Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
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13 Bannerman Road is where Sarah Jane Smith lives. | 0:00:02 | 0:00:03 | |
And it's home to things way beyond your imagination. | 0:00:03 | 0:00:06 | |
There's an extraterrestrial super computer in the wall, | 0:00:06 | 0:00:10 | |
a genetically engineered boy genius in the attic, | 0:00:10 | 0:00:13 | |
a schoolgirl investigator across the road, | 0:00:13 | 0:00:17 | |
and a whole universe of adventure right here on the doorstep. | 0:00:17 | 0:00:21 | |
-Ready? -Always. | 0:00:26 | 0:00:30 | |
See you later, then. | 0:00:58 | 0:00:59 | |
Yeah, see you, Mum, have a good evening. | 0:00:59 | 0:01:01 | |
You too! Bye, K9. | 0:01:01 | 0:01:03 | |
Enjoy your evening, Mistress. | 0:01:03 | 0:01:06 | |
Yeah. | 0:01:06 | 0:01:07 | |
Mr Smith, I need you quickly and quietly. | 0:01:12 | 0:01:14 | |
Quickly and quietly. | 0:01:14 | 0:01:17 | |
She's off again! | 0:01:22 | 0:01:23 | |
-Right, we're coming over. -What is she up to? | 0:01:29 | 0:01:31 | |
-How can I help you, Luke? -Activate tracking device, Mr Smith. | 0:01:32 | 0:01:35 | |
Aerial satellite scan. | 0:01:35 | 0:01:37 | |
BEEPING So, what was her story this time? | 0:01:41 | 0:01:45 | |
She says she's going to a meeting at the town hall | 0:01:45 | 0:01:48 | |
about a motorway extension. | 0:01:48 | 0:01:50 | |
Mistress's exact words - "You never know, Luke, there could be a story in it." | 0:01:50 | 0:01:54 | |
Her excuses are getting lamer and lamer. | 0:01:54 | 0:01:57 | |
Affirmative. Veracity level 12%. | 0:01:57 | 0:02:00 | |
Why is she lying to us? | 0:02:00 | 0:02:04 | |
She's heading into town. | 0:02:04 | 0:02:05 | |
Query. am I to understand you are using my tracking system to spy on Sarah Jane? | 0:02:05 | 0:02:11 | |
It's the fifth time she's done this in a month. | 0:02:11 | 0:02:13 | |
-We've gotta find out what she's doing. -She goes off on | 0:02:13 | 0:02:15 | |
her own, all mysterious, what if she gets in trouble? | 0:02:15 | 0:02:18 | |
This is highly irregular behaviour. | 0:02:18 | 0:02:20 | |
Do not exceed your function, Mr Smith. | 0:02:20 | 0:02:23 | |
Your opinion has not been asked for. | 0:02:23 | 0:02:25 | |
That told you! Good dog! | 0:02:25 | 0:02:27 | |
-Affirmative, Master Clyde. -She's stopped. | 0:02:27 | 0:02:30 | |
-Nowhere near the town hall. -There, she was lying, knew it. | 0:02:30 | 0:02:34 | |
-ELECTRONIC SWOOSHING -Whoa! Must stop doing that. | 0:02:35 | 0:02:40 | |
Right. | 0:02:46 | 0:02:47 | |
Scan for alien activity in that area, K9. | 0:02:52 | 0:02:55 | |
Negative for alien activity, Master Clyde. | 0:02:58 | 0:03:01 | |
I am perfectly able to complete that function, Clyde. | 0:03:01 | 0:03:04 | |
There's no need to consult the dog. | 0:03:04 | 0:03:06 | |
Sticks and stones. | 0:03:06 | 0:03:08 | |
So what now, then? We follow her down there? | 0:03:08 | 0:03:11 | |
Come on. Two minutes to the next bus. | 0:03:15 | 0:03:17 | |
And you two, play nicely. | 0:03:19 | 0:03:21 | |
"Play nicely," instruction to human children, conduct recreation in | 0:03:21 | 0:03:26 | |
-socially compatible mode. -Oh, be quiet. | 0:03:26 | 0:03:28 | |
There's the car, but where's Mum? | 0:03:31 | 0:03:33 | |
No sign of any aliens either. | 0:03:36 | 0:03:38 | |
