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13 Bannerman Road is where Sarah Jane Smith lives | 0:00:02 | 0:00:05 | |
and it's home to things way beyond your imagination. | 0:00:05 | 0:00:09 | |
There's an extraterrestrial supercomputer in the wall, | 0:00:09 | 0:00:12 | |
her son, a genetically engineered boy genius, | 0:00:12 | 0:00:16 | |
a school girl investigator across the road, | 0:00:16 | 0:00:19 | |
and a whole universe of adventure right here on the doorstep. | 0:00:19 | 0:00:22 | |
Ah! | 0:00:25 | 0:00:27 | |
Ready? | 0:00:41 | 0:00:43 | |
Always. | 0:00:43 | 0:00:45 | |
'Is there anything more beautiful than a star-filled sky? | 0:00:46 | 0:00:50 | |
'As a child, I would dream of what might be up there | 0:00:50 | 0:00:53 | |
'but never imagined that one day I would find out. | 0:00:53 | 0:00:56 | |
'The fiery rings of Coulabria, | 0:00:56 | 0:00:58 | |
'interstellar lightning across the Voorheiden Horizon. | 0:00:58 | 0:01:02 | |
'I've seen the death of worlds and the birth of stars. | 0:01:02 | 0:01:05 | |
'So many wonderful sights... | 0:01:05 | 0:01:08 | |
'and things to terrify... | 0:01:08 | 0:01:09 | |
'..even here on Earth. | 0:01:11 | 0:01:12 | |
'Because, although it's easy to forget, | 0:01:12 | 0:01:15 | |
'we're a part of the universe too | 0:01:15 | 0:01:18 | |
'and we really aren't alone. | 0:01:18 | 0:01:20 | |
'Sometimes, the most amazing people and creatures | 0:01:20 | 0:01:23 | |
'can find their way to Earth | 0:01:23 | 0:01:25 | |
'and so can the most terrifying.' | 0:01:25 | 0:01:28 | |
RUMBLING | 0:01:30 | 0:01:33 | |
CLATTERING | 0:01:54 | 0:01:56 | |
BEEPING | 0:02:30 | 0:02:32 | |
'Life here can be an adventure too.' | 0:02:35 | 0:02:38 | |
'But after all my adventures, the last thing I expected was a family. | 0:03:01 | 0:03:05 | |
'And that's been the most amazing adventure of all.' | 0:03:05 | 0:03:08 | |
I've got to go soon. Saturday is band night at the Student Union. | 0:03:08 | 0:03:11 | |
You're going to watch a band?! | 0:03:11 | 0:03:13 | |
We are talking music here? Electric guitars, | 0:03:13 | 0:03:15 | |
drums. Not some physics experiment with elastic, right? | 0:03:15 | 0:03:18 | |
Clyde. Don't be soft. | 0:03:18 | 0:03:20 | |
Soon Luke will have seen more cool new bands than you've ever heard of. | 0:03:20 | 0:03:24 | |
You'll be so after my tunes next time I'm home. | 0:03:24 | 0:03:26 | |
Oh, Luke, I can't wait. | 0:03:26 | 0:03:28 | |
Look, I've got to go now, | 0:03:28 | 0:03:29 | |
so I'll catch you later. | 0:03:29 | 0:03:31 | |
Love you. | 0:03:31 | 0:03:33 | |
-Right. Homework. -Yeah. | 0:03:35 | 0:03:38 | |
Luke will be back soon. Clothes all over the place. | 0:03:43 | 0:03:46 | |
Empty mugs. Dirty plates. Lots of loud music. | 0:03:46 | 0:03:48 | |
You're right. I should make the most of the peace and quiet. Night-night. | 0:03:48 | 0:03:52 | |
-Night, Sarah Jane. -See you tomorrow. | 0:03:52 | 0:03:54 | |
DOORBELL RINGS | 0:04:06 | 0:04:08 | |
Hello? | 0:04:27 | 0:04:29 | |
What...?! | 0:04:40 | 0:04:42 | |
Oh... | 0:04:57 | 0:05:00 | |
Why would anyone leave you on a stranger's doorstep? | 0:05:03 | 0:05:08 | |
BABY CRIES | 0:05:08 | 0:05:10 | |
Oh! | 0:05:10 | 0:05:12 | |
TEXT MESSAGE ALERT | 0:05:22 | 0:05:24 | |
All the bulbs in the house? | 0:05:35 | 0:05:37 | |
Even the fridge? I'm telling you, Haresh, that's not normal. | 0:05:37 | 0:05:40 | |
I'll get an electrician to check the wiring on Monday. | 0:05:40 | 0:05:43 | |
I hope we're not on a ley line. I saw this programme on telly. | 0:05:43 | 0:05:47 | |
They run all over the country connecting sites of ancient power | 0:05:47 | 0:05:51 | |
like Stonehenge and the White Horse. | 0:05:51 | 0:05:55 | |
-What, the pub on Bishton Street? -Very funny, aren't you() | 0:05:55 | 0:05:58 | |
You should give up teaching and become an undertaker. | 0:05:58 | 0:06:01 | |
-Where are you off to in such a hurry? -Sarah Jane's. | 0:06:02 | 0:06:05 | |
Luke's texted me - he can't get an answer. | 0:06:05 | 0:06:08 | |
Wants me to check up on her. | 0:06:08 | 0:06:10 | |
It's probably nothing. Bye! | 0:06:10 | 0:06:12 | |
Phone's probably on the blink. | 0:06:12 | 0:06:14 | |
It'll be the ley lines. | 0:06:14 | 0:06:15 | |
Here, how many comedy headmasters does it take to change a light bulb? | 0:06:15 | 0:06:20 | |
-Sarah Jane, what's... -Shh... | 0:06:23 | 0:06:26 | |
..that baby doing in your arms? | 0:06:26 | 0:06:28 | |
Shh! Don't make her cry. | 0:06:28 | 0:06:29 | |
She cried earlier, and every light in the house blew! | 0:06:29 | 0:06:32 | |
-In the street, more like! -I got what you said in your message, | 0:06:32 | 0:06:36 | |
but what do you want nappies for? | 0:06:36 | 0:06:38 | |
I feel that should explain everything, | 0:06:38 | 0:06:40 | |
but actually I'm even more confused. | 0:06:40 | 0:06:42 | |
I found her on the doorstep. | 0:06:42 | 0:06:44 | |
I was going to call the police, | 0:06:44 | 0:06:46 | |
but I don't think they'll have much luck finding her parents. | 0:06:46 | 0:06:49 | |
Not on this planet. | 0:06:49 | 0:06:50 | |
It's all right. Luke was born a 13-year-old boy. | 0:06:53 | 0:06:55 | |
A teenager I can handle. But a baby? An alien baby? I need help. | 0:06:55 | 0:07:00 | |
Don't look at me. | 0:07:00 | 0:07:02 | |
Or me. Obviously. | 0:07:02 | 0:07:04 | |
Well, your mums must know. | 0:07:04 | 0:07:07 | |
If I start asking Mum questions about how to look after a baby, | 0:07:07 | 0:07:11 | |
well, she's going to totally freak! | 0:07:11 | 0:07:12 | |
Besides, she's an alien. What do any of us know? | 0:07:12 | 0:07:15 | |
-What about Mr Smith? -Ah, Mr Smith won't come out. | 0:07:15 | 0:07:19 | |
Well, would you, if you might get your circuits fried? | 0:07:19 | 0:07:22 | |
With most babies, all you have to worry about is poo and puke. | 0:07:22 | 0:07:25 | |
Yeah, well, this one doesn't blow bubbles, she blows things up! | 0:07:25 | 0:07:29 | |
