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# You've been found | 0:00:03 | 0:00:05 | |
# Guilty of a howling showbiz crime | 0:00:05 | 0:00:08 | |
# So welcome to the Slammer | 0:00:08 | 0:00:11 | |
# Where you're gonna serve your time | 0:00:11 | 0:00:13 | |
# With every type of minstrel, entertainer and artiste | 0:00:13 | 0:00:17 | |
# Performing to the limit to try and get released | 0:00:17 | 0:00:21 | |
# So go fetch the audience, bring them to The Slammer | 0:00:21 | 0:00:26 | |
# And polish up your act with a bit of glitz and glamour | 0:00:26 | 0:00:29 | |
# Your fate is in their hands so make them cheer and clamour | 0:00:29 | 0:00:34 | |
# It's the only way you'll ever leave the Slammer | 0:00:34 | 0:00:38 | |
# It's the only way you'll ever leave The Slammer. # | 0:00:38 | 0:00:44 | |
Morning, Giblet. | 0:00:44 | 0:00:47 | |
Here, what have I told you about biting your nails? | 0:00:47 | 0:00:51 | |
Sorry, uncle, but I forgot my sandwiches and I'm really hungry. | 0:00:51 | 0:00:54 | |
Well, I suppose I'll have to give you some money for your lunch, | 0:00:54 | 0:00:58 | |
although I'm skint enough as it is, | 0:00:58 | 0:01:01 | |
What with having to pay a man to get rid of that enormous leek on B-wing. | 0:01:01 | 0:01:04 | |
And on top of that, it's Freedom Show Day. | 0:01:08 | 0:01:11 | |
Up for release tonight, the amazing Asher Tea and his Diablo. | 0:01:11 | 0:01:15 | |
The stupendous Fraser Hooper the clown. | 0:01:15 | 0:01:18 | |
The fantastic Beatbox Unorthodox and the truly magnificent quick-change artists David and Dania. | 0:01:18 | 0:01:26 | |
It's costing me a small fortune, I'll tell you that for nothing. Come on, you. | 0:01:30 | 0:01:35 | |
Cooper! | 0:01:41 | 0:01:43 | |
Stop that immediately. He'll do his nut if you tire yourself out before this evening's show. | 0:01:43 | 0:01:49 | |
Now then, lad, back to your cell. | 0:01:49 | 0:01:51 | |
Have a lovely lie-down and a nice cup of tea. | 0:01:51 | 0:01:56 | |
At once! | 0:01:56 | 0:01:57 | |
All right, Mr Burgess? | 0:01:59 | 0:02:01 | |
Odum. P Nokio. | 0:02:01 | 0:02:03 | |
-Chimp. -Chump. | 0:02:03 | 0:02:05 | |
HE MAKES MONKEY NOISES | 0:02:05 | 0:02:12 | |
Stop it, Chimp! | 0:02:12 | 0:02:13 | |
Now then, I want no trouble from you today, Odum. | 0:02:18 | 0:02:22 | |
Cos today is Show Day. | 0:02:22 | 0:02:24 | |
I want no mischief, no naughtiness and no other types of monkey business. | 0:02:24 | 0:02:29 | |
Oi, you, I want a... | 0:02:29 | 0:02:32 | |
Do you hear me, lad? | 0:02:32 | 0:02:34 | |
Yes, sir, Mr Burgess. You were shouting quite loud. | 0:02:34 | 0:02:36 | |
Loud and clear I am. For your sake. | 0:02:36 | 0:02:39 | |
I'll be watching you, lad. | 0:02:41 | 0:02:44 | |
On your way. | 0:02:44 | 0:02:47 | |
Hey, guys, can I have a word? | 0:02:47 | 0:02:49 | |
-Hey, Major. -Hey, there, the amazing Mile Hearn! | 0:02:49 | 0:02:53 | |
-How's tricks, man? -Not so good come actually. I need your help. | 0:02:53 | 0:02:56 | |
I've heard that you two can get things that no-one else can. | 0:02:56 | 0:03:01 | |
That's true, what do you need? | 0:03:01 | 0:03:03 | |
It's Mr Flopsy. He passed away about a month ago so I'm having to get by with what I've got in here. | 0:03:03 | 0:03:08 | |