No! | 0:03:41 | 0:03:42 | |
I did not just see that. | 0:03:42 | 0:03:45 | |
Careful! | 0:03:45 | 0:03:47 | |
Oh, my God. | 0:03:52 | 0:03:55 | |
Oh, no, they're not gonna... | 0:03:55 | 0:03:57 | |
Oh, people are eating! | 0:03:57 | 0:03:59 | |
Wow. Just wow! | 0:04:07 | 0:04:10 | |
Nobody over 22 should be doing that in public - actually at all! | 0:04:10 | 0:04:15 | |
Shut up, Clyde. Oh, that's brilliant, she's got herself a man. | 0:04:15 | 0:04:19 | |
-What are we gonna say? -We're not gonna say anything! | 0:04:19 | 0:04:22 | |
She wants it kept a secret, so we never saw that and we don't know. | 0:04:22 | 0:04:26 | |
Luke? | 0:04:27 | 0:04:29 | |
Yeah. | 0:04:29 | 0:04:30 | |
And we thought she was hunting aliens. | 0:04:30 | 0:04:33 | |
He looked really posh, I bet he's called Henry or... | 0:04:37 | 0:04:40 | |
She's coming! FOOTSTEPS APPROACH | 0:04:40 | 0:04:42 | |
What are you all doing up here? | 0:04:44 | 0:04:46 | |
Well, the exams are coming up, so we've gotta work. | 0:04:46 | 0:04:49 | |
Luke's helping us revise. | 0:04:49 | 0:04:52 | |
Did you have a good evening? | 0:04:53 | 0:04:56 | |
Yeah, how was the, er...meeting? | 0:04:56 | 0:04:58 | |
Nothing special. | 0:04:58 | 0:05:00 | |
-Why is Mr Smith still out? -'Information. | 0:05:00 | 0:05:03 | |
-'Sarah Jane's car is now parked outside the house.' -What? Mr Smith! | 0:05:03 | 0:05:08 | |
'Oh, hello, Sarah Jane, I have been tracking your position | 0:05:08 | 0:05:11 | |
-'as instructed by Luke.' -Big mouth! You did that on purpose! | 0:05:11 | 0:05:14 | |
K9, what have they been doing? | 0:05:14 | 0:05:16 | |
'I have been instructed to withhold information.' | 0:05:16 | 0:05:19 | |
What was your exact instruction? | 0:05:19 | 0:05:22 | |
'Mistress Rani instructed me not to relay the information that you | 0:05:22 | 0:05:26 | |
-'were followed to your assignation.' -The gob on you! | 0:05:26 | 0:05:29 | |
-You've been spying on me? -We were worried. | 0:05:29 | 0:05:32 | |
When you've kept something secret before, it's always been a disaster. | 0:05:32 | 0:05:35 | |
Does that give you the right to poke into my private business? | 0:05:35 | 0:05:38 | |
Oh, I was about to tell you anyway. | 0:05:41 | 0:05:43 | |
So who's the lucky fella, then? | 0:05:45 | 0:05:46 | |
His name is Peter Dalton, and | 0:05:48 | 0:05:49 | |
yes, he's very lucky and rather marvellous. | 0:05:49 | 0:05:52 | |
Ooh! Where did you meet him? | 0:05:52 | 0:05:55 | |
Oh, no, that's all, end of discussion. | 0:05:55 | 0:05:57 | |
You two, home. Luke, bed, I'll be in to say good night. | 0:05:57 | 0:05:59 | |
Go on! Off, off! | 0:05:59 | 0:06:02 | |
Sweet dreams. | 0:06:02 | 0:06:04 | |
I should be angry. Why am I not angry? | 0:06:11 | 0:06:14 | |
'Mistress, I detect you are experiencing | 0:06:14 | 0:06:17 | |
'a heightened emotional state. | 0:06:17 | 0:06:19 | |
'Alpha waves high, heartbeat fast, increased serotonin.' | 0:06:19 | 0:06:24 | |
Oh, K9, always the romantic. | 0:06:24 | 0:06:27 | |
Affirmative. | 0:06:27 | 0:06:29 | |
Honestly, I was about to tell you. I think. | 0:06:34 | 0:06:39 | |
I'm not exactly an expert in matters of the heart. | 0:06:39 | 0:06:43 | |
Neither am I. | 0:06:43 | 0:06:45 | |
I thought something was bound to go wrong, with my track record, | 0:06:45 | 0:06:49 | |