I only know one way to shut up a baby. | 0:07:31 | 0:07:34 | |
See? Happy tummy, happy baby. Whatever planet you're from. | 0:07:41 | 0:07:45 | |
I've looked after my little cousin a few times... | 0:07:45 | 0:07:47 | |
-not that she's an alien. -You're a natural, Clyde. | 0:07:47 | 0:07:52 | |
Yeah. Well, little kids are cute. Aren't you, Sparky? | 0:07:52 | 0:07:55 | |
Do you think so? I always think babies look a bit rubbery. | 0:07:55 | 0:07:58 | |
Her mum and dad will be out of their minds with worry. | 0:07:58 | 0:08:01 | |
-They must be scouring the galaxy. -Maybe. | 0:08:01 | 0:08:04 | |
Maybe not. | 0:08:04 | 0:08:05 | |
Whoever left her on my doorstep, that was no accident. | 0:08:05 | 0:08:09 | |
I think someone needs me to protect this baby. | 0:08:09 | 0:08:11 | |
Protect her from who? | 0:08:11 | 0:08:13 | |
That's what we have to find out before they come looking for her. | 0:08:13 | 0:08:16 | |
What is that? | 0:08:44 | 0:08:46 | |
Oh, God. | 0:08:50 | 0:08:51 | |
You're flesh. Good. | 0:09:13 | 0:09:15 | |
Who... | 0:09:15 | 0:09:17 | |
-who are you? -My name is Miss Myers. | 0:09:17 | 0:09:21 | |
And you're going to help me find my child. | 0:09:21 | 0:09:24 | |
I've scanned her. Give the readings to Mr Smith. | 0:09:29 | 0:09:31 | |
Hopefully he can give us a clue who she is and where she came from. | 0:09:31 | 0:09:34 | |
Received and understood. | 0:09:34 | 0:09:36 | |
If Sparky blows her top again, | 0:09:36 | 0:09:38 | |
we don't want her anywhere near Mr Smith. | 0:09:38 | 0:09:40 | |
Right. Time to get clear of Bannerman Road. | 0:09:40 | 0:09:42 | |
Park should be safe enough. | 0:09:42 | 0:09:44 | |
Yep. | 0:09:44 | 0:09:45 | |
Oh, no! | 0:09:45 | 0:09:47 | |
There you are, Rani! | 0:09:47 | 0:09:49 | |
Is there something you've not been telling us, Sarah? | 0:09:49 | 0:09:52 | |
Mum, there is a simple explanation. | 0:09:52 | 0:09:56 | |
You've started fostering, haven't you? | 0:09:56 | 0:09:58 | |
How wonderful! I always thought you made such a perfect mum to Luke. | 0:09:58 | 0:10:02 | |
-Oh, thank you, Gita. -No wonder Luke couldn't get you on the phone. | 0:10:02 | 0:10:06 | |
Bet she's a proper little handful. Aren't you? Aren't you, my...? | 0:10:06 | 0:10:10 | |
Yes, well, it was all a bit sudden, really. | 0:10:10 | 0:10:14 | |
I practically opened the door and there she was, | 0:10:14 | 0:10:16 | |
-like she'd fallen out of the sky. -Oh, like that thing last night. | 0:10:16 | 0:10:21 | |
-What's her name? -Her name? -What thing last night? | 0:10:21 | 0:10:23 | |
Heard it on the local radio. A meteor landed | 0:10:23 | 0:10:27 | |
-in that wreckers' yard on Peel Road. -A meteor? | 0:10:27 | 0:10:30 | |
She must have a name, Sarah? | 0:10:30 | 0:10:32 | |
Sky. | 0:10:32 | 0:10:33 | |
Sky? | 0:10:33 | 0:10:35 | |
Yeah, like she'd fallen out of it. | 0:10:35 | 0:10:39 | |
Oh, that's beautiful. Just like you. | 0:10:39 | 0:10:42 | |
CAR ALARMS BLARE | 0:10:42 | 0:10:43 | |
Oh, flippin' heck! | 0:10:43 | 0:10:45 | |
First all the light bulbs | 0:10:45 | 0:10:47 | |
and now the car alarms! I'll catch up with you later. | 0:10:47 | 0:10:50 | |
An alien baby turns up on your doorstep | 0:10:52 | 0:10:54 | |
and a meteor crashes on the same night? | 0:10:54 | 0:10:56 | |
That's, like, a galactic coincidence. | 0:10:56 | 0:10:58 | |
-We should check it out. -Clyde, give me my watch back. | 0:10:58 | 0:11:01 | |
Mr Smith can analyse the scan later. | 0:11:01 | 0:11:03 | |
We need to check out what's landed in the wreckers' yard. | 0:11:03 | 0:11:07 | |
-What? What are you doing? -There's no baby seat. | 0:11:07 | 0:11:09 | |
The last thing I need is her blowing the car's electrics. | 0:11:09 | 0:11:12 | |
And make sure Mr Smith stays out of harm's way. | 0:11:12 | 0:11:15 | |
-You'll be fine. You're a natural. -Look after her, Clyde. | 0:11:15 | 0:11:19 | |
Someone left her here because she's in danger. | 0:11:19 | 0:11:21 | |
-I'm relying on you. -Yeah, yeah. | 0:11:21 | 0:11:24 | |
Don't worry. | 0:11:24 | 0:11:26 | |
Take a power nap, boys. | 0:11:32 | 0:11:35 | |
I'm looking for a power surge in the area. Last night. | 0:11:35 | 0:11:38 | |
Here. | 0:11:43 | 0:11:45 | |
Exploding light bulbs. | 0:11:45 | 0:11:46 | |
Bannerman Road. | 0:11:46 | 0:11:49 | |
Don't worry, baby. | 0:11:49 | 0:11:50 | |
Mummy's coming to get you. | 0:11:50 | 0:11:53 | |
CLANKING FOOTSTEPS | 0:11:53 | 0:11:55 | |
So you think Sky's in danger? | 0:12:02 | 0:12:05 | |
Why else would anyone leave her on my doorstep? | 0:12:05 | 0:12:07 | |
What's got me confused is, who put her there? | 0:12:07 | 0:12:10 | |
-The Doctor? -He'd never leave her and take off without a word. | 0:12:10 | 0:12:13 | |
You can't come through. It's dangerous. | 0:12:13 | 0:12:15 | |
It's all right. Miss Smith is quite used to danger. | 0:12:15 | 0:12:18 | |
-Professor Rivers! -Good to see you again. | 0:12:18 | 0:12:20 | |
Come through, come through. | 0:12:20 | 0:12:22 | |
Thank you. | 0:12:22 | 0:12:24 | |
-So, where's the meteor? -Good question. | 0:12:29 | 0:12:32 | |
We know a body impacted. | 0:12:32 | 0:12:34 | |
Our seismographs at the Pharos Institute recorded it. | 0:12:34 | 0:12:37 | |
You don't really need a seismograph to see that, Professor. | 0:12:37 | 0:12:40 | |
Well, this was no meteor, and these energy traces don't look like | 0:12:40 | 0:12:45 | |
any life form I've ever seen before. | 0:12:45 | 0:12:47 | |
You mean an alien? | 0:12:47 | 0:12:48 | |
Sarah Jane! | 0:12:48 | 0:12:51 | |
Whatever landed last night, it had big boots. | 0:12:55 | 0:12:59 | |
Not only big...but heavy. | 0:12:59 | 0:13:02 | |
-Very heavy. -Whatever was here... | 0:13:02 | 0:13:05 | |
there's something else now. | 0:13:05 | 0:13:07 | |
-Something alien? -No. | 0:13:07 | 0:13:09 | |
Human. | 0:13:09 | 0:13:11 | |
Hello! No, no, no. It's all right. | 0:13:16 | 0:13:19 | |
