 0:28:15 | |
K9! Did you miss me! | 0:28:15 | 0:28:16 | |
Did you miss me, eh? | 0:28:16 | 0:28:18 | |
Repeat. Whereabouts of Sarah Jane? Where is she? | 0:28:18 | 0:28:21 | |
Where are we? | 0:28:21 | 0:28:23 | |
There's been a dimensional shift. | 0:28:25 | 0:28:27 | |
Time's moved on...but us | 0:28:27 | 0:28:31 | |
and this entire building, have been left behind. | 0:28:31 | 0:28:35 | |
There's nothing out there. | 0:28:35 | 0:28:36 | |
I said, all along, I knew there was something wrong about all of this! | 0:28:47 | 0:28:50 | |
-And what exactly is going on? -I'll explain later. | 0:28:50 | 0:28:54 | |
-Where's Sarah Jane? -THEY ALL TALK AT ONCE | 0:28:54 | 0:28:57 | |
Sh! Here's the answer to all your questions. | 0:29:01 | 0:29:05 | |
Yes, that was the Trickster. Yes, we're trapped. | 0:29:05 | 0:29:07 | |
Yes, I'm the only one who can get us out of the trap. | 0:29:07 | 0:29:10 | |
Yes, I'm gonna bring Sarah Jane and your mum and dad and all the others | 0:29:10 | 0:29:14 | |
back safe. But I can't do any of it without you. | 0:29:14 | 0:29:17 | |
-You...you need us? -Just like Sarah Jane needs you. | 0:29:19 | 0:29:23 | |
My mum and dad, where are they? | 0:29:23 | 0:29:25 | |
Just go along with him, Rani, I saw him save the world. | 0:29:25 | 0:29:29 | |
You helped me save the world, Lukey boy. Right, come on, we can use the Tardis. | 0:29:29 | 0:29:32 | |
I assume everybody knows what the Tardis is, unless you've really not been paying attention. And! | 0:29:32 | 0:29:38 | |
Allons-y! | 0:29:40 | 0:29:42 | |
Oh, no, no, no, no! It was there! | 0:29:44 | 0:29:45 | |
It was right there! | 0:29:45 | 0:29:48 | |
Wait, wait, wait. | 0:29:48 | 0:29:50 | |
BURBLING AND THRUMMING | 0:29:50 | 0:29:52 | |
That noise. I've heard it before! | 0:29:53 | 0:29:55 | |
That was me, trying to break through. Got knocked back | 0:29:55 | 0:29:58 | |
-by the Trickster. -'Temporal schism is preventing Tardis materialisation.' | 0:29:58 | 0:30:03 | |
Wait a minute. That's the Tardis? | 0:30:03 | 0:30:05 | |
It's just a wooden box! | 0:30:05 | 0:30:07 | |
Come on. | 0:30:07 | 0:30:09 | |
You can do it. More power! Come on! | 0:30:09 | 0:30:12 | |
OK, got no Tardis. | 0:30:15 | 0:30:17 | |
It can't materialise here until time moves forward. | 0:30:17 | 0:30:20 | |
What, so we're trapped here, wherever this is? | 0:30:20 | 0:30:23 | |
-No! Because what have I got? I've got K9. -'Affirmative.' | 0:30:23 | 0:30:26 | |
And I've got you three. | 0:30:26 | 0:30:28 | |
And any friend of Sarah Jane Smith is a friend of mine. | 0:30:28 | 0:30:30 | |
But where is this? | 0:30:30 | 0:30:32 | |
What's happened to the rest of the world? | 0:30:32 | 0:30:34 | |
'Our present location nowhere. No-when.' | 0:30:34 | 0:30:38 | |
-No-when? -Look at the clocks. | 0:30:38 | 0:30:41 | |
Time's stopped! | 0:30:47 | 0:30:49 | |
What? | 0:30:49 | 0:30:51 | |
-You're joking. -No. | 0:30:51 | 0:30:55 | |
Time hasn't stopped. This second's on a loop. | 0:30:55 | 0:30:58 | |
23 seconds and 23 minutes past three o'clock. | 0:30:58 | 0:31:02 | |