and...it keeps getting better. | 0:06:49 | 0:06:52 | |
I didn't know you had those sort of feelings. | 0:06:52 | 0:06:54 | |
Men were interested before, | 0:06:54 | 0:06:57 | |
but then I'd think, "How can a relationship go anywhere with my bizarre life?" | 0:06:57 | 0:07:01 | |
-Where did you meet him? -In a shoe shop. | 0:07:06 | 0:07:09 | |
We just got talking, and he gave me his phone number. | 0:07:09 | 0:07:12 | |
-I didn't know people of your age did that kind of thing. -Cheek! | 0:07:12 | 0:07:15 | |
I wasn't going to call him, but then... | 0:07:15 | 0:07:17 | |
I bumped into him again, and it got me thinking. | 0:07:17 | 0:07:21 | |
I cut myself off from people for all those years. | 0:07:21 | 0:07:24 | |
How could anyone like me, with what I know, what I do, ever have proper friends? | 0:07:24 | 0:07:28 | |
But then I got you, and Maria and Clyde and Rani, | 0:07:28 | 0:07:33 | |
and things changed, and perhaps they're changing on this front. | 0:07:33 | 0:07:37 | |
You look really happy. | 0:07:37 | 0:07:38 | |
But there's still the big problem, isn't there? | 0:07:38 | 0:07:42 | |
I can't suddenly spring it all on Peter. | 0:07:42 | 0:07:45 | |
"Oh, by the way, I used to go travelling through space and | 0:07:45 | 0:07:49 | |
"time in a phone box with a Time Lord." | 0:07:49 | 0:07:51 | |
"My son was created as part of an experiment by the Bane." | 0:07:51 | 0:07:54 | |
-"I've got a talking computer and a robot dog." -"Oh, by the way, | 0:07:54 | 0:07:58 | |
"my lipstick, it's deadly." | 0:07:58 | 0:08:00 | |
But I do want you to meet him. | 0:08:03 | 0:08:06 | |
Can we just keep all the madness quiet for a bit longer? | 0:08:06 | 0:08:09 | |
See how things go. | 0:08:09 | 0:08:11 | |
And whatever happens, we're OK, you and me? | 0:08:15 | 0:08:19 | |
Good night. | 0:08:21 | 0:08:22 | |
METALLIC THRUMMING | 0:08:30 | 0:08:33 | |
-I hope I look OK. -'OK, adequate but unremarkable quality.' | 0:08:53 | 0:08:58 | |
I don't know how I'm supposed to react. | 0:08:58 | 0:09:00 | |
What am I supposed to call him? | 0:09:00 | 0:09:02 | |
Peter, Mr Dalton? | 0:09:03 | 0:09:05 | |
Dad? | 0:09:07 | 0:09:10 | |
What if I don't even like him? | 0:09:10 | 0:09:11 | |
'Regret I do not have the answer to these questions, Master Luke. | 0:09:11 | 0:09:16 | |
'Suggest consult another human being.' | 0:09:16 | 0:09:18 | |
Come on, Luke, he'll be here any moment. Chop-chop! | 0:09:18 | 0:09:22 | |
Right. | 0:09:24 | 0:09:25 | |
-Stay quiet, K9. He mustn't find out about you, got it? -'Understood.' | 0:09:25 | 0:09:30 | |
Oi! Clyde! What are you doing here? | 0:09:37 | 0:09:40 | |
I think I left my phone charger in the attic. | 0:09:40 | 0:09:44 | |
-Oh, yeah? -All right, I want a good old look at the mystery man. | 0:09:44 | 0:09:47 | |
Hold on, so do I! | 0:09:47 | 0:09:49 | |
Thanks. | 0:09:50 | 0:09:52 | |
Oh, hi, Sarah Jane! | 0:10:00 | 0:10:01 | |
-Is that your new man? -What are you doing here? | 0:10:01 | 0:10:04 | |
Erm...well... YELPING FROM INSIDE BOX | 0:10:04 | 0:10:07 | |
Hello, there! These are for you. | 0:10:07 | 0:10:10 | |
-Oh, thank you. -Everything all right? | 0:10:10 | 0:10:12 | |
Oh, thanks for looking after that for me. | 0:10:12 | 0:10:15 | |
Come on, Clyde. | 0:10:15 | 0:10:16 | |
But... Hello. | 0:10:16 | 0:10:20 | |