I only want to talk. After him! He might have seen something! | 0:13:19 | 0:13:23 | |
Oh, wait for me! | 0:13:23 | 0:13:25 | |
I'm in Wellingtons! | 0:13:25 | 0:13:28 | |
I wasn't doing anything wrong. | 0:13:45 | 0:13:47 | |
What have you been living off? Battery Bunnies? | 0:13:47 | 0:13:50 | |
They're for my radio. | 0:13:50 | 0:13:52 | |
Not that it works since that great, ruddy, iron bloke | 0:13:52 | 0:13:55 | |
dropped down last night! | 0:13:55 | 0:13:56 | |
Yeah, well, my name is Sarah Jane Smith. | 0:13:56 | 0:13:59 | |
I'm a journalist. I just want you to tell me what you saw. | 0:13:59 | 0:14:02 | |
The press? | 0:14:02 | 0:14:04 | |
I'm not talking to you. | 0:14:04 | 0:14:06 | |
I've seen what you put in the papers about people | 0:14:06 | 0:14:08 | |
that have seen what I've seen. I do read them, you know. | 0:14:08 | 0:14:11 | |
You can trust Sarah Jane. | 0:14:11 | 0:14:13 | |
And I won't be able to listen to The Archers now. | 0:14:13 | 0:14:17 | |
What if I fix your radio for you, | 0:14:17 | 0:14:19 | |
will you tell me what you saw? | 0:14:19 | 0:14:21 | |
With a lipstick? | 0:14:21 | 0:14:23 | |
I'm homeless, I'm not brainless. | 0:14:25 | 0:14:27 | |
RADIO PLAYS | 0:14:27 | 0:14:28 | |
It works! You fixed it! | 0:14:28 | 0:14:32 | |
How did you do that? | 0:14:32 | 0:14:33 | |
What sort of batteries do you use in that thing? | 0:14:33 | 0:14:38 | |
And the big bad Bane went BANG, and everyone got covered in gunk! | 0:14:38 | 0:14:41 | |
-SKY GURGLES -No, no! | 0:14:41 | 0:14:43 | |
-Don't! Don't! -PHONE RINGS | 0:14:43 | 0:14:46 | |
This is Clyde. Speak to me. | 0:14:48 | 0:14:50 | |
Thanks, Sparky! Flat as Jedward. | 0:14:56 | 0:14:59 | |
SKY GURGLES | 0:14:59 | 0:15:00 | |
No, no! Don't cry! | 0:15:00 | 0:15:02 | |
Come on, think, Langer, you're a born entertainer. | 0:15:02 | 0:15:05 | |
Say hello to...Sid the Sleeve. | 0:15:16 | 0:15:20 | |
Hello, Sky. | 0:15:20 | 0:15:22 | |
Hello, Sid. What do you call a man who wears paper trousers? | 0:15:22 | 0:15:25 | |
I don't know, Sid. | 0:15:25 | 0:15:27 | |
Russell! | 0:15:27 | 0:15:28 | |
Yeah? D'you get it? | 0:15:28 | 0:15:31 | |
No. Too advanced, obviously. | 0:15:31 | 0:15:33 | |
No, no, no. Don't cry, don't cry. | 0:15:34 | 0:15:38 | |
Please, I just want you to tell me exactly what you saw. | 0:15:38 | 0:15:41 | |
You saw an iron man. Like a robot? | 0:15:41 | 0:15:43 | |
Did I say he was a robot? No. | 0:15:43 | 0:15:47 | |
I know what a robot looks like - I've seen Star Wars. | 0:15:47 | 0:15:50 | |
This was a bloke. | 0:15:50 | 0:15:52 | |
His skin was all metal... | 0:15:52 | 0:15:54 | |
-And what happened? -Fell out of the sky. | 0:15:54 | 0:15:58 | |
And then stood up without a scratch on him. | 0:15:58 | 0:16:00 | |
And turned himself invisible. | 0:16:00 | 0:16:03 | |
-Invisible? -That's right. | 0:16:03 | 0:16:06 | |
And I'm telling you this, he was armed | 0:16:06 | 0:16:08 | |
to his flaming big steel choppers. | 0:16:08 | 0:16:11 | |
If there's any more of them on the way... | 0:16:11 | 0:16:15 | |
we don't stand a chance. | 0:16:15 | 0:16:17 | |
A metal man? Is that even possible? | 0:16:19 | 0:16:21 | |
A bio-metalloid life form. | 0:16:21 | 0:16:24 | |
Why not? It's a big universe. | 0:16:24 | 0:16:26 | |
But now it's here and it's got to be looking for Sky. | 0:16:26 | 0:16:30 | |
Oh, Clyde's not answering. | 0:16:30 | 0:16:32 | |
Whatever it is, we have to find it before it finds Sky. | 0:16:32 | 0:16:35 | |
Ah, it's invisible. | 0:16:35 | 0:16:37 | |
Well, nothing's ever completely invisible. | 0:16:37 | 0:16:40 | |
Ooh, there you are. | 0:16:40 | 0:16:42 | |
What have I missed? | 0:16:42 | 0:16:44 | |
Celeste, do you have equipment on your van | 0:16:44 | 0:16:47 | |
that can track an ultra-high- frequency electromagnetic signal? | 0:16:47 | 0:16:51 | |
OK. No computers out here, no alien tech, no phones. | 0:17:06 | 0:17:13 | |
You're safe. | 0:17:13 | 0:17:14 | |
Oh, you like leaves? | 0:17:14 | 0:17:16 | |
Leaves are good. Leaves are green. | 0:17:16 | 0:17:17 | |
But not salad. | 0:17:17 | 0:17:19 | |
Salad's green but it's also kind of yeuch. | 0:17:19 | 0:17:22 | |
Hello, Mr Chandra. | 0:17:22 | 0:17:23 | |
We're from West London Power. | 0:17:23 | 0:17:26 | |
This wouldn't be about all the bulbs blowing, would it? | 0:17:26 | 0:17:29 | |
There was a power surge in Bannerman Road. | 0:17:29 | 0:17:31 | |
We're visiting every house, looking for the cause. | 0:17:31 | 0:17:34 | |
It needs to be isolated. | 0:17:34 | 0:17:36 | |
Whatever crashed here emitted UHF electromagnetic radiation. | 0:17:41 | 0:17:45 | |
That's what scrambled the radio. | 0:17:45 | 0:17:47 | |
Whatever made those footprints might be able | 0:17:47 | 0:17:49 | |
to make itself invisible, | 0:17:49 | 0:17:50 | |
-but it can't hide that energy trace. -There's something here. | 0:17:50 | 0:17:53 | |
A regular UHF-ME pulse. | 0:17:53 | 0:17:56 | |
And...it's moving. | 0:17:56 | 0:17:59 | |
Right towards Bannerman Road. | 0:17:59 | 0:18:00 | |
Try Clyde again! Warn him, he has to get Sky away from there! | 0:18:00 | 0:18:03 | |
Who's Sky? | 0:18:03 | 0:18:05 | |
A defenceless child, and there's something after her. | 0:18:05 | 0:18:08 | |
-He's still not answering! -Come on! Thank you, Celeste. | 0:18:08 | 0:18:11 | |
Oh, my pleasure. Oh, and be careful. | 0:18:11 | 0:18:14 | |
Oh, I'm never careful. Always prepared. | 0:18:14 | 0:18:17 | |
Zap! Zap-zap! | 0:18:19 | 0:18:22 | |
Every light in the house went. I don't suppose West London Power | 0:18:26 | 0:18:30 | |
are going to reimburse me for those. | 0:18:30 | 0:18:31 | |
I'm afraid not. | 0:18:31 | 0:18:33 | |
Mrs Chandra, do you have young children? | 0:18:33 | 0:18:35 | |
No. Just our daughter, Rani. | 0:18:35 | 0:18:38 | |
She's 17. And very clever. She's going to be a journalist. | 0:18:38 | 0:18:41 | |
What do children have to do with your company blowing our lights? | 0:18:41 | 0:18:45 | |