And we're caught inside it. In this one second. | 0:31:02 | 0:31:05 | |
But again, where is Sarah Jane? | 0:31:05 | 0:31:08 | |
I think she's right here. | 0:31:08 | 0:31:11 | |
What happened? | 0:31:18 | 0:31:20 | |
-Don't worry, Sarah Jane. -Peter, what's going on? | 0:31:20 | 0:31:22 | |
-Where is everybody? -Everything's going to be fine. | 0:31:22 | 0:31:24 | |
We're about to be married. This is our perfect day. | 0:31:26 | 0:31:28 | |
Another man. The Doctor? | 0:31:28 | 0:31:31 | |
Sarah Jane, please listen to me. | 0:31:31 | 0:31:33 | |
All you have to say is "I do". | 0:31:33 | 0:31:35 | |
And then we'll be together. | 0:31:36 | 0:31:38 | |
I'm so confused. What's happened, where are we? | 0:31:38 | 0:31:46 | |
You don't understand. just say you'll marry me, say "I do". | 0:31:46 | 0:31:50 | |
Of course we're getting married. Another man. Always. | 0:31:50 | 0:31:57 | |
The Doctor. Where's the Doctor? | 0:31:57 | 0:32:00 | |
Doctor! | 0:32:00 | 0:32:02 | |
No! | 0:32:08 | 0:32:09 | |
No! | 0:32:09 | 0:32:11 | |
So we've been kept behind in this second? | 0:32:13 | 0:32:16 | |
'Affirmative Mistress Rani.' | 0:32:16 | 0:32:18 | |
But the rest of the world, Mum and Dad and everyone, they've moved on from here, forwards in time. | 0:32:18 | 0:32:23 | |
Why has the Trickster trapped us here? | 0:32:23 | 0:32:24 | |
Oh, come on, Rani, you know the answer to that. | 0:32:24 | 0:32:28 | |
We're Sarah Jane's friends, all of us. Her best friends. | 0:32:28 | 0:32:31 | |
-Yeah, which means? -Hostages. | 0:32:31 | 0:32:33 | |
He can use us to get at her. | 0:32:33 | 0:32:35 | |
We've met the Trickster before but we've never found out who he is. | 0:32:35 | 0:32:38 | |
The Trickster is a creature from beyond the universe. | 0:32:38 | 0:32:41 | |
Forever trying to break in to our reality, manifest himself. | 0:32:41 | 0:32:44 | |
-He's one of the Pantheon of Discord. -That's a good name for a band. | 0:32:44 | 0:32:47 | |
Yeah, actually, not bad. | 0:32:47 | 0:32:49 | |
He's an eternal exile, who exists to wreak havoc. | 0:32:49 | 0:32:53 | |
But we can fight him, the five of us. | 0:32:53 | 0:32:56 | |
And we can win! | 0:32:56 | 0:32:57 | |
Oh, ha, that's it, a time trace! | 0:32:57 | 0:33:01 | |
Just a hint of Sarah Jane, ooh, she's close. | 0:33:01 | 0:33:07 | |
The moment you put that ring on my finger I was your puppet! | 0:33:08 | 0:33:13 | |
It isn't like that. It was in case something went wrong. | 0:33:13 | 0:33:16 | |
The Angel said that people would try and stop us being happy. | 0:33:16 | 0:33:20 | |
-Listen, I'll explain. -The Angel? | 0:33:20 | 0:33:24 | |
Of course. I saw him. | 0:33:24 | 0:33:25 | |
The Trickster! | 0:33:25 | 0:33:27 | |
Sarah Jane! | 0:33:31 | 0:33:32 | |
Doctor! Where are you? | 0:33:37 | 0:33:38 | |
What was that? Felt like someone just walked over my grave. | 0:33:48 | 0:33:51 | |
Oh, oh, oh, she's here, she's here! Sarah! | 0:33:56 | 0:34:00 | |
Sarah Jane, she doesn't like being called Sarah. | 0:34:00 | 0:34:03 | |
She does by me. | 0:34:03 | 0:34:04 | |