Peter, they're lovely - thank you! | 0:10:20 | 0:10:23 | |
-Are you sure everything's all right? -Yes. | 0:10:23 | 0:10:25 | |
Oh, they're beautiful. | 0:10:25 | 0:10:27 | |
Is that Sarah's man arriving? | 0:10:27 | 0:10:29 | |
-Mum, have you got no shame? -At least we were subtle. | 0:10:29 | 0:10:32 | |
-And what is that? -How should I know? | 0:10:32 | 0:10:34 | |
OK. Very good. | 0:10:40 | 0:10:42 | |
Now, this must be Luke. | 0:10:42 | 0:10:44 | |
Nice to meet you, Mr Dalton. | 0:10:44 | 0:10:47 | |
It's Peter, please. I've heard all about you, you're the apple of your mother's eye. | 0:10:47 | 0:10:51 | |
So this is where you live? Amazing place. | 0:10:51 | 0:10:55 | |
YELPING AND GROWLING FROM INSIDE BOX | 0:11:01 | 0:11:03 | |
Blimey, he's quite dishy. | 0:11:04 | 0:11:06 | |
She's done all right for herself. | 0:11:06 | 0:11:08 | |
Cool car. | 0:11:08 | 0:11:10 | |
Mum, come back! | 0:11:10 | 0:11:13 | |
Clyde! | 0:11:13 | 0:11:15 | |
Oh! Hello! Just popping to the shops... Do you want anything? | 0:11:20 | 0:11:24 | |
No, thanks. Peter, this is Gita from over the road. | 0:11:24 | 0:11:29 | |
Oh, Peter and Gita, that's funny! | 0:11:29 | 0:11:31 | |
Gita, nice to meet you. | 0:11:31 | 0:11:33 | |
Pretty flowers. | 0:11:33 | 0:11:35 | |
I run a flower shop, my darling, Bloomin' Lovely on the parade? | 0:11:35 | 0:11:39 | |
You should pop in, I'll give you a discount. I do lovely | 0:11:39 | 0:11:41 | |
-displays for weddings! -Oh, that's quite enough of that, thank you. | 0:11:41 | 0:11:44 | |
Well...I'll be off. | 0:11:48 | 0:11:50 | |
-The shop's that way, Mrs Chandra. -Yes! | 0:11:50 | 0:11:53 | |
Let me just pop these in some water. | 0:11:55 | 0:11:58 | |
-So... -Yes. | 0:12:00 | 0:12:01 | |
OK, he looks all right. | 0:12:01 | 0:12:04 | |
Did that just move again? | 0:12:07 | 0:12:09 | |
What is it? | 0:12:13 | 0:12:14 | |
YELPING AND GROWLING | 0:12:18 | 0:12:21 | |
'Alien activity detected! Alert! | 0:12:22 | 0:12:26 | |
'Activating stair-negotiation hover mode.' | 0:12:32 | 0:12:34 | |
It's alive. | 0:12:34 | 0:12:36 | |
Let's hope it's harmless! | 0:12:36 | 0:12:39 | |
Stop! Stay calm! We're going to help you! | 0:12:43 | 0:12:45 | |
'Mistress, emergency! Alien activity detected!' | 0:12:52 | 0:12:55 | |
K9, shut up! Get back inside, he mustn't see you! | 0:12:55 | 0:12:58 | |
It's all meant to be normal! | 0:12:58 | 0:13:00 | |
-'Alert, Mistress! Previous...' -K9! -'..instructions overridden, danger!' | 0:13:01 | 0:13:04 | |
-Hey, what's that? -Oh, it's mine, it's a toy. | 0:13:04 | 0:13:08 | |
-It comes from Japan, it's a robot dog, K9, get it? -'Alert!' -But it talks. | 0:13:08 | 0:13:12 | |
Yeah, it's got this programme with a few phrases. | 0:13:12 | 0:13:14 | |
'Do not look at me, everything is normal.' | 0:13:14 | 0:13:17 | |
It's a prototype. It always finds its way home. | 0:13:17 | 0:13:19 | |
You know, I would like one of those. | 0:13:19 | 0:13:21 | |
-Let's go. -The toys kids | 0:13:21 | 0:13:22 | |
have nowadays, computers and everything, it's incredible! | 0:13:22 | 0:13:25 | |
Remember that thing with the horse... | 0:13:25 | 0:13:27 | |
YELPING | 0:13:27 | 0:13:30 | |
'Alert! Alert!' | 0:13:30 | 0:13:32 | |
Buckaroo! | 0:13:32 | 0:13:35 | |
What's it doing? YELPING | 0:13:35 | 0:13:36 | |
'Alert! Oi!' | 0:13:40 | 0:13:41 | |