And your going blow a blood vessel, Haresh, if you don't calm down. | 0:18:45 | 0:18:49 | |
Would you like a cuppa, my darlings? | 0:18:49 | 0:18:52 | |
Now, our neighbour over the road... | 0:18:52 | 0:18:55 | |
she's just fostered a baby. | 0:18:55 | 0:18:58 | |
Earl Grey? | 0:18:58 | 0:19:00 | |
And that's a tree. And... Oh! | 0:19:13 | 0:19:17 | |
And this is grass. Cows eat grass. | 0:19:17 | 0:19:19 | |
And they go "moooo" and they make milk. | 0:19:19 | 0:19:23 | |
You like milk, don't you? | 0:19:23 | 0:19:26 | |
They also make steak. | 0:19:26 | 0:19:27 | |
I like steak. | 0:19:31 | 0:19:33 | |
Especially with chips. But they have to come from the chippie | 0:19:33 | 0:19:36 | |
and not from the oven. | 0:19:36 | 0:19:37 | |
Oven chips are the work of bad cooking goblins. | 0:19:37 | 0:19:41 | |
CLUNKING | 0:19:41 | 0:19:42 | |
Did you hear something? | 0:19:46 | 0:19:50 | |
It was more like... | 0:19:50 | 0:19:51 | |
feel something... | 0:19:51 | 0:19:54 | |
Oh...what made those? | 0:19:56 | 0:20:00 | |
CLUNK-CLUNK | 0:20:05 | 0:20:07 | |
Oh, this is not good. | 0:20:07 | 0:20:10 | |
Not good at all. | 0:20:11 | 0:20:13 | |
Not getting any better! | 0:20:13 | 0:20:16 | |
Oh-oh. | 0:20:16 | 0:20:18 | |
Hi. | 0:20:18 | 0:20:19 | |
-Get in if you want the child to live! -Who are you? | 0:20:26 | 0:20:29 | |
I'm her mother! | 0:20:29 | 0:20:30 | |
Drive! | 0:20:30 | 0:20:32 | |
-Did you hear that? -Don't worry. | 0:20:39 | 0:20:42 | |
After the lights exploding and all the car alarms going off, | 0:20:42 | 0:20:45 | |
it'll probably be the gas mains blowing up. | 0:20:45 | 0:20:47 | |
Just a regular day on Bannerman Road. | 0:20:47 | 0:20:51 | |
I don't know about you, Sky, | 0:20:53 | 0:20:55 | |
but my mum always told me never to take lifts off strangers. | 0:20:55 | 0:20:59 | |
Clyde? Clyde? | 0:21:02 | 0:21:05 | |
-He's not here. -Clyde! | 0:21:05 | 0:21:07 | |
Mr Smith! I need you - now! | 0:21:10 | 0:21:13 | |
-Sarah Jane. What can I do for you? -I need you to find Clyde. | 0:21:16 | 0:21:19 | |
Connect with every CCTV camera in London, every speed camera... | 0:21:19 | 0:21:23 | |
whatever it takes just find him. | 0:21:23 | 0:21:25 | |
There are 521,321 CCTV cameras in operation across London, Sarah Jane. | 0:21:25 | 0:21:30 | |
-It may take some time. -Just do it! | 0:21:30 | 0:21:32 | |
Maybe he's just taken Sky for a walk? | 0:21:32 | 0:21:34 | |
He is at the Summerwell Nuclear Power Station. | 0:21:34 | 0:21:37 | |
Well, that didn't take long. | 0:21:37 | 0:21:38 | |
I was lucky, | 0:21:38 | 0:21:39 | |
it was only the 10,052nd camera I checked. | 0:21:39 | 0:21:43 | |
Who is that woman? | 0:21:44 | 0:21:46 | |
-My name is Miss Myers. -That doesn't sound like much of an alien name. | 0:21:46 | 0:21:50 | |
We don't spell it the same way. | 0:21:50 | 0:21:52 | |
-Now give me the child. -No, no, no. Answers first. | 0:21:52 | 0:21:55 | |
What was that thing back there and why is it after the baby? | 0:21:55 | 0:21:58 | |
And what are we doing here? | 0:22:01 | 0:22:03 | |
Come on. | 0:22:05 | 0:22:07 | |
My child has a destiny - a destiny to change worlds... | 0:22:10 | 0:22:14 | |
-and that some will do anything to destroy. -Like Tin Man back there? | 0:22:14 | 0:22:18 | |
Mm-hmm, the Metalkind. | 0:22:18 | 0:22:20 | |
The enemies of my species. Of all flesh. | 0:22:20 | 0:22:22 | |
But I don't get it. She's just a baby. | 0:22:22 | 0:22:25 | |
How could you even begin to understand? You might be flesh, | 0:22:25 | 0:22:28 | |
but you are Earth flesh. Just a few evolutionary twists from protozoa. | 0:22:28 | 0:22:33 | |
-Now give me my child! -I don't think so. | 0:22:33 | 0:22:36 | |
Get him! | 0:22:37 | 0:22:40 | |
Typical. I'm in the middle of a nuclear power station | 0:23:18 | 0:23:22 | |
and I'm carrying Baby Bang Bang! | 0:23:22 | 0:23:24 | |
Find the boy! | 0:23:24 | 0:23:26 | |
Looks like a back door to me. | 0:23:28 | 0:23:30 | |
See why would that woman take Clyde and Sky to a nuclear power station? | 0:23:32 | 0:23:35 | |
I don't know, but you've seen the effect | 0:23:35 | 0:23:37 | |
she has on anything electrical. | 0:23:37 | 0:23:39 | |
Imagine what could happen there. | 0:23:39 | 0:23:41 | |
Come on, we may not have much time! | 0:23:41 | 0:23:43 | |
Oh... | 0:23:58 | 0:24:00 | |
How perfect. | 0:24:00 | 0:24:02 | |
You see, a baby will always find her mother. | 0:24:02 | 0:24:06 | |
-Give her to me. -No! | 0:24:06 | 0:24:08 | |
-What are you going to do to her? -Take her home, of course. | 0:24:08 | 0:24:11 | |
She is the saviour of my kind. She will be the stuff of legend. | 0:24:11 | 0:24:14 | |
-Now give her to me! -Clyde, Clyde, run! | 0:24:14 | 0:24:17 | |
Oh, boy! | 0:24:20 | 0:24:22 | |
The flesh-whelp must be destroyed! | 0:24:25 | 0:24:28 | |
-No! -Get back! | 0:24:28 | 0:24:29 | |
I won't let you hurt this child! | 0:24:29 | 0:24:31 | |
She is no child. She is a weapon. | 0:24:34 | 0:24:37 | |
And she is unprimed. She isn't ready for this. | 0:24:37 | 0:24:40 | |
You have doomed us all! | 0:24:40 | 0:24:42 | |
-What's going on? -Sky's energy, | 0:24:45 | 0:24:47 | |
it's flooding out of her! | 0:24:47 | 0:24:49 | |
Yes... the weapon is priming itself! | 0:24:49 | 0:24:54 | |
Your presence has activated it. | 0:24:54 | 0:24:56 | |
The Doom of the Metalkind is come! | 0:24:56 | 0:25:00 | |
Sky? | 0:25:14 | 0:25:16 | |
What just happened? | 0:25:20 | 0:25:21 | |
I think Sky just grew up. | 0:25:24 | 0:25:25 | |
With no birthdays? That's just rubbish! | 0:25:25 | 0:25:28 | |
I am too late. | 0:25:28 | 0:25:30 | |
Face your destruction, Metalkind! | 0:25:30 | 0:25:33 | |
The child is your doom! | 0:25:33 | 0:25:35 | |
What's happening to me?! | 0:25:35 | 0:25:38 | |
Destroy him! | 0:25:41 | 0:25:42 | |
Argh! | 0:25:42 | 0:25:44 | |
Again, my child! | 0:25:47 | 0:25:49 | |
No! | 0:25:49 | 0:25:50 | |
What am I? | 0:25:53 | 0:25:55 | |
Oh, Sky, don't be frightened. | 0:25:55 | 0:25:57 | |