It's just not the same. I need a real rabbit. | 0:03:08 | 0:03:11 | |
OK, mate. | 0:03:11 | 0:03:13 | |
You come back this afternoon and I'll get you your bunny. | 0:03:13 | 0:03:16 | |
-It'll cost you, though. -OK, hang on, how's that? | 0:03:16 | 0:03:20 | |
Magique. I'll add it to my list. | 0:03:20 | 0:03:22 | |
Can you sort out a wig for Harry, too? | 0:03:24 | 0:03:27 | |
Chewing-gum. Which idiot left that there? | 0:03:31 | 0:03:34 | |
There's nowt here, you'll have to come back. | 0:03:34 | 0:03:37 | |
Thank you, Uncle. | 0:03:37 | 0:03:38 | |
Pull. | 0:03:43 | 0:03:45 | |
Oh, dear. | 0:03:54 | 0:03:56 | |
Oh, dear. | 0:03:57 | 0:03:59 | |
Dear me. | 0:04:02 | 0:04:04 | |
You're on watch while I talk to Sue about getting all the stuff in. | 0:04:04 | 0:04:09 | |
Keep your eyes open for Burgess, he'll stop us if he gets the chance. | 0:04:09 | 0:04:14 | |
No problem, Mel, you can count on me. | 0:04:14 | 0:04:16 | |
Whoo, cooee, Melvyn! | 0:04:16 | 0:04:18 | |
You all right, Sue? You are looking fine, girl. | 0:04:18 | 0:04:21 | |
I really appreciate you helping us out here. | 0:04:21 | 0:04:24 | |
You'll make the performers happy. | 0:04:24 | 0:04:26 | |
Oh, Melvyn, don't you worry about them donkeys. | 0:04:26 | 0:04:29 | |
It's you I want to make happy. | 0:04:29 | 0:04:31 | |
We've got to do this properly, otherwise Burgess will catch us. | 0:04:31 | 0:04:35 | |
I'm going to keep the eyes out down there, you keep an eye on the stairs. | 0:04:35 | 0:04:38 | |
Oh, yeah, no worries, no problem, mate. | 0:04:38 | 0:04:41 | |
It's all ready, just like we planned. | 0:04:41 | 0:04:43 | |
-I'll just give you the list. -And I'll nip out and get it. | 0:04:43 | 0:04:48 | |
-And you'll smuggle it all in in your kn... -Odum. | 0:04:48 | 0:04:52 | |
Smuggling, hey? You're dead meat. | 0:04:52 | 0:04:55 | |
And I'll see to it that you're well grilled. | 0:04:55 | 0:04:58 | |
The Governor will come down on you like the curtain at the Old Vic. | 0:04:58 | 0:05:01 | |
You're fired, you're an idiot and you're coming with me. Move! | 0:05:01 | 0:05:07 | |
-Bye, Melvin. -That's proper bad, that, in't it? | 0:05:10 | 0:05:13 | |
Yes. | 0:05:13 | 0:05:15 | |
Mr Governor, sir. | 0:05:18 | 0:05:20 | |
I've just apprehended this theatrical reject in the middle of a dastardly | 0:05:20 | 0:05:24 | |
scheme to smuggle in dangerous items, sir. | 0:05:24 | 0:05:28 | |
Yes. Oh, rabbits, yeah, very hazardous. Very nibbly. | 0:05:28 | 0:05:32 | |
Listen, Frank, would it be so terrible to let them have a few things here? Look at that. | 0:05:32 | 0:05:38 | |
Chas the chainsaw juggler, I mean, he needs them plasters. | 0:05:38 | 0:05:41 | |
You have to show this riff-raff a little discipline, | 0:05:41 | 0:05:44 | |
otherwise they will moonwalk all over you. | 0:05:44 | 0:05:47 | |
If you say so. Hang on, why has it got all money written down here? | 0:05:47 | 0:05:51 | |
-£20 there, £10 there, another £20. -That's what people give me | 0:05:51 | 0:05:55 | |
-for getting their stuff in for them, sir. -It's disgusting. | 0:05:55 | 0:05:58 | |
Interesting. Very interesting. | 0:05:58 | 0:06:02 | |
-That much money for a few little things like that, eh? -Yes, | 0:06:02 | 0:06:06 | |
but I suppose I'll have to give it all back now. | 0:06:06 | 0:06:08 | |