-K9? -'Scanning Master!' -Doctor! | 0:34:10 | 0:34:14 | |
-Doctor! -Mum! -That was her! -K9, isolate the time trace! | 0:34:14 | 0:34:18 | |
'Affirmative, Master.' | 0:34:18 | 0:34:20 | |
-K9? -'Temporal schism divided in two, Master.' -Yes, of course. | 0:34:22 | 0:34:29 | |
We're trapped here in 3:23:23. | 0:34:29 | 0:34:31 | |
-and Sarah Jane's trapped too, Just in another second. -Hold on. | 0:34:31 | 0:34:36 | |
You said you'd explain later. | 0:34:36 | 0:34:38 | |
Well, it's later. Please explain! | 0:34:38 | 0:34:40 | |
The Trickster doesn't want us helping Sarah. So he's separated us, | 0:34:40 | 0:34:43 | |
trapped us in two different seconds. | 0:34:43 | 0:34:46 | |
Sarah Jane. | 0:34:46 | 0:34:47 | |
I want to tell you about the Angel. | 0:34:47 | 0:34:49 | |
Doctor! | 0:34:49 | 0:34:51 | |
A time trap. | 0:34:54 | 0:34:56 | |
Doctor! | 0:35:03 | 0:35:04 | |
Ooh, ooh, she's upstairs! | 0:35:05 | 0:35:09 | |
Come on! Luke, K9, watch for the Tardis, you see it coming back, | 0:35:09 | 0:35:11 | |
-shout the place down! -'Orders accepted, Master.' | 0:35:11 | 0:35:14 | |
You two, with me! Spit-spot! | 0:35:14 | 0:35:15 | |
It's not possible. | 0:35:26 | 0:35:29 | |
We can't run away, Sarah Jane. | 0:35:29 | 0:35:31 | |
The one time I fall in love, | 0:35:31 | 0:35:34 | |
the one time everything goes right, and it's a trap. | 0:35:34 | 0:35:37 | |
I thought I loved you, | 0:35:37 | 0:35:39 | |
but you aren't even real! | 0:35:39 | 0:35:42 | |
You do love me! | 0:35:42 | 0:35:44 | |
I'm here, flesh and blood. | 0:35:44 | 0:35:45 | |
Oh, yes? | 0:35:45 | 0:35:47 | |
And I was worried about my secrets. | 0:35:47 | 0:35:49 | |
Well, it turned out you were hiding something pretty big, weren't you? | 0:35:49 | 0:35:53 | |
I only kept one secret. I knew you wouldn't believe me, | 0:35:54 | 0:35:56 | |
you'd think I was mad. | 0:35:56 | 0:35:58 | |
That's why I never told you | 0:35:58 | 0:36:01 | |
about the Angel. | 0:36:01 | 0:36:02 | |
The Angel! That's what you call him, but he...it... | 0:36:02 | 0:36:07 | |
it's a creature, an alien being! | 0:36:07 | 0:36:10 | |
Please, listen, I'll tell you everything. | 0:36:10 | 0:36:13 | |
Please! A few months ago. I was working from home. | 0:36:13 | 0:36:17 | |
Had a stupid accident. Fell down the stairs. | 0:36:18 | 0:36:21 | |
I thought I was going to die. | 0:36:23 | 0:36:26 | |
-Then he appeared. -Peter. | 0:36:26 | 0:36:29 | |
I can give you life. | 0:36:29 | 0:36:32 | |
And the true love you've | 0:36:32 | 0:36:34 | |
always longed for. All you have to do is give me your agreement. | 0:36:34 | 0:36:40 | |
Do I have your agreement? | 0:36:42 | 0:36:44 | |
Yes! | 0:36:44 | 0:36:46 | |
Then you are real. | 0:36:48 | 0:36:50 | |
Oh, Peter. He tricked you. | 0:36:50 | 0:36:52 | |
No! | 0:36:52 | 0:36:54 | |
He found you for me. He wanted us to be happy. | 0:36:54 | 0:36:58 | |
Then why the ring? Why hypnotise me? | 0:36:58 | 0:37:00 | |
He said he would protect you. | 0:37:00 | 0:37:05 | |