You are the hammer | 0:25:57 | 0:25:58 | |
to crush Metalkind! | 0:25:58 | 0:26:00 | |
You are the weapon and salvation of our species. Destroy your enemy! | 0:26:00 | 0:26:04 | |
No, Sky. You don't have to destroy anything. | 0:26:04 | 0:26:07 | |
You don't have any enemies! | 0:26:07 | 0:26:10 | |
Just be calm. Trust me. It's all right. | 0:26:10 | 0:26:12 | |
Sarah Jane? | 0:26:12 | 0:26:15 | |
Everything's going to be all right. I promise. | 0:26:15 | 0:26:18 | |
Stop your meddling! | 0:26:18 | 0:26:20 | |
Come with me. Return home and fulfil your purpose. | 0:26:20 | 0:26:25 | |
-I don't think she wants to go with you. -I am the child's mother! | 0:26:28 | 0:26:32 | |
Introducing Miss Myers. She spells it the alien way. | 0:26:32 | 0:26:36 | |
My name is Sarah Jane Smith, and I don't think you're a fit parent. | 0:26:36 | 0:26:41 | |
She is a weapon! Grown in a laboratory | 0:26:41 | 0:26:44 | |
to destroy the enemies of my species. I grew her! | 0:26:44 | 0:26:48 | |
-What does she mean? -Don't listen to her, Sky. | 0:26:48 | 0:26:52 | |
We can't help how we come into this universe. | 0:26:52 | 0:26:55 | |
But we have a say in what we become. | 0:26:55 | 0:26:57 | |
This is an innocent child, not a weapon. | 0:26:57 | 0:27:00 | |
I will protect her from the Metalkind and from you! | 0:27:00 | 0:27:03 | |
Run! | 0:27:03 | 0:27:05 | |
Shall I stop them? | 0:27:05 | 0:27:07 | |
I have a better idea. | 0:27:07 | 0:27:09 | |
I have to get you as far away from that woman as I can. | 0:27:09 | 0:27:13 | |
Is she really my mother? | 0:27:13 | 0:27:15 | |
All I know is somebody brought you to me to protect you. | 0:27:15 | 0:27:19 | |
That's what I'll do. | 0:27:19 | 0:27:20 | |
Have you come to finish the job, Fleshkind? | 0:27:23 | 0:27:26 | |
Perhaps your weapon isn't as powerful as you thought. | 0:27:26 | 0:27:30 | |
The weapon will do its job. | 0:27:30 | 0:27:33 | |
And you're going to help me. | 0:27:33 | 0:27:37 | |
Wire him up! | 0:27:37 | 0:27:39 | |
This is where you live, I remember. | 0:27:42 | 0:27:45 | |
You remember when you were a baby? | 0:27:45 | 0:27:47 | |
It was only about half an hour ago. | 0:27:47 | 0:27:49 | |
Why do you call a man who wears paper trousers Russell? | 0:27:49 | 0:27:53 | |
-I beg your pardon, hmm? -It was a joke. | 0:27:53 | 0:27:56 | |
It was meant to be funny, to make her laugh. | 0:27:56 | 0:27:58 | |
-Boy, does this feel familiar. -You were telling her jokes? | 0:27:58 | 0:28:02 | |
-It was to stop her crying. -You know what she does when she laughs. | 0:28:02 | 0:28:05 | |
I like Sid the Sleeve. | 0:28:05 | 0:28:08 | |
You had to be there. It's like... | 0:28:08 | 0:28:11 | |
Everything's so green. | 0:28:11 | 0:28:14 | |
Well, this is England. It rains most of the time. | 0:28:14 | 0:28:17 | |
Do you remember being brought here and by who? | 0:28:17 | 0:28:19 | |
-You are the first thing I remember. -Oh, I see. | 0:28:19 | 0:28:24 | |
-Well, now you're grown up, can you control your powers? -I think so. | 0:28:24 | 0:28:30 | |
You've got to promise that you will, cos I need you to meet a friend. | 0:28:30 | 0:28:34 | |
Welcome to the Bat Cave. | 0:28:34 | 0:28:36 | |
There's a cave on top of the house? | 0:28:36 | 0:28:39 | |
It's not a cave. It's an attic. | 0:28:39 | 0:28:42 | |
Clyde was joking again. He does that. | 0:28:42 | 0:28:44 | |
-Sort of. -Mr Smith, I need you. | 0:28:44 | 0:28:48 | |
-What's going on? -It's all right. Sky won't hurt you. | 0:28:49 | 0:28:53 | |
Wow! | 0:28:58 | 0:28:59 | |
Is the child under control? | 0:29:00 | 0:29:03 | |
-It's all right. I promise. -What are you? | 0:29:03 | 0:29:05 | |
I am a Xylok. A crystalline life form | 0:29:05 | 0:29:08 | |
with highly sensitive cybernetic interfaces. | 0:29:08 | 0:29:11 | |
-Please remain distant. -Can we still be friends? | 0:29:11 | 0:29:14 | |
If my circuits remain intact. | 0:29:14 | 0:29:16 | |
Sky has undergone a metamorphosis. | 0:29:16 | 0:29:19 | |
I need you to ensure she's unharmed. Don't worry. It won't hurt. | 0:29:19 | 0:29:23 | |
Scanning. | 0:29:25 | 0:29:28 | |
-It tickles! -Please, try not to laugh. | 0:29:28 | 0:29:31 | |
Don't fuss. Analyse the scan. | 0:29:31 | 0:29:33 | |
Biologically, Sky appears to be a healthy twelve-year-old child. | 0:29:33 | 0:29:38 | |
-Twelve? Is that a good age? -Well, until the spots start. | 0:29:38 | 0:29:42 | |
Rani, take Sky. Look through Luke's things. | 0:29:42 | 0:29:45 | |
-See if you can find her something to wear. -Sure. Come on, Sky. | 0:29:45 | 0:29:50 | |
Mr Smith, how did she transform into a teenager? | 0:29:50 | 0:29:53 | |
Sky's DNA was programmed for this level of maturity | 0:29:53 | 0:29:56 | |
-to maximize her effectiveness. -As a weapon? -As a bomb. | 0:29:56 | 0:30:00 | |
Full activation would not only destroy | 0:30:00 | 0:30:03 | |
Miss Myers' enemies across the universe, | 0:30:03 | 0:30:06 | |
but also kill Sky. | 0:30:06 | 0:30:08 | |
Is Sarah Jane Luke's mother? | 0:30:10 | 0:30:13 | |
Yeah. She adopted him. | 0:30:13 | 0:30:16 | |
Luke was...made by aliens that wanted to take over Earth. | 0:30:16 | 0:30:21 | |
I like Earth. It's beautiful, noisy, smelly. | 0:30:21 | 0:30:25 | |
-RANI LAUGHS -Yeah! It's all that. | 0:30:25 | 0:30:28 | |
This must be so weird for you. | 0:30:28 | 0:30:30 | |
Like seeing the world for the first time. | 0:30:30 | 0:30:34 | |
-Everyone else, they just sort of grow up with it. -It's exciting! | 0:30:34 | 0:30:39 | |
Try these. | 0:30:39 | 0:30:40 | |
-They're not exactly fashion but you'll be all right. -What's fashion? | 0:30:40 | 0:30:45 | |
Clothes. Like wearing nice clothes, made for a girl. | 0:30:45 | 0:30:50 | |
What's a girl? | 0:30:51 | 0:30:52 | |
RANI SIGHS | 0:30:52 | 0:30:55 | |
And Clyde thought he had it tough with Luke. OK. | 0:30:55 | 0:30:58 | |
Let's log on to Ranipedia! | 0:30:58 | 0:31:02 | |