Sir, I think it only right and proper that you give Odum a right good shouting at. | 0:06:10 | 0:06:14 | |
Also, sir, you and I should have a little chat about spending a little bit more money on security. | 0:06:14 | 0:06:20 | |
Must we? Oh, yes, we must. | 0:06:20 | 0:06:22 | |
Anyway, that'll have to be later. I might just pop into town first. | 0:06:22 | 0:06:26 | |
I'll take this with me, um, er, to make me shout better at Melvyn, yeah. | 0:06:26 | 0:06:31 | |
See you later, Melv, bye. | 0:06:31 | 0:06:34 | |
Get off, you flaming maniac! | 0:06:38 | 0:06:39 | |
Now, listen, Charlie Chimp, that was a very naughty thing you did, | 0:06:39 | 0:06:43 | |
not telling us Mr Burgess was coming, and you need to be punished. | 0:06:43 | 0:06:47 | |
Melvyn won't be able to get everyone what they need now | 0:06:47 | 0:06:50 | |
and they're all going to be very disappointed in him. | 0:06:50 | 0:06:52 | |
I'm sorry, I'm going to have to shave you. | 0:06:52 | 0:06:56 | |
BUZZING | 0:06:56 | 0:06:57 | |
Hold on, Pete! | 0:06:58 | 0:07:00 | |
-Hold on. -What, what? -It might be all right after all. | 0:07:00 | 0:07:03 | |
I've just seen the Governor. | 0:07:03 | 0:07:05 | |
-Would you not agree that it is time for Odum's punishment to be meted out? -Ah, yes, Burgess, good man. | 0:07:14 | 0:07:19 | |
-I was just going to ask you to bring young Melvyn to me. -Were you, sir? | 0:07:19 | 0:07:23 | |
-Yes, I was. Leave him there and shut the door on your way out. -But can't I stay, sir? | 0:07:23 | 0:07:28 | |
Can't I, er...watch? | 0:07:28 | 0:07:31 | |
No, I always do my best shouting when I'm alone. | 0:07:31 | 0:07:34 | |
Out you go, Frank. Good man. | 0:07:34 | 0:07:36 | |
It will never happen again! Do you hear me, young Melvyn! | 0:07:36 | 0:07:40 | |
I couldn't see the harm this one time. | 0:07:45 | 0:07:48 | |
I couldn't possibly do it again, though. Unless I was really skint. | 0:07:48 | 0:07:52 | |
-Check I got everything? -I trust you, guv. | 0:07:52 | 0:07:54 | |
Thank you so much, you're a true gent. | 0:07:54 | 0:07:57 | |
Well, I didn't do it all out of the kindness of my heart, young Melvyn. | 0:07:57 | 0:08:02 | |
Oh, yes, sorry, boss. | 0:08:02 | 0:08:04 | |
Yes, yes, yes. No, no, no. | 0:08:04 | 0:08:07 | |
Pleasure doing business with you, young Melvyn. Now, I've got to go and do the show. | 0:08:08 | 0:08:13 | |
-Will you make sure all the people get the things they need? -No worries, you go ahead. | 0:08:13 | 0:08:18 | |
OK, then. | 0:08:18 | 0:08:20 | |
CHEERING | 0:08:21 | 0:08:23 | |
The audience are in. | 0:08:23 | 0:08:24 | |
-How do I look? -Divine. | 0:08:24 | 0:08:27 | |
Thank you very much. It's showtime! | 0:08:27 | 0:08:31 | |
Ladies and gentlemen, welcome to HM Slammer, where you decide which prisoner is to be released. | 0:08:35 | 0:08:42 | |
So please welcome your host, the man who puts the cool in the cooler, it's the Governor! | 0:08:42 | 0:08:49 | |
CHEERS AND APPLAUSE | 0:08:49 | 0:08:52 | |
Woh, yeah! Who's the Governor? | 0:09:06 | 0:09:09 | |
You're the Governor! | 0:09:09 | 0:09:11 | |
What an audience we've got here, what an audience. | 0:09:11 | 0:09:14 | |
You're gorgeous, you're gorgeous, you're gorgeous, you're gorgeous. All right, love? Now... | 0:09:14 | 0:09:20 | |