You accepted my proposal before the ring went on, you said you loved me | 0:37:05 | 0:37:09 | |
before the ring went on. | 0:37:09 | 0:37:11 | |
Didn't you love me? | 0:37:11 | 0:37:13 | |
Didn't you mean it? | 0:37:13 | 0:37:15 | |
-Oh, Peter. -How did we end up here again? | 0:37:22 | 0:37:25 | |
It's a spatial loop mixed up with a temporal loop. | 0:37:25 | 0:37:27 | |
-How did you work that one out? -We've been doing this for a while now, I have taken notes! | 0:37:27 | 0:37:31 | |
Come on, come on, Sarah, let me find you. | 0:37:31 | 0:37:34 | |
And now for the things I never told you. | 0:37:37 | 0:37:39 | |
I've fought him before. | 0:37:42 | 0:37:44 | |
I fight creatures like him. That is my life. | 0:37:45 | 0:37:49 | |
He's used my past, | 0:37:49 | 0:37:51 | |
my parents, against me | 0:37:51 | 0:37:54 | |
and now he's using you. | 0:37:54 | 0:37:57 | |
He saved me, he brought us together! | 0:37:57 | 0:37:59 | |
I'll show you what he is. | 0:37:59 | 0:38:01 | |
Trickster! | 0:38:01 | 0:38:04 | |
Trickster! | 0:38:04 | 0:38:06 | |
Sarah Jane Smith. | 0:38:09 | 0:38:12 | |
Why have you done this? | 0:38:12 | 0:38:14 | |
What do you want? | 0:38:14 | 0:38:16 | |
I want you to be happy. | 0:38:16 | 0:38:18 | |
Hang on, though. This is mad! | 0:38:20 | 0:38:22 | |
The Trickster, he's this all-powerful immortal, he wants to cause chaos throughout the stars | 0:38:22 | 0:38:26 | |
and he wants Sarah Jane to get married! | 0:38:26 | 0:38:28 | |
What does he get out of that? | 0:38:28 | 0:38:30 | |
You want us to get married? | 0:38:31 | 0:38:34 | |
-And then what? -You will forget all that has happened here, | 0:38:35 | 0:38:40 | |
as though it has never been. | 0:38:40 | 0:38:42 | |
And then here is the life you will lead. | 0:38:42 | 0:38:46 | |
-Mr and Mrs Dalton! -CHEERING | 0:38:46 | 0:38:48 | |
-All done? -I've finally got all the junk cleared out. | 0:38:53 | 0:38:56 | |
Right, decorator's due on Monday. | 0:38:56 | 0:38:58 | |
Turn this into a proper little office. | 0:38:58 | 0:39:00 | |
I will bring you happiness. | 0:39:02 | 0:39:04 | |
But what's the price? There's got to be a catch. | 0:39:04 | 0:39:07 | |
With you there always is! | 0:39:07 | 0:39:09 | |
Sarah Jane... | 0:39:09 | 0:39:11 | |
..all you have to say is I do. | 0:39:13 | 0:39:16 | |
And if you don't, you will remain here. Forever. | 0:39:16 | 0:39:20 | |
Then so be it. | 0:39:22 | 0:39:24 | |
So will Peter. | 0:39:24 | 0:39:25 | |
And so will your son and your friends. | 0:39:25 | 0:39:30 | |
You'll condemn them to remain here. | 0:39:30 | 0:39:33 | |
This place is nowhere. | 0:39:33 | 0:39:35 | |
And it's forever. | 0:39:35 | 0:39:37 | |
Now do you see! Now do you see what he is! | 0:39:43 | 0:39:46 | |
It doesn't matter! You can save them, Luke and the others! | 0:39:46 | 0:39:49 | |
She's here! | 0:39:52 | 0:39:54 | |
If I can narrow the link ratio. | 0:39:58 | 0:40:01 | |
Doctor! | 0:40:02 | 0:40:03 | |
Ah, you look better in black. Or is white the new black? | 0:40:04 | 0:40:08 | |
At last. Doctor! | 0:40:08 | 0:40:12 | |
