Part 1 The Sarah Jane Adventures


Part 1

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This is where Sarah Jane Smith lives.

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And it's home to things way beyond your imagination.

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There's an extra-terrestrial super computer in the wall,

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a genetically engineered boy genius in the attic,

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a schoolgirl investigator across the road,

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and a whole universe of adventure right here on the doorstep.

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Ready?

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Always.

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I don't know how you do that.

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You've either got it, or you haven't Lukey-boy.

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You see, art isn't something you can learn.

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Surely it's a matter of bio-mechanical transference of what the eye sees to paper? Geometry.

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You see, there's your problem, you work up here, you're all science

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and logic and Spocky stuff like that,

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but you can't break art down into maths.

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-Everything comes down to maths.

-See, not art. Art is in the soul.

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You don't think it..

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you feel it.

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Morning 11T.

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Someone's in trouble.

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That's Dad's serious face.

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Yeah, like he's got any other sort.

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All right, you lot, settle down.

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If I may, Mrs Taylor?

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I have an important announcement to make.

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Told you.

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Concerning you, Clyde Langer.

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Me?

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Oh, what have I done now?

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Ah, no, no, don't tell me... I turned up.

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All I have to do to get some teacher's back up.

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You aren't in trouble, Clyde. For once, quite the opposite.

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I've just had an e-mail, from a Mr Harding,

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-Curator of the International Gallery.

-Who?

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At last!

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Indeed, Mr Harding.

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I never thought I would see the day when she came into my care.

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So, so beautiful.

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No-one else could have achieved this.

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The years of dedicated planning.

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No-one would have been man enough.

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We got there in the end, Miss Trupp.

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After all our tribulations.

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Yours. I only assisted.

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True, true. You did.

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And here she is...

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..the Mona Lisa!

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Tomorrow morning, this entire class will be the first members

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of the public to see the Mona Lisa here in the UK.

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And all thanks to Clyde.

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You won first prize!

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THEY CHEER

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You won!

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Wait, wait, wait, wait, as much as I appreciate the adulation

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and missing double maths tomorrow - there's been a mistake.

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-I never put my work into any competition.

-Someone did.

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Well, I wonder who?

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They were looking for a promising young artist.

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-And you really are good.

-Brilliant.

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I knew you wouldn't enter.

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Well, it's not good for the image is it, some nerdy competition.

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I've gotta text Mum.

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How many times? No mobiles in the classroom.

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Or at the gallery tomorrow.

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Their rules, not mine.

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You're not annoyed with me, are you?

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Are you serious?

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It's the Mona Lisa!

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We should press on.

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Yes.

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Oh, tomorrow will be such a day for me!

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Mum? You won't believe what's happened.

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-Mum?

-I'm in your room.

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Look at the state of this place.

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-Yeah, I know, but...

-I thought I told you to tidy it.

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-I will. Just listen.

-When?

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Oh, I hate to think how long all these cups have been here. Ugh.

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OK.

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No, it isn't. And you can forget any other plans you had for this evening

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because you're blitzing this place. Don't think K9's zapping it.

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He's out of bounds till it's done. I am so disappointed in you.

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I don't know what you want from me.

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You try to give me a normal life, but when I act like

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a real teenager you want me to be perfect, the way the Bane made me.

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I'm sorry you feel like that.

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So am I.

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Hand in your mobile phones at reception and no running.

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No running! We're here as honoured guests, not like some hormonal SAS.

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Oh, what's the use?

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Ah freebies!

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No, I'll pass, thanks.

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Your loss. Anyway, what did Sarah Jane say

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about me winning this prize?

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Nothing. We're not really talking.

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She's being such a mum.

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Yeah, well, it's probably best she doesn't know.

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Careful, Clyde. Even star pupils need to watch where they're going.

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-Sir.

-So, how're you feeling? Erm, nervous?

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Weirded out. I mean teachers are never this friendly.

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You see, diligence has its rewards.

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Perhaps now you'll put the same enthusiasm

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into your other school work.

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-Mr Chandra? Park Vale?

-Yes.

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-Mr Harding will receive you upstairs.

-Great.

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Come this way.

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OK, everyone follow me.

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-It's very exciting.

-I'm very excited, as well.

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-Actually much, much smaller than you'd imagine.

-Really?

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It's very surprising because you always...