-Let's go. -Yeah, I'm starving. | 0:13:41 | 0:13:44 | |
I thought we'd try the new Italian on the high street. YELPING | 0:13:49 | 0:13:55 | |
Come back here! | 0:13:55 | 0:13:57 | |
I'd really like to go to university, but I think I'd also like to work on | 0:13:59 | 0:14:04 | |
-my own projects. -MOBILE RINGS | 0:14:04 | 0:14:06 | |
Better get this. | 0:14:06 | 0:14:08 | |
Sorry. Rani? | 0:14:08 | 0:14:12 | |
There you go, my son! | 0:14:12 | 0:14:15 | |
-We've got it! But what is it? -Travast Polong. Not evil, just trouble. | 0:14:15 | 0:14:20 | |
I saw him on eBay, the seller had no idea what he was. | 0:14:20 | 0:14:23 | |
It turns out he was in his dormant cycle. | 0:14:23 | 0:14:25 | |
He would choose today to wake up! | 0:14:25 | 0:14:27 | |
-Get Mr Smith to open up a link to Polongus and they'll transmat him home. -Already on it. | 0:14:27 | 0:14:31 | |
'Polongus receiving now. | 0:14:33 | 0:14:35 | |
'Earth transmitting now.' | 0:14:35 | 0:14:38 | |
Problem solved. You have fun, right? | 0:14:38 | 0:14:43 | |
But Mum always has a way of getting things out of you. | 0:14:47 | 0:14:50 | |
It must be being a journalist, she has to know everything. | 0:14:50 | 0:14:53 | |
Yes, that is so true! | 0:14:53 | 0:14:56 | |
-Watch this. -You boys OK? | 0:14:57 | 0:15:02 | |
Oh, yes, yes, Luke and I were just discussing, erm... | 0:15:02 | 0:15:06 | |
Oh, never mind, it's not important. | 0:15:06 | 0:15:08 | |
Oh, no, go on, what? | 0:15:08 | 0:15:11 | |
Oh, don't worry about it, Mum, it was nothing. | 0:15:11 | 0:15:13 | |
No, no, go on, what were you talking about? Tell me. Come on. | 0:15:13 | 0:15:17 | |
What's so funny? | 0:15:19 | 0:15:22 | |
-What? -Nothing! | 0:15:22 | 0:15:24 | |
-What are you doing? -Just being nosy. | 0:15:29 | 0:15:31 | |
Looking up Peter's gaffe. | 0:15:31 | 0:15:33 | |
120 Christchurch Walk, W4. | 0:15:33 | 0:15:37 | |
Nice place! | 0:15:37 | 0:15:38 | |
That's weird. There's a "For sale" sign. | 0:15:42 | 0:15:44 | |
And newspapers in the windows, it looks empty. | 0:15:44 | 0:15:48 | |
That picture could have been taken months back. | 0:15:48 | 0:15:50 | |
No, no, look, it says three weeks ago. | 0:15:50 | 0:15:53 | |
-I'll ask Sarah Jane. -But Luke told me that she'd never been to his place. | 0:15:53 | 0:15:58 | |
-Let's go round there. -Are you joking? | 0:16:00 | 0:16:03 | |
-We'll just have a look. -Oh, Clyde, Peter is not an alien! | 0:16:03 | 0:16:09 | |
I know! | 0:16:09 | 0:16:11 | |
K9 scanned him, but Sarah Jane's loaded, right? | 0:16:11 | 0:16:13 | |
This money from her aunt, the house, what if he wants to get his hands on it? | 0:16:13 | 0:16:19 | |
He's a partner in a law firm, he earns thousands. | 0:16:19 | 0:16:22 | |
I know why you're doing this. You don't want things to change. | 0:16:22 | 0:16:25 | |
Neither do I. | 0:16:25 | 0:16:28 | |
But Sarah Jane's happy, isn't that important? | 0:16:28 | 0:16:30 | |
Yeah. | 0:16:30 | 0:16:32 | |
And I want her to stay happy. | 0:16:32 | 0:16:34 | |
Come on. | 0:16:34 | 0:16:35 | |
I don't quite know how to say this. | 0:16:41 | 0:16:43 | |
-What's the matter? -Well...nothing's the matter, that's it. | 0:16:43 | 0:16:49 | |
Sarah Jane, I love you. | 0:16:49 | 0:16:52 | |
Good, because the funny thing is...I love you too. | 0:16:54 | 0:16:58 | |