I could feel this moment reverberating back through the ages. | 0:40:12 | 0:40:16 | |
The meeting of the Pantheon of Discord | 0:40:16 | 0:40:19 | |
and the last of the Time Lords. | 0:40:19 | 0:40:23 | |
I've known the legends of the Pantheon, since I was a little boy. | 0:40:23 | 0:40:26 | |
I've fought your shadows and your changelings, I never thought we'd meet. | 0:40:26 | 0:40:30 | |
And I know the legends of the Doctor. | 0:40:30 | 0:40:33 | |
The man of ice and fire, | 0:40:33 | 0:40:36 | |
who walked among gods, who once held the key to time in his hands. | 0:40:36 | 0:40:44 | |
Now he is surrounded by children. | 0:40:44 | 0:40:49 | |
They're my friends. | 0:40:49 | 0:40:51 | |
Which reminds me, you're looking a bit lonely for a pantheon. | 0:40:51 | 0:40:55 | |
I embody multitudes. | 0:40:55 | 0:40:57 | |
And who are you? | 0:40:59 | 0:41:01 | |
The man who has lost everybody, to talk to me of loneliness? | 0:41:01 | 0:41:06 | |
When the Gate is waiting for you? | 0:41:06 | 0:41:09 | |
What do you mean? | 0:41:10 | 0:41:11 | |
Sarah Jane Smith | 0:41:13 | 0:41:17 | |
is my prize. | 0:41:17 | 0:41:19 | |
Even you, Doctor, | 0:41:19 | 0:41:21 | |
-didn't realise how wonderful she is. -What do you want with her? | 0:41:21 | 0:41:25 | |
What I always want, from any of those I visit. | 0:41:25 | 0:41:29 | |
Her agreement. | 0:41:31 | 0:41:33 | |
Goodbye, Doctor. | 0:41:33 | 0:41:35 | |
Her agreement. | 0:41:35 | 0:41:37 | |
The power of words. She says "I do". and yes, that's it! | 0:41:41 | 0:41:45 | |
-That's what? -She promises to love and honour her husband, | 0:41:45 | 0:41:47 | |
the wedding ring goes on and then she's agreed to it, and she's under the Trickster's power! | 0:41:47 | 0:41:50 | |
Marital bliss, but she forgets all about this. | 0:41:50 | 0:41:53 | |
She starts living a new life. | 0:41:53 | 0:41:55 | |
Forgetting about her old life. | 0:41:55 | 0:41:57 | |
Protecting the Earth. | 0:41:57 | 0:41:59 | |
And the planet's wide open. | 0:41:59 | 0:42:01 | |
so aliens can just barge in! | 0:42:01 | 0:42:04 | |
Without Sarah, without you lot saving the world from your attic | 0:42:04 | 0:42:07 | |
in Ealing, there'll be chaos and destruction, | 0:42:07 | 0:42:09 | |
-meat and drink to the Trickster! -As if she's gonna say yes. | 0:42:09 | 0:42:13 | |
But she will, won't she? | 0:42:13 | 0:42:15 | |
Because we're here. | 0:42:15 | 0:42:17 | |
Tardis, beautiful, yes! | 0:42:19 | 0:42:24 | |
It's homing in on me! | 0:42:24 | 0:42:27 | |
Emergency programme, protecting the pilot! Of course! | 0:42:27 | 0:42:30 | |
Partial materialisation. | 0:42:30 | 0:42:32 | |
-What's happening? -Look! | 0:42:32 | 0:42:34 | |
That's pure artron energy. | 0:42:34 | 0:42:36 | |
Tardis power! Equal and opposite to the Trickster's power, | 0:42:36 | 0:42:39 | |
that's how we can fight him! | 0:42:39 | 0:42:41 | |
Run! | 0:42:43 | 0:42:44 | |
Doctor! | 0:42:44 | 0:42:46 | |
Come on, all of you, get in! Come on now! | 0:42:46 | 0:42:48 | |
It's just us then. | 0:43:08 | 0:43:10 | |
-You all right? -Yeah, I think. | 0:43:10 | 0:43:14 | |