we've got some marvellous prisoners here on The Slammer | 0:09:20 | 0:09:23 | |
and you're going to decide who's going to walk free today. | 0:09:23 | 0:09:26 | |
On our Freedom Show, we've got wonderful acts. | 0:09:26 | 0:09:30 | |
-We've got Asher Tea and his Diablo. -AUDIENCE: Woo-oo! | 0:09:30 | 0:09:34 | |
-What's that? I don't want to come off. Yes. We've got Beatbox Unorthodox. -Woo-oo! | 0:09:34 | 0:09:41 | |
-You've never heard of him, have you? And we've got a clown called Fraser Hooper. -Woo-oo! | 0:09:41 | 0:09:46 | |
And we've got an international act, yes, on D-wing, we're holding them | 0:09:46 | 0:09:51 | |
until we can transport them back to America on extradition. We've got David and Dania! | 0:09:51 | 0:09:57 | |
-Woo-oo! -It's going to be exciting and you're going to... I'm out of breath | 0:09:57 | 0:10:01 | |
from just coming down those stairs. You're going to decide who's going to take the walk of freedom. | 0:10:01 | 0:10:06 | |
-So are you ready for the first performing prisoners? -Yeah! | 0:10:06 | 0:10:10 | |
Ladies and gentlemen, jailers and jailbirds, will you please make some noise? | 0:10:10 | 0:10:15 | |
From A-wing, the wonderful Asher Tea and his Diablo! | 0:10:15 | 0:10:20 | |
CHEERS AND APPLAUSE | 0:10:20 | 0:10:22 | |
LIVELY MUSIC PLAYS | 0:10:26 | 0:10:28 | |
APPLAUSE | 0:12:30 | 0:12:33 | |
MUSIC ENDS | 0:12:40 | 0:12:42 | |
Take him back to A-wing! There you go, Asher Tea and his Diablo. | 0:12:47 | 0:12:51 | |
He's serving six months for breaking all the lightbulbs. That was Asher Tea and his Diablo. | 0:12:51 | 0:12:56 | |
Will he be taking the walk to freedom from The Slammer? | 0:12:56 | 0:12:59 | |
I don't know but you've got some opinions. Mr Burgess, over to you. | 0:12:59 | 0:13:03 | |
Right then, madam, what did you think of that young gentleman? | 0:13:03 | 0:13:07 | |
I thought that was amazing. | 0:13:07 | 0:13:09 | |
-What did you think of Asher Tea and his Diablo? -Vomit. It means great. | 0:13:09 | 0:13:13 | |
Vomit? It means great?! | 0:13:13 | 0:13:15 | |
-Eurrgh! -What about you, sir? | 0:13:15 | 0:13:18 | |
The best thing I've ever seen. | 0:13:18 | 0:13:19 | |
In your entire life, sir? I find that very difficult to believe. | 0:13:19 | 0:13:23 | |
But you're entitled to your opinion. ..Sir? | 0:13:23 | 0:13:25 | |
It was great, the best thing I ever saw. | 0:13:25 | 0:13:29 | |
-He's come a long way. What about you? -He was a world breaker. | 0:13:29 | 0:13:33 | |
-A world breaker indeed. Perhaps you could sum up that act in one word for us, madam. -Wicked. | 0:13:33 | 0:13:38 | |
Yeah, well, they're all wicked in here, sir. Over to you. | 0:13:38 | 0:13:41 | |
Asher Tea and his Diablo. Now, the next act is from B-wing. | 0:13:41 | 0:13:45 | |
We thought we had some trouble with the plumbing when we heard him but he's a human beatbox. | 0:13:45 | 0:13:50 | |
I'd never heard one before but you're going to hear him now. | 0:13:50 | 0:13:52 | |
He's fantastic. He's serving two years for performing whilst having the hiccups. | 0:13:52 | 0:13:56 | |
Will you please welcome the fantastic Beatbox Unorthodox?! | 0:13:56 | 0:14:00 | |
CHEERS AND APPLAUSE | 0:14:00 | 0:14:03 | |
Ladies and gentlemen, | 0:14:08 | 0:14:10 | |
boys and girls. You're now listening to Beatbox... | 0:14:10 | 0:14:16 | |