Come on. | 0:16:59 | 0:17:00 | |
What? This place is creepy. | 0:17:03 | 0:17:06 | |
-It's freezing. -We got the right address, didn't we? -Of course we did. | 0:17:07 | 0:17:11 | |
Look at this place. I knew it, lair of the living dead! | 0:17:14 | 0:17:18 | |
There could be a million reasons for this. I dunno, | 0:17:18 | 0:17:20 | |
he's got everything in storage. | 0:17:20 | 0:17:22 | |
Oh, yeah? | 0:17:22 | 0:17:24 | |
Will you marry me? | 0:17:32 | 0:17:33 | |
Oh, it's beautiful. | 0:17:33 | 0:17:36 | |
Peter, I love you! | 0:17:36 | 0:17:38 | |
Which means...? | 0:17:38 | 0:17:40 | |
-Yes, of course. Yes, yes, yes! -APPLAUSE | 0:17:40 | 0:17:44 | |
A perfect fit. | 0:17:57 | 0:17:58 | |
Here they come. Hey, I've just been telling Luke. | 0:18:05 | 0:18:09 | |
I've got some big news. | 0:18:09 | 0:18:11 | |
Wonderful news! | 0:18:11 | 0:18:14 | |
Peter and I, we're getting married. | 0:18:14 | 0:18:17 | |
What? | 0:18:17 | 0:18:20 | |
Well, you don't have to look so pleased. | 0:18:20 | 0:18:22 | |
I know it's a bit of a shock, but Peter's got it all planned. | 0:18:22 | 0:18:24 | |
I bet he has. | 0:18:24 | 0:18:26 | |
-What do you mean? -Sarah Jane, we went round to Peter's house. | 0:18:26 | 0:18:31 | |
-You did what? -There's nothing there. It's empty. | 0:18:31 | 0:18:34 | |
What? What do you mean? | 0:18:34 | 0:18:37 | |
Mum? | 0:18:37 | 0:18:39 | |
I know it's empty. He doesn't really live there. | 0:18:43 | 0:18:46 | |
His firm got him a flat in London nearer the office. | 0:18:46 | 0:18:51 | |
And you've been there? | 0:18:51 | 0:18:52 | |
Plenty of times. | 0:18:52 | 0:18:55 | |
Oh, I should be angry with you breaking in there. | 0:18:55 | 0:18:59 | |
It's what I'd do, isn't it? | 0:19:01 | 0:19:04 | |
Oh, look at you, I've made you all so suspicious. | 0:19:04 | 0:19:06 | |
But this is a happy thing, and I want you all to be part of it. | 0:19:06 | 0:19:10 | |
It isn't the end of the world. | 0:19:10 | 0:19:13 | |
So thanks, but there's no need to sneak around or worry about | 0:19:13 | 0:19:15 | |
-anything. -So when's the wedding? | 0:19:15 | 0:19:19 | |
End of next week! | 0:19:19 | 0:19:21 | |
-Next week?! -Well, at my age, why wait? | 0:19:21 | 0:19:23 | |
You what? That's mad! | 0:19:23 | 0:19:26 | |
Peter had it all on standby, a nice hotel in the country. | 0:19:26 | 0:19:29 | |
You're all invited and you, Luke, you can give me away. | 0:19:29 | 0:19:33 | |
Do I have to do a speech? | 0:19:33 | 0:19:35 | |
-'I will help, Master Luke.' -It'll be full of robot jokes, will it? | 0:19:35 | 0:19:39 | |
Don't you think it's a bit fast? | 0:19:39 | 0:19:41 | |
Oh, you're telling me, I've got so much to arrange, a lot of changes. | 0:19:41 | 0:19:45 | |
'Sarah Jane, anomaly detected.' | 0:19:45 | 0:19:47 | |
That reminds me. First big change. | 0:19:47 | 0:19:50 | |
Mr Smith, commence deactivation program. | 0:19:50 | 0:19:53 | |
'But, Sarah Jane, I have detected an impulse registering...' | 0:19:53 | 0:19:55 | |
Initiate total deactivation, Mr Smith. Protocol five! | 0:19:55 | 0:20:00 | |
'Complying. Goodbye, Sarah Jane.' | 0:20:00 | 0:20:03 | |
No, Sarah Jane! He was trying to tell us something! | 0:20:03 | 0:20:06 | |
The world can look after itself. | 0:20:06 | 0:20:08 | |