He'll come back for us, won't he? | 0:43:14 | 0:43:17 | |
-What if he can't? -He will. | 0:43:17 | 0:43:20 | |
I'll wait here for him, you check with K9. | 0:43:20 | 0:43:22 | |
The Doctor said the power of the Tardis could fight the Trickster. | 0:43:30 | 0:43:33 | |
-Something energy. -'Artron energy. | 0:43:33 | 0:43:35 | |
'residue of Tardis engines. | 0:43:35 | 0:43:37 | |
'Known to be highly inimical to certain time-sensitive life forms.' | 0:43:37 | 0:43:40 | |
There is no Tardis! | 0:43:40 | 0:43:42 | |
-Whoa. -What's that? | 0:43:43 | 0:43:46 | |
'Artron energy, Mistress Rani.' | 0:43:46 | 0:43:48 | |
And I got a shot of it. | 0:43:48 | 0:43:50 | |
-Then we can fight him? -No. | 0:43:50 | 0:43:52 | |
I can fight him. | 0:43:57 | 0:43:59 | |
We'll forget all this madness. | 0:43:59 | 0:44:01 | |
You saw, we'll be married, we'll be together, Luke and the others, | 0:44:01 | 0:44:04 | |
we can all go home. | 0:44:04 | 0:44:05 | |
Oh, it would be so easy. | 0:44:05 | 0:44:08 | |
But that's how he works, that's his deadliest weapon, temptation. | 0:44:09 | 0:44:14 | |
I'm not making that mistake again. | 0:44:14 | 0:44:16 | |
But you'd never know. | 0:44:16 | 0:44:17 | |
Peter, he wants me to stop me defending Earth. | 0:44:19 | 0:44:22 | |
I can get close to the Trickster with this. | 0:44:24 | 0:44:25 | |
Clyde, you can't! You don't know what you're doing! | 0:44:25 | 0:44:29 | |
When has that ever stopped us? | 0:44:29 | 0:44:31 | |
It's what Sarah Jane would do, it's what the Doctor taught her. | 0:44:31 | 0:44:34 | |
I've got no choice! | 0:44:34 | 0:44:36 | |
Please, don't do this! | 0:44:36 | 0:44:37 | |
Trickster! | 0:44:43 | 0:44:44 | |
Clyde Langer! Why do you call me? | 0:44:49 | 0:44:53 | |
I wish to serve you. | 0:44:53 | 0:44:55 | |
I wish to join the Pantheon! | 0:44:55 | 0:44:58 | |
Clyde, no! | 0:44:58 | 0:44:59 | |
You are of no importance. | 0:45:04 | 0:45:07 | |
I know something. | 0:45:07 | 0:45:08 | |
A secret. Something that can help you. | 0:45:08 | 0:45:12 | |
You know nothing. | 0:45:12 | 0:45:14 | |
You have the mind of a chittering insect. Be gone! | 0:45:14 | 0:45:19 | |
-Gotcha! -Argh! | 0:45:19 | 0:45:21 | |
Please. | 0:45:25 | 0:45:26 | |
METALLIC THRUMMING | 0:45:26 | 0:45:29 | |
-Sarah! -Doctor? | 0:45:36 | 0:45:39 | |
Gotta be quick. | 0:45:39 | 0:45:41 | |
The Tardis can't stabilise. Clyde's keeping the Trickster busy, oh, those three are just brilliant. | 0:45:41 | 0:45:45 | |
Doctor, what can I do? If I say no we're trapped | 0:45:45 | 0:45:48 | |
here forever, if I say yes, I condemn the world to the Trickster! | 0:45:48 | 0:45:51 | |
Either way I lose, there's no way out! | 0:45:51 | 0:45:53 | |
It all rests with you, Sarah. | 0:45:53 | 0:45:56 | |
Your greatest challenge, | 0:45:56 | 0:45:58 | |
the hardest thing you'll ever face in your life. | 0:45:58 | 0:46:00 | |
What is it, tell me what I've got to do! | 0:46:00 | 0:46:02 | |
You've fought the Trickster before, you know how he operates. | 0:46:02 | 0:46:06 | |