Unorthodox. | 0:14:16 | 0:14:18 | |
HE BEATBOXES | 0:14:18 | 0:14:20 | |
CHEERING AND APPLAUSE | 0:15:09 | 0:15:12 | |
There it is! Yes! | 0:15:14 | 0:15:16 | |
Oh, heck! Wow! | 0:15:16 | 0:15:18 | |
Beatbox Unorthodox! | 0:15:18 | 0:15:20 | |
I said, be bo ba bo be! | 0:15:20 | 0:15:22 | |
Mrs Governor says I sound like that after I've had a curry. Oh, dear. | 0:15:22 | 0:15:27 | |
Right, well, did you like him? | 0:15:27 | 0:15:29 | |
I thought he was fantastic. | 0:15:29 | 0:15:31 | |
Mr Burgess. Over to you, sir. | 0:15:31 | 0:15:34 | |
-What did you think? -Amazing. -How would you describe it to your mates? | 0:15:34 | 0:15:38 | |
-Er, that was cool. -"That was cool." -Did you like Beatbox? | 0:15:38 | 0:15:42 | |
Well, I've never heard anything like that. | 0:15:42 | 0:15:44 | |
Didn't you think he sounded like he was trumping? | 0:15:44 | 0:15:48 | |
GIGGLING | 0:15:48 | 0:15:51 | |
What about over here? Did you like the Beatbox Unorthodox? | 0:15:51 | 0:15:55 | |
-No. -No?! Why not? | 0:15:55 | 0:15:57 | |
Uh, too...prrrrff! | 0:15:57 | 0:15:59 | |
-So in a word, what would you describe him as? -Toilet. | 0:15:59 | 0:16:03 | |
GIGGLING | 0:16:03 | 0:16:04 | |
-Do you think you could do the sounds? -Yep. | 0:16:04 | 0:16:07 | |
Tch, tch, pa, tch tch tch. | 0:16:08 | 0:16:10 | |
Pt, tch, tch, pa, tch tch tch. | 0:16:10 | 0:16:12 | |
-Keep going. -Tch, tch, pa, tch tch tch. | 0:16:14 | 0:16:17 | |
Oh, yeah, we like it! Mr Burgess, book her! | 0:16:17 | 0:16:20 | |
So if you could sum that act up in one final word, please, madam. | 0:16:20 | 0:16:25 | |
I could sum it up in two, but not in one. | 0:16:25 | 0:16:27 | |
All right, give us two. | 0:16:27 | 0:16:29 | |
At the beginning it was funny, but... | 0:16:29 | 0:16:31 | |
You are doing a whole spiel now. We asked for one word! Go on, | 0:16:31 | 0:16:34 | |
do your comments. | 0:16:34 | 0:16:35 | |
-Funny and cool. -Funny and cool. One word, madam. | 0:16:35 | 0:16:38 | |
-Great. -Great. | 0:16:39 | 0:16:41 | |
There you go, sir. Over to you. | 0:16:41 | 0:16:43 | |
Well, that was your views on Beatbox Unorthodox. | 0:16:43 | 0:16:46 | |
Just two more performing prisoners and then you'll decide | 0:16:46 | 0:16:49 | |
who's going to take the walk of freedom from The Slammer. | 0:16:49 | 0:16:53 | |
-Are you enjoying yourselves? -ALL: Yes! | 0:16:53 | 0:16:55 | |
We've now got a clown. I used to be in the circus, you know? | 0:16:55 | 0:17:00 | |
I wasn't good, but I was the only one who could get the tent back in the bag. | 0:17:00 | 0:17:04 | |
Now, would you please make lots of noise for your very own Fraser Hooper the clown! | 0:17:04 | 0:17:10 | |
CHEERING AND APPLAUSE | 0:17:10 | 0:17:13 | |
MUZAK PLAYS | 0:17:17 | 0:17:20 | |
HE WHISTLES | 0:17:36 | 0:17:38 | |
CHEERING | 0:17:38 | 0:17:41 | |
AUDIENCE: Urgh! | 0:18:34 | 0:18:36 | |
LAUGHTER AND APPLAUSE | 0:19:22 | 0:19:25 | |
LOUD BURP | 0:19:40 | 0:19:42 | |
APPLAUSE AND WHISTLING | 0:19:42 | 0:19:45 | |
Take him back. | 0:19:47 | 0:19:50 | |
Give him a round of applause! Fraser Hooper! | 0:19:50 | 0:19:52 | |
Take him back to C wing. Just one of the many clowns we've got here in The Slammer. | 0:19:54 | 0:19:59 | |
Well, you've seen three performing prisoners. Just one more to go now. | 0:19:59 | 0:20:04 | |