Why create a child that's a bomb? What sort of sick species is Myers?! | 0:31:02 | 0:31:07 | |
A binary planetary system exists at the eye of the Tornado Nebula. | 0:31:07 | 0:31:11 | |
One has carbon-based life forms like those on Earth. | 0:31:11 | 0:31:14 | |
The other evolved as boron-based life. | 0:31:14 | 0:31:17 | |
And for those of us watching the netball team during chemistry? | 0:31:17 | 0:31:20 | |
Boron is a metalloid element. | 0:31:20 | 0:31:22 | |
On one planet, people evolved like us - blood, bones, flesh. | 0:31:22 | 0:31:27 | |
-On the other - metal. Amazing! -This Fleshkind planet. | 0:31:27 | 0:31:29 | |
-That's where Sky's from? -Yes. | 0:31:29 | 0:31:31 | |
Metalkind and Fleshkind have been at war for centuries. | 0:31:31 | 0:31:35 | |
I believe Sky was created as a doomsday weapon. | 0:31:35 | 0:31:38 | |
To destroy Metalkind. | 0:31:38 | 0:31:40 | |
I've never known anything as hideous as using a child as a bomb! | 0:31:40 | 0:31:45 | |
What's a bomb? | 0:31:45 | 0:31:46 | |
-Oh, Sky. -Miss Myers said I was a weapon. | 0:31:48 | 0:31:52 | |
That's bad, isn't it? | 0:31:52 | 0:31:54 | |
-Am I bad? -No. No way. Miss Myers, she's the bad one. Not you. | 0:31:54 | 0:31:59 | |
What am I, then? | 0:31:59 | 0:32:00 | |
The thing inside you. | 0:32:00 | 0:32:02 | |
Miss Myers created you like that to kill her enemies, Metalkind. | 0:32:02 | 0:32:07 | |
Kill? What's kill? | 0:32:07 | 0:32:09 | |
You take away life. It dies. | 0:32:11 | 0:32:14 | |
It no longer exists. And that's wrong. It's always wrong! | 0:32:14 | 0:32:18 | |
But if that's what I was made to do, that makes me bad. | 0:32:18 | 0:32:21 | |
No, because it's not your fault. | 0:32:21 | 0:32:23 | |
Mr Smith, there must be a way to reverse what's been done to Sky. | 0:32:23 | 0:32:27 | |
No. At a molecular level, Sky is a weapon programmed to destruct | 0:32:27 | 0:32:31 | |
on contact with energies of massed Metalkind. | 0:32:31 | 0:32:34 | |
I'm sorry, this cannot be undone. | 0:32:34 | 0:32:37 | |
OK, if she's a bomb, | 0:32:37 | 0:32:39 | |
can't we just defuse her? | 0:32:39 | 0:32:41 | |
Oh, Clyde! That's...brilliant! | 0:32:41 | 0:32:44 | |
Turn off the genetic trigger. Stop her detonating. | 0:32:44 | 0:32:47 | |
Is that possible? Genetically she'd be a weapon but disarmed. | 0:32:47 | 0:32:51 | |
-Only Sky's creator can do that. -Then let's go ask her! | 0:32:51 | 0:32:55 | |
Sky, it's not going to be as easy as that. | 0:32:55 | 0:32:58 | |
Going back to the power station's dangerous. | 0:32:58 | 0:33:01 | |
What's dangerous? | 0:33:01 | 0:33:03 | |
-You could die. -Mr Smith said I could die, anyway. | 0:33:06 | 0:33:10 | |
I don't want to be a bomb. Sarah Jane, will you help me? | 0:33:12 | 0:33:17 | |
-I can't help thinking this is a bad idea. -I know. | 0:33:20 | 0:33:24 | |
I don't want that woman anywhere near Sky, | 0:33:24 | 0:33:27 | |
but she's the only one that can deprogramme her DNA. | 0:33:27 | 0:33:30 | |
She has to come with us! | 0:33:30 | 0:33:32 | |
Before that, a small point - | 0:33:32 | 0:33:34 | |
Myers may have put the techies into a trance but the guard looks lively. | 0:33:34 | 0:33:39 | |
I'm not risking the gates again. | 0:33:39 | 0:33:41 | |
Old reporter's superstition - never break in the same way twice. | 0:33:41 | 0:33:45 | |
I can do this. | 0:33:46 | 0:33:48 | |
ELECTRICITY CRACKLES | 0:33:59 | 0:34:02 | |
ALARM | 0:34:02 | 0:34:06 | |
ZAP! | 0:34:11 | 0:34:13 | |
Now, I need you to stay here with Clyde and Rani. | 0:34:23 | 0:34:27 | |
-What for? -Yeah, ditto! | 0:34:27 | 0:34:29 | |
I need to make sure that Sky is safe until I'm ready. | 0:34:29 | 0:34:32 | |
-Oh, great, so we get baby-sitting duty? -Who are you calling a baby? | 0:34:32 | 0:34:37 | |
We're doing this by my rules. | 0:34:37 | 0:34:39 | |
Until I convince Miss Myers of another way to end this war - | 0:34:39 | 0:34:42 | |
a peaceful way - you're in danger. | 0:34:42 | 0:34:45 | |
-I need you to stay with Clyde and Rani. Do you promise me? -I suppose. | 0:34:45 | 0:34:49 | |
Right. | 0:34:49 | 0:34:51 | |
Oh! | 0:35:08 | 0:35:09 | |
Good! Now...take me to your leader. | 0:35:09 | 0:35:13 | |
She might need our help. | 0:35:18 | 0:35:20 | |
She told us to stay here. | 0:35:20 | 0:35:22 | |
Do you always do what Sarah Jane tells you to? | 0:35:22 | 0:35:25 | |
This is a nuclear power station, which makes going in with you | 0:35:25 | 0:35:29 | |
like doing a Houses of Parliament tour with Guy Fawkes. | 0:35:29 | 0:35:32 | |
What are you talking about? | 0:35:32 | 0:35:34 | |
He means it's not safe. Anyway, you promised. | 0:35:34 | 0:35:37 | |
-I don't really understand promises. -Hey, wait! | 0:35:37 | 0:35:42 | |
That kid'll get us into trouble! | 0:35:42 | 0:35:44 | |
SINISTER MUSIC | 0:35:44 | 0:35:49 | |
Miss Smith. | 0:35:52 | 0:35:54 | |
Welcome back. Complete your work. | 0:35:54 | 0:35:57 | |
-I trust you're taking good care of my child? -Yes. | 0:36:02 | 0:36:06 | |
-You won't be getting your hands on her again! -Don't judge me. | 0:36:06 | 0:36:10 | |
Do you think I like what this war has forced me to do? To become? | 0:36:10 | 0:36:14 | |
-I'm asking you, deactivate what you've done to Sky. -Deactivate? | 0:36:14 | 0:36:18 | |
She is our saviour. | 0:36:18 | 0:36:20 | |
Her touch carries the power and the fury of an exploding sun. | 0:36:20 | 0:36:25 | |
Once fully unleashed it will destroy every Metalkind in existence. | 0:36:25 | 0:36:29 | |
Sky'll be destroyed with them! | 0:36:29 | 0:36:31 | |
-A sacrifice for the preservation of Fleshkind. -That's not a sacrifice. | 0:36:31 | 0:36:36 | |
That's slaughter! | 0:36:36 | 0:36:38 | |
Listen to me, please. There are other ways to end a war. | 0:36:38 | 0:36:42 | |
You just have to want peace more than death. | 0:36:42 | 0:36:46 | |
You know nothing. | 0:36:46 | 0:36:48 | |
For centuries the Metalkind have savaged my people. | 0:36:48 | 0:36:52 | |