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What d'you reckon, Luke? Who's got the more enigmatic smile,

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me or Lisa?

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I really don't understand, why is the Mona Lisa so special?

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It's just brown.

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Maybe when you see the real thing, you'll understand.

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-I don't really get art.

-Careful, it's an art gallery,

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you're not supposed to pick it up either, OK.

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You look, you don't touch.

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But this isn't art... it's something else.

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Clyde.

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This is Mr Harding. Curator of the gallery. Clyde Langer.

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-We're really proud of him.

-Congratulations, Clyde.

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-You're very talented.

-Such a handsome boy.

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Oh. This is my assistant, Miss Trupp.

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-Now...

-You really are so gifted, Clyde.

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-Cheers.

-When I saw your picture, I knew you'd win.

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It wasn't up to me, but if it had been you'd definitely have won.

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Well, you did! So... it's all turned out for the best.

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Miss Trupp, perhaps you should go and check the final preparations.

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Oh. Yes.

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Big day for all of us.

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Clyde, follow me.

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Your masterpiece awaits.

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Come along, chop-chop, this place should be clear by now.

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Do you know how lucky you are?

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Lionel worships you.

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If only he looked at me with the same eyes.

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Oh, quit your moaning, love...

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do us all a favour.

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Who said that?

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You can hear me?

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Well, now there's a first.

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So let's try this for another.

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SHE SCREAMS

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SHE LAUGHS

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And here we are. In pride of place.

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No way.

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Is something wrong?

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It's just...

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..my work in a proper gallery.

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We told you, Clyde, it's brilliant.

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CHEERING AND CHANTING

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-Shut up!

-Agreed. Some order, please.

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Mrs Taylor.

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Apart from the obvious artistic flair,

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your imagination is so impressive.

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The detail in the weaponry!

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I don't know where you get your inspiration.

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Please.

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They're Sontaran blasters, aren't they?

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-Well, spotted.

-That's why you didn't want Mum to know.

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Yeah, oh, and don't tell her I've been drawing K9, either.

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You know, I always used to play this sort of stuff down.

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I thought people'd laugh at me.

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-You mean you thought drawing wasn't cool.

-Something like that.

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Well, it is cool and believe me no-one's laughing.

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When I was younger, no brothers or sisters...

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I used to draw, for company.

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But maybe I could really do something with this.

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And so to the prize.

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Prepare to meet the Mona Lisa!

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The Mona Lisa, a painting begun by Leonardo da Vinci in 1503

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in Florence, but finished only shortly before he died in 1519.

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For over 500 years the Mona Lisa's beauty has remained undimmed.

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She has been gazed upon by millions in her Paris home,

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now, she is here.

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Feast your eyes, and lose your hearts...

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I give you...

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the Mona Lisa!

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She has let herself go.

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Isn't that his assistant?

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Security.

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The Mona Lisa has been stolen.

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Excuse me, Sarah Jane, I am detecting unusual brain

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pattern activity and your ability to concentrate appears compromised.

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-Are you unwell?

-No. I'm fine, Mr Smith.

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-It's Luke.

-But Luke has perfect health.

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That is how he was made by the Bane.

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Yes, I know. The perfect human being.

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-But nothing stays perfect for ever, does it?

-I am sorry.

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I'm not sure that I understand.

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Luke isn't ill. He's growing up.

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I believe it is a normal part of breeding patterns in most species.

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Yes, I know.

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And I've tried so hard to make Luke's life as normal as possible.

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In a way it helped make mine a little more normal, too.

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Before I met Luke, who was I?

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A lonely, frosty woman in the big house

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who knew more about creatures from outer-space than she did humans.

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I have always considered the intricacy of human

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nature excessively complicated in comparison to most other life forms.

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You and me both, old friend.

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And being a mum is just about as complicated as it gets.

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Most parents have years to get used to it. I'm still finding my feet

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and already I'm realising that one day it's going to be over.

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One day Luke will be gone.

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One day, perhaps, very soon.

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I told them security had to be improved here.

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I told them, after that Cup of Athelstan fiasco at Easter.

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Oh, my beautiful Mona Lisa!

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The French will have my head!

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If you could all stay calm as we move out

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and let the police do their job.

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There's something freaky about this.

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Just because something shady happens doesn't mean

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there are aliens behind it.

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When my bike got nicked,

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did you think that was ET the ASBO, cycling home?

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-Did I mention aliens?