I'm busy with something normal for a change, and I don't want anything, | 0:20:08 | 0:20:12 | |
any of this getting in the way. | 0:20:12 | 0:20:15 | |
You haven't told Peter about...our thing, what we do? | 0:20:15 | 0:20:20 | |
Why should I? Perhaps I never will, perhaps that's the solution. | 0:20:20 | 0:20:24 | |
I don't like this. | 0:20:24 | 0:20:26 | |
I know what'll stop you worrying, Clyde. | 0:20:26 | 0:20:29 | |
-You can dog sit for me, you can look after K9. -What? Really? | 0:20:29 | 0:20:33 | |
-What do I say to my mum? -Oh, come on, Clyde Langer, when have you ever | 0:20:33 | 0:20:37 | |
been short of excuses? | 0:20:37 | 0:20:39 | |
Oh, and Rani, keep Saturday free, dress shopping! | 0:20:39 | 0:20:42 | |
-Oh, you're going to make a lovely bridesmaid! -You're on! | 0:20:42 | 0:20:45 | |
And there's that wedding fair. | 0:20:45 | 0:20:47 | |
I know! And your mum can do the flowers - before she asks. | 0:20:47 | 0:20:50 | |
Right, come on, everybody out. | 0:20:51 | 0:20:54 | |
Things to do! | 0:20:54 | 0:20:56 | |
Come on. | 0:20:56 | 0:20:58 | |
K9, walkies! | 0:21:00 | 0:21:02 | |
And goodbye...to all of that. | 0:21:06 | 0:21:08 | |
ECHOING EVIL LAUGHTER | 0:21:16 | 0:21:18 | |
What have you got there? | 0:21:23 | 0:21:24 | |
A message from our friend Maria. | 0:21:24 | 0:21:26 | |
She couldn't make it, she's got exams and her dad's tied up at work. | 0:21:26 | 0:21:29 | |
My mum's at another wedding, | 0:21:29 | 0:21:32 | |
cos this was too short notice, it's all been so fast. | 0:21:32 | 0:21:36 | |
And the Brigadier's her oldest friend, | 0:21:36 | 0:21:39 | |
of course, but he's back in Peru. | 0:21:39 | 0:21:41 | |
Have you got any family coming, Peter? | 0:21:41 | 0:21:43 | |
I'm afraid I'm the only one left, end of the line. | 0:21:43 | 0:21:47 | |
Be back in a sec. | 0:21:47 | 0:21:49 | |
There's something so weird about all this. | 0:21:49 | 0:21:52 | |
You didn't have to come, Clyde. | 0:21:52 | 0:21:53 | |
I wouldn't miss this. What if something happens? | 0:21:53 | 0:21:57 | |
Just because your dad turned out bad doesn't mean mine will. | 0:21:57 | 0:21:59 | |
He's not your dad. | 0:21:59 | 0:22:01 | |
He's going to be. | 0:22:01 | 0:22:03 | |
Don't spoil my mum's day. | 0:22:03 | 0:22:04 | |
Is this it? | 0:22:10 | 0:22:12 | |
That's Emma, does her hair. | 0:22:12 | 0:22:15 | |
Clarissa, used to be her editor. | 0:22:15 | 0:22:18 | |
Oh, that's her accountant, I can't remember his name. | 0:22:18 | 0:22:21 | |
-You must be slipping. -Bit of a sorry turnout. | 0:22:21 | 0:22:24 | |
Well, I suppose that's what happens when you rush to get married. | 0:22:24 | 0:22:28 | |
It is rather peculiar. Marry in haste, repent at leisure, they say. | 0:22:28 | 0:22:32 | |
Trust you to be the voice of doom, Haresh. | 0:22:32 | 0:22:35 | |
Smile! | 0:22:35 | 0:22:37 | |
-Congratulations. -Thank you. | 0:22:37 | 0:22:39 | |
Hello, everybody. Welcome! | 0:22:39 | 0:22:42 | |
It's time, so if you'd like to go in. | 0:22:42 | 0:22:44 | |
So...Peter, where are you heading after | 0:22:51 | 0:22:54 | |
the reception, somewhere exotic? | 0:22:54 | 0:22:56 | |
Afterwards is a surprise. | 0:22:56 | 0:22:58 | |
It can't be any worse than our honeymoon. Total disaster. | 0:23:00 | 0:23:03 | |
Erm...I enjoyed it. | 0:23:03 | 0:23:05 | |
Brussels - there's nothing there! | 0:23:06 | 0:23:08 | |