They swore to destroy all flesh. | 0:36:52 | 0:36:54 | |
What chance does flesh have against jaws and blades of iron and steel? | 0:36:54 | 0:36:59 | |
But perhaps you will learn! | 0:36:59 | 0:37:03 | |
What is this? | 0:37:05 | 0:37:06 | |
The child damaged the Metalkind just enough for me to make use of it. | 0:37:06 | 0:37:11 | |
As a homing device. | 0:37:11 | 0:37:13 | |
A homing device? For what? | 0:37:13 | 0:37:15 | |
It's being wired into the nuclear core. At the flick of a switch | 0:37:15 | 0:37:19 | |
it will summon Metalkind and they will swarm here in hordes. | 0:37:19 | 0:37:22 | |
You're bringing your war to Earth?! | 0:37:22 | 0:37:25 | |
Once your Fleshkind experience Metalkind savagery, | 0:37:25 | 0:37:28 | |
you will realise that the child will save us all! | 0:37:28 | 0:37:32 | |
Caleb, make the final connection. | 0:37:32 | 0:37:35 | |
Metalkind, stop this! Earth has done nothing to hurt your people! | 0:37:35 | 0:37:39 | |
Fleshkind tore the ore from our planet's womb to make dumb slaves. | 0:37:39 | 0:37:44 | |
They stole our children. | 0:37:44 | 0:37:46 | |
We have sworn vengeance on all Fleshkind - | 0:37:46 | 0:37:50 | |
-on any world! -I've scrambled its brain. | 0:37:50 | 0:37:53 | |
He thinks he's calling all Metalkind to a glorious battle against Flesh. | 0:37:53 | 0:37:59 | |
Not to its destruction. | 0:37:59 | 0:38:01 | |
You're wasting your time. | 0:38:01 | 0:38:03 | |
-I will never give you Sky! -It doesn't matter. | 0:38:03 | 0:38:07 | |
The child is primed to activate | 0:38:07 | 0:38:09 | |
on exposure to the massed energy of the Metalkind. | 0:38:09 | 0:38:12 | |
When they come, they will be destroyed. She cannot stop it. | 0:38:12 | 0:38:16 | |
And neither can you! | 0:38:16 | 0:38:19 | |
ELECTRONIC PULSING | 0:38:19 | 0:38:22 | |
Come to me, Metalkindred! | 0:38:25 | 0:38:27 | |
Join me and rid flesh! | 0:38:27 | 0:38:30 | |
-What is it? -The Metalkind. I can feel them. They're coming! | 0:38:34 | 0:38:39 | |
PULSING CONTINUES | 0:38:39 | 0:38:42 | |
Bringing the Metalkind to Earth - you're worse than them! | 0:38:45 | 0:38:49 | |
-You're bringing war to an innocent planet! -This is survival. | 0:38:49 | 0:38:53 | |
But there's still time before I open the portal. | 0:38:53 | 0:38:56 | |
Bring me the child and I will take her home to face our enemy. | 0:38:56 | 0:39:00 | |
Your planet will never know the butchery of the Metalkind! | 0:39:00 | 0:39:04 | |
What would you put first, Miss Smith? | 0:39:04 | 0:39:06 | |
One child or your entire world? | 0:39:06 | 0:39:10 | |
Wait and see! | 0:39:10 | 0:39:13 | |
Whatever you choose, Sarah Jane Smith, | 0:39:13 | 0:39:16 | |
Sky will fulfil her destiny! | 0:39:16 | 0:39:19 | |
Sky! I thought I told you to keep her away! | 0:39:22 | 0:39:25 | |
She says the Metalkind are coming. | 0:39:25 | 0:39:27 | |
-I've got to stop them! -No! Wars are ended by talking, not killing. | 0:39:27 | 0:39:32 | |
But Earth won't stand a chance! | 0:39:32 | 0:39:34 | |
You've been kind to me and tried to keep me safe. | 0:39:34 | 0:39:37 | |
But I was created for this. | 0:39:37 | 0:39:38 | |
Sky, listen to me. This is wrong. Killing is always wrong. | 0:39:38 | 0:39:42 | |
If you confront the Metalkind you will die. | 0:39:42 | 0:39:46 | |
If I don't, you will. Maybe this is why I was brought here. | 0:39:46 | 0:39:49 | |
-To save Earth. -No, Sky! -Sky! | 0:39:49 | 0:39:53 | |
-This way! -No. I'll go after Sky. | 0:39:56 | 0:39:58 | |
Shut down the reactor to stop the Metalkind coming through! | 0:39:58 | 0:40:02 | |
Shut down a nuclear reactor, how are we suppose to do that? | 0:40:02 | 0:40:06 | |
We find a way! Any way! | 0:40:06 | 0:40:09 | |
ELECTRONIC PULSING | 0:40:09 | 0:40:13 | |
CLYDE PANTS | 0:40:24 | 0:40:27 | |
OK, OK, control room, control room...? | 0:40:27 | 0:40:30 | |
Control room, come on! | 0:40:30 | 0:40:31 | |
-Sky! Stop it! You mustn't! -Stay back, Sarah Jane! | 0:40:41 | 0:40:46 | |
You are too late, Sarah Jane Smith. | 0:40:46 | 0:40:49 | |
ELECTRIC CRACKLING | 0:40:49 | 0:40:53 | |
The portal has opened. The Metalkind come, to their death! | 0:40:53 | 0:40:58 | |
I have to save you, Sarah Jane. I have to save Earth. | 0:40:58 | 0:41:03 | |
LOUD BLEEPING | 0:41:06 | 0:41:10 | |
-Clyde. -What's all this about? | 0:41:10 | 0:41:12 | |
-It's like a big arcade game. -This is what controls the nuclear fuel rods. | 0:41:12 | 0:41:16 | |
It's James Bond - pull out the rods, close the reactor, save the world. | 0:41:16 | 0:41:21 | |
-More like James Bond meets Mario. -Ace, cos I'm brill at Mario. | 0:41:21 | 0:41:25 | |
If we don't do this right, Clyde, | 0:41:25 | 0:41:27 | |
we don't just go back to the last level. | 0:41:27 | 0:41:30 | |
BLEEPING CONTINUES | 0:41:30 | 0:41:33 | |
-But it's not coming out! -It's not working! | 0:41:33 | 0:41:35 | |
Sky, don't let them use you! | 0:41:41 | 0:41:43 | |
It's what I am, Sarah Jane. | 0:41:43 | 0:41:46 | |
You're not a weapon. Not if you don't want to be! | 0:41:47 | 0:41:50 | |
You are a child. A beautiful, innocent child. | 0:41:50 | 0:41:53 | |
Remember what I told you, it's wrong to kill! | 0:41:53 | 0:41:57 | |
What are we doing wrong? What? | 0:41:58 | 0:42:01 | |
-We must remove them in order. Two at a time. -What order? | 0:42:01 | 0:42:04 | |
-It's a spectrum - Richard of York gave battle in vain. -What? | 0:42:04 | 0:42:08 | |
Red, orange, yellow, green, blue, indigo, violet! | 0:42:08 | 0:42:12 | |
Well, come on! We haven't got much time! | 0:42:12 | 0:42:15 | |
PULSING AND CRACKLING | 0:42:22 | 0:42:24 | |
It's too late. They're coming...they're here! | 0:42:27 | 0:42:32 | |
The end is nigh! | 0:42:36 | 0:42:39 | |
Almost! | 0:42:48 | 0:42:50 | |
No, Sky! | 0:42:52 | 0:42:54 | |
Last one! | 0:42:54 | 0:42:55 | |
PULSING AND CRACKLING BUILDS | 0:42:55 | 0:42:59 | |
SKY SCREAMS | 0:42:59 | 0:43:00 | |
What did you do to the TV?! | 0:43:07 | 0:43:09 | |