How he can be defeated. | 0:46:06 | 0:46:08 | |
Oh, no. No. | 0:46:10 | 0:46:14 | |
I know you're a good man, Peter. | 0:46:15 | 0:46:18 | |
I'm so sorry. | 0:46:18 | 0:46:19 | |
-Clyde! -I can't hold it! | 0:46:25 | 0:46:27 | |
Doctor! | 0:46:28 | 0:46:30 | |
Clyde, no! Peter. | 0:46:35 | 0:46:39 | |
I do love you. But the Doctor's right, there is another way out. | 0:46:39 | 0:46:42 | |
Do not listen to her lies. | 0:46:42 | 0:46:45 | |
Your accident, he can only talk to people who are about to die. | 0:46:47 | 0:46:52 | |
He comes to them in that | 0:46:52 | 0:46:53 | |
final moment, he gives them back their life. | 0:46:53 | 0:46:55 | |
What do you mean? | 0:46:55 | 0:46:59 | |
Clyde and Rani said your house was empty, | 0:47:00 | 0:47:02 | |
why did you never let me see your house? | 0:47:02 | 0:47:05 | |
You died in that accident, Peter. | 0:47:05 | 0:47:08 | |
But he needed you, so he kept you half alive, | 0:47:08 | 0:47:11 | |
and if we got married? | 0:47:11 | 0:47:13 | |
The bargain would be complete! | 0:47:13 | 0:47:15 | |
He would bring you back to life. | 0:47:15 | 0:47:18 | |
Your love brought me back to life. | 0:47:18 | 0:47:21 | |
How can that be wrong, to save a life? | 0:47:21 | 0:47:23 | |
Look at this, | 0:47:25 | 0:47:27 | |
this is what he'll do to millions of people! | 0:47:27 | 0:47:30 | |
Unless... | 0:47:30 | 0:47:32 | |
unless you break your deal with him! | 0:47:32 | 0:47:34 | |
But I'll lose you. | 0:47:34 | 0:47:36 | |
I'll die! | 0:47:36 | 0:47:38 | |
I don't want you to be alone. | 0:47:38 | 0:47:40 | |
I love you but I can't love you. | 0:47:42 | 0:47:45 | |
You said you'd do anything to save me, | 0:47:45 | 0:47:47 | |
if you love me, you know what you have to do. | 0:47:47 | 0:47:50 | |
No! | 0:47:52 | 0:47:54 | |
You got one thing exactly right. | 0:47:58 | 0:48:00 | |
Sarah Jane and I, we were made for each other. We're the perfect match. | 0:48:00 | 0:48:05 | |
And I know what she would do. | 0:48:05 | 0:48:06 | |
I chose you because you didn't have the strength. | 0:48:08 | 0:48:14 | |
You really don't know my Sarah Jane, do you? | 0:48:14 | 0:48:17 | |
She gave me the strength! | 0:48:17 | 0:48:20 | |
-And I withdraw my agreement! -No! | 0:48:20 | 0:48:25 | |
So here I go. | 0:48:38 | 0:48:40 | |
I wish I'd always known you. | 0:48:42 | 0:48:44 | |
I love you, Peter. | 0:48:44 | 0:48:46 | |
And I love you...Sarah Jane Dalton. | 0:48:48 | 0:48:52 | |
-Mum! -Luke! | 0:49:05 | 0:49:08 | |
-Doctor. Oh, Doctor. -My Sarah Jane. | 0:49:10 | 0:49:13 | |
You did it, the trap's broken, time's moving forward again, | 0:49:13 | 0:49:17 | |
We're going home | 0:49:17 | 0:49:19 | |
-Hold on! -We're all going home. | 0:49:19 | 0:49:22 | |
If any person can show just cause or impediment | 0:49:24 | 0:49:27 | |
why they may not be joined together | 0:49:27 | 0:49:29 | |
let them speak now or forever hold their peace. | 0:49:29 | 0:49:33 | |
Where's he gone? | 0:49:36 | 0:49:38 | |
Sarah's bloke. Where's he gone? | 0:49:38 | 0:49:40 | |
He was just there. | 0:49:40 | 0:49:42 | |