Mum. | 0:23:52 | 0:23:53 | |
Rani...you look...good. | 0:24:01 | 0:24:03 | |
I look "good"? | 0:24:03 | 0:24:06 | |
You look amazing. Both of you. | 0:24:08 | 0:24:11 | |
Thought you might have gone for the Doctor to give you away. | 0:24:14 | 0:24:17 | |
I need somebody reliable, and I'm so very, very glad it's you. | 0:24:17 | 0:24:22 | |
Besides, where would I send the invite? | 0:24:22 | 0:24:25 | |
Metebelis 3? | 0:24:25 | 0:24:26 | |
METALLIC THRUMMING | 0:24:28 | 0:24:31 | |
Look at our Rani! | 0:24:42 | 0:24:44 | |
It only seems like yesterday she was in pigtails. | 0:24:44 | 0:24:46 | |
Sarah looks so happy. | 0:24:57 | 0:24:59 | |
-It's just like a fairy tale. -Pull yourself together. | 0:24:59 | 0:25:04 | |
K9, scan. | 0:25:11 | 0:25:13 | |
'All normal, Master Clyde.' | 0:25:13 | 0:25:16 | |
Yeah, so far. | 0:25:16 | 0:25:18 | |
-You brought the dog? -Well, what did you think | 0:25:18 | 0:25:20 | |
was under there, the wedding cake? | 0:25:20 | 0:25:23 | |
There's something wrong about this. | 0:25:23 | 0:25:25 | |
Good afternoon, everyone, I'm the superintendent registrar. | 0:25:26 | 0:25:31 | |
We are here today to witness the marriage of Sarah Jane Smith and Peter Anthony Dalton. | 0:25:31 | 0:25:36 | |
In each other's company they have found happiness, | 0:25:38 | 0:25:40 | |
fulfilment and love, | 0:25:40 | 0:25:43 | |
and they wish to affirm their relationship with this marriage. | 0:25:43 | 0:25:47 | |
Now, I have to ask this question. | 0:25:47 | 0:25:50 | |
If any person can show just cause or impediment | 0:25:50 | 0:25:53 | |
why they may not be joined together, | 0:25:53 | 0:25:55 | |
let them speak now or forever hold their peace. | 0:25:55 | 0:25:58 | |
METALLIC THRUMMING | 0:25:58 | 0:26:00 | |
-Stop this wedding now! -What?! | 0:26:02 | 0:26:06 | |
-What's going on?! -Who the hell is that? | 0:26:06 | 0:26:08 | |
-I don't believe it. -Who's he? | 0:26:08 | 0:26:10 | |
-'Master!' -I said stop this wedding! | 0:26:10 | 0:26:13 | |
-'Alert! Alert! Danger, Mistress!' -Stop! Get away from him! | 0:26:20 | 0:26:23 | |
No! Peter... | 0:26:23 | 0:26:26 | |
Don't be afraid, Sarah Jane. | 0:26:26 | 0:26:27 | |
-It's the Angel. -The Trickster! | 0:26:27 | 0:26:32 | |
Mum! Mum! | 0:26:32 | 0:26:34 | |
Sarah! Trickster, let her go! | 0:26:37 | 0:26:39 | |
Too late, Time Lord! | 0:26:39 | 0:26:40 | |
You are mine, Sarah Jane Smith. | 0:26:43 | 0:26:47 | |
Mine forever. | 0:26:47 | 0:26:49 | |
Sarah! | 0:26:49 | 0:26:52 | |
Doctor! | 0:26:52 | 0:26:54 | |
-Time's stopped. -Time trap. | 0:26:58 | 0:27:01 | |
The Trickster doesn't want us helping Sarah, | 0:27:01 | 0:27:03 | |
so he's separated us, trapped us in two different seconds. | 0:27:03 | 0:27:06 | |
All you have to say is "I do". | 0:27:06 | 0:27:09 | |
And if you don't, you'll remain here forever. | 0:27:09 | 0:27:13 | |
-Trickster! -Without Sarah, without you lot saving | 0:27:13 | 0:27:17 | |
the world from your attic in Ealing, there'll be chaos and destruction, | 0:27:17 | 0:27:20 | |
meat and drink to the Trickster! | 0:27:20 | 0:27:22 | |
Ow! Ow! Argh! | 0:27:22 | 0:27:23 | |
Clyde, no! | 0:27:23 | 0:27:24 | |
Come on now! | 0:27:24 | 0:27:26 | |
Subtitles by Red Bee Media Ltd | 0:27:36 | 0:27:39 | |
E-mail [email protected] | 0:27:39 | 0:27:42 |