First, let's find out what you thought of Fraser Hooper. | 0:20:04 | 0:20:07 | |
-Over to you, Mr Burgess. -Madam, what was your opinion of that act? | 0:20:07 | 0:20:11 | |
-Weird. He makes this funny face all the time. -Did you like that? | 0:20:11 | 0:20:17 | |
-Yeah. -And what about you? Did you like Fraser Hooper the clown? -Yes. | 0:20:17 | 0:20:21 | |
What was the best bit? | 0:20:21 | 0:20:23 | |
-Um... When he was using the finger to pick his nose. -Ohhh! | 0:20:23 | 0:20:27 | |
-What about you, sir? -That was rubbish. | 0:20:27 | 0:20:30 | |
LAUGHTER | 0:20:30 | 0:20:33 | |
-Why, sir? -He kept on dancing and making the same funny face. | 0:20:33 | 0:20:37 | |
Right, over to you, sir. | 0:20:37 | 0:20:39 | |
Well, what fantastic performers we've had today on The Slammer. | 0:20:39 | 0:20:43 | |
-Are you enjoying yourselves? -Yeah! | 0:20:43 | 0:20:45 | |
Oh, yeah! Who is going to be making the walk to the freedom from The Slammer? | 0:20:45 | 0:20:50 | |
We don't know, but you will be deciding very, very shortly, | 0:20:50 | 0:20:54 | |
because we have one more act to see. | 0:20:54 | 0:20:56 | |
On D wing, they are international artistes, | 0:20:56 | 0:20:59 | |
but they're banged up in The Slammer awaiting extradition to the good old US of A. | 0:20:59 | 0:21:04 | |
Ladies and gentlemen, jailers and jailbirds, would you please make loads of noise for the fantastic | 0:21:04 | 0:21:11 | |
quick-change brilliance of David and Dania! | 0:21:11 | 0:21:15 | |
CHEERING AND APPLAUSE | 0:21:15 | 0:21:18 | |
LIVELY MUSIC | 0:21:23 | 0:21:25 | |
APPLAUSE | 0:21:39 | 0:21:41 | |
APPLAUSE | 0:21:49 | 0:21:51 | |
APPLAUSE | 0:21:55 | 0:22:00 | |
APPLAUSE | 0:22:00 | 0:22:02 | |
APPLAUSE | 0:22:50 | 0:22:52 | |
APPLAUSE | 0:23:00 | 0:23:02 | |
One more! | 0:23:04 | 0:23:06 | |
Send them away! | 0:23:25 | 0:23:27 | |
D wing. Come on, let's hear it for David and Dania! Yeah! | 0:23:27 | 0:23:32 | |
Take 'em away! | 0:23:34 | 0:23:35 | |
Well, marvellous, marvellous. | 0:23:37 | 0:23:39 | |
Next time you're getting changed for PE, | 0:23:39 | 0:23:42 | |
see if you can do it as quickly as that! | 0:23:42 | 0:23:44 | |
-LAUGHTER -Mr Burgess? Over to you. | 0:23:44 | 0:23:47 | |
Rather superb, I think you will agree. Did you enjoy that, madam? | 0:23:47 | 0:23:52 | |
-It was fabulous. -Fabulous. Rather impressive that. | 0:23:52 | 0:23:55 | |
-Could you get changed that quickly? -No. I take hours. | 0:23:55 | 0:23:59 | |
-But you enjoyed them? -Yeah. | 0:23:59 | 0:24:01 | |
-What did you think? -I thought it was the best performance | 0:24:01 | 0:24:05 | |
out of all of the performances. | 0:24:05 | 0:24:08 | |
-So it beats the human beatbox in your opinion, sir? -Yeah. | 0:24:08 | 0:24:11 | |
That could take the lead. In a final word, madam, for you? | 0:24:11 | 0:24:15 | |
Let's see if we can do it in one, this time. | 0:24:15 | 0:24:18 | |
-Unbelievable. -Unbelievable, sir! | 0:24:19 | 0:24:21 | |
We got a one-word answer! Over to you. | 0:24:21 | 0:24:23 | |
-Well, boys and girls, haven't they all been brilliant, yeah? -YEAH! | 0:24:23 | 0:24:28 | |
Well, my little jailers and jailbirds, you've got to decide now which of the performing prisoners | 0:24:28 | 0:24:34 | |