-Rani's right.

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Why would they put a picture of Miss Trupp in the Mona Lisa's place?

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Maybe she's behind it all.

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Maybe it's her calling card? "The Truppmeistress has struck!"

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Even if this isn't alien, it's weird enough for Sarah Jane.

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-We should call her.

-No. We don't need her. We can...

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do this ourselves.

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OK, then.

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But first we need to lose my dad.

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Have you seen Jonathan, no? Are you sure?

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Excuse me, Mr Chandra.

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-Yes, what is it, Luke?

-I need the toilet.

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Me too, sir, I'm busting.

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-And me.

-OK. But be quick.

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-Sir.

-And then straight to the coach.

-Nice one, Luke.

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-What?

-Good cover story.

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No, I really need the loo.

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Oh, well, like Dad says...be quick!

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I am picking up news reports from the International Gallery.

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The Mona Lisa has been stolen.

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The Mona Lisa? I don't believe it.

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The security at the International Gallery was supposed to be massive.

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So the reports suggest.

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All the same, if it hasn't been taken by inter-galactic art thieves,

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it's not really my thing.

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Or are you trying to distract me, Mr Smith?

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I simply thought the news report would be of interest.

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OK. Show me.

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It's understood that the theft was discovered

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as the Mona Lisa was about to be unveiled for a party of students

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from Park Vale Comprehensive in Ealing.

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-What?

-Park Vale pupil, Clyde Langer

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won first prize in the gallery's Artists of the Future competition.

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This is Lizo Mzimba reporting from the International Gallery.

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Then Luke must have been there too.

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He never said anything.

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-Not a word.

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Police!

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-We'll never get past them.

-There has to be another way in.

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-We need a map.

-Like this one?

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You see, you never turn down a freebie, Luke.

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Luke's not answering.

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The gallery prohibits the use of mobile telephones.

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But I have info from the Metropolitan Police

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computer system that you may find of interest.

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What exactly am I looking at?

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This is a Crime Scene photograph of the Mona Lisa.

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Mr Smith, that isn't the Mona Lisa.

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My infra-red analysis confirms the brush-stroke patterns

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of Leonardo da Vinci. This is the Mona Lisa.

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But it can't be. Who is that woman?

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Phyllis Trupp, personal assistant to the gallery's curator.

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Her most detailed personal profile can be found on Peapodsoulmates.com

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where she lists her interests as "salsa dancing."

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She says she is open minded and willing to try...

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Thank you, Mr Smith. What's happened to her?

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I can only surmise molecular trans-placement.

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She is still alive and conscious...

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but trapped in the canvas of a 500 year old painting.

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-What could have caused this?

-Insufficient data.

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So this isn't anything like a straight-forward art theft, is it?

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It would seem not.

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Which means, the other question is, if that's Phyllis Trupp...

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where on earth is the Mona Lisa?

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This place is like a maze!

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Or like finding your way through Level Four

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of Alien Devastation Three.

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I thought you said you could find your way with that map?

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-Men and maps!

-Hey!

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I can read a map. I was in the cubs...

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well until they kicked me out. But you don't want to hear about that.

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-Clyde.

-Yes, I know my picture would look great in your lounge.

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Just get your dad to make me an offer.

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I don't want your painting, Clyde.

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-I want to know what happened to the gun that was in it.

-Galaxia's gun!

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Whose?

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OK, so I gave them names. Can we move on now? What matters is...

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What are you doing here?

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The police are conducting an investigation.

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they don't need a bunch of schoolchildren

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roaming around, disturbing evidence.

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Well, it isn't just your Mona Lisa that's been stolen now, is it?

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One of the guns in Clyde's painting has vanished. Look.

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It's dry.

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The gun wasn't painted out, Mr Harding. It was taken.

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Whatever we're dealing with it's more than just an art thief.

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-Oh, you better believe it, sugar.

-She's got my gun!

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She went to the toilet and that's the last I saw of her.

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No, Gita, the police won't let me back in. No, I can't ring her.

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No phones allowed inside. Look, I'll call you back.

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-Haresh, hello.

-Sarah Jane. I suppose you know about the Mona Lisa?

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Of course. The crime of the century and story of the year.

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-Where's Luke?

-The thing is they've closed the gallery

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and Luke, Rani and Clyde are still inside so...

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Why don't you look after the rest of the kids,

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and I'll see what I can do.