That does it. Tomorrow we get this house rewired! | 0:43:09 | 0:43:13 | |
'Emergency lighting activated.' | 0:43:18 | 0:43:21 | |
What have you done?! | 0:43:26 | 0:43:29 | |
-We did it! We shut down the core! -What happened?! | 0:43:29 | 0:43:32 | |
All that energy had to go somewhere. Sky was like a lightning rod! | 0:43:32 | 0:43:36 | |
-She absorbed it all. -Is she going to be all right? | 0:43:36 | 0:43:40 | |
Wow! | 0:43:45 | 0:43:47 | |
Are you all right? | 0:43:48 | 0:43:50 | |
I feel. I feel...different. | 0:43:50 | 0:43:52 | |
You are different. | 0:43:54 | 0:43:56 | |
I can feel it, too. | 0:43:56 | 0:43:58 | |
That energy backlash, it's destroyed your genetic programming. | 0:43:59 | 0:44:04 | |
You mean, I'm not a weapon? | 0:44:04 | 0:44:06 | |
Not even a peashooter. | 0:44:06 | 0:44:08 | |
I have lost my daughter. | 0:44:08 | 0:44:11 | |
You saved me! And...I'm not a bomb any more! | 0:44:14 | 0:44:18 | |
Thank you! | 0:44:18 | 0:44:20 | |
I saved some energy just for you, Fleshkind! | 0:44:24 | 0:44:28 | |
MISS MYERS SCREAMS | 0:44:28 | 0:44:31 | |
Uh-oh! | 0:44:36 | 0:44:38 | |
I'm too tired to think of clever answers for awkward questions. | 0:44:38 | 0:44:44 | |
Come on. Let's go home. | 0:44:45 | 0:44:48 | |
So, all that light-bulb popping and stuff, that's all finished? | 0:44:58 | 0:45:02 | |
-I think so. -Mr Smith will be relieved! | 0:45:02 | 0:45:04 | |
And, thank you. | 0:45:04 | 0:45:06 | |
I can always rely on you two to throw the switch when it matters. | 0:45:06 | 0:45:10 | |
Sarah! | 0:45:10 | 0:45:12 | |
-Mum! -I was telling Haresh | 0:45:12 | 0:45:14 | |
all about you fostering beautiful baby Sky. Hello! | 0:45:14 | 0:45:18 | |
That's me. Hello! | 0:45:18 | 0:45:20 | |
-I thought you said she was a baby? -She was. | 0:45:20 | 0:45:24 | |
I grew up. | 0:45:24 | 0:45:26 | |
Well, that's what babies do. But not just in one day. Obviously! | 0:45:26 | 0:45:31 | |
-Obviously! -That would be, well... you know, alien. | 0:45:31 | 0:45:34 | |
Yes, there was a mix-up. | 0:45:34 | 0:45:36 | |
Social services brought me the wrong child. Would you believe it? | 0:45:36 | 0:45:41 | |
They brought me a baby called Sky when it should've been a teenager! | 0:45:41 | 0:45:45 | |
With the same name. Sky. Sky Smith. | 0:45:45 | 0:45:50 | |
-Sky Smith? Amazing. -Yes, she is. | 0:45:50 | 0:45:54 | |
Really amazing. Now, if you'll excuse us. | 0:45:54 | 0:45:57 | |
SKY GIGGLES | 0:45:58 | 0:46:00 | |
Did you just see that? | 0:46:03 | 0:46:04 | |
Yeah, I reckon Sparky hasn't totally lost her spark. | 0:46:04 | 0:46:10 | |
I just want Mr Smith to make sure there are no ill-effects | 0:46:10 | 0:46:13 | |
from that energy blast. | 0:46:13 | 0:46:15 | |
-PARROT SQUAWKS -What? | 0:46:15 | 0:46:17 | |
Really, Miss Smith, how can you possibly see through this? | 0:46:17 | 0:46:21 | |
How did you get in here? | 0:46:21 | 0:46:24 | |
I'm afraid the Captain considers that privileged information. | 0:46:24 | 0:46:29 | |
-Oh, yes, I forgot. You're the one in charge, aren't you? -The bird? | 0:46:29 | 0:46:33 | |
Things are seldom quite what they seem, young lady. | 0:46:33 | 0:46:37 | |
And my, haven't you grown? | 0:46:37 | 0:46:39 | |
What, it was...you? You brought Sky here! | 0:46:39 | 0:46:42 | |
And might I say, what a perfect name for such a perfect child, young Sky. | 0:46:42 | 0:46:47 | |
I'd still like to know who you are. Both of you. | 0:46:47 | 0:46:51 | |
Consider us servants of the universe. | 0:46:51 | 0:46:53 | |
Which means what, exactly? | 0:46:53 | 0:46:57 | |
Sometimes, things can't be left to chance. | 0:46:57 | 0:46:59 | |
Sometimes, a breeze must blow from east to west, not north to south. | 0:46:59 | 0:47:04 | |
Sometimes, a sky should be blue, | 0:47:04 | 0:47:07 | |
not laden with cloud. | 0:47:07 | 0:47:11 | |
And sometimes, a child must find her way home. | 0:47:11 | 0:47:15 | |
Which is my task, Miss Smith. To put things...in the right place. | 0:47:15 | 0:47:21 | |
And of all the homes in all the universe, | 0:47:21 | 0:47:24 | |
I could find none safer for this child than yours. | 0:47:24 | 0:47:28 | |
-But who are you? -All in good time. | 0:47:28 | 0:47:31 | |
Have you come for me? | 0:47:31 | 0:47:33 | |
Well, that depends on you. | 0:47:33 | 0:47:37 | |
Can I stay here with you? | 0:47:37 | 0:47:40 | |
That's what I want. | 0:47:40 | 0:47:42 | |
Oh, Sky, it's only been a day | 0:47:42 | 0:47:45 | |
and I feel like I've known you since you were a baby! | 0:47:45 | 0:47:49 | |
Yes, this is your home for as long as you want it to be. | 0:47:49 | 0:47:53 | |
Well, that's that then. | 0:47:55 | 0:47:57 | |
-Jolly good. Until the next time. -Oh, no, wait! | 0:47:57 | 0:48:03 | |
-Who was he, then? -I haven't the faintest idea. | 0:48:03 | 0:48:08 | |
but I dare say we'll find out... all in good time. | 0:48:08 | 0:48:12 | |
Oh, you must be starving! | 0:48:14 | 0:48:17 | |
How does pizza sound? | 0:48:17 | 0:48:19 | |
What's pizza? | 0:48:19 | 0:48:21 | |
-SHE LAUGHS -Come on. | 0:48:21 | 0:48:23 | |
'But the most wonderful thing about the universe | 0:48:23 | 0:48:28 | |
'is that there's always something more amazing to come.' | 0:48:28 | 0:48:33 | |
-Isn't it pretty? -Creepy, more like. | 0:48:36 | 0:48:39 | |
Ow! | 0:48:39 | 0:48:41 | |
Do you know anything about curses? | 0:48:41 | 0:48:44 | |
-Get out, now! -What's going on? I don't get it. | 0:48:44 | 0:48:47 | |
-Get out! -You get away from me! | 0:48:47 | 0:48:50 | |
-Leave my daughter! -We're mates. -I hate you! | 0:48:50 | 0:48:53 | |
This is not happening. | 0:48:53 | 0:48:55 | |
That's what I'm going to do to you! | 0:48:55 | 0:48:57 | |
Keep your distance from him! | 0:48:57 | 0:49:00 | |
Police, I want to make a complaint. | 0:49:00 | 0:49:03 | |
I don't ever want to hear his name again. | 0:49:03 | 0:49:06 | |
Subtitles by Red Bee Media Ltd | 0:49:12 | 0:49:15 | |
E-mail [email protected] | 0:49:15 | 0:49:18 |