will be released, their debt to society paid. | 0:24:34 | 0:24:36 | |
And you are going to decide by the clap-o-meter. | 0:24:36 | 0:24:39 | |
But first, let's welcome them back on stage. | 0:24:39 | 0:24:42 | |
From A wing, it was Asher Tea and his Diablo! | 0:24:42 | 0:24:45 | |
We have the brilliant Beatbox on B Block. | 0:24:45 | 0:24:48 | |
Fraser Hooper made us laugh and the fabulous David and Dania. | 0:24:48 | 0:24:54 | |
All right then, I want you to now make some noise on the clap-o-meter | 0:24:54 | 0:24:59 | |
for Asher Tea and his Diablo! | 0:24:59 | 0:25:02 | |
APPLAUSE | 0:25:02 | 0:25:04 | |
There we are, a rather subdued Asher Tea there. | 0:25:08 | 0:25:11 | |
There we are, well, let's see what his score was. | 0:25:11 | 0:25:14 | |
There we are - 103.3. | 0:25:14 | 0:25:16 | |
Give him a round of applause. | 0:25:16 | 0:25:17 | |
All right then, a good score for Asher Tea. | 0:25:17 | 0:25:20 | |
Now, let's see what you thought of the very unusual sounds from B Block | 0:25:20 | 0:25:25 | |
of Beatbox Unorthodox. | 0:25:25 | 0:25:28 | |
LOUD CHEERS | 0:25:28 | 0:25:31 | |
Lots of noise there. Beatbox - you liked him! | 0:25:31 | 0:25:36 | |
-Let's have a... -HE BEATBOXES | 0:25:36 | 0:25:39 | |
On the clap-o-meter, he got a score of... | 0:25:39 | 0:25:42 | |
101.1. | 0:25:42 | 0:25:44 | |
My word! So it's still Asher Tea in the lead. All right then, | 0:25:44 | 0:25:48 | |
the third performing prisoner was very unusual, but you loved him. | 0:25:48 | 0:25:53 | |
Please make some noise for C Wing's very own Fraser Hooper? | 0:25:53 | 0:25:58 | |
Oh yes! | 0:25:58 | 0:26:00 | |
SUBDUED APPLAUSE | 0:26:00 | 0:26:03 | |
Well, there we are. Everyone has their opinion. | 0:26:06 | 0:26:09 | |
The only opinion that matters is the clap-o-meter. | 0:26:09 | 0:26:12 | |
Just 97. So, who's going to be taking that walk to freedom? | 0:26:12 | 0:26:16 | |
At the moment, it's going to be Asher Tea and his Diablo. | 0:26:16 | 0:26:19 | |
He's going to be dancing away out of the Slammer | 0:26:19 | 0:26:23 | |
and Mr Burgess doesn't like to see anyone leaving. | 0:26:23 | 0:26:27 | |
We had one more performing prisoner act to see. They were from D Block | 0:26:27 | 0:26:31 | |
but we were only holding them until they could go back to the USA. | 0:26:31 | 0:26:36 | |
Will they be stepping across the pond tonight? | 0:26:36 | 0:26:38 | |
Let's find out as you give your applause and cheers | 0:26:38 | 0:26:42 | |
for the fabulous David and Dania! | 0:26:42 | 0:26:45 | |
LOUD CHEERS AND APPLAUSE | 0:26:45 | 0:26:47 | |
Let's have a look at the score - a fabulous 145.5! The winners! | 0:26:58 | 0:27:03 | |
Step forward. David and Dania. | 0:27:03 | 0:27:05 | |
They go free, their debt to society paid. | 0:27:07 | 0:27:11 | |
Free at last. The rest of them, take them away. David and Dania! | 0:27:11 | 0:27:16 | |
They're free at last. Free at last! | 0:27:16 | 0:27:19 | |
They're free. Go free! | 0:27:22 | 0:27:25 | |
We'll be back soon for more fun in The Slammer with the Governor. | 0:27:25 | 0:27:30 | |
Tatty-bye, bye-bye. | 0:27:30 | 0:27:32 | |
CHEERING | 0:27:32 | 0:27:32 | |
Ah, young Jeremy. Come for your lunch money, have you? | 0:27:50 | 0:27:54 | |
-There you go. -Oh, thank you. | 0:27:54 | 0:27:57 | |
Twit. | 0:28:00 | 0:28:02 |