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In my line of work you get a knack for opening closed doors.

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-You sure?

-Mmm.

-Thank you.

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Mrs Taylor, kids, come on. Quickly. Move. Phones away. Are you chewing?

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Put your phones away please.

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-Thank you.

-OK.

-Come on.

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Who are you?

0:18:370:18:39

And I thought you were supposed to be an art expert!

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I am the Mona Lisa.

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-No, but really?

-Yeah, really.

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You can't fake this kinda class.

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You can't be the Mona Lisa,

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you have to be some sort of alien manifestation.

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Whoooh. And why's that, then?

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Because, on Earth, women in paintings

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don't just jump out of their frames.

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And nick guns from someone's painting.

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Do you know how long that took me to paint?

0:19:080:19:10

SHE SHIVERS

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Not bad. Not in my league, of course.

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But then Leo was a bit of a ledge even back then.

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Although he had to blag the oils off his weirdo neighbour to paint me.

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OK. Say that's true. Now you're out of your frame, what is it you want?

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I've just had five centuries hanging on a wall, sugar.

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What is it you think I want?

0:19:380:19:40

It's time I had a bit of fun.

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-And I think I'll start with some target practice.

-Run for it!

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So it's just you and me now, Harders.

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Sonic Scarlet,

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my favourite shade.

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Oh, boy. That's it... now I have seen everything.

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We so have to get hold of Sarah Jane. And I mean now.

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-No.

-What's got in to you?

0:20:210:20:23

Why are you being so weird about your mum?

0:20:230:20:26

Luke and Sarah Jane have had a barney....Rani.

0:20:260:20:29

Never mind that. Where is everyone?

0:20:290:20:31

On the coach. My dad'll be going mental by now.

0:20:310:20:34

What about the police. Forensics should be

0:20:340:20:36

crawling all over this place.

0:20:360:20:38

Something's wrong.

0:20:380:20:41

It is.

0:20:410:20:43

So very, very wrong.

0:20:430:20:46

A whole new kind of wrong.

0:20:580:21:01

Mia Bella!

0:21:040:21:06

Is it...

0:21:090:21:11

is it really you?

0:21:110:21:13

Oh, go on then, touch me.

0:21:130:21:16

I know you want to.

0:21:160:21:17

I've seen the way you look at me.

0:21:170:21:20

-I remember when you came to the Louvre.

-The Louvre?

0:21:200:21:25

Actually, every time you came.

0:21:250:21:28

Twenty seconds, that's all anyone gets to see me

0:21:280:21:32

and then, move along s'il vous plait.

0:21:320:21:34

You always put up quite a struggle.

0:21:340:21:37

It's a shame they had to ban you in the end.

0:21:370:21:40

It is you!

0:21:410:21:44

It really is you!

0:21:440:21:46

And you are going to have to get used to that

0:21:460:21:49

because we've got a lot of work to do.

0:21:490:21:51

I don't understand.

0:21:510:21:53

We have to find my brother.

0:21:530:21:57

Definite traces of alien energy.

0:21:580:22:01

Two of them.

0:22:050:22:06

He's here somewhere...

0:22:100:22:13

I know he is.

0:22:130:22:15

But there's nothing to suggest in any academic work

0:22:150:22:18

that you had a brother.

0:22:180:22:20

Not had, Harders, have.

0:22:200:22:24

And he's here somewhere amongst this tat just waiting for me.

0:22:240:22:30

You mean another painting.

0:22:300:22:33

Yes, I can see how you got the job here, Harders.

0:22:350:22:38

And that's why I need you.

0:22:380:22:40

You know every brush stroke in this place.

0:22:400:22:43

Well, what does he look like, your brother?

0:22:450:22:47

I've never seen him so I haven't got a clue.

0:22:500:22:53

But he'll have been painted around the same time as me,

0:22:530:22:56

the same place as me.

0:22:560:22:58

-Next door, in fact.

-I've got it!

0:22:580:23:03

Follow me!

0:23:030:23:04

-Oh, it's locked.

-We have to find a phone.

0:23:110:23:14

I don't care what you say, Luke,

0:23:140:23:15

what's happened to those people is beyond freaky.

0:23:150:23:18

We're calling your mum.

0:23:180:23:19

I don't think there's any need.

0:23:190:23:21

Her car's here.