Where's The Doctor gone? | 0:49:42 | 0:49:44 | |
That all really happened, didn't it? | 0:49:44 | 0:49:48 | |
-Yeah. -'Affirmative.' | 0:49:48 | 0:49:50 | |
Mum? | 0:49:56 | 0:49:57 | |
I'm sorry, everybody. | 0:50:03 | 0:50:06 | |
I'm afraid the wedding is cancelled. | 0:50:06 | 0:50:10 | |
Mr Smith, I need you. | 0:50:28 | 0:50:32 | |
'Welcome back, Sarah Jane.' | 0:50:36 | 0:50:38 | |
Mum, are you all right? | 0:50:46 | 0:50:50 | |
I'm going to be fine, I've got you, haven't I? | 0:50:50 | 0:50:52 | |
-I can't believe the Doctor ran off like that. -Sudden disappearing acts. | 0:50:54 | 0:50:57 | |
That's him all over. | 0:50:57 | 0:50:59 | |
'Sarah Jane, escalation of temporal flux.' | 0:50:59 | 0:51:01 | |
'Temporal flux escalating.' | 0:51:01 | 0:51:04 | |
Doctor! | 0:51:08 | 0:51:10 | |
What do you take me for, Sarah? | 0:51:10 | 0:51:11 | |
Just thought I'd go the quick way. Oooh, I like it in here. | 0:51:11 | 0:51:14 | |
Can we have a look? | 0:51:14 | 0:51:16 | |
What, in the Tardis? | 0:51:17 | 0:51:20 | |
My Tardis? | 0:51:20 | 0:51:22 | |
Course you can, yeah. | 0:51:23 | 0:51:24 | |
Oh, wow. | 0:51:32 | 0:51:35 | |
It really is, isn't it? It's bigger on the inside. | 0:51:35 | 0:51:40 | |
It's beautiful. | 0:51:40 | 0:51:41 | |
Transcendental dimensions! | 0:51:48 | 0:51:51 | |
Wow, what does this do? | 0:51:54 | 0:51:56 | |
Hey, don't touch. | 0:51:56 | 0:51:58 | |
You came all that way. For me. | 0:51:59 | 0:52:02 | |
You're so important. | 0:52:02 | 0:52:04 | |
Not just to me. | 0:52:04 | 0:52:05 | |
The Trickster wanted to end your story. | 0:52:05 | 0:52:08 | |
But it goes on. | 0:52:08 | 0:52:10 | |
The things you've done, Sarah, they're pretty impressive, | 0:52:10 | 0:52:14 | |
but, oh, the things you're going to do... | 0:52:14 | 0:52:17 | |
The future. | 0:52:17 | 0:52:18 | |
How about we could go for a ride? | 0:52:18 | 0:52:21 | |
-Or back! To the dinosaurs, yeah? -Another planet? | 0:52:21 | 0:52:24 | |
No way! For one thing, you were grounded by the Judoon. | 0:52:24 | 0:52:27 | |
And your parents would never forgive me. Go on! | 0:52:27 | 0:52:30 | |
Is this the last time I'm ever going to see you? | 0:52:41 | 0:52:44 | |
I don't know, I hope not. | 0:52:47 | 0:52:51 | |
Goodbye, Doctor, until the next time. | 0:52:53 | 0:52:55 | |
Don't forget me, Sarah Jane. | 0:52:55 | 0:52:57 | |
No-one's ever going to forget you. | 0:52:57 | 0:53:01 | |
You were right. He is amazing! | 0:53:20 | 0:53:23 | |
And so are we. | 0:53:23 | 0:53:25 | |
Ashen Hill Manor is reputedly | 0:53:31 | 0:53:32 | |
one of the most haunted locations in the UK. | 0:53:32 | 0:53:36 | |
Ghosts do not exist. | 0:53:36 | 0:53:39 | |
The EMF readings throughout the house are spiking, | 0:53:39 | 0:53:42 | |
something is happening. | 0:53:42 | 0:53:43 | |
-SHE SCREAMS -Where did she go? | 0:53:43 | 0:53:46 | |
-Look! -We have to get out of here. -Get thee to the nether world. | 0:53:46 | 0:53:50 | |
Subtitles by Red Bee Media Ltd | 0:53:56 | 0:53:59 | |
E-mail [email protected] | 0:53:59 | 0:54:02 |