0:23:230:23:25

Residual alien energy.

0:23:300:23:32

But if this is, or was, a painting by Leonardo,

0:23:320:23:35

how is that possible?

0:23:350:23:38

Do you know, Phyllis?

0:23:380:23:40

I know you can hear me, even though you can't answer.

0:23:400:23:43

I promise you, I'm going to get you out of there.

0:23:430:23:45

If he was painted at the same time as you, his has to be him.

0:23:480:23:51

Has to be.

0:23:540:23:56

Not only a contemporary of Leonardo, but a neighbour in Florence.

0:23:560:24:00

-Him? He's not much of a looker, is he?

-Giuseppe Di Cattivo.

0:24:040:24:08

1450 to 1518, whose work is often compared to his more

0:24:080:24:12

famous contemporary Hieronymus Bosch.

0:24:120:24:15

Poor Giuseppe

0:24:150:24:16

he died in a lunatic asylum.

0:24:160:24:19

No... no, this isn't him. But...

0:24:230:24:27

Come out, come out, whoever you are!

0:24:310:24:34

I can hear you breathing!

0:24:360:24:39

Who would've thought a painting would have such good hearing,

0:24:400:24:44

Mona Lisa? But then Leonardo was such a stickler for detail.

0:24:440:24:48

On the subject of detail...

0:24:480:24:51

mind filling in the obvious blank?

0:24:510:24:53

My name is Sarah Jane Smith. And that is a Sontaran blaster,

0:24:530:24:56

do you mind telling me where you got it?

0:24:560:24:59

Oooh, I just took it from the painting

0:24:590:25:01

that lad Clyde did, cos I thought it looked a little bit flash.

0:25:010:25:04

Oh, Clyde. You'd better not have harmed him or his friends!

0:25:040:25:07

Oh, no, don't concern yourself. They're perfectly safe.

0:25:070:25:10

I'm Lionel Harding curator of the museum.

0:25:100:25:13

Mr Harding, whatever is happening here, don't worry. I can help you.

0:25:130:25:17

Thank you, I'm not sure I need it.

0:25:170:25:20

Ah, you see Harders here, he's my number one fan.

0:25:200:25:24

Listen to me, she is dangerous. Look what she did to Miss Trupp.

0:25:240:25:27

Now you don't want to worry about that old trout do you Harders?

0:25:290:25:33

I mean, you never did before, did you?

0:25:330:25:35

And, let's face it, she never was an oil painting.

0:25:350:25:39

At least not till now!

0:25:390:25:41

Release her. Now!

0:25:430:25:45

Oooh, I might think about it.

0:25:450:25:47

Depends if you stay out of my way.

0:25:470:25:49

Sarah Jane Smith?

0:25:490:25:51

Sarah Jane,

0:25:510:25:55

where do I know that name?

0:25:550:25:56

Oh! oohh that Sarah Jane.

0:25:590:26:04

Seems like no-one wants you around, Sazza. Not even your son.

0:26:040:26:09

-What?

-Hmmm, heard him talking before...

0:26:090:26:13

he'd like you to keep your nose out. And so would I.

0:26:130:26:16

I'm sorry, whatever you're planning I am not stepping aside.

0:26:160:26:19

-That's your choice.

-No, Mia Bella!

0:26:190:26:21

DEEP GROWLING

0:26:210:26:23

-What is that?

-That is my brother.

0:26:290:26:33

Is it me, or did things just get uncomfortable?

0:26:330:26:36

What's going on?

0:26:430:26:45

Well, give me a second, and I'll put you in the picture.

0:26:460:26:49

No.

0:26:500:26:52

That's Mum!!

0:26:520:26:54

-Sarah Jane?

-Mum?

0:27:010:27:03

Luke?

0:27:040:27:05

I've found her.

0:27:060:27:08

No, Mum!

0:27:120:27:14

EVIL LAUGHING

0:27:190:27:21

And that is how she'll stay...

0:27:210:27:23

..forever!

0:27:240:27:26

Run!

0:27:350:27:37

I have not been released from wood and paint to be trapped in here.

0:27:370:27:42

A legend, a painting too terrifying to be exhibited.

0:27:420:27:45

Once we are united your reign of fire and sulphur shall begin

0:27:450:27:49

and the world will be a rage of flames at our feet.

0:27:490:27:54

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0:28:100:28:13

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0:28:130:28